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The subjectivity of musical performance : an exploratory music psychological real world enquiry into the determinants and education of musical reality

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Academic year: 2020

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Figure

FIGuRE 3.]. Time period of research and participatory functions heldduring this period.
Figure 4.la. Participants of the performer-jury (Perf). A plus (+)denotes that the listening procedure was self-administered
Figure 4.lb-c. Participants of the non-musically educated jury (N-lie)and the musically educated jury (lIe)
Table 4.1 The number of times that different performances areselected as being within the "top five"
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