Caravan
Duke Ellington 8 Alto Saxophone Alto Saxophone Tenor Saxophone Baritone Saxophone A. Sax. A. Sax. T. Sax. Bar. Sax. 44 44 44 44 = 255 22 28 A. Sax. A. Sax. T. Sax. Bar. Sax. A. Sax. T. Sax. A. Sax. Bar. Sax. A. Sax. A. Sax. T. Sax. Bar. Sax.
34 40 46 A. Sax. A. Sax. T. Sax. Bar. Sax. A. Sax. T. Sax. A. Sax. Bar. Sax. A. Sax. A. Sax.
57 62 A. Sax. A. Sax. T. Sax. Bar. Sax. A. Sax. T. Sax. A. Sax. Bar. Sax. A. Sax. A. Sax. T. Sax. Bar. Sax.
68 74 81 A. Sax. A. Sax. T. Sax. Bar. Sax. A. Sax. T. Sax. A. Sax. Bar. Sax. A. Sax. A. Sax.
95 101 A. Sax. A. Sax. T. Sax. Bar. Sax. A. Sax. T. Sax. A. Sax. Bar. Sax. A. Sax. A. Sax. T. Sax. Bar. Sax. 3 3 Play these four notes (starting with the B with grace notes) with motion, almost with a triplet feel For the "alternating solo" section, remember the the end dynamic of a crescendo is always on the highest note
107 114 122 A. Sax. A. Sax. T. Sax. Bar. Sax. A. Sax. T. Sax. A. Sax. Bar. Sax. A. Sax. A. Sax. Make sure to crescendo ON beat two
136 142 A. Sax. A. Sax. T. Sax. Bar. Sax. A. Sax. T. Sax. A. Sax. Bar. Sax. A. Sax. A. Sax. T. Sax. Bar. Sax. Alto 2 & Tenor back off a bit since there are two of you (once you get back into the countermelody). Always more Bari
148 154 160 A. Sax. A. Sax. T. Sax. Bar. Sax. A. Sax. T. Sax. A. Sax. Bar. Sax. A. Sax. A. Sax. 3 3
A. Sax. A. Sax. T. Sax. Bar. Sax.
