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(1)
(2)

ets

=--

e

R

aican arr. Baulch

d Cerda

lesland

e s for this grade:

i uet ____________________________________________ _ L

Alleqro op. 50 no. 1 _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 3

Preludio (no. 1 from Seis preludios cortos)._·-···-·-· 4

Man q o Wa I k--··----·-···---····-··-··-···-····--····--···-···--·-·-···-···--···--··--·---·--6

Vals (no. 1 from Cuatro piezas faciles para guitarra) ... ··-·-····-···----···-···---.7

Cuba na ···-···-···-··· ... ... ···-···-··· .. .. ····-···-··· ... 8

Spanish Dance ... ···-···-··· ... 9

Maqnetic South ···-···-··· ·-·· ···-··· .. ·· ·- ... .... ···-···-···10

Sprite Nite ... ·-···-··· ···-··· ... ···-··· ... 11

Technical Suite (Exercises) ... 12

ets are from Guitar Duets Initial-Grade 3 2010-2015 published by Trinity Guildhall (TG 008091).

-'"2 . Brazilian arr. Rivoal

eiss

Tedesca Lezione

Acordai Doncela

Canci6n de Cuna (Lullaby) I ernative pieces for this grade (2010-2012):

erson 3 rden Cracknell

anders

Pieces

River Wisla (from Guitar Travels) Anderson Guitar Publications AGP505

Primo Tango (from Travelling in Style Series 2: Trek One) Garden Music GM25

Apache Dance (from Debbie Cracknell: Enjoy Playing Guitar Solos) OUP 978-0-19-322114-7

Danse (from Le petit livre de guitare vol. 2) Les Productions D'OZ DZ12

Souvenir d'espagne (from La guitare enchantee)

La Monteria (from I Toea Guitarra)

On the Prairie (from Moving On)

Sake Sate (from String Fingers)

Ring Way Blues (from Mix on Six)

Dobermann Yppan 0028

European Music Centre XAL10391 } Countryside Music

\ XYZ Huizen Holland XYZ1211

Broekmans & van Poppe! BP1627

ree pieces to be performed, chosen from the pieces included in this book or from the duets or alternative

iece(s) listed for the grade, to form a balanced programme. Full details of duets and alternative pieces are iven above and in the current Guitar Syllabus. One piece may be replaced by the candidate's own composition

a similar length and standard to the other pieces chosen. If a duet (or maximum two duets) are chosen, the

~ c mpaniment must be played in the examination.

Technical

work

ce i ide back cover for details.

S

pporting

tests

:~..s _o be chosen from Aural, Improvisation, Musical Knowledqe

or

Siqht Readinq at candidate's choice.

(3)

uitar Grade 2

ieces

& Exercises

for Trinity Guildhall examinations

2010-2015

ublished by:

- inity College London 9 !bert Embankment _ondon SE1 7TP UK - -44 (0)20 7820 6100

::-

-

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(0)20 7820 6161 [email protected] , •. - inityguildhall.co.uk :::_: ·g,..._ ~ 2009 rinity College London -~~- " "se<! -=-- -- =-- --~=-.: ::.-:_: :-= :...;: ....

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Repeats to be played in the examination.

Copyright© 2000 Editio Barenreiter Praha.

Reproduced from Minute Solos for Guitar by permission of the publishers.

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Technical Suite (Exercises)

:.=-

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::.=.:=s oosing Option ii) Technical Suite in the Technical Work section of the examination must prepare the following

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S akes and Ladders (second pos

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Sea es

- e folio · ing scales to be performed with dynamics shown, and w·· h im righ han ingeri

~ ed. Candidate's choice of apoyando or tirando unless specified:

C major (one octave),

1Tff

D major (one octave),p

A natural minor (one octave),

1Tff

A harmonic minor (one octave),p

A melodic minor (one octave),

1Tff

rpeggios

e following arpeggios to be performed

1Tff

and tirando:

E minor (one octave, with R.H. thumb)

Arpeggiated D major chord sequence-

11-V

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1

: R.H. fingering based on

pima:

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ii) Technical Suite

Exercises

Candidates to prepare all of the following exercises, printed in this book:

1. Snakes and Ladders (second position)

2. Charmed (bass muting)

3. Arpeggio Adventure (arpeggios and shifts)

4. Right Hand Exercises

\

All pieces in this volume have been edited with regard to current concepts of performance practice. Dynamics a fingering have been suggested to assist candidates and their teachers in developing their own interpretations.

Recommended metronome markings are given as a useful, but not definitive, performance guide for all pieces. Those without square brackets are the composer's own indication of the appropriate speed for the music.

Repeats of more than three bars should be omitted unless instructed otherwise in the syllabus or Trinity usic book, but all da capo and dal segno instructions should be observed.

~very effort has been made to trace and acknowledge the copyright owners. If any right has been omitted

i any detail is incorrect, Trinity College London apologises ancl will rectify this in any subsequent reprints

(17)

i>.ckerman Music 017.93 537900

TQ _ Gu~tar Exam P';eces - G:,ade 2

II

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EXAH TG 008022 ISMN 9790570380343 9 790570 380343

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