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Music perception in historical audiences: Towards predictive models of music perception in historical audiences

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Academic year: 2020

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Figure

Table 1. Summary of the collections.
Table 2. Examples of the melodic representations for the first phrase of Giovanni Maria Nanino’s  Artifex mirus (canto voice)
Figure 1. A schematic diagram of the analysis and comparison process.
Figure 2. Interval distributions across the collections. Horizontal axis refers to the interval size  and  direction  in  semitones  (from  descending  octave,  -P8,  to  unison,  P1,  at  the  middle,  to  the  ascending octave, +P8)
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