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Symphony X - Paradise Lost

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Prog Metal Ballad x =x =x = 296x = 296 296 296 / eeee = 148= 148= 148= 148

In the cold ... Here I stand ... f

9

21

Mystified by the beauty ... 25 29 Take my hand ... 33 37 40                                                 Intro Intro Intro Intro         Symphony X Symphony X Symphony X Symphony X Paradise Lost Jason Rullo Transcribed by Evan Jaslow

Transcribed by Evan Jaslow Transcribed by Evan Jaslow Transcribed by Evan Jaslow JaslowDrumSheets.com  Verse Verse Verse Verse    

  Verse Verse Verse Verse  3  Pre-Chor Chor Chor Chor                                                                                                                                                                                                                                         

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 Looking down ... 41  1. 2. 44 46 Has my yearning ... 50 54 Yours or mine ... 58 Love is a tragedy ... 62 66                                Chor Chor Chor Chor     3  Verse Verse Verse Verse  3  Pre-Pre- Pre-Chor ChorChor Chor  Mid Mid Mid Mid  3                                                                                                                                                                                                                                                                                                                                                                                        Paradise Lost 2

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 Looking down ... 70   1. 2. 3. 73 75 76 78 Say goodbye ... 80 84           Chor Chor Chor Chor      Midd MiddMidd Midd                                                                                                                                                                                                                                                                                                                                                                       3

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88 92 96 100 So I've cheated ... 104 108 pp f of paradise ... pp f 112                            Guit GuitGuit Guit Solo SoloSolo Solo  3    Clmx Clmx Clmx Clmx  

                                                                                                                                                                                                                                                                                                         Paradise Lost 4

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Looking down ... 122 125 126 129 Looking down ... 130 133 134 136  Chor ChorChor Chor     3 3     3                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                     5

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Looking down ... 138 141 142 145  Outro Outro Outro Outro fade out fade out fade out fade out                                                                                                                                                                                                                                  Paradise Lost 6

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Drum Set

China Trash Splash 1 Splash 2 Right Crash 1 Right Crash 2 Left Crash 1 Left Crash 2 2nd

Hi-Hat** Ride Bell***Ride Ride2nd Bell**** Tamborine Sleigh Bells Shaker Hi-Hat w/ foot Foot crash Foot tamborine 6 Rototoms (High/Mid/Low) Timbalitos (High/Mid/Low) Rack Toms***** (Highest/High/Mid/Low) Floor Toms (High/Low) Snare Rim Click 2nd Snare Kick Drum (Primary/Secondary) Rims 12  JaslowDrumSheets.com  Hi-Hat (Closed/Loose/Open)*   Crashed/ 2nd Ride  

* Keep the hi-hat the notated style until notated otherwise.

** The second hi-hat is normally kept loose, so the style notations are typically not necessary. *** The bell of other cymbals will also be notated with a diamond notehead.

**** On the rare occasion this is necessary, other indications will be made to make this clearer.

***** For reference, the average three-tom setup would use the high and mid rack toms and the high floor tom. Rototoms and timbalitos are rarely used except in the largest drum sets.

- All ghost notes are notated as smaller versions of the above noteheads.

- In most cases, I only notate the 2nd (bolded) crashes when there is a clear distinction heard on the recording, especially if I'm familiar with the drummer's setup. Also, assume the bolded x represents crashing the first ride, unless it is stated that the drummer uses two rides (a rare occurrence).

Repeat beat Repeat measure                      

References

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