Kala: journeyings through colour and time
20
0
0
Full text
(2) BAIN, G.. (1975) Celtic Art: Methods of Construction. UK: William Maclellan.. BALL, P.. (2001) Bright Earth: The Invention of Colour. Viking, Penguin Books Ltd.. BARRON, T.. (1979) The Art of Tahiti and the Neighbouring Society, Austral and Cook Islands. London: Thames and Hudson Ltd.. BATTERSBY, J.. (1995) Art and Airports. NSW: FAC Publicaton.. __________. (1996) Art in Airports 2, in (Craft Arts International, No. 37, 1996), 52-55.. London:. BAUVAL, R., HANCOCK, G. (1996) Keeper of Genesis. London: Heinemann Ltd. BAYLEY, H. (1912) The Lost Language of Symbolism, Volume I. London: Williams and Norgate.. BEAZLEY, M.. (1976) The World of Animals. London: Mitchell Beazley Publishers.. BECKER, U. (ed.). (1994) The Element Encyclopaedia of Symbols. Dorset: Element Books Ltd.. BERGSON, H.. (1910) Time and Free Will: An Essay on the Immediate Data of Consciousness. (trans. F.L. Pogson), London: George Allen and Unwin Ltd.. BETZ, G.. (1984) Drawings x 4, in (Arts National, Volume No. 2, Issue 1, 1984), 44-45.. BIEDERMANN, H.. (1970a) Alchemy: A Secret Language of the Mind, in (Cavendish, R. (ed.), 1970), 56-57.. __________. (1970b) Mercury, in (Cavendish, R. (ed.), 1970), 1807-8.. __________. (1970c) Philosophers Stone, in (Cavendish, R. (ed.),1970), 2178.. BINSKI, P. BOCK, A.. (1991) Medieval Craftsmen: Painters. Library Press.. London: British. (1983a) Tracing the Mythical, in (Artnetwork, No. 9, 1983), 70-71.. 543.
(3) ___________. (1983b) Painted Myths, in (Linq, Volume No. 11, No. 2, 198384), 18-31.. BONER, A.. (1966) Introduction, in (Boner, A., Sarmā, 1982),xlix.. S.R. (trans.),. __________. (1982) Introduction, in (Boner, A., Sarmā, S.R., Bäumer, B. (trans.), 1982), 2-7.. BONER, A., SARMĀ, S. R. (trans.), (1966) Silpa Prakāsa: Medieval Sanscrit Text on Temple Architecture, by Rāmacandra Kaulācāra. Leiden: E.J. Brill. __________. (trans.), (1982) Vāstusūtra Upanisad: The Essence of Form in Sacred Art. Dehli: Motilal Banarsidass.. BORGES, J.L.. (1972) Labyrinths. England: Penguin Books Ltd.. __________. (1974) The Book of Imaginary Beings. (trans. N. T. di Giovanni), England: Penguin Books Ltd.. BOUCHARDON, P.. (1999) The Healing Energies of Trees. Boston: Journey Editions.. BOULEAU, C.. (1980) The Painter’s Secret Geometry: A Study of Composition in Art. New York: Hacker Art Books Inc.. BOWEN, R.. (1992) Drawing Master Class: The Slade School of Fine Art. London: Ebury Press.. BRACHER, R.. (1948) A Book of Common Flowers. London: Oxford University Press.. BRANDON, S.G.F.. (1965) History, Time and Deity. Manchester: Manchester University Press.. BRETON, A. (1924) Surrealist Manifesto, in (Schneede, U.M., 1972), 56.. BROD, M. (ed.),. (1964) The Diaries of Franz Kafka 1910-23. England: Penguin Books Ltd.. BROW, F.. (1962) Collage. New York: Pitman Publishing Corporation.. BROWN, D.B.. (1991) Foreword, in (Upstone, R., 1991), 6-7.. BROWN, M.P.. (1994) Understanding Illuminated Manuscripts: A guide to Technical Terms. California: John Paul Getty Museum in association with the British Museum.. BRUCE, A.. (1993) Small Works Wide Visions. Queensland: Downlands College Publication. 544.
(4) BUTLER, R.. (2001) Trouble in Paradise, in (Thomson, F. (ed.), 2001), 2.. CAMP, J.. (1981) The Drawing Book. New York: Holt, Rinehart and Winston.. CARTER, M.. (1993) Framing Art: Introducing Theory and the Visual Image Sydney: Hale and Iremonger Pty. Ltd.. CASTANEDA, C.. (1970) The Teachings of Don Juan: A yaqui Way of Knowledge. England: Penguin Books Ltd.. __________. (1971) A Separate Reality: Further Conversations with Don Juan. London: Bodley Head Ltd.. __________. (1979) Second Ring of Power. London: Penguin Book Ltd.. CAVENDISH, R. (ed.), (1970) Man, Myth and Magic. London: Purnell Publishing. CENNINI, C. d’A.. (c. 1390), Il libro dell’Arte, in (Thompson, D.V. jr. (trans.), 1954), 45-47.. CHAKRAVARTI, T.N. (1978) The Universe of Colour: Modern Western and Ancient Indian Perspectives. Calcutta: Putul Chakravarti. CHETWYND, T.. (1982) Dictionary of Symbols: Language Unconscious,Volume I. London: Aquarian Press.. CHILD, H.(ed.),. (1986) The Calligraphers Handbook. Black.. of. the. London: A and C. CHILDS, C., KLEIN, J. (1995) Oceanic Escapes, in (Turner, C. and Benjamin, R. (eds), 1995), 123-135. CICERO, C., CICERO, S.B. (eds), (1999) The Garden of Pomegranates: Skrying the Tree of Life. St. Paul, Minnesota: Llewellyn Publications. CIRLOT, J.E.. (1988) A Dictionary of Symbols. London: Routledge and Kegan Paul Ltd.. CLEAVER, D.G., EDDINS, J.M. (1977) Art and Music: An Introduction. New York: Harcourt, Brace, Jovanovich, Inc. COHEN, H.. (1998) Shaman or just sham? in (The Australian, September 16, 1998), 41.. COLE, A.. (1993) Colour; The Essential Visual Guide to the Art of Colour from Renaissance Painting to Modern Mediums. London: Harper Collins Publishers.. 545.
(5) COLLIER, G.. (1972) Art and the Creative Consciousness. New Jersey: Prentice Hall, Inc.. Collins Dictionary of the English Language. (1983) Australian Edition. G.A. Wilkes (ed.), Sydney: Wm. Collins Publishers Pty. Ltd. COLLIS, M.. (1962) Stanley Spencer: A Biography. London: Harvill Press.. CONAN DOYLE, A. (1956) Sherlock Holmes: The Complete Short Stories. London: John Murray Publishers Ltd. __________. (1966) Sherlock Holmes: The Complete Long Stories. London: John Murray Publishers Ltd.. COOK, P., ALTMAN, J. (eds), (1982) Aboriginal Art at the Top. Maningrida, Northern Territory: Maningrida Arts and Crafts Publications. COOK, R.. (1974) The Tree of Life: Symbol of the Centre. London: Thames and Hudson Ltd.. COOPER, J.C.. (1982) An Illustrated Encyclopaedia of Traditional Symbols. London: Thames and Hudson Ltd.. __________. (1984) Symbolism: The Universal Language. Northamptonshire: The Aquarian Press.. COWIE, E.. (1993) Unpublished Lecture.. __________. (1994) Unpublished Lecture.. __________. (1995) Unpublished Lecture.. CRONIN, L.. (1995) Key Guide to Austalian Trees. Australia: Reed Books.. CROWLEY, A.. (1984) Magick. Maine: Samuel Weiser Inc.. CUNNINGHAM, S.. (1986) Earth Power. St. Paul, Minnesota: Llewellyn Publications.. DALI, S.. (1968) The Secret Life of Salvador Dali. (trans. H. M. Chevalier), London: Vision Press Ltd.. __________. (1970) Dali by Dali. (trans. E. Morse), New York: Harry N Abrams Inc. Publishers.. 546.
(6) __________. (1976) Diary of a Genius: An Autobiography. (trans. R. Howard and G. Snell), London: Picador Hutchinson and Co. Publishers.. DAVIS, S.. (1989) Man of all Seasons. Australia: Angus and Robertson.. __________. (1989) Introduction, in (Davis, S., 1989), 2.. DE FIORI, G.. (1984) The Drawing Course, Volume 1. New York: WatsonGuptill Publications.. DELAVOY, R. L.. (1982) Symbolists and Symbolism. International Publications, Inc.. DE ROLA, S.K.. (1973) Alchemy: The Secret Art. New York: Avon Books.. DILKE, O.A.W.. (1987) Reading the Past: Mathematics and Measurement. London: British Museum Publications.. DIRRINGER, D.. (1954) The Book before Printing: Ancient, Medieval and Oriental. New York: Dover Publications Inc.. DOBRÉE, B.. (1954) Alexander Pope’s Collected Poems. London: J.M. Dent and Sons Ltd.. DONDIS, D.A.. (1989) Primer of Visual Literacy.Cambridge, Massachusetts: MIT Press.. DOUGLAS, N.. (1997) Spiritual Sex: Secrets of Tantra from the Ice Age to the New Millenium. New York: Pocket Books, Simon and Schuster Inc.. DUMAS, A.. (1958) The Count of Monte Cristo. (trans. A. Tille), first edition 1844, London: J.M. Dent and Sons Ltd.. New York: Rizzoli. DUNKERTON, J., FOISTER, S., GORDON, D., PENNY, N. (1991) Giotto to Dürer: Renaissance Painting in the National Gallery. London: National Gallery Publications. ECO, U.. (1983) Name of the Rose. London: Secker and Warburg.. __________. (1985) Reflections on the Name of the Rose. London: Secker and Warburg.. ELDERFIELD, J.. (1978) The Cut-outs of Henri Matisse. New York: George Braziller, Inc.. ELIOT, T.S.. (1921) London Letter, in (Murray, P., 1991) 202.. 547.
(7) __________. (1967) Poems Written in Early Youth: London: Faber and Faber Ltd.. ________(ed.),. (1974) T.S. Eliot: Collected Poems 1909 – 1962, first edition 1963, London: Faber and Faber Ltd.. __________. (1986) Old Possum’s Book of Practical Cats. first edition 1939,London: Faber and Faber Ltd.. __________(ed.),. 1989) Four Quartets. first edition 1943, London: Faber and Faber Ltd.. ERDMAN, D.V.. (ed.), (1973) Notebook of William Blake: A Photographic and Typographic Facsimile. Oxford: Clarendon Press.. FARRELL, B.. (1963) Introduction, in (Freud, S., 1910), 29.. FEUERSTEIN, G.. (1989) Yoga: The Technology of Ecstasy, Los Angeles: Jeremy P. Tarcher, Inc.. __________. (1997) The Shambala Encyclopaedia of Yoga. Boston and London: Shambhala Publications Inc.. __________. (1998) Tantra: The Path of Ecstasy. Publications.. __________. (1998) Preface, in (Feuerstein, G., 1998), x.. Boston: Shambhala. FEUERSTEIN, G., KAK, S., FRAWLEY, D. (1995) In Search of the Cradle of Civilization: New Light on Ancient India. Wheaton, Illinois: Quest Books. FLAM, J.D.. (1990) Matisse on Art. Oxford: Phaidon Press Ltd.. FLOOD, J.. (1990) The Riches of Ancient Australia: A Journey into Prehistory.Queensland: University of Queensland Press.. FONTANA, D.. (1993) The Secret Language of Symbols. London: Pavillion Books Limited.. FRAWLEY, D.. (1996) Tantric Yoga and the Wisdom Goddesses. Passage Press.. FRAZER, I.. (2002a) Envisaging new Eden, in (Townsville Bulletin, November 27), 21.. __________. (2002b) It’s illuminating, in (Townsville Bulletin, November 30),60.. 548. Utah:.
(8) FRAZER, Sir J.,. (1890) The Golden Bough, in (Eliot, T. S., 1921), 202.. FREUD, S.. (1963) Leonardo da Vinci and a Memory of his Childhood. First published 1910, this edition trans. Alan Tyson 1957. London: Penguin Books Ltd.. FRIEDMAN, B., WOOD, P. (2000) Hawaii, London: Darling Kindersley Limited. FRIEND, H. FRITH,. C.,. (1884) Flowers and Flower Lore, in (Morley, B.D., 1973), 176. FRITH, D.F. (1985) Australian Tropical Birds. Queensland:Tropical Australia Graphics.. Paluma,. FRYE, N.. (1963) in, T(homas) S(tearns) Eliot. [Online], Contemporary Authors, Gale (2003). Document 1 of 10, p.13 of 26. Available: http://galenet.galegroup.com.servlet [2005, Jan. 7].. FUCHS, A.. (2000) Ernst Fuchs – Gallery, [Online], p.3 of 3, Available: http://www.ernstfuchs-gallery.com/estart.html. [2003, Jul.3].. GAGE, J.. (1995) Colour and Culture: Practice and Meaning from Antiquity to Abstraction. London: Thames and Hudson.. GANDHI, L.. (1998) Postcolonial Theory: A Critical Introduction. NSW: Allen and Unwin.. __________. (1998) Preface, in (Gandhi, L., 1998), viii.. GARRISON, O.. (1964) Tantra. New York: Julian Press.. GATT, G.. (1968) Max Ernst. London: Hamlyn.. GERMAINE, M.. (1990) Dictionary of Australian Artists and Galleries. Volume II, NSW: Craftsman House Publishers.. GHERANDA.. (c. 1675-95) ‘Trātaka or Gazing’, in (Vasu, S.C. (trans.), 1976), 21.. GHYKA, M.. (1977) The Geometry of Art and Life. New York: Dover Publications, Inc.. GILLESPIE, D.. (1981) The Artist as Scientist, in (Cook, P. and Altman, J. (eds), 1981), 17-19.. 549.
(9) GIMBUTAS, M.. (1982) The Goddesses and Gods of Old Europe: 6500-3500 BC Myths and Cult Images. Berkley: University of California Press.. GIRARD, X.. (1994) Matisse: The Sensuality of Colour. London: Thames and Hudson Ltd.. GISH, N.K.. (1981) Time in the Poetry of T.S. Eliot: A Study in Structure and Theme. London: The Macmillan Press Inc.. GOODWIN, E. M.. (2000) Classic Mosaic. Australia: New Holland Publishers Pty. Ltd.. GOWING, L.. (1991) Remembering Coldstream, in (Gowing, L. and Silvester, D., 1990), 21.. GOWING, L., SILVESTER, D. (1990) The Paintings of William Coldstream 1908 – 1987. London: Tate Gallery Publications. GROHMANN, W.. (1966) Paul Klee. Publishing.. London: Marlborough Fine Art. GULPILIL, D., GOODMAN, S. (1979) Gulipilil’s Stories of the Dreamtime. Sydney: William Colins Publishers Pty. Ltd. GUY, J.. (1982) Palm-leaf and Paper: Illustrated Manuscripts of India and South East Asia. Melbourne: National Gallery of Victoria.. HAFTMANN, W.. (1967) The Mind and Work of Paul Klee. London: Faber and Faber Ltd.. HAKIN, J., HURART, C., LINOSSIER, R., WILMAN-GABROWSKA, H. DE, MARCHAL, H. M., ELISEEV, S. (1997) Asiatic Mythology. New York: Crest Books. HALDANE, J.. (1976) Islamic Bookbindings. London: Victoria and Albert Museum with the Festival of Islam Trust.. HALL, C.A.. (1951) A Pocketbook of British Wildflowers, London: A and C Black Ltd.. HALL, J.. (1984) Hall’s Dictionary of Subjects and Symbols in Art. London: John Murray Ltd.. __________. (1994) Hall’s Dictionary of Symbols in Eastern and Western Art. London: John Murray Ltd.. 550.
(10) HARRIS, D.. (1991) Calligraphy: Inspiration , Innovation , Communication.London: Anaya Publishing Ltd.. HAYES, C.. (1986) The Complete Guide to Painting and Drawing Techinques and Materials. Oxford: Phaidon Press Ltd.. HENRY, G.J.. (1969) Girroo Gurrll: The First Surveryor. Brisbane: W.R. Smith and Paterson Pty. Ltd.. HESSE, H.. (1972) Rosshalde. (trans. R. Manheim), first edition 1914, London: Pan Books Ltd.. __________. (1969) Damian. (trans. W. J. Strachen), first edition 1914, London: Panther Books Ltd.. __________. (1973) Klingsor’s Last Summer. (trans. R and C. Winston), first edition 1920, London: Pan Books Ltd.. __________. (1971) Steppenwolf. (trans. B. Creighton), first edition 1927,England: Penguin Books Ltd.. __________. (1943) The Glass Bead Game (Magister Ludi). (trans. R. and C.Winston), England: Penguin Books Ltd.. __________. (1957) Siddhartha. (trans. H. Rosner), New York: New Directions Publications Corp.. __________. (1971) Narciss and Goldmund. (trans. G. Dunlop), first edition 1959, England: Penguin Books Ltd.. HIRST, G.. (1991) Seeing Green. Queensland: Perc Tucker Regional Gallery Publication.. HOCKNEY, D.. (1981) Introduction, in (Camp, J., 1981), 6-7.. HOENER, A.. (1987) Synergistic Colour Mixing, in (Zelanski, P., Fisher, M.P. 1989), 104-106.. HOLLIDAY, I.. (1994) A Field Guide to Australian Trees. Australia: Lansdowne Publishing Pty. Ltd.. HOPE, M.. (1991) Time: The Ultimate Energy, Dorset, Element Books Ltd.. HOYLAND, F.. (1987) Challenges of the Past, in (Mann, Z. (ed.), 1981), 6671.. ISAACS, J. (ed.),. (1980) Australian Dreaming: 40,000 Years of Aboriginal History. Sydney: Landsdowne Press.. 551.
(11) ISHAK, F.M.. (1970) The Mystical Philosophy of T.S. Eliot. Connecticut: New Haven.. IWAKI, M.. (1991) Eight Artists in Townsville. Iwaki, Japan: Iwaki City Art Museum.. JACKES, B.R.. (1987) Plants of Magnetic Island. Townsville, Australia: Department of Botany, James Cook University.. JACOBSON, P.R.. (2000) Drinking Lightning: Art Transformation. Australia: Interface.. JAMESON, F.. (1992) Postmodernism or the Cultural Logic of Late Capitalism. London: Verso.. JEFFERY, I.(1984). The English Landscape, 1930 – 1950. London: Thames and Hudson Ltd.. JENKS, C.(1989). What is Post-Modernism? third edition, London: Academy Editions Ltd.. JOHNSTON, E.. (1906) Writing, Illuminating and Lettering. Pitmann.. JUDITH, A.. (1998) Wheels of Life, Minnesota, USA: Publications.. JUNG, C.G.. (1973) Mandala Symbolism: The Collected Works of C.G. Jung. Volume 9, Part 1, Bollingen Series XX. First Princeton/Bollingen paperback edition 1972. New Jersey: Princeton University Press.. KAFKA, F.. (1961) Metamorphoses. (trans. W and E. Muir), first edition 1916, England: Penguin Books Ltd.. __________. (1971) The Castle. (trans. W and E. Muir) first edition 1926, England: Penguin Books Ltd.. KANDINSKY, W.. (1966) Concerning the Spiritual in Art. (trans. Sadlier) first edition 1912, New York: George Wittenborn Inc.. __________. (1979) Point and Line to Plane. (trans. H. Dearstyne and H. Rebay), first edition 1926, New York: Dover Publications Inc.. KANT, I.. (1775) Copernican Revolution, in (Thompson, M., 2002), 23.. KAPLAN, R.B.. (1993) T.S. Eliot’s Major Poems and Plays. Cliffs Notes Inc.. 552. Creativity. and. London: Llewellyn. Nebraska:.
(12) KEARNS, C.M.. (1987) T.S. Eliot and Indic Traditions: A Study in Poetry and Belief. Cambridge: Cambridge University Press.. KELLY, K.. (2000) Art Built-in: Information and Advice for Artists.Queensland, Queensland Government Publications.. KHANNA, M.. (1979) Yantra: Cosmic Symbol of Tantric Unity. London: Thames and Hudson.. KING, S.. (2003) Around the Globe, in (King, S., 2003), 23.. __________. (2003) Mosaic: Techniques and Traditions. New York: Sterling Publishers Co., Inc.. KINGSLAND, K and V. (1976) Complete Hatha Yoga. Newton Abbot: David and Charles. __________. (1977) Hathapradipika. Communications.. KLIMA, S.. (1998) Artists’ Books: A Critical Survey of the Literature. New York: Granary Books Inc.. KUBIN, A.. (1909) Die Andere Seite, in (Haftmann, W., 1967), 47.. LAMBERT, S.. (1985) Drawing: Technique and Purpose. London: Trefoil Publications.. LAUGHTON, B.. (1986) The Euston Road School: A Study in Objective Painting. England: Scolar Press.. LAWLOR, R. (1982) Sacred Geometry: Philosophy and Practice. London: Thames and Hudson. (1991) Vioces of the First Day, Rochester, Vermont: Inner Traditions.. __________. Torquay,. England:. Grael. LE CRAS, R.(ed.),. (1987) The Teaching Stones of the Lost Tribe. Western Australia: Australian Aboriginal Culture Abroad Pty. Ltd.. LIDDY, P.. (2000) Striking Imagery of the North, in (University News: University of Queensland, November 21), 2.. LINCOLN, H.. (1992) The Holy Place. London: Corgi Books.. LINDSTRŐM, C.C., HOLMLUND, P. (2003) The Manic Landscape: Mati Klarwein, [Online], pp. 2-3 of 7, Available:http://www.artbin/art/aklarwein.html. [2003, Jul.1]. 553.
(13) LING, R.. (1995) Ancient Mosaics. London: British Museum Press.. LISTER, R.. (1987) The Paintings of Samuel Palmer. Cambridge University Press.. Cambridge:. LIVINGSTON, M., WIGGINS, C. (1996) Now we are 64: Peter Blake at the National Gallery. London: National Gallery Publications. LUCIE-SMITH, E.. (1981) Mario Dubsky: Tom Pilgrim’s Progress among the Consequences of Christianity. London: Gaymens Press.. LOVELL, D.. (1995) Glass Art slow, with flying finish, in (The Sunday Mail, May 7), 22.. LUERAS, L.. (1987) Bali the Ultimate Island. Australia: Viking, Penguin Books Ltd.. MACAULAY. D.. (1988) Spirit and Space. Sydney: Australia Council Publications.. MANN, A.T.. (1993) Sacred Architecture. Shaftesbury, Dorset: Element Books Ltd.. MANN, Z. (ed.),. (1987) Past and Present: Contemporary Artists Drawing from the Masters. London: South Bank Publications.. MAYER, R.. (1981) The Artist’s Handbook of Materials and Techniques. London: Faber and Faber Ltd.. MAYO, C.. (1944) Shells and How They Live. London: Pleiades Books.. McCARTHY, F.D.. (1979) Australian Aboringinal Rock Art. Sydney: The Australian Museum.. McGUIRE, W. (ed.),. (1973) Editorial Preface, in (Jung, C.G., 1973), v.. McPHAIL, I.. (1996) Reeflections: Images Inspired by the Great Barrier Reef. Queensland: Great Barrier Reef Marine Park Authority Publiction.. MILLINGTON, J.. (1987) Tropical Visions.Queensland: The University of Queensland Press.. MON, F.. (1968) Prinzip Collage, in (Schneede, U.M., 1972), 122.. MOOKERJEE, A.,. (1971) Tantra Asana: A Way to Self-Realization. Basle: Ravikumar Publishing.. 554.
(14) MOOKERJEE, A., KHANNA, M. (1989) The Tantric Way: Art, Science, Ritual. London: Thames and Hudson Ltd. MORLEY, B.D.. (1973) Wild Flowers of the World. London: Octopus Books Ltd.. MORPHET, R.. (1984) The Hard-Won Image: Traditonal Subject and Image in Recent British Art. London: Tate Gallery Publications.. MOUND, L., BROOKS, S. (1995) Insects. The N S W, Australia: Readers Digest (Australia) Pty. Ltd., MULLINS, B., BAGLIN, D. (1976) Australia’s Great Barrier Reef. Sydney: A.H. and A.W. Reed Party Limited. MURDOCH, A.. (1999) Art to showcase Strand, in (Townsville Bulletin, June 11), 10.. MURRAY, P.. (1991) T.S..Eliot and Mysticism: The Secret History of Four Quartets. London: Macmillan Academic and Professional Ltd.. MURRAY, P., MURRAY, L. (1965) Dictionary of Art and Artists. England: Penguin Books Ltd. NEUMANN, E.. (1974) The Great Mother: An Analysis of the Archetype, Bollingen series XLVII. New Jersey: Princeton University Press.. NEWTON, E.. (1947) The Penguin Modern Painters: Stanley Spencer. England: Penguin Books Ltd.. NORDENFALK, C.. (1977) Celtic and Anglo-Saxon Painting: Book Illumination in the British Isles 600-800. London: Chatto and Windus.. OBERHARDT, M.. (1995) Airport art is now on a terminal plane, in (The Courier-Mail, June 26), 10.. OWEN, P.. (1973) Painting: Appreciation of the Arts/5. Oxford University Press.. PACIOLI, L.. (1509) Divina Proportione, in (Bouleau, C., 1980), 74.. PARISH, S.. (1997) Frogs and Reptiles. Publishing Pty. Ltd.. PASCARELLI, G.F.. (2000) Mosaic: Work of the Muses. Publicaton.. 555. London:. Queensland: Steve Parish Rome: Pascarelli.
(15) PENNICK, N.. (2001) Way of Natural Magic. London: Thorsons.. PENNISI, L.. (2001) Mosaic of Tropical Life, in (JCU Outlook, April 2001), 6.. PERRY, F., HAY, R. (1982) Guide to Tropical and Subtropical Plants. Australia: Sun Books Pty. Ltd. PHILLIPS, T. __________. (1975) Tom Phillips: Works/Texts to 1974. Stuttgart: Editions Hansjörg Mayer. (1992) Tom Phillips: Works and Texts. London: Thames and Hudson Ltd.. PHILLPOT, C.. (1982) Books, Bookworks, Book Objects, Artists’ Books, in (Klima, S., 1998), 25-26.. PINCENT, C.. (1986) On Measurement, in (Laughton, B., 1986), 157.. PIPPALĀDA.. (c.1700-50) Vāstusūtra Upanisad, in (Boner, A., Sarmā, S.R., Bäumer, B. (trans.), 1982), 49-55.. PLATO. (c.358-4 BCE) Timaeus, in (Lawlor, R., 1982), 83.. POIGNANT, R.. (1970) Myths and Legends of the South Seas. Hamlyn Publishing Group Limited.. POPE, A.. (1733-34) An Essay on Man, in (Dobrée, B., (ed.), 1959), 189.. PRESTON, R. F.. (1990) The Lost Songs of Eden. Queensland: Perc Tucker Regional Gallery Publication.. London:. QUEENSLAND PARKS AND WILDLIFE. (1986) Townsville Town Common Aboriginal Plant Trail. Illustrated brochure, Townsville, Queensland. RĀMACANDRA, K. (circa 9th – 12th Cent. CE) Silpa Prakāsa, in (Boner, A. and Sarma, R.S. (trans.), 1966), 87. RAND, H.. (1991) Hundertwasser. Cologne: Benedikt Taschen Verlag.. RAWSON, P.. (1971) Tantra: The Indian Cult of Ecstasy. London: Thames and Hudson Ltd.. __________. (1978) The Art of Tantra. London: Thames and Hudson Ltd.. READE, C. (1955) Cloister and the Hearth. first edition 1861, London: J. M. Dent and Sons Ltd.. 556.
(16) REED, A.W.. (1978) Aboriginal Legends: Animal Tales. Sydney: A.H. and A.W. Reed Pty. Ltd.. REGARDIE, I.. (1932) The Literal Qabala, in (Cicero, C. and Cicero, S.B. (eds), 1999), 117.. RYAN, J.. (1990) Ngalyog, in (Lawlor, R. 1991), 120.. RHODES, C. (1994) Primitivism in Modern Art. London: Thames and Hudson.. SAINES, C.. (1992) Inside the Shadows, in (Searle, R. (ed.), 1992), 5-7.. SANCHEZ, V.. (1995) The Teachings of Don Carlos: Practical Applications of the Works of Carlos Castenada. Santa Fe: Bear Company Inc.. SARASWATI, S.J.. (1973) Meditation the Tantric Yoga Way. London: George Allen and Unwin Ltd.. SARASWATI, S.S.. (1973) Asana, Pranayama, Mudra, Bandha. Bihar: India.. SARUP, M.. (1988) An Introductory Guide to Post Structruralism and Postmodernism. London: Harvester Wheatsheaf.. SAXTON, C. (ed.),. (2003) Art School: An Instructional Guide based on the Teaching of Leading Art Colleges. London: Quantum Publishing Ltd.. SCHNEEDE, U.M.. (1972) Essential Max Ernst. London: Thames and Hudson Ltd.. SCHWALLER DE LUBICZ, R.A. (1978) Sybmbol and the Symbolic. (trans. R. and D. Lawlor), Rochester, VT: Inner Traditions International. __________. (1988) Sacred Science: The King of Pharaonic Theocracy. Rochester, VT: Inner Traditions International.. SEARLE, R.. (1991) Artist in the Tropics: 200 Years of Art in North Queensland. Queensland: Perc Tucker Regional Gallery Publication.. __________ (ed.),. (1992) Between the Tides: An Exhibition of Works on Paper from 1971-75 by Robert Preston. Townsville, Queensland: Perc Tucker Regional Gallery Publications.. SEARLE, R., SILVER, A. (1989) Robert Preston Survey Exhibition: Selection of Work from 1966-89. Queensland: Perc Tucker Regional Gallery Publication.. 557.
(17) SHARPE, E.J.. (1970) Fertility: Rhythm of the Seasons, in (Cavendish, R. (ed.) 1970), 932.. SILVER, A.. (1997) Seasons without Names. Unpublished doctoral thesis, James Cook University.. SILVER, A., McBURNIE, R. (1988) Letter from Townsville, in (Linq, Volume No.16, No. 2, 1988), 85-93. SINH, P. (trans.),. (1981) The Hatha Yoga Pradīpikā. Publications.. Dehli: Sri Satguru. SLATER, P.. (1997) First Field Guide to Australian Birds. Australia: Steve Parish Publishing.. SLOANE, P.. (1989) The Visual Nature of Colour. New York: Design Press.. SPILLER, J. (ed.),. (1964) Paul Klee: The Thinking Eye. (trans. R. Manheim), London: Lund Humphries.. __________ (ed.),. (1970) Paul Klee: The Nature of Nature – Notebooks. Volume 2, (trans. H. Norden), London: Lund Humphries.. SULLIVAN, E.. (1990) The Book of Kells. A facsimile reprint from The Studio (1920). London: Studio Editions.. ___________. (1920) Preface to the Second Edition, in (Sullivan, E., 1990), xiii – xiv.. SUTTON, P. (ed.),. (1989) The Art of Aboriginal Australia. New York: Viking.. __________. (1989) Responding to Aboriginal Art, in (Anderson, C., Jones, P., Dussart, F., Hemming, S., Sutton, P. (ed.), 1989), 44-45.. Sun Community Newspapers. (1999) ‘Art works for Strand’, in ((ed.) June 16), 10. SVATMARAMA, S. (c.1340-60) The Trātakam, in (Sinh, P. (trans.), 1981), 18. SWARBRICK, A.. (1988) Selected Poems of T.S.Eliot. Educational.. London: Macmillan. SZEKELY,E.B. (trans.), (1984) Lost Scrolls of the Essene Brotherhood, in (Szekely, E.B. (trans.), 1984), 193-195. ___________(trans.), (1984) The Gospel of the Essenes: Book III. Saffron Walden: C.S. Daniel and Co. Ltd.. 558.
(18) ___________. (1978) The Essene Way: Biogenic Living. USA: International Biogenic Society.. ___________. (1981) From Enoch to the Dead Sea Scrolls. International Biogenic Society.. ___________. (1954) Preface, in (Szekely, E.B., 1981), 7.. ___________. (1981) The Essenes by Josephus and his Contemporaries. USA: International Biogenic Society.. USA:. SZULAKOWSKA, U. (1990) Experimental Art in Queensland: An Introductory Study.Queensland: Griffith University, Queensland Studies Centre Publication. TEMPLE, R. (rev.ed.), (1998) The Sirius Mystery. London: Random House UK Ltd. THIEDE, C. P.. (2000) The Dead Sea Scrolls and the Jewish Origins of Christianity. Oxford: Lion Publishing.. THOMPSON, D. V. JR. (trans.),(1984) Cennino d’Andrea Cennini. The Craftsman’s Handbook: The Italian ‘Il Libro dell’Arte’. New York: Dover Publications Inc. THOMPSON, M.. (2000) Philosophy. Oxon, U.K: Bookprint Ltd.. THOMSON, F. (ed.), (2001) The Mixing of Memory with Desire. Townsville, Queensland: Perc Tucker Regional Gallery Publications. TITLEY, N.M.. (1979) Plants and Gardens in Persian, Mughal and Turkish Art. London: British Library.. TOLKIEN, J. R. R.. (1957) The Lord of the Rings, London: George Allen and Unwin Ltd.. TRESIZE, P.J.. (1971) Rock Art of South-East Cape York: Canberra: Australian Institute of Aboriginal Studies.. TSCHICHOLD, J.. (1983) Layout and Presentation in Manuscripts, in (Child, H. (ed.), 1986), 131-132.. TURNER, C., BENJAMIN, R. (eds.), (1995) Matisse. Brisbane: Queensland Art Gallery Publications. UPSTONE, R.. (1991) Sketchbooks of the Romantics. New Jersey: Wellfleet Press.. VALE, E., MANSBRIDGE, J. (1954) Abbeys and Priories. London: B. T. Batsford Ltd.. 559.
(19) VAN LYSEBETH, A. (1995) Tantra the Cult of the Feminine. Weiser Inc.. Maine: Samuel. VASU, S.C. (trans.),. (1976) The Gheranda-Samhitā: A Treatise on Hatha Yoga. Adyar, India; Theosophical Publishing House Ltd.. VERMES, G.. (1987) The Dead Sea Scrolls in English. London: Penguin Books Ltd.. VON FRANZ, M.L.. (1976) Time: Rhythm and Repose. London: Thames and Hudson Ltd.. WADDELL, H. (trans.), (1960) The Desert Fathers. London: Constable and Co. Ltd. WARBURG, A.. (1979) Anecdote cited by Stefan Füssel, in (Arnheim, R.1988), 91-92.. WATERER, H.. (1995) In Symbiosis with the View, in (Eyeline:Contemporary Visual Arts, No. 29, 1995), 22-23.. WESSELMANN, H.. (1996) Spiritwalker: Messages from the Future. New York: Bantam Books.. WEST, M.L.. (1970) Time, in (Cavendish, R. (ed.), 1970), 2848.. WESTON, J.. (1920) From Ritual to Romance, in (Murray, P., 1965), 201.. WIGGINS, C.. (1996) Peter Blake and the National Gallery, in (Livingston, M. and Wiggins, C., 1996), 20-31.. WILDEHEART, M. (2001) Going into detail, in (Townsville Bulletin, April 20), 22. WILMAN-GABROWSKA, H. DE, (1977) Brahmic Mythology, in (Hakin, J. et. al. 1977), 34-35. WILSON, D.H.. (1994) The Encyclopaedia of Calligraphy Techniques. Australia: Simon and Schuster.. WILSON, M.. (1991) Guide to the Sainsbury Wing at the National Gallery. London: National Gallery Publications.. WOOD, J.G.. (1869) Homes Without Hands: Being a Description of the Habitation of Animals, Classed According to their Principle of Construction. London: Longmans, Green and Co.. 560.
(20) WOODCOCK, J.. (1985) Layout and Presentation in Manuscripts, in (Child, H. (ed.), 1986), 127 – 153.. ZELANSKI, P., FISHER, M.P. (1989) Colour for Designers and Artists. London: The Herbert Press. ZIMMER, J., THOMSON, F., PRESTON, R. F. (2001) Communion to the Trees: Third Morning Communion, Essene Gospel of Peace Book III. (trans. E.B. Szekely), Melbourne: Macmillan Publishing Australia.. 561.
(21)
Related documents
In the following theorem, we show how the existence of a URMT protocol tolerating an arbitrary adversary structure A reduces to the existence of URMT protocols tolerating
[r]
We are very concerned about the proposal to change the National Quality Standard as we believe this process is not necessary at this stage, needs to be done with adequate sector
95% Confidence regions for fits of the von Bertalanffy growth model parameters to different length-at-age data groups.. Power function fitted to weight at length data for males
The main problems associated with the current SEDVEL version are: zero position drifting among the different cycles of the measurement and from its initial setup, possible floc
A replicon with the ORF2 and ORF3 genes deleted and replaced with the green fluorescent protein gene also replicated in the same primate cells that supported the replication of
This is to certify that the research work entitled “ A STUDY TO EVALUATE THE EFFECTIVENESS OF AUTOGENIC DRAINAGE AND POSTURAL DRAINAGE ON PULMONARY FUNCTIONS IN
Column densities toward G 173.49-MM1 derived from gas and dust observations agree within a factor of 2 (see Table 5). No ra- dio source has been reported near the location of the
