Albinoni Adagio - String Orchestra

YAS61

INSTRUMENTATION

Full Score . . . 1

Violin I . . . 8

Violin II . . . 8

Violin III (Viola T.C.) . . . 2

Viola . . . 5 Cello . . . 5 Bass . . . 5 Piano . . . 1 S E R I E S C A R L F I S C H E R

Young String Orchestra

Grade 2

Albinoni’s Adagio

Tomaso Albinoni/Remo Giazotto

Arranged by

Lauren Keiser

YAS61F

Performance Notes

This Adagio was part of a Sonata a tre in G minor by Tomaso Albinoni, without opus number; the only remaining parts are that of the figured bass (in printed form) and two first violin fragments in manuscript form. The part of the figured bass and the two fragments were sent by the State Library of Dresden to Mr. Remo Giazotto soon after the end of the Second World War, after the thematic index of Albinoni’s works (R. Giazotto, Albinoni, musico di violino dilettante veneto [1671–1750], Milan, Bocca, 1945) had already been prepared and published.

The first move towards the reconstruction of the work was provided by the realiza-tion of the figured bass, to which a brief introducrealiza-tion was added. Using this figured bass and the two thematic elements (six measures in all), the whole was pieced together and composed in full accordance with the harmonic tissue suggested by the figured bass.

Performance Suggestions

1) First Ending (m. 28): In the original this is not optional and should be played. However, much of the arpeggio middle section has been shortened, thus changing the architecture of the work which can support going directly to the second ending. This is the conductor’s choice.

2) At m. 49, the cellos and bases may play arco. The bases would resume pizzicato at m. 65, and the cellos at m. 74.

3) At measure 76, while marked senza fraseggiare (play in strict rhythm), if the optional octave in the first violins is not played, consider a breve fermata on the third beat as follows:

About the Arranger

Lauren Keiser has spent much of his time in the fields of music publishing and edu-cation. He has published and edited hundreds of music books, folios and arrange-ments, including The Complete Beatles, scores of other popular musicians, such as John Denver and Billy Joel, and the works of classical composers Lukas Foss and Howard Hanson, among others. He created and started Music Alive and Guitar One magazines, and was a co-founder of “Music in Our Schools,” the annual national celebration. He has taught at the college level and has served in senior music-pub-lishing executive positions for the last twenty years. Presently, he is the Chief Executive Officer of Carl Fischer. He is a graduate of Goddard College in Vermont. His private teachers included Elie Siegmeister, Isaac Nemiroff, and Krzysztof Penderecki.

       Adagioq = 66 Adagioq = 66

Copyright © 1958 by Casa Ricordi-BMG Ricordi, Sp. A This arrangement Copyright © 2008 by Casa Ricordi-BMG Ricordi, Sp. A 1 MM MM MM MM MM MM MM

Albinoni’s Adagio

from Adagio in G Minor for Organ and Strings

2 3 4 ₅

TOMASO ALBINONI

(1671–1751)

REMO GIAZOTTO

(1910–1998)

Arranged by Lauren Keiser

6 Violin I Violin II Viola Cello Bass Piano 1 2 GE pB -M _{BM 5}. 5 5M 5 5 BM 5 5 5M 5 5 5 5M 5 GE pB -M BM BM BM BM BM E pB -M BM BM BM BM E MB E pizz. p 5 5 5 5 5 5 5 5 5 ₅ 5 _{5 5} 5 _{5 E5} E5 ₅ E pizz. p 5 5 5 5 5 5 5 5 5 ₅ 5 _{5 5} 5 _{5 E5} E5 ₅ GE pBBBMMM BBBMMM BBMM5 5 5 M _{5 5 BMBBMM} BBMM55 5M 5 EBBMM55 5M 5 E 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 E5 E5 5 7 9 9 8 9 10 11 12 Vln. I Vln. II Vla. Cello Bass Piano 1 2 GE _{5 5 5M} 2 1 1 5 5 5E BM dolce, ma pieno p5. 5M 5 2 5M 5 B _E51 5 5M 5 5M 5 B 5 3 GE _B- _{E5 BM} 0 p5 . M 5 5M 5 5M 5 5EM _pp= 4 _p5 . M 5E 5E M 5 5 E B- _{5 BM} p 5 . 5M 5 5M 5 BM 5 5M 5 5M 5 BM E 5 5 5 5 5 5 p5 5 5 5 5 5 5 5 5 5 5 5 E 5 5 5 5 5 5 p5 5 5 5 5 5 5 5 5 5 5 5 GE _{BB55 5M E555 5 5 BBBMMM} dolce, ma pieno 5 5 5M 5 5M 5 5 5M M 55 B5M 5 5M 5E55M 5 5 5M 5E5 5M 5 55MM 55 B5M 5E 5EM 5 5 3 E 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5  YAS61F 3

13 14 15 16 17 18 Vln. I Vln. II Vla. Cello Bass Piano 1 2 GE 5. 5 5 5 5 5 BM 5 5 5 5 5 5 BM 5 5 5 5 5 5 BM 3 3 3 GE _{5 B 5 5! 5 B 5 5 5 5 B 5 5 5 5} E B 5- _{5 5 5 5}- _{5 5 B}3 _{5 5 5 5 5 5 5 B}3 . _{5 5 5 5 5 5 5}3 E ₅ 5 _{5 5} 5 ₅ 5 5 5 5 5 5 ₅ 5 ₅ 5 5 5 E ₅ 5 _{5 5} 5 ₅ 5 5 5 5 5 5 5 5 5 5 5 5 GE ₅5 _B5 5 5 5 5 BM5 5 5 B5 5 5 55 5 5 BM5 5 5 B5 5 5 55 5 5 BM5 5 5 3 _{3 3} E ₅B 5 ₅5 ₅5 55 5 ₅ 5 5 5 5 B 5 5 5 5 5 55 5 5 ₅ 5 5 5 B 5 5 5 5 5 5 5 5 5 5 5 5 3 3 3 19 20 21 21 21 22 23 24 Vln. I Vln. II Vla. Cello Bass Piano 1 2 GE B- 5 p B.  = poco fraseggiando 5- 5 5 5 5 5E 5 B!M 5M 5 5M 5 5M 5 5M 5 GE ₅._{M E 5} ( p 5 5 BB.MM (optional) ) B-M Viola:4 B . ! M _{= 5 5 5 5 5 BM}BM BM_BM E 5 mp5 . _{5 5} pB . M BM 4 = 5- 5 5 5 5 BM BM E _{5 5 5} arco pB . M BM _Epizz.₅ E5 _{5 5} 5 _{5 5!} 5! ₅ E ₅ 5 ₅ arco pB . M _{BM E}pizz.₅ E5 _{5 5} 5 _{5 5!} 5! ₅ GE _5MB _55E 5 p B  55 5 B%M = poco fraseggiando BM 5 5 5 5 5 4 5 E 5 BB!!MM ₄ 5M 5 5 5 BM 5 5M 5 5MBBMM 5 5M 5 E 5_{5 55 55} BBMM BBMM _E54 5E= 5 5 4_{5 5}BM 5 _{5 5!} 5! ₅  YAS61F

25 26 27 1. 1. MM MM MM MM MM MM MM 28 2. 2. 29 Vln. I Vln. II Vla. Cello Bass Piano 1 2 GE 5M 5 5 5 5 5 5M 5 5 5 5 5 5M 5 5 5 5 5 B.M - ₅._{M 5}- _{5! 5} GE_!BM5M mf 5! 5 5 5 5 5M 5 5EB M _{5 5 5 EB M5M 5} -5 -5 -5 -5 _B-_{M B}-_M E 5M mf 5! 5 5 5 5 5M 5 5E 5 5 5 5EM _{5- 5 5 5 5 B}._M - _{E MB}. -E 5! 5! 5 5 5 5 5 5 5 5 5 5 arco_B.M E 5! 5! 5 5 5 5 5 5 5 5 5 5 arco B.M GE _{555!MMM 55 55 55 55 55 55MM 55 55E 55 55 55 55EMM 55 55 55 55 55 BBBMMM E5MBBMM 5} 5! 5 E 5! 5! 5 5 5 5 5 5 5 5 5 5 B BMM 30 30 30 31 32 33 34 35 Vln. I Vln. II Vla. Cello Bass Piano 1 2 GE _{E 5 5! 5 55}. - _{5M 5 5! 5 5E 5 5E 5E} 5M 5 5 5 _{E 5 5! 5! 5}5 4 _{5 5 5 5 5} GE ₅ 5 . E M _5I B -M _{B 5 5I BM B 5 5I 5}-_{M 5I} 5. E 5 5.M _5I B-M B 5 5I BM B 5 5I B! M -E B 5 5I BM B 5 5I BEM B _{5 5I B}- M E B 5 5I BM B 5 5I BM B 5 5I B-M GE_{E55 !E5 5 55MM5 5 5 5M} 55 M BBMM 5  _E 5! 5 BB5 5 5E E555 55 BM5M 5 5 5 E_{B5 5 5! 5! 5 5} 5 5 5 MB_{! M} 5 55 55 5 E B B ₅5 ₅5 M BBMM BB 55 55 E MMMBBB BBB 555 555 BBMM  YAS61F

36 37 38 39 40 41 Vln. I Vln. II Vla. Cello Bass Piano 1 2 GE _{E 5 5!M 5! 5 5 4 = 5}5 4 . 5 5 5M 5 5! 5 5 5 5E 5 5M 5 BM BM GE _{5 5M 5 BEM B 5 5IE B!M BM BM} E B _{5 5I! BM} B _{5 5I 5 5 BE} BM BM E B 5 5I BE M B 5 5I 5pizz. 5 5 5 5 5 5 5 5 E B _{5 5I BM B} pizz. 5 5I 5 5 5 5 5 5 5 4 5 GE _E5 B ! 5 5 5M 5M 5! 5 BBEMM5 5_{5 5!} 4 = 5 5 5 B_B5M 5 5! 5 E E!5 5_{55 55 BM55 5}5 5M 5 _BBBMMM _BBBMMM E B B 5 5 5 5 BB BMMM BBB 555 555 55 B E 5 5 5 5 5 5 5 5 5 42 43 43 43 44 45 46 47 Vln. I Vln. II Vla. Cello Bass Piano 1 2 GE BM 5. 5 5 5M 5 BM 5. 5 5 B 5 5 5 B 5 5 5 5M 5 GE _{BM ! MB}. - _{BM ! MB}. BM B _5IE E BM B.M - BM B.M E MB B 5I! E ₅ 5 5 5! 5! 5 ₅ 5 _{5 5} 5 _{5 E5} E5 _{5 5} 5 ₅ E 5 4 5 5! 4 5 5 4 5 5 4 5 E5 4 5 5 4 5 GE _{BBBMMM !BBMM5 5} 5 5M 5 BMBBMM _!BBMM55 5 B !EBBMM55 5 B BB55 5 5M 55E 5 E ₅ 5 5 5! 5! 5 5 5 5 5 5 5 E5 E5 5 5 5 5  YAS61F

48 49 50 51 53 53 52 53 Vln. I Vln. II Vla. Cello Bass Piano 1 2 GE BM f 5. 5M 5 5M 5 B _E5 5! 5M 5 5M 5 B 5 ff 5. 5 5 5! 5 5 3 GE _BM f5 . 5M 5 5M 5 B _E5 5! 5M 5 5M 5 B 5 _ff5 . 5 5 5! 5 53 E BM f 5. 5M 5 5M 5 5M 5 5!M 5 5M 5 5E 5M 5 5M 5 5M 5 5EM 5 5 ff5. 5 5 E 5 5 5 f5 5 5 5 5 5 5 5 5 5 5 5 ff5 5 5 E 5 4 5 f5 5 5 5 5 5 5 5 5 5 5 5 ff 5 5 5 GE _BBBMMM f 5 5 5 5M M 55 ₅5M_{M 55}5 _BB5M 5 E5!M 5_E555M 5 E!5!55 55MM 5555M_{M 55}5 _BB5M 5 5EM 5 55 ff 5 5 !_!5₅ 5_{5 55}!_! 5_{5 55} 3 E 5 5 5 5 5 5 5 ₅5 5 5 5 5 5 5 ₅5 5 5 ₅5 55 55 54 55 56 57 58 59 Vln. I Vln. II Vla. Cello Bass Piano 1 2 GE B!M 5- 5! 5 5 5 5 BM mf BM _{5M 5I 5M 5 5 4 4} 3 GE _B!M 5- _{5! 5 5 5 5 BM} mf 5 . I E M 5I 5M 5 BM 5M 5 5M 5 3 E 5 5 5 5 5 5 B ₅ 5 5 5 mp 5 5 5 B.M B 5 BM 3 3 E 5 5 5 ₅ 5 ₅ 5 5 5 mp5 5 5 5 5 5 5 5 5 E 5 5 5 ₅ 5 _{5 5} 5 ₅ mp5 5 5 5 5 5 5 5 5 GE!! B_{5 5 5}BMM 55 !!55 5_{5 5}5 55 ₅5 _BBMM mf EBM 5 5 5 5M 5 5M 5 BM 55M I 5M 5 55M 4 5 45M 5 3 3 E 5 5 5 B 5 5_{5 5 5}5 55 5 5 5 5 BM 5_{5 5 5 5}B 5 ₅5 ₅BM 5 ₅ 3  YAS61F

60 61 63 63 62 Freely Freely 63 64 a tempo a tempo 65 Vln. I Vln. II Vla. Cello Bass Piano 1 2 GE 4 = 5. 5M 5 5 4 4 B.₁M p solo 5- 5 5 5 5 5 5 5 5 tutti f 5 5-M 5 5 5 B. 5! 3 GE BM 5M _{5 5M 5 B}.M pBM BM Viola: BM 0 E BM BM B.M p BM _{BM BM} E 5 5 5 5 5 5 arcoB.M pBM BM ₀ E 5 5 5 5 5 5 arco_B.M pBM BM pizz. 5 5 5 GE _BBMM4 = 5 5M 5 55M 4 5_ 4 _BBMM p 5M 5 _BBMM5 5 5 5 5 5 5 5 5 BM f 5 5M 5 5 5 B_BM 5! 3 E 5 5 5 5BM 5 5 MB_BM B_BMM BBBMMM ₅ 5 ₅ 66 67 68 69 70 71 Vln. I Vln. II Vla. Cello Bass Piano 1 2 GE B- 5 5 5 5! B _{BM 5}._{M 5 5M 5 5M} = 4 ₅._{M 5 5M 5} 3 GE BM 0 4 _{= 5}0 I 5 E M5_I 0 5 I 5M 5 BM 0 5M 0 5 I E 5IM 5 BM 0 E BM _{4 = 5I. 5M 5 5E M 5II}.  5M 5 BM 5M _5IE 5_{IM 5 BM} -E _{0 4 =} 5I. 5M 5 B.M _BM B!M _BM E 5 5 5 5 5 5 ₅ 5 ₅ 5 5 5 5 5 5 5 5 5 GE B 4 5 5 5 5! = B 5 _{5M 5 5M 5}EBM 5M 5 BM5M 5 5M 5 5M =_{4 E}=5 4_{5M 5 BM}5 M 5 5!M 5 3 E 5 BM 5 5 5 5 5 5BM 5 5 5BM 5 5 5B!M 5 5 5BM 5 5  YAS61F

72 73 74 75 76 76 76 Vln. I Vln. II Vla. Cello Bass Piano 1 2 GE _5M = 4 4 = f 5. IE 5 5M5 5 5 5 5 5 B. optional: ff = senza fraseggiare 5 5 . 5! 5 5 ! 5 5 5 5 5 5E 5 5 E 5 GE 5M 0 5 I E 4 = f 5. IE 5 B5  5! _B. = ff senza fraseggiare 5 . 5! 5 5 5 5E 5 5M 5 E 5M _5IE 5M 5 5.M f5I _{E 5 B5  M} - _{B. =} ff5. 5! 5 5 5 5E 5senza fraseggiare E B!M BM pizz.₅ 5 ₅ arco B.  4 0 E 5 5 5 arco_BM pizz.5 5 5 arco B.  4 0 GE 4 5M = _E=5 4 5M f5 5 I  5M 5 E 5E55 5 5MB 5 5 55 5 5 BBB!  = ff senza fraseggiare 5 5 !!55 55 55 55 E_E5₅ 55 E 5 B!M 5 5 _BBMM 55 5 5 5 5 _BB _{= 5 5} 5 5 5 5E 5 77 78 79 80 81 Vln. I Vln. II Vla. Cello Bass Piano 1 2 GE 5.!M 5 5 5 5 5 5!M 5_ 5M 5 5M 5 5M 5 5M 5 5 5! 5 5 5M 5 5 5 5 5 GE! M5. _{5 5 5 5 5 5!M 5 5M 5 5M 5 5M 5 5M 5 5 5! 5 5 5M 5 5 5 5 5} E 5! M. _{5 5! 5 5 5 B} 5 B.M - _5!M 5 5 5 5 5 5M 5 5! 5 5 5 E pizz. ff 5 E E5 5 5 5 5 5! !5 5 _5 5 _{5 5} 5 ₅ E pizz. ff 5 E E5 5 5 5 5 5! !5 5 _5 5 ₅ 5 5 5 GE 5!!5MM 55 5555 55 55 !!55MM ₅5 55MM 55 55MM 55 55MM 55 55M_{M 5}5 55! 555! 5 ₅5 ₅5M_{M 5}5 ₅5 55 ₅5 ₅5 E 5 E5!M 5E 5 5! 55 5 5 B 55 5 5 5 !BM 5! 5 55!M 5 5 5 5 5 5 5 5 5M 5 5 5 5! 5 5 5  YAS61F

82 83 84 Solenne Solenne 85 86 86 86 87 Vln. I Vln. II Vla. Cello Bass Piano 1 2 GE 5M 5 5 5 5 5 B.M - BM 5. 5 5M = ff5- BM B _{= 5-} GE _{5M 5 5 5 5 5 B}._{M 5 5 5 B 5}. _{5 5}_{M =} ff 5- 5 BE B = 5- E 5EM 5 5 5 5 5 B.M 5 5 5 B B. = ff5- BM B! _{= 5-} E 5 5 5 5! 5! 5 5 5 5 arco B  E = ff5 - BM EB = 5- E 5 5 5 5! !5 5 5 5 5 EarcoB = ff5- BM EB = 5 - GE ₅5M_{M 5}5 ₅5 ₅5 ₅5 5_{5 BB}BMMM BM_{5 5 5 B 5}5B₅5₅5M_{M =} ff 555 _{BBMM5 B}E BBB! = 555 E 5 5 E M 5 5 5 5 5 5 5 5! 5! 5 5 5 5 BB  E E = 55 BBMM EEBB = 55  88 89 90 91 92 93 Vln. I Vln. II Vla. Cello Bass Piano 1 2 GE BM B = 5- 5 B B! = 5- 5 BE BM GE 5 B EB = 5- 5E B B = 5- B ₅₅- _B. -_M E BM B = 5_{ BM}- B! _{= 5- 5 BE} _BM E BM EB = 5- BM _B = ₅- BM BM E BM EB = 5- BM _B = ₅- BM _BM GE _{BBMM5 B} BBBE = 555_ E55BM BB _BBB! = ₅₅5 ₅5B BBEE 5 _BBBM_MM 5 E BBMM EEBB = 55 BBMM B_B = ₅5 _BBM_M _BBM_M  YAS61F

94 95 96 97 98 Vln. I Vln. II Vla. Cello Bass Piano 1 2 GE f B ₌ sffz ff 5- 5 B B _{= 5- 5 B B = 5}- GE f B. = sffz ff 5- BM _B! = 5- _{BM B} = 5- E f B! = sffz5- BMff B = 5- 5 _B EB = 5- E fB E = sffz5 ff - BM EB = 5- BM EB = pizz. 5 E f B E = sffz5- BM_ff EB = 5 - _{BM EB =} pizz. 5 GE f BB = sffz ff 55  5BM B BB! = 55 5BM B EBBB = 555 E BB!E = 5_5 BBMM BBE = _55 _BM5 B E_EB_{B = 55} 99 99 a tempo a tempo 99 100 101 102 103 104 Vln. I Vln. II Vla. Cello Bass Piano 1 2 GE mfB . M _{5 5 5 B} dim. 5 5 5 B _{5 5 5M} 2 1 _ppBM1 5 5-_E5 4 =p solo 5 - 5 5 55 BM55 5 5 B . 3 GE mfB . M divisi BB- _MM dim.BB E MM uniti B _E5 ppB . M B  M E mfB . M B-!M dim. B E M _{B 5} ppB . M BM E mf5 5 5 5! 5! 5 dim.5 E E5 5 5 5 5 pp arco B . M _BM E mf5 5 5 5! 5! 5 dim.5 E E5 5 5 5 5 pp arco B . M BM GE mfBBBMMM B BBMMM 5 5 5 B dim. EEBBBMMM55 5 B BB55 5M E55 ppBBBMMM 5 5 5 4 = _{5 5 5 5}p 5 BBBMMM55 5 5 B  3 E 5 5 5 5! 5! 5 E5 E5 5 5 5 5 _BBM_M _BBM_M  YAS61F

YAS61 — $45.00 Set YAS61F — $6.50 Full Score YAS61P — $3.00 Parts

)3".

65 Bleecker Street, New York, NY 10012

www.carlfischer.com

UPC

The Carl Fischer Performance Series for Orchestra and String Orchestra has four different performance levels to provide you with a highly focused repertoire for your orchestra and string orchestra. Each level has been carefully designed and graded, within specific guidelines, so that each piece in a level will work for your ensemble when it achieves that level. Each level is also color coded for ease in finding the series that will be appropriate for your orchestra, as it develops. Within each grade level, you will find selections in a variety of styles and genres designed to meet all of your performance and teaching needs. The Carl Fischer composers and arrangers are some of the most respected writers in the business. Their music is dynamic, fresh and eminently worthy of your attention.

Young String Orchestra Series

¸ Playable by second- and third-year ensembles ¸ Extending to third position

¸ Keys still carefully considered

¸ Addition of separate Violin II and Viola parts (also a Viola T.C. part included) ¸ Still limited independence of parts

% " " "               I II Viola Cello Bass Violin Piano ©‡ G © © © © © © ‡ G © © © © © ©‡ G © © © © © ©‡ G © © © © © • ©© G ©© ©© ©© ©© ©© 1 ©© ©© ©© ©_{© ©© ©©} © © © © © © © © © © © © © © © © © © ©O © © © © © • ©© ©© ©©©© ©© ©© 2 ©©O ©© ©©©© ©© ©© © © © © © © © © © © © © © © © © © © © © © © © © © ‡ G© © © © © © © ©© ©© ©© ©© ©© ©© ©© ©© 3 © ©©©©©©©©©©©©©©© ˜¨ Å © ! ‡ ˜¨ Å ©!‡ ˜¨ Å ©! ‡ ˜© pizz. (© © ©! ˜© pizz. (© © ©©! ˜ ¨ Å 4 © © ! © ( © © ©‡ (© © © © © ¨ ©₍‡ ¨ ©† ¨ ©‡ ( ¨ ©† © ¨ © ¨ © ¨ © ¨ ¨ ©©©_ ¨ ©©©_ 5 © ¨ © ¨ © © © © ¨ © ¨ © ¨ © ¨ © © ¨ © © © ¨ © © ¨ ©©©_ ¨ ©©_© 6 © ¨ © © % " " "        I II Vla. Cello Bass Vln. Pno. © © © © © © ¨ © ¨ © ¨ © ¨ © © ¨ © ¨ © ¨ © ¨ ¨ ©©©_ ¨ ©©©_ 7 © ¨ © ¨ © © © Ð ¨ © Ð ¨ © Ð © © © © © © © © ¨ ©©©_ ÐÐÐ 8 © © © © ©‡ © © © © © ¨ © ¨ © ¨ © ¨ © © ¨ © ¨ © ¨ © ¨ ¨ ©©©_ ¨ ©©©_ 9 © ¨ © ¨ © © © © ¨ © ¨ © ¨ © ¨ © © ¨ ©O © © ¨ ©O © ¨ ©©©_ ¨ ©©_© 10 © ¨ ©O © © © © © © © © ¨ © ¨ © ¨ © ¨ © © ¨ © ¨ © ¨ © ¨ ¨ ©©©_ ¨ ©©©_ 11 © ¨ © ¨ © © © Ð ¨ © Ð ¨ © Ð © © © © © © © © ¨ ©©© ÐÐÐ 12 © © © © 13 ©‡ G © © © © © © ‡ G © © © © © ©‡ G © © © © © © G ¨ © ¨ © G ¨ © ¨ ¨ G ©©© ¨ ©©© 13 © ¨ © ¨ YAS65F

Copyright © 2008 by Carl Fischer, LLC

International Copyright Secured.

All rights reserved including performing rights. WARNING! This composition is protected by Copyright law. To photocopy or reproduce by any method is an infringement of the Copyright law. Anyone who reproduces copyrighted

matter is subject to substantial penalties and assessments for each infringement.

% " " "       I II Vla. Cello Bass Vln. Pno. © © © © © © © © © © © © © ¨ © © © ¨ © © ¨ ©©©_ ¨ ©©_© 14 © ¨ © © © © © © © © © © © © © © © © © © © © © ¨ © ¨ © ¨ © ¨ ¨ ©©©_ ¨ ©©©_ 15 © ¨ © ¨ © © © Ð © © © Ð © © © Ð © © © © © © © © ¨ ©©©_ ÐÐÐ 16 © © © © ©‡ © © © © © © ‡ © © © © © ©‡ © © © © © © ¨ © ¨ © ¨ © ¨ ¨ ©©©_ ¨ ©©©_ 17 © ¨ © ¨ © © © © © © © © © © © © © ¨ ©O © © ¨ ©O © ¨ ©©©_ ¨ ©©_© 18 © ¨ ©O © © © © © © © © © © © © © © © © © © © © © © © ¨ © ¨ © ¨ © ¨ ¨ ©©©_ ¨ ©©©_ 19 © ¨ © ¨ © © © Ð © © © Ð © © © ¨ © © © © ¨ ©©© ÐÐÐ 20 © © © © % " " "        I II Vla. Cello Bass Vln. Pno. 21 ¨ ©©‡ ( div. ¨ ©©† ¨ ©₍‡ ¨ ©† ©‡ (© © © © © ©‡arco ( © © © © © © (¨ © ¨ ¨ (©©© ¨ ©©© 21 © ¨ © ¨ ¨ ©©† ©© ©©O ¨ ©† ©O © © © © © © © © © ©O © © ¨ ©O © ¨ ©©©_{ ©©©O} ©©©O 22 © ¨ ©O © ¨ ©© ¨ ©© ¨ © ¨ © © © © © © © © © © © © © © ¨ © ¨ ¨ ©©©_ ¨ ©©©_ 23 © ¨ © ¨ ¨ ©© ÐÐ ¨ © Ð © © © Ð © © © Ð © ¨ © © ¨ ©©©_ ÐÐÐ 24 © ¨ © © ¨ ©©‡ ¨ ©© ¨ ©‡ ¨ © ©‡ © © © © © ©‡ © © © © © © ¨ © ¨ ¨ ©©©_ ¨ ©©©_ 25 © ¨ © ¨ ¨ ©©† ©© ©©O ¨ ©† ©O © © © © © © © © © ©O © © ¨ ©O © ¨ ©©©_{ ©©©O}©©©O 26 © ¨ ©O © ¨ ©© ¨ ©© ¨ © ¨ © © © © © © © © © © © © © © © © ¨ © ¨ ¨ ©©©_ ¨ ©©©_ 27 © ¨ © ¨ YAS65F