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(1)VIII/12. itu r. Full Score. hru ng en. ns i nic c h ht ts fü. pa rt. Bryars �. uff ü. Beckett Songbook. sce. an. orm. erf. rp t fo. no. Pe. rus. al. Sc. ore. -A. rA. texts by Samuel Beckett for Soprano, Countertenor Electric Guitar, Viola, Cello and Double Bass (2012). Leihmaterial · Unverkäufliches Eigentum · Rental Material · Not for Sale.

(2) al an s-. ce. ore. Sc. orm. erf. rp. t fo. no. rus. Pe. rA. hru ng en. uff ü. pa rt. ns i nic c h ht ts fü. -A. itu r.

(3) itu r. Gavin Bryars. hru ng en. pa rt. ____________________________________________________________________. Beckett Songbook uff ü. ns i nic c h ht ts fü. texts by Samuel Beckett. (2012). rA. for Soprano, Countertenor Electric Guitar, Viola, Cello and Double Bass ___________________________________________________________________. sce. an. orm. erf. rp t fo. no. Pe. rus. al. Sc. ore. -A. Full Score. Mainz • London • Berlin • Madrid • New York • Paris • Prague • Tokyo • Toronto © 2012 SCHOTT MUSIC Ltd., London • Printed in Germany.

(4) itu r hru ng en. pa rt. sce. an. orm. First Performance:. rp. erf. 25 August 2012 Orlanda Bryars, soprano James Cave, countertenor Gavin Bryars Ensemble St Macartin’s Cathedral Enniskillen, Northern Ireland, UK. t fo. no. Pe. rus. al. Sc. ore. -A. rA. uff ü. ns i nic c h ht ts fü. Originally commissioned for the inaugural Happy Days: Enniskillen International Beckett Festival 2012. Duration: c. 8 minutes.

(5) itu r. Texts by Samuel Beckett 1. My way is in the sand flowing. rA. 2. I would like my love to die. sce. an. orm. erf. rp t fo. no. Pe. rus. al. Sc. ore. -A. I would like my love to die and the rain to be raining on the graveyard and on me walking the streets mourning her who thought she loved me. hru ng en. my peace is there in the receding mist when I may cease from treading these long shifting thresholds and live the space of a door that opens and shuts. uff ü. ns i nic c h ht ts fü. pa rt. my way is in the sand flowing between the shingle and the dune the summer rains on my life on me my life harrying fleeing to its beginning to its end.

(6) itu r. 3. Song. rA. ce. an. orm. rp. t fo. Pe. no. rus. al. at the faint sound so brief it is gone and the whole globe not yet bare the eye opens wide till in the end nothing more shutters it again. erf. Sc. ore. something there where out there out where outside what the head what else something there somewhere outside the head. s-. -A. 4. Something there. so the odd time out there somewhere out there like as if something not life necessarily. hru ng en. uff ü. ns i nic c h ht ts fü. pa rt. Age is when to a man Huddled o'er the ingle Shivering for the hag To put the pan in the bed And bring the toddy She comes in ashes Who loved could not be won Or won not loved Or some other trouble Comes in the ashes Like in that old light The face in the ashes That old starlight On the earth again..

(7) Gavin Bryars Beckett Songbook Samuel Beckett. in memoriam Jocelyn Herbert. 1. My way is in the sand flowing.    .   . Electric Guitar. .  . . mp. Andante, quasi adagio (q = c.76). . mp con sord.. . E. Gtr..    .        . . . . s-. ce. an. orm.       pizz.. arco.    . . (mp).   . .                        .                        . no. Pe.       . Vlc.. ore.       . erf. . . mp. rp. .    . t fo. . . al. . E. Gtr.. D.B.. .                           . Sc.         . 9. Vla..    . .                                     . Vlc.. D.B.. mp. rus. Vla.. .                  . -A. 5.   . con sord.. rA. mp Double Bass.                                      . uff ü. .   . Cello.  . . .    . ns i nic c h ht ts fü.   con  sord.  Viola . itu r.   . . pa rt. Countertenor. . hru ng en.  Andante, quasi adagio (q = c.76)   Soprano  .      . © 2012 Schott Music Ltd, London. . . . . . Unauthorised copying of music is forbidden by law, and may result in criminal or civil action. Das widerrechtliche Kopieren von Noten ist gesetzlich verboten und kann privat- und strafrechtlich verfolgt werden..

(8) 2. Vla..    .   . . . my. way. is in. the. sand. . . the. sand. .   . mp. . . my. way.  .  . . . .          .   . flow - ing. . . . be - tween.   . the.   the. .                          . rA. pizz..       .     .        . 3. Vlc.. D.B.. s-. ce.   . on. me. my life.   . . on. me.    .   . rp. erf.      . .   .  .  . my life.    . t fo. . . the sum - mer rains on my life. al. . rus. Vla..   . and the dune.                        . Pe. E. Gtr..         .        shin - gle.   . no. Ct.. . the sum - mer rains on my life. an. and the dune. Sc. shin - gle.         . orm. 17. 3     S.    . ore. -A. (mp). be - tween.  .                        . (mp).         D.B. . . uff ü.         . . . flow - ing. (mp). (mp). Vlc..   . itu r. . . . hru ng en. E. Gtr.. . . ns i nic c h ht ts fü. Ct.. mp. pa rt. 13.  S.  .                                           .              .          S&Co.8862.       . .    .

(9) 3. Ct.. . flee - ing. .    har - ry - ing. . . to. its. be. . .   . flee - ing.      . E. Gtr.. . to. . its.  -.     . -. to its end. . . .   . gin - ning.    . .   . gin - ning. . be. . itu r. har - ry - ing.   . to its end.    . hru ng en. . pa rt. 22.  S.     . .  .                 .               . Vlc.. .          .               .    . . uff ü. rA.              .         .       . solo.      . (mp). . .    .    . s-. . . ce. . erf.   .        .  .        . (mp). D.B.. .  . rp. al.          . Vlc.. . no.         . Pe. Vla.. (mp).      . rus. E. Gtr.. an. . orm. . Ct.. . Sc. . t fo. 26.  S. . ore. -A. D.B.. ns i nic c h ht ts fü. Vla.. . solo.    . .        .          .         . .  . .   . (mp). S&Co.8862.         .  .

(10) 4 p. . .  . . my. Ct.. . . peace. . . p. . . . ing. mist. mp.        p. . mp. uff ü. when I may cease. mist.    .  from.       . . when I may cease. . from.   . . .   . . . tread - ing. these long.   . . tread - ing.  . . these long. . . .                                p. Vlc..  . Pe. Vla.. ing. . . mp. no. E. Gtr.. -.     . . al. - ced. . rus. Ct.. . p. s-. .  . . -A. (mp). p. ce. -. . re -.                . . an. mp.   S.  - ced. .    . p. orm. 34. arco. ore.    . . . . erf. .      . in the.                . . rp. D.B..   .     . Sc. Vlc..         . there. t fo. Vla.. .    . ns i nic c h ht ts fü. p. re -.   . hru ng en.   . . . . pa rt.    . rA.    .  the. is. E. Gtr.. . . itu r. 30.  S. .                               p.  D.B.  . mp. .  . pizz.. . mp. (mp) S&Co.8862.     .  .  .        .

(11) 5. ing. . . . .  . and. live the. space. of. a. p. . thresh - olds.     .  . .  . .  .  . and. live the. space. of. a.   . . .  . . p.        . . .    .  .    .       p.  . . p arco.  .  .    . . . p.      . .    . . . . .  .       . Pe. Vla.. Vlc.. D.B.. . . pens.     .     .  .  . . . and. .  . .        . s-.  . . .  .    . .      .   . . .   .   . .  . ce. shuts. . orm. . o -. rus.    . E. Gtr.. that. . al. door. . and. erf. . o - pens. rp.   . .   . no. Ct.. that. . t fo. door. . Sc. . . an. 42.  S.  . ore. -A.           . . itu r. -. .          . Vlc.. D.B.. .    . E. Gtr.. Vla.. thresh - olds. . rA. shift. . hru ng en.  . ing. . . ns i nic c h ht ts fü. Ct.. -. . pa rt. shift. . p. uff ü. 38.    S. . shuts.     S&Co.8862. . . . pizz.                      (p).

(12) 6. 2. I would like my love to die . . . p. .  . I would. Adagio, quasi recitativo senza sord. senza vib..   . pp senza sord. senza vib..  . . pp. p. senza sord. arco senza vib..    . . . to. die. love. Ct.. . .  . Sc. . p. . .  arco  . Vlc..  . . p D.B.. .  . . . .   . p. arco. . . pp.    . pizz.. mp. p. . .   .  p. . . .  . and. the. rain. to be.  . .    .   .  .  . (con vib.). . arco con vib..  . die. erf. rp . p. . . (espress.) con vib.. t fo.  . Pe.   Vla. .    . no. (=).   . rus.   . E. Gtr.. al. to. . an. 6. p. . . pp.  S.    .    pizz.. pp. my. orm. Double Bass. arco.    . pizz..   . . -A. Cello. . . ore. Viola. like. hru ng en. pp.   .   . ns i nic c h ht ts fü.   . . . uff ü.     . Electric Guitar. . pa rt. . rA. . s-.   . ce. Countertenor. . itu r. Adagio, quasi recitativo.   Soprano  .     poco vib..  . poco vib.. . S&Co.8862. . pizz..       mp. .    . . p con vib.. . .

(13) 7.     . rain - ing. on. the grave - yard. (=).   .  .  . Vlc..  . .  . . . D.B..   . .      .    (espress.).    . .   . .   .     .  . . . pizz..  arco.        p mp. . D.B.. .  . . . .  . .   . . . . mp. . . . . mourn - ing.   . . . mourn - ing. . orm. erf. rp (espress.). . mp. ce. an. Sc    .     p. Vlc.. streets. . Pe.  Vla.  . the. t fo.    . E. Gtr.. walk - ing. al. . . . rus. Ct..  . . no. me. ore. 16.  S.  . s-. -A. . . . uff ü.    Vla.   . and on. the grave - yard. .   .  . pa rt. on. E. Gtr..   . . . rA.  . . ns i nic c h ht ts fü. Ct.. . itu r. . hru ng en. 11.    S.   .      .      .    .  . mp. (=). .   . mp. . . mp. S&Co.8862. . . mp. .

(14) 8.   . E. Gtr..  Vla.     . Vlc.. . . loved. me. . . thought.  .   . . .  . .  .  . . . . .   . . . . she. loved. me.    .  .  . .  . .  . .   .   . .  .  . .  . . .  . . . . when. to. a. . .  . . .   . . . . . . .  . . -A. D.B.. . she. . itu r. who. . thought.  . her.  . hru ng en.    . . uff ü. Ct.. who. . pa rt. her. . rA. . ns i nic c h ht ts fü. 21.   S. . Adagio (q = c.70). s-. ce. an. erf. Age. . is. .  when. . to. . a. mp. no. mp. Cello. .                   . Pe. Viola. . . mp. t fo. rus.  . is. Age. rp. al. . . . orm.  Countertenor    Electric Guitar. mp. Sc.  Adagio (q = c.70)  Soprano  . ore. 3. Song.                                       mp. Double Bass.               mp.             S&Co.8862.            .

(15) 9. .    man. Vlc.. . o’er. the. in.   . .  . Hud- dled. o’er. the. . . . -. gle. in. -. . . gle.   . .                                      .               .    .   .   .   .   .   .   .   .   .   .   .   . . .    . Shi - ver - ing. for.    . Vlc.. . D.B.. the. hag. To. the. . . hag. erf. for.    . . rp.  . put the. .  . To. put the.  . t fo. . .   .                                     . no. Vla.. . rus.  . Pe. E. Gtr.. al. Shi - ver - ing.  . orm.  . s-.  . Sc. Ct..    . ce. 7.  S.  . an. ore. -A. D.B.. . . Hud- dled. . . uff ü. Vla.. . . rA. E. Gtr..  . ns i nic c h ht ts fü. Ct..  . itu r. man.   . hru ng en. . . pa rt. 4.  S.  .                                     .    .   .   .   .   .   . S&Co.8862.   .   .   .   .   .   .

(16) 10.   pan.  . E. Gtr.. the bed. And. .     in. . And.    . the. tod - dy. . .    . bring. the. tod - dy. .  . .              . Vlc..                          . .   .   .   .   .   .   .   . rA.    .  .   .   .         .   . . comes. Sc.  .  . (mp). . . . in. ash. . . in. ash. erf. comes. .   . -. . . es. Who. -. . . es. Who.  . . rp. . . (=). t fo. rus.   . al. She. E. Gtr.. ce. . an. . She. Ct.. s-. (mp). orm. 13.  S.  . ore. -A. .  .  . uff ü. ns i nic c h ht ts fü. Vla.. D.B.. .   . bring. . the bed.  . . itu r. Ct.. in. . . hru ng en. pan.   . pa rt. 10.  S.  .                                    . Vlc.. .                                     . D.B..     .   . no. . Pe. Vla..   .   .   .    S&Co.8862.   .   .   .   .   .   .

(17) 11. Ct..    loved. . . could not. be. won.   . . . could not. be. won. .    . E. Gtr..  .  Or. won. . . . Or. won. not. .  . .                         . Vlc..                  .   .   .   .   .  .      . . rA. .   . not.   . . .   . . . .   . . .   . . Vlc.. . D.B.. sce . .        . . Or. some. o. . . . Or. some. o. . . .   -. ther.   -. ther. . . rp t fo. Vla.. . rus.   . Pe. E. Gtr.. al. loved. . . erf. .  . no. Ct.. Sc. loved. . an. . orm. 19.  S.  . ore. -A. D.B..   . ns i nic c h ht ts fü. Vla..   . . . . itu r. loved.   . hru ng en.    . uff ü. S.. pa rt. 16 (=).            .                                     .    .   .   .   .                S&Co.8862.   .   .   .

(18) 12. trou - ble.     . . . trou - ble.  . Comes. in. the. ash - es. .  .  .    . Comes. in. the. ash - es.  . Vlc.. . . . .                                     . uff ü.  .  .                                       .   .   .   .   .   .   .   .   .   .   . . . . . that. old. light. The. . . . . . in. that. old. light. The. . . Vlc.. . D.B.. . . an. orm. rp. al.  .  . . . t fo. . Like.                                    . no. Vla.. rus.   . E. Gtr.. . in. erf. .   . Pe. Ct.. Sc. Like. . ce. 25.  S.  . ore. -A.    . rA. Vla.. . .    . (=). ns i nic c h ht ts fü. E. Gtr.. D.B..  . s-. Ct.. . itu r. . hru ng en. . pa rt. 22.     S.  .                                       .   .   .   .   .    S&Co.8862.      .   . .

(19) 13. in. the. ash - es. face. .  .   . in. the. ash - es.   face.     . E. Gtr..  . . . .   . . .  . meno mosso. ns i nic c h ht ts fü. rall.. pp.            . That. old. . . That. old.  -. . . 6. . 6. 6. . . s-. . ce. . . 6. . . . . . . . . 6. . -A. . . On. the. . . On. the. . rp. rus. .  . . .   . E. Gtr.. light. al. star. an.  . light. Sc. -. 6. . 6. . mp. . orm. . star.  . ore. 31.   S. . . . erf. . . . uff ü. 6.                        . Vlc.. Ct.. .                                           pp. D.B.. . (mp). mp. Vla.. (mp). meno mosso. rA. Ct.. rall.. itu r.    . hru ng en.  .  . pa rt. 28.  S.  . .  6. D.B.. . . .   . t fo. no. . Vlc.. Pe.                                  Vla.           .   . 6. .   . 6. . .   . 6. . 6.  S&Co.8862. .   . .  . 6. .   . 6. .  6. . .

(20) 14. earth. a. -. gain.. . . . . . . . . . . . . . 6. . . . 6. . 6. . . . 6. .  .  . .  .  . . . . . .  . . . . . . 6.  . . 6. . . . .    . al.    . rus. p.  meno mosso  Vla.  . pizz.. solo  D.B.   . . . .  .  . . .  .   .    . .  . .  .  .         .    . no. Pe. . . an. .  . orm. . . . (=).    3. mp S&Co.8862.  . . p. 6. . . . . s-. . ce. meno mosso. rit.. p. . -A. .  6. . . . . . ore. 35.  S. . . Sc. . . 6. 6. . . . rA. .  . ns i nic c h ht ts fü. .  . erf. . Vlc.. Vlc.. -. uff ü. a. 6. E. Gtr.. . t fo.  Vla. . Ct.. gain..   . E. Gtr.. D.B.. -. . earth. . . pa rt.  . rp. Ct.. rit.. itu r. . hru ng en. 33.   S. . l.v..

(21) 15. 4. Something there .   . . . . Andante (q = c.82).   Viola   . . .  . .         . Cello. . mp.           (pizz.). . Vlc.. . ore. . . . . . . .      . . . .      . . . . . . . . . . . some - thing. . .      . . there.  .  . . p. . . . . .                         .        D.B. . . p. . an. . .   .      . . erf.  . . . orm. Sc al  . t fo.  . . .   . . no. Vla..  . . rus. E. Gtr.. . .   . . Pe. Ct.. . rp. 6. .      . mp.  S. . . -A. Double Bass. .  .  . . mp. .  . uff ü. mp.  . . hru ng en. . . . . ns i nic c h ht ts fü.     . Electric Guitar. . itu r. . pa rt. . s-. Countertenor.   . ce. Soprano. rA. Andante (q = c.82).      .  .    . . . . p.    p. S&Co.8862.   p.    . .

(22) 16. .  . . out -. . . where. . Vla.. . .  . Vlc.. . .  . . . .  . . .  .  . . . . . .   . . .  . . . .  .  .  . . out. where. . . . . . . . . .  . . .  .  .  . . . . . . . .  .  . . . . . . . . . .    .  . . Vlc..   .  .   D.B.    . . . . .  . . an. . . . . .       .    .  . . . . . . . . what. else. . .     S&Co.8862. .  . . . some - thing.  . rp.  . al. Vla.. rus.  .  . Pe. E. Gtr..  . . . orm. what. . . . . erf. . t fo.  . no. Ct.. the head. Sc. - side.   . . s-. . ce. 16.  S.  . ore. -A. D.B.. . . . . . ns i nic c h ht ts fü. E. Gtr.. . . . there.    . . . . itu r. Ct.. . hru ng en. out p.    . . uff ü. . pa rt. . rA. 11.   S.    . .   .  .  .  . . .   .   .   .  .   .  . .  .   . . .   .

(23) 17. Vlc..  . . the. head. . . . . side. the. head. . . .     D.B.  .    .      .  . -.      . . . out. . . . . . . . .    . .  . . . .  . . . . .  . . . . .  .  .  .  . arco .      . . Vlc.. D.B.. . . .    . .  . . . . . . .   .  . sce. an. .   .  . pp. . . . at. the. faint. pp.   .   . poco rit.. . a tempo. at.  . rp. . . orm. Sc al.  . t fo. .  . no.  Vla. .    . rus. . E. Gtr.. . . . Pe. Ct.. . poco rit.. erf. 26.  S. . ore. -A.  . .     .        .      . . . . itu r. .   . out - side. . hru ng en. Vla.. . uff ü. . some - where. . . some - where. . E. Gtr..   . pa rt. . there. Ct..  . rA. . ns i nic c h ht ts fü. 21.  S.  . . . a tempo.                   pp. .                                   pp. .                   pp. S&Co.8862.

(24) 18. sound. Ct.. . . .  . . so brief. . it. . pp. . the. whole. . is gone.   . mp. . pp.                                                .                                                                                                  . -A. . . rA. Vlc.. D.B.. . uff ü.  . and. ns i nic c h ht ts fü. Vla.. is gone.   .     . . pa rt. it. E. Gtr.. . .   . . p. itu r.   . hru ng en. 29.  S.   . . s-. . an. bare. mp.   . .    . erf. rp. al.     . E. Gtr.. the eye. .   o - pens.     p. t fo.                                   mp. no. Pe. Vla.. . . rus. Ct.. not yet. Sc. globe. . orm. . ce.  . ore. 32.   S. .                                                 . Vlc.. mp D.B.. .                                                  mp S&Co.8862.

(25) 19 mp. . . till. in the. end. noth. .   . ing. more. shut - ters. . .  . -. . . wide. .        mp. p. ns i nic c h ht ts fü. rA. uff ü.                                                  (=). -A.                                                   . a - gain.  . rus. al.     . E. Gtr.. . p. sce. .  . . rit.. . no.                       . Vlc.. D.B.. t fo. Pe.          Vla.  .  . . . . . out there. .  . .  .  .  . trem.  .     .  . p. quasi recitativo trem.. pp. trem..  . pp S&Co.8862. . .   . pp. .  . so the odd time. an.   . orm. it. ore.   . a - gain. quasi recitativo.     . . erf. it.   . rp.  S.   . rit.. Sc. 38. Ct.. .     . Vlc.. D.B..   . pa rt. . mf. Vla..   . shut - ters.      . E. Gtr.. (mp). hru ng en. Ct.. .  . itu r. 35.  S.  .  .        .  .                     .

(26) rit.. . . some - where. Ct.. . out.  . . not. life. there. . . . E. Gtr.. . not. 3.   .  . life. ne - ces - sa - ri - ly.            mp p.  . al. mp. . Molto adagio.   . mp.  . . . mp. D.B.. .     . no. . Pe.    Vla. . Vlc..       . rus. . E. Gtr..    .    . . . . . . . uff ü p.  .        .  . . . . . (p). p. mp. s-. .    . . ce. . . Ct.. . an. .    . (p).   . orm. . Sc.  S. . ore. Molto adagio. 49. p. (non trem.). . -A.  . erf. .   . rp. D.B.. mp.  .  . (p).    . (non trem.). .    .  . mp. t fo. Vlc..  .  . (non trem.). . rA.   .  . meno mosso. ns i nic c h ht ts fü.  .   Vla.  . rit..   . .      . solo. (loco). . ne - ces - sa - ri - ly pp.   .   . like as if some- thing.     . 3      . mp. p. . pp. hru ng en.  S.  . meno mosso mp. pa rt. 43. itu r. 20. (p). . . . .  . . .  .  .  .  . .  . p. . . . . . .  . p.  . mp. . .    p. . . .    . p Metchosin, B.C. July 18th 2012. S&Co.8862.

(27) al an s-. ce. ore. Sc. orm. erf. rp. t fo. no. rus. Pe. rA. hru ng en. uff ü. pa rt. ns i nic c h ht ts fü. -A. itu r.

(28) al an s-. ce. ore. Sc. orm. erf. rp. t fo. no. rus. Pe. rA. hru ng en. uff ü. pa rt. ns i nic c h ht ts fü. -A. itu r.

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References

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