Intro Moderately slow q = 75
Slip to the Void
Words and Music by Mark Tremonti and Myles Kennedy© 2010 EMI BLACKWOOD MUSIC INC., MARK TREMONTI MUSIC, INC., EMI APRIL MUSIC INC. and HAPPY PAPPER MUSIC All Rights for MARK TREMONTI MUSIC, INC. Controlled and Administered by EMI BLACKWOOD MUSIC INC.
All Rights for HAPPY PAPPER MUSIC Controlled and Administered by EMI APRIL MUSIC INC. from Alter Bridge - AB III
Play 4 times
Drop D tuning, down 1/2 step: (low to high) Db-Ab-Db-Gb-Bb-Eb
**D5 Slip Verse 1. D5
to the void, to the dark, to the fall.
*Gtr. 1
let ring throughout
Riff A
mf
End Riff A
*Kybd. arr. for gtr.
**Chord symbols reflect overall harmony.
Crawl
Gtr. 1: w/ Riff A (6 times)
to the life you should n’t- know. You should nev
C6sus2
er
- come this way to test
Bbmaj7
the hands of fate. You don’t be-long
D5 here. 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Peel Verse Gtr. 1: w/ Riff A (16 times) 2. D5
back the skin, close your eyes. Hell is born to the a byss,- but be
warned. You fear
Gtr. 2 (acous.)
let ring thoughout mp
Bbmaj7
what you’ve be come.- My God,
C%
what have you done? You don’t be long
-D5
here. Mm, but it’s all
Gtr. 2 Riff B End Riff B
Gtr. 3 (elec.) w/ slight dist. mp Gtr. 2: w/ Riff B Bbmaj7
in the way you touch
C%
and you o bey- de ni
-D5
- al. Mm, but it’s all
Gtr. 3 9 10 9 10 9 10 9 11 9 10 9 10 9 10 9 10 10 9 6 96 9 8 9 8 910 910 910 9 10 8 7 8 0 7 807 7 8 3 3 5 0 8 7 8 0 7 8 0 7 8 7 8 10 10 3 5 0
Bbmaj7
in the way you touch
C%
and you o bey- de ni
-D5 al Gtr. 2 tacet -C5 Gtr. 2 Gtr. 4 (elec.) w/ dist. mf Gtr. 3 w/ dist. mf *Gtrs. 3 & 4 Interlude C5 D5 C5 D5 C5 D5 C5 D5 C5 D5 C5 *Composite arrangement Gtr. 5 (elec.) Fill 1 ** w/ dist. mf µ C5 End Fill 1
**Gradually bend 3rd string while tremolo picking.
1/4 1/2 3/4 1 Gtr. 6 (elec.) Fill 1A w/ dist. mf End Fill 1A 1/4 1/2 3/4 1 Gtrs. 3 & 4 10 9 6 9 6 9 8 9 8 9 10 10 10 10 8 7 8 0 7 8 0 7 7 7 8 3 3 3 7 5 0 1010 10 10 10 10 12 12 12 10 10 10 12 12 12 10 10 10 12 12 12 10 10 10 12 12 12 10 10 10 12 12 12 10 10 10 57 75 57 5 7 7 5 7 7 5 5 7 7 5 7 5 7 7 7 5 5 5 5 7 7 7 7 5 5 5 5 7 7 7 7 5 5 5 5 10 10 10
Gtrs. 3 & 4 Gtrs. 5 & 6 tacet D5 C5 D5 C5 D5 C5 D5 C5 D5 C5 Gtr. 5 µ 1/4 1/2 3/4 1 Gtr. 6 * Gtr. 7 (elec.) divisi *w/ dist. pp mf
*Vol. swell, Gtr. 7 only.
1/4 1/2 3/4 1 Gtrs. 3 & 4 **pp mf **Vol. swell Sev Verse 3. Gtrs. 5, 6 & 7 tacet D5 er
- the ties, trip the wire,
G5 Eb5 dig D5 your F5 Eb5 D5 hole. Gtrs. 3 & 4 Riff C End Riff C 10 10 10 12 12 12 10 10 10 12 12 12 10 10 10 12 12 12 10 10 10 12 12 12 10 10 10 12 12 12 10 10 10 7 7 5 7 5 7 5 7 5 7 5 7 7 7 7 5 5 5 5 5 7 7 7 7 5 5 5 5 7 7 5 5 12 7 7 7 5 7 5 7 5 5 7 7 7 7 5 5 5 5 ? 7 7 7 5 5 5 5 7 5 5 X X X 0 0 0 8 7 8 10 12 0 3 3 5 5 10 6
Doubt
Gtrs. 3 & 4: w/ Riff C
is a - live and you
G5 Eb5
know.
D5 F5 Eb5 D5
You were once
C5
led to be -lieve you were young
Bb5
and so na - ive. But now no long
- Gtrs. 3 & 4 Gtrs. 3 & 4: w/ Riff C D5 - er. G5 Eb5 D5 F5 Eb5 D5
Uh, but it’s all
Bb5 in the way F/A Bb5 you turned Csus2
your back to - day. Left to face
Gtrs. 3 & 4 Chorus D5 this a - lone. Bb Left to die Rhy. Fig. 1 let ring
End Rhy. Fig. 1
3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 X X X X X X 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 X X X X X X 1 3 3 1 3 3 1 3 3 1 3 3 0 3 3 1 3 3 1 3 3 1 3 3 0 0 35 5 3 5 5 3 0 1414 0 0 0 7 0 0 0 7 0 0 0 7 0 0 0 7 0 0 0 7 0 0 0 7 0 0 0 7 0 0 0 7 0 0 0 7 0 0 0 7 X 8 0 7 X 8 0 7 X 8 0 7 X 8 0 7 X 8 0 7 X 8 0 7 X 8 0 7 X 8 0 7 X 8 0 7 X 8 0 7 X 8 0 7 X 8 0 7 X 8 0 7 9 X 8 0 9 X 8 0 9
C To oda
G/B
with noth - ing
Eb5
you can hold.
D5 Left to break let ring 1
Gtrs. 3 & 4: w/ Rhy. Fig. 1
in the cold,
Bb
in the void
G/B
that you made
Eb5 the D5 mo Bb5 ment - you let F5 love D5 Eb5 go. Gtr. 3 P.H. P.M. Gtr. 4 P.H. P.M. 9 109 9 109 9 109 9 109 X X X X X X 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 0 0 8 7 8 0 10 12 0 0 0 0 10 13 2 X4 3 X5 5 X7 0 0 11 1 1 1 1 1 1 1 1 1 1 1 1 1 0 0 0 0 0 0 8 8 8 8 8 8 X X X 7 3 3 3 3 3 3 0 0 1 1 1 1 1 1 2 X4 3 X5 5 X7 1 1 1 1 1 1 1 1 1 1 0 0 0 0 8 8 8 8 X X 3 3 3 3 0 11 11
Interlude Gtr. 3 tacet D5 (Go.)
* Eb5 D5 Eb5 D5 Eb5 D5 Eb5 D5 Eb5 D5 Eb5
Gtr. 5 Riff D Gtr. 4 P.M. P.M. P.M. P.M. P.M. P.M.
*w/ echo set for quarter-note regeneration w/ 4 repeats.
D5
Eb5 D5 Eb5 D5 Eb5 D5
Ah, Whispered: Eb5 D5 come Eb5 on. F5 Eb5 D5
**Gtrs. 5 & 6 End Riff D
**Gtr. 6 w/ wah-wah (used as filter). Composite arrangement Gtrs. 3 & 4 P.M. P.M. P.M. P.M. P.M. 0 10 12 0 12 13 12 12 12 0 10 12 0 13 13 13 0 10 12 0 12 12 12 12 0 10 12 10 13 13 13 13 0 0 0 0 0 11 1 0 0 0 0 0 0 0 0 0 0 00 0 1 1 1 0 0 0 0 0 0 1 1 1 0 0 0 0 11 1 0 0 0 0 0 0 0 0 0 0 11 1 0 0 0 0 0 0 1 1 1 0 10 12 0 12 12 12 12 0 10 12 0 13 13 13 13 0 10 12 0 12 12 12 12 0 10 12 0 13 15 13 12 0 0 0 0 0 0 0 11 1 0 0 0 0 0 0 0 0 0 0 00 0 1 1 1 0 0 0 0 0 0 1 1 1 0 0 0 0 11 1 0 0 0 0 0 0 0 0 0 0 11 1 3 3 3 1 1 1 0 0 0
Gtrs. 3 & 4 Double-time feel *Gtrs. 5 & 6: w/ Riff D P.M. Eb5 D5 P.M. P.M. Eb5 P.M. D5 Eb5 D5 P.M. Eb5 D5 P.M. Eb5 D5 P.M. Eb5 *Gtr. 6: wah-wah off. Gtr. 7 D5 Eb5 D5 Eb5 **w/ wah-wah **Used as filter. Gtrs. 3 & 4 Rhy. Fig. 2 P.M. P.M. P.M.
D5 Eb5 D5 Eb5 F5 Eb5
Try End double-time feel
D5
P.M. P.M.
End Rhy. Fig. 2
0 0 0 0 0 11 1 0 0 0 0 0 0 0 0 5 0 00 0 1 1 1 0 0 0 0 0 0 1 1 1 0 0 0 0 11 1 0 0 0 0 0 0 0 7 0 11 1 0 0 0 0 0 0 1 1 1 10 13 0 0 0 0 0 0 0 11 1 0 0 0 0 0 0 0 0 0 0 00 0 1 1 1 1 1 1 1 1 1 10 12 10 13 10 13 10 13 10 13 10 13 10 13 12 10 10 12 10 12 10 12 10 12 12 10 12 10 10 12 10 12 0 0 0 0 0 0 0 11 1 0 0 0 0 0 0 0 7 0 11 1 3 3 3 1 1 1 0 0 0
Bridge
F5
to win back your days.
C5 You let G5 them all es - cape F5 your heart. Harm. w/ bar 8va loco -1 Pitch: B G
Rhy. Fig. 3 End Rhy. Fig. 3
Double-time feel
Gtrs. 3 & 4: w/ Rhy. Fig. 2 Gtrs. 5 & 6: w/ Riff D (last 2 meas.)
D5 Eb5 D5 Eb5 Gtr. 7 P.H. 13 11 3 3
D5 Eb5 D5 Eb5 F5 Eb5
And End double-time feel
D5 3 3 5 11 8 8 5 5 5 5 13 3 3 3 3 3 3 3 3 3 3 5 5 3 5 5 3 5 5 3 5 5 X X X X X X 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 10 13 10 13 14 10 13 15 13 10 14 13 10 13 10 14 10 13 15 13 10 13 10 13 10 13 10 14 10 12 14 12 10 12 10 10 12 12 10 10 13 12 15 15 17 16 16 10 12 11 10 13 X 12 10 11 13 11 10 12 10 9 10 12 10 9 12 10 8 10 12 10 8
now
Gtrs. 3 & 4: w/ Rhy. Fig. 3
F5
that you’ve come so far,
C5 uh, why G5 did
you have to fall
F5
so hard?
Gtr. 8 (elec.)
*w/ dist. & wah-wah
mf
*Wah-wah used as filter.
Gtr. 7 w/ bar Harm. 8va w/ bar slack +1/2 slack Double-time feel
Gtrs. 3 & 4: w/ Rhy. Fig. 2 Gtrs. 5 & 6: w/ Riff D (last 2 meas.) Gtr. 7 tacet D5 Eb5 D5 Eb5 Gtr. 8 3 D5 P.H. Eb5 15ma D5 loco Eb5 F5 Eb5 D5
End double-time feel
3 6 6 15 15 7 7 7 0 0 5 5 17 15 13 17 13 15 17 15 13 17 13 15 15 15 13 15 13 15 17 15 13 15 13 15 12 13 12 15 13 10 11 13 11 10 12 10 9 10 12 10 9 10 5 10 6 5 7 5 5 7 7 5 7 5 7
D.S. al Coda
Look
Gtrs. 3 & 4: w/ Rhy. Fig. 3
F5
at what you’ve done.
C5
What
G5
have you be - come?
F5 fdbk. w/ bar w/ bar grad. dive -1 1/2 slack Interlude Gtr. 8 tacet C5 D5 C5 D5 C5 D5 C5 D5 C5 D5 C5
Gtrs. 5 & 6: w/ Fills 1 & 1A
µ C5 Gtrs. 3 & 4 C5
D5 C5 D5 C5 D5 C5 D5 C5 D5 C5 µGtrs. 5 & 6: w/ Fills 1 & 1A
Left to face 3 3 3 10 10 10 12 12 12 10 10 10 12 12 12 10 10 10 12 12 12 10 10 10 12 12 12 10 10 10 12 12 12 10 10 10 10 10 10 10 10 10 12 12 12 10 10 10 12 12 12 10 10 10 12 12 12 10 10 10 12 12 12 10 10 10 12 12 12 10 10 10 X X X X 19
Coda mo Bb5 ment -A5 you let F5 love go, Eb5 Outro
Gtrs. 3 & 4: w/ Riff C (3 times)
D5 *Gtrs. 3 & 4 Gtr. 6 let ring *Composite arrangement 1 1 1 1 1hold bend G5 Eb5 D5 you F5 let Eb5 D5 love go, Riff E End Riff E let ring hold bend 1 1 1 1 1 1 1 1 Gtr. 6: w/ Riff E (1 1/2 times) G5 Eb5 D5 you F5 let Eb5 D5 love go, G5 Eb5 D5 you F5 let Eb5 D5 love 8 8 8 8 8 8 X X X 9 3 3 3 3 3 3 13 X X X X X X 1 1 1 13 10 10 13 13 10 10 13 13 10 10 13 10 13 15 15 12 12 15 12 13 0 X X X X 10 1013 1013 1013 1013 1013 1013 13
Begin fade Fade out go. G5 Eb5 D5 F5 Eb5 D5 Gtr. 6
let ring let ring
hold bend 1 1 1 1 1 1 1 1 1/2 Gtrs. 3 & 4
Gtr. 1: w/ Riff A (till fade)
*w/ bar grad. release **w/ bar grad. release 1/2 *Vibrato w/ bar.
**Vibrato & dive w/ bar simultaneously. -1/2 -2 1/2 -1 13 13 10 10 13 13 10 10 13 13 10 10 13 15 10 13 15 15 12 12 12 15 15 15 8 7 8 0 10 12 0 0 0 5 0 3 3 5 10 6 8 0 0 3 13 12 0 15 15 15 0 15 15 15 0
Intro
Moderately q = 97
Words and Music by Mark Tremonti and Myles Kennedy
Isolation
© 2010 EMI BLACKWOOD MUSIC INC., MARK TREMONTI MUSIC, INC., EMI APRIL MUSIC INC. and HAPPY PAPPER MUSIC from Alter Bridge - AB III
Gtrs. 1 & 2 (dist.) Drop D tuning, down 1 step: (low to high) C-G-C-F-A-D
Rhy. Fig. 1 D5 mf F5 Bb5 A5 D5 P.M. Bb5 A5 G5 D5 1 3 4 Bb5 1 1 1 F5 1 3 4 C5 P.M. Bb D5 P.M. F D5 P.M. D D5 E5 P.M. D5 E5 D5 *Gtr. 3 (dist.) F5 Bb5 A5 D5 Bb5 A5 G5 D5 Bb D5 F D5 **w/ octaver w/ bar D grad. ascent D5 mf Eb[b5]
*Two gtrs. arr. for one.
-2 1/2
-2 1/2 -1
Gtrs. 1 & 2
P.M. P.M. P.M. P.M.
**Set for one octave above.
P.M. D5 F5 Bb5 A5 D5 Bb5 A5 G5 D5 1 P.M. P.M. 3 3 3 0 0 0 3 3 3 8 8 8 7 7 7 0 0 0 0 0 0 0 8 8 8 7 7 7 5 5 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 8 8 12 0 0 0 0 3 3 7 0 0 0 0 0 0 4 0 0 1 1 0 2 0 2 0 13 10 13 10 3 3 3 0 0 0 3 3 3 8 8 8 7 7 7 0 0 0 0 0 0 0 8 8 8 7 7 7 5 5 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 8 8 12 0 0 0 0 3 3 7 0 0 0 0 0 0 4 0 0 1 1 0 6 5 3 0 13 13 13 13 10 10 10 10 13 13 13 13 10 10 10 10 13 10 13 13 13 13 13 13 13 3 3 3 0 0 0 3 3 3 8 8 8 7 7 7 0 0 0 0 0 0 0 8 8 8 7 7 7 5 5 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Bb D5 F D5 D D5 let ring E5 D5 E5 D5 1 P.M. P.M. P.M. F5 Bb5 A5 D5 Bb5 A5 G5 D5 1 P.M. P.M. Bb D5 F D5 D D5 C5 A5 Eb5 D5 1 1 P.M. P.M. P.M.
End Rhy. Fig. 1
15 15 15 12 12 15 15 15 15 12 12 12 12 15 12 15 15 15 15 15 15 15 8 8 12 0 0 0 0 3 3 7 0 0 0 0 0 0 4 0 0 1 1 0 2 0 2 0 13 13 13 10 10 10 13 13 13 13 10 10 10 10 13 10 13 13 13 13 13 13 13 3 3 3 0 0 0 3 3 3 8 8 8 7 7 7 0 0 0 0 0 0 0 8 8 8 7 7 7 5 5 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 15 1215 1215 1215 1215 1512 1215 16 1613 1316 1613 1613 1316 1316 8 8 12 0 0 0 0 3 3 7 0 0 0 0 0 0 4 0 0 1 1 0 3 0 1 0
Gtrs. 1 & 2: w/ Rhy. Fig. 1 Gtr. 3 tacet Verse D5 F5 Bb5 When 1. A5 all D5 is lost Bb5 A5 to G5 D5 you in -side, Bb D5 F D5 D D5 E5 D5 E5 D5 F5 Bb5 when A5 all D5 the dark Bb5 A5 ness G5 -D5
takes the light,
Bb D5 F D5 D D5 Eb[b5] D5 F5 the Bb5 A5 rit D5 u - al, Bb5 -A5 it G5 D5 has be-gun. Bb D5 F D5 D D5 E5 D5 E5 D5 F5 And Bb5 A5 now D5 you tear Bb5 A5 a G5 D5 way - from ev Bb D5 ’ry - one. F -D5 D D5 C5 A5 Eb5 D5 Gtr. 2 Rhy. Fig. 2 Pre-Chorus Bb5 F5 C5
End Rhy. Fig. 2
Dis - con - nect - ed, so a - lone,
Gtr. 4 (dist.) *fdbk. mf 8va loco Pitch: A
*Microphonic fdbk., not caused by string vibration.
Gtr. 1 Riff A
let ring let ring let ring
End Riff A let ring X 9 12 10 11 8 0 6 0 7 0 6 0 10 0 8 0 9 0 8 0
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 2 meas.)
D5 F5 Bb5 A5 D5 Bb5 A5 G5 D5 yeah. Gtr. 4 P.H. 15ma loco P.H. 15ma loco 3 Bb D5 F D5 D E5 D5 E5 D5 3 6 Gtr. 1: w/ Riff A Gtr. 4 tacet Bb5
Sev - ered ties
F5 from all C5 you know. Chorus D5 I - so - la - Gtr. 2 P.S. Gtrs. 1 & 2 Rhy. Fig. 3 C5 tion, - uh, brings Bb5
you to the end
F5 un - 12 10 13 10 13 11 10 12 12 13 10 12 10 12 13 10 11 12 10 10 14 10 14 10 13 10 13 10 13 10 12 10 13 10 13 10 13 10 12 12 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 3 3 3 3 3 3 3 3 3 3 3 3 X X X X X X 3 5 5 X X X 0 0 0 2 3 0 0 0 2 3 0 0 0 2 3 0 0 0 2 3 0 0 0 2 3 0 0 0 2 3 0 0 0 0 0 0 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 X X X X X X 1 3 3 1 3 3 X X X X X X 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 X X X X X X
C To oda
til
2nd time, Gtrs. 1 & 2: w/ Rhy. Fills 1 & 1A 2nd time, Gtr. 4: w/ Fill 1
C5
you love a gain,
G/B - oh. Eb5 D5 I - so - la C5 tion. - If you Bb5 could on - ly see F5 what C5
will come to be,
G/B
yeah.
End Rhy. Fig. 3
steady gliss. Rhy. Fill 1 Gtr. 1 P.H. Pitch: Bb Rhy. Fill 1A Gtr. 2 P.H. Gtr. 4 Fill 1 P.H. 3 5 5 3 5 5 X X X X X X 2 5 4 2 5 4 2 5 4 2 5 4 X X X 1 1 1 0 0 0 2 3 0 0 0 2 3 0 0 0 2 3 0 0 0 2 3 0 0 0 2 3 0 0 0 2 3 0 0 0 0 0 0 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 X X X X X X 1 3 3 1 3 3 X X X X X X 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 X X X X X X 3 5 5 3 5 5 X X X X X X 2 5 4 2 5 4 2 5 4 2 5 4 21 3 5 5 3 5 5 X X X X X X 2 5 4 2 5 4 2 5 4 2 5 4 X X X 3 3 5 5 3 5 5 X X X X X X 2 5 4 2 5 4 2 5 4 2 5 4 X X X 3 3
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 4 meas.)
D5 Interlude F5 Bb5 A5 D5 Bb5 A5 G5 D5 Bb D5 F D5 D D5 E5 D5 E5 D5 F5 Bb5 A5 D5 Bb5 A5 G5 D5 Bb D5 F D5 D D5 Eb[b5] Verse
Gtrs. 1 & 2: w/ Rhy. Fig. 1
D5 F5 Uh, 2. Bb5 A5 jus D5 ti - fied, Bb5 -A5 you G5 D5 waste a-way. Bb D5 F D5 D D5 E5 D5 E5 D5 Gtr. 3 octaver off grad. bend 1/4 1/2 F5 You Bb5 A5 dare D5 to dream Bb5 A5 G5 but D5
still you’re too
Bb D5 a fraid. F -D5 D D5 Eb[b5] Riff B grad. bend End Riff B 1/2 1/4 1/2 Gtr. 3: w/ Riff B D5 F5 Bb5 And A5 now D5 you’re bro Bb5 A5 G5 ken D5 - and de-ceived, Bb D5 F D5 D D5 E5 D5 E5 D5 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 7 X 10 7 X 10 7 X 10 X 7 10 X 7 10 7 X 10 7 X 10 7 X 10 7 X 10 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 7 X 10 7 X 10 7 X 10 X 7 10 X 7 10 7 X 10 7 X 10 7 X 10
D.S. al Coda F5 Bb5 uh, A5 lost D5 to live Bb5 A5 G5 this D5 cruel re -al Bb D5 i - ty. F -D5 D D5 C5 A5 Eb5 D5 Gtr. 3 1/2 Pre-Chorus Gtr. 1: w/ Riff A Gtr. 2: w/ Rhy. Fig. 2 Gtr. 3 tacet Bb5
You’re dis - con - nect
F5 ed, - so C5 a - lone. Gtr. 4
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 2 meas.)
D5 F5 Bb5 A5 D5 Bb5 A5 G5 D5 Bb D5 F D5 D D5 E5 D5 E5 D5 P.H. 8va loco P.H. 8va loco P.H. 8va loco 3 3 3 3 1 1/2 Gtr. 1: w/ Riff A Gtr. 2: w/ Rhy. Fig. 2 Gtr. 4 tacet Bb5
Sev - ered ties
F5 from all C5 you know. 7 X 10 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 X 7 10 4 13 10 13 1015 15 1013 1013 12 10 13 1015 1013 10 12 7 7 15 14 13 12 15 15 15 12 13 12 10 12 13 10 10
Coda what C5
will come to be,
G/B yeah. Interlude D5
F5 Eb5 D5 Eb5 D5 F5 Eb5 D5
Gtr. 4 Gtrs. 1 & 2 steady gliss. Riff C P.M. P.M. End Riff C Gtr. 4
Gtrs. 1 & 2: w/ Riff C (2 times)
F5 Eb5 D5 Eb5 D5 C5 D5 C5 D5 F5 Eb5 D5 slight P.M. Eb5 D5 F5 Eb5 slight P.M. D5 Gtr. 4 F5 Eb5 D5 slight P.M. P.H. µ D5 µ Gtrs. 4 & 5 tacet Gtr. 6 (dist.) Guitar Solo D5 f
F5 Eb5 D5 Eb5 D5 F5 Eb5 D5
let ring 1 1 1 1 1/2 1 1/2 1 1/2 Gtr. 5 (dist.) mf slight P.M. P.H. Pitch: C 1 Gtrs. 1 & 2 P.M. P.M. P.M. P.M. 8 8 8 8 6 6 6 6 5 5 5 5 6 8 8 8 8 6 6 6 6 5 3 5 5 3 5 5 X X X X X X 2 5 4 2 5 4 2 5 4 2 5 4 21 0 0 0 0 0 0 8 8 8 8 6 6 6 6 5 5 5 5 6 3 3 3 3 5 5 5 5 3 8 8 8 8 6 6 6 6 5 5 5 5 6 8 8 8 8 6 6 6 6 5 8 8 8 8 6 6 6 6 5 5 5 5 6 12 6 12 10 10 12 10 12 14 10 13 14 14 13 8 8 8 8 6 6 6 6 5 5 5 5 6 6 0 0 0 0 00 00 33 3 1 1 1 0 0 0 1 1 1 0 0 0 0 0 0 0 0 0 0 3 3 3 1 1 1 0 0 0
Gtr. 6
F5 Eb5 D5 Eb5 D5 Eb5 D5
F5 Eb5 D5 Eb5 D5 F5 Eb5 D5
1 1 1 Gtrs. 1 & 2 P.M. P.M. P.M. P.M.
F5 Eb5 D5 Eb5 D5 Eb5 D5
Bridge
Bb5
May be- you’ll stand,
3 1 P.M. P.M. Gtr. 6 tacet F/A
may-be you’ll give
F5
and break to find an -oth - er way
Gtrs. 1 & 2 12 12 12 10 1210 10 13 1010 1310 13 12 1310 1013 10 13 10 13 10 13 10 13 10 13 10 13 10 13 10 13 10 131013 12 10 12 10 13 12 10 12 10 0 0 0 0 3 3 3 1 1 1 0 0 0 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 0 0 0 0 0 0 0 3 3 3 1 1 1 0 0 0 1 1 1 0 0 0 0 0 0 0 0 0 0 3 3 3 1 1 1 0 0 0 13 12 10 12 10 12 10 12 10 8 10 12 10 12 10 12 10 11 12 13 13 13 0 0 0 0 3 3 3 1 1 1 0 0 0 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 0 0 0 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 X X X X X X 3 3 5 3 3 5 3 3 5 3 3 5 3 3 5 3 3 5 3 3 5 3 3 5 3 3 5 X X X X
C/E
and make things bet ter.
-Bb5
May be- you’ll find
F/A
a life you can live
F5
and learn to love a - long the way
C/E
and make things bet
µ ter, - steady gliss.
D5 F5 Eb5 D5 Eb5 D5 F5 Eb5 D5 F5
and make Eb5 things D5 bet Eb5 ter. -µ P.M. P.M. P.M. steady gliss.
Gtrs. 1 & 2: w/ Rhy. Fig. 3
Chorus D5 I - so - la C5 tion, - uh, Gtr. 3 *w/ wah-wah Riff D *Used as filter. 2 3 5 2 3 5 2 3 5 2 3 5 2 3 5 X X 0 13 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 X X X X X X 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 X X X X X X 2 3 5 2 3 5 2 3 5 2 3 5 2 3 5 2 3 5 17 0 0 0 0 3 3 3 1 1 1 0 0 0 1 1 1 0 0 0 0 0 0 0 0 0 0 3 3 3 1 1 1 0 0 0 0 0 0 0 3 3 3 1 1 1 0 0 0 1 1 1 20 X 11 14 X 11 14 X 11 14 X 11 14 X 11 14 X 11 14 X 11 14 X 11 14 X 11 14 X 11 14 X 11 14 X 11 14 X 11 14 X 11 14 X 11 14 X 11 14 X 12 15 X 12 15 X 12 15 X 12 15 X 12 15 X 12 15 X 12 15 X 12 15 X 12 15 X 12 15 X 12 15 X 12 15 X 12 15 12 15 X 10 13
