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The making of a programme diary : a study into the programming of arts presentation at arts centres in Britain

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Figure

Table 3. Arts Centres by Foundation
Table 5.1 Methods of Product Acquisition
Table 8.1 Reputation Systems for Venues—Different Actors with Different Criteria for Assessment
Table 9.1 Distinction between ‘Creator’ and ‘Editor and Distributor’ in the CPS
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Outline

How Programmes Emerge Constraints on Programming Antiquated Courtship or Antagonistic Co-operation? The Relationship between Venues and Visiting Companies A Changing Relationship between Arts Centres and Visiting Companies Analysis of Product Acquisition—Queue Discipline Collectivity at the Micro Level Collectivity at the Macro Level Inhibitors for a Reputation System of Arts Centres Different Art Worlds Issues for Future Research

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