Color panoramic pinhole photography

Rochester Institute of Technology

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Theses

Thesis/Dissertation Collections

1-18-1974

Color panoramic pinhole photography

Richard Stanley

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Recommended Citation

-'1

Richard J. Stanley

John Pfahl

~

3/,

1974

Charles A. Arnold, Jr.

THESIS

PROPOSAL

for

The

Master

of

Fine

Arts

Degree

College

of

Graphic

Arts

and

Photography

School

of

Photographic

Arts

and

Sciences

ROCHESTER

INSTITUTE

OF

TECHNOLOGY

**************************************************************

TITLE

Color

Panoramic

Pinhole

Photography

PURPOSE:

To

investigate

the

potential of a

home-made

panoramic pinhole camera used as a

tool

of color

photography

.

SUBMITTED

BY:

Richard

J.

Stanley

January 18,

1974

THESIS

BOARD:

Chief

Advisor

Charles

A.

Arnold,

Jr.

Professor,

School

of

Photographic

Arts

Sciences,

Rochester

Institute

of

Technology

Associate

Advisors

John

Pfahl

Assistant

Professor,

School

of

Photographic

Arts

Sciences,

Rochester

Institute

of

Technology

Ed

Miller

Assistant

Professor,

Thesis

Proposal

Page

2

SCOPE

AND

BACKGROUND OF

THE

THESIS

The

Panoramic

Image

The

panoramic photograph

has

held

the

fascination

of

generations.

Some

of

the

earliest

daguerreotypes

were pano ramas of

Paris

and other

European

cities.

Later,

the

"ban

quet camera"

was

widely

used as a

tool

to

record assemblies at social

functions,

as well as

to

aid

the

pictorial

photog

rapher.

All

of

the

above,

in

addition

to

the

work of contem

poraries such as

Joseph

Sudek,

were photographs

incorporating

the

accurate

recording

of

figures

and objects

'on

the

horizontal

plane.

Recently,

perhaps

in

response

to

the

vertical emphasis

of modern

cities,

photographers such as

Eric

Renner*

have

aligned panoramic cameras

along

the

vertical axis.

In

all

instances

the

image's

beauty

seems

to

be

its

propensity

to

record a plethora of objects which spice

the

mind's sense of

the

camera's purview at a certain

time

and place.

It

is

this

capability

which

fascinates

me,

especially

the

elegance with

which man and

his

context

may

be

photographed.

The

Pinhole

Image

The

pinhole camera

represents

to

me one of

the

most

rudimentary

forms

of photographic

image

making

in

that

subject and record confront each other

directly

with mere air

between

them;

no

lenses

are employed.

A

kind

of

direct

transferral

of electro-magnetic

energy

occurs

in

the

same manner as

in

the

centuries-old camera obscura and

the

resultant

"sun

prints.'

The

images

have

a primitive

beauty incorporating

rings of

distortion

and

indistinct

edges.

Despite

the

above aberra

tions

the

images

can

be

quite

sharp

and

have

a wide-angle

quality

suitable

for

recording

a

broad

context.

The

Color

Image

The

color aspect of

the

thesis

would reflect

my

current

infatuation

with color

photography

generally---and

particularly

the

"straight

print."

If

photography

is

a method

to

record and

to

express

human

experience,

then

"straight"

color

photography

seems

to

me one

step

beyond black

and white

*Eric

Renner

is

a photographer

living

near

Alfred,

N.Y.

His

work

is

in

the

collection of

The

Museum

of

Modern Art

and other

collections,

as well as

in

The Art

of

Photography,

New

York:

Thesis

Proposal

Page

3

photography

toward

the

quality

of verisimilitude

I

admire.

With

this

beautiful

quality

of verisimilitude comes an

additional

problem,

i.e.

aesthetically

pleasing

color

harmony.

The

challenge

then

of color

photography

as

I

intend

to

use

it

is

to

record

circumstances

of

my

life

as

closely

as possible while

retaining

both

visual and chromatic

harmony

and elegance.

Combining

Panoramic,

Pinhole,

and

Color

Photography

The

scope of

the

thesis

is

to

produce pinhole-made

photographic

images

which are panoramic

in

nature and

in

color.

I

have

already

produced

images

which

incorporate

the

qualities

above,

except

that

they

are

in

black

white,

not

color.

To

my

knowledge

color

has

never

been

attempted.

The

camera used was

home-made,

utilized six pinholes and 5"

X

17"

film.

Because

of

the

construction

(see

diagrams)

,

the

six

images

dissolve

and

juggle

themselves,

creating

a new visual

space which

seemingly

lies

along

a

continuous,

but

false,

axis

while at

the

same

time

retaining

localized

visual

fidelity.

This

combination of montage and "straight" reproduction

is

the

camera's unique metaphor.

There

are several ways

in

which

these

images

could

be

produced.

The

most obvious

way

is

to

record a somewhat

literal

360

panorama,

either

along

a

horizontal

or vertical axis.

Another

method

I

have

tried

is

to

compose a shot and

then

expose

one pinhole at a

time

while

changing

the

composition of

the

scene

before

the

next pinhole

is

rotated

into

position.

In

this

manner one

may

combine repeated and

changing

imagery

(e.g.

a panorama

incorporating

a

horizon

with several

setting

suns

while

the

foreground

subject changes position

in

each shot).

Although

I

prefer

the

more

traditional

panoramic shots

because

of

their

greater sense of

verisimilitude,

any

combination of

the

above

described

approaches could

be

attempted.

Because

color pinhole work

is

a

relatively

uninvestigated

area,

some

fascinating

phenomena might

occur,

i.e.

spectral

distortions.

These

aberrations

have

occurred

in

the

black

and white

images

as streaks of

light

grey.

In

color

they

could

be

of a more chromatic nature.

In

any

event

the

color would seem

to

underscore a sense of

believability

in

the

montages,

which

Thesis

Proposal

Page

4

Procedures

:

The

photographs could

be

made almost anywhere

there

is

ample

light.

What

I

would

like

to

photograph,

however,

is

as mentioned

above,

man and

his

context,

or

the

vestiges

thereof

As

long

exposures are

de

rigeur with

this

camera,

bright,

warm

seasons

lend

themselves

best

to

outdoor work and minimal ex

posures.

The

spring

would

be

a good season

in

which

to

photo graph and

the

West,

known

for

its

dry,

sunny

climate,

would

be

an excellent

location.

I

may,

therefore,

take

many

of

the

photographs on a

cross-country

trip

thereby

maximizing

use of

fine

weather and

capturing

the

flavor

of

the

man-made

environment of

contemporary highways.

Of

all .of man's en

vironments,

the

car-oriented aspects

fascinate

me most.

This

camera could

be

an

invaluable

tool

of

documentary

photography.

A

trip

from

coast

to

coast affords numerous opportunities

to

record unusual man-made environments adjacent

to

highway

commercial areas .

Upon

my

return

the

prints,

which could

have

been

achieved via

any

or all of

the

following

means:

direct

color paper

positives,

color paper

negatives,

or

by

the

traditional

color negative

film,

paper print

means,

could

be

prepared and assembled

into

a show of nine

to

fifteen

color prints.

An

album could

be

an alternative

display

method.

The

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