The Divine Codes two.pdf

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Fwrites Fwrites

DASHAM BHAVA, KARMAS AND THE

BOOME

BOOMERANGIRANGING NG ... ... 11

SATURN & RAHU’S UNIQ

SATURN & RAHU’S UNIQ UE COMBINATION - IMPACTUE COMBINATION - IMPACT

ON NATIVE’S HEALTH

ON NATIVE’S HEALTH... . 88

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கனர

--| --| ... 11... 11

KAALCHAKRA ; EFFECTS OF PLANETARY TRANSITS

KAALCHAKRA ; EFFECTS OF PLANETARY TRANSITS ONON

LUNAR

LUNAR MANSMANSIONS. ...IONS. ... 31... 31

THE BIGGEST OBSTACLE TO WORLD PEACE

THE MATH OF LINES: JEEVA

THE MATH OF LINES: JEEVA REKHA, THE JOURNEY OFREKHA, THE JOURNEY OF

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A SOUL SOUL ... 54... 54

LOVE MARRIAGE:

LOVE MARRIAGE: AN ASTROLOGICAL AN ASTROLOGICAL UPSHOT UPSHOT ... 58... 58

NAVAMANSHA STRENGTH OF GRAHAS VALID?

CHECK OUT PUNYA CHAKRA!... 66

PLANETARY COMBINATIONS FOR A SUCCESSFUL

ASTROL

ASTROLOGER OGER ... ... 6969

YANAVICHARA: TYPES OF VEHICLES IN

YANAVICHARA: TYPES OF VEHICLES IN VASTU ... 79VASTU ... 79

ROBIN WILLIAMS, TONY SCOTT. SUICIDES: AN

ASTROLOGICAL CASE STUDY.

ASTROLOGICAL CASE STUDY. ... . 8282

ASTRO METEOROLOGY RESEARCH STUDY ON

MONSO

MONSOON ON 2015 2015 ... 86... 86

THE MAN WHO SAW TOMORROW ... 104

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EDITOR EDITOR Alok Jagawat Alok Jagawat CONCEPT/ AUTHOR CONCEPT/ AUTHOR Mr.Rakesh Jamwal Mr.Rakesh Jamwal CONTRIBUTORS/AUTHORS CONTRIBUTORS/AUTHORS Mr.Jeremy Old Mr.Jeremy Old Mr.Vishal Sood Mr.Vishal Sood Mr.Sastry Kara Mr.Sastry Kara Mr.Shubhra Goswami Mr.Shubhra Goswami Mr.Karthik Ramamoorthy Mr.Karthik Ramamoorthy

Mr.Subrahmanya Raghavendra Sastry Mr.Subrahmanya Raghavendra Sastry Mr.Utpal Pathak Mr.Utpal Pathak Mr.Shubham Alock Mr.Shubham Alock Mr.Karthik Raman Mr.Karthik Raman

There are mistakes in this edition. There are mistakes in this edition.

Please bear

Please bear with us.with us. LAYOUT AND GRAPHICS LAYOUT AND GRAPHICS

Alok Jagawat

T

hanks for an overwhelming responsehanks for an overwhelming response

for the first issue. We really feel proud

to present you with the second issue of

The Divine Codes Journal. The second

issue has many changes and certain

necessary improvements.

The idea of this Journal was not

planned, and the gap between the idea

and implementation was little short of

four months. The first issue carried

mistakes and we accept our mistakes

whole heartedly.

We believe that we are cogwheels inside

a giant mechanism and all the motion is

divine. We are just the bearers and not

the doers. The divine issues its

instructions every single day, and we

instinctively move about to conform.

So we are just ordinary mortals

following the command. Please forgive

us if we commit any mistakes.

GLOBAL CONSORTIUM OF

GLOBAL CONSORTIUM OF TRANSCENTRANSCENDENTAL RESEARCHDENTAL RESEARCH

Address:

Phone:

Phone: Alok Alok Jagawat Jagawat / / +91 +91 97 97 99 99 333 333 666666

Rakesh Jamwal / + 91 90 86 05 5767 Rakesh Jamwal / + 91 90 86 05 5767 Email: [email protected] Email: [email protected] [email protected] [email protected] Phone/Fax/E-mail: Phone/Fax/E-mail: Pu Publblisishehed d frfrom om :4:4/2/29898- - MaMalvlvii a a NaNa arar. . aiai urur. . RaRa asasththanan

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Global Consortium of Transcendental Research

Published by GCTR Published by GCTR

4/298-Malviya Nagar, Jaipur. Rajasthan. India. 302017 4/298-Malviya Nagar, Jaipur. Rajasthan. India. 302017 http://www.planet9.co

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GCTR is a registered trademark of Global Consortium of Transcendental Research

Journal Title

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THE DIVINE CODES An untimely Journal of Timely Matters

P a g e | 1 _{THE DIVINE CODES Volume 2}nd_{| 18/11/2015}

Dasham Bhava, Karmas and the Boomeranging

Tenth house or Dasham Bhava of the horoscope is

called “Karma” bhava according to astrology

classics1_{. According to Hora Sara}2_{Aspada (Place),} Ajna (Command), Karma (Deeds) & kha-Madhya (Zenith point of the firmament) are all identical with Karma Bhava. According to Bhavartha Ratnakar 3_, _Dashmaadhyay_{the tenth house} represents the deeds of a person and its association with Jupiter makes a person religious and he performs good deeds.

The tenth house or Dasham Bhava is the mid-point in heaven or the roof in the sky. It is a house of great importance as it occupies the highest point or the Akash Madhya.

The astrological texts are full of examples where tenth house is related to Karma or Vritti. The exact

translation of the word Karma in English will be deeds. Vritti is mental framework in English and both of them do not define career. Tenth house is how we exercise our deeds and not exactly what we do for business.

Still the importance of tenth house, D-9 and D-10 cannot be ignored in the light of the fact that the level of rise, the height of the social seat (Mid-sky) can be ascertained by this house. The most

important aspect of the horoscope is to find out the level and deeds of a person. The science of Jyotish is a complex interpretation of Karmas only. The lagna is the beej (seed) and tenth house tells us about the type of soil and water employed in nurturing that seed. It boomeranges the way i t is been

excercised.

Tenth house can tell us about the present karmas which will affect the fifth house of next birth. Fifth

house is the house of “Poorvo Parjit Karmas” or Karmas done in past births. Fifth house is related to

Progeny, creativity, productivity and sublime knowledge. All these patterns have relations with past

1_{Mantreśvara, Ojhā, and Ojha, Phaldeepika (Bhavartha bodhini); Jatak Parijat (Set of 2 Volumes); Brihat Parashara Hora.} 2_{Horasara (Hora-Sara) an Adorable Masterpiece of Hindu Astrology.}

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karmas. So the positions and planetary configurations related to tenth house affect the fifth house of next birth. It also affects the future as future redesigns with deeds. Future reshapes according to

karmas. Though some past karmas can never change but the others get affected. Let me illustrate with an example from Aithihyamaala4_. ₍₃₇th_{Chapter, Pazzur Paddipura)}

Once a wealthy Namboothri5_{youth visited the} _Pazzur6_{Kaniyar. (Pazzur is famous for the seat of}

astrology.) He carried the horoscopes of few women whom he wanted to marry. The kaniyar checked all the combinations of the Jataka. He came to the conclusion that the Namboothri should not think about marriage as there is a calamity in future. This calamity could even be death. The kaniyar could

see the Namboothri’s death but to avoid the awkward prediction he told him to come back tomorrow

for the remedies. He was sure that Namboothri won’t be alive tomorrow.

Namboothri was shattered and left the place. He was disturbed and could not sleep and during the last quarter of night, he started thinking about the construction of a Siva temple near the banks of Pazhur river. He decided that he will construct a beautiful temple and consecrate Lord Siva over there. The very next day, he went to the Kaniyar for the remedies. The kaniyar checked the planetary positions and war surprised because of an unexpected change in Prasnam. He predicted that Namboothri has performed some Punya Karmam, owing to which his life has been spared. The Namboothri told him about the temple and his views regarding it. The kaniyar was amazed and

Namboothri was very happy. Later the Namboothri constructed a huge Siva temple near the banks of Pazzur river.

The legend above demonstrates the law of karma. Karmas change according to will and it cycles the future. The threads of future are interwoven in such a complex pattern that a single touch to one of the threads changes the patterns of other threads. Jyotisha can define these complex patterns. The tenth house is the house of Karma and it clearly defines the deeds and methods of exercising those deeds. According to Prasna Marg7_{(Prathmadhyay, Sloka 39), the balance of good or bad karma brought} forward from the previous birth is Prarabhdha, and it is the reading of this that goes under the name of Jataka or Jyotisha.

There is a very beautiful sloka in Prathmadhyay of Prasna Marg which gives us a vital clue about the interpretation of Karmas. The author asks this question in Sloka 42, that how can we distinguish whether it is the result of our previous Karma or present Karma that is yielding the result now.

He answers his own question in Sloka 43. This sloka says that if the horoscope has beneficial planetary patterns and the prasna chart has malefic ones, then it is to be understood that the native is

experiencing the fruits of evil karma done in this birth. If vice versa, then the native is experiencing the

4_{Sankunni, Aithihyamaala.} 5_Brahmin.

6_{A place in Kerela.} 7_{Raman, Prasna Marga.}

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effects of good karma done in this birth. So Prasna chart & Dasham Bhava can give us vital clues about the deeds of a person.

We are going to put the theory to practise by using some examples. Following rules can be used to analyse the chart:

1. Saturn should also be analysed as it is Karma Karaka.

2. Tenth house, D-9 position of tenth house lord are important to understand the Karmas. 3. In Jamini the same rules apply for Atmakarka and Amatyakarka.

4. The D-10 chart can be employed to understand the rise or fall due to karmas of an individual. 5. We can cast a prasna chart in each case to understand the present deeds of the concerned

person.

6. Moon, Mercury and fifth house should be analysed to understand the manovritti (mental stature)

and knowledge that can change the Manovritti. 7. Always see Jupiter to see cancellation of doshas.

Example charts. No names are used in charts in order to avoid controversies.

THE SEED

Shani: Saturn is placed in Magham with Gulikan in ascendant. Praman Gulika lord is Saturn again. Magha is the nakshatra of pitras. Gulika destroys basic benevolence of the house it occupies. Here it is in ascendant with Karma karka. This shows that the native should have watched his karmas very

carefully. This Saturn occupies Cancer with Sun and Ketu in D-9. Cancer is a vast ocean and one should be very careful while interpreting planets placed in this sign. This sign has relations with past births and severity of results in present births. It occupies Scorpio in D-10. Scorpio is the sign of secrets

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and secret intentions. It is related to Hidden cruel karmas sometimes. This sign is associated with Hidden cruel intentions of a person.

Moon: Moon occupies Ashlesha, the Sarpa nakshatra devoid of any benefic influence. This Moon belongs to Krishna Paksha or darker lunar half. It is in Sagittarius an Agni Sangyak or Fiery sign in D-9

with the demon Guru Venus. This is not good for Venus which rules the Libido of a man.

Tenth house: Tenth house lord is Venus placed in third house with Mercury which also rules nervous system. Venus shows grace and excess libido when combined with Mercury (Specially in Virgo where it can ruin a career because of illicit relations. e.g in case of Mr. Bill Clinton where they are placed

together in Lagna). This Venus occupies third house. According to JatakTatvam8_Sahajvivek,_{the third}

house denotes servant, medicine, right ear, siblings, heart and Courage of a person. It is the house in Kama trine. It is not difficult to understand that the person might have carried a hidden relationship with people of opposite sex. Nothing bad here (If we consider some modernists view), but it is immoral if we consider the sacred relationship called marriage.

This Venus occupies Dhanu in D-9 with Moon. Again a sign of immoral acts because of the momentary impulses of Moon. Venus occupies Dhanu in D-10 as well where both the Gurus have exchanged their positions.

Mercury: Mercury occupies Tula and Gemini is occupied with Rahu. Virgo is occupied by Mars. So mercury carries the ruling and ruthless capacity of Mars and caprice and malice of Rahu. It is associated with Karmesh Venus. This Mercury is debilitated in D-9 with Mars. It is debilitated in d-10 with Ketu. The mental framework involves Moon from Sarpa Nakshatra (Biting back), Staunchness of Mars and Caprice of an exalted Rahu. To add up Moon is atmakarka and Mercury is Amatyakarka.

None of the combination has a Amrit drishti (divine aspect) of Jupiter. This Jupiter is ruined in D-10.

These are deeds which nurtured the seed. The seed which will grow into an enormous tree which will bring havoc in future.

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THE SAPLING

Shani: It occupies the ascendant that too in Aslesha Nakshtra. (Sarpa devta). One should be very

careful with his/her deeds when Saturn occupies Cancer specially when Devguru (Jupiter) has no say in this matter. Moon aspects this sign and they are in Sthan Parivartan (Excahnge of houses) of Sambandh Chatushthay. Lagna and Saturn both occupy Gandanta9_{. Saturn occupies Tula in D-10 with Moon and}

Gulikan. The rise of this individual will be exceptional with his/her share of bad hidden deeds.

Moon: Moon occupies Capricorn but should also be seen in Cancer. It is similar like the horoscope in the seed. It occupies Ashlesha if seen from Cancer. It occupies Aquarius in D-9 with direct aspect from a strong Mars. This shows that native will ruthlessly oppose and curb his/her opponents.

Tenth house: Tenth house lord is Mars. Scorpio is occupied by Mercury and Sun. Mars occupies Leo with another Sthan Parivartan. Mars tells us about the violent and stubborn nature. This nature is the Karma or method which is employed by an individual to perform the deeds. Tenth house lord should not be associated to malefic planets. Such a person is Krur karma according to Sastras. In this chart

Jupiter is fully destroyed. Jupiter can control the intellect through divine intervention. There is nothing Divine if Jupiter is weak. Jupiter is in Taurus and Sagittarius is occupied by two Shatrus (enemies), the demon (Rahu) and demon Guru (Venus). It is associated to Gulika.

Mars is exalted in D-10 which will give high status with Greed (As Venus aspects this Mars from Cancer). Cancer sign indicates that deeds and karmas should be exercised with great care.

Mercury aspects Jupiter (RK axis lords) showing Karmik debts.

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Mercury: Mercury is occupying Scorpio in D-1 and D-10. Jupiter’s aspect is not useful and you can

understand that the person carried malefic and secret intentions for others.

Moon in Capricorn and Cancer (owing to Sthana parivartan) shows the biting capacity. Mercury shows malice and weakness of Jupiter shows no divine aspect.

The native was brutally murdered during Saturn-Rahu which are the harbingers of past karmas. Not to mention that Rahu occupies the 64th_{Navmansha from (D-9 Lagna sign). Planet in 64}th_{Navmansha from} Moon shows troubles at mental level while from D-9 Lagna, they can actually destroy an individual. Rahu also shows Tantrics or Tantrik Karma. Atmakarka is Saturn. Rahu will Boomerang in further case.

THE TREE AND THE BRANCHES

Everything is in Leo showing the deep bondage related to ancestral karma. As Chandra and Eighth lord occupies the Sthira sign, it indicates Madhyayu (Middle longevity). Only Saturn is in Gemini. Saturn is exalted in D-10 which gave him exalted status but till forties only. Then he was

murdered.

See Scorpio showing deep Karmik Debts. Rahu occupies the 64th_{Navmansha (D-9 lagna). Sthira signs are strong. He also} died in a crash.

Jupiter and Mercury are weak with debilitated Saturn. No doubt the native lacks the intellect to reform his Karmik Debts. Ketu obstructs his Mars in D-10. He will gain

nothing in future, at least not till 2019. Saturn aspects Sun, both of which are karmic lords.

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Many planets occupy Sthira sign. He needs to be careful with longevity. See how Leo is showing Deep ancestral debts. He will get nothing in his life owing to weak ansa charts

specially the D-10.

The examples above belong to a famous ruling dynasty in India. You can see that how the karmas and karmic debts can affect the whole family. This is just a small analysis to demonstrate the importance of

karmas and Vritti in one’s life.

Mool Gandantas which fall in Moksha signs, Magha Nakshatra etc show deep karmic debts and they should be analysed very carefully to come to a conclusion.

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Saturn & Rahu’s unique combination - Impact on Native’s Health

Introduction:

Saturn is considered as “natural Maraka” & Rahu is termed as the “terminator”. Thus, the combination

of these two deadliest planets can become a challenge to the native who carries such a combination in his/her birth charts. This is more so, if this combination is in 2nd_{(Second) house and Saturn is lord of} 8th_{(Eighth) house. This can be checked from either Rashi or Chandra Lagna. It can also show effect} when Saturn & Rahu are conjoined with Lord of 8th house. In this article, using some examples, the author will be proving the above mentioned rule. Using the free software 10_{provided by Sapthrishi} team, the author found only two examples from "Astro-Data bank".

Rule: Saturn should be the lord of 8th_{house from Rashi Lagna/Ascendant or 8th house lord & Rahu} are combined with Saturn in 2nd _{house, then the native’s health will be a challenge in that} _{area. Case} Studies: Case 1: Srinivasa Ramanujan Renowned Indian Mathematician died of Tuberculosis ( a disease that had no medicine to cure).

Notes from Wiki:

Indian mathematician, one of the outstanding math minds of history who contributed to the theory of number, of partitions and the theory of continued fractions.

He died on 26th_{April 1920 at the age of 32. The vimsottari period at the time of death was} Ketu/Mercury/Saturn (1920-03 thru 1920-05).

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The Niryana Shoola Dasa (death) was Sc/Sc/Cp between 1920-Apr-21 and 1920-May-12. Analysis:

In his Rashi chart, Saturn is lord of 8th_{house. Saturn & Rahu are residing in 2}nd_{house thus Saturn is} having a direct aspect on Ketu in 8th_{house. Saturn’s 3}rd_{aspect is on 4}th_{house owned by Mercury and}

Mars is residing here. Saturn’s 10th_{aspect is on 11}th_{house. Natal Mars is lord of 6}th_{and 11}th_{houses too.} While Mars is residing in house owned by Mercury, Mercury is in 6th_{house owned by Mars.}

Niryana Shoola Dasa Analysis:

Gemini is Scorpio is the 6th house from Rashi Lagna where Jupiter (lord of 7th) and Mercury (Lord of 1st) are residing. Capricorn is the 8th house and Natal Rahu & Saturn are having a direct aspect on it.

Case 2: Morris K Udall American politician died of

Parkinson’s

disease that had no medicine to cure.

Notes from Wiki:

American politician who, as a former U.S. Representative from Arizona, is a member of the state's leading political family. His term in Congress came after his brother's ended, in 1961. Prior to politics, he served as a lawyer, passing the bar in 1949. His practice of law was interrupted by WW II service in the Air Corps. During the '70s, he failed in two tries to win election as House Speaker and he ran

unsuccessfully as an alternative to Jimmy Carter in the Democratic presidential primaries. Udall died of Parkinson's disease on 12/12/1998 in Washington, DC.

He died on 12th_{Dec 1998. The vimsottari period at the time of death was Venus/Mars/Mercury (} 1998-11 thru 1999-01).

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Analysis:

In his Rashi chart, Saturn is lord of 7th_{house. Jupiter the lord of 8}th_{house and is placed in 2}nd_house. Mercury the lord of 2nd_{and 11}th_{houses is in 11}th_{house conjoined with lagna lord. Saturn & Rahu are} residing in 2nd_{house thus Saturn is having a direct aspect on Ketu in 8}th _{house. Saturn’s}₃rd_{aspect is on} 4th_{house owned by Mars and Mars is residing here. Saturn’s 10}th_{aspect is on 9}th_{house. Natal Mars is} lord of 4th_{and 9}th_{houses too.}

Since Moon is in 7th_{house from Lagna, Saturn, Rahu & Jupiter are in 8}th_{house from Moon.} Niryana Shoola Dasa Analysis:

Gemini is 11th house from Rashi Lagna and Mercury is the lord of 2nd and 11th houses. Both Mercury and Sun (lord of 1st house) are residing in Gemini. Second house is Maraka and its lord is the activator. Scorpio is the 4th house from Rashi lagna and it is already afflicted by Saturn's 3rd aspect. Mars the lord of that house is also residing there.

Conclusion: Based on these examples, the role of Saturn & Rahu in second house is very crucial.

Notes from Editor: The theory requires that Saturn should be lord of the eighth house which can be there in Gemini and Cancer ascendants only. The second option is possible when Moon sign is Cancer or Gemini. Next is when eighth house lord is combined with Saturn and Rahu in second house. This combination is present in charts of year 1979 specially if they are born in early morning hours. The learned readers are requested to please test the

statements for effective implementation.

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த

கரக சக எப பவக இ வகப

.

சயக ம அட

.

சம தனசயக

,

ஞனசயக

,

ரசயக சபறவ உ

.

கரகஙகள சகய க ஒவன வ

,

அதகர

,

அதட

,

லம

,

உடல

,

ச

,

தத

,

அறவற

,

ரதட

சபறவகள பறவகள வனகசகப இநத பறவய இப

பஙகள பகற

.

சதடத அதகயமன லகன

.

ஜனனத சப கழ

வனத இ ர லகன ஆ

.

ரயக ஆ ழக

ஒற லகன ம

.

(17)

லகன ஒ மனதன உட உவற

.

நதர உள ர

ஒவன ததற

.

ய உள ர ஒவன அகநதய

ற

.

கரக பவக

 த வ  இந

5

ம

9

 வ ன த ப

.

வ த வ  இந

4

ம

8

வ ன த ப

.

ன த

வ  இந

3

ம

10

 வ ன த ப

.

எனய சகக

தடய வ  இந

7

 இடதன மயக ப

.

சம

3/4,1/4,1/2

ஆகய கரஹ பவக உ

சயக எப ஒ சமபட கரஹஙகள கலவய

அமயபகற

.

அன கலவக சயகஙக ஆக வட

.

ப பபவ ப 

,

கர றக அமநத த

,

கர

ம வளபற ம தவன

.

ய

,

வ றக அமயத த

,

சதபற ஆகயன

பவக தம தவன இவ லகனதபதய ப மப

. 2

 அதபத

,12

 அதபத மற சககசள ய சக ஏப

ம தமய த

.

ஒ சயக வமக அத பலனதர தடடய சகக

உதயனத இக சவ

.

கரஹஙகள பலதன தவகஜ ம

ஷபல றகள கணகட 

. 1

கஜசக சயக

வன நதரன ஒ சகநதரத அமவ கஜசக சயக

ஆ

.

நதரனலந வ வ னப சயகத பல

அமயப

.

(18)

பலக

:

றநத உறவனக

.

நத ண

.

தனலமறவ

.

கரமஙக

ம கரஙகள னரமபவ

.

இற ப க பவ

.

இகல டறயப இநத சயக வகபறவக ஒ

கமன ணரகசவ

,

சமயரகசவ

,

பய தலவரகசவ

,

மடதபதயகசவ அல பல கடடஙகள கட உதவயக இப

.

வ

இர

இர

கஜசக

சயக

லக 

நதர

த

 சக

வள

2

னப சயக

நதரனலந

2

 வ  யன தவ ஏனய கரஹஙக

அமவ னப சயக

.

பலக

:

அரன சப வ

,

பய

,

வள

,

அறம

,

யபதய ஆகயன

.

பவக நதரன ஏப சயக ப வ

,

அற

,

பய

ஆகயன அ

. 3

அனப சயக

நதரனலந

12

 வ  யன தவ ஏனய கரஹஙக

அமவ அனப சயக

.

(19)

பலக

:

றநத உட உக

.

அரனசபற சதற

.

யகரவ

.

யலமறவ

.

பபனவ

.

அழகய ஆடகள அணய

வபவ

.

றபஙகள வபவ

.

வவ இதய றவய

சப வழ சரல

.

பனரட வ  சமத அல றவறத ற

. 4

ர சயக

நதரன இ பகஙகள சகக அமயபவ ர சயக

ஆ

. 180

வகக உ

. 30

வகயன அனஃப ம னஃப சயகஙக உ

.

இர

தர சயக

வ

லக நதர



5

சகமம சயக

நதரன இ றஙகள சககளற ல இவகப

.

பலக

:

ஏம

,

தய யக  எண

,

அகன உட

,

உணகக பறர நத லம

,

அடஙகத மன

.

அட சயகஙகள வட ப ப வளவ சயக ஆ

.

நதர

பகபலமற ஒ மனதன வக  அவன டள

.

அட சயகஙக றபட கலஙக மசம ப வளவ

.

ஆய இநத சயக வகபறவ வவ இத வர வ

.

றபக நதர பநதய ண தய பநபஙக க

.

ஒ தகத இப இரஜசயக இநத சகமம சயகமப

(20)

அரஙட ஆயவ

.

இவற பல வகக உ

.

ஆத சயக

வகபறவக இநத சயகத பதன ப வரண

உ

.

லகன

நதர

இர

சகமம

சயக

ன

 வள

வ

ய த

நதயற நதர எண இரஜசயக இநத வற

இறத ரகவ

.

வகத நதர அமந சகமம சயக வநத அத வளக

மக கமயனத இ

. 6

நதர மஙகள சயக

வ நதரசன சப நதர மஙகள சயக உட

.

பலக

:

தய வழகள ப ஈட 

.

பகள வ எண

உட

.

தயட கனமக டந கவ தய மனதன அவ த

உறவனகள வத கள வப

.

இகலத இநத

சயகடயவக ப ப ஈவ

.

மபனகட கரக

ஆகயன வக ஆற உ

.

நதர வ றக

அமயபற பற தழகள வ

.

தய வ  அமயபற றபட ப டத சகவறயதக

இ

.

அவ ப ஈவத தடய மனவ ம தஙகய

வக தயஙக மட

.

(21)

P a g e | 17 _{THE DIVINE CODES Volume 2}nd_{| 18/11/2015} 7

அத சயக

நதரனலந

6

அல

7

அல

8

 சகக அல இவ ற

எவகயசல அமயபவ அத சயக

.

இவகப

.

பகத

ம பபகத சயக

.

வசவ சதடக ப ம பப வககள

கபதல

.

நதர வ

இர

அத சயக

லக



வள

த

பலக

:

பபனவ

.

பக உயவ

.

எதகள அழதழபவ

.

ட ஆ

.

இபஙகள

,

ஆடபரஙகள தளபவ

.

இ

இரஜசயக கரனத

. 8

ஸகர சயக

அன சகநதரஙகள கரஹஙக அமயபவ ஸகர சயக

ஆ

.

பலக

:

உயவ க  கடகள த ஒல

.

இனய

மழலவஙகள

,

உடலத பறப

.

அர

இணயனவ

.

ட ஆ

,

வளமன வக பறப

.

வள

நதர வ



இர

ஸகர

சயக

(22)

லக ன

த ய

9

வமத சயக

பகரஹஙக

3,6,10

ம

11

 வ ன இப வமத சயக ஆ

.

பலக

:

சபரனசப வவ

.

ய

த

லக 

இர

வமத சயகம

நதர வள

ன

வ

 பலன த வமத சயக ஜதகத வப மக அ

. 10

ரஜலண சயக



,

வள

,

த ம நதர லகனத இக சவ அல

அவக ய சகநதரஙகள அமத சவ

.

பலக

:

அழ

,

வகர ம ஒ அரய அஙக அவயஙகள

கப

.

பலமற நதர ம தய வளகள ஏப

.

தய த அழகய

சதறத ற

.

என இநத சயக வகபறவக

அதகர கவ சபற ணஙகள பறப

. 11

வன சர பத சயக

லகனத தய கரஹமந ம

5

அல

9

 ளக இத

.

(23)

ளக

1,4,7,5,9,10

ஆகய அதபதகள வ  இத

லகனதபத இர அல ன அல சகட இத

அவறற பபலன கடத இநத சயக இ

பலக

:

ப ப இழ

.

தன நத அனவட

நசதக

.

களயகப வசவம எற அ

.

இநத சயக ம உணவ  ம ஒவகவ

ஏமறககசற எபத த

.

அதக வல வ ஈ

கள லப ப வணக

.

வமய பய க பன த

கவலகள கய மக ஏழ

.

பணகக எழகள

ர ஒல மவக ஆகசய

.

மக தகய க

இலக ஏமவதகன வழக மக அதக

.

நதர



இர

இர

வன சர பத

சயக

ய

வ சக

லக ன

ளக

த வள

12

கட சயக

நதரனலந

12

அல

6

அல

8

  இப கட சயக ஆ

.

பலக உயவ தடய வஙகள இழந ம அடவ

.

அவ

தடய உறவனகள வகபவ ப இழ அதகமகசவ

அல உயவ தங அளவசக இ

.

உறகளடமந பக

ஏப

.

ல சரஙகள தன வழ ச

.

(24)

13

அமல சயக

லகனதலநசத அல நதரனடமநசத

10

 வ  வவன சக

வ றப அமல சயக ஆ

.

பலக

:

உயவ அழயசப க பவ

.

அவடய ப

ஒளற நதமணயசப ஒள

.

பறகக மகப

யகள வ

.



த வள

இர

இர

அமல சயக

ன

வ சக

லக ய

14

பவத சயக

6

 ம

8

 வ கள ப கரஹஙக அமவசத அல வறடம

இபசத அதசன சகநதரஙகள ம பய கரஹஙக அமவ

பவத சயகத ற

.

ல லகனதபத

12

 வ  அதபத சகநதரஙகள உகர பவத

சயக உடம உரப

.

ப லகன உடயவக

6

 ம

8

 வ க வறடம இபசத



.

பலக

:

அரய இநத சயக தடபல ஒவ

கரமதலவரகசவ மவட வயதலவரகசவ அல கர

தலவரகசவ ஆ வ வரல

. 15

கஹள சயக

(25)

லகனதலந

4

ம

9

 அதபதக சகநதரத அமவ ம

லகனதபத வவனதக இப கஹள சயகத றப

.

பலக வ ரமகவ

.

ர கடவ

.

ஒ வசக அல

படசக தலம வகப

.

 ன

த

இர

கஹள சயக

லக ய

நதர

வ

வள

16

வ சயக

இ யன உடவ

.

நதர இர ம சக தவ ஏனய

கரஹஙக யனலந

2

 வ  அமவ வ சயக ஆ

.

இ

இவகப

.

ப வ ம பப வ ஆ

.

பலக

:

பவ

:

உயவ மகயனவ

.

மகளட பயமனவ

.

ல மன

உடயவ

.

கனவ

.

பபவ

:

மடநத அல பக அல பப கரஹஙக

சமறயவக மறக இத பபவ ஆ

.

ப ம அப கரஹஙக கலநதநத அதய பலனக

. 17

வ சயக

நதர ர ம சக ஙகலக ஏனய கரஹஙகள ஒசற அல

அத சமசல யனலந

12

 வ  அமவ வ சயக ஆ

.

இ

ஒ ய சயக ஆ

.

(26)

பலக

:

மக

,

வளம உ

.

தயள ணடயவ

.

ஆ

வகதன பதமனவ

.

பவ ம பபவ என இ வகப

.

இர கலந வ

. 18

ஒபய சயக

நதர

,

இர ம சக ஙகலக ஆதவன இறஙகள சகக

உறவ ஒபய சயக எனப

.

பலக

:

உயவ சப தறமடயவ

.

தரட ம அழகய ககள

உடயவ

.

அனவர வபபபவ

.

வநத

.

சப பறவ

.

வ

,

வ ம ஒபய சயகஙக இரஜசயகஙகசள ஒபட

ய

.

ய சயகஙக ஒவ கவத அளவன ற

. 19

த ஆதய சயக

த யசன இணவ த ஆதய சயக ஆ

.

பலக

:

றநத ணற

,

தறம

,

மநத மயத

,

இப ம

அன வகயன வ க

.

பவக யசன இண கரஹஙக கரஹ அதமன ஆகவ

.

ஆன த அவற

.

த ம ய இண வ ன

ப பலக அம

.

த யன

10

பக வநத ப

.

இ பலன தர எப

பல சதடகள வ

. 20

மஹபய சயக

ஒ ஆ ய நதர ம லகன ஆகயன ஆ இரகள

இந பகல பறநதநத இவய சயக வ

.

(27)

ஒ ப ய நதர ம லகன ஆகயன ப இரகள

இந இரவ பறநதநத இவய சயக வ

.

மஹபகய ஆ சமம ண கடவ

.

பற இப

கரணமனவ

.

பயமனவ

.

கடயள

.

அர கரனவ

.

ட

ஆ உடயவ

.

மஹபகய ப னடத கடவ

.

ட ஆடய

ழநதகள ஈறப

.

வழப தளபவ

.

நதர



இர

மஹபய

சயக

ய

வ

லக ன

த வள

21

கல சயக

லகனதபத நதரசன சந ம லகனதபத நதரசன

சநத வ  அதபத சகநதரதசல அல சதழம வ சல

அமவ கல சயக ஆ

.

த 

நதர வள

ய

இர

கல சயக

வ

ன

லக

(28)

THE

THE DIVINE DIVINE CODES CODES An An untimely untimely Journal Journal of of Timely Timely MattersMatters

P a g e

P a g e | | 2424 _{THE DIVINE CODES}_{THE DIVINE CODES Volume 2}_{Volume 2}ndnd_{| 18/11/2015}_{| 18/11/2015}

பலக

: :

மனதகனய

மனதகனய க

க சபபவ

சபபவ

..

அரனர

அரனர கரவகபவ

கரவகபவ

..

பமனவ

.. 22 22

லம சயக

லம

சயக

லகனதபத

லகனதபத பலவனக

பலவனக இந

இந

9 9



 வ

வ 

 அதபத

அதபத

9 9

தசல

தசல அல

அல உ

உ

வ

வ சல

சல வ

வ றந

றந அவ

அவ

 சகநதரதசல

சகநதரதசல அல

அல தசகணதசல

தசகணதசல

பநதன

பநதன லம

லம சயக

சயக வ

வ

..

பலக

: :

பவ

,,

அழகய

அழகய சதற

சதற உட

உட

..

றநத

றநத ஆம

ஆம

ண

..

பகய மபயர

பகய

மபயர தகவ

தகவ

..

லகனதபதய

லகனதபதய பல

பல

9 9



 வ

வ 

 அதபதய

அதபதய பல

பல ம

ம வளய

வளய பல

பல

ஆகயவற

ஆகயவற ப

ப சயகத

சயகத பலக

பலக இ

இ

..



 லம

லம

சயகடய

சயகடய கடதன

கடதன கப

கப அத

அத அ

அ

..

என ல

என

ல தகத

தகத

சமறயவகள

சமறயவகள ஒறர

ஒறர வதகப

வதகப லம

லம சயக

சயக தன

தன

நத

நத பலகள

பலகள உயவ

உயவ அ

அ

..

நதர

லக

லக வள

வள

த

ன

இர

லம

லம சயக

சயக



வ

ய

23 23

க சயக

க

சயக

வதள

10 10



 வ

வ 

 அதபத

அதபத இரகடத

இரகடத உ

உ வ

வ 

 அமந

அமந

வ

வ அதபதசய

அதபதசய சவ

சவ க

க சயக

சயக ஆ

ஆ

..

(29)

THE

P a g e

ன

த

த வள

வள

இர

க

க சயக

சயக



 ய

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வ

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லக 

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பலக

: :

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..

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பத சநதவ

சநதவ

..

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..

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சபறபபவ

..

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மககள

பவ

.. 24 24

பரத சயக

பரத

சயக

வ

வ கடத

கடத

2,5 2,5

ம

11 11

 அதபதக



அதபதக உ

உ ப

ப

9 9



 அதபதசய

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இணவ

இணவ பரத

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சயக ஆ

ஆ

..

பலக

: :

உலகக

உலகக பறவ

பறவ

..

பரதபற

பரதபற ஞன

ஞன

..

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இய ம

ம

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..

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மதத சம

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படயவ

..

கத யடயவ

கத

யடயவ

..

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கநதககள உடயவ

உடயவ

சமறய

சமறய அன

அன அதபதகசள

அதபதகசள இரகடத

இரகடத

9 9



 அதபத

அதபத இணவ

இணவ

அத

அத அ

அ

..

ஏசத

ஏசத ஒசற

ஒசற வ

வ அதபத

அதபத இரகடத

இரகடத உ

உ

பவ

பவ தய

தய

..

(30)

THE

P a g e

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நதர

பரத

பரத சயக

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ஒ சயகத

சயகத பயன

பயன மற

மற கரஹஙகள

கரஹஙகள பவய

பவய அல

அல அவக

அவக

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உர வ

வ 

 ம

ம சகய

சகய பதக

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சமபட கரணஙகள

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ஆரந ஒ

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சயகத பலன

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.. 25 25

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ஜப சயக

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லகனதபத உ

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அதபத தஙகடய

தஙகடய வ

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கவ ஜப

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அவய அஙக

அஙக வகப

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கல அதகயக

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இப

..

(31)

வள

ன

இர

ஜப சயக

லக நதர

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வ

ய த

26

த சயக

7

 வ  அதபத

10

 வ  உ ப

9

 அதபதசய சநதப

த சயக ஆ

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இர

த சயக

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லக ன

ய த

பலக உயவ உடல சழ

,

ங

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கர சபறவகள

அடயள இ

.

சப வம உடயவ

.

தவ க தம

கடவ

.

ல மனய ம மகவஙகள உடயவ

.

அனவர வபபபவ

.

த லகன உடயவசக இநத சயக

க வக உ

.

இத ஒ இரஜ சயக எசற றல

.

பதவ

ம வ ஆகயனவற அள த

. 27

மளக சயக

லகனதலந வயக அல ஏசத ஒ வ லந ஏ

சகக வயக அமவ மளக சயக ஆ

.

(32)

12

வகயன மளக சயகஙக உ

.

லக

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இர

தன மளக

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நதர

ன

வள

வ

வ ன ப பலக மப

.

இவ றநத ஒ லகன

மளக சயக ஆ

. 28

ஙக சயக

5

 ம

6

 அதபத சகநதரஙகள அமந லகனதபத மக வவனதக