I Will Follow Him

(1)

Route du Golf 150

••••

CH-3963 Crans-Montana (Switzerland)

Tel. +41 (0) 27 483 12 00

••••

Fax +41 (0) 27 483 42 43

••••

E-Mail :

[email protected]

••••

www.reift.ch

I Will Follow Him

from the Film “Sister Act”

Chorus (SATB) & Piano

Arr.: John Glenesk Mortimer

F. Pourcell / J. Plante / P. Mauriat

EMR 14561

EMR 14561 Chorus (20 parts) & Piano

EMR 2755 Chorus (20 parts) & Brass Band

EMR 10038 Chorus (20 parts) & Wind Band

Print & Listen

Drucken & Anhören

Imprimer & Ecouter

(2)

Zu bestellen bei • A commander chez • To be ordered from:

Editions Marc Reift • Case Postale 308 • CH-3963 Crans-Montana (Switzerland) • Tel. +41 (0) 27 483 12 00 • Fax +41 (0) 27 483 42 43 • E-Mail: [email protected] • www.reift.ch

DISCOGRAPHY

Cinemagic 4

All compositions published by Editions Marc Reift Route du Golf • 3963 Crans-Montana (Switzerland)

Unauthorized duplication is a violation of applicable laws.

C & P by Marcophon / Editions Marc Reift

conducted by Marc Reift

CD 7022

3’37 Sun Valley Serenade

Sun Valley Serenade Sun Valley Serenade Sun Valley Serenade Sun Valley Serenade ** ** ** ** **

(Moonlight Serenade) (Moonlight Serenade) (Moonlight Serenade) (Moonlight Serenade) (Moonlight Serenade)

Glenn Miller / Arr. Jérôme Thomas

4’20 Bodyguard

Bodyguard Bodyguard Bodyguard

Bodyguard (I Will Always Love You)(I Will Always Love You)(I Will Always Love You)(I Will Always Love You)(I Will Always Love You) ** ** ** ** **

Dolly Parton / Arr. J.G. Mortimer Vocal: Carole Rey

2’57 Star Wars * Star Wars * Star Wars * Star Wars * Star Wars *

John Williams / Arr. J.G. Mortimer

2’42 Flashdance... What A Feeling ** Flashdance... What A Feeling ** Flashdance... What A Feeling ** Flashdance... What A Feeling ** Flashdance... What A Feeling ** Giorgio Moroder / Arr. J.G. Mortimer

3’27 Mission Impossible ** Mission Impossible ** Mission Impossible ** Mission Impossible ** Mission Impossible ** Lalo Schifrin / Arr. Jérôme Thomas Hair

Hair Hair Hair

Hair (Aquarius - Let The Sunshine In)(Aquarius - Let The Sunshine In)(Aquarius - Let The Sunshine In)(Aquarius - Let The Sunshine In)(Aquarius - Let The Sunshine In) ** ** ** ** **

Galt MacDermot / Arr. Jérôme Thomas 4’41

22222 33333 4 4 4 4 4 5 5 5 5

5 Peter Gunn **Peter Gunn **Peter Gunn **Peter Gunn **Peter Gunn **

Henri Mancini / Arr. Jérôme Thomas Saxophone Solo: Borys Secký Trumpet Solo: Miroslav Surka Trombone Solo: Svatopluk Kosvanec

4’42

66666 Sister Act Sister Act Sister Act Sister Act Sister Act (I Will Follow Him)(I Will Follow Him)(I Will Follow Him)(I Will Follow Him)(I Will Follow Him) ** ** ** ** **

Pourcel - Plante - Mauriat / Arr. J.G. Mortimer2’44

77777 Benny Hill Benny Hill Benny Hill Benny Hill Benny Hill (Yackety Sax)(Yackety Sax)(Yackety Sax)(Yackety Sax)(Yackety Sax) ** ** ** ** ** 1’43 Rich - Randolph / Arr. Hardy Schneiders Saxophone Solo: Borys Secký

88888 Porgy and Bess Porgy and Bess Porgy and Bess Porgy and Bess Porgy and Bess (Summertime)(Summertime)(Summertime)(Summertime)(Summertime) ** ** ** ** ** 1’57 George Gershwin / Arr. Hardy Schneiders Trombone Solo: Stanislav Penk

9 9 9 9 9 La Grande Vadrouille La Grande Vadrouille La Grande Vadrouille La Grande Vadrouille La Grande Vadrouille (Tea For Two)(Tea For Two)(Tea For Two)(Tea For Two)(Tea For Two)**********2’18 Vincent Youmans / Arr. Hardy Schneiders

1111111111 5’18 My Name Is Bond * My Name Is Bond * My Name Is Bond * My Name Is Bond * My Name Is Bond * Norman - Bart / Arr. J.G. Mortimer

1212121212 1313131313 3’30 Chess ChessChess Chess

Chess (I (I (I (I (I Know Him So WellKnow Him So WellKnow Him So WellKnow Him So WellKnow Him So Well))))) * * * * *

Andersson - Ulvaeus - Rice / Arr. J.G. Mortimer 3’08 Chariots Of Fire *

Chariots Of Fire *Chariots Of Fire * Chariots Of Fire *Chariots Of Fire * Vangelis / Arr. J.G. Mortimer

1414141414

1515151515 ChessChess ChessChessChess(((((AnthemAnthemAnthemAnthem)))))Anthem * * * * * 3’20 Andersson - Ulvaeus - Rice / Arr. J.G. Mortimer

11111 1010101010

* Philharmonic Wind Orchestra ** Marc Reift Orchestra

LC 1374

(3)

EMR 14561

Chorus

(SATB)

Piano

I

p

will fol low

-

him,

fol low

-

himwhere ev

-

er

he

may go.

Slow

q = 88

p

And near him I

al ways

-

will be,

for

no thing

-

can keep me a

-4





from the film “Sister Act”

I Will Follow Him

Franck Pourcell / Jacques Plante / Paul Mauriat

|

Photocopying

is illegal!

Arr.: John Glenesk Mortimer









3 3 3 3



3 3 3 3



3 3 3 3



    

       

 

    

       



 

         

          

  



_

_{ }

_{ }



_

_{ }



_{        }

_{       }



_

_{       }

_

_{      }

 

   

_{ }

_{      }

     

   

  

_



_





 

_



_



www.reift.ch

(4)

way,

he

is my

des

-

ti

-

ny.

I will fol low

-

him,

8 e

-

ver

since he touchedmy heart

I

knew,

there is n’t

-

an

o cean

-

too

12 deep,

a moun tain

-

so

high it can keep,

keep

me

a

-

way,

16 cresc.

_f



3



3



3



3



3 3



3 3







3 3 3 3



3 3 3 3







_{   }

_{ }

_

    



_{   }

_{ }

_

    

   



   

    



_{    }

    



   

 

 





 



        

 



       

       



 





      

    



      

    

_{  }



_{   }





  



_{   }



_{       }



   





       





   

   

   

     

    

        

   



   

_{ }



    

www.reift.ch EMR 14561

4

(5)

a

-

way

from his

love.

Bright

q = 138

20 from his love.

p

f

I

love him,

I love him,

I love him, andwherehegoesI’ll fol low,

-

I’llfol low,

-

I’ll

25 f

fol low.

-

I

willfol low

-

him,

fol low

-

himwhere e

- ver

-

he

may go.

29 

















3 3







3 3



















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

_







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









    

 

 

  

 



   

_

 

_

   

 







 



 





  

    







         

 

    









_



_



_



_









_

    

 

_



_{  }

 

_



_{  }



_



_



_



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

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

_

 



    











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

  



_



  

_



  



_



_



_{  }



_{  }

 



_







 







 







_{     }



_



_{ }



_





            



 

_{    }

_

_{       }



_{ }



      



       

 











 









 







   





   



   



 

 

  





 





  

       

5

(6)

There

is

-

n’t

an o cean

-

too deep,

a

mountain so high it

can

33 keep,

keepme a

-

way.

I

will fol low

-

him,

37 fol low

-

himwhere ev

-

er

he

may go.

there is

-

n’t

an o

-

cean

too

41 

3 3 3 3



3 3 3 3









3





3





















3 3



3 3











_{        }

_{       }





       





      

   







   



   

 





     



_{     }

  

   



_{   }

_

_

   







_{   }





   









  



 









_



  

_

_

 







 







   

  





_{ }

_

_{  }

_

_

_{   }

       



 



 





_

 

       

 



_{       }

   



   



   



   





  

                 

6

(7)

Edition N°

Concert Band (Price) Titel

Bearbeitungen für Chor (SATB) und Blasorchester / Brass Band

Diese Bearbeitungen sind in erster Linie als Blasorchesterwerke mit fakultativer Mitwirkung eines Chors konzipiert.

Die Instrumentenstimmen sind selbständig, so dass der Dirigent ohne weiteres den Chor streckenweise auslassen darf. Andererseits kann er auch gewisse Instrumentalverdopplung streichen, um eine grössere Transparenz zu erzielen. Schliesslich kann der Chor ganz oder teilweise durch eine Solostimme ersetzt werden.

Arrangements pour Choeur (SATB) et Harmonie / Brass Band

Il s’agit d’arrangements qui sont conçus au départ comme oeuvres instrumentales avec la participation facultative d’un choeur. L’écriture pour harmonie est ainsi complète en elle-même, ce qui permet au chef d’adapter la partition en supprimant le choeur à certains moments s’il le désire. Par contre, il pourrait aussi éliminer certaines doublures instrumentales pour alléger l’accompagnement. Le choeur peut être entièrement ou partiellement remplaçé par une voix solo.

Arrangements for Chorus (SATB) and Concert Band / Brass Band

These arrangements are conceived primarily as band works, with optional additional chorus. The band parts are self-sufficient, so the conductor should feel free to adapt the score as he wishes by leaving the chorus out at certain moments, or on the contrary by reducing the band’s doubling of the choral parts to lighten the texture. The chorus may also be entirely or partially remplaced by a solo voice.

Editions Marc Reift • Case Postale 308 • CH-3963 Crans-Montana (Switzerland) • Tel. +41 (0) 27 483 12 00 • Fax +41 (0) 27 483 42 43 • E-Mail: [email protected] • www.reift.ch

1492 «Conquest of Paradise» VANGELIS EMR 1579 (Pa)

Alexandrie, Alexandra FRANCOIS, Claude EMR 10093 (Na)

Amen from the «Messiah» HÄNDEL, Georg Fr. EMR 1342C (Gf)

Anvil Chorus VERDI, Giuseppe EMR 10137 (Ma)

Auld Lang Syne ARMITAGE, Dennis EMR 1674 (Ma)

Ave Maria païen PLAMONDON / COCCIANTE EMR 10094 (La)

Bohemian Rhapsody QUEEN / MERCURY EMR 1573 (Sa)

Chess (Anthem) ANDERSSON / ULVAEUS EMR 1578 (Oa)

Choral / Sinfonia + Gavotte BACH / HÄNDEL EMR 1358C (Gf)

Conquistador MORTIMER, J.G. EMR 10163 (Ua)

Dona Nobis Pacem BACH, Johann S. EMR 1344C (Gf)

Don’t cry for me, Argentina (+ Solo Voice) WEBBER, Andrew L. EMR 1545 (Pa)

Egyptian March STRAUSS, Johann EMR 1951 (Na)

Gloryland (+ Solo Voice ) RICHARDS, Scott EMR 1547 (Ma)

Gospel Train TAILOR, Norman EMR 1535 (Ta)

Greensleeves TRADITIONAL EMR 10317C (Oa)

Hark, The Herald Angels Sing TRADITIONAL EMR 1760C (Ma)

Highlights from Carmen BIZET, Georges EMR 1581 (Ua)

Hymn To Red October POLEDOURIS, Basil EMR 10240 (Na)

I Will Follow Him (Sister Act) POURCEL / MAURIAT EMR 10038 (Oa)

Ihr Kinderlein kommet / Lasst uns TRADITIONAL EMR 1366C (Ma)

Il est né, le divin enfant TRADITIONAL EMR 1368C (Ma)

Irish Eyes TRADITIONAL EMR 10329 (Ma)

Jingle Bells TRADITIONAL EMR 1758C (Ma)

Joy To The World TRADITIONAL EMR 1772C (Ma)

La Mer TRENET, Charles EMR 10331C (Na)

Les anges dans nos campagnes TRADITIONAL EMR 1759C (Ma)

Les Lacs du Connemara SARDOU / DELANOE / REVA EMR 10082 (Qa)

Les Trois Cloches (+ Solo Voice) GILLES EMR 10046 (Na)

March Of The Three Kings TRADITIONAL EMR 1765C (Ma)

Merry Christmas SCHNEIDERS, Hardy EMR 1770C (Ma)

Money, Money, Money ABBA EMR 10081 (Oa)

Moscow Nights MORTIMER, J.G. EMR 1574 (Sa)

Music MILES, John EMR 1576 (Ua)

Non Nobis Domine (Henry V) DOYLE, Patrick EMR 10185 (Ja)

O Come, All Ye Faithful TRADITIONAL EMR 1771C (Ma)

O Du Fröhliche TRADITIONAL EMR 1764C (Ma)

O Holy Night TRADITIONAL EMR 1773C (Ma)

O Tannebaum / In Dulci Jubilo TRADITIONAL EMR 1762C (Ma)

Ode To Joy BEETHOVEN, Ludwig van EMR 10156 (Ma)

Oh Happy Day TRADITIONAL EMR 10041 (Ma)

One Moment in Time HAMMOND / BETTIS EMR 1575 (Oa)

Pie Jesu WEBBER, Andrew Lloyd EMR 10324C (Ma)

Pomp And Circumstance Nr. 1 ELGAR, Edward EMR 10124 (Ua)

Qu’est-ce qu’on attend pour être heureux HORNEZ / MISRAKI EMR 1826 (Ka)

Requiem Aeternam TAILOR, Norman EMR 10085 (Pa)

Samba Olé NORIS, Günter EMR 1843C (Ma)

Stille Nacht / Kommet Ihr Hirten TRADITIONAL EMR 1757C (Ma)

Süsser die Glocken nie klingen TRADITIONAL EMR 1769C (Ma)

The First Nowell TRADITIONAL EMR 1761C (Ma)

Time to say Goodbye / Con te partirò BOCELLI, Andrea EMR 1577 (Oa)

Triumphal Scene From Aida VERDI, Giuseppe EMR 10126 (Va)

Troy HORNER, James EMR 10182 (Oa)

Viva Verdi VERDI, Giuseppe EMR 1582 (Xd)

Vom Himmel hoch / Leise rieselt TRADITIONAL EMR 1763C (Ma)

We are the Champions QUEEN / MERCURY EMR 1580 (Oa)

We Are The World JACKSON / RICHIE EMR 1865 (Na)

We Have A Dream BOHLEN, Dieter EMR 10057 (Na)

We Wish You A Merry Christmas TRADITIONAL EMR 1767C (Ma)

Composer Edition N°

Brass Band (Price)

EMR 1636 (Na) -EMR 1343C (Ga) EMR 2970 (La) EMR 2582 (La) EMR 2973 (Ja) EMR 2560 (Qa) EMR 2547 (Na) EMR 1359C (Ga) EMR 2914 (Ta) EMR 1345C (Ga) EMR 2546 (Oa) EMR 2761 (Ma) EMR 2583 (La) EMR 2580 (Sa) -EMR 2778C (La) EMR 1685 (Qa) -EMR 2755 (Na) EMR 2776C (La) EMR 2633C (La) -EMR 2757C (La) EMR 2626C (La) -EMR 2763C (La) -EMR 2768 (Ma) EMR 2653C (La) EMR 2762C (La) EMR 2991 (Ma) EMR 2579 (Ra) EMR 2538 (Ta) EMR 2969 (La) EMR 2764C (La) EMR 2771C (La) EMR 2772C (La) EMR 2774C (La) -EMR 2758 (La) EMR 2518 (Na) -EMR 2974 (Qa) -EMR 2880 (Na) EMR 2542C (La) EMR 2777C (La) EMR 2775C (La) EMR 2652C (La) EMR 2570 (Na) EMR 2972 (Ra) EMR 2933 (Na) EMR 1680 (Ua) EMR 2773C (La) EMR 2571 (Na) EMR 2769 (Ma) EMR 2867 (La) EMR 2770C (La)