Miami Dade College MUL 1010, Music Appreciation, 3 credits Fall 2009

Miami Dade College

MUL 1010, Music Appreciation, 3 credits

Fall 2009

Instructor: Brian Wuttke

Email: [email protected]

Office: 8121

Phone: 305-237-2091 (email is preferred)

Office Hours: Tuesday, 10:00 am – 12:00 noon (e-mail for an appointment)

Room: 8248

Meeting Days: Tuesday & Thursday, 8:25 – 9:40 am (Ref # 525313) < or >

Tuesday & Thursday, 2:05 – 3:20 pm (Ref # 525322) Course Description

This course is a survey of the development of the various musical styles of Western Civilization. The emphasis is given to the student’s ability to understand and enjoy music.

Course Objectives The student will realize the following knowledge:

• List and define the basic components (elements) of music.

• List, categorize and describe music and art movements within historical time periods. • Identify, list and describe composers and their musical contributions.

• Listen to and identify music according to historical time period.

• Listen to, evaluate and critique musical performances using appropriate terminology. • Create and describe a personal philosophical statement as to the importance of music to

society.

The student will be encouraged to develop the following dispositions:

• An interest and willingness to objectively explore unfamiliar musical styles.

• An interest in improving ability to communicate musical preference in terms of accepted musical terminology.

• An interest in expanding familiar musical listening preferences. Materials

An outline designed to assist student note-taking will be distributed during each class session. It is recommended that students compile these outlines in a notebook to assist exam preparation. Although these outlines will cover materials on the midterm and final respectively, students may opt to take notes on laptop computers. While laptop computers are permitted for note-taking purposes, other portable electronic devices (i.e. cell phones, IPods, etc.) are not permitted during class sessions.

Required Text

Kamien, R. (2008). Music, An Appreciation (6th brief ed.) McGraw-Hill Co. The text is accompanied by a set of 5 audio CD’s, or 1 CD containing mp3 files.

Examinations and Assignments Midterm Exam

The Midterm examination will consist of material covered as listed on the syllabus from August 25th through October 13th. The exam will consist of two parts: 1) Musicians & Musical Terms (multiple choice) and 2) Listening (matching). Each section will be worth 100 points for a total of 200 points. Material for the test will be derived from class lectures, reading, listening assignments and other activities listed in the syllabus.

The Midterm Examination will be held on Thursday, October 15th during class. Final Exam

The Final examination will consist of material covered as listed on the syllabus from October 20th _{through December 8}th_{. The exam will consist of two parts: 1) Musicians & Musical Terms}

(multiple choice) and 2) Listening (matching). Each section will be worth 100 points for a total of 200 points. Material for the test will be derived from class lectures, reading, listening assignments and other activities listed in the class syllabus.

The Final Examination will be held on Thursday, December 10th during class. Descriptive Paper

Students will be required to write one descriptive paper. Students will select one work from the attached music list and write a description and critique using appropriate music terminology. Papers must be typed (12 point font, double-spaced) and be 4-5 pages in length (not including title and reference pages). Late papers will not be accepted.

The Descriptive Paper will be due on Tuesday, November 10th during class.

Concert Critiques

Students will be required to attend two music concerts at MDC Kendall campus in the fall semester. Students will write a critique (400 words minimum) using appropriate music terminology. Critiques will be posted to “The Student Lounge” forum under the MUL 1010 course heading for “Concert Critiques.” A concert program from the performance with the student’s name printed on the cover must also be submitted to the instructor in order to receive credit. Students will be provided with a concert schedule at the beginning of the semester. The deadlines to submit concert critiques online will be as follows:

Critique One based on concert attendance from 9/1 thru 10/1 must be posted on or before 10/1. Critique Two based on concert attendance from 10/2 thru 12/1 must be posted on or before 12/1. Late submissions will not be awarded credit.

Evaluation and Grading Policy 200 points The Midterm Exam

200 points The Final Exam 200 points Descriptive Paper

200 points Concert Critique (2 critiques for 100 points each)

200 points Class Attendance (see attendance policy for point allocation)

1000 points maximum. Use the following chart to convert the final point total to a final letter grade.

Attendance Policy

Extra Credit

All students are eligible for extra credit by posting additional concert critiques or responses to concert critiques on the forum. Students must register for the website and adhere to the posting guidelines outlined in the registration process in order to receive credit for their submissions. Extra credit posts should be at least 25 words minimum and substantive in order to receive credit. The instructor will review the site regularly and delete posts that do not contribute to the discussion, or are posted merely for the sake of achieving post ranking minimums. Extra credit points will be added to the final total as follows:

# of Posts Points Awarded

1 0 2-5 5 6-10 10 11-15 15 16 or more 20 Course Website

The course syllabus, descriptive paper guidelines, PowerPoint presentations, lecture outlines, and an online grade viewer are available to students at www.band4me.org. Click on the link to “The Student Lounge”

Miami Dade College - Kendall Campus Music/Humanities Lab Phone: (305) 237-2403 Room: M335 & M336

Lab Hours: Mon-Thurs 8:00 am – 9:00 pm / Fri 8:00 am – 4:30 pm

900-1000 A I or “Incomplete” will not be issued for this course.

800-899 B

700-799 C Make-up exams will not be provided.

600-699 D

Attendance Policy

Students are expected to attend every class meeting and to arrive on time. Miami Dade College has no provisions for unexcused absences. Attendance will be taken for each session. 15 points will be deducted for each absence, 7 points for each tardy or early departure.

Honor Code

All reports, papers, written assignments, test papers, and examination papers submitted for evaluation are assumed to be original work. Academic dishonesty (i.e. submitting another’s work as yours, copying answers from another student during exams) may result in a lower grade or a failing grade for the entire course.

Disabilities

Any student with a documented disability (e.g. physical, learning, psychiatric, vision, hearing, etc.) who needs to arrange reasonable accommodations must contact the instructor and Disability Services (ACCESS) at the beginning of the semester.

Copyright

Copyright © 2009, Brian C. Wuttke, Miami Dade College. All rights reserved. It is a violation of Federal law to copy, duplicate, sell, and/or distribute in any manner, including, but not limited to the internet, any copyrighted materials authored and/or produced by the course instructor.

CALENDAR – TENTATIVE LIST OF ACTIVITIES

8/25 Introduction & Syllabus Review.

8/27 Critical Review: Descriptive Paper Guidelines The Student Lounge: Forum Posting Guidelines

9/1 Lecture Topics: The Importance of Music to Society. The Value of Music

Reading: None Listening: None

9/3 Lecture Topics: The Elements of Music part 1

Reading: Kamien Unit 1, chapters 1, 2, 3, 4 and 5 (pages 1-40) Listening: CD One, Tracks 1-35

9/8 Lecture Topics: The Elements of Music part 2

Reading: Kamien Unit 1, chapters 6, 7, 8, 9 and 10 (pages 41-58) Listening: CD One, Tracks 36-46

9/10 No Class (Instructor at SMTE Conference)

Independent Study: Topic Research for Descriptive Paper.

9/15 Lecture Topics: The Music of Antiquity

Reading: Ferris chapter 6 (pages 49-56 posted in The Student Lounge) Listening: None

9/17 Lecture Topics: The Middle Ages

Reading: Kamien Unit 2, chapter1 (pages 59-78) Listening: CD One, Tracks 47-55

9/22 Lecture Topics: The Renaissance part 1, Sacred Music Reading: Kamien Unit 2, chapter 2 (pages 78-85)

Ferris chapter 9 (pages 83-91 posted in The Student Lounge) Listening: CD One, Tracks 56-61

9/24 Lecture Topics: The Renaissance part 2, Secular Music Reading: Kamien Unit 2, chapter 2 (pages 85-90)

Ferris chapter 10 (pages 93-100 posted in The Student Lounge) Listening: CD One, Tracks 62

9/29 Lecture Topics: The Baroque Period part 1, Form

Reading: Kamien Unit 3, chapters 1, 2, 3 & 4 (pages 91-109) Listening: CD One, tracks 63-70

10/1 Concert Critique 1 Forum Posting Deadline

Lecture Topics: The Baroque Period part 2, Opera

Reading: Kamien Unit 3, chapters 5, 6, 7 & 8 (pages 110-121) Listening: CD One, tracks 71-end of CD One

10/6 Lecture Topics: The Baroque Period part 3, Instrumental Music of Vivaldi and Bach Reading: Kamien Unit 3, chapters 10-12 (pages 124-132)

Listening: CD Two, tracks 1-10

10/8 Lecture Topics: The Baroque Period part 4, Vocal Music of Handel and Bach Reading: Kamien Unit 3, chapters 13, 14 & 15 (pages 134-148)

Listening: CD Two, tracks 11-22

10/13 Lecture Topics: Midterm Review Reading: None.

Listening: None. Film Viewing: TBA

10/15 Midterm Exam.

10/20 Lecture Topics: The Classical Period part 1, Style and Form Reading: Kamien Unit 4, chapters 1, 2, 3, 4, 5 & 6 (pages 149-171) Listening: CD Two, tracks 32-44

10/22 Lecture Topics: The Classical Period part 2, Instrumental Ensembles & Haydn’s Music Reading: Kamien Unit 4, chapters 7, 8, 9 & 10 (pages 172-176)

Listening: None

10/27 Lecture Topics: The Classical Period part 3, W. A. Mozart Reading: Kamien Unit 4, chapter 11 (pages 177-192) Listening: CD Three, tracks 1-11

Film Viewing: Excerpts from the motion picture “Amadeus”

10/29 Lecture Topics: Beethoven

Reading: Kamien Unit 4, chapter 12 (pages 193-206) Listening: CD Two, tracks 45 to the end of CD Two

11/3 Lecture Topics: Romanticism part 1, The Art Song

Reading: Kamien Unit 5, chapters 1, 2, 3, 4, 5 & 6 (pages 207-230) Listening: CD Three, tracks 12-25

11/5 Lecture Topics: Romanticism part 2, Chopin, Liszt and Mendelssohn Reading: Kamien Unit 5, chapters 7, 8 & 9 (pages 231-244)

Listening: CD Three, tracks 26-29 & CD Five, tracks 1-6

11/10 Descriptive Paper Due

Lecture Topics: Romanticism part 3, Program Music

Reading: Kamien Unit 5, chapters 10, 11, 12, 13, 14 & 15 (pages 245-261) Listening: CD Three, tracks 30-50

11/12 Lecture Topics: Romanticism part 4, Opera

Reading: Kamien Unit 5, chapters 16, 17 & 18 (pages 267-286)

Listening: CD Three, tracks 51 to the end of CD Three & CD Four, tracks 1-8

11/17 Lecture Topics: The Twentieth Century part 1, Impressionism Reading: Kamien Unit 6, chapters 1, 2, 3 & 4 (pages 287-309) Listening: CD Four, tracks 9-15

11/19 Lecture Topics: The Twentieth Century part 2, Neoclassicism and Expressionism Reading: Kamien Unit 6, chapters 5, 6, 7, 8, 9, 10 & 11 (pages 310-336)

Listening: CD Four, tracks 16-35

11/23 Last day to withdraw and receive a grade of W

11/24 Lecture Topics: The Twentieth Century part 3, Modern Nationalism Reading: Kamien Unit 6, chapters 12, 13, 14 & 15 (pages 337-348) Listening: CD Four, tracks 36-46

12/1 Concert Critique 2 Forum Posting Deadline

Lecture Topics: Postmodernism

Reading: Kamien Unit 6, chapters 16 & 17

Listening: CD Four, tracks 47-56 & CD Five, tracks 7 to the end of CD Five

12/3 Lecture Topics: Stage & Screen Reading: Kamien Unit 6, chapter 19 Listening: CD Four, tracks 64-65

12/8 Lecture Topics: Final Exam Review Reading: None

Listening: None Film Viewing: TBA

Classical Video Discs and DVD’s in the MDC, Kendall Music Lab

(M-336) approved for use in writing Descriptive Paper.

Composer

Title of Musical Work

Catalogue #

Beethoven Symphonies No. 5 and 6, Leonore Overture No. 3 Vienna Philharmonic - Leonard Bernstein, Conductor

VDC 188 Beethoven Symphony No. 9 “Choral”

Vienna Philharmonic – Leonard Bernstein, Conductor

BE 003 Beethoven Symphony No. 9 “Choral”

Berlin Philharmonic – Herbert von Karajan, Conductor

DVD 19 Beethoven Violin Concerto

Itzhak Perlman, Violin. Philharmonic Orchestra – Giulini, Conductor

VDC 286 Bernstein West Side Story

(Broadway Musical – film version 1961)

DVD 13

Bizet Carmen (opera)

Metropolitan Opera – James Levine, Conductor VDC 161 -or- DVD 17 Chopin et al Horowitz in Moscow (piano recital) VDC 134 Humperdinck Hansel and Gretel (opera sung in English)

Metropolitan Opera

VDC 200 -or- DVD 21 Mozart Don Giovanni (opera filmed on location in Vicenza, Italy)

Paris Opera Orchestra and Chorus – Lorin Maazel, Conductor

DVD 27 Mozart The Marriage of Figaro (opera)

Vienna Opera – Karl Bohm, Conductor

VDC 129 Mozart The Marriage of Figaro (opera)

Glyndebourne Festival Opera – Bernard Haitinik, Conductor DVD 37 Mozart Requiem

Vienna Philharmonic – George Solti, Conductor VDC 129 -or- DVD 37 Mozart String Quartet No. 19 in C Major (“Dissonant”), K. 465

Angeles Quartet

VDC 166

Orff Carmina Burana

Berlin Philharmonic Orchestra – Seiji Ozawa, Conductor

VDC 240 Prokofiev Romeo and Juliet (ballet)

Royal Ballet (Nureyev and Fonteyn)

VDC 143 -or- DVD 55 Puccini La Boheme (opera)

Metropolitan Opera – James Levine, Conductor

VDC 140 -or- DVD 55 Puccini Madama Butterfly (opera)

Vienna Philharmonic – Herbert von Karajan, Conductor

VDC 119 Puccini Tosca (opera)

Kabaivonska/Pavaroti, Rome Opera Orchestra and Chorus VDC 295 Puccini Tosca (opera)

Behrens/Domingo, Metropolitan Opera – Sinopoli, Conductor DVD 34 Puccini Turandot

Metropolitan Opera – James Levine, Conductor

VDC 294 -or- DVD 29 Schubert Trout Quintet

Barenboim, Perlman, Zukerman, Du Pre, Mehta

Composer

Title of Musical Work

Catalogue #

of Wind Instruments

London Symphony – Boulez, Conductor

DVD 46 Tchaikovsky The Nutcracker Ballet

Ballet of Deutsche Staatsoper Berlin – Barenboim, Conductor DVD 42 Tchaikovsky Swan Lake Ballet

Wiener Staatsopernballet (Neuryev and Fonteyn) DVD 22

Verdi Macbeth (opera)

Deutsche Oper Berlin – Sinopoli, Conductor

DVD 15 Vivaldi The Four Seasons (Violin Concertos)

I Musici

VDC 287 Wagner Das Rheingold (opera)

Metropolitan Opera – James Levine, Conductor

VDC 152 -or- DVD 48