Thomas Ades - Chamber Symphony

ChamberSymphony

F O R F I F T E E N

P L A Y E R S

THOMAS ADÈS

.

CHAMBER SYMPHONY

W O R K S F O R C H A M B E R E N S E M B L E

(8–16 players)

T H O M A S A D È S

Chamber Symphony

(1990)

for 15 players

Living Toys

(1993)

for 14 players

G E O R G E B E N JA M I N

At First Light

(1982)

for 14 players

Antara

(1987)

for 16 players

(2 flutes, computerised keyboards, percussion and strings)

J O N AT H A N H A RV E Y

Bhakti

(1982)

for 15 players and quadraphonic tape

Valley of Aosta

(1988)

for 13 players

O L I V E R K N U SS E N

Ophelia Dances Book I

(1975)

for 9 players

Coursing

(1979)

for 14 players

Songs without Voices

(1992)

for 8 players

C O L I N M AT T H E W S

Suns Dance

(1985)

for 10 players

Fuga

(1988)

for 8 players

Hidden Variables

(1989)

for 15 players

FA B E R M U S I C . 3 Q U E E N S Q UA R E . L O N D O N

fabermusic.com

T H O M A S A D È S

Chamber Symphony

F O R F I F T E E N

P L AY E R S

(1990)

Op.2

© 1995 by Faber Music Ltd

First published in 1995 by Faber Music Ltd

3 Queen Square London WC1N 3AU

Amended impression, October 2002

Music processed by Richard Emsley

Cover design by S & M Tucker

Printed in England by Intype London

All rights reserved

ISBN 0-571-51509-6

Permission to perform this work in public must be obtained from the Society

duly controlling performing rights unless there is a current licence for public performance

from the Society in force in relation to the premises at which the performance is to take place.

Such permission must be obtained in the UK from

Performing Right Society Ltd, 29–33 Berners Street, London W1P 4AA.

The first performance of the Chamber Symphony was given by

the Contemporary Music Festival Ensemble conducted by the composer

in the West Road Concert Hall, Cambridge as part of the

Cambridge Festival of Contemporary Music on 24 February 1991

The first professional performance was given by the BBC Philharmonic Orchestra

conducted by Matthias Bamert at the same venue on 9 March 1993

Duration: 13 minutes

To buy Faber Music publications or to find out about the full range of titles available

please contact your local music retailer or Faber Music sales enquiries:

Faber Music Limited, Burnt Mill, Elizabeth Way, Harlow, CM20 2HX England

Tel: +44 (0)1279 82 89 82

Fax: +44 (0)1279 82 89 83

[email protected]

fabermusic.com

ENSEMBLE

Flute (= piccolo & alto flute)

Oboe

Basset Clarinet in A

Bass Clarinet in B



Horn in F

Trumpet (= wine bottle

)

Trombone

Percussion (2 players)

small wood chimes, small shell chimes (optional), bell tree,

very small triangle, cow bell, hi-hat cymbal, small wood block,

large guiro, 3 tam-tams, 2 small finger drums, snare drum, flexatone,

crotales, marimba

Piano (= Accordion)

2 violins

Viola

Cello

Double bass (4 string)

PERFORMANCE NOTES

= ¼ tone sharp

Woodwind and brass:

suggested manner of performance is tongue-stopped



= highest possible note

Double bass: Tuning-down instructions for a 4 string bass without a C extension are

given in brackets.

The Accordion part is simple and does not require a trained player.

Piano: Notes on Preparation (see between M and S)

1. The four strings

are stopped with an eraser (8mm thick)

pushed under the B



, over the B  and C, down under the D



.

The notation for these notes is:

2. The notes

are prepared by placing a screw between the middle and

right-hand strings of each note (as in Cage), producing the pitches

The screws must be 40 – 80mm long. The una corde pedal must be depressed to silence

the unprepared string. The notation for these notes is:

If screws cannot be used the two pitches

are finger-stopped at pitch on the

strings, between the dampers and the keyboard.

Percussion

Player 1

very small triangle

cow bell (straight)

small wood block

snare drum

hi-hat cymbal

†

large guiro

2 small finger drums (high-pitched)

3 tam-tams

crotale (from player 2)

†

_{hi-hat notation:}

_{when struck allow plates to touch and gently vibrate together}

Player 2

small wood chimes

small shell chimes (optionally can be replaced by small wood chimes)

bell tree

lowest tam-tam (from player 1)

crotales

marimba (with 4 mallets)

flexatone

†

†

_{A small strip of felt should be affixed to the steel plate of the flexatone with tape to}

= > = > = > = > : : : < : : < r : : < : : ; < …

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

8

7

8

7

8

7

8

7

8

7

8

7

8

7

8

7

8

7

8

7

8

7

8

7

8

7

8

7

8

7

8

7

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 6 W W   3 W W 5 W 3     N 6 W   ) 5 W   * 5 W N ) 3 W 5 W     6 W   * 3 6 W   * 3 5 W W   N 5 5 5 W 5 W     5 W W W   N   5 W 5 W     5 W W W   N   5 5 5 W 5 W 5 W 6       W W W W 7: 8       N 6 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 7 7 6 6 _W 3 ) 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9

Alto Flute

Oboe

Basset Clarinet

Bass Clarinet

Horn

Trumpet

Trombone

Percussion

Piano

Violin I

Violin II

Viola

Cello

Double bass

* = 120-132 (Beat quavers until )

I

© 1995 by Faber Music Ltd., London

CHAMBER SYMPHONY

Wood block

THOMAS ADÈS

2

1

pp sempre

Cymbal

M

pizz.

p

= > = > = > = > : : : < : : < r : : : ; < …

6

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

W. W W. 12 ) 6 7 W. W W 3 W 12 ) 6 6 5 W 0 ) W W 0 ) 5 6 7 9 9 9 9 9 9 9 9 9 9 9 9 9 9 6 6 5 #W2 , . #W #W. 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 6 W   ) W W 5 W 3     N 6 W   ) 5 W   * 5 W N ) 3 W 5 W     6 W 3   * 6 W   * 3 5 W W   N 5 5 5 W 5 W 5 W       W W 5 W     N 5 W   * 5 W W W   N   5 5 5 W 5 W 5 W 6       9 9 9 9 9 W. W2 W.12 + 6 7 W. W2 W 3 W12 + 6 6 5 W 0 + W2 W 0 + 5 6 7 9 9 7 5 W 3 * W 0 ) #W * 6 9 9 W 0 W. 7 9 9 7 0 6 6 W. 3 3 ) W _W 1 6 3 6 7 9 7 6 0 W. * W. * 5 6 7 7 9 7 0 6 W ) . 9 7 6 0 W. * W. * 5 6 7 7 9 6 6 5 #W.₂ * #W W.

A. Fl.

Ob.

Bsst. Cl.

Bass Cl.

Hn.

Tpt.

Tbn.

Perc.

Vln. I

Vln. II

Vla.

Vc.

Db.

Cym.

* slur indicates left hand glissando: do not pluck note at end of slur

sul tasto

pp

pp

*

2

quasi con sord.

sul tasto

sul tasto

ppp

ppp

pp

pp

pp

pp

2

p

pizz.

p

p

2

mp

ppp

pp

ppp

= > = > = > = > : : : < : : < r : : : ; < …

11

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

<

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

7 W. W 3 W. 12 ) 6 7 W. W2 3 W W. W.₁ 7 W W-3 W W 12 7 7 9 9 9 9 9 7 7 W. W2 3 W * 5 6 7 7 7 6 0 W₂ * W W. 7 6 R % W #W. %W 3 #W.₁ * 5 6 7 7 9 9 9 9 9 9 9 9 9 9 9 9 9 9 W W W W 7: 8       N 6 W   ) W W 5 W 3     N 6 W   ) 5 W   * 5 W N ) 3 W 5 W     6 W   * 3 6 W   * 3 5 W W 0 W 5     N 6 W W W 3 N     W W W W 7: 8         W W W W 7: 8       N 9 9 6 0 W ^ * / W z 6 3 7 9 7 W. W 2 3 W.12 + 6 7 W. #W 2 3 #W W. W.1 ₇ W W-3 W W12 7 7 5 W #W 3 7 7 7 5 W #W 3 5 9 9 9 W. _W 3 6 3 7 6 W W/ 3 9 9 W W. 3 2 ) 7 W. W. 0 W W W 2 3 W W. W.₁ 7 7 7 6 0 W₂ * W W. W W W. 3 7 6 W. W. 3 W W W2 3 W W. _W. 1 7 7 9

A. Fl.

Ob.

Bsst. Cl.

Bass Cl.

Hn.

Tpt.

Tbn.

Perc.

Vln. I

Vln. II

Vla.

Vc.

Db.

N . .œ œ

p

ppp

ppp

pp

pp

2

pp

pp

ppp

ppp

p

p

p

pp

p

mp

mf

Marimba

N

ppp

ppp

ppp

ppp

ppp

/œ

(

ppp)

(

ppp)

œ /

ppp

ppp

= > = > = > = > : : : < < : < r : : : ; < …

15

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

<

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

9 9 9 9 9 9 9 9 W ) 6 7 9 9 7 6 _W 7 6 0 % W #W. %W #W. %W #W %W #W₁₃ * 5 R % W #W %W #W/ %W #W #W. W 12 3 * 5 #W/ ) #W #W #W 3 13 5 #W. %_W 1 6 7 R #W/ W W. W₁₃ * R W D W W/ W. W 6 6 #W. 3 ) #W₁ * 5 6 9 9 7 6 W 3 W ) 9 9 9 9 6 6 W 3 ) W₁ * 5 6 9 7 6 W. 0 W 3 13 7 6 W ) . W ) W/ 3 W ) 6 W   ) W W 5 W 3     N 6 W   ) 5 W   * 5 W N ) 3 W 5 W     6 W   * 3 6 W   * 3 5 W W   N 5 5 5 W 5 W     5 W W W 5 W     N   9 9 9 9 9 9 9 7 6 #W 13 ) 6 3 6 6 0 #W 13 * . 7 9 6 #W/ 13 * 5 7 6 0 W 3 * W #W 6 3 7 0 W 0 W. 12 6 W/ 3 , 5 6 _W 12 ) 6 W. 0 W 3 3 7 6 W 3 + . ₆ 3 7 6 W1 + / 6 3 6 6 5 W/ 3 12 , 6 W ) 6 7 9 9 9 9 9 9 9

A. Fl.

Ob.

Bsst. Cl.

Bass Cl.

Hn.

Tpt.

Tbn.

Perc.

Vln. I

Vln. II

Vla.

Vc.

Db.

Harmon mute, stem ½-out

Cym.

p

mute

.œ .œ

A

pp

pp

 

p

p

p

3 ½N

pp

5 in *

p

p

p

œ

pp

.

p

mf pp

p

p

pp

mp

p

pp

mp

pp

p

pizz.

mf

mf

mf

p

p

p

mf

pp

pp

= > = > = > = > : : < < < : < r : : : ; < …

19

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

9 9 9 9 9 9 W W ) W W W-3 12 -W1 W/ W- 1 2 _-W3 _W W- W- W/ W/ 1 13 W-W- W/ _W W-#W3 12 #W #W #W #W13 6 W 03 W2 W W W2 6 3 6 6 W 3 23 ) W W W. _#W 13 7 7 5 W. _{#W #W. %} W %W 3 W 13 * 5 6 6 6 5 _{W 2} * 9 7 7 5 #W13 , 6 9 9 9 W. 12 3 * 5 6 6 6 5 W. 2 * 9 7 7 5 W. 13 , 6 5 W   * 5 W W W   N   5 5 5 W 5 W 5 W 6       W W W W 7: 8       N 5 W W W W 6     N   5 W 5 W W 5 N     W 0 W 5 W       6 W W 3 N   9 9 9 #W 23 #W * 5 3 6 7 9 7 5 #W W-12 3 2 6 0 #W * W W 0 2 5 3 6 7 5 #W W. 3 5 7 7 5 W W - W W 12 3 2 6 0 W * . W.2O , 5 5 W 13 , 6 W/ 0 W. 12 1 9 W. _W 3 6 3 6 W 3 + / ₆ 3 5 W-1 , 6 9 9 9 9 9 9

A. Fl.

Ob.

Bsst. Cl.

Bass Cl.

Hn.

Tpt.

Tbn.

Perc.

Vln. I

Vln. II

Vla.

Vc.

Db.

arco sul pont.

poco

f

poco

f

p

arco sul tasto

pp

arco sul tasto

poco

f

poco

f

pp

mp

pizz.

mf

p

più legg., ma

_ff

f

f

mp

p

p

6

mp

poco a poco più

pp

3

pizz.

,

3

f

3

6 X \ )

3

p

,

3

(nearer dome)

3

3

3

mf

6

3

f

p

6

3f

,

3

3

₃

3

arco sul pont.

pp

mf

p

sul pont.

3

mf

mf

p

mf

mf

f

f

ff

mp

pp

ord.

pp

ord.

C _C C C = > = > = > = > : : < < < : < r : : : ; < …

22

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

<

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

9 9 7 6 0 W-* W 9 9 9 7 5 _W * W- W W- W/ W- W/ #W #W #W W. #W _W-3 1 W W WL 6 %W W. 0 W. 5 1 2 13 5 0 5 W W. W-3 1 W 0 W-% W * 5 #W/₂ ) #W #W- #W/ 3 W 12 W12₃ W2 W W 3 2 W W 3 2 6 W 3 1 * 6 5 W- 0 + W W 0 W- W 9 W.13 , 5 6 6 5 W 13 * . 6 7 7 6 0 W-2 * 9 9 9 9 W 13 * 5 6 6 5 _W 13 * - 6 7 7 6 0 W 2 * W 5 5 W     6 6 _W 3   ) 6 5 _W  * 6 _WN * 3 W ) W   * 5 6 _W 6 5 _W 3     6 0 _W  * 6 _WN ) 9 W13 , 5 6 6 5 W 13 * 6 9 #W 0 W-12 6 6 Y + Y _Y 3 + Y 6 #W₂ . #W 0 #W #W W 0 W₁₂ 6 W W 3 12 W W 3 1 6 6 #W O 1 * . 3 6 6 5 W N , W W 0 + 5 6 0 W.2 , W₃ W/1 5 5 W 1 , 6 6 5 W2 + 3 W₁ ) W 6 W 13 12 5 W1 , . 6 _W 2 ) W12 W13 ₆ 3 W/1 + 7 6 6 'Y W + - 'YW Y. 3 + Y 6 9 7 6 6 Y W ) -- YW Y/ 3 ) Y 6 7 6 0 W₂ * W

A. Fl.

Ob.

Bsst. Cl.

Bass Cl.

Hn.

Tpt.

Tbn.

Perc.

Vln. I

Vln. II

Vla.

Vc.

Db.

mf

Cym.

pp

.œ

mp

p

mf

pp

p

p distinto

pizz.

ord.

ord.

I

:

ppp

ppp

ppp

7 in +

û WN

arco sul pont.

pp

mf

Mar.

p

p

f

+

3

II

«

ppp

ppp

ppp

IV

«

II

«

mp

3

p

(

(

3

W û W N . N N . W

ß

)

)

p

pp

pp

p

pp

(dolce)

pp

ord.

;

f

mp

pp

ff

#X .#X \ 1 11

f

poch.

p

6 6

3

f

3

,

ppp

sul tasto

/œ

3

p

pp

X - /X \

mp

:

mp

mp

ppp

p

N

= > = > = > = > : : : < < : < r < : : ; < …

25

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

:

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

9 9 7 7 6 % W₂ ) 9 7 6 6 _W ) 9 W + W W- W/ W-₁ 2 5 W-2 W 0 ) 5 7 0 6 W %W 3 23 12 3 %W #W W- W/ W W- W W W. L 6 6 5 _-W* _{W W} W W-3 W #W-1 5 W₁ 5 W-13 6 6 5 #W/ 13 * _{6 0} W13 , 6 W12 + . _{5 W}2 + 5 W 0 _{W- W} ) 6 6 6 0 W13 , 6 W12 + . 5 W/ 2 + 5 9 7 W- W/ W 1 W-W/ 1 W 1 * 5 9 W W W W W + 6 5 W 13 * 6 0 _W 13 * - 6 W₁₂ ) 5 W.₂ ) 5 W   * 5 5 _W  * 6 _W 3   * 6 _W 5 _W 5 N   W W 5 W 5 W 3       5 _W  * _WN _W  5 3 6 _W  * 3 6 0 _W  * 5 5 6 _W  ) 6 3 9 7 6 6 5 W W13 , -- 7 7 5 W. % W₂ 13 5 9 7 6 6 WW 2 + W W + 6 6 #W O 12 ) . 7 W W W W W + 6 6 7 7 5 W 2 ) 5 5 0 W₁₂ D 6 R W-₁ D 5 6 W 2 + 6 3 W 0₁ W₁₃ 6 _W. W₁ 3 5 W 12 * 6 W-W 0 W. 3 3 2 12 3 9 7 6 6 _{W W} 2 ) . W 3 WW ) 6 7 7 + 9 7 6 6 W _W 2 ) / W WW ) 6 7 7 +

A. Fl.

Ob.

Bsst. Cl.

Bass Cl.

Hn.

Tpt.

Tbn.

Perc.

Vln. I

Vln. II

Vla.

Vc.

Db.

y -œ œ

Harmon mute, stem ½-out

pp

ppp

3

3

3

pp

mf

6

pp

3

*

p

p

p

3

mp

6

3

3

#X -\ ) * 6

3

*

pp

6

p lontano e dolciss.

3

*

3

3

ord.

3

ppp

p

p

p

pp

f

p

pp

1 X . /X \

mf

B

f

ppp

ppp

ppp

X - /X

p

pp

pp

pp

3

sul pont.

pp

3

3

mf

p

p

p

mp

mf

mf

mf

mf

mf

ff

X X \ N

f

pp

pp

pp

pp

mf

\

C C = > = > = > = > : : : < < : < r : : : ; < …

28

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

: :

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

< <

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

:

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

#W- #W 3 #W W-6 W/ W W/ _%W- #W₁ 9 9 9 9 9 9 5 W. L , 5 W 3 * W W. W 3 W-2 W W W W W W1 W W. W13 . 9 9 9 9 6 6 W , 3 W W13 7 W.2 + 6 9 6 6 #W * -3 #W #W 13 7 #W₂ ) ₆ 9 6 6 W , . 3 W W13 _{7 W}2 + 6 W W 3   N 6 W 5 5 W     5 5 5 W   * 6 W W   N 5 3 6 W 5 5 W 3     6 W 5 W 5 N   7 6 6 5 #WWW 13 , . 3 9 5 WWW 13 , . 6 6 6 W. 13 , 5 3 9 6 W 0 W 3 23 2 W + 7 6 6 Y 3 ) 9 6 W- 0 W 3 23 2 W + 9 5 _W 1 * 6 W 12 ) 6 W-W₂ 12 3 6 3 5 W. 3 * ₇ W 0₁ W₁₂ 9 6 #W. 0 #W 3 23 2 _#W + 7 6 6 %Y W . . 3 + 9 6 W 0 W-3 23 2 _W + 7 6 6 YW 3 ₎

A. Fl.

Ob.

Bsst. Cl.

Bass Cl.

Hn.

Tpt.

Tbn.

Perc.

Vln. I

Vln. II

Vla.

Vc.

Db.

Cym.

Mar.

p

ff

pp

3

X -\ ) /œ

3

3

)

f

ff

mp

to Flute

ord.

X X

pp

pp

pp

pp

ff

ff

pp

pp

pp

ff

ff

pp

pp

pp

pp

mf

mf

mf

mf

mf

+

s

fz

3

:

3 f

#X . \ ) )

p

p

p

p

3

3

3

5

ppp

ppp

ppp

X X

II

ff

ff

+

pp

(

. N û W N

)

W

ß

= > = > = > = > : : : < < : < r : : < : : : : …

31

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

<

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

< ;

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

9 7 6 W ) W W * _{5 6 6} 9 9 #W #W 6 9 ' W 0 %W2 ) %W %W #W- #W W-₁ W3 W- 1 W/ W1 3 6 W W. _{W/ W} 3 W. W/1 5 3 6 6 %W. 3 13 ) 5 W₁ W1 6 5 W W₁ 13 6 W₁ * . 3 #W W-3 1 12 W 1 * 5 W13 + 5 W₁ * 5 3 5 W 13 , -6 6 9 _{W- 0} W 2 + W W 0 7 6 W 3_{0 W 0 W} + 9 9 _{W/ 0} W.2 + W W 0 W W W 5       5 W 5 W N   W 5 W 5 W       5 3 W W W 0 W     N   5 W   * R W   D R W N D W W 5 W     5 0 W   D 5 W   * R W 0 N * 7 6 Wz 0 Wz 0 W] + 7 5 W W 13 , . _{6 6} 9 9 #W1 , 5 6 7 0 Y 5 Y ) 0 Y Y * 5 6 7 Y_W. YW 3 2 Y W ) Y W ) Y W 9 7 6 #W₂ ) #W #W * _{5 6 6} 6 6 5 W123 , -3 6 W 0 W. 3 3 2 6 _{W 0} W 3 12 1 6 W- 0 W₁ 12 3 5 W.₁ * _R W₁₂ D 5 5 W 12 * 6 W- 0 W 3 2 5 W.₁ * _R W₁₂ D 5 %Y W 5 %Y W + . . 00 %YW %YW , 5 6 7 %Y W . . %YW 3 1 2 6 7 0 9 9 9 Y W 5 Y W ) 00 Y W YW * 5 6 7 %Y W / / ₂ %YW %YW * _{5 7 0}

Fl.

Ob.

Bsst. Cl.

Bass Cl.

Hn.

Tpt.

Tbn.

Perc.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

)

(

mp

. .

mp

« « «

III

ppp

ppp

ppp

N û W C

pp sempre

mfp

mp

mf

pp

pp

pp

mf

pp

X .X

mp

mp

pp

sul tasto

pp

p

p

poco

poco

ppp

ppp

ppp

ppp

f

pp

X . X .X

mp

espr.

ppp

(

)

ff

mf

mf

f

3

espr.

ff

ppp

3

3

pp

3

\ \

= > = > = > = > : : : < < : < r < : : ; < …

34

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

: : :

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

< 5 W + . 0 W 0 W 0 W/ W 0 _{W- W}L , 5 6 7 7 5 W + . 0 W 0 W 0 W/ W 0 _{W- W}L , 5 6 7 7 5 W 23 , . W + W 0 W 0 W W 0 #W23 , 5 7 7 W- W W- #W 2 (W1 , . 5 6 3 6 5 W 13 , - 6 6 _W- W/ %W. 13 R 3 6 6 6 5 W 13 , 9 W W W13 7 0 6 6 5 W 13 * 9 9 9 W 2. W2 W12 + 6 3 7 W W W 13 7 0 6 W 1 , -3 W #W-3 13 2 5 #W2 , #W13 , 5 6 7 7 W 5 5 W     6 5 W   ) 3 6 W N ) W W 3   13   5 W , W 0 _{W 1 6} W 1 + 5 W 1 , R W 0 , 9 9 7 7 6 W. K W 3 13 ] 6 5 # W W O 1 * -7 0 6 6 W-1 ) 6 W _{W 0} W. 4: 3 1 3 12 6 _{#W/ 0} W-1 23 6 5 W1O , - 7 0 W 12 3 ) 5 W. 3 1 + 6 W/ W-1 23 W 0 W/ 1 12 6 W 12 ) 6 3 6 W W 3 2 12 W-W- 0 W-3 1 2 13 6 5 0 W12 F 5 W-1 , 6 W 3 23 * W 0 W.1 7 6 6 W 3 23 ) 9 9 WW W 2 W W W-3 7 12+ 9 9 WW W 3 2+ W W W-3 7 12+

Fl.

Ob.

Bsst. Cl.

Bass Cl.

Hn.

Tpt.

Tbn.

Perc.

Vln. I

Vln. II

Vla.

Vc.

Db.

Cym.

.œ

ppp sempre

ppp sempre

X X

sul pont.

sul pont.

mf

s

f

ff

poco

f

f

f

s

f

X - _X \

3

mp

mp

poco

f

pizz.

poco

f !sub.

mf

f

mf

mf

mf

;

Snare drum

switch on snares

pizz.

mf

stem out

poco

f

poco

f

ff

ff sempre

p

´ N TTTTTTTT

p

p

p

mf

mf

play ´

p

f

f

f

p

mf

mf

f

to Piccolo

mf

mf

f

f

grazioso

<

f

f ma dolce

Mar.

pp

p

pp

mf

TTTTTTTTTTT

= > = > = > = > † : < < : : ; r : : : ; < …

37

: < á 9 9 6 W. 3 W W W _#W 1 5 5 #W- 0 W 5 1 3 7 W 6 %W. 3 %W W W-W #W 5 2 %W1 , / 5 6 R _W- W W-#W 5 2 W. 1 , 5 6 #W-3 W W W W-3 W %W. W-W W 2 6 6 3 6 %W + %W W. W W W 5 2 1 #W1 , 5 W 0 W- W W 3 ) W W. 0 W W W 3 ) W W-1 6 3 W- 0 W W #W-3 ) #W 9 9 7 7 W W 0 W W W 3 + W W 0 W 1 6 W 1 + 5 W 1 , R W 0 , W 0 W W W 3 + W 7 7 WW_z W W] 00 WW._^ WWz W W 3 ] + W W z 6 W 12 ) W W. 0 #W/ 3 1 3 2 5 #W. W 13 1 5 W 5 1 * 5 W. W 3 W 13 1 1 5 _{W- 0} W-3 2 5 W/ W W #W 7: 8 1 2 12 1 W. 0 W/₁ 13 5 W- 0 W 5 23 12 6 W/ 0 W 3 1 13 6 W- W 5 2 1 6 W W-3 13 1 13 5 W. W W W. 5 13 13 13 13 W W.1 6 3 7 5 W W.1 23 7 7 W 23 9 9 9 9

Picc.

Ob.

Bsst. Cl.

Bass Cl.

Hn.

Tpt.

Tbn.

Perc.

Vln. I

Vln. II

Vla.

Vc.

Db.

without mute

p

mf

mf

p

p

mf

f

f

p

/œ

mf

<

pp

p sonore

f

mf

pp

cresc.

mf

mf

mf

legato

mf

legato

mf

legato

f

cresc.

pp

mp

mp

p

pp

/œ X \ )

f

f

7 /œ

pp

3

p

pp

pp

pp

6

3

f

fff

; *

pp

3

3

X . \ )

3

+ TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT

C = > = > = > = > † : : < < : ; r < : < : : ; ; á

39

‡ …

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

<

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

: 9 6 6 5 _{W W} W 7 W. W W 3 12 12 W , 5 6 7 W W- W W 3 12 3 6 7 9 7 6 %W. %W %W 5   N   _%WN _%W  6 0 5 W 0 W/2 #W-₂ W W W W- #W 1 7 6 _W- W W-W W-W W. W. W- W W W W/ #W/ #W/ 14 2 %W.1 , 5 6 7 7 W W- W W 3 12 3 6 7 9 9 #W ' W/ 'W 'W 3 12 3 6 7 9 9 6 #W-) #W #W 3 12 3 6 7 9 9 6 W  + W W 3 123 6 7 9 9 W W W W 3 1 5 _WN * _{W K W} 13 6 W3 W1 6 W 3 1 7 W W 13 6 W W ] + 6 7 W- K W-₁₃ ] 9 7 7 W 9 9 -#WWW 12 + 6 6 0 WW_W 2 * -- 7 5 %W13 + -3 6 7 7 9 7 5 . .YW YW YW 1 1 1 6 6 7 %W-13 , 5 6 7 7 9 #W- 0₂ W1 7 5 Y ) . 0 W.2 W W 3 123 6 7 6 5 _W 23 * W ) -#W-₁ ) _{6 6 W}2 + -W-₁ * 5 6 W- 0 W- 5 W W/ 5 3 3 3 3 W3 #W3 #W-3 %W3 5 3 'W- 'W (W-5 3 3 3 (W-3 (W/3 BW-M R 6 6 5 %Y W * . . # Y W . . * 5 6 7 5 'W W 13 , -6 9 9 # W WW--12 ) 6 6 0 W_WW 2 , -/ 7 5 W-3 3 + W 0 W/3 3 R #W- 0 %W-5 3 3 5 %W/3 _#W/3 R 'W-3 'W3 R (W (W3 3 BW-M R 5 6 6 5 %Y W * . . # Y W . . * 5 6 7 5 %W13 , 6

Picc.

Ob.

Bsst. Cl.

Bass Cl.

Hn.

Tpt.

Tbn.

Perc.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

ff

SD

ff

pizz.

pizz.

ff

-œ -œ

arco

ff

p

mf

/œ Ê

pp

p

pp

Flexatone

 

ff

p

f

6 3

mp

3

mf

mp

mp

mp

mp

TTTTTTTTTTTTTTTTTTTTTTTTTTTTTT (dampened) N N

f

3

3

Cym.

strike, then gradually depress foot

mf

N

3

/ #X - \ )

pp

(

)

3 TTTTTTTTTTTTTTTTTTTTTT

p

  <

grazioso

W.bl.

mf

f ma dolce

:

IV pizz.

mf

Cow bell

(

X\ )

)

down to E

b)

(tune string IV

arco

p

p

arco

mf

r

una corda sempre

Small Wood chimes

(

mf)

Dolcissimo sempre

(pizz.)

pp

mp

Triangle

1 §

legg.

f

C

p

ppp

1

SD

snares off

ppp

arco saltato

pp

pp

(blow)

arco

+ = 60-66

pizz.

pizz.

p

ppp

pp

I (

œ

Guiro

ppp

.

p

p

/ WN

₎

TTTTTTTTTTTTTTT

C C C = > = > = > = > † : : < < : ; r ‡ : < : : ; : …

42

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

: :

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

9 W. W , 5 6 8 6 W. 3 W , 5 6 7 9 7 5 %W. %W %W %W 5 N   N   _%W + 6 7 9 9 7 6 6 %W. 3 + %W %W2 %W %W 6 3 9 9 9 9 9 9 9 9 9 9 9 9 9 7 6 W ) _{6 W} 3 1 _{8 6} W1 + 6 3 7 6 6 W 3 ) W 13 * _{5 6 6 W 1} + ! 0 6 W + - 7 7 9 7 %W-12 + 6 7 #WW W -12 + 6 6 0 WW W₂ * -- 7 -#WWW 12 + 6 7 WW W --5 2 * 6 0 _WW W -/₁ * 7 -#WWW 12 + 6 6 6 WW W --3 2 ) 6 0 -#WWW 12 , 7 . .YW YW YW 3 1 1 1 6 7 5 ..YW YW YW 1 1 1 5 5 7 8 7 6 %W. + %W Y Y₁ 5 7 .Y₂ Y * 5 6 W. 3 2 ) %W₁ 7 6 %W₁ ) . 7 %Y2 . 6 3 6 W. 0 _%W. 3 1 7 W-#W-₁ 2 6 W₂ 3 W-1 + 6 7 6 W₂ W. 1 ) #W 23 -W1 ₆ 3 7 'Y W -- 00 %Y W 2 12 %Y W 6 0 Y12 , Y #Y 3 2 + #Y #Y + 6 6 3 6 5 'Y W -12 , 'Y W 'YW , 5 %Y W 2 3 %Y W # W WW--12 ) 6 6 0 W_WW 2 , -/ 7 # W WW--12 ) 6 7 -_/W_WW 5 2 , 6 0 #W WW / . / 1 , 7 # W WW--12 ) 6 6 6 -_/W_WW 3 2 + 6 0 # W WW--12 * Y W00 --YW 2 12 Y W 6 0 #Y 12 * #Y Y 3 ₂ + Y Y + 6 6 3 6 5 Y W 12 * Y W YW * 5 YW 2 -3 Y W

Picc.

Ob.

Bsst. Cl.

Bass Cl.

Hn.

Tpt.

Tbn.

Perc.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

ø .œ

arco

Crotale

pp

pp

arco

mp

ppp

mf

ppp

ppp

(

(lift

fingers)

pp

)

p

mp

ppp

pp

œ 1 § /

II

ppp

pp

pp

N û W W TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT N û N

ppp

ppp

mp

pizz.

ppp

ppp

I

<

III

p

N W

(

. N û W

ß

pp

)

p

p

pp

ppp

X\ )

p

ppp

ppp

pp

pp

loco

mp

molto espr.

quasi con sord.

mp

ppp

Mar.

pp

arco

pp

p

pp

p

ppp

pizz.

ppp

mp

C C C C C = > = > = > = > † : : < < : ; r : : < : : : < …

45

: : r

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

< < : 7 5 #W + 0 #W #W W. #W #W-1 7 7 9 %W %WN %W  %W %W %W %W 'W %W %W1 7 7 9 7 W W W #W W W1 7 7 9 9 9 9 9 7 ! W ! 0 9 9 9 9 7 ! W ! 0 7 5 W W 3 13 7 6 W 3 + 7 7 8 7 6 6 _W 3 ) 9 7 + 6 7 6 #W + #! 0 6 _WW W₁ * - 5 7 WW W -- 6 0 -#WWW 5 2 2 7 7 WW W --2 * 5 6 5 _WW W -1 * 6 6 6 -#WWW 3 12 + 8 %W 0 + 5 7 7 7 Y Y #Y ' Y 'Y #Y Y Y Y Y #Y ' Y 'Y/ #Y Y Y Y Y #Y ' Y 'Y #Y Y Y 6 6 W 12 + 7 7 5 W 23 ) 0 %W/₁ ) 6 7 #!- #W #W + 6 6 # W W₁₂ ) - 7 7 5 W23 + - 0 #W-₁ ) _{6 9 8 6} W 23 ) W %Y W , 5 Y 2 + Y + 0 _{5 7 7 6} %YW + . . 3 %Y W %YW 00 %YW 3 2 %Y W #Y #Y 6 %W12 + / 7 6 #W WW 1 , / . / 5 7 -_/W_WW 6 0 # W WW--5 2 2 7 7 -_/W_WW 2 , 5 6 5 #W WW / . 1 , 6 6 6 # W WW--3 12 ) 8 Y W , 5 #Y₂ ) #Y ) 0 5 7 7 6 %Y W + . . 3 %Y W %YW 00 %YW 3 2 %Y W #Y #Y 6 #W12 + 7

Picc.

Ob.

Bsst. Cl.

Bass Cl.

Hn.

Tpt.

Tbn.

Perc.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

)

(

mp

3

6 -

-pp

,  

ppp

ppp

II

pp

3

3

Tri.

+

IV

mp

ppp

1

mp

mp

ppp

pp

Guiro

p

p

p

p

5

5

3

3

3

3

3

3

3

beater over four highest “white note” crotales

* If no bell tree, quick light gliss. with triangle

without mute

Bell Tree *

W.bl.

3

3

3

3

3

arco

p

6 6 6

pp

6 6 6

ppp

ppp

Š

(

N

(

W

p maestoso

p maestoso

Y N W. N W Y Y

)

W

legato

legato

6 6 N W Y

)

mp

mp

p

_pp

ppp

I

I

Shell chimes

(blow)

S TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT

mp

pizz.

pizz.

pizz.

pizz.

mp

mp

mp

mp

mp

pp

N TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT

C = > = > = > = > † : < < : : ; r : : < : : : < …

48

< ;

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

: : q

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

: :

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

6 0 W. 2 , W , 5 6 8 9 7 %! 0 7 %W. %WN %W %WN %W %WN 8 6 %W + %! 7 '! 0 6 6 #W 3 + #W #W _W W W W- W _W W₂ W W₁₂ 5 7 7 6 #W-3 #! 7 6 6 W 3 + W W W- _{W W} W W _{#W/ #W} 2 - #W #W-12 5 7 7 6 W + W W W-3 ) W #! #W * 5 6 6 W   13 * 5 6 #W N 12 * 5 7 7 9 8 7 6 6 _{W W. W} 3 2 W W-1 _{6 6} 3 7 7 6 W 3 ! 7 ! W * 5 6 7 9 8 7 6 %W-+ + 6 7 7 5 W W   N 5 W   * 5 3 6 W ) + 5 W 1 + 3 6 7 6 W 1 + 7 6 W 1 + 6 3 6 0 %W ^ , . %W z %Wz 'W 5 , 7 7 7 6 0 W^ , W W W 3 ] ] ] ! 0 7 6 6 W-3 ] + W z 7 #WWW -6 0 -#WWW 5 2 1 8 9 6 #WWW 12 + -6 3 7 8 8 7 6 W O 1 * _{5 6} W + W 0 #W- #W #W 7 8 8 7 6 W1O , . _{5 6} % Y 12 ) 7 7 #W-5 , $" #W.₁ 6 3 7 7 6 _{W 0} W. 3 13 1 5 WL , 6 7 W-5 23 * 7 6 W. N + W W 6 3 7 8 7 6 6 W _W 3 + ) W + W 3 W 0 W- W W W 2 7 7 6 %Y W + 7 % W WW / . / 6 0 # W WW--5 2 1 8 9 6 # W WW₁₂ ) -- 6 3 7 8 9 6 #W + - #! --%!! 7 6 Y +

Picc.

Ob.

Bsst. Cl.

Bass Cl.

Hn.

Tpt.

Tbn.

Perc.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

Mar.

mp

1 §

legato

legato

legato

ppp

ppp

/œ

pp

ppp

N N

pp

pp

3

   

(retune IV to E§)

3

3

mp

3

 

mf

mf

3

3

3

3

arco sul pont.

arco sul pont.

arco

3

3

Cym.

mf

mf

p

p

pp

mf

(s

f)

(s

f)

poco

f

mf

p

0

nat.

arco

sub.

dolciss.

nat.

f

III

II

:

p

ppp dolciss.

II

ppp

/œ

ppp

ppp

ppp

pp dolciss.

pp

N û W

pp

pp

pp

pp

§

mp

1

pp

SD

ppp

ppp

/œ 7

ppp

pp

p

mf

ppp

ppp

pp

pp

2

W. ch.

ppp

mf

ppp

ppp

C. bell

mf

ppp

ppp

ø

p

ppp

X\)

poch.

poch.

pp

p

II

pp

pp

pp

pp

W

p

û N

mf

pp

pp

TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT N

C C C C = > = > = > = > † : : : : : ; r : : < : : : : q

51

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

;

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

‡ < <

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

: : < … <

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

; _: 7 6 0 W- W 5 1 1 _{7 9 9 9} 7 7 6 #W- #W #W #W 6 N   N   9 6 'W- 0 'W , 5 6 7 7 7 7 6 #W + - #W %W- 0 %W-5 7 0 9 7 6 'W + - 'W W W-₂ 7 7 9 9 _%W 3 #W 3 1 ) ₇ W- 6 #W-3 1 13 6 #W   2 ) . #! 9 7 6 W N ) W ! 9 9 9 9 %W _#W2 _#! 9 7 6 W. ) W !/ 6 W ) 3 + 7 7 7 6 5 W W 13 5 6 0 , 6 W + W 1 , 5 6 W 6 W 3 1 1 6 W W 3 1 W _{W 1} ] 5 7 7 9 W-₁ ) _{6 7 6 5} 'W-^ 2 , 'W ] + 6 7 9 9 9 7 6 'W1 + -7 6 #W13 , -5 7 6 WW. 3 W W WW W W-2 _W W WW 6 3 7 W 12 + 6 7 _Y 5 2 * 7 #W #WL 5 7 6 0 Y ) 6 6 6 Y ) . Y₁ * 5 6 7 # W W -12 ) 6 7 W W. 5 2 * 7 9 9 9 _W/ 12 ) 6 7 W. 5 2 , 7 6 6 Y W-3 + Y W YW + 6 7 _--Y_{W 00} 9 'W W - 12 + 6 7 Y W -5 2 * 7 9 9 9 9 6 6 Y 3 + Y Y + 5 Y_, Y₊ 6 Y. 0 9 %W12 + 6 7 # Y W-5 2 * 7

Picc.

Ob.

Bsst. Cl.

Bass Cl.

Hn.

Tpt.

Tbn.

Perc.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

Mar.

Guiro

pizz.

pp

-œ -œ -œ -œ

(II)

mf (dolce)

mf (dolce)

Tri.

p

p

ppp

ppp

f

f

(

mp

1 § WN

₎

ppp

arco

ppp

pp

III

ppp

I

(

pp

(

N W N W , Y .

pp

pp

)

)

solo

to Flute

p

p

ppp

1111

II

pp

(

pp

N . WC

ß

pp

)

ppp

(

p

N . W

)

p

ppp

Crot.

D

ppp

§ 1

p

_ppp

espr.

pp ma

SD

pp maestoso

loco snares on TTTTTTTTTT

pp

estoso

ppp

pizz.

pp

pp

pizz.

pp

pp

pp

poco

f

Mar.

tre corde

pp

ppp

X\ )

pp

p

arco

arco

pizz.

pizz.

pizz.

X\ ) N W

(

)

X\ ) TTTTTT [

= > = > = > = > : : : < < : < r : : < : : : < …

55

; < : : < : ; 9 6 W12 + - _{7 7 7 6 0} #W , - #W1 , 5 6 9 9 6 W12 + - 7 7 7 6 0 W , W1 , 5 6 6 'W + - '! 'W _%W 'W- _{%W %W/ %W %W %W %W} #W 5: 4 #W #W #W-W- W/ _W W- ! 3 W ! W W-3 + 5 %W 0 3 ) #W/ W-1 1 6 #W 23 -3 #W W W-1 1 6 3 6 W₁ ) . _{%W 0} #W₁ 3 6 W-1 ) #W₁ ) -5 W. 23 * W W.1 W 6 W/ 3 1 13 6 #W-3 ) W 0 + 5 7 6 0 W23 , - W 0 W + W W , 5 6 7 W 12 , 5 6 #W20 _W-2 + W 9 6 W 12 ) 7 7 7 6 0 W , W 1 , 5 6 7 6 6 W-3 + W W 0 ) 5 7 6 0 W 23 , - W W W W. 3 + W W/ W , 5 6 7 7 W20 W- W 3 W 0 W. W _{W 1 6} 6 W 0 W 3 1 1 6 W 1 + W W 0 W 3 1 1 6 W 1 + 6 W W 3 W 5 51 W 1 6 W 1 + 5 W 1 , R W 0 , W ₆ W 3 1 1 6 W 1 + 5 W 1 , R W 0 , 9 6 W W 12 + . 7 7 7 7 #WWW -12 , 5 6 9 6 6 7 7 7 7 'WW W - 1 , 5 6 7 7 # W WW--₁₂ * 5 6 7 7 6 #WWW - 12 + W12 + 6 7 _Y 5 2 * 7 7 6 W + W1 , 5 6 9 6 _Y 1 * 5 6 3 7 7 # W W -12 ) 6 7 W W. 5 2 * 7 7 7 # W W -12 ) 6 7 WW 2N W W + 6 6 # W W 1 * - 5 6 3 7 7 W/ 12 ) 6 7 W. 5 2 , 7 7 7 _W/ 12 ) 6 9 6 _W 1 * / 5 6 3 7 7 'W W -12 + 6 7 Y W -5 2 * 7 7 6 'W + - 'W1 , 5 6 9 6 Y W₁ * -- 5 6 3 7 7 9 6 _W 12 ) 7 7 7 ' % Y YY . - ' %_{Y YY 000} ) 5 7 7 6 # W WW--12 ) %W12 + 6 7 # Y W-5 2 * 7 7 6 %W + %W1 , 5 6 9 6 # Y W 1 * 5 6 3 7 7

Fl.

Ob.

Bsst. Cl.

Bass Cl.

Hn.

Tpt.

Tbn.

Perc.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

solo

pizz.

pizz.

arco

arco

arco

pp

-œ TTTTTT

mf

ppp

3

X\ ) +

arco

arco

pizz.

pizz.

pizz.

%X . \ )

straight mute

3

3

X\ )

rinf.

+

mf

mf

X\ )

u.c. sempre

pp

TTT

pp

pp

p

pp

ppp

p

ppp

arco

arco

arco

X\ )

ppp

ppp

ppp

X . \ ) X\ )

(

pp)

(

pp)

pizz.

pizz.

p

p

p

3

X\ )

p

3

3

3

TTTTTTTTT

pp

poco

f

mf (dolce)

ppp

arco poco sul tasto

pp

silently depress

X\ ) N

pp

pp

X\ )

ppp

ppp

pp

p

p

p

p

ß

X\ )

f

TTTTTTTTT

ppp

ppp

arco

pizz.

pizz.

pp

dolce e pesante

f

dolce e pesante

f

ord.

pp

pp

pp

pizz.

ppp

ppp

X\ )

pp

p sonore

p sonore

X\ )

pesante

mf

X\ )

pp

TTTTT

= > = > = > = > : : : < < : < r : : < : : ; < …

59

:

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

< : <

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

<

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

:

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

6 W-+ W W W2 W 2 W , 5 9 9 'W _%W 'W-3 + %W %W/ 3 + %W %W , 5 9 9 W 7 7 9 7 6 6 _W 3 ₎ W 0 _{W- W} W W-5 W ) W-3 W 5 5 W-1 1 7 6 W 13 ) - 6 3 9 7 6 6 W 3 ₎ W 0 W. W W W/ 5 W ) W. 3 W 0 W + W W 6 9 W. h ) 6 7 W W W W 3 + W W/ 3 + W 0 + 5 6 9 9 W 0 W + W/ _{9 9} W. h ) _{6 7} W W 3 1 + 6 W 1 + 5 W 1 , 6 W 1 + 6 W 3 + W + W 1 , 5 6 W W W W   1 N 1 5 3 7 W + 6 W 0 W 3 N 1 W W   1 5 6 3 9 9 6 W W 12 ) 6 3 7 5 _W h * 6 7 6 W 13 * 5 9 6 6 5 'WW W - 2 , 7 ' W %W %W #W #W/ W/ W/₁ 7 #W. #W. W. W. W W. W.1 9 6 # W W₂ ) 0 0 5 7 7 5 #W. O 1 * 6 9 7 7 6 #Y ) #Y 0 ) 5 W + W + 'WN0 'W + 6 6 3 9 9 9 7 WW₂ ) 6 6 3 7 6 6 _W 3 2 ) W 13 , . 5 6 9 6 5 Y W 2 ) - 0 0 YW 7 7 9 9 6 6 5 % W WW -/₂ * 7 ( W ' W- %W- %W #W-W- W-₁ 7 % W #W/ #W/ W/ W W W/1 7 6 --YW 00 YW00 + #Y W 2 + -- 00 #YW 7 7 9

Fl.

Ob.

Bsst. Cl.

Bass Cl.

Hn.

Tpt.

Tbn.

Perc.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

solo

SD

Mar.

œ

poco

f, dolciss. e legato

. -œ -œ -œ -œ

mf

pp

pp

TTTTTTTTTTT ÿ

ppp

pp

arco

3   X\ )

-pp

X .X \ %X .%X \

mp

f

X\ )

II

pp

(

solo

N

)

. W

arco molto sul tasto

X\ )

mp

«

arco

ppp

pp

pp

ppp

ppp

ppp

ppp

ppp

0

f

TTTTTTTTTTTTTTTTTTTTTT

sul pont.

E

p marc.

to Alto Flute

ppp

senza ped.

C. bell

ppp

sonore

O

p

X\ )

Cym.

3

3

3

3

3

3

sul pont.

3

p

p

thin, near the bar

poco

f

pp

6 6

pp

cup mute

mute

pp

f

f

poco sul pont.

6 6

pp

mf

3

3

X\ )

3

3

pp

3

3

3

3

mp

ord. 6 6

= > = > = > = > : : : : : : < r < < < : : ; < …

63

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

:

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

: < : < : 9 9 9 9 9 W W W W W W3 , . 5 W 0 _W.123 W W W/ W. W W W. W W W. 5 2 W W h * 5 6 W/ W. 0 W. 3 1 1 13 7 W W W/ W W/ W _W. W W. W 5 2 _{W W}L , 5 6 W/ W. 0 W. 3 1 1 13 7 6 _W 2 . _{W 0} 6 7 9 6 W 2 W 0 6 7 W- W W/ W W- W 3 , / 5 W 0 W 12 3 9 9 9 W W N 1 W W   1 5 3 6 + 6 7 7 W W W W 3 ^ 3 N W 0 W W W W 3 3 3 W W W W 3 ^ 3 9 7 7 5 W W - 0 0 ] ) 9 W. W. W. W. W. W. W. 1 6 W. _{W. W} W. _{W. W.} W. R W h h 7 7 7 5 _{W WW} W . . h * 6 7 9 9 7 6 6 WW. 3 L + 7 W.₂ ) _{6 6 9} W. W W W W 5 23 7 7 W/2 + 6 6 9 W W. W. W. 23 7 7 9 9 7 6 6 W W W 3 h ) 7 W/ W/ W/ W/ W W/ W/ 1 6 W/ _{W W} W/ _W W/ _W R W h h 7 7 9 9 9 7 6 6 _WW W . 3 h ) 7

A. Fl.

Ob.

Bsst. Cl.

Bass Cl.

Hn.

Tpt.

Tbn.

Perc.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

p

p sonore

p sonore

pizz.

pizz.

(straight mute)

.œ -œ X \ )

3

3

3

3

poco

f

3

3

mf

<

Tri.

(tune IV down to E

b)

ppp

1 §

mf

mp

mp

mp

3

3

3

3

3

3

3

3

f

f

ppp

ppp

ppp

Cym.

SD

W. bl.

C. bell

(pizz.)

f

f

(pizz.)

u.c.sempre

pp sempre

p

p

Più Agitato

p

p

F

p

p

pizz.

pizz.

pizz.

+ = 72-80

mf

mf

s

f

poco s

f

poco s

f

poco s

f

mp

mp

f

f

C = > = > = > = > : : : < < : < r : : < : : : < …

66

r

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

4

2

; :

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

8

3

: :

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

#W1 + 6 7 7 9 _!. 6 5 %W 0 ) 6 6 W 3 13 + 6 #W2 + #W #W #W- #W %W 0N 5 3 9 9 W 6 _W 3 13 1 W. 5 W 1 1 6 W 3 13 * 5 W , ! ! W. 0 6 6 _W 13 ) 3 W. 5 W 1 1 6 0 W , ! % ! 6 6 W ) 7 7 6 0 -W_, ! ! 9 6 6 _W. 3 13 ) 7 6 0 #W * / #! #!. 9 9 9 ! W 0 W W W W 0 W 3 3 ^ 3 W W W W 3 3 W W W W W 3 ^ 3 ^ 3 W W 0 W ₅ W 3 3 6 W 5 5 W 3 N   1 W W1 6 6 W 0 W 3 N 1 9 #WW1 + 6 7 6 0 _W * ! ! 6 5 W 0 + 9 7 6 0 #WW.₁ * WW. 12 * 5 6 6 6 # W W . 3 2 ) # W W 00 ) ₅ 6 7 6 #W W 2N _#W W + 7 6 0 W O 1 * W _{5 5} W. P 12 P 12 6 6 W 3 2 ) W 6 %W. #W #W W W 5 23 7 6 0 W₂ * ! ! W 6 W W. W. W. 23 7 6 0 #W 2, W 2 * -- #! ! #! 9 7 6 W. #W 2 _{#W #W #W #W-}2 6 0 W. O 1 * W. 5 5 #W. P 12 P 12 6 6 W. 3 2 ) W 6 9 9 6 0 #W W 12 , . . _{7 6 5} ' W h * 6 7 6 W/ #W 3 2 _{#W #W} 7 6 #Y + #Y %Y_W %YW 00

A. Fl.

Ob.

Bsst. Cl.

Bass Cl.

Hn.

Tpt.

Tbn.

Perc.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

C. bell

W. bl.

SD

Cym.

f

f

ff

(as if) harder sticks

Mar.

f

ff

p

p

mf

<

mf

f

f

arco

arco

arco

ff

ff

ff

N

f dolce

p

p

X -\ ) X - \ )

mp

arco

arco

/

ppp

ppp

p

ppp

ppp

Lowest

Tam-tam

pp

pp sonore

pp

pp

pp

Tempo I

ppp

+ = 60-66

;

straight mute

p

I

p legato

mf

mf

W

p

ß

_N N û 0

ppp dolciss.

pp

ppp

p

P P : N N

pp

pp

W. ch.

(blow)

ppp

pp

pp

pp

TTTTTTTTTTTTTT

C C C C C = > = > = > = > : : : : : : ; r r : < : : : < …

70

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

‡ : <

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

8

5

< r :

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

<

8

7

8

7

8

7

8

7

8

7

8

7

8

7

8

7

8

7

8

7

8

7

8

7

8

7

8

7

8

7

8

7

%W %_{W %W} %_W 5: 4 % W %W %W ) 6 63 7 6 %W ) %W %_{W %W} #W₂ 5: 4 % W ) %! %W ) 6 9 9 9 9 W W W. W 5: 4 W W W ) 6 6 3 7 6 _W ) . W W W W2 5: 4 W ) W W. 3 ₎ W W ) 6 W W W W 5: 4 W W W ) 6 6 3 7 6 W ) W W W _' W₂ . 5: 4 W ) W 0 ) 5 6 #W- W 3 1 13 6 _W 3 1 * 6 7 7 6 %W ) %W % W %W #W 5: 4 #W W W ) 6 6 3 6 #W- 0   3 ) 5 6 W N ) W 0 6 9 9 9 9 9 9 7 6 W 0 3 + 5 9 7 6 6 3 + 7 7 6 6 W 3 3 + 7 9 6 W W 3 N W W W 0 W W 3 3 ^ 3 5 W W 3 , 5 3 W W 3 W 0 6 7 6 0 BW W W 2 , -6 6 (W W 3 3 + 7 _{W. 1} ) 6 7 0 7 7 5 _WW ] ) -3 WW ] ) 9 7 6 6 'W 3 12 + 7 7 6 # W W-₂00 ) 5 7 7 5 # WW W W 13 * -. 5 3 6 6 0 _Y 12 * _Y + W. + W W W. W. 5: 4 W + W₂ ) W W/ W _W 2 . 5: 4 W ) W W 0 6 7 7 6 W + W W W _W 5: 4 W + #W2 + . #W + 6 6 3 7 0 6 %W. #W #W W/ W/ 5: 4 23 6 #W- #W/ W W W/ 5 23 7 7 5 W₁ * 6 W12 , 5 6 7 7 6 5 W. 1O , 7 0 6 _W W. 23 W. W. 6 W/ W- W- W-23 6 0 #Y12 , #Y 6 Y 3 Y + 6 7 7 6 W.2 ) W W W W2 5: 4 W ) W W. 3 ₎ W 0 6 % W h2 * 5 6 7 7 7 7 6 0 ' W h * _{W. 1} ) 6 7 0 7 6 #W- W 3 1 13 6 _W 3 1 * 6 6 0 Y_W 12 * . . W 6 Y/ 3 Y ) 6 7 7 6 W₂ ) W W W _#W 2 5: 4 W ) W W 0 6

A. Fl.

Ob.

Bsst. Cl.

Bass Cl.

Hn.

Tpt.

Tbn.

Perc.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

pp

p

mf

.œ

pp

II

I

pp

pp

û WN N W_û

ß

Y Y

Tri.

TTTTTTTTTTTTTTTTTTTTTTT

3

6

III

II

N

( )

pp

I

pp

pp

pp

.WN . Y

without mute

N W û WN

pizz.

2 û 2 2 2 §

pp chiaro

mf

Mar.

; ;

pp

p qu

cant.

* play only if perc. 1 cannot reach Crotale here

asi con sord.

*ossia

(ossia piano)

Crot.

p

(u.c. sempre)

mp

pp

ppp

ß

cant.

cant.

poco

f

poco

f

f

f

f

f

f

f

a

f

rco sul pont.

. .

s

f

mf

p

mf

X - /X \

ppp

ppp

pizz.

pizz.

C. bell

W. bl.

SD

Cym.

ppp

f

f

l.v. sempre

pp

p

p

<

mf

f

f

f

ppp

s

f

p

p

mp

mf

pp

pp

pp

pp

p