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(1)

#P551 - Ameria’s Pride

Fretwork Clock inspired by 18th century Victorian

(2)

GENERAL SCROLLSAW TIPS & TECHNIQUES

The following scrollsaw tips and techniques are intended to get you started and on your way to scrollsaw success. Not only will you find these techniques helpful in completing the this project, you will also find that they can be applied to many other scrollsaw projects as well.

HARDWOODS VS PLYWOODS

Selecting the type of material you will use is very important for the final outcome of your project. This project has been designed so that hardwoods, plywoods, or a combination can be used to create your work of art. Hardwoods have their advantages as well as their disadvantages. They come in a variety of species, colors and grain patterns, yet they are more time consuming requiring more sanding, are more likely to warp and are more expensive to use.

Plywoods, on the other hand, are less expensive, require less sanding, and come in a variety of standard thicknesses. They also are less likely to develop cracks or warp. We do, however, recommend that you use a top grade plywood without voids, such as the Baltic and Finnish birches.

SANDING

For most projects, it is best to sand the work piece prior to applying the paper pattern and cutting the design. Once you’ve cut the design, and removed the paper pattern, it may be necessary to lightly sand any glue residue remaining, along with any “fuzz” on the bottom side.

BLADE SELECTION

There are many opinions pertaining to which blade to use with which type and thickness of material, as well as, with how intricate the design in the project is. The more time

you put into scrolling, the more your choice of which blade to use will become personal preference. For the beginning scroller we make the following recommendations to get you started:

USING THE PATTERNS

Downloadable patterns give you the advantage of printing the patterns on your own printer at your own convenience. Be sure to download all of the file and save it to a disk or your harddrive according to your computer software’s instructions.

Once you have printed the number of pattern pieces that you will need to complete your projects, you are ready to apply the pattern to your work pieces.

Apply the repositionable spray adhesive as directed in the next section. If your project requires piecing 2 or more sheets of paper together to make the full-size pattern piece, simply follow the instructions below for accurate alignment. Blade Size Recommended

#2/0 or #2 #5 or #7 #7 or #9 Material Thickness 1/16” - 1/4” 1/4” - 1/2” 1/2” - 3/4” or thicker

Step 1

Using a straightedge and a craft knife, cut on the dashed “Pattern Overlap Lines” to remove the excess paper.

Step 2

Next, align the sections and secure together with clear tape. Now, apply the repositionable spray adhesive to the backside of the paper pattern as instructed in the next section.

Cut on solid line for Frame only.

Frame & Back Stock: 1/8” - 1/4”, cut 1 each Left pattern piece.

Cut on dashed line for Back

Pattern overlap line

Clear tape Craft knife Ruler Pattern overlap line

(3)

REPOSITIONABLE SPRAY ADHESIVE

Using a repositionable spray adhesive is the easiest and quickest way to transfer a pattern to your work piece after photo copying it. In a well ventilated area, lightly spray the backside of the paper pattern. Allow it to dry only until tacky - approximately 20 - 30 seconds. Then apply it to the work piece, smoothing any wrinkles if necessary. Two common problems that sometimes occur when using repositionable spray adhesive for the first time is applying the right amount onto the back of the pattern. Spraying too little may result in the pattern lifting off of the project before you have finished cutting. If this occurs, clear scotch tape can be used to secure the pattern back into position. On the other hand, spraying too much will make it difficult to remove the pattern, If this occurs, simply use a hand held hair dryer to heat the glue, which will loosen the pattern allowing it to be easily removed.

DRILLING STARTER HOLES

When drilling starter holes it is best to drill close to a corner, rather than in the middle of the waste areas, as it will take less time for the blade to reach the pattern line.

STACK CUTTING

Stack cutting is fairly simple to do and can save you a lot of time when you have 2 or more identical pieces to cut for a project. If you are fairly new to scrollsawing and stack cutting, we recommend cutting no more than a total thickness

of 1/2” for best results.

On projects with fairly simple shapes to cut out, 2 or 3 layers could be held together by double-sided tape, or by using spray glue on paper to sandwich between the work pieces.

On more intricate projects we suggest using #18 wire nails or brads slightly longer than the total thickness of the stack you are cutting. Tack the nails into the waste areas you will cut out, along with a few around the outside of the project. If the nail has gone through the bottom of the work piece, use a hammer to tap it flush, or use coarse sandpaper to sand the points flush with the bottom of the work piece.

If you are stack cutting hardwoods, do not tack the nail too close

to the pattern line or it may cause the wood to split. Another option would be to predrill for the nails with a slightly smaller drill bit so the nail will fit snugly and hold the layers together securely.

SAWING THIN WOODS

Occasionally you may find it difficult to control your workpiece when cutting in thin hardwoods or plywoods. The following suggestions should help to eliminate or reduce this problem.

1. If you have a variable speed saw, reduce the speed to 1/2 to 3/4 of high speed.

2. If you do not have a variable speed saw, it will help to stack cut 2 or more layers of your material to keep better control of the workpiece.

3. For cutting any thickness of material it is very beneficial to keep at least one hand, if not both, partially touching the table with your fingers for better control.

4. Using a smaller blade with more teeth per inch helps to slow down how fast the blade is cutting. But keep in mind that if the blade is leaving burn marks you will need to slow the speed down or use a blade with less teeth per inch.

(4)

VEINING

Veining is a simple technique that will bring a lifelike appearance to your project. The veins of a leaf or the folds of clothing will look more realistic when this technique is incorporated. To vein, simply saw all solid black lines as indicated on the pattern. Some areas of the pattern you will be able to vein by sawing inward from the outside edge, while in other areas you will need to drill a tiny starter hole for the blade.

AUXILIARY TABLE

Most scrollsaws on the market today have an opening in the table around the blade that is much larger than what you really need. This often causes small and delicate fretwork to break off on the downward stroke of the blade. An easy solution is to add a wooden auxiliary table to the top of the metal table on your saw.

To make an auxiliary table, choose a piece of 1/4” - 3/8” plywood similar to the size of your current saw’s table. If you choose, you can cut this plywood to the same shape as the metal table on your saw, or any shape or size you prefer. However, we do recommend that you make the table larger than what you think you will need for the size of the projects you will make in the future.

Next, set the auxiliary table on top of the metal table. From the underside of the metal table, use a pencil to mark the location where the blade will feed through. Then turn the auxiliary table over and drill a 1/16” - 1/8” diameter hole, or slightly larger than the blade you will be using.

Finally, apply a couple of strips of double-sided carpet tape to the metal table on each side of the blade. Then, firmly press the auxiliary table onto the double-sided carpet tape, making sure that the blade is centered in the hole.

FINISHING TECHNIQUES

If you’ve made your project from hardwood, we recommend dipping your project in a dishpan type of container that contains a penetrating oil such as Watco, Tung, or others. After dipping, allow the excess oil to drain back into the pan and then follow the manufacturer’s instructions.

If you have chosen to use plywood, such as Baltic Birch, you can use any of the wide variety of wood stains available on the market. We do, however, recommend sanding the surface thoroughly, in order for the plywood to accept the stain more evenly.

(5)

#P551 The Berry Basket © Copyright 2002 • All Rights Reserved www.greatamericanscrollsaw.com • a division of The Berry Basket

GREAT AMERICAN

DOWNLOADABLE PATTERNSTM

3

6

12

9

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M

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Top Assembly

J

L

#P551 - America’s Pride Fretwork Clock

P

N

O

#P551 - America’s Pride

Fretwork Clock

Instructions

1. Select your material from a variety

of hardwoods or solid core plywood.

2. Measure each pattern piece and

cut the work pieces to size accordingly. Sand as necessary.

3. Make all pattern pieces by

adhering the paper patterns to the work pieces with a repositionable spray adhesive. Cut the outer shapes and any interior designs. And drill where indicated.

4. Remove all paper patterns. Sand

where needed. The edges can be rounded by sanding or using a small roundover router bit if desired. Assemble by first attaching the sides to the Front and Back. Next attach the Front and Side Overlays. Then attach the Bottom Floor and the Spacer.

5. Now attach the Window Panels

to the Front Panel, along with the remaining Spacer. Then attach the Back Panel. Lower this assembly over the Spacer on the Bottom Floor and secure in place. Then attach the Top Floor Spacer into position, and attach the Top Floor to the Front & Back Panel assembly. Now, assemble the Top Windows to the Clock Panel Front. Carefully insert the Side and Front Fence tabs into position, and then attach the Clock Panel Back. Lower this assembly over the Top Floor Spacer and secure in place. Next, attach the Top Roofs and Crest, and the Clock Overlays.

(6)

#P551

E

R

B

A

C

B

F

G

R

F

F

Bottom Assembly

S

D

(7)

Base Front & Back (A)

Stock: 1/4”, cut 1 each. Right pattern piece.

Side (B)

Pattern overlap line

#P551

1 each

2

1

2

1

2

2

1

1 each

2

2

1

2

1

2

2

1

2

2

Base Front & Back

Side

Front Overlay

Side Overlay

Bottom Floor

Front & Back Panel

Window Panel

Top Floor

Clock Panel Front & Back

Top Window

Side Fence

Front Fence

Clock Overlay

Crest

Top Window Overlay

Top Roof

Top Floor Spacer

Spacer

Bottom Window Overlay

Description

Item

Qty

A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

Q

R

S

#P551 - America’s Pride Fretwork Clock

1/4”T x 5”W x 15”L

1/4”T x 5”W x 7 1/2”L

1/8”T x 3 1/8”W x 15 1/4”L

1/8”T x 3 1/8”W x 8”L

3/8”T x 8 3/4”W x 16 1/2”L

1/4”T x 9 1/2”W x 14 1/2”L

1/4”T x 7 1/2”W x 9 1/2”L

3/8”T x 6 1/2”W x 14 1/2”L

1/4”T x 10 1/2”W x 13”L

1/4”T x 5 3/4”W x 7 3/8”L

1/8”T x 2”W x 3 1/2”L

1/8”T x 2”W x 8 1/4”L

1/16” - 1/8”T x 3 3/4”W x 7 1/2”L

1/4”T x 9 1/2”W x 15 1/4”L

1/16” - 1/8”T x 2”W x 3 3/4”L

1/4”T x 4 7/8”W x 7 1/4”L

1/4”T x 2 1/2”W x 7”L

1/4”T x 3 13/16”W x 7”L

1/16” - 1/8”T x 3 5/16”W x 7 1/2”L

Size

(8)

Base Front & Back (A)

Stock: 1/4”, cut 1 each. Left pattern piece.

Small dashed lines indicate placement of Front Overlay (C) on Base Front only

.

Side (B)

Use glue and #18 x 5/8” finishing nails.

Pattern overlap line

#P551

(9)

#P551

Side (B)

Stock: 1/4”, cut 2

Small dashed line indicates placement of Side Overlay (D)

(10)

Front Overlay (C)

Stock: 1/8” Left pattern piece.

Side (B) Side Overlay (D)

Pattern overlap line

Front Overlay (C)

Stock: 1/8” Right pattern piece.

Use glue and #18 x 5/8” finishing nails.

Side (B) Side Overlay (D)

Pattern overlap line

#P551

(11)

#P551

Side Overlay (D)

Stock: 1/8”, cut 2. Attach with glue.

(12)

Front & Back Panel (F)

Stock: 1/4”

Slot for Window (G).

Front & Back Panel (F)

Stock: 1/4”, cut 1 each

Left pattern piece.

Attach to Spacer (R) with glue and #18 x 5/8” finishing nails.

Attach to Spacer (R) with glue and #18 x 5/8” finishing nails.

Pattern overlap line

#P551

(13)

Note: Door panel can be cut as an overlay with contrasting woods, or predrill for hinges before sawing out door from Panel (F). Omit cut-out for door panel on Back (F)

Front & Back Panel (F)

Stock: 1/4”, cut 1 each Right pattern piece.

Pattern overlap line

#P551

(14)

Bottom

W

indow (G)

Side Overlay (D)

Bottom Floor (E)

Stock: 3/8”

Cut on solid outside line. Left pattern piece.

Side (B)

Attach Spacer (R) here with glue and finishing nails.

Back

Attach with glue and #18 x 5/8” finishing nails.

Pattern overlap line

#P551

(15)

Front Overlay (C) Front & Back Door Panel (F)

Bottom

W

indow (G)

Note: dashed lines indicate placement of Back (A) and Back Panel (F).

Front (A)

Note: Dashed lines for (F) & (G) indicate placement on top of Floor (E).

Front

Pattern overlap line

Pattern overlap line

#P551

Bottom Floor (E)

Stock: 3/8”

Cut on solid outside line. Middle pattern piece.

(16)

#P551

Bottom Floor (E)

Stock: 3/8”

Cut on solid outside line. Right pattern piece.

Bottom

W

indow (G)

Side Overlay (D)

Side (B)

Pattern overlap line

(17)

Window Panel (G)

Stock: 1/4”, cut 2

Slot for Front Panel (F).

Attach to Spacer (R) with glue and #18 x 5/8” finishing nails.

Attach to Spacer (R) with glue and #18 x 5/8” finishing nails.

Small dashed line indicates placement of Bottom Window Overlay (S). Attach with glue or silicone.

#P551

(18)

T

op Floor (H)

Stock: 3/8”, cut 1 Left pattern piece.

Clock Panel Back (I)

Clock Panel Fron (I)

Top Window (J) Side Fence (K) Front Fence (L) Front Attach T op Floor

Spacer (Q) here with glue and finishing nails.

Attach with glue and #18 x 5/8” finishing nails.

Pattern overlap line

#P551

(19)

Top Window (J) Side Fence (K) Front Attach T op Floor

Spacer (Q) here with glue and finishing nails.

Pattern overlap line

#P551

T

op Floor (H)

Stock: 3/8”, cut 1 Right pattern piece.

Clock Panel Front & Back (I)

Stock: 1/4”, cut 1 each

Top pattern piece. Top Roof (P)

35°

Pattern overlap line

(20)

Clock Panel Front & Back (I)

Stock: 1/4”, cut 1 each

Bottom left pattern piece.

Slot for Window (J). Small dashed lines indicate placement of Overlay (M).

Bore a hole in the Front only to insert the clock of your choice. Be sure of the size opening you need as not all clocks require the same size opening.

Cut slot for Side Fence (K).

Pattern overlap line

Pattern overlap line

#P551

(21)

Clock Panel Front & Back (I)

Stock: 1/4”, cut 1 each

Bottom Right Pattern piece.

Pattern overlap line

Pattern overlap line

(22)

#P551

Top Window (J)

Stock: 1/4”, cut 2

Slot for Clock Panel Front (I).

Attach to Top Floor Spacer (Q) with glue and #18 x 5/8” finishing nails.

Cut slot for Front Fence (L)

Small dashed line indicates placement of Top Window Overlay (O). Attach with glue or silicone.

Side Fence (K)

Stock: 1/8”, cut 2

(23)

#P551

Clock Overlay (M)

Stock: 1/16” - 1/8”, cut 2

T

op W

indow

Overlay (O)

Stock: 1/16” - 1/8”, cut 2

Front Fence (L)

Stock: 1/8”

(24)

Crest (N)

Stock: 1/4” Left pattern piece.

Attach to Roof with glue and #18 x 5/8” finishing nails.

Pattern overlap line

#P551

(25)

Crest (N)

Stock: 1/4” Right pattern piece.

Pattern overlap line

(26)

#P551

Top Roof (P)

Stock: 1/4”, cut 2

Attach Roof with glue and #18 x 5/8” finishing nails. Attach Roof with glue and #18 x 5/8” finishing nails.

Cut at 35° Cut at 35°

Roof Front

Top Floor Spacer (Q)

Stock 1/4”

Attach to top of Top Floor (H) with glue and finishing nails.

(27)

#P551

Spacer (R)

Stock 1/4”

Attach to top of Bottom Floor (E) with glue and finishing nails.

Bottom W

indow Overlay (S)

Stock: 1/16” - 1/8”, cut 2

(28)

#P568- Birmingham Pendulum Clock

Requires a pendulum movement kit (#A309 - #A312).

37”H x 16”W

(29)

GENERAL SCROLLSAW TIPS & TECHNIQUES

The following scrollsaw tips and techniques are intended to get you started and on your way to scrollsaw success. Not only will you find these techniques helpful in completing the this project, you will also find that they can be applied to many other scrollsaw projects as well.

HARDWOODS VS PLYWOODS

Selecting the type of material you will use is very important for the final outcome of your project. This project has been designed so that hardwoods, plywoods, or a combination can be used to create your work of art. Hardwoods have their advantages as well as their disadvantages. They come in a variety of species, colors and grain patterns, yet they are more time consuming requiring more sanding, are more likely to warp and are more expensive to use.

Plywoods, on the other hand, are less expensive, require less sanding, and come in a variety of standard thicknesses. They also are less likely to develop cracks or warp. We do, however, recommend that you use a top grade plywood without voids, such as the Baltic and Finnish birches.

SANDING

For most projects, it is best to sand the work piece prior to applying the paper pattern and cutting the design. Once you’ve cut the design, and removed the paper pattern, it may be necessary to lightly sand any glue residue remaining, along with any “fuzz” on the bottom side.

BLADE SELECTION

There are many opinions pertaining to which blade to use with which type and thickness of material, as well as, with how intricate the design in the project is. The more time

you put into scrolling, the more your choice of which blade to use will become personal preference. For the beginning scroller we make the following recommendations to get you started:

USING THE PATTERNS

Downloadable patterns give you the advantage of printing the patterns on your own printer at your own convenience. Be sure to download all of the file and save it to a disk or your harddrive according to your computer software’s instructions.

Once you have printed the number of pattern pieces that you will need to complete your projects, you are ready to apply the pattern to your work pieces.

Apply the repositionable spray adhesive as directed in the next section. If your project requires piecing 2 or more sheets of paper together to make the full-size pattern piece, simply follow the instructions below for accurate alignment. Blade Size Recommended

#2/0 or #2 #5 or #7 #7 or #9 Material Thickness 1/16” - 1/4” 1/4” - 1/2” 1/2” - 3/4” or thicker

Step 1

Using a straightedge and a craft knife, cut on the dashed “Pattern Overlap Lines” to remove the excess paper.

Step 2

Next, align the sections and secure together with clear tape. Now, apply the repositionable spray adhesive to the backside of the paper pattern as instructed in the next section.

Cut on solid line for Frame only.

Frame & Back Stock: 1/8” - 1/4”, cut 1 each Left pattern piece.

Cut on dashed line for Back

Pattern overlap line

Clear tape Craft knife Ruler Pattern overlap line

(30)

REPOSITIONABLE SPRAY ADHESIVE

Using a repositionable spray adhesive is the easiest and quickest way to transfer a pattern to your work piece after photo copying it. In a well ventilated area, lightly spray the backside of the paper pattern. Allow it to dry only until tacky - approximately 20 - 30 seconds. Then apply it to the work piece, smoothing any wrinkles if necessary. Two common problems that sometimes occur when using repositionable spray adhesive for the first time is applying the right amount onto the back of the pattern. Spraying too little may result in the pattern lifting off of the project before you have finished cutting. If this occurs, clear scotch tape can be used to secure the pattern back into position. On the other hand, spraying too much will make it difficult to remove the pattern, If this occurs, simply use a hand held hair dryer to heat the glue, which will loosen the pattern allowing it to be easily removed.

DRILLING STARTER HOLES

When drilling starter holes it is best to drill close to a corner, rather than in the middle of the waste areas, as it will take less time for the blade to reach the pattern line.

STACK CUTTING

Stack cutting is fairly simple to do and can save you a lot of time when you have 2 or more identical pieces to cut for a project. If you are fairly new to scrollsawing and stack cutting, we recommend cutting no more than a total thickness

of 1/2” for best results.

On projects with fairly simple shapes to cut out, 2 or 3 layers could be held together by double-sided tape, or by using spray glue on paper to sandwich between the work pieces.

On more intricate projects we suggest using #18 wire nails or brads slightly longer than the total thickness of the stack you are cutting. Tack the nails into the waste areas you will cut out, along with a few around the outside of the project. If the nail has gone through the bottom of the work piece, use a hammer to tap it flush, or use coarse sandpaper to sand the points flush with the bottom of the work piece.

If you are stack cutting hardwoods, do not tack the nail too close

to the pattern line or it may cause the wood to split. Another option would be to predrill for the nails with a slightly smaller drill bit so the nail will fit snugly and hold the layers together securely.

SAWING THIN WOODS

Occasionally you may find it difficult to control your workpiece when cutting in thin hardwoods or plywoods. The following suggestions should help to eliminate or reduce this problem.

1. If you have a variable speed saw, reduce the speed to 1/2 to 3/4 of high speed.

2. If you do not have a variable speed saw, it will help to stack cut 2 or more layers of your material to keep better control of the workpiece.

3. For cutting any thickness of material it is very beneficial to keep at least one hand, if not both, partially touching the table with your fingers for better control.

4. Using a smaller blade with more teeth per inch helps to slow down how fast the blade is cutting. But keep in mind that if the blade is leaving burn marks you will need to slow the speed down or use a blade with less teeth per inch.

(31)

VEINING

Veining is a simple technique that will bring a lifelike appearance to your project. The veins of a leaf or the folds of clothing will look more realistic when this technique is incorporated. To vein, simply saw all solid black lines as indicated on the pattern. Some areas of the pattern you will be able to vein by sawing inward from the outside edge, while in other areas you will need to drill a tiny starter hole for the blade.

AUXILIARY TABLE

Most scrollsaws on the market today have an opening in the table around the blade that is much larger than what you really need. This often causes small and delicate fretwork to break off on the downward stroke of the blade. An easy solution is to add a wooden auxiliary table to the top of the metal table on your saw.

To make an auxiliary table, choose a piece of 1/4” - 3/8” plywood similar to the size of your current saw’s table. If you choose, you can cut this plywood to the same shape as the metal table on your saw, or any shape or size you prefer. However, we do recommend that you make the table larger than what you think you will need for the size of the projects you will make in the future.

Next, set the auxiliary table on top of the metal table. From the underside of the metal table, use a pencil to mark the location where the blade will feed through. Then turn the auxiliary table over and drill a 1/16” - 1/8” diameter hole, or slightly larger than the blade you will be using.

Finally, apply a couple of strips of double-sided carpet tape to the metal table on each side of the blade. Then, firmly press the auxiliary table onto the double-sided carpet tape, making sure that the blade is centered in the hole.

FINISHING TECHNIQUES

If you’ve made your project from hardwood, we recommend dipping your project in a dishpan type of container that contains a penetrating oil such as Watco, Tung, or others. After dipping, allow the excess oil to drain back into the pan and then follow the manufacturer’s instructions.

If you have chosen to use plywood, such as Baltic Birch, you can use any of the wide variety of wood stains available on the market. We do, however, recommend sanding the surface thoroughly, in order for the plywood to accept the stain more evenly.

(32)

#P568 Assembly Instructions

1. Select your material from a variety of hardwoods or solid core plywood.

2. Measure each pattern piece and cut the work pieces to size accordingly. Sand as necessary.

3. Make all pattern pieces by adhering the paper patterns to the work pieces with a repositionable spray adhesive. Cut the outer shapes and any interior designs. And drill where indicated.

4. Remove all paper patterns. Sand where needed. The edges can be rounded by sanding or using a small roundover router bit if desired.

5. Assemble by first attaching the Top Window Panels (C) and Top Floor Spacer (U) to the Clock Panel Front (A). Next, attach the Clock Panel Back (A). Now, glue this assembly into position on the Top Floor (S). Note: screw or finishing nails can also be used if desired. Then attach the Bottom Window Panels (K) and Bottom Floor Spacers (V) to the Front Panel (I). Next, attach the Back Panel (I). Now attach this assembly to the bottom of the Top Floor (S), and the top of the Bottom Floor (R), securing with glue. Now, attach the Pendulum Bracket (P) and Bottom Brackets (BB) into place.

Attach the Door Assembly (L), Windows (D & J), Steps (W), Dial Underlays (Q & EE), Door Overlay (FF) and Overlay (DD) into position. Now, attach the Rail Brackets (O) into place in the Front Panel (I) and Bottom Window Panels (K). Next, glue the Bottom Front Brackets (X) to the Front Panel (I), along with the Lower Brackets (T) to the Front and Back Panels (I). Follow the same procedure to attach the corresponding Brackets (H & CC) to the Clock Panel Front and Back (A). Should the Brackets fit too tight on the Floors, sand slightly. At this time, attach the Front and Side Rails (Z & AA) to the Top and Bottom Floors (S & R). Then attach the Door Roof (N) and Door Crest (M) into place securing with glue. Now, attach the Roof (Y) to the top of the Clock Panel ( A) assembly, and the Crest (B) to the front of the Roof (Y). Next, secure the Deer (F) and Trees (G) into place on the Crest Top (E), and then secure this assembly to the Crest (B). Finish as desired.

Attach the clock movement. Hang the pendulum rod from the movement and adjust the length by breaking off sections in 1” increments.

3 6 12 9 FF F G G E B Y Y Q C EE D U H CC S AA Z V T J K R O M L N I Z AA V W X P BB DD #P568 - The Birmingham Clock

A

#P568

The Berry Basket © Copyright 2002 • All Rights Reserved www.greatamericanscrollsaw.com • a division of The Berry Basket

GREAT AMERICAN

(33)

#P568

A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

Q

R

S

T

U

V

W

X

Y

Z

AA

BB

CC

DD

EE

FF

1 each

1

2

2

1

1

2

2

1 each

2

2

1

1

2

8

1

1

1

1

4

1

2

1

2

2

2

4

2

4

1

1

1

Clock Panel Front & Back

Crest

Top Window Panel

Top Window

Crest Top

Deer

Tree

Front Bracket

Front & Back Panel

Bottom Window

Bottom Window Panel

Door Assembly

Door Crest

Door Roof

Rail Bracket

Pendulum Bracket

Dial Underlay

Bottom Floor

Top Floor

Lower Bracket

Top Floor Spacer

Bottom Floor Spacer

Steps

Bottom Front Bracket

Roof

Front Rail

Side Rail

Bottom Bracket

Upper Bracket

Overlay

Dial Underlay

Door Overlay

Description

item Qty

#P568 THE

BIRMINGHAM CLOCK

Size

1/4”T x 7 1/2”W x 10 7/8”L

1/4”T x 7 3/4”W x 14 5/8”L

1/4”T x 3 1/2”W x 8 1/8”L

1/16 ” - 1/8”T x 2 3/16”W x 5 1/8”L

1/4”T x 2 5/8”W x 8 1/8”L

1/4”T x 5 3/4”W x 7 1/4”L

1/4”T x 3 1/8”W x 5 1/8”L

1/4”T x 1 1/2”W x 8”L

1/4”T x 8 11/16”W x 10 7/16”L

1/16” - 1/8”T x 2 13/16”W x 6 5/8”L

1/4”T x 4 1/2”W x 10 1/2”L

1/4”T x 7”W x 7 1/8”L

1/4”T x 5 1/8”W x 7”L

1/4”T x 1”W x 3”L

1/8”T x 1 1/4”W x 2 3/8”L

1/4”T x 6 7/8”W x 12 3/4”L

1/8”T x 6 1/4”W x 6 1/4”L

1/4”T x 6”W x 14 1/2”L

1/4”T x 6”W x 14 1/2”L

1/4”T x 4”W x 10 1/2”L

1/4”T x 3 1/2”W x 7”L

1/4”T x 4 1/2”W x 8 3/16”L

1/4”T x 1”W x 7 7/8”L

1/4”T x 1 1/2”W x 10 5/8”L

1/4”T x 5 1/2”W x 7 3/8”L

1/8”T x 2”W x 16”L

1/8”T x 2”W x 6”L

1/4”T x 1 3/4”W x 4 1/8”L

1/4”T x 3 1/2”W x 7 1/4”L

1/16” - 1/8”T x 3 5/8”W x 3 5/8”L

1/8”T x 5 1/8”W x 5 1/8”L

1/16” - 1/8”T x 3 1/4”W x 3 3/8”L

(34)

Clock Panel Front &

Back (A)

Stock 1/4”, cut 1 each. Top pattern piece.

Small dashed lines indicate placement of Underlay (Q).

Drill hole for clock shaft.

Top Window Panel (C)

Dashed line indicates placement of Clock Underlay (EE).

Top Window Panel (C) Attach to T op W indow

Panel with glue and #18 x 5/8” finishing nails. Dashed line indicates placement of Door (FF).

Pattern overlap line

#P568

(35)

Clock Panel Front &

Back (A)

Stock 1/4”, cut 1 each. Bottom pattern piece. Drill hole for clock shaft.

T

op Floor Spacer (U)

Dashed line indicates placement of Clock Underlay (EE). Note: Cut a 4” diameter hole in Back (A).

This will allow

you to change the battery and set the time.

Pattern overlap line

#P568

T

op W

indow (D)

Stock 1/16” - 1/8”, cut 2

Crest T

op (E)

Stock 1/4”

Adjust slots, if necessary

, for

thickness of material used.

T

ree

T

ree

Deer

Attach to Crest (B) with glue or silicone.

(36)

#P568

Crest (B)

Stock 1/4” Left pattern piece.

Attach to Roof Front with glue and #18 x 5/8” finishing nails.

Pattern overlap line

(37)

Pattern overlap line

Crest (B)

Stock 1/4” Right pattern piece.

#P568

Dashed line indicates placement of Top Window.

Top Window Panel (C)

Stock 1/4”, cut 2

Top Floor Spacer (U)

(38)

#P568

T

ree (G)

Stock 1/4”, cut 2

Deer (F)

Stock 1/4”

Front Bracket (H)

Stock 1/4”, cut 2

(39)

#P568

Front & Back Panel (I)

Stock 1/4”, cut 1 each. For Back cut only on outside solid line.

T op pattern piece. Bottom W indow Panel (K) Bottom W indow Panel (K) Attach Bottom W indow

Panel (K) with glue and #18 x 5/8” finishing nails.

Dashed line indicates placement of Door

Assembly

(L).

Attach Rail Bracket (O) here. Cut slots in Front Panel only

.

Cut Door opening and Roof slots in Front Panel (I) only

.

Bottom Floor Spacer (V)

Dashed lines indicate placement of Roof (N).

Pattern overlap line

(40)

Front & Back Panel (I)

Stock 1/4”, cut 1 each. For Back cut only on outside solid line. Bottom pattern piece.

Attach to Bottom Floor Spacer (V) with glue and #18 x 5/8” finishing nails.

Bottom Floor Spacer (V)

Step (W) goes here

Pattern overlap line

#P568

Bottom Window (J)

Stock 1/16” - 1/8”, cut 2

(41)

Bottom Window Panel (K)

Stock 1/4”, cut 2

Top pattern piece.

Dashed line indicates placement of Bottom Window.

Bottom Floor Spacer (V) Bottom Floor Spacer (V) Bottom Floor Spacer (V)

Attach Rail Bracket (O) here.

Pattern overlap line #P568

Dashed line indicates placement of Bottom Window

.

Bottom Floor Spacer (V)

Pattern overlap line

Bottom W

indow Panel (K)

Stock 1/4”, cut 2 Bottom pattern piece.

(42)

#P568

Door Roof (N)

Stock 1/4”

Side view of Door Roof (N)

33 ° T op

Door Assembly (L)

Stock 1/4” Use knobs or dowels of your choice. Use your choice of hinges.

Please note: it may be necessary to sand the inside edges of the Door so that it will open and close more easily.

Rail Bracket (O)

Stock 1/8”, cut 8

(43)

Pendulum Bracket (P)

Stock 1/4”. Left pattern piece.

Bracket (BB)

Pattern overlap line

#P568

Door Crest (M)

Stock 1/4”

Attach Door Crest to Door Roof with #18 x 5/8” finishing nails.

(44)

#P568

Pendulum Bracket (P)

Stock 1/4” Right pattern piece.

Dashed line indicates placement of Overlay (DD)

Bracket (BB)

Pattern overlap line

(45)

#P568

Dial Underlay (Q)

Stock: 1/8”

Dashed line indicates placement of Clock Overlay (EE).

(46)

Bottom Floor (R)

Stock 1/4”

Left pattern piece.

Front Panel (I)

Bottom

W

indow Panel (K)

Bottom Floor Spacer (V)

Stock 1/4”, cut 2

Left pattern piece.

Cut on solid line for Pendulum. Back Panel (I)

Step (W)

Side Rail (AA)

Front Rail (Z)

Pattern overlap line

#P568

(47)

Bottom Floor (R)

Stock 1/4” Right pattern piece.

Front Panel (I)

Bottom W indow Panel (K)

Pendulum Bracket (P)

Pendulum Bracket (P)

Bottom Floor Spacer (V)

Stock 1/4”, cut 2 Right pattern piece.

Cut on these lines for Bottom Floor Spacer (V).

Back Panel (I)

Step (W)

Side Rail (AA)

Front Rail (Z)

Pattern overlap line

#P568

(48)

#P568

T

op Floor (S)

Stock 1/4”, cut on outer solid line. Left pattern piece.

Clock Panel Front (A)

Top Window Panel (C)

Clock Panel Front (A)

Side Rail (AA)

Front Rail (Z)

T

op Floor Spacer (U)

Stock 1/4” Left pattern piece.

Cut on these lines for

T

op Floor Spacer (U).

Cut on Solid line for Pendulum. Note: check opening for pendulum movement you are using.

Clock Panel Back (A)

Front

Pattern overlap line

(49)

#P568

T

op Floor Spacer (U)

Stock 1/4” Right pattern piece.

Side Rail (AA)

T

op Floor (S)

Stock 1/4”, cut on outer solid line. Right pattern piece.

Top Window Panel (C)

Pattern overlap line

Steps (W)

Stock 1/4”, cut 1 each

(50)

#P568

Lower Bracket (T)

Stock 1/4”, cut 4

(51)

#P568

Bottom Front Bracket (X)

Stock 1/4”, cut 2

(52)

#P568

Bottom Bracket

(BB)

Stock 1/4”, cut 2

Side view of Roof (Y)

34°

34°

Roof (Y)

Stock 1/4”, cut 2

Top Attach to Front & Back (A) with #18 x 5/8”

finishing nails and glue.

Front

Side Rail (AA)

Stock: 1/8”, cut 4

(53)

#P568

Upper Bracket (CC)

Stock 1/4”, cut 4

Front Rail (Z)

Stock: 1/8”, cut 2 Right pattern piece.

Pattern overlap line

Front Rail (Z)

Stock: 1/8”, cut 2 Left pattern piece.

Attach to front edge of

T

op & Bottom Floors

with glue and #18 x 5/8” finishing nails.

Pattern overlap line

(54)

#P568

Door Overlay (FF)

Stock 1/16” - 1/8”

Option: cut door at 3° bevel and then glue back in so it extends out.

Dial Underlay (EE)

Stock: 1/8”

Overlay (DD)

Stock: 1/16” - 1/8”

(55)

#P569 - Floral

Cathedral

A stately 30 1/2”H x

12”W this beautiful

fretwork clock offers a

display area for your

favorite figurine.

Requires a 3 1/2”

clock insert.

(56)

GENERAL SCROLLSAW TIPS & TECHNIQUES

The following scrollsaw tips and techniques are intended to get you started and on your way to scrollsaw success. Not only will you find these techniques helpful in completing the this project, you will also find that they can be applied to many other scrollsaw projects as well.

HARDWOODS VS PLYWOODS

Selecting the type of material you will use is very important for the final outcome of your project. This project has been designed so that hardwoods, plywoods, or a combination can be used to create your work of art. Hardwoods have their advantages as well as their disadvantages. They come in a variety of species, colors and grain patterns, yet they are more time consuming requiring more sanding, are more likely to warp and are more expensive to use.

Plywoods, on the other hand, are less expensive, require less sanding, and come in a variety of standard thicknesses. They also are less likely to develop cracks or warp. We do, however, recommend that you use a top grade plywood without voids, such as the Baltic and Finnish birches.

SANDING

For most projects, it is best to sand the work piece prior to applying the paper pattern and cutting the design. Once you’ve cut the design, and removed the paper pattern, it may be necessary to lightly sand any glue residue remaining, along with any “fuzz” on the bottom side.

BLADE SELECTION

There are many opinions pertaining to which blade to use with which type and thickness of material, as well as, with how intricate the design in the project is. The more time

you put into scrolling, the more your choice of which blade to use will become personal preference. For the beginning scroller we make the following recommendations to get you started:

USING THE PATTERNS

Downloadable patterns give you the advantage of printing the patterns on your own printer at your own convenience. Be sure to download all of the file and save it to a disk or your harddrive according to your computer software’s instructions.

Once you have printed the number of pattern pieces that you will need to complete your projects, you are ready to apply the pattern to your work pieces.

Apply the repositionable spray adhesive as directed in the next section. If your project requires piecing 2 or more sheets of paper together to make the full-size pattern piece, simply follow the instructions below for accurate alignment. Blade Size Recommended

#2/0 or #2 #5 or #7 #7 or #9 Material Thickness 1/16” - 1/4” 1/4” - 1/2” 1/2” - 3/4” or thicker

Step 1

Using a straightedge and a craft knife, cut on the dashed “Pattern Overlap Lines” to remove the excess paper.

Step 2

Next, align the sections and secure together with clear tape. Now, apply the repositionable spray adhesive to the backside of the paper pattern as instructed in the next section.

Cut on solid line for Frame only.

Frame & Back Stock: 1/8” - 1/4”, cut 1 each Left pattern piece.

Cut on dashed line for Back

Pattern overlap line

Clear tape Craft knife Ruler Pattern overlap line

(57)

REPOSITIONABLE SPRAY ADHESIVE

Using a repositionable spray adhesive is the easiest and quickest way to transfer a pattern to your work piece after photo copying it. In a well ventilated area, lightly spray the backside of the paper pattern. Allow it to dry only until tacky - approximately 20 - 30 seconds. Then apply it to the work piece, smoothing any wrinkles if necessary. Two common problems that sometimes occur when using repositionable spray adhesive for the first time is applying the right amount onto the back of the pattern. Spraying too little may result in the pattern lifting off of the project before you have finished cutting. If this occurs, clear scotch tape can be used to secure the pattern back into position. On the other hand, spraying too much will make it difficult to remove the pattern, If this occurs, simply use a hand held hair dryer to heat the glue, which will loosen the pattern allowing it to be easily removed.

DRILLING STARTER HOLES

When drilling starter holes it is best to drill close to a corner, rather than in the middle of the waste areas, as it will take less time for the blade to reach the pattern line.

STACK CUTTING

Stack cutting is fairly simple to do and can save you a lot of time when you have 2 or more identical pieces to cut for a project. If you are fairly new to scrollsawing and stack cutting, we recommend cutting no more than a total thickness

of 1/2” for best results.

On projects with fairly simple shapes to cut out, 2 or 3 layers could be held together by double-sided tape, or by using spray glue on paper to sandwich between the work pieces.

On more intricate projects we suggest using #18 wire nails or brads slightly longer than the total thickness of the stack you are cutting. Tack the nails into the waste areas you will cut out, along with a few around the outside of the project. If the nail has gone through the bottom of the work piece, use a hammer to tap it flush, or use coarse sandpaper to sand the points flush with the bottom of the work piece.

If you are stack cutting hardwoods, do not tack the nail too close

to the pattern line or it may cause the wood to split. Another option would be to predrill for the nails with a slightly smaller drill bit so the nail will fit snugly and hold the layers together securely.

SAWING THIN WOODS

Occasionally you may find it difficult to control your workpiece when cutting in thin hardwoods or plywoods. The following suggestions should help to eliminate or reduce this problem.

1. If you have a variable speed saw, reduce the speed to 1/2 to 3/4 of high speed.

2. If you do not have a variable speed saw, it will help to stack cut 2 or more layers of your material to keep better control of the workpiece.

3. For cutting any thickness of material it is very beneficial to keep at least one hand, if not both, partially touching the table with your fingers for better control.

4. Using a smaller blade with more teeth per inch helps to slow down how fast the blade is cutting. But keep in mind that if the blade is leaving burn marks you will need to slow the speed down or use a blade with less teeth per inch.

(58)

VEINING

Veining is a simple technique that will bring a lifelike appearance to your project. The veins of a leaf or the folds of clothing will look more realistic when this technique is incorporated. To vein, simply saw all solid black lines as indicated on the pattern. Some areas of the pattern you will be able to vein by sawing inward from the outside edge, while in other areas you will need to drill a tiny starter hole for the blade.

AUXILIARY TABLE

Most scrollsaws on the market today have an opening in the table around the blade that is much larger than what you really need. This often causes small and delicate fretwork to break off on the downward stroke of the blade. An easy solution is to add a wooden auxiliary table to the top of the metal table on your saw.

To make an auxiliary table, choose a piece of 1/4” - 3/8” plywood similar to the size of your current saw’s table. If you choose, you can cut this plywood to the same shape as the metal table on your saw, or any shape or size you prefer. However, we do recommend that you make the table larger than what you think you will need for the size of the projects you will make in the future.

Next, set the auxiliary table on top of the metal table. From the underside of the metal table, use a pencil to mark the location where the blade will feed through. Then turn the auxiliary table over and drill a 1/16” - 1/8” diameter hole, or slightly larger than the blade you will be using.

Finally, apply a couple of strips of double-sided carpet tape to the metal table on each side of the blade. Then, firmly press the auxiliary table onto the double-sided carpet tape, making sure that the blade is centered in the hole.

FINISHING TECHNIQUES

If you’ve made your project from hardwood, we recommend dipping your project in a dishpan type of container that contains a penetrating oil such as Watco, Tung, or others. After dipping, allow the excess oil to drain back into the pan and then follow the manufacturer’s instructions.

If you have chosen to use plywood, such as Baltic Birch, you can use any of the wide variety of wood stains available on the market. We do, however, recommend sanding the surface thoroughly, in order for the plywood to accept the stain more evenly.

(59)

#P569

The Berry Basket © Copyright 2002 • All Rights Reserved www.greatamericanscrollsaw.com • a division of The Berry Basket

GREAT AMERICAN

DOWNLOADABLE PATTERNSTM

#P569 Assembly Instructions

1. Select your material from a variety of hardwoods or solid core plywood.

2. Measure each pattern piece and cut the work pieces to size accordingly. Sand as necessary.

3. Make all pattern pieces by adhering the paper patterns to the work pieces with a repositionable spray adhesive. Cut the outer shapes and any interior designs. And drill where indicated.

4. Remove all paper patterns. Sand where needed. The edges can be rounded by sanding or using a small roundover router bit if desired.

5. Assemble by first attaching the Base Side tabs into the Front and Back Base, securing with glue. Finishing nails can also be used if desired. Next, attach the Base Anchors into position. Then attach the Floor to the Base assembly. Now, attach the Sides to the Front and Back along with the 2 Wall Anchors. And attach this assembly to the Floor. Now attach the Spire Sides to the Front and Back Spires, along with the Spire Anchors. Glue this assembly into place on the Ceiling, and then, glue the Ceiling into place. Finish as desired, and insert the clock movement.

A

B

C

D

E

F

G

J

I

#P569 - Floral Cathedral Clock

L

H

L

K

3 6 12 9

FLORAL CATHEDRAL CLOCK

#P569

Front

Back

Wall Anchor

Side

Front & Back Base

Base Side

Front & Back Spire

Spire Side

Floor

Ceiling

Base Anchor

Spire Anchor

Description

A

B

C

D

E

F

G

H

I

J

K

L

Item

1

1

2

2

1 ea

2

1 ea

2

1

1

2

4

Qty

1/4”T x 10”W x 16”L

1/4”T x 10”W x 16”L

1/4”T x 2 1/2”W x 14”L

1/4”T x 7 3/8”W x 15 1/2”L

1/4”T x 5 1/16”W x 9 15/16”L

1/4”T x 6 1/2”W x 7 3/8”L

1/4”T x 6 1/4”W x 14 1/2”L

1/4”T x 10”W x 13 1/2”L

1/4”T x 10”W x 12 1/2”L

1/4”T x 6 3/4”W x 8”L

1/4”T x 2”W x 5”L

1/4”T x 1 1/4”W x 12 1/4”L

Size

(60)

Front (A)

Stock: 1/4”. T op pattern piece. Insert W all Anchor tab here.

Bore 3” hole for 3 1/2” clock insert. Pattern overlap line

#P569

(61)

Insert W all Anchor tab here. Insert Side tab here.

Insert Side tab

here.

Pattern overlap line

Pattern overlap line

Front (A)

Stock: 1/4” Middle pattern piece.

#P569

(62)

Insert Side tab

here.

Pattern overlap line

Front (A)

Stock: 1/4” Bottom pattern piece.

Back (B)

Stock: 1/4”.

T

op pattern piece.

Pattern overlap line

#P569

(63)

#P569

Insert Side tab here.

Pattern overlap line

Back (B)

Stock: 1/4” Middle pattern piece.

Pattern overlap line

(64)

Pattern overlap line

Wall Anchor (C)

Stock: 1/4”, cut 2

Insert Side tab

here.

Pattern overlap line

Back (B)

Stock: 1/4” Bottom pattern piece.

#P569

Wall Anchor (C)

Stock: 1/4”, cut 2 Bottom pattern piece.

Pattern overlap line

(65)

Side (D)

Stock: 1/4”, cut 2 Top pattern piece.

Pattern overlap line

#P569

(66)

Side (D)

Stock: 1/4”, cut 2 Bottom pattern piece

Pattern overlap line

#P569

(67)

Front & Back Base (E)

Stock: 1/4”, cut 1 each

Side Base (F) Side Base (F)

Base Anchor (K)

Base Anchor (K) Base Anchor (K)

Base Anchor (K)

#P569

(68)

#P569

Base Side (F)

Stock: 1/4”, cut 2

(69)

#P569

Front & Back Spire (G)

Stock: 1/4”, cut 1 each. Bottom pattern piece.

Pattern overlap line

Side Spire (H) Side Spire (H) Spire Anchor (L) Spire Anchor (L)

(70)

#P569

Spire Side (H)

Stock: 1/4”, cut 2. Bottom pattern piece.

Optional: Sand bottom, inside edges of the Spire Sides, and The Front & Back Spires to sit flush on the Ceiling.

Pattern overlap line

Pattern overlap line

Spire Side (H)

Stock: 1/4”, cut 2. Top pattern piece. Optional: Sand bottom, inside edges of the Spire Sides, and The Front & Back Spires to sit flush on the Ceiling.

Pattern overlap line

Front & Back Spire (G)

Stock: 1/4”, cut 1 each. Top pattern piece. Spire Anchor (L)

(71)

Floor (I)

Stock: 1/4” Left pattern piece.

Front

Adjust slots, if necessary, for the thickness of the material used.

Insert Front tab here. Insert Back Wall tab here.

Insert Base Side tab here.

Side (D)

Pattern overlap line

(72)

Floor (I)

Stock: 1/4” Right pattern piece.

Insert Base Side tab here.

Side (D)

Pattern overlap line

#P569

Base Anchor (K)

Stock: 1/4”, cut 2

(73)

#P569

Ceiling (J)

Stock: 1/4”

Spire (G) Spire (G)

Note: Due to the angle of the Spire assembly

, it may be necessary to

sand the inside and/or outside edges of the tabs to fit in the Ceiling slots easier

.

(74)

#P569

Spire

Anchor (L)

Stock: 1/4”, cut 4

(75)

#P570 - Leavenworth

Requires a pendulum movement kit

(#A309 - #A312) 24”H x 14”W

(76)

GENERAL SCROLLSAW TIPS & TECHNIQUES

The following scrollsaw tips and techniques are intended to get you started and on your way to scrollsaw success. Not only will you find these techniques helpful in completing the this project, you will also find that they can be applied to many other scrollsaw projects as well.

HARDWOODS VS PLYWOODS

Selecting the type of material you will use is very important for the final outcome of your project. This project has been designed so that hardwoods, plywoods, or a combination can be used to create your work of art. Hardwoods have their advantages as well as their disadvantages. They come in a variety of species, colors and grain patterns, yet they are more time consuming requiring more sanding, are more likely to warp and are more expensive to use.

Plywoods, on the other hand, are less expensive, require less sanding, and come in a variety of standard thicknesses. They also are less likely to develop cracks or warp. We do, however, recommend that you use a top grade plywood without voids, such as the Baltic and Finnish birches.

SANDING

For most projects, it is best to sand the work piece prior to applying the paper pattern and cutting the design. Once you’ve cut the design, and removed the paper pattern, it may be necessary to lightly sand any glue residue remaining, along with any “fuzz” on the bottom side.

BLADE SELECTION

There are many opinions pertaining to which blade to use with which type and thickness of material, as well as, with how intricate the design in the project is. The more time

you put into scrolling, the more your choice of which blade to use will become personal preference. For the beginning scroller we make the following recommendations to get you started:

USING THE PATTERNS

Downloadable patterns give you the advantage of printing the patterns on your own printer at your own convenience. Be sure to download all of the file and save it to a disk or your harddrive according to your computer software’s instructions.

Once you have printed the number of pattern pieces that you will need to complete your projects, you are ready to apply the pattern to your work pieces.

Apply the repositionable spray adhesive as directed in the next section. If your project requires piecing 2 or more sheets of paper together to make the full-size pattern piece, simply follow the instructions below for accurate alignment. Blade Size Recommended

#2/0 or #2 #5 or #7 #7 or #9 Material Thickness 1/16” - 1/4” 1/4” - 1/2” 1/2” - 3/4” or thicker

Step 1

Using a straightedge and a craft knife, cut on the dashed “Pattern Overlap Lines” to remove the excess paper.

Step 2

Next, align the sections and secure together with clear tape. Now, apply the repositionable spray adhesive to the backside of the paper pattern as instructed in the next section.

Cut on solid line for Frame only.

Frame & Back Stock: 1/8” - 1/4”, cut 1 each Left pattern piece.

Cut on dashed line for Back

Pattern overlap line

Clear tape Craft knife Ruler Pattern overlap line

(77)

REPOSITIONABLE SPRAY ADHESIVE

Using a repositionable spray adhesive is the easiest and quickest way to transfer a pattern to your work piece after photo copying it. In a well ventilated area, lightly spray the backside of the paper pattern. Allow it to dry only until tacky - approximately 20 - 30 seconds. Then apply it to the work piece, smoothing any wrinkles if necessary. Two common problems that sometimes occur when using repositionable spray adhesive for the first time is applying the right amount onto the back of the pattern. Spraying too little may result in the pattern lifting off of the project before you have finished cutting. If this occurs, clear scotch tape can be used to secure the pattern back into position. On the other hand, spraying too much will make it difficult to remove the pattern, If this occurs, simply use a hand held hair dryer to heat the glue, which will loosen the pattern allowing it to be easily removed.

DRILLING STARTER HOLES

When drilling starter holes it is best to drill close to a corner, rather than in the middle of the waste areas, as it will take less time for the blade to reach the pattern line.

STACK CUTTING

Stack cutting is fairly simple to do and can save you a lot of time when you have 2 or more identical pieces to cut for a project. If you are fairly new to scrollsawing and stack cutting, we recommend cutting no more than a total thickness

of 1/2” for best results.

On projects with fairly simple shapes to cut out, 2 or 3 layers could be held together by double-sided tape, or by using spray glue on paper to sandwich between the work pieces.

On more intricate projects we suggest using #18 wire nails or brads slightly longer than the total thickness of the stack you are cutting. Tack the nails into the waste areas you will cut out, along with a few around the outside of the project. If the nail has gone through the bottom of the work piece, use a hammer to tap it flush, or use coarse sandpaper to sand the points flush with the bottom of the work piece.

If you are stack cutting hardwoods, do not tack the nail too close

to the pattern line or it may cause the wood to split. Another option would be to predrill for the nails with a slightly smaller drill bit so the nail will fit snugly and hold the layers together securely.

SAWING THIN WOODS

Occasionally you may find it difficult to control your workpiece when cutting in thin hardwoods or plywoods. The following suggestions should help to eliminate or reduce this problem.

1. If you have a variable speed saw, reduce the speed to 1/2 to 3/4 of high speed.

2. If you do not have a variable speed saw, it will help to stack cut 2 or more layers of your material to keep better control of the workpiece.

3. For cutting any thickness of material it is very beneficial to keep at least one hand, if not both, partially touching the table with your fingers for better control.

4. Using a smaller blade with more teeth per inch helps to slow down how fast the blade is cutting. But keep in mind that if the blade is leaving burn marks you will need to slow the speed down or use a blade with less teeth per inch.

(78)

VEINING

Veining is a simple technique that will bring a lifelike appearance to your project. The veins of a leaf or the folds of clothing will look more realistic when this technique is incorporated. To vein, simply saw all solid black lines as indicated on the pattern. Some areas of the pattern you will be able to vein by sawing inward from the outside edge, while in other areas you will need to drill a tiny starter hole for the blade.

AUXILIARY TABLE

Most scrollsaws on the market today have an opening in the table around the blade that is much larger than what you really need. This often causes small and delicate fretwork to break off on the downward stroke of the blade. An easy solution is to add a wooden auxiliary table to the top of the metal table on your saw.

To make an auxiliary table, choose a piece of 1/4” - 3/8” plywood similar to the size of your current saw’s table. If you choose, you can cut this plywood to the same shape as the metal table on your saw, or any shape or size you prefer. However, we do recommend that you make the table larger than what you think you will need for the size of the projects you will make in the future.

Next, set the auxiliary table on top of the metal table. From the underside of the metal table, use a pencil to mark the location where the blade will feed through. Then turn the auxiliary table over and drill a 1/16” - 1/8” diameter hole, or slightly larger than the blade you will be using.

Finally, apply a couple of strips of double-sided carpet tape to the metal table on each side of the blade. Then, firmly press the auxiliary table onto the double-sided carpet tape, making sure that the blade is centered in the hole.

FINISHING TECHNIQUES

If you’ve made your project from hardwood, we recommend dipping your project in a dishpan type of container that contains a penetrating oil such as Watco, Tung, or others. After dipping, allow the excess oil to drain back into the pan and then follow the manufacturer’s instructions.

If you have chosen to use plywood, such as Baltic Birch, you can use any of the wide variety of wood stains available on the market. We do, however, recommend sanding the surface thoroughly, in order for the plywood to accept the stain more evenly.

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A A B C C D E E F R G I J K L M N P

#P570 - The Leavenworth

Q 3 6 12 9 H

#P570 The Berry Basket © Copyright 2002 • All Rights Reserved www.greatamericanscrollsaw.com • a division of The Berry Basket

GREAT AMERICAN

DOWNLOADABLE PATTERNSTM

#P570 - Assembly Instructions

1. Select your material from a variety of hardwoods or solid core plywood.

2. Measure each pattern piece and cut the work pieces to size accordingly. Sand as necessary. 3. Make all pattern pieces by adhering the paper patterns to the work pieces with a repositionable spray adhesive. Cut the outer shapes and any interior designs. And drill where indicated.

4. Remove all paper patterns. Sand where needed. The edges can be rounded by sanding or using a small roundover router bit if desired. 5. Assemble by first attaching the Front Panel (A) to the Window Panels (B). Then attach the Back Panel (A) and the Spacer (N). Now attach the Floor (M) with glue and / or finishing nails. Proceed to attach the Roof (C) and glue the Side Brackets (E) into position. Next, attach the Crest (D), Dial Underlays (H & P), and the 2 Overlays (L & Q)). Now, attach the clock movement (excluding the pendulum) before proceeding.

Lay the clock assembly carefully on it’s front. Attach Bottom (G) into place. Then lay the clock assembly on it’s back to attach the Bottom Brackets (F). Next, attach Bottom (R), Pendulum Overlay (K), Front Fence (I) and Side Fences (J). Hang the pendulum rod from the movement and adjust the length by breaking off sections in 1” increments.

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#P570

1 ea

2

2

1

4

2

1

1

1

2

1

1

1

2

1

1

1

Front & Back Panel

Window Panel

Roof

Crest

Side Bracket

Bottom Bracket

Bottom

Dial Underlay

Front Fence

Side Fence

Pendulum Overlay

Overlay

Floor

Spacer

Dial Underlay

Overlay

Bottom

Description

Item Qty

A

B

C

D

E

F

G

H

I

J

K

L

M

N

P

Q

R

1/4”T x 7 1/4”W x 10 5/8”L

1/4”T x 4 1/2”W x 8 3/4”L

1/4”T x 6”W x 7”L

1/4”T x 7 3/8”W x 14 1/4”L

1/4”T x 2 1/2”W x 9”L

1/4”T x 4 1/2”W x 6 1/2”L

1/4”T x 7 1/4”W x 11 1/2”L

1/8”T x 6 5/8”W x 6 5/8”L

1/8”T x 1 3/4”W x 14 1/2”L

1/8”T x 1 3/4”W x 6”L

1/16-1/8”T x 4”W x 4”L

1/16-1/8”T x 4”W x 6 3/4”L

1/4”T x 6”W x 12 1/4”L

1/4”T x 4”W x 6 3/4”L

1/8”T x 5 1/4”W x 5 1/4”L

1/16” - 1/8”T x 1 3/4”W x 2”L

1/4”T x 5 1/4”W x 4 1/2”L

#P570 - THE LEAVENWORTH

Size

W indow Panel (B) W indow Panel (B)

Use glue and #18 x 5/8” finishing nails to attach Front & Back to Window Panels.

Spacer (N)

Drill for clock shaft.

Small dashed lines indicate placement of Dial Underlay (P). Dashed lines indicate

placement of Dial Underlay (H).

Note: Cut a 4” diameter hole in Back Panel (A). This will allow you to change the battery and set the time. Pattern overlap line

Front & Back Panel (A)

Stock: 1/4”, cut 1 each. Bottom pattern piece.

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#P570

Front & Back Panel (A)

Stock: 1/4”, cut 1 each

Top pattern piece.

Small dashed lines indicate placement of Overlay (L).

Dashed lines indicate placement of Dial Underlay (H).

Pattern overlap line

References

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