Aldridges of Bath Ltd.
FINE ART & ANTIQUES SALE
Silver; Jewellery; Ceramics & Glass; Oil Paintings, Watercolours;
Prints; Clocks; Works-of-Art; Boxes; Carpets & Rugs; Antique &
later Furniture, etc
Started 30 May 2017 10:00 BST
Phoenix House Lower Bristol Road Bath Somerset BA2 9ES United Kingdom
Lot
Description
1A part-service of tableware with block terminals comprising six table forks, six dessert forks, six dessert spoons, five soup spoons, two table spoons, six teaspoons, six coffee spoons, a pair of carvers, six pairs of fish eaters, six table knives, & six dessert knives with simulated ivory handles, ...[more]
2 A pair of engraved fish servers with ivory handles, in fitted case; a pair of salad servers with glass handles; a “berry” spoon; a glass claret jug with plated mounts; hot water jug; drum mustard pot; & various other items.
3 A rectangular asparagus dish with canted corners & gadrooned rim, complete with wire stand, serving tongs, & butter boat, 11½” wide; by Daniel & Arter, Birmingham.
4 A plain spherical tea kettle on stand (lacking spirit burner); a pair of engraved fish servers with antler handles; a crumb scoop; five coffee spoons with hardstone handles (one missing); & two condiments (one w.a.f.).
5 Twelve pairs of engraved fish-eaters with silver ferules (Sheffield 1927) & simulated ivory handles; & a pair of engraved fish servers with carved ivory handles; both in fitted case.
6 Twelve pairs of engraved fish-eaters with carved ivory handles; & a similar pair of fish servers with silver ferules (Sheffield 1896) & plain ivory handles; both in fitted case.
7 A vine-leaf grape comport; a small rectangular entrée dish; a three-division egg cruet; a card tray; a smoker’s companion; & two Britannia metal milk jugs.
8 Two pairs of late Victorian meat & game carvers & matching steel with antler handles, by J. Rodgers & Sons, in fitted walnut case; & a pair of pierced & engraved fish servers with ivory handles & silver ferules (Sheffield 1896), in fitted case.
9 Two pairs of carvers & a matching steel by Edwin Terry, Sheffield, with carved ivory handles; in fitted case.
10
A PART-SERVICE OF FIDDLE & THREAD PATTERN TABLEWARE, comprising: twelve table forks, eleven dessert forks, six table spoons, twelve dessert spoons, twelve soup spoons, twelve teaspoons, six egg spoons, a soup ladle, a gravy spoon, pair sauce ladles, pair sugar tongs, two pairs of carvers, a steel, e ...[more]
11
A service of Garrard’s Regency Plate King’s pattern flatware & cutlery comprising twelve table forks (one a replacement); twelve table knives; twelve dessert spoons; twelve dessert forks (three replacements); twelve dessert knives (two replacements); & six soup spoons; together with various other pl ...[more]
13 No Lot
14 No Lot
15 A Victorian salver, the raised & shaped border with cast flowers & leaf scrolls, contemporary inscription to the engraved centre & on reverse, on four acanthus scroll feet, 12” diam.; London 1852, by Daniel & Charles Houle. (29 oz).
16 A George III helmet-shaped milk jug with engraved floral decoration & monogram, reeded loop handle & rim, on square pedestal foot, 5¼” high; London 1793, mark of George Gray over-struck on that of another, probably Peter & Ann Bateman. (3½ oz).
17 An Edwardian circular comport with pierced rim, on slender column & circular foot with engraved inscription, 7¾” diam. x 5¼” high; London 1905, by Jackson & Fullerton. (12 oz).
18 A pair of trumpet shaped spill vases, each on round domed foot, 9” high; London 1918/19, by J. E. (Slight faults).
19 A cut glass vase-shaped sugar sifter with pierced silver cover, on square pedestal foot, 6½” high; Birmingham 1927, by George Unite.
20 A pair of candlesticks with slender round tapered columns & circular reeded bases, 7” high, Birmingham 1919; a 6¼” ditto, 1918 (with faults); & a trumpet-shaped spill vase with waved rim, 4½”; Birmingham 1918.
21 An Edwardian small salver with raised “Chippendale” border, on three claw-&-ball feet, 10½” diam.; London 1901, by Goldsmiths & Silversmiths Co. (18 oz).
22 A set of six Victorian Old English teaspoons, London 1885 by Geo. Maudsley Jackson; & a similar set of six engraved teaspoons, London 1892, by Chas. Stuart Harris.
23 An engine-turned rectangular pocket cigarette case, Birmingham 1947 (4 oz); five odd teaspoons; a cake fork with mother-of-pearl handle; an engraved vesta; & a combined sovereign & half-sovereign case.
24 A George III punch ladle, the plain oval bowl inset George I shilling dated 1720, with whalebone twist handle; hall marks rubbed but probably London 1819.
25 A round shallow dish with shaped reeded rim, on low circular pedestal foot, 7” diam. x 1¼” high; Birmingham 1935 by Barker Bros. (6 oz).
26 A late Victorian three-piece tea service of oval semi-fluted design; Chester 1896, by Florence Warden. (30 oz).
27
A late Victorian pierced & embossed round sweetmeat dish on low pedestal foot, 4½” diam. x 2½” high, London 1899 by Mappin & Webb; & a plain glass individual whisky jug with silver neck-mount & flat hinged lid, 3½” high, Birmingham 1922 by J. Grinsell & Sons, with matching “Whisky” small decanter la ...[more]
28 A late Victorian tea caddy of oval semi-fluted form, with domed hinged lid, lion-mask & ring side handles, 4½” wide x 4” high; London 1896, by Charles Stuart Harris. (6 oz).
29 A two-handled trophy cup on round pedestal foot, 7¼” high; Birmingham 1932, by Joseph Gloster Ltd. (5 oz, w.a.f.).
31 An Art Deco style circular muffin dish with interior liner, 6½” diam.; Sheffield 1936, by Harrods (Richard Woodman Burbridge). (15 oz; the cover lacking knop handle).
32 A circular cut glass salad bowl with beaded border to the silver-mounted rim, 8½” diam.; Sheffield 1902, by W. S. Hutton & Sons.
33 An oval sauce boat with gadrooned rim, open scroll handle & on three pad feet, 5½” long, Sheffield 1971; a semi-fluted baluster pepper pot, 4¼” , London 1879; a small oblong salt cellar; & four napkin rings.
34 A circular waiter with shaped gadrooned rim, on four claw-&-ball feet, 8¼” diam.; Sheffield 1927, by Thos. Bradbury & Son. (11 oz).
35 A pair of late Victorian/Edwardian apostle knop serving spoons with circular bowls, cast & writhen stems, 7½” long; London 1899-1901, by Robert Stebbings; in fitted case.
36 A pair of salad servers with pierced & engraved stems, London 1932, by David Landsborough Fullerton; & a pair of diamond-knop spoons with plain tapered spoons & ovoid bowls, London 1957, by F. H., in fitted case.
37 A circular deep bowl with engraved grapevine border, 4½” diam.; London 1945, by F. H.; a continental large caddy spoon with shell bowl, the handle formed as a classical bust, Chester import marks for 1904; six electro-plated grapefruit spoons; & a ditto fruit set
38 An engine-turned hand mirror & matching clothes & hair brushes, Birmingham 1918-19; a rectangular cigarette box with engraved inscription to the hinged lid, 4½” wide, Birmingham 1919; & three glass dressing table receptacles with silver lids.
39 A late Victorian tall tapered flower vase with pierced rim & floral-embossed spiral fluting, on lobed foot, 10” high; London 1898, by William Gibson & John Lawrence Langman. (12½ oz).
40 A continental cast model of a songbird, 5¼” long x 2¾” high; London import marks for 1957, & with mark of Israel Freeman & Son. (3.8 oz).
41 AN OVAL SALVER with raised “Chippendale” border, on four cast scroll feet, 16” x 12¼”; Birmingham 1958 by Adie Bros. (42 oz).
42 An Edwardian oval cake basket with swing handle, cast scroll rim & pierced border, on oval pedestal foot, 12” wide; Sheffield 1901, by W. S. Hutton & Sons. (23 oz).
43 A fluted baluster-shaped sugar caster, 7” high, London 1965, by A. Chick & Sons (6 oz); & a small christening mug with engraved inscription, Birmingham 1937. (2 oz).
44 A silver-mounted tortoiseshell dressing table set comprising a hand mirror, pair of clothes brushes, & pair of hair brushes, in fitted case, & a matching rectangular tray, 12” x 8”; London 1925/6, by C. & A., possibly Corke & Apthorp.
45 A set of six coffee spoons with scroll-decorated trefid terminals; Sheffield 1930, by Thos. Bradbury & Sons, in fitted case.
46 A set of six miniature two-handled baluster-shaped cups, each on round foot, 1½” high; Birmingham 1913, by Mappin & Webb, in fitted case.
47 An oval sauce boat with cut-card rim, on three pad feet, 5¾” long, together with matching stand & ladle; Sheffield 1937, by E. Viner, in fitted case. (8 oz total).
49
A VICTORIAN DESK INKSTAND of rectangular form with scroll border & on leaf-scroll border & on leaf-scroll feet, contemporary engraved inscription: “Presented to Robert Cottle Esq., As a Token of Respect & Esteem From His Friends In Fleet Street, A. D. 1851”, fitted two square glass inkwells with hin ...[more]
50 A pair of 6¾” candlesticks with wide drip-pans above the round tapered columns, on circular bases; Sheffield 1919, by Walker & Hall. (Loaded).
51 A three-piece condiment set of plain round tapered form; Birmingham 1937, by S. Blankensee & Son, in fitted case.
52 A pair of lancet-shaped four division toast racks, Sheffield 1937, by Brook & Sons; & another, Birmingham 1935 by M. M. Henderson Ltd. (5 oz total).
53 An engine-turned rectangular hand mirror, with matching hair & clothes brushes, London 1945-6 by Padgett & Braham; & a similar pair of hair brushes, Birmingham 1936, by Hasset & Harper.
54 A set of twelve “Roman” spoons, the terminal of each depicting a different Roman God; London 1971, by John Pinches, in presentation case. (8½ oz).
55 A modern wine funnel with beaded rim, shell clip, removable spout, & with matching circular stand; London 2001, by W. W. (7 oz).
56
A WILLIAM IV CAMPANA-SHAPED TROPHY CUP with cast foliate handles, lobed lower part & conforming round pedestal foot, engraved armorial to one side & inscription: “Sailing Match, Prize Cup Given at the Anniversary of the Commencement of the Herne Bay Pier, 4th July 1833” to the other side, 9¼” high; ...[more]
57 A capstan inkwell with engraved initials LBC to the hinged lid, 4¾” diam., Birmingham 1915; & two pairs of spill vases, both 5¾” high. (One pair with repairs).
58 Two late 19th century Dutch spoons with oval bowls, each with cast stem & terminal decorated with a sailing ship, & a rustic flute-player, 8¼” & 7½” long; Sheffield import marks for 1896 & 1897.
59 A Georgian cut glass vinegar bottle with silver neck-mount & handle (marks rubbed), 6¾” high; a squat round cream jug on three lion-mask & paw feet, Sheffield 1938 (4½ oz); & a small oval two-handled dish with pierced rim, Sheffield 1909.
60 Five cut glass toilet case bottles with engine-turned silver lids; a condiment stand with centre ring handle & fitted two replacement cut glass bottles, Birmingham 1933; & a silver-mounted 6½” candlestick with glass fluted column, Chester 1897 (incomplete).
61 An engine-turned pocket cigarette case, Birmingham 1935; a small engraved ditto, 1926 (6.8 oz total); two small mother-of-pearl shell dishes, each on silver foot, Chester 1907; a silver-handled long button hook; & a sterling teaspoon.
62
A GEORGE III ENTRÉE DISH of lobed oval shape, with gadrooned rims, the reversible cover with family crest removable handle in the form of a lion’s head & floret stump feet, the base with scratch weight “N1, 28 oz 16 dw”, 12½” x 9¼”; London 1796, by Robert Jones II. (51 oz).
63 A set of six coffee spoons, Birmingham 1957, in fitted case; thirteen odd coffee spoons; six foreign teaspoons with cast stems; a salt cellar frame; a small circular photo frame; & a silver-mounted glass powder jar.
64A A five-piece condiment set of oblong panelled design, each on four pad feet; Birmingham 1927, by Alexander Clark & Co., & three plated salt spoons; in fitted case.
64B A George III wine funnel with detachable spout; London 1790, by T. H., probably for Thomas Harper I. (2.2oz).
65 A German .800 standard circular bowl with raised fluted sides, on four ball feet; 10½” diam. (13 oz).
66
A Rhodesian sterling silver replica of the Independence Bell commemorating the 10th anniversary of UDI, with engraved inscription & facsimile of Ian Smith’s signature, maker’s mark “Trinity” for Scottish Jewellers, 3½” high, on hardwood stand, No. 162/1000; in fitted case.
67 A continental .800 standard oval dish with pierced & embossed raised border; 14” x 8”. (14 oz).
68 A continental .800 standard oval dish with pierced & floral embossed raised border; 8” x 4¼”; a similar ashtray; a .835 standard oval straight-sided bottle mount (?); & a ditto dwarf candlestick. (9 oz weighable).
69 A continental small brandy saucepan of rounded form with lobed shoulder, the short carved wood handle at right-angles to the spout; 2” wide x 1½” high, illegible mark to base.
70
A late 19th/early 20th century continental silver-gilt hors d’oeuvre serving set, comprising a caviar scoop & fork with dolphin handles, four two-pronged forks & two knives with wheat-ear handles; Russian .84 import marks with assayer’s mark of Kliment Zagayerski, in fitted case.
71 A round tapered cut glass claret jug with German .835 standard handle, neck-mount, & hinged cover; 11½” high.
72 No Lot
73 No Lot
74 An Opal heart-shaped large pendant in yellow metal mount, with yellow metal fine-link chain necklet.
75 A 9ct. gold curb-link bracelet with safety chain; three further loose links of same design, & a loose 9ct. gold fastener. (19 gm total).
76 An 18ct. gold small signet ring (2.7gm); a 9ct. gold narrow belt design ring (0.5gm); & an un-marked yellow metal ring of woven herringbone design (2gm).
77 A yellow metal chain necklace of interwoven links, 26” long. (7.8gm).
78 A quantity of various costume jewellery.
79 AN EARLY 19th century GARNET CAMEO RING, the oval stone carved in relief with a classical female bust, set within a border of rose diamonds to an un-marked gold shank.
80 A late Victorian 15ct. gold mourning ring, Chester 1896 (2.5gm); a 10K ring set oval cabochon green hardstone; a 9ct gold ring set large rectangular agate.
82 A 1930’s ladies’ cocktail watch with elongated rectangular dial, in sterling case with paste-set border, with rhodium-plated mesh strap; London import marks for 1933.
83 AN 18ct. GOLD, JADE & DIAMOND RING, the pierced oval jade panel carved with a bird amongst foliate, trios of small diamonds to the shoulders.
84 A large oval citrine pendant in 9ct. gold mount with integral bar brooch; Chester 1921.
85
A 15ct. gold openwork brooch set oval opal flanked by two small rubies, Chester 1913; a 15ct. gold bar brooch set seed pearls; a 9ct. gold bar brooch set opal & seed pearls; a Cyma ladies’ wristwatch in 9ct. gold case with 9ct. bracelet; two stick pins; & a “rolled gold” bar brooch.
86 A 15ct. gold ring with navette shaped panel set three small rubies surrounded by seed pearls.
87 A gold ring set crescent-shaped garnet & diamond-set star; & an antique 14 carat gold ring set five graduated pale emeralds.
88 An 18ct. gold open-work flower-head design brooch set single pearl to centre (15-6gm gross).
89 A two-row necklace of graduated cultured pearls with diamond-set 9ct. white gold clasp; & a small carved shell cameo brooch.
90 A 9ct. gold albert of elongated links-bar, a small length, & clasp detached & broken (26gm); & a pendant Chinese gold-coloured coin.
91 A 9ct. gold half-hunter cased gent’s pocket watch, the white enamel dial with black roman numerals & subsidiary seconds, Swiss “Hexameter” movement; Chester hallmarks for 1915.
92 A Waltham gent’s pocket watch, the white enamel dial with Arabic numerals & subsidiary seconds, in gold-plated case engraved with forest cabins.
93 A pair of 20ct. gold shirt studs (3gm); four 18ct. gold ditto (3.8gm); a pair of 9ct. gold square cuff-links (5.8gm); & two un-marked shirt studs.
94 An amber-bead necklace with white metal links in between; an amber-chip necklace; five simulated amber necklaces; & a ditto pendant.
95 An Edwardian gold open-work heart & ribbon-bow brooch set forty two small diamonds, & a pearl to one side; 3.6cm long.
96 A platinum ring set rectangular emerald within a border of ten small diamonds.
97 A platinum ring set cluster of nine diamonds, the centre stone approx. 0.2 carat.
98 AN EMERALD & DIAMOND RING, the centre rectangular emerald set within a border of fourteen small diamonds, to an un-marked yellow metal shank.
99 A ruby & diamond ring, the oval centre stone with a diamond either side, each of approx. 0.25 carat, set to an un-marked white metal shank.
101 An 18ct. gold ring set square sapphire, flanked by a brilliant-cut diamond either side, each approx. 0.2 carat.
102
AN ART DECO MULTI-GEM BAR BROOCH designed as flower-heads & leaves carved of various coloured gemstones, each flower centred by a small diamond, set against a blue enamel background, with four vertical rows of four diamonds dividing the field into two panels, to a white gold mount, the pin marked “7 ...[more]
103 A 9ct. gold chain necklace (20.3gm); together with double-side photo pendant in “rolled-gold” mount.
104 An Edwardian 15ct. gold scroll design brooch set ruby & two small diamonds; with safety chain; Chester hallmarks for 1903. (3.4gm. gross).
105 An un-marked three-colour yellow metal leaf spray brooch.
106 A Zenith ladies’ wristwatch in 9ct. gold case, London hallmarks for 1929, with metal expanding bracelet; & another 9ctg. gold case ladies’ wristwatch with rectangular dial. -lacking strap.
107 A 9ct. gold wishbone pendant; a silver & enamel heart shaped pendant on fine-link chain necklet; a silver & enamel powder compact; a filigree ditto; & four pairs of earrings.
108 A pair of 9ct. gold oval engine-turned cuff-links, Birmingham hallmarks for 1932 (8.5gm); & a 9ct. shirt stud (1gm).
109 A 9ct. gold lorgnette guard (10.7gm); with pendant 1978 sovereign.
110 A sterling pierced circular Celtic knot brooch, 1¼” diam.; & a circular pendant inset butterfly wing, on silver chain necklace.
111
A mid-19th century gilt-metal oval brooch inset portrait miniature of a little girl, 1½” x 1¼” (the ivory split); a 19th cent. gilt-metal & blue enamel brooch inset plaited hair locket; & a rectangular gilt-metal brooch with scroll border, inset porcelain plaque painted with a river landscape, 1¾” w ...[more]
112 An Edwardian sovereign; 1907.
113 A South African 1983 gold 2 Rand coin, & a ditto 1 Rand coin; in presentation case.
114 An early 20th century 9ct. gold propelling pencil by E. Baker & Son.
115 A WHITE TOPAZ RING, the large circular stone approx. 6 carats, set to a heavy yellow metal shank; un-marked, but manufactured by Hamilton & Inches.
116 A two-strand necklace of eighty eight baroque pearls of near uniform size, the 19th century gold clasp with hair locket.
117 A DIAMOND CLUSTER RING, the centre stone approx. 0.5 carat, set within a border of eight smaller stones, to an 18ct. white gold shank.
118 A pair of 14K white gold earrings, each set large pearl & numerous small round & baguette diamonds; & a similar ring set to an un-marked white metal shank.
120 A “butterscotch” amber bead necklace; & a simulated amber bracelet.
121 A pair of Chinese porcelain slender ovoid vases with tall narrow necks, each painted in famille verte enamels with a female archer & a male figure, 12” high; Kangxi six-character marks.
122 A Chinese blue & white porcelain deep bowl, the exterior painted with a continuous scene of numerous tradesmen; 9½” diam. (Rivetted, lacking cover).
123 A 19th century Japanese Imari deep bowl with band of hexagonal panels to the exterior; 7” diam.
124 A Japanese Satsuma pottery slender ovoid vase painted with a continuous scene, intricate diaper borders to the shoulder; 9¾” high.
125 An 18th century Chinese “Nanking Cargo” blue & white 6” diam. bowl (two hairline cracks, the polychrome decoration erased); & a similar 5¼” diam. blue & white bowl.
126 A Chinese porcelain meiping painted in copper-red with encircling dragons, underglaze blue double-ring borders to the neck & foot, 11” high; bears Yongzheng six character mark to base.
127 A CHINESE PORCELAIN SANG-DE-BOEUF GLAZED STEM BOWL with slightly flared rim, & on slightly tapered stem foot, 6½" diam x " high; Yongzheng six character mark in under-glaze blue in a horizontal line inside the foot-rim.
128 A Chinese blue & white porcelain bowl of ogee form, the exterior painted with a procession of dragons & trailing flowers above a stiff leaf border, 5¾” diam.; Quinlong seal mark to base.
129 A Chinese porcelain amphora of blue/grey glaze, with tall narrow slightly flared neck, 7¾” high; Kangxi six-character mark to base. (Two chips to neck-rim).
130 A pair of Japanese Kutani 9½” vases (one with chips to neck-rim); & two pairs of Satsuma-type vases, 6¼” & 6” high. (One of the smaller pair damaged).
131 A Chinese porcelain celadon ground deep bowl, the interior all-over painted with scattered flowers in raised white enamel; 14½” diam.
132
An early Vietnamese cylindrical vase with all-over crackled cream glaze, a border of leaves to the narrow shoulder; 6¾" high x 7" diam. (small chips to neck & foot rims). Provenance: Major Sir Hubert Winthrop Young (1885-1950), friend of T. E. Lawrence; thence by descent.
133
A group of seven early Chinese celadon ground small globular jars; tow similar small jars; two ditto small fragmentary heads; & a small Safavid blue & white vase, 2½". Provenance: Major Sir Hubert Winthrop Young (1885-1950), friend of T. E. Lawrence; thence by descent.
134 A Chinese porcelain wall vase in the form of a leaf, with fruiting pods issuing from the neck, painted with flowers & calligraphy; 6¾” high x 4½” wide.
135 A Chinese porcelain small squat round vase with tall narrow neck, painted in Doucai enamels with flowering shrubs, 4¾" high; Qianlong seal mark to base.
137
AN 18th century CHINESE PORCELAIN YUHUCHUNPING painted in underglaze blue, copper red, & off-white with a tiger, a deer, a Kylin, & two Buddhistic lions; 10¾” high, Qianlong seal mark to base. (Minute chip to foot-rim). Provenance: Major Sir Hubert Winthrop Young (1885-1950), friend of T. E. Lawrenc ...[more]
138 A “Vienna” cabinet plate with finely painted allegorical figure scene within a claret border decorated with pink & gilt reserves; 9½” diam.
139 A late 18th century Vienna porcelain baluster jug & cover with Kakiemon style floral decoration; 6½” high, blue “Beehive” mark & impressed number 22 to base.
140 An Italian polychrome majolica albarello of typical waisted form, painted with a winged angel mark above inscription “SY. D. SVCC. TVM”; 12” high. (Rims fritted & chipped).
141 A pair of Royal Worcester porcelain vases with ovoid bodies & tall narrow necks, blush-ivory ground with coloured floral sprays, 9” high; date code for 1909, shape No. 1661.
142
A Royal Worcester porcelain ewer of blush-ivory ground & painted with thistles & flowers, 5¼” high, date code for 1898, shape No. 1094; a pair of ditto 4¼” ewers (one cracked); a ditto pot-pourri vase (broken & re-stuck); & a Royal Crown Derby teacup & saucer (pattern No. 6576).
143 A Royal Worcester porcelain miniature round teapot painted with apples & blackberries by J.Skerrett.
144 A Royal Crown Derby porcelain solitaire teaset with blue transfer decoration of exotic birds & flowers, date codes for 1931; a Minton oval blue transfer Willow pattern teapot; a pink-ground souvenir plate; & two items of violet-decorated china (damaged/incomplete).
145
An early 19th century blue transfer oblong meat plate with Chinoiserie floral decoration, 16¾” x 12½”; a similar 9¾” diam. plate; two ditto soup plates; two ditto smaller plates; a 6” diam. slop bowl with bat-printed rural landscapes & silver-lustre rims; & a pearlware cylindrical pot & cover with b ...[more]
146 An Enoch Wood & Sons “Sporting Series” blue transfer deep bowl decorated with a beaver in a river landscape; 12½” diam. (cracked); ex: Rhoda Cope collection.
147 A matched set of four Doulton Lambeth & Royal Doulton buff stoneware “Harvest” jugs with raised rustic decoration, 10”, 7¼”, 5¼”, & 4” high.
148 Four Victorian Staffordshire pottery flat-back spill vases, each with male & female figures & a recumbent goat; 7¼” high. (One with crack to base & chip to neck).
149 A pair of Victorian Staffordshire pottery tree-stump spill vases, each with seated fox to the pen-holder base, looking up at a nesting bird; 4½” high.
150 A pair of Victorian Staffordshire pottery flat-back models of children riding donkeys, each carrying a milk pail, & each labelled “MILK” to the narrow oval base; 8½” high. (Old restoration to the girl figure & donkey’s rear leg of male figure).
151 A pair of Staffordshire pottery flat-back models of goats, each standing on a rocky ledge above a sleeping child musician, 11¼” high. (One goat missing one ear-tip).
153 A pair of Meissen Marcoloni period dessert plates with orange & gilt scroll borders, the centre of each painted with a pastoral scene; 8” diam.
154 Eleven 19th century English white & turquoise glazed porcelain menu holders in the form of scallop shells, 2¼” high; design registration mark for 1874. (One cracked).
155 A pair of Bloor Derby Imari pattern shaped oval dessert dishes, 12” wide; two similar circular shallow dishes; a ditto saucer; & a Derby blue & gilt cylindrical inkwell.
156
An early 19th century English porcelain circular two-handled sauce tureen with finely painted floral reserves on a deep blue & gilt ground; three Coalport dessert plates; a pair of Meissen “Onion” pattern oval dishes, 10” wide; two pairs of large cut glass rummers; & a single ditto.
157 A Foley china Art Deco part tea service decorated with green & black swirls, comprising a sugar bowl, milk jug, two bread-&-butter plates, six teacups, six saucers, & six side plates. (Two with a small rim-chip).
158
A Copeland late Spode dinner service decorated with brightly-coloured oriental style floral decoration, comprising an oblong two-handled soup tureen; three square vegetable tureens & covers; a sauce tureen, ladle, & stand; an oblong meat plate, 17” x 13”; three pairs of smaller graduated oblong dish ...[more]
159
An early 19th century Stone China part dinner service with brightly-coloured oriental floral decoration & gadrooned borders, comprising an oval two-handled sauce tureen; a vegetable tureen base; five 10” diam. soup plates; & six 9” dessert plates; royal coat-of-arms mark & roman numeral LIV.
160 A late 18th/ early 19th century dark green glass wine bottle, 9¾” high; & a similar bottle, 8”.
161 An early 19th century hob-nail pattern cut glass circular bowl on pedestal foot, 5¼” diam. x 5” high; & two glass paperweights.
162 A pair of fine quality 19th century cut glass jars & coves of low narrow oblong form; 5” high x 5½” wide.
163 A pair of mid-19th century green opaque glass candle lustres hung with clear prism drops; 8¾” high.
164 An 18th century drinking glass with trumpet-shaped bowl, tear-drop to the plain stem, & on plain slightly conical foot; 6¼” high.
165 A pair of mid-19th century amber glass candlesticks, each with seven-sided baluster column on hexagonal star-cut base; 8” high.
166 A 19th century emerald glass squat round decanter with tall narrow neck & round flat-sided stopper engraved: “Sherry”, 9½” high; & a pair of emerald glass wines with ogee bowls, 5¼”.
167 A PAIR OF GEORGIAN EMERALD GLASS DECANTERS, each of mallet shape, with flat-sided oval stopper; 11” high.
168 A cockerel Natural bottle vase designed by Sally Tuffin; 15½” high, painted “No. 33” to base.
169 A Sunflower with Bee ovoid vase with short narrow neck, designed by Sally Tuffin, 6¾” high; marked to base “Gala Day 2008 – No. 19”.
171 An Ostrich Natural fig-shaped vase, designed by Sally Tuffin; 6¾” high, numbered 9/10.
172 A Nuthatch ovoid vase (commissioned for Mary Whettem), amongst willow on an ivory ground, designed by Sally Tuffin; 6½” high, numbered 20/30.
173 A Jasmine-on-Black tazza modelled with a butterfly to the centre, designed by Sally Tuffin; 5¾” diam. x 3½” high, painted “No 7” to base.
174 A Ladybird Lustre ovoid vase of ivory ground, designed by Sally Tuffin; 5” high, painted “No 24” to base.
175 A Jasmine-on-Green round tapered vase with ladybird to lower part, designed by Sally Tuffin; 5¼” high; painted “No 21” – Gala Day 05” to base.
176 An Octopus Natural Etruscan-shaped vase, designed by Sally Tuffin; 12” high, painted “No 15” to base.
177 A Wisteria-on-Turquoise round tapered flask with butterfly to the small cover, designed by Sally Tuffin; 8½” high, signed by Sally Tuffin in gilt & painted “No 4” to base. (Wing-tip of butterfly chipped).
178 A Hare Standard slender ovoid vase, designed by Sally Tuffin; 8” high, painted “No 9” to base.
179 A Dove Cote with removable cover, designed by Sally Tuffin; 8” high painted “No 1/25” to base. (chip to inward-facing dove's beak).
180 A Hokusai Box (for the National Art Fund), of cylindrical shape with frog knop to the cover, designed by Sally Tuffin; 5¼” high, painted “No 1/20” to base.
181 A Frog Tree (or Rainforest Natural) round tapered flask with frog to the small cover, designed by Sally Tuffin; 9” high, painted “No 4” to base.
182 A Bullerswood (for the V & A) Etruscan-shaped vase, designed by Sally Tuffin; 13¾”high, painted “No 13/100” to base.
183 A Sea Garden Natural ring tray with fish to centre, 4¼” diam., painted “No 3” to base; a Kingfisher Modelled ring tray, 4¼” diam., painted “No 16” to base; & a Jasmine-on-Green roundel, 6¼” diam., painted “No 10” to baes; all designed by Sally Tuffin.
184 A Penguin on Light Blue round tapered flask with penguin to the small cover, designed by Sally Tuffin; 9¼” high, painted “No 7” to base.
185 A Snowdrop & Bee (Green, 1st Version) box & cover of cylindrical form, designed by Sally Tuffin; 3½” high, painted “No 10” to base.
186 A De Morgan Standard cylindrical box, with leaping fish to the cover, designed by Sally Tuffin; 5¾” high, painted “No 8” to base.
187 A Datura-on-Green trial vase of slender ovoid form, designed by Sally Tuffin; 7½” high, painted “Trial 6” to base.
188 A Koi Carp Standard large bottle-shaped vase, designed by Sally Tuffin; 15¼” high, painted “No 30” to base.
189 A pierced Gothic Tower with Bats, the conical roof forming the cover, designed by Sally Tuffin; “ high, painted “No 8/10” to base.
191 A Panda Natural small barrel-shaped vase, 2¾” high, painted “No 6” to base; & a Circus Tent 2¾” vase, painted “No 3” to base; both designed by Sally Tuffin.
192 A De Morgan Antelope vase (for the V & A) of slender ovoid form, designed by Sally Tuffin; 13¾” high, painted “No 1/40” to base.
193 No Lot
194 No Lot
195 Four early 19th century French coloured aquatints – figure scenes from “Le Bon Genre”; 9” x 11½” to 8” x 10”.
196 J. C. NATTES (after). A pair of early 19th century coloured aquatints of Bath views, titled: “Pulteney Bridge & c, & c”, & “Milsom Street, & c”, published 1805 (margins obscured by mount); 9¼” x 13”.
197 An early 19th century coloured engraving titled: “A View of the City of MALTA, On The Side of Cotonere”; publ. 1818 by J. Whittle & R. H. Laurie; 14½” x 21”.
198 JOHN THOMAS SMITH (1766-1833; By & After). “Domestic Architecture”; six sepia etchings on buff paper depicting London street scenes drawn between 1791 & 1810, published 1811-14 by J. T. Smith; 12” x 9¼”.
199 A 19th century French coloured print of a street scene with female patriot to the fore; 13½” x 9”.
200 WILSON, Sydney E. A pair of coloured mezzotints of 18th century figure scenes in room interiors; 17” x 21”.
201 STEWART, I, after Lt. Col. JAMES PATTISON COCKBURN. A large coloured engraving titled: “Plate 2, This View of The Ice Pont Formed Between Quebec & Point Levi in 1831”; published 1833 by Ackermann; 20” x 28”.
202 FLAMSTEED, John (1646-1719, after). An early 18th century hand-coloured celestial map from the Atlas Coelestis, showing the constellation of Virgo; 21” x 25½”.
203 No Lot
204 GYLES, Pauline (contemporary). A miniature still-life study of wild flowers in a wicker basket; signed, watercolour: 3” x 2¾”; & an early 20th century watercolour of wild flowers & a stone bridge, inscribed: “A Happy New Year to You”; 4½” x 3” (oval).
205 FREEMAN Alan (contemporary). Fishing boats tied up at Weymouth harbour; titled, signed, & dated 1990 to mount, watercolour: 7¼” x 11½2; & a signed print of a beached rowing boat by the same artist.
206 PASSUNTINO, Peter Zaccaria (American, born 1936). A room interior with inscribed title: “Grand Street Interior”, signed & dated April 1962; charcoal & wash: 17½” x 23½”.
207 BOWER, Douglas. A harbour scene with figures in a tender to the fore, a three-masted sailing vessel at anchor beyond. Signed; watercolour: 10½” x 14½”.
208 HALL, John (1921-2006). A seated female nude. Red pastel heightened with white: 20" x 13¾"; with Cambridge School of Art stamp.
210 EARP, W. H. (late 19th century). A beach scene with fishing boats in a stiff breeze, steep cliffs beyond. Signed; watercolour: 9" x 21".
211 A miniature study of “The Scourged Martyr”, on ivory: 1¾” x 4”. (w.a.f.).
212 INDIAN SCHOOL. Three stylised animal studies. Gouache; 8¼” x 12” to 10” x 8”.
213
EVANS, William, of Bristol (1809-1858). A pencil study of a donkey & cart, inscribed: “L’Aricca”, 5” x 3¼” (ex: Martyn Gregory, Bury St., St James’s, 1987); VARLEY John (1778-1842), a pencil sketch of a landscape with figures, 2¾” x 4¼”, inscribed on reverse “From descent from the artist’s family”; ...[more]
214
DAVIDSON, Charles RWS. (1824-1902). A rural landscape with figures approaching a stream to the fore, a windmill beyond;
watercolour: 4½” x 6½”; & ENGLISH SCHOOL, early 19th cent., a coastal scene with two women on the rocky shore looking out to sea; watercolour: 6½” x 7½”.
215 TAUNTON, William (active circa 1840-75). A rural landscape with drover & cattle on a tree-lined path. Signed; watercolour: 25½" x 18½”.
216 HICKS, Herbert William (1880-1944). A Dartmoor river landscape, signed; gouache: 10” x 14"; & CALLEN, H.; Polperro Harbour.
217 RICHARDSON, Frederick Stuart R. I., (Bristol 1855-1934). A moorland scene near Whitby; signed, watercolour: 8” x 11”; & ASHLEY; the corner of a field looking towards a stile & houses beyond; signed, watercolour: 14” x 10”.
218
WELLS, William (early 19th century). A landscape titled: “Pall Mall As It Was 300 Years Ago”, with annotations to the upper border indicating Westminster Hall & Abbey, St. James’s House, etc., inscribed: “Copied From an original in the Possession of Mrs. W. Tomlin, Lincolnshire, Wm. Wells, 1813”; wa ...[more]
219 A series of six watercolours by J. Appleton, J. T. Wilson, J. P. Emslie, & others depicting old street scenes in the Smithfield area of London; painted circa 1870’s -90’s, mounted in two frames.
220 HAVELL, William (1782-1857). A tree-lined gorge with castle ruins. Watercolour: 5½” x 9¼”.
221 VARLEY, John (1778-1842). A woodland pool, buildings beyond. Watercolour: 3¼” x 5½”. (Provenance: purchased from Abbott & Holder, 1987).
222 VARLEY, John (1778-1842). A rural scene with figures approaching a mill, a river landscape beyond. Signed; watercolour: 5¼” x 7”.
223 FIELDING, Copley. A lake landscape, watercolour: 7” x 9¾”; & ENGLISH SCHOOL, 19th cent., a sepia heathland scene with windmill; watercolour: 10” x 14”.
224 HAYES, Claude R. I. (1852-1922). A rural landscape with sheep crossing a stream; signed, watercolour: 7” x 10½2; & OYSTON, George (circa 1860-1918); a river landscape; signed, watercolour: 8½” x 13½”.
225 HAYES, Claude. R. I. (1852-1922). An open landscape with cattle in a water meadow to the fore. Signed; watercolour: 6” x 9”.
227 COX, David junior (1809-1885). A rural landscape with Kenilworth Castle beyond, figures & cattle to the fore; & the companion landscape with drover & flock passing a hovel, the latter signed, the former with old label to reverse; watercolour: 10" x 14".
228 ENGLISH SCHOOL, mid-19th century. A farmstead with figures, sheep, & ducks beside a stream, signed with monogram & dated '65; watercolour: 5½" x 10½; & a village scene with cattle & drover, signed indistinctly & dated 1852; watercolour: 4½" x 8¾".
229 CARTER, Joseph Newington (1835-1871). Pencil drawings of Newbridge on the river Tamar, & Beeson Sands, South Devon, 4½” x 6½”; & CARTER, Henry Barlow (1795-1867); a pencil drawing of Newlyn, Cornwall, in 1859; 4¼” x 6¾”.
230 FRASER, Robert Winchester (1848-1906). A coastal scene at low tide on the Bristol Channel, with figures & small boats beneath cliffs. Signed; watercolour: 8” x 15”.
231 CALLOW, William RWS (1812-1908). A river landscape with small craft, a stone bridge beyond. Signed with monogram; watercolour: 9” x 14”.
232 CALLOW, William RWS (1812-1908). Dunster village & castle, from a high vantage point; watercolour: 8¾” x 13¼”. (Provenance: purchased from John Manning, New Bond St., London).
233 ENGLISH SCHOOL, early 19th century. A half-length portrait of a young lady wearing white chiffon dress with blue wrap. Pastels: 15” x 12”.
234 CHALON, Alfred Edward. R. A. (1780-1860). A full-length portrait of a young lady wearing a lace-trimmed dress, standing beside a dressing table, a spaniel resting on a cushion at her feet. Signed & dated 1841; watercolour: 20" x 14".
235 MAYER, R. S. (Exhib 1911-30). A rural landscape with cattle grazing & resting in a meadow. Signed & dated 1919; watercolour: 6½” x 9½”.
236 KERR, Frederick James (1853-1936). A rural landscape with coast in the distance, labelled on reverse: “Penarth Point, S. Wales”. Signed & dated 1924; watercolour: 10” x 13”.
237 SHORT, Sir Frank (1857-1945). An extensive estuary scene, inscribed: “Itchenor Channel, 1919”. Signed; watercolour: 11¾” x 17½”; & a drypoint etching of Sion House from the river by Short; 10” x 14”.
238 No Lot
239 RANSON, Arthur. A full-colour page from Judge Anderson – “Shamballa” 2000 AD; “You sure It’s wise letting those two clowns go off on their own…”.with lettering laminate; 15” x 11½”.
240 RANSON, Arthur. A full-colour page from Judge Anderson – “Shamballa”, 2000AD, “We’ve Come All This Way – To This Ruin on the Top of Tibet…”, with lettering laminate; 15” x 11½”.
241 RANSON, Arthur. A full-colour page from Judge Anderson – “Shamballa”, 2000AD., “Cassandra, Snap Out of It..”; with lettering laminate; 15” x 11½”.
242 RANSON, Arthur. A full-colour page from Judge Anderson – “Shamballa”, 2000AD., “When I Finally Die…”, with lettering laminate; 15” x 11½”.
244 HAYCOCK, Gerry. “Dr. Who” (John Pertwee); three full colour double-page spreads, Countdown Issues 42, 44, & 45; 16” x 25½”.
245 HAYCOCK, Gerry. “U. F. O.”; a full colour double-page spread for Countdown issue No. 26; 16½” x 26”.
246 BAKSHI Ralph. “Lord of the Rings”; an animation cell depicting Frodo & Sam; 9” x 10½”.
247 SCHULTZ, Charles (Studio). “Peanuts”; an animation cell depicting Snoopy riding on a toaster (?); 8” x 11”.
248 ENGLISH SCHOOL, first half of 19th century. A wooded river landscape with figures on a stone bridge beside thatched cottages, cattle watering to the fore. Oil on canvas: 25” x 30”.
249 ENGLISH SCHOOL, 19th century. Dogs in a landscape. Oil on panel: 13” x 10”.
250 BAGSHAW, Edwin. (Exhib. 1891-1927). A drover & flock in a wooded landscape. Signed; oil on canvas: 12” x 24”.
251 FRENCH SCHOOL, late 19th century. A study of a water mill. Oil on canvas: 14” x 18”.
252 ENGLISH SCHOOL, early 20th century. A room interior with two cats at play. Oil on board: 17” x 22¾”.
253 ENGLISH SCHOOL, 19th century. A still-life study of mixed flowers in a glass vase. Oil on canvas: 30” x 25”.
254 FRENCH SCHOOL, late 19th/early 20th century. A woman feeding chickens before half-timber thatched house. Oil on board: 12½” x 18½”.
255 WARNE-BROWN, Alfred J. (fl. 1890’s). A coastal scene with waves breaking on rocky cliffs. Signed; oil on canvas: 12” x 18”.
256 PADWICK, Philip Hugh (1876-1958). A river landscape, inscribed on reverse: “Ferry at Bury, Sussex, looking toward Amberley Castle”; oil on board: 13½” x 19”; together with a Victorian watercolour of mixed flowers; 15” x 13”. (oval, w.a.f.).
257 THARP, Charles Julian Theodore. (Born 1878). A rural landscape with rolling fields & village church in the distance; signed, oil on board: 12¼” x 15¼”; & an estuary scene at low tide, signed with a device; oil on board: 13½” x 15½”.
258 SWEETLAND, William (19th century, Bath). A three –quarter length portrait of a Spanish monk, label verso with date 1882; oil on board: 11½” x 9½”; & a small watercolour head-&-shoulders study of a young woman.
259 OLDERT, Johan (1912-1984). Thatched houses in a mountainous landscape, labelled verso “Paarl Vicinity Cape”; signed, oil on board: 14” x 20”; & a similar landscape by Charles Eyden; 15” x 19”.
260 DUTCH SCHOOL, 20th century. A thatched country cottage beside an archway. Signed indistinctly; oil on canvas: 19" x 27".
261 SWEDISH SCHOOL, 19th century. A room interior with couple seated at a table, a cat to the fore, a longcase clock dated 1793 to the right.
262 FATHERS, George R. (1898-1968) The town of Dunkeld, Perthshire, from across the river Tay. Signed; oil on board: 10” x 13½”.
264 HARRIS, George. (Born circa 1847). A pair of wooded river landscapes, each with a watermill. Signed; oil on canvas: 20" x 15".
265 CLEMENTS, H. (19th century). A pair of wooded river landscapes with cottages & figures, titled to mounts: “At Willsbridge, Bitton”, & “The Old Bone Mill, Oldland Bottom”. Signed; oil on canvas: 12” x 20”.
266 STAINTON, George (fl. 1860-1890). Numerous fishing vessels off the coast, a fisherman to the fore. Signed; oil on board: 11” x 17¼”. (Provenance: Purchased at Sotheby’s, 4th June 1974).
267 VERBOEKHOVEN, Louis (1802-1889). A small sailing vessel approaching shore. Signed; oil on panel: 6¼” x 9”. (Provenance: Purchased at Christies, 2nd Feb. 1968).
268 DOMMERSON, William Raymond. A view of Hoorn, Holland, with small sailing vessel to the fore. Signed; oil on panel: 9½" x 13".
269 ENGLISH SCHOOL, late 19th century. A small cargo vessel off Venice. Signed with initials: J.L.C., inscribed: “Venice”, & dated ’80; oil on panel: 9½” x 14½”.
270 ENGLISH SCHOOL, early-mid 19th century. A pair: i) A British Man-o’-War off a harbour town; ii) a two-masted vessel in choppy seas, numerous other vessels beyond. Oil on canvas: 12” x 16”.
271 No Lot
272 A contemporary bronze sculpture of a leaping toad by Joan Shingleton, titled: “Floating Balance”, signed & dated ’94. 10½” high.
273
An ancient Egyptian upper-half portion of a carved stone Shabti, 3¼2”high, with hand-written label attached to reverse inscribed: “Found by Rifleman Hudson Whilst Digging Trenches during Campaign In the Holy Land, 28th December 1917”; & a polished natural agate specimen.
274
An 18th century South Staffordshire enamelpink-ground candlestick painted with reserves of flowers, with removable drip pan, slender baluster column & on wide shaped round foot, 9¾” high; & a similar white-ground enamel candlestick, lacking drip pan. (Both with faults & restoration).
275 A pair of early 19th century bronze candlesticks with cast foliate nozzles, plain baluster stems, each on cast foliate & lion-paw triangular base; 10¾” high.
276
A late 18th century English enamel oval plaque with black transfer-printed portrait of a naval officer, 2¼” x 1½”, in gilt metal mount (cracked); & an early 19th century portrait miniature of a young military officer in scarlet tunic, 2” x 1½” (oval), in later gilt-metal frame. (The ivory split).
277 A 19th century continental porcelain oval plaque with finely painted half-length portrait of Queen Louise of Prussia, 3” x 2½”; in Florentine carved & pierced giltwood frame.
278 A Victorian gros & petit-point wool needlework picture in the medieval style of “La Dame á la Licorne”; 13” x 19”.
279 BONHEUR (after). A bronze sculpture of a racehorse with jockey up; 14” high x 14” wide.
280 WAUGH, Elizabeth (born 1929). A bronze model of a recumbent deerhound, on oval "flag stone" base, 9" wide x 4½" high; signed & numbered 5/52.
282 A meerschaum pipe, the bowl carved in the form of a dog’s head; 6½” long. (cased).
283 A continental pewter guild cup & cover of slender baluster form, with numerous inscriptions & dated 1749, on round pedestal foot; 20½” high. (w.a.f.).
284 A pair of African carved ebony models of roaring lions; 6½” long.
285 A bronzed composition sculpture of a nude female dancer, 24” high, on wood block base. (w.a.f.).
286 A 19th century Japanese bronze ovoid vase with grotesque mask side handles & raised decoration of birds amongst prunus blossom, 12" high; & a similar vase with dragon side handles, 12".
287 287. A pair of Chinese bronze ovoid vases with dragon side handles decorated with birds & shrubs on a geometric textured ground; 15¾" high, seal marks to the bases. (Lacking one handle).
288 A pair of 19th century Japanese lacquered bronze ovoid vases with Karashishi finials to the domed covers, phoenix side handles, raised floral decoration, each on three zoomorphic curved legs & integral round bases; 17½" high.
289 A Chinese carved hardwood standing figure of a sage holding a peach & long staff; 16½" high.
290 A 19th century Chinese carved & pierced ivory brisé fan. (minor faults).
291 A late 19th/early 20th century Chinese carved ivory set of concentric balls, 2" diam; on slender turned stand; 5" high.
292 Seven fine quality 19th century Cantonese gouache figure studies on mulberry paper; 13” x 8”; in original album with silk boards &U painted cover. (w.a.f.).
293 A pair of Chinese cloisonné shallow circular bowls with dragon decoration, one on a blue ground, the other black; 7¾” diam.
294 A pair of Chinese cloisonné baluster vases decorated with dragons & stylised flowers on a turquoise ground; 9” high.
295 A Japanese tortoiseshell veneered & lacquer decorated two division tea caddy; 9” wide. (w.a.f.).
296 A Chinese carved ivory standing figure of Guan Yin holding a willow branch in her left hand, a necklace in her right hand; 8¼” high.
297 A Chinese carved ivory standing figure of Guan Yin pouring water from a flask held in her right hand, her feet resting on a lotus pod; 9” high.
298 A JAPANESE IVORY NETSUKE carved in the form of a kneeling nude female bathing figure holding a towel across her back; 2½” high.
299 No Lot
301 A late 19th century Vienna-type regulator wall clock with 6” diam. two-part white enamel dial, in walnut & ebonised case; 36” high. (w.a.f.).
302 An early 19th century longcase clock with painted arch dial, in oak & mahogany case. (Lacking movement).
303 An early 19th century longcase clock, the 12” diam. white painted dial signed: “J. Davies, Woolwich”, subsidiary seconds & date dials, eight-day striking movement, in mahogany case; 6’ 11” high. (w.af.).
304 A French Art Deco mantel timepiece, the square gilt dial inscribed: “Goldsmiths & Silversmiths Co., Regent St., London”; in brown onyx case; 8¾” high.
305 A late 19th century continental mantel timepiece with musical movement, in carved wood case; 8½” high.
306 An early 19th century longcase clock, the 12” square painted dial signed: “Thos. Payne, Morton”, with date aperture, thirty-hour striking movement, in inlaid oak case; 6’ 10” high.
307 An early 19th century longcase clock, the 12” square painted dial signed: “Geo. Rossiter, Bridgwater”, with subsidiary seconds & date aperture, eight-day striking movement, in plain oak case.
308 An early 19th century longcase clock with square painted dial, 30-hour striking movement, in inlaid oak case. (w.a.f.).
309 A French brass carriage timepiece with black roman numerals to the white enamel dial; 4” high.
310 A 19th century French mantel clock with 3” diam. white enamel dial, in gilt speltre figured case; 11¾” high x 14” wide.
311 An early 19th century longcase clock, the 12” square painted dial signed “Kinnoch & Flaig (?), Dunstable”, with date aperture & thirty-hour striking movement, in inlaid oak case; 6’ 7” high.
312 A late 18th/early 19th century longcase clock, the 12” painted arch dial with subsidiary seconds & date dials, eight-day striking movement, in figured mahogany case with swan-neck pediment, 7’ 1” high.
313 An early 19th century longcase clock, the 12” painted arch dial signed: “R. Carnegie, Kinneff”, with subsidiary seconds dial, eight-day striking movement, in plain oak case; 6’ 6” high.
314 A late 19th century Vienna-type regulator wall clock with 6” diam. white enamel dial, subsidiary seconds & eight-day striking movement, in carved walnut case; 51½” high.
315 A late 19th century aneroid wall barometer & thermometer, in carved walnut banjo-style case; 37½” high.
316 A late 18th century longcase clock, the 13” brass dial signed: “Jno. Gibson, Glasgow”, subsidiary seconds & date dials to the engraved centre, in inlaid mahogany case with swan-neck pediment; 7’ 2” high.
317 No Lot
318 A modern Isfahan carpet of ivory ground, with all-over multi-coloured palmette design within wide multiple borders; 12’ x 8’ 1”.
320 An early Victorian figured mahogany sideboard, the raised back with carved border, fitted three cushion-fronted frieze drawers above a central cupboard, a fielded & bowed panel door either side; 72” wide.
321 A mid-Victorian burr walnut oval Sutherland table on turned & spiral-fluted slender supports with centre stretcher; 41½” x 35”.
322 A late 19th/early 20th century French carved & painted double bedstead with rounded cane-panel head & foot boards, on toupee feet; 5’ 1” wide.
323 A French carved & painted double bedstead with cane-panel head & foot boards, on turned & fluted legs; 6’ 4” wide.
324 A 17th century oak coffer with lift lid, the carved triple-panel front with marquetry floral decoration (now in filled); 53” wide.
325 A matched pair of William & Mary style elbow chairs with tall backs – the seats & backs require re-caning.
326 A brass eight-branch chandelier in the 17th century Dutch style; 32” wide x 25” high.
327 A set of four reconstituted stone male & female figures representing the seasons, each on square base; 30” high.
328 A lead figure of a seated putto, 8” high; a composition putto figure, 23” high; & a carved stone small garden vase; 12” high.
329 A reconstituted stone standing figure of Apollo with his bow & arrows, his dog at his feet, on square base; 55” high.
330 A continental figured mahogany wardrobe enclosed by pair of fielded panel doors; 43” wide x 70” high.
331 A Chinese hardwood tall cabinet with small cupboard enclosed pair panel doors above a central recess, two frieze drawers & pair of panel doors below, 34" wide x 80" high.
332 A late regency convex wall mirror in gilt cushion frame decorated with leaf scrolls; 23” diam.
333 An 18th century style rectangular wall mirror in gilt frame with swan-neck pediment; 18” wide x 37½” high.
334 A pair of regency mahogany dining chairs with padded seats, on turned & reeded tapering legs; & two Chippendale style mahogany dining chairs
335 An early 19th century mahogany secretaire bookcase enclosed pair of glazed doors above, the secretaire drawer with fall front enclosing fitted interior, three sliding trays below enclosed by a pair of panel doors centred by ovals; 43" wide x 89½" high.
336 A GEORGE III STYLE MAHOGANY DWARF BREAK-FRONT BOOKCASE enclosed two pairs of glazed doors, panelled doors below, on ogee bracket feet; 43” wide x 69½” high.
337 A rectangular bevelled wall mirror in gilt gesso frame with pierced scroll border; 46” x 30”.
338 A mid-18th century mahogany oval drop-leaf dining table on turned legs with pad feet; 48” x 42”.
340 A late 18th century inlaid mahogany washstand converted to a bedside cabinet enclosed panel door, with concave corners, & on square tapered legs; 18” wide.
341 A Kelim rug of crimson ground with all-over multi-coloured geometric motifs; 8’ 2” x 6’ 8”.
342 A 19th century ash ladder-back rocking elbow chair with rush seat.
343 A set of six late 18th century oak dining chairs with pierced splat backs, padded seats &on square chamfered legs.
344 A William & Mary style walnut elbow chair with tall carved & pierced cane-panel back, open scroll arms, cane seat, & on turned legs with conforming stretchers. (w.a.f.)
345 A George IV mahogany bergére with square caned back, padded arms, deep cushioned seat, & on turned tapered legs (reduced in height).
346 An early 19th century mahogany small bedside cupboard enclosed panel door, on slender square tapered legs; 15” wide.
347 A William IV rosewood drop-leaf supper table fitted end drawer, on baluster turned centre column & platform base; 43" x 36".
348 A William IV rosewood drop-leaf supper table fitted end drawer, on baluster turned centre column & platform base; 43" x 36".
349 A 19th century mahogany dwarf cabinet fitted long frieze drawer above a pair of panel doors, a long drawer below, on short turned feet; 32” wide.
350 A late Victorian inlaid rosewood two-tier occasional table on slender square supports; 19½” wide.
351 A late 18th century oak side table fitted frieze drawer, on square tapered legs; 31” wide.
352 A 19th century rectangular wall mirror with rounded top, in walnut frame; 29” wide x 30” high.
353 A late Victorian brass & wire mesh three-fold spark guard, 19" wide; & a smaller ditto.
354 A Persian rug of dark blue ground, with cream hook pattern within crimson border, 60" x 35"; & a small rug with fawn centre & wide pink borders; 48" x 28".
355 A 19th century mahogany bookcase section enclosed glazed door; 22” wide x 39” high.
356 A 17th century-style oak coffer with carved panel front; 51" wide.
357 A Regency mahogany breakfast table, the circular figured tilt-top on turned baluster centre column & three splay legs with brass toes & castors; 43½" diam.
358 A pair of 18th century provincial oak & walnut dining chairs with solid splat backs, padded drop-in seats, & on square legs; & a similar ash dining chair with rush seat.
360 A NEEDLEWORK CARPET in the early 19th century style, with repeating pattern of flowers in ivory reserves, on a pale blue ground; 9’ square.
361 An early 19th century mahogany drop-leaf bedside table, with fall-front compartment to one side, on four slender turned legs; 18” wide.
362 A late 19th/early 20th century mahogany two-tier side table fitted two shallow drawers to the lower tier, on slender square supports, 36" wide.
363 An Edwardian inlaid mahogany writing table with stage top, inset tooled leather writing surface, fitted two frieze drawers below, & on slender square tapered legs; 34½” wide.
364 A 19th century French bird’s-eye maple chest with rouge marble top (damaged), fitted two short & two long drawers, on bracket feet; 36” wide.
365 A 19th century mahogany converted washstand with lift top, fitted shallow drawer above two fall-front compartments, on bracket feet; 23” wide.
366 A 19th century Anglo-Indian carved & pierced hardwood low occasional chair with padded back & seat, & on short cabriole legs.
367 A late George III steel fender with pierced serpentine front; 45” wide.
368 A Victorian beech & elm Windsor hard-seat elbow chair on turned legs with H-stretcher.
369 A late Victorian all-brass single bedstead; 36” wide.
370 A regency mahogany small bow-front sideboard fitted central frieze drawer above an apron drawer, a cupboard to the left, a deep drawer to the right, on six turned tapering legs; 48” wide.
371 An 18th century style mahogany lift-top commode on square legs; 22” wide.
372 A late 19th century carved oak monk’s bench with box seat; 36” wide.
373 A William IV rosewood & brass pole screen on triform base, the rise-&-fall banner inset wool needlework panel of an exotic bird. (w.a.f.).
374 A Victorian walnut & straw-work needlework table with octagonal lift lid inlaid with a chess board, on three carved cabriole legs; 17¼” wide.
375 A late 18th century inlaid mahogany card table with demi-lune fold-over top, on four square tapered legs; 36” wide.
376 A mid-Victorian carved walnut frame low armchair with rounded buttoned back, padded arms & seat upholstered pale yellow silk damask, on short cabriole legs.
377 A set of six Lancashire-type beech spindle back dining chairs with rush seats, & on turned legs.
379 A mid-18th century mahogany oval drop-leaf dining table on turned legs with pad feet; 42” x 34”.
380 A 19th century mahogany pedestal desk inset tooled green leather, fitted six drawers, a cupboard to the right, on bracket feet; 47½” wide.
381 A 19th century mahogany “apprentice-piece” library bookcase in the mid-18th century style, with architectural cornice above a pair of glazed doors, a pair of panel doors below; 16½” wide x 26½” high.
382 An 18th century oak mule chest, the triple fielded panel front converted into a fall, above two shallow drawers; 55” wide.
383 An early 19th century figured mahogany chest fitted two short & three long graduated drawers with original brass swan-neck handles, on ogee bracket feet; 48” wide x 48” high.
384 An early 19th century mahogany small tray-top bedside cupboard enclosed panel door, on slender square legs with diagonal stretchers; 13½” wide.
385 A late 18th century mahogany & satinwood crossbanded bow-front corner washstand fitted two small drawers to the centre tier; 25” wide.
386 An Edwardian art nouveau style small display cabinet with floral marquetry decoration, enclosed leaded glass door, on slender supports; 30” wide x 65” high.
387 A mid-18th century style burr-walnut veneered & crossbanded bureau, the sloping fall front enclosing fitted interior, four long graduated drawers below with brass handles, on bracket feet; 36” wide.
388 A Victorian satin birch chest fitted shallow frieze drawer above two short & three long graduated drawers with turned knob handles, on plinth base; 48” wide x 49½” high.
389 A Persian rug of crimson ground, with central lozenge, deep blue spandrels, & cream ground narrow border; 69" x 46".
390 No Lot.
391 A late 18th century mahogany dining table with D-shaped ends & centre leaf, on square tapered legs with brass castors; 73½" x 49".
392 An 18th century mahogany tripod table, the circular tilt-top with birdcage support on turned "gun-barrel" column & three cabriole legs with pad feet; 34" diam.
393 A Hamadan rug of blue ground with row of five geometric panels in pale blue & pink, within multiple borders; 76" x 38".
394 A TABRIZ CARPET of deep blue ground with all-over multi-coloured meandering floral design within wide terracotta ground floral borders & yellow guard stripes, signed to one end "JAVAN AMARKHIZ"; 10' 10" x 7' 6".
395 A late 18th century inlaid mahogany side table fitted frieze drawer, with drop-leaf to the back, on square tapered legs; 39” wide.
396 A late 18th century rectangular swing toilet glass with gilt slip, in mahogany skeleton frame; 17” wide x 22½” high.
398 An 18th century style Dutch marquetry card table with serpentine-front, decorated with vases of flowers, birds, & leaf-scrolls, fitted two frieze drawers & on four cabriole legs with claw-&-ball feet; 27½” wide.
399 A late 18th century mahogany & kingwood crossbanded card table with demi-lune fold-over top, on four square tapered legs; 38½” wide.
400 A regency green & gilt painted carver chair with cane seat &on turned tapered legs; & a similar elbow chair – both in need of restoration.
401 A regency inlaid mahogany cellarette of tapered oblong form with canted corners, the lift top enclosing zinc-lined interior, on four reeded curved legs with brass toes & castors; 14” wide.
402 An early 19th century rosewood, ebonised, & gilt centre table inset white marble to the circular top, on round tapered centre column& platform base with carved lion-paw feet; 28” diam.
403 A Victorian cast iron two-division umbrella stand of scroll design; 20” wide x 28” high.
404 A Victorian walnut, marquetry, & ebonised tripod table with shaped circular top, on turned & carved centre column & three cabriole legs; 28” wide.
405 A pair of late 18th century mahogany D-shaped dining table end sections, each on four square tapered legs; 44” wide.
406 A late 18th century mahogany bureau, the sloping fall front enclosing a fitted interior, four long graduated oak-lined drawers below with later brass handles, on ogee bracket feet; 37” wide.
407 A LATE GEORGE III MAHOGANY EXTENDING DINING TABLE, with rounded corners to each end, drop-leaf centre section, & two further leaves, on sixteen turned tapered legs; 14’ 4” long x 46” wide.
408 A set of four Victorian carved rosewood dining chairs with shaped open backs, padded seats, & on slender cabriole legs.
409 A William IV figured mahogany rectangular pedestal table on round tapered centre column & platform base with four leaf-carved feet; 30” x 20”.
410 An 18th century “red walnut” lowboy fitted three drawers with brass handles above a shaped apron, on four slender cabriole legs; 29½” wide.
411 A set of six early Victorian mahogany dining chairs with open kidney-shaped backs, padded seats, & on turned & leaf-carved tapering legs.
412 A Chippendale style mahogany kneehole dressing table fitted five drawers, on six legs with blind-fret carving; 48” wide.
413 A matched set of eight Lancashire-type ash spindle back dining chairs with rush seats, & on turned legs with plain stretchers.
414 A matched set of 19th century ash cottage hard seat dining chairs with spindle backs & on turned legs.
415 A well-made Jacobean-style carved oak joint stool; 20” wide.
417 A set of four ash & elm Windsor hard-seat dining chairs with pierced splats to the rounded spindle backs, & on cabriole front legs with crinoline stretchers.
418 A Hamadan rug of coffee ground, with multi-coloured geometric lozenges & multiple borders; 7’ 3” x 4’ 11”.
419 An 18th century style mahogany chest fitted brushing slide above four long graduated drawers with brass swan-neck handles, on ogee bracket feet; 37½2”wide.
420 A Bokhara rug of madder ground, with scattered crow’s foot guhls within multiple borders; 4’ 7” x 36”.
421 A Persian rug of madder ground with three rows of compressed guhls within multiple borders; 4’ 11” x 3’ 2”.
422 A Persian prayer rug of crimson ground with row of three oblong panels to the centre within wide border; 4’ 3” x 2’ 11”.
423 A miniature nest of four Chinese hardwood occasional tables, each with pierced apron; the largest 9¾” wide x 13” high. (w.a.f.).
424 A late George III oak, ash, & elm side table fitted three drawers above an arched apron, on square tapered legs; 34” wide.
425 An 18th century style oak small hanging corner cupboard enclosed panel door with applied mouldings; 23” wide x 25¾” high.
426 A 19th century oak & iron-bound plate chest with carrying handles to the sides; 32” wide.
427 A VICTORAIN CAST IRON GOTHIC STYLE HALLSTAND with seven coat hooks & a two division umbrella stand; 29” wide x 70” high.
428 A brass standard lamp with fluted Corinthian column, on square base with lion-paw feet; 55” high.
429 An 18th century mahogany side table fitted frieze drawer with pierced brass handles & escutcheon, on cabriole legs with pad feet; 32½” wide.
430 A late 18th century oak & mahogany crossbanded lowboy fitted three drawers above a shaped apron, on square chamfered legs; 30½” wide.
431 An 18th century elm coffer with lift lid, heavy iron carrying handles to either end; 49” wide.
432 A Chippendale-style mahogany stool with rectangular padded seat, on four triple-column legs with diagonal stretchers; 19” wide. (w.a.f.).
433 A George I style walnut lowboy inset Chinoiserie lacquer panel to the top, fitted frieze drawer, & on carved cabriole legs; 24” wide.
434 A nest of four Chinese carved hardwood & burr-elm occasional tables, each with carved frieze; 18½” wide.
435 A mid-Victorian rosewood card table, the rectangular fold-over top on four slender turned supports & four carved cabriole legs; 39” wide.
436 A George I style walnut & burr elm veneered small bureau, the sloping fall front enclosing fitted interior with well compartment, two short & two long drawers below, on bracket feet; 27” wide.
438 An unusual 19th century camphor-wood ribbed trunk with lift lid & iron carrying handles to the sides; 32” wide.
439 A 17th century style oak coffer with original hinges to the lift top, triple-panel front; 42¾”.
440 An early 19th century American figured mahogany chest with ring-turned & spiral-fluted pilasters, the raised back fitted three small drawers, four long drawers below, all with brass oval handles, on short turned feet; 45” wide.
441 A late 18th/early 19th century mahogany tripod table, the circular tilt top on baluster-turned column & three cabriole legs; 32” diam.
442 A Victorian mahogany “apprentice-piece” chest fitted two short & three long graduated drawers with turned knob handles, on plinth base; 15½” wide x 15½” high.
443 A 19th century mahogany bergere with woven cane panels to the rounded back & seat, on turned tapered legs (the back legs possibly replaced).
444 A set of six mid-Victorian mahogany balloon-back dining chairs, with carved backs & centre rails, on turned tapered legs, with padded drop-in seats.
445 A LATE 18th century FIGURED MAHOGANY OVAL PEMBROKE TABLE with narrow rosewood crossbanding, fitted bow-fronted end drawer, & on four square tapered legs carved with bell-flowers, & with brass castors; 38¾” x 29¾”.
446 An early 19th century mahogany small chest with inlaid chequered stringing, fitted four long graduated drawers with brass swan-neck handles, on ogee bracket feet; 31” wide.
447 A late Victorian rosewood envelope-top card table with marquetry decoration of classical urns, fitted frieze drawer, & on four square tapered legs with undertier; 22” wide.
448 An early 19th century inlaid mahogany small chest fitted two short & two long drawers with brass oval handles, on bracket feet; 36” wide. (replaced back).
449 A William IV figured mahogany work table with gadrooned borders, the rectangular lift top enclosing numerous compartments, a fabric-covered work basket below, on carved centre column & four carved lion-paw feet; 30½” wide. (w.a.f.).
450 A pair of 19th century Kingwood, Aramanth, & ebonised Étagères, each with three oval tiers having floral marquetry decoration, gilt-metal pierced gallery & finials, & on slender turned supports; 16” wide x 32” high.
451 A FRENCH KINGWOOD & ARAMANTH NARROW DISPLAY CABINET with gilt-metal mounts, & rouge marble top, enclosed by a glazed door & with glazed sides, on short turned feet; 27” wide x 59½” high.
452 An antique Aubusson large carpet of ivory ground, with oval floral medallion to the centre, floral spandrels & borders; approx. 24’ x 10’ 6”. (with faults).
453 A William IV figured mahogany tea table with fold-over top, on octagonal tapered column with stylised foliate carving & platform base; 36” wide.
455 A nest of regency style figured mahogany quartetto tables, each on slender turned supports, the largest 19½” wide.
456 A late 18th century mahogany bureau, the sloping fall front enclosing a fitted interior, two short & three long graduated drawers below with original brass swan-neck handles, on ogee bracket feet; 48” wide.
457 AN 18th century DUTCH WALNUT CARD TABLE with all-over marquetry decoration of a vase of flowers, birds, butterflies, etc., the demi-lune fold-over top with shaped border, fitted four frieze drawers, &on four carved cabriole legs; 33” wide.
458 A LATE 18th/EARLY 19th century DUTCH DISPLAY CABINET with all-over floral marquetry decoration, arched cornice, enclosed pair of glazed doors & with glazed canted sides, the lower part enclosed pair of panel doors, on bun feet; 66” wide x 7’ 11” high.
459 A modern Waterford cut-glass chandelier with nine scroll arms & hung with prism drops; 24” 2ide x 36” high.
460 A modern Waterford cut-glass chandelier with six scroll arms & hung with prism drops; 21” wide x 24” high.
461 A modern Waterford cut-glass chandelier with five scroll arms hung with festoons of beads & prism drops; 22” wide x 24” high.
462 A modern Persian rug of mustard & ivory ground, with all-over multi-coloured geometric pattern within wide triple borders; 6’ 4” x 4’ 6”.
463 A regency inlaid mahogany bow-front chest fitted four long graduated drawers with brass foliate ring handles, on splay bracket feet; 38¾” wide.
464
A George I style figured walnut veneered small bureau bookcase, the upper part fitted three adjustable shelves enclosed by a glazed door, the sloping fall front enclosing fitted interior with well compartment, two short & two long drawers with brass handles, on ogee bracket feet; 28” wide x 78” high ...[more]
465 A REGENCY MAHOGANY SOFA TABLE with painted decoration of romantic figure scenes, fitted two drawers to one side, on reeded curved X-shaped end supports with brass castors, joined by a turned & reeded centre stretcher; 61” wide (with leaves up) x 28”.
466 A Louis XVI style carved beech frame bergere, with padded open arm, woven cane back & seat, on carved cabriole legs.
467 A late 18th century French fauteuil with carved & painted wood frame, padded round back & arms, loose cushion to the seat, & on turned & fluted tapering legs.
468 A regency mahogany bow-front chest with gadrooned edge, fitted two short & three long graduated drawers with brass knob handles, on short turned feet; 41” wide.
469 A LATE 18th century SATINWOOD & MARQUETRY DEMI-LUNE PIER TABLE, the crossbanded top decorated with ribbon-tied husk swags & centred by a palmette, the frieze similarly decorated, on four slender cabriole legs; 43” wide. (w.a.f.).
470 A 19th century Anglo-Indian carved teak torchere with circular top & tall slender column, profusely carved with flowers & foliage, on four short scroll feet; 48¾" high.
471 A Victorian walnut shaving stand with circular adjustable mirror & two brass candle sconces above a circular platform, on turned centre column & three curved legs.
473
