Concerto Competition Finals, March 6, 2012

Boston University

OpenBU

http://open.bu.edu

School of Music Boston University Concert Programs

2012-03-06

Concerto Competition Finals, March

6, 2012

https://hdl.handle.net/2144/30996

Boston University

Boston University College of Fine Arts

School of Music

presents

-

Concerto Competition Finals

Tuesday

March 6, 2012

)>

:30pm

Founded in 1872, the School of Music combines the intimacy and intensity of conservatory training with a broadly based, traditional liberal arts education at the undergraduate level and intense coursework at the graduate level. The school offers dt

-grees in performance, composition and theory, musicology, music education, collaborative

piano, historical performance, as well as a certificate program in its Opera Institute, and artist and performance diplomas.

Founded in 1839, Boston University is an internationally recognized private research

university with 32,557 students participating in undergraduate, graduate, and

profes-sional programs. BU consists of 17 colleges and schools along with a number of multi

-disciplinary centers and institutes which are central to the school's research and teaching

mission. The Boston University College of Fine Arts was created in 1954 to bring together

the School of Music, the School of Theatre, and the School of Visual Arts. The University's vision was to create a community of artists in a conservatory-style school offering

profes-sional training in the arts to both undergraduate and graduate students, complemented by

a liberal arts curriculum for undergraduate students. Since those early days, education at

the College of Fine Arts has begun on the BU campus and extended into the city of Boston,

Boston University College of Fine Arts

School of Music

The

114th

concert

in

the

2011-12

season

March 6,

2012

Concert Hall

Sergei Rachmaninoff

(1873-1943)

Concerto no

.

3 in

d

minor, op. 30

Robert

Schumann

(1810-1856)

Richard

Strauss

(1864-1949)

Allegro rna non

tanto

Intermezzo

:

Adagio

Finale: Alla breve

Edit Fazakas, piano

Zura Kobakhidze, piano

Concert Piece for Four Horns

&

Orchestra

Sehr lebhaft

Romance

Sehr lebhaft

Megan Marranca,

horn

Laura Carter

,

horn

Melissa Lund

,

horn

Kristen Sienkiewicz

,

horn

Thomas Weaver

,

piano

Four Last Songs

Friihling

September

Beim

Schlafengehen

ImAbendrot

Ji

Eun

Park, soprano

Mi Yeon Han, piano

Samuel Barber

(1910-1981)

W.A. Mozart

(1756-1791)

Alfred Desenclos

(1912-1971)

Peter Tchaikovsky

(1840-1893)

Samuel Barber

(1910-1981)

Violin Concerto, op. 14

Allegro

Andante

Presto in mota perpetuo

So Young Kwon, violin

Lorena Tecu, piano

Concerto in A major,

K.

622

Allegro

Adagio

Rondo: Allegro

Xing Xing Zhai, clarinet

Tian Yao Xie, piano

Incantation, Threne, et Danse

Incantation

Threne

Danse

Adam Gautille, trumpet

Becca Zeisler, piano

-Pause-Concerto no. 1 in b-flat minor, op. 23

Allegro non troppo e molto maestoso

Andantino semplice

Allegro con fuoco

Alexia Mouza, piano

Leon Bernsdorf, piano

Knoxville: Summer of 1915

Sonja Krenek, soprano

Jeffrey Stevens, piano

--Sergei Prokofiev

(1891-1953)

Ludwig

v

Beethoven

(1770-1827)

Samuel Barber

(1910-1981)

Concerto in D major, op. 19

Andantino

Scherzo

Moderato

Hyun Ji Kim, violin

Lorena Tecu, piano

Concert no. 3 in c minor, op. 31

Allegro con brio

Largo

Rondo

-

Allegro

Heeyeon Chi, piano

Victor Cayres, piano

Concerto in a minor, op. 22

Allegro moderato

Andante sostenuto

Molto allegro e appassionato

Young Sook Lee, cello

Judges

Denise Dj okic

Cellist Denise Djokic has earned world-wide acclaim for her sincere, powerful interpretations and her bold command of the instrument. Instantly recognized by her "arrestingly beautiful tone colour" (The Strad), she moves audiences with her natural musical instinct and a remarkable combination of strength and sensitivity.

Ms. Djokic's engagements for the 2011-12 season include a Carnegie Hall debut in which she will appear with tl1e Edmonton Symphony and conductor William Eddins,

performing John Estacio's Triple Concerto with pianist Angela Cheng and violinist Juliette Kang. She will also tour with the Academic Orchestra of Zurich, Switzerland performing the Dvorak Concerto, and will collaborate with Ballet Victoria in a special performance of solo Bach. Ms. Djokic's chamber music collaborations include appearances with the Jupiter and Supernova string quartets, a recital with violinist Pekka Kuusisto, and festivals in Ontario, Utah, and New York. The upcoming season will also feature the release of a new recording on the ATMA label of the Chopin and Rachmaninoff sonatas with pianist David Jalbert.

Highlights of Ms. Djokic's 2010-11 season included a highly successful return appearance with l'Orcl1estre Metropolitain and Yannick Nezet-Seguin, performing Strauss's Don Quixote. She also appeared with Symphony Nova Scotia and Berhnard Gueller, and with l'Orchestre de la Francophonie in a performance of the Brahms Double Concerto with Alexandre da Costa and Jean-Philippe Tremblay. She participated in the Amsterdam Cello Biennale as well as the International Cello Festival of Canada, where her performance with the Winnipeg Symphony Orchestra and Alexander Mickelthwate "brought a sense of intense involvement to Adagio con Variazione by Respighi. She seems to go into a place of her own as she plays, devoted entirely to the music. This was a passionate reading of a gorgeous and not often performed work." (Gwenda Nemerofsky,

Winnipeg Free Press). Ms. Djokic also made appearances at festivals in Ottawa, Park City, Tulsa, Halifax, and in Kingston, where she was featured at the Kingston Writers Fest in a collaborative performance with Eric Siblin, author of "The Cello Suites."

Ms. Djokic recently made her New York City concerto debut at Lincoln Center with the Philharmonic Orchestra of the Americas and Alondra de la Parra conducting Arturo Marquez's "Espejos en laArena", as well as her European concerto debut with the Aachen Symphony Orchestra under Marcus Bosch. Other recent engagements featured appearances with the North Carolina Symphony, Portland Symphony, Syracuse Symphony, and the San Diego Chamber Orchestra, as well as performances of both Haydn Concerti with the Orquesta Sinfonica de Mineria in Mexico City, in celebration of the 2009 Haydn Anniversary year.

As a recitalist, Ms. Djokic performs frequently with her long-time musical partner, pianist David Jalbert. Recent performances have brought them to Washington D.C., San Francisco, Mexico City, Vancouver, Chicago, Tucson, and New York's Bargemusic. Denise and David also tour with Piano Plus, an organization which brings performances to Canadian communities in which the opportunities to hear live concerts are limited.;· addition, her love of chamber music has brought her to the festivals of Ottawa, CaramL. ,

Park Ci1:y, Ravinia, San Miguel de Allende, and Vancouver. In 2008, Ms. Djokic gave the world premiere of Christos Hatzis' "In the Fire of Conflict," with percussionist Ryan Scott and dancer Peggy Baker at the Toronto Summer Music Festival. She appears frequently with New York's Jupiter Chamber Players and also tours with her chamber music partner

since childhood, her violinist brother Marc.

rmroediately following the release of her debut recording on the Sony Classical label, Ms. Djokic was a featured performer at the 2002 Grammy Awards. The self-titled CD won great critical acclaim and received a 2002 East Coast Music Award. Her following recording, "Folklore", (Allegro/Endeavor) received a JUNO nomination as well as an

ECMA, and hit the Billboard Chart's top 15 Classical CD's. "Folklore" was also featured on NPR's "All Things Considered."

Ms. Djokic's most recent recording-the complete Britten Solo Suites for the ATMA

label-has received critical acclaim from renowned publications such as Fanfare and The

Strad. The recording was declared "easUy able to stand alongside the great recordings of

Rostropovich and Wispelwey" by AllMusic.com.

Ms. Djokic has been the subject of a BRAVO! TV documentary entitled "Seven Days,

Seven Nights", and has also appeared as a speaker at ldeaCity in Toronto, and at the Women In Leadership Conference at Qu.een's University. MacLean's Magazine named her one of the top "25 Canadians who are Changing our World", and ELLE Magazine

lared her one of "Canada's Most Powerful Women."

aving grown up in a large musical family, Ms. Djokic first began to learn the cello with

her uncle and aunt, cellists Pierre Djokic and Michelle Djokic. Her parents, Lynn and

Philippe, and brother Marc, are all musicians. She contint}ed her studies in Cleveland with Richard Aaron and in Boston with Laurence Lesser and Paul Katz. Ms. Djokic

gratefully acknowledges the support of the Canada Coimcil for the Arts.

David Loebel

Noted for performances that combine innate musicality with interpretive insight,

David Loebel joined the faculty of New England Conservatory as Associate Director of

Orchestras following an 11-year tenure as Music Director and Conductor of the Memphis

Symphony Orchestra. Prior to his appointment in Memphis, he enjoyed a decade-long

association with the Saint Louis Symphony Orchestra, serving as Associate and then

Associate Principal Conductor, as well as Artistic Director of its summer festival, Classics

in the Loop. He has also been Associate Conductor of the Cincinnati Symphony Orchestra. As a guest conductor, David Loebel has appeared with the Philadelphia Orchestra, Chicago Symphony Orchestra, San Francisco Symphony Orchestra, National Symphony

Orchestra, Minnesota Orchestra, Saint Paul Chamber Orchestra, Seattle Symphony

Orchestra, and Brooklyn Philharmonic Orchestra. He has also conducted the symphony

orchestras of Baltimore, Indianapolis, Milwaukee, New Jersey, and Syracuse, the North

Carolina Symphony, the Buffalo Philharmonic Orchestra, tl1e Rochester Philliarmonic

Orchestra, the Kansas City Symphony, the Louisville Orchestra, Symphony Silicon Valley,

the Louisiana Philharmonic Orchestra and the Calgary Philliarmonic, among many others.

Internationally, Loebel has conducted the Taipei Symphony Orcl1estra, the Tokyo harmonic Orchestra, and toured Australia to great acclaim, leading the Sydney, , • elaide, Queensland, Western Australian, and Tasmanian Symphony Orchestras. He has led family and educational concerts at Carnegie Hall with the Orchestra of St. Luke's,

the Saint Louis Symphony Orchestra, and the New Jersey Symphony Orchestra. Operatic engagements include productions at Opera Theatre of Saint Louis and Opera Memphis,

-

-Music Festival, Sewanee Summer -Music Festival, and Woodstock Mozart Festival. Honored five times by ASCAP for his adventuresome programming, David Loebel is a

recipient of the prestigious Seaver/National Endowment for the Arts Conductors Award.

An equally articulate communicator off the podium, he is a popular speaker and hosted

"The Memphis Symphony Radio Hour" on public radio station WKNO-FM. His writings

on music have been widely published, including program notes for Telarc recordings.

With the Grant Park Symphony Orchestra and Chorus he recorded the critically

acclaimed CD Independence Eve at Grant Park.

Active throughout his career in the training of young musicians, Loebel has been

Conductor-in-Residence of the New World Symphony and Music Director of the

Saint Louis Symphony Youth Orchestra. He has also conducted the Civic Orchestra of Chicago, the National Repertory Orchestra, and at conservatories including the Juilliard School, Cleveland Institute of Music, San Francisco Conservatory of Music, and Indiana University. As a mentor to conductors, he has served on the faculties of the League of American Orchestras' Conducting Workshop, the Kennedy Center's National Conducting Institute, and the University of Cincinnati College-Conservatory of Music.

A native of Cleveland, David Loebel is a graduate of Northwestern University and a

recipient of its Alumni Merit Award.

Tatyana

Dudochkin

Tatyana Dudochkin, a distinguished pianist and teacher, graduated with honors from St. Petersburg and Kiev Conservatories where she remained on the faculty for sixteen years.

She is the Chair of the Preparatory School Piano Ensemble Department at New England

Conservatory as well as a faculty member at the Massachusetts Institute of Technology. Dudochkin is on the faculty of Puigcerda Music Festival in Spain, Director of the Russian-American Music Association, founder and Director of the International Chamber Music Competition of the Chamber Music Foundation of New England as well as the Founder and Artistic Director of the annual Celebration of Composers' Anniversaries at New England Conservatory's Jordan Hall.

Critically acclaimed for her performances as soloist and chamber musician, Dudochkin

concertized extensively throughout the former Soviet Union, United States, Canada, Spain, Italy, and Holland. Her solo performances with Kiev Radio and Television

Symphony Orchestra, Kiev Opera Theater Chamber Orchestra, and Early Music

Chamber Orchestra of Lithuania received high acclaim for her remarkable instinct and interpretation of music. Ms. Dudodu<in has been an Artist in Residence at the Rockport Music Festival, Spring at Prague Festival, Lithuanian Early Music Festival, Hampton Music Festival and many others. Ms. Dudochkin has recorded extensively on the Melodia label, performed and recorded on WGBH, WBUR, Voice of America,Morning Pro Musica, Washington National Public Radio, Continental Cablevision: In Performance. Many of

those recordings were live from Jordan Hall. Most recently, Dudochkin performed at

Carnegie Weill Recital Hall.

Dudochkin is a winner of the Grand Medal at the prestigious Early Music

Festival-Competition in Lithuania, as well as numerous awards including Ukrainian Chamber

Music Competition, All-Union Music Competition, Ukrainian National Music

Competition, and the National Music Competition at Tallinn, Estonia. She continues to pursue excellence in her multifaceted career. Ms. Dudochkin is sought after to perform,

teach and coacl1 chamber music in festivals in Nova Scotia, Spain, Italy, New York and other places. Dudochkin often accepts invitations to teach masterclasses at conservatories in the US, Russia, Ukraine, Spain, Italy, Holland and Japan.

{)udochkin is often involved in judging International and National Competitions, such

as

the Parnassus (Mexico), Purccerda International competition (Spain), the International Chamber Music Foundation of New England competition, the college-level piano

competition at New England Conservatory, the concerto competition at the Longy School of Music as well as the NEPTA competition for middle schoolers and the Richmond Piano Competition at Boston University.

A great number of Dudochkin's students are top prize winners at international, national and world piano competitions such as: Harvard Musical Association achievement award; International Piano Duo Competition at St. Petersburg, Russia, Cinigalia, Italy, and Montreal, Canada; World Piano Competition in Cincinnati. Piano Concerto competition awards at NEC Prep., Cape Cod Young Artist, Brockton Symphony Orchestra Competition; Marlboro Young Performance Competition; Young Virtuoso at Carnegie Hall (USA); International Young Artist (Washington, D.C.); American Fine Art Festival; IP Concerto Competition; MMTA; NHMA; NEPTA; and M. Steinert & Son Piano Competition; and the Pro Arte concerto competition, in which the student was chosen to play in the "Prodigy Concert" at Congress Hall in Washington D.C. as well as at Carnagie Hall. Several of her students have been chosen to participate in television and radio

rams such as From the Top. They have performed with the Ukrainian State Symphony estra in Vladimir Horowitz's Summer Festival, among many other international estivals where Dudochkin has performed herself and conducted masterclasses.

Dudochkin has received much recognition and Outstanding Teacher Awards from:

International Young Artist Competition in Washington D.C.; International Piano Competitions in Cinigalia (Italy) and Montreal (Canada); MMTA, NEPTA; Puigcerda International Piano Competition in Spain; World Piano Competition (United States); and Young Virtuosos at Carnegie Hall. She was entered into the American Teachers directory, hc;moring the most respected teachers in the United States. Dudochkin is also well known for her lecture recitals and teacher workshops, including a Pedagogical lecture at NEPTA. Her students have been accepted to some of the most prestige colleges and universities, such as the Juilliard School, Harvard University, NEC, Princeton, MIT, and Yale.

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We thank the following donors for their generous support during the 2010-2011 fiscal year*:

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Meister

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BOSTON UNIVERSITY SCHOOL OF MUSIC

STRINGS Craig Nordstrom, clariuet

Steven Ansell viola • Toby Oft tromboue Edwin Barker double bass• Elizabeth Ostlingflute Cathy Basrak viola Andrew Price oboe

Lynn Chang violi 11 Ken Radnofsky saxophoue Daniel Dona pedagogy Richard Ranti bassoou

Jules Eskin cello Thomas Rolfs trumpet

Carolyn Davis Fryer double Mike Roylance tuba

bass Matthew Ruggiero

Edward Gazouleas viola bassoon Marc Johnson cello Eric Ruske !Jom ""

Bayla Keyes violiu • Robert Sheena

Michelle LaCour.;e viola • english horn

Benjamin Levy double bass Thomas Siders trumpet

Lucia Lin violin "' Ethan Sloane clarinet,.

Malcolm Lowe vio/iu Jason Snider horn

Dana Mazurkevich violin Samuel Solomon

Yuri Mazurkevich violin • percussion

lkuko Mizuno violiu James Sommerville lzom

John Muratore guitar Linda Toote flute •

G rge Neikrug cello++

Orleans double bass PIANO

Parnas cello Anthony di Bonaventura"' Ann Hobson Pilot lzarp Maria Clodes-Jaguaribe •

Barbara Poeschl-Ed rich lrarp Gila Goldstein

Michael Reynolds cello • Linda Jiorle-Nagy

Rhonda Rider cello Michael Lewin

Todd Seeber double bass Sergey Schepkin

Roman Totenberg violiu ++ Boaz Sharon •

Laurence Wolfe double bass

Michael Zaretsky viola COLLABORATIVE PIANO Peter Zazofsky violin • Shiela Kibbe •

Jessica Zhou lrarp Robert Merfeld

WOODWINDS, BRASS, and ORGAN

PERCUSSION Nancy Granert

KenAmis tuba Peter Sykes •

Jennifer Bill saxophone

Peter Chapman tmmpet VOICE

Geralyn Coficone flute Michelle Alexander •

Doriot Dwyer flute Michael Beattie

Terry Everson trumpet .. Penelope Bitzas •

John Ferrillo oboe Sharon Daniels,. Timothy Genis percussion James Demler •

Ian Greitzer clarinet Gary Durham

Ronald Haroutounian bassoon Phyllis Hoffman •

John Heiss flute Matthew Larson

Gregg Henegar bassoon Betsy Polatin (theater) Renee Krimsier flute Bonnie Pomfret

Gabriel Langfur bass trombone Jerrold Pope •

Don Lucas trombone,. Andrea Southw'ick

Richard Menaullrom Maria Spacagna Suzanne Nelsen llassoou

SCHOOLOFMUSICPRODUCTIONDEPARTMENT

J. Casey Soward, Manager of Prodnction and Performance Michael Culler, Head Recording Engineer

David Dawson 11, Sc/reduling and Programs Coordinator Diane McLean, Stage Manager

McMahon, Recording Engineer

essa, Librarian

n Snow, Keyboard Teclmician and Restoration

COLLEGE OF FINE ARTS ADMINISTRATION

Benjamin Juarez, Dean, College of Fine Arts Robert K. Dodson, Director, Sclroo/ of Music

Jim Petosa, Director, Sc/roo/ ofT/reatre Lynne Allen, Director, Sclrool ofVisual Arts

HISTORICAL MUSIC EDUCATION

PERFORMANCE Richard Bunbury •

AI do Abreu recorder Susan Conkling • Sarah Freiberg Ellison Diana Dansereau •

cello Andre de Quadros •

Laura Jeppesen Jay Dorfman • viola do go mba Andrew Goodrich • Christopher Krueger Lee Higgins •

Baroque flute Ron Kos"'

Catherine Liddell/ute Warren Levenson

Martin Pearlman Roger Man tie •

Baroque ensembles"' Brian Michaud

Robinson Pyle Sandra Nicolucci •

natural trumpet

Marc Schachman CONDUCTING

Baroque oboe David Hoose •

Aaron Sheehan HPvoice Ann Howard Jones •

Jane Starkman Scott AU en Jarrett

Baroque violiui viola David Martins

Peter Sykes /zarpsiclzord • Jameson Marvin

MUSICOLOGY OPERA INSTITUTE

Marie Abe* Phyllis Curlin++

Victor Coelho • Sharon Daniels •

Steven Cornelius"' Melinda Sullivan-Friedman

Sean Gallagher Frank Kelley

Btita Heimarck"' Angie Jepsen

Lewis Lockwood William Lumpkin •

1110mas Peattie,. Jim Petosa (theater)

J ash ua Rifkin • Betsy Polatin (theater)

Andrew·Shenton• Jeffrey Stevens •

Jacquelyn Sholes Nathan Troup

Patrick Wood Uribe• Allison Voth • Jeremy Yudkin •

STAFF PIANISTS COMPOSITION Michelle Beaton

AND THEORY Eve Budnick

Brett Abigaiia Matthew Larson

Vartan Aghababian Phillip Oliver

Martin Amlin • Lorena Tecu

Deborah Burton • Noriko Yasuda

Justin Casinghlno Molly Wood

Richard Cornell •

Joshua Fineberg • VISITING SCHOLARS

Samuel Headrick • Lucy Shen Fang

David Kopp• Anthony Paimer

Mary Montgomery Koppel

Rodney Lister • Department Chairs Ketty Nez • represented in bold

Andrew Smith

John Wallace • • full-time faculty Steven Weigt •

Jason Yust • ++Emeritus

SCHOOL OF MUSIC Richard Cornell, Associate Director

Phyllis Hoffman, Director, Applied Studies and Performauce

SCHOOL OF MUSIC EXECUTIVE COMMITTEE

Susan Conkling, Music Education

Richard Cornell, Music Studies

Phyllis Hoffman, Applied Studies and Performance

BOSTON UNIVERSITY SCHOOL OF MUSIC

U-

PCOMING EVENTS AND PERFORMANCES

Wednesdsay, March 7, 8:00pm

Wednesdsay, March 7, 8:00pm

Friday, March 23, 8:00pm

Monday, March 26, 8:00pm

Wednesday, March 28, 8:00pm

Monday, April 2, 8:00pm

Faculty Recital Series

Anthon

y

di Bona

v

entura

Ts

ai P

e1

jo

r

manc

e

Cent

e

r

BU Trumpet Ensemble

Mar

s

h Chapel

Richmond Piano Competition Finals

Concert Hall

A~E:t)

2012 Composers Workshop

Tsai Performance Center

Faculty Recital Series

Chamber Masterworks

Tsai Performance Center

Boston University Symphony Orchestra

and Symphonic Chorus

David Hoose, conductor

Symphony Hall

Boston University Theatre, Mainstage, 264 Huntington Avenue

Tsai Performance Center, 685 Commonwealth Avenue

Concert Hall, 855 Commonwealth Avenue

Marsh Chapel, 735 Commonwealth Avenue

Symphony Hall, 310 Massachusetts Avenue