Man In The Mirror Choral SATB sheet music by Michael Jackson (arr. Ed Lojeski).pdf

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Arranged by ED LOJESKI Moderately (q = 100) 'XUDWLRQFD &RS\ULJKW‹81,9(56$/086,&&253$(5267$7,21&25325$7,21DQG<(//2:%5,&.52$'086,& 7KLVDUUDQJHPHQW&RS\ULJKW‹81,9(56$/086,&&253$(5267$7,21&25325$7,21DQG<(//2:%5,&.52$'086,& $OO5LJKWVIRU$(5267$7,21&25325$7,21&RQWUROOHGDQG$GPLQLVWHUHGE\81,9(56$/086,&&253 $OO5LJKWVIRU<(//2:%5,&.52$'086,&&RQWUROOHGDQG$GPLQLVWHUHGE\:%086,&&253 $OO5LJKWV5HVHUYHG8VHGE\3HUPLVVLRQ 5HFRUGHGE\0LFKDHO-DFNVRQ Words and Music by GLEN BALLARD and SIEDAH GARRETT )RU6$7% DQG3LDQR

0DQLQWKH0LUURU

6RSUDQR $OWR 7HQRU %DVV 3LDQR  5      Performance Notes:.HHSWKHWHPSRSUHFLVHWKURXJKRXW$OOUK\WKPVVKRXOGEH H[HFXWHGH[DFWO\DVZULWWHQ/LVWHQLQJWRWKHRULJLQDOUHFRUGLQJZLOOKHOSZLWKWKH RYHUDOOLQWHUSUHWDWLRQE.L.   Fingersnaps   _{  }  p µ  w/Pedal      (continue Fingersnaps)    _ 8QLV I’m

mpgon na­ make a change, for once in my

  * Available separately: SATB, SAB ShowTrax CD     _  _    _                  _  _                                 _

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  13      

life. It’s gon na­ feel real good, gon na­ make a



 _{  }

   



dif f’rence,­ gon na­ make it right.

8QLV As mf I   _{  }     

turn up the col lar­ on my fav ’rite­ win ter­ coat, this wind is blow in’­ my mind.

 mf  _{  }      _                                                 _{    }   _{ }  _{              }                           _   _{ }  _{    }    

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  21     8QLVmf 

I see the kids in the street with not e­nough to eat. Who

8QLV

am I



 _{  }



to be blind? Pre tend­ ­ingnot to see their needs. A sum mer’s­ dis re­ ­gard,

  Am7(' 4)  _{ }   

a bro ken­ bot tle­ top, and a one man’s

8QLV soul. They  G/B C(' 9) G/B   _{   }  _ _                   _{ }                                                                _{  }                                            _{ }            _{ } 

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  29  

fol low­ each oth er­ on the wind ya’ know, ’cause they got no where­ to go,

 _



Am7(' 4) G/B C(' 9)





that’s why I want you to know.

(Fingersnaps out)

I’m f

start ing­ with the man in the mir ror.­

 f

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C/D G C C/D

 f



I’m ask ing­ him to change his ways. And no mes sage­ could have

  G G(' 9)/B C C/D G G(' 9)/B C                              _  _           _{ }                                                            _  _      _{   }                   _{ }                                _{ }        _    

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   

been an ­ yclear er:­ If



you wan

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na

­ have the world a bet ter­ place, take a

  A/C# D7(#9)   look 

at your self,­ then make a change.

  C/D G D/F# Em7   Na 8QLV

na na, na na na, na na, na nah.

  8QLV _  D C C(' 9) D Em7 D/F#                                                           _  __ _ _ _ _                                                    _ _            _{ }                                    _         _{  }      

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41     I’ve mf

been a vic tim­ of a self ish­ kind of love. It’s time that I re al­ ­ize,

 _{  }



G D/F# Em7 D C(' 9)

 mf



that there are some with no home,

 mf not a  D/C C D G D/F#   

nick el­ to loan. Could

8QLV

it be real ly­ me, pre tend­ ­ing that they’re

 Em7 D C(' 9)                            _   _{ }  _{    }                   _{ }                                                           _{            }                      _  _{  }     _           

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 49   

not a ­ lone? A wil low­ deep ly­ scarred, some bod­ ­y’s bro ken­ heart,

  Am7(' 4) G/B    

and a washed out

8QLV

dream They fol low­ the pat tern­ of the wind,



C(' 9) G(' 9)/B Am7(' 4)





ya’ see, ’cause they got no place to be, that’s whyI’m start ing­ with me.

 _  G/B C(' 9) C/D                          _{ }      _{ }                                                             _{ }        _          _{ }                         _{     }         _{ }   _{  }      

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    57     I’m f

start ­ ing with the man in the mir ror.­

 f



G G(' 9)/B C C/D G/D

 f



I’m ask ing­ him to change his ways. And no mes sage­ could have





G G(' 9)/B C C/D G/D G G(' 9)/B





been an ­ yclear er:­ If



you wan



na

­ have the world a bet ter­ place, take a

  C A/C# D7(#9)   _{               }               _                         _{ }                         _     _                                                                  _ __ _ _ _ _        

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         66    look 

at your self,­ then make a change. look



at your self,­ then make that

  _  _      GLY ff 

man in the mir ror,­ oh,

GLY yeah!  change! ff  I’m 8QLV

start ing­ with the

I’m

8QLV

ask ing­ him to



Ab Ab(' 9)/C Db Db/Eb Ab Ab(' 9)/C

 ff 

Bet ter­ change! Hoo! Hoo! If



you



change his ways.

8QLV

No mes sage­ could have been an y­ clear er.­

 Db Db/Eb Ab Ab(' 9)/C Db Bb/D                                                                                     _                        _ __  _       __       _{    }  _{  }  _{       } _{       }      _{ }   _{           }  _   _{  } _ _{  } __                   

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  76   wan  na

­ make the world a bet ter­ place,take a look



at your self­ and then makea change. Yougot ta­

 

Eb7(#9)

 

get it right while you got the time.’Cause when you close your heart then you close your



You

8QLV

can’t close your, your

  

mind! That

8QLV

man, that man, that man, oh

GLY



mind!



With that man in the mir ror,­ that

8QLV  Ab Ab(' 9)/C Db Db/Eb                                   _{    }              _       _                     _{              }                            _       _      _{ }   _{   }                _                    _                  _ __  _             _{  } 

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    yeah! That 8QLV

man, that man, that man. Bet

GLY

ter ­



man. I’m ask ing­ him to change his ways. You

8QLV



Ab Ab(' 9)/C Db Db/Eb

 

change! That man, hoo!

GLY

hoo! If



you



know, no mes sage­ could have been an ­ y clear er.­



Ab Ab(' 9)/C Db Bb/D

 

wan na­ make the world a bet ter­ place, take a look



at your self­ then make a

  Eb7(#9)                             _{   }       _                         _     _ _{  }  _{   }                   _{ } __   _ _                                                        _       _ _                _{      }            

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84     change.  8QLV Na f

na na, na na na, na na, na nah.

  8QLVf  Ab Eb/G Fm7 Eb Db(' 9)  Db  f  Oh GLY yeah! Na 8QLV na na, na na na, na    

Eb/Db Db Eb/F Db Ab Eb/G Fm7 Eb

  na, na nah. Fingersnaps  (continue snaps)    I’m mp

gon na­ make a change,

 Db(' 9)                                                                   _      _{ }    _{        }                           _{  }     _                 _  _      _{  }                

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  98    Change! mfGLY  it’s f

gon na­ feel real good! Come on! Just lift your­

  mf    Yeah! f 

self, you know. You’ve got to stop it. Your­ self!

  

Make that change!



Man in the mir ror.­



I’ve got ta­ make that change, to day!­ You got to,

   _{  } _         _{   }  _{ }     _{ }                              _              _                       _          _ _           

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 104      Yeah! 

you got to not let your self,­ broth er.­ You’vegot ta.­

  

Make that change!



Man in the mir ror.­



I’ve got ta­ make that change, that change. You’ll

     (end Fingersnaps) Change. pp 

love it, you’ll love it, you’ll love it, you’ll love it.

pp   mp                 _{ }         _{ } _  _                 _{      }         _{    }  _{ }   _ _            _ _                                        _   