A
Moderately q = 147
Beat It
Words and Music by Michael Jackson
Copyright © 1982 Mijac Music This arrangement Copyright © 2017 Mijac Music
All Rights Administered by Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219 International Copyright Secured All Rights Reserved
1. 2. Gtr.
Tune down 1 step: (low to high) D-G-C-F-A-D
*R.H.
*L.H. µ
mf
*Hit body of gtr. to create percussive sounds.
Em P.M. D P.M. P.M. steady gliss.
**Hit strings near bridge w/ fingers of picking hand, except where otherwise indicated.
** Em P.M. D *** D ***
***Hit body of gtr., as before.
8 3 02 2 0 3 2 5 2 0 2 2 02 02 X X X 0 X X X 4 0 3 2 5 2 0 2 X X X 4 2 02 0 2 2 0 2 02 1
B 1. 2. C Em D6 Em D6 C D *
*In a single downstroke, sound upstemmed notes by striking strings w/ backs of fingernails while slapping thumb against strings to produce a percussive sound (downstemmed notes), throughout.
Em D5 ** Em **Hit body of gtr. D6 Em P.M. D6 5/6CVII 2/3CVII ***
***Strike strings w/ pick-hand thumb. †
†Refers to downstemmed notes only.
X X X 0 7 9 8 0 7 9 8 0 7 9 8 X X 0 07 7 X X 10 7 0 0 6 7 6 6 7 7 0 6 X X 8 7 7 7 9 8 8 X X 0 0 7 9 8 X X 0 0 7 X 0 5 5 8 7 7 7 7 7 X X X 3 3 3 5 3 5 X X 3 3 5 X X3 3 5 5 7 5 7 5 7 X X 7 5 7 8 9 9 XX 7 97 9 5 7 7 5 7 7 X X X 5 7 7 7 8 9 9 XX 8 7 79 9 8 X X 7 0 7 7 X X 5 0 10 7 10 7 7 X X XX 0 7 7 7 5 5 7 0 9 7 X X 7 7 7 0 7 7 7 7 0 6 6 7 7 6 7 0 X X X 0 0 2
2 C To oda 1 C To oda D.S. al Coda 1 (take repeats) 1 Coda Em D6 Em P.M. 1/2CII * *As before Dsus2 1/2CII Em P.M. 1/2CII ** **As before Dsus2 1/2CII Em7 E5 D5 D *** ***Hit body of gtr. Dsus2 1/2CII Em D6 5/6CVII 0 7 5 7 9 7 7 7 7 10 0 0 0 0 0 0 0 0 7 7 X 9 10 7 7 10 7 7 9 9 7 7 10 0 0 0 5 X X X 0 0 0 0 0 0 0 0 3 0 0 3 2 5 2 3 5 4 1 2 5 0 X X 2 3 0 3 2 3 0 5 2 0 2 XX 5 3 0 5 3 0 3 2 5 2 3 5 X X 4 5 0 0 3 2 3 0 5 2 0 2 5 3 3 0 4 5 0 4 5 0 4 5 X X 0 2 3 0 2 3 0 2 3 2 0 X X 3 0 3 2 0 5 2 0 2 0 5 3 5 7 X X 0 7 0 0 2 2 5 5 7 0 9 7 X X 7 7 7 7 7 X X 7 0 0 0 6 7 6 6 7 7 6 7 0 X X 0 3
D Em P.M. D6 5/6CVII Em 1/2CII * *As before ** **Upstroke w/ thumb. Dsus2 1/2CII Em Dsus2 E5 S P.M. S S ***S
***S=Slap strings w/ pick-hand thumb while simultaneously hitting gtr. body w/ heel
of palm. ††Upstroke w/ thumb. ††
†
†Refers to 6th string only
S
Just beat it, beat it.
S ††† †††w/ thumb 0 7 7 7 0 0 0 7 5 7 9 10 7 7 9 10 7 7 10 7 7 7 0 7 6 6 7 7 7 7 X X X X X X X X 0 5 3 0 3 0 0 X X 5 2 3 5 4 1 2 5 X X 2 3 0 0 2 3 3 0 4 5 0 2 5 3 X X 0 5 3 0 0 0 X X 2 2 3 5 4 X X 0 5 0 3 0 5 0 4 5 3 X X X 3 0 4 X X X 5 0 0 X X X 0 2 0 2 0 2 X X 0 0 3 3 0 02 3 0 3 0 0 2 X X 0 2 0 2 X X 0 2 0 0 3 X X X 3 0 0 3 0 3 0 3 0 3 0 X X 0 2 0 2 4
E
S *
Just beat it, beat it.
S 3 *Hit body of gtr. Em let ring S S S S S S 0 2 0 2 0 0 3 0 3 0 3 0 3 0 0 X X 33 00 0 2 0 2 X X 7 3 0 X 0 0 2 0 2 4 3 3 X X X X X X 3 3 5 XX 0 X X X 4 3 3 X X X X X X 4 3 3 4 5 4 5 0 02 02 02 4 3 3 X X X X 3 3 5 3 X X X X 0 4 3 3 X X X X 3 3 4 5 0 2 0 2 0 2 3 3 X X X X 4 3 3 4 5 3 X X X 0 0 4 3 3 X X X X 4 3 3 4 5 0 2 0 2 0 2 4 3 3 X X X X 4 3 3 4 5 3 X X X X X X 4 3 3 X X 4 3 3 4 3 3 4 5 0 02 X X X 5
F 1. D.S.S. al Coda 2 2. 2 Coda E5 F#5 G5 D%[no3rd] ** E5 F#5 G5 D5 *
*Strummed, next 16 meas. **Hit body of gtr.
Cmaj7 D%[no3rd] *** ***As before E5 D5 D%[no3rd] † †As before Dsus2 1/2CII Em 5/6CVII 7 9 0 9 0 X X X 9 11 X X X 10 12 X X X 5 7 0 7 0 7 9 0 9 0 00 9 11 X X X X 10 12 5 7 5 7 3 5 0 5 0 0 0 5 7 0 7 0 5 7 0 7 0 0 0 0 0 7 9 9 7 9 9 X X X 7 9 9 X X X 5 7 7 5 7 7 5 7 7 5 7 7 5 7 0 7 0 X X X 7 0 0 3 2 0 5 2 0 2 0 5 3 5 7 X X 0 7 0 0 2 2 5 5 7 0 7 9 X X 7 7 6
G D6 5/6CVII Em P.M. D6 5/6CVII * *As before Em Dsus2 1/2CII Em Dsus2 E5 D5 E5 D5 E5 D/A 7 7 7 X X 7 0 0 0 6 7 6 6 7 7 6 0 7 X X 0 07 70 7 5 7 9 10 7 7 9 10 7 7 10 7 7 7 0 7 6 6 7 7 7 7 5 X X X X X X X X 0 3 0 3 0 0 X X 5 2 3 5 4 1 2 X X 2 3 5 0 2 3 3 0 4 5 0 2 5 3 X X 0 5 3 0 0 0 X X 2 2 3 5 4 5 X X 0 0 0 3 4 3 5 0 4 3 5 3 0 3 X X X 4 3 0 5 4 X X X 0 0 4 5 0 X X X 2 3 0 2 3 0 2 3 X X X 0 0 3 4 3 0 0 3 5 4 3 4 X X X 0 0 4 5 X X X 0 2 3 0 2 3 0 2 3 X X X 0 0 3 4 3 0 3 5 0 0 4 3 4 X X X 0 0 2 3 0 0 2 3 2 4 5 3 X X X 0 0 2 3 2 7
A
Free time
Cancion del Mariachi
Words and Music by Cesar RosasCopyright © 1995 Ceros Music This arrangement Copyright © 2017 Ceros Music All Rights Administered by BMG Rights Management (US) LLC
All Rights Reserved Used by Permission
Moderately fast q. = 136 B Gtr. * Tune down 1 step: (low to high) D-G-C-F-A-D
Em
mf
3
*Chord symbols reflect implied harmony.
w/ fingers let ring throughout
B7 3 3 Em 3 3 3 3 Em B7 S
**Slap strings at bridge w/ thumb. ** 2 3 0 2 3 0 2 3 0 2 2 0 0 0 0 0 1 0 1 0 0 0 1 0 0 1 0 0 2 1 0 2 1 2 4 2 1 2 2 2 2 1 2 2 1 2 0 2 1 4 7 5 7 5 4 5 4 2 4 2 0 2 2 0 0 5 6 4 0 2 2 0 0 0 9 9 8 87 8 7 8 7 8 7 8 8 8 7 9 8 9 8 88 87 10 8 7 9 7 8 107 7 9 7 9 1
C Em S S
*Hit strings w/ picking hand. * Em B7 Em B7 Em **
**Refers to upstemmed notes only.
7 9 7 8 107 7 9 7 8 107 7 9 7 8 107 7 9 7 8 107 7 9 7 8 107 7 9 7 8 107 7 9 7 8 107 7 9 7 8 107 7 9 7 8 107 7 9 7 8 107 7 9 7 8 107 7 9 7 8 107 7 9 7 8 107 7 7 7 7 7 0 7 9 9 8 7 X X X X 0 0 0 0 0 0 0 X 0 0 0 X X X 0 0 0 0 0 1 0 0 0 0 0 2 0 1 X 0 0 2 X X 0 0 2 12 X 2 2 1 2 X 1 2 2 2 1 0 2 2 0 2 2 0 2 2 0 1 2 20 X 0 0 X X X 0 2 0 0 X 0 0 0 X X X 0 0 2 0 1 X 0 0 0 X X X 0 0 2 0 1 0 0 X 2 X X X 0 7 7 8 10 7 8 9 7 8 0 0 X 2 X X X 0 2 0 X 2 2 X X X 0 1 0 X 2 0 2 1 2 1 20 20 X 0 0 0 2
D Am Em B7 Em Am Em B7 Em B7 S * *w/ thumb Em S S Em B7 0 2 1 0 2 1 2 2 1 0 0 3 0 0 2 0 0 2 00 0 4 0 2 0 0 0 0 0 0 0 0 9 108 108 0 9 10 X 7 9 8 7 X X X 0 0 7 7 10 8 8 7 7 0 0 0 0 0 0 0 0 9 9 X 8 7 8 7 X 8 8 7 8 7 8 8 X 8 7 7 X X 87 87 8 8 87 0 X X 0 0 0 0 7 9 7 8 7 9 7 8 7 9 7 8 10 7 9 7 8 107 7 9 7 8 107 7 9 7 8 107 7 9 7 8 107 7 9 7 9 7 9 7 8 107 7 9 7 8 107 7 9 7 8 107 7 9 7 8 107 7 9 7 9 7 8 10 7 9 7 8 10 7 7 7 7 7 7 9 9 8 7 0 0 0 0 0 0 0 0 0 0 3 2 0 0 0 1 00 3 2 0 0 1 3 0 2 0 0 12 2 1 2 0 X 2 X X X 2 1 X 2 1 2 2 X X 2 1 0 2 2 0 2 3
E ma p Em ma p ma p ma ma p sim. sim. B7add4 p p ima p Em ma p ma * *Hit body of gtr. Am Em B7 Em Am Em B7 E5 E5 B 2 0 2 2 1 2 0 0 0 0 0 0 0 0 0 2 2 0 0 0 0 2 2 0 0 0 0 2 2 0 0 0 2 2 0 2 2 0 0 2 2 0 0 0 3 2 2 2 0 0 2 2 0 3 2 0 0 2 2 0 2 2 0 0 0 3 2 2 0 0 3 2 0 0 2 2 0 0 2 2 0 3 2 X 0 0 0 2 1 2 0 0 2 1 2 0 0 2 1 2 0 0 2 1 2 0 0 2 2 0 2 1 2 0 0 2 1 2 0 0 2 1 2 0 0 2 1 2 0 0 2 1 2 0 0 2 1 2 0 0 2 1 2 0 0 2 1 2 0 0 2 1 2 0 0 2 1 2 0 0 4 0 2 2 0 X 0 0 2 2 0 X 0 0 2 2 0 0 0 0 0 0 8 108 0 9 10 7 9 8 7 0 0 0 X 10 8 8 0 X X X 8 7 0 00 0 0 0 0 2 2 0 0 0 0 0 0 0 0 1 2 0 0 1 0 3 X 0 0 X X X 0 0 2 2 00 0 0 0 0 0 7 7 0 7 12 7 0 12 7 0 11 7 0 11 7 0 11 7 0 11 7 0 4
E5 B7 Em B7 Em B7 Em B7 Em Me gus- *
*Hit body of gtr., as before.
0 12 7 0 12 7 0 12 7 0 7 12 7 0 11 7 10 11 7 10 11 7 10 0 11 0 0 12 0 0 0 12 0 0 12 0 0 0 10 12 10 8 10 8 7 8 7 5 7 5 3 5 3 2 4 2 0 3 2 1 0 2 2 1 2 0 0 0 1 0 2 0 0 4 0 2 20 0 0 0 0 0 0 0 2 0 0 0 2 4 0 2 2 2 4 2 2 4 2 4 2 2 4 2 4 0 0 2 0 0 3 0 0 0 0 2 4 0 42 87 75 53 0 4 2 0 0 5
F
ta
Em
to - car gui - tar - ra, me gus - ta can - tar el sol.
B7
Mar - i
-
a - chi me_a com- - pa - ña cuan - do can - to mi can ción.
Em - ma p ima S p S S ima p ma p ma p ma p ma p ma p B7add4 ma p ma i *S
*Slap strings w/ palm-side of pick-hand fingers.
S S S S Em ima p ma i **
**Vary slap location on fretboard to produce occasional random artificial harmonics.
0 X X X X X 2 0 0 0 2 0 0 0 7 7 10 7 7 7 0 0 0 0 0 0 0 0 2 1 2 0 0 X 2 X 2 1 2 2 1 2 0 0 0 0 0 0 0 0 0 2 2 0 0 0 0 2 2 0 0 2 2 0 2 0 0 0 0 2 2 0 0 0 0 2 2 0 0 0 X 2 0 0 0 0 2 2 0 2 2 0 1 0 0 2 2 0 0 0 X 00 X 0 2 2 0 1 0 0 0 0 X 2 2 0 0 0 0 2 1 2 0 0 2 1 2 0 X 2 1 2 2 1 2 2 1 2 0 2 1 2 0 2 1 2 0 2 1 2 0 2 1 2 0 2 1 2 0 2 1 2 0 0 2 1 2 0 2 1 2 0 2 1 2 0 2 1 2 0 0 2 2 0 0 0 0 2 2 0 0 0 0 2 2 0 0 0 0 0 6
Ay,
Am
ay, ay, ay,
Em ay, ay, B7 ay, a mor. Em - Ay, Am mi mor en Em - - a de mi B7 cor - a zón. Em - Ay, Am
ay, ay, ay,
Em ay, ay, B7 ay, a mor. Em - 0 0 2 2 1 X 2 2 1 0 0 1 0 0 0 0 0 0 X 2 2 0 2 0 1 2 0 X 2 0 2 0 0 0 0 0 0 0 0 0 9 108 X 9 108 0 9 108 10 9 8 7 X 9 8 7 0 7 7 8 10 X 8 8 0 7 8 0 00 0 X 0 00 0 0 0 2 1 0 X 2 1 2 0 2 0 1 0 0 0 X 0 0 0 2 0 0 0 12 0 2 1 2 0 X 2 1 2 0 1 2 0 0 2 0 0 2 0 0 0 0 0 7
Ay, Am mi mor en Em - - a de mi B7 cor - a - zón. Em *S
*Slap strings w/ thumb.
S S
¡Ay, ay, ay, ay, car - am - ba!
S 0 0 8 7 7 0 0 0 0 3 0 0 0 0 0 0 2 1 2 0 2 4 0 2 2 0 0 0 0 2 2 0 0 0 0 2 2 0 0 0 0 2 2 0 0 0 0 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 109 0 12 0 10 0 9 0 12 0 10 0 9 0 12 0 10 0 9 0 12 0 10 0 9 0 12 0 10 0 9 0 12 0 10 0 9 0 12 0 0 109 0 12 0 10 0 9 0 12 0 10 0 9 0 12 0 0 109 0 12 0 0 109 0 12 0 0 109 0 12 0 10 0 9 0 12 0 10 0 10 0 10 8
A
Don’t Cry
Words and Music by Izzy Stradlin’ and W. Axl Rose
Tune down 1 step: (low to high) D-G-C-F-A-D
Gtr. Slow q = 72 *Am mp Dm
*Chord symbols reflect basic harmony. w/ fingers
let ring throughout
G C G/B µ Am Dm G G/A P.M. Harm. **
**Shake neck at headstock w/ fretting hand to create slight vibrato.
***Hit body of gtr. ***
†Hit strings simultaneoously w/ thumb & back of fingernails, producing a percussive sound, throughout. Harm. † 0 2 2 1 0 0 1 2 0 2 3 2 1 3 2 3 3 0 0 0 2 3 0 0 3 2 2 0 0 3 2 0 0 2 2 1 0 0 0 1 2 2 3 2 1 3 2 0 3 0 0 0 3 3 4 5 12 12 12 12 X X 12 X X X X X X 0
B
Am Dm
G C G/B µ
*In a single downstroke, sound upstemmed notes by striking strings w/ backs of fingernails while slapping thumb against strings to produce a percussive sound (downstemmed notes), throughout.
* Am7 Dm G C G/B µ Am7 Dm G C G/B µ Am7 Dm G C G/B µ 0 2 1 0 X 0 1 2 1 0 3 0 2 0 3 3 3 2 1 3 3 0 3 03 03 1 1 0 3 2 2 0 0 0 3 2 0 2 0 0 0 0 0 0 3 0 1 0 0 1 0 3 2 3 03 3 0 3 03 03 0 3 0 3 2 2 0 0 0 3 2 0 0 3 0 1 3 0 3 0 3 0 1 0 0 1 0 3 2 1 3 3 0 3 3 03 1 3 0 3 2 2 0 0 0 3 2 0 0 3 0 1 3 0 3 0 3 0 1 0 0 1 0 3 2 0 0 0 0 0 3 0 3 0 3 00 3 2 2 0 0 0 0 0
C F G Am G 1/2 F G Am F G C C6/B Am F G Am G 1 3 3 2 1 3 5 0 3 0 0 3 0 X 3 0 0 3 0 0 3 0 X 0 2 1 0 3 X X X 3 1 0 3 0 X X X 3 X 0 3 2 1 1 1 1 1 X 3 3 5 5 X X X 3 0 0 3 0 0 0 0 3 0 0 2 2 0 3 0 1 0 5 0 0 5 3 1 30 1 2 0 3 1 1 X 8 8 X X X 10 108 10 108 10 10 10 12 12 10 12 1212 1213 10 8 9 8 8 8 8 7 7 7 7 0 7 8 10 108 108 108 12 9 10 12 10 13 10 0 0 10 108 10 8 10 10 12 1212 10 12 12 12 00 0 5 5 5 1 0 0 0 0
D Am Dm G C G/B µ Am7 Dm7 G C G/B µ Am7 Dm G C G/B µ Am7 Dm G C G/B Am7 G 0 2 1 0 X 0 2 1 0 3 5 3 X 3 3 X X X 0 3 X 0 X 3 1 3 0 3 2 2 0 0 0 3 2 0 0 3 1 0 0 3 0 3 0 1 X 0 1 0 X X X 2 3 0 3 3 3 3 0 3 0 0 3 0 3 0 3 0 0 3 0 3 2 2 0 0 0 3 2 0 3 1 0 XX X 3 X 0 0 0 1 0 X 3 X X X 0 2 3 0 0 3 3 0 0 3 0 0 3 0 0 3 1 3 0 3 2 2 0 0 0 3 2 0 3 0 1 3 0 X 0 0 X X X 1 3 2 1 3 0 1 0 X X X X 2 3 0 0 0 0 0 0 0 0 0 3 0 0 2 0 1 0 0 2 0 3 0 0 0 3 0 5 0 0 0 5 0 0 0 3 1 0 0 1 0
E
F G
Am G
*
*Lightly tap soundboard w/ fingers (golpe).
F G Am Bm/A **Refers to downstemmed note only. **P.M. Fmaj7 1 3 2 F G C Gadd4/B P.M. Am Am/G ***w/ index finger *** †
†Strum w/ index finger as if holding a pick.
F G A5 µ 3 †† 1 1 1 3 1 1 1 3 0 2 3 2 1 0 0 03 0 3 0 0 1 2 2 0 2 2 0 0 1 0 2 2 0 1 0 2 2 0 1 0 2 2 0 1 X X X X 0 2 2 0 1 0 2 2 0 1 X X X 0 2 2 0 3 0 0 0 1 1 1 0 2 2 3 0 2 3 2 1 0 3 0 3 0 0 0 0 3 0 1 1 1 0 0 0 2 2 X 0 0 X X X 0 5 5 5 5 8 4 3 2 4 3 0 0 2 1 0 1 0 X X X 10 108 10 108 X 8 8 10 10 10 10 12 12 10 12 13 12 12 X 10 X X X 12 13 0 0 3 2 0 1 3 2 0 1 3 2 0 1 3 2 0 1 2 0 0 1 2 0 0 1 2 0 0 1 0 0 0 0 0 0 0 2 2 1 0 2 2 1 2 1 0 X X X 3 X 1 1 3 0 2 3 2 1 0 0 0 0 3 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 1
F Dm/A F G Am G P.M. 1 F 4 1 G Am 1/4 1/4 F G 2 1 E 3 3 i p *Rasgueado * ami F µ Am µ 1/2 0 0 2 X 1 X X X 1 3 10 3 X X X 0 1 0 3 X 1 1 0 3 0 0 3 3 0 3 1 0 2 2 1 2 0 2 0 0 3 3 3 1 1 3 0 0 2 1 1 2 20 3 2 1 0 3 3 3 5 4 0 5 4 0 5 4 0 3 3 7 6 0 5 4 3 1211 9 8 10 0 7 5 7 7 5 7 X 3 5 3 3 0 1 1 3 1 0 3 1 3 1 3 1 0 0 1 0 3 3 3 3 0 3 3 3 3 3 3 3 2 2 1 0 0 0 0 0 0 0 0 0 0 2 2 1 0 0 2 0 0 0 3 0 3 2 0 1 0 2 0 3 3 1 0 0 3 3 3 5 5 3 3 0 1 3 1 2 2 0 1 X X X
G Dm G C 4 4 C/B Am G Dm G C C/B Am G Dm G C C6/B Am G Dm G C P.M. C/B P.M. Am Am/G * p 7 6 5 0 0 7 6 5 7 6 8 7 6 5 3 3 0 0 3 0 3 0 3 3 3 3 5 5 2 2 2 0 5 5 5 5 0 3 5 5 3 5 3 0 0 3 0 0 3 0 0 7 6 5 0 7 6 5 7 6 8 7 6 5 3 0 0 3 0 0 3 X 0 0 0 3 0 0 3 X X X 3 3 3 3 5 5 5 5 2 2 2 0 5 5 7 7 3 5 5 5 5 00 0 3 0 0 7 6 5 0 7 6 5 7 6 5 7 6 8 7 6 8 7 6 8 5 7 6 5 X 3 3 X X X 0 0 3 0 9 8 8 8 8 7 7 1 3 108 108 108 00 0 0 3 3 5 1 3 1 0 1 0 0 3 0 0 3 00 0 7 6 5 0 7 6 0 7 6 5 7 6 5 7 6 5 0 7 6 8 8 0 7 6 0 7 6 8 7 6 8 5 7 6 5 X X X 0 0 3 0 0 0 0 5 5 5 5 5 5 X X X 2 2 1 2 2 1 2 2 2 2 1 0 X X X 0
H F G Am 3 3 p ami
p grad. bend grad. release
1/2 1 1/2 F CVIII G CX Am 3 3 1 F CVIII G CX C CVIII C6/B CVII Am F CVIII G CX F CVIII G CX CVIII 3 3 2 1 3 3 2 1 13 3 2 1 1 1 3 3 2 1 1 X X X X 0 3 0 0 3 0 3 0 0 3 0 3 0 0 0 X 0 0 15 15 15 15 15 15 15 15 15 15 13 8 8 8 8 10 10 10 108 X X X 10 108 X 8 10 10 10 10 12 12 10 12 13 12 12 X 10 X X 12 13 0 5 5 7 8 7 5 5 5 5 5 5 5 X 0 0 15 X X X 15 16 15 12 15 13 8 8 8 10 10 8 X X X 10 108 10 108 X 8 8 10 10 10 10 12 12 10 12 13 12 12 12 13 10 10 8 9 8 8 9 8 8 8 8 8 7 7 7 7 0 7 8 10 7 108 7 108 7 108 13 9 10 12 10 13 10 0 0 8 8 10 10 8 8 10 108 X X X 10 108 X 8 10 10 12 12 10 12 13 12 12 X X X 12 13 10 X 10 8 8 8 10 10 8 8 10 10 X 8 10 X X X 10 108 8 12 12 10 12 13 12 12 X X 12 13 10 X 10 8
F CVIII G CX E Fmaj7#11/E p ami ma p ma ami p ma p ma p F CVIII G CX CVIII F CVIII G CX F CVIII G CX 8 8 10 8 10 10 108 X X X 10 108 X 8 10 10 10 10 12 12 10 12 13 12 12 12 13 10 10 0 2 2 1 0 0 0 2 2 1 0 0 0 2 2 0 2 2 0 3 3 2 0 0 0 2 2 1 3 0 0 2 2 1 0 0 0 2 2 0 3 3 2 0 0 0 3 3 0 3 3 0 3 3 2 0 0 0 0 8 8 8 8 8 10 10 10 108 X X X 10 108 X 8 10 10 10 10 12 12 10 12 13 12 12 X X 9 12 10 13 X 8 10 108 10 108 12 12 12 10 12 12 10 12 12 10 X X X 12 12 10 8 10 8 10 108 8 10 10 X X X 10 108 X X X 12 12 10 12 13 12 12 12 13 10
Free time C CVIII CVIII CVIII CVIII 8 10 8 8 8 8 8 8 10 8 8 8 9 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 9 10 10 8 8 8 8 8 8 8 8 10 8 8 8 10 8 8 8 9 8 8 8 8 8 8 8 8 8 8 8 9 8 8 8 10 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 109 8 109 8 9 8 8 9 8 8 8 8 8 8 8 12 12 12 8 8 8 8 8 8 8 12 12 8