Shining
Brass
Book 2, Grades 4
&5
18 repertoire pieces and studies
Part for
)
B- TubaComposers
Tom Davoren, John Frith, Timothy Jackson, Peter Meechan, Lucy Pankhurst and David A. Stowell
Project consultant Nicky Daw
First published in 2012 by ABRSM (Publishing) Ltd, a wholly owned subsidiary of ABRSM, 24 Portland Place, London W1B 1LU, United Kingdom
© 2012 by The Associated Board of the Royal Schools of Music
All rights reserved. No part of this publication may be reproduced, recorded or transmitted in any form or by any means without the prior permission of the copyright owner.
A CIP catalogue for this book is available from The British Library. Cover design by www.adamhaystudio.com
Music origination by Andrew Jones
Recording credits (including track numbers. Disc 2 tracks in bold)
Played by Corinne Bailey (Horn) 3, 5, 9, 13, 14, 19; Jonathan Bates (E- Horn) 2, 4, 11, 17; David Gordon-Shute (E- Tuba) 7, 15; Amos Miller (Trombone) 6, 18; Lewis Musson (Euphonium) 1, 8, 10, 12, 16; Harvey Davies (Piano) 1, 2, 4, 10–12, 1, 2, 4, 7–9, 13, 14, 16, 19–21, 25, 26, 28, 31–3; Lindy Tennent-Brown (Piano) 3, 5, 6, 13–15, 3, 5, 6, 10–12, 15, 17, 18, 22–4, 27, 29, 30, 34–6
Recorded in October 2011 at All Saints’ Church, East Finchley and in November 2011 at Carole Nash Recital Room, Royal Northern College of Music, Manchester
Produced by Sebastian Forbes Co-produced by Nicky Daw Balance Engineering by Ken Blair Assistant Engineer Chris Daw Audio Editing by Ken Blair A BMP Production for ABRSM
With particular thanks to Alan Bullard for his contribution to this project.
This volume comes with 2 CDs. Disc 1 includes a single recorded performance of every piece (played variously by E- Horn, Horn, Trombone, Euphonium, or E- Tuba). Disc 2 includes complete backing tracks recorded from the B-, E- and F piano accompaniment books. Additionally, a full performance of every piece played on a B-, E- and F instrument can be downloaded from www.abrsm.org/shiningbrass.
Next to each piece you’ll find track numbers – for Disc 1 and for Disc 2 – and the following icons:
(Trombone) Performance track (the instrument playing on the CD is shown in brackets)
B- Backing track(s) (and applicability for B-, E- or F instrument)
Players can also download Speedshifter – a free practice tool from ABRSM that allows you to vary the speed of audio from CD or MP3 without altering the pitch. www.abrsm.org/speedshifter
Beaufort Allegro Tom Davoren 4
Folk Song Lucy Pankhurst 5
Jiggedy Jig John Frith 6
Bragtime John Frith 7
Open Plains David A. Stowell 8 Way Down South Peter Meechan 9 * Circulation Timothy Jackson 10 * Quiet Moment Tom Davoren 11 * Reflections Peter Meechan 12
Caber Dance John Frith 13
Canzona John Frith 14
Jam Bouree David A. Stowell 14 Final Thought Peter Meechan 16 Gone, Not Forgotten Lucy Pankhurst 17
Lindy Hop! Tom Davoren 18
* Air Peter Meechan 20
* Flennon Study (high) David A. Stowell 21 * Flennon Study (low) David A. Stowell 22
* Lament John Frith 23
Using Shining Brass
) B- Tuba players should use this version of the Part book alongside the B- backing tracks or B- Piano Accompaniment book.
Beaufort Allegro
Tom Davoren Poco allegro q = 96 8 22 29 38 45 57 70 78 24 ?2
mf giocoso ? ( )m 8
mp leggiero ? mf f ? mp m ( )3
? p legato ?7
mf giocoso ? ( )m8
? mp · mf ? The mordents are optional and not required in an ABRSM exam.
f ä Ï Ï Ï Ï Ï ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï. Ïj Ï. Ï Ï Ï Ï Ï Ï. ÏJ Ï Ï ä ÏJ Ï Ï ä Ïj Ï. Ï Ï Ï Ï Ï Ï Ï Ïj ä Ï Ï Ï Ï Ï. Ïj Ï. Ï Ï Ï Ï Ï Ï. Ïj Ï Ï ä Ïj Ï Ï ä Ïj Ï Ï Ï. ä Î ä Ïj Ï. Ïj Ï ä Ïj Ïb. Ïj Ï ä Ïbj Ïj Ï Ïj Ïj Ï Ïj Ï Ï Ï Ï Ï. Ïb Ï Ï Ï Ï Ï Ï ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï úb Ï Ï Ï Ï Ï Ï Ï Ï Ïn Ï Ï# ú ú Ï Ï Ï Ï Ï Î Ï Ï Ï Ï Ï Î Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï. Ï ú (Euphonium) B-1 1
Lucy Pankhurst
Folk Song
q= 84 5 9 14 19 23 26 29 32 44 ?b f p mf ?b ( ) Ù · f ?b · mp f ?b · mp ?b mf f · ?b p ?b ( )Ù f ?b ff f ?b The trills are optional and not required in an ABRSM exam.
( )Ù Ï Ï Ï Ï Ï Ï Ï Ï ú î Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï. Ï. Ï. Ï. Ï Ï Ï Ï Ï Ï Ï Ï Ï. Ï. Ï> Ï. Ï Ï Ï. Ï. Ï> Ï. Ï Ï. Ï Ï. Ï Ï. Ï Ï Ï Ï Ï. Ï. ú> Ï. Ï Ï. Ï Ï. Ï Ï. Ï ú. Ï Ï. Ïj ú Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ïn Ï# Ï Ï Ï Ï> Ï Ï Ï. Ï. ú- î Ï Ï Ï. Ï Ï Ï. Ï Ï Ï Ï Ï- Ï- Ï Ï Ï. Ï Ï Ï. Ï Ï Ï Ï Ï- Ï- Ï Ï Ï. Ï Ï Ï Ï-Ï. Ï Ï Ï-Ï. Ï Ï ú Ï>j ä Ï> Ï> Ï Ï Ï Ï> Ï> Î Ï> Ï> Ï Ï Ï Ï> Ï> Î Ï > Ï> Ï Ï Ï Ï> Ï> Ï Ï Ï Ï Ï. Ï. Ï. Ï. Ï> ä Ï Ï Ï> Ï ä Ï Ï Ï> Ï Ï Ï Ï Ï. Ï. Ï. Ï. Ï. Ï. Ï Ï Ï Ï. Ï. Ï Ï Ï Ï Ï. Ïj Ï. Ïj w (E- Horn) B-2 2
John Frith
Jiggedy Jig
Vivo q. = 84 9 15 22 28 Tranquillo 34 q. = 72 4148 poco accel. a tempo
68 ?bbb
3
mp ?bbb cresc. mf · ?bbb f marcato sfp f p ?bbb cresc. ?bbb mf · f ?bbb · mp più legato ?bbb ?bbb p · · mf ä Î. Î Ï.j Ï. Ï Ï Ï Ï.j Ï. ÏÏ Ï Ï.j Ï. Ï. Ï. Ï. Ï. Ï. Ï-. Ï Ï Ï ä Î. Î Ï.j Ï. Ï Ï Ï Ï.j Ï. Ï Ï Ï Ï.j Ï. Ï. Ï. Ï. Ï. Ï. Ï-. Ï Ï Ï ä Î. ä Ï.> Ï.> ú>. Ï. ä Ï.> Ï.> ú>. Ï. Î. ä Ï. Ï. Ï. Ï. Ï. Ï. Ï Ï Ï Ï.j Ï. Ï Ï Ï Ï.j Ï. Ï. Ï. Ï. Ï. Ï. Ï-. Ï Ï Ï ä Î. Î Ï.j Ï. Ï Ï Ï Ï.j Ï. Ï Ï Ï Ï.j Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï ä Î. Î Ï.j Ï. Ï. Ï. Ï. Ï. Ï. Ï> ä Î. Î. Ï. Ï. Ïjä Ïj Ï. Ïj ä Ïj Ï ÏjÏ Ï Ï Ï. Ïjä Ïj Ï ÏjÏ Ï Ï Ï. Ïjä Ïj Ï ÏjÏ Ï Ï Ï. Ïjä Ïj ú. Ï. ä Ï- Ï- ú. Ï. Ï. Ï. Ï. Ï. Ï. ú. Ï. Î. Î. Î Ï.j Ï. Ï Ï Ï Ï.j Ï. ÏÏ Ï Ï.j Ï. Ï. Ï. Ï. Ï. Ï. (Horn) B-3 3John Frith
Bragtime
Ragtime (molto moderato) q = 80
9 16 23 30 24 ?bbb
4
mf ?bbb · mf ?bbb mp cresc. ?bbb f p cresc. ?bbb mf cresc. f Ï Ï Ï Ï Ï Ï. Ï Ï Ï Ï Ï Ï. Å Ï Ï Ï Ï Ï Ï Ï Ïj ä Ï. Ï. Ï Ï ä Ï Ï ÏÏÏÏÏÏÏ. ú Ï Ï Ï Ï Ï Ï. Ï Ï Ï ÏÏÏ. ÅÏ Ï#ÏÏÏ Ï.n Ï.j ä Ï. Ï. Ï Ï ä Ï Ï Ï Ï Ï Ï Ï Ï Ï. Ï Î ä Ï- Ï- Ï- Ï. Ï. Ï. Ï. Ï.j Å Ï>rÏ Ï. Ï. Ï. Ï. Ï.j Å Ï>rÏ ä ÏÏÏÏÏ. Ï.j Å Ï>rÏ ä ÏÏÏÏÏ. Ï.jä Î Ï Ï Ï Ï Ï Ï Ï Ï Ïn Ï Ï Ï Ï Ï Ï Ï. Ï.jä Î ÏÏ ÏÏ Ï ÏÏÏ ÏnÏ Ï Ï ÏÏÏÏ.> Ï.>jä Î 56 63 ?bbb cresc. mf · ?bbb f marcato mp cresc. f Ï-. Ï Ï Ï ä Î. Î Ï.j Ï. Ï Ï Ï Ï.j Ï. ÏÏ Ï Ï.j Ï. Ï. Ï. Ï. Ï. Ï. Ï-. ÏÏ Ï ä Î. ä Ï.> Ï.> ú>. Ï. ä Ï.> Ï.> ú>. ä Ï. Ï. Ï. Ï. Ï. Ï. Ï Ï. Ï. Ï. Ï. ú>. Ï. Î (E- Horn) B-4 4David A. Stowell
Open Plains
Misterioso q. = 60 8 12 17 21 24 30 34 98 ?bbb4
mf con espressione ?bbb f · mf ?bbb f mp2
mp ?bbb mf p · ?bbb mf f mf ?bbb mp3
mf ?bbb f · mf ?bbb f mp Ï. Ï Ï- Ï Ï- Ï Ï Ïj Ï Ï. Î. Ï. Ï Ï Ï Ï- Ï Ï ú. Î. Ï. Ï Ï Ï Ï Ï Ï- Ï j Ï Ï. Î. Ï Ïn Ï Ï- Ï Ï- Ï. Ï-j Ï ú. Ï Ïj Ï Ï Ï- Ï- Ï- Ï- Ï Ï Ï. Ï. Ï-J Ï Ï. Î. Ï Ï Ï Ï Ï Ï Ï- Ï- Ï Ïj Ï Ïj ú. Ï Ïj Ï Ï Ï- Ï- Ï- Ï- Ï Ï Ï. Ï. Ï-j Ï Ï. Î. Ï Ï Ï Ï Ï Ï Ï- Ï- Ï Ïj Ï Ïj ú. Ï. Ï Ï- Ï Ï Ï Ï Ïj Ï Ï. Î. Ï. Ï Ï Ï Ï Ï. Ï ú. Î. Ï. Ï Ï Ï Ï Ï Ï Ï-j Ï Ï. Î. Ï Ïn Ï ú. Ï. Ï. Ï. Ïj Ï ú. Uú. Î. (Horn) B-5 5Peter Meechan
Way Down South
Swing - Moderato q = 100 5 9 13 17 23 27 44 ?b · mp f ?b mp 3 3 ?b cresc. f ?b p cresc. 3 ?b ff
3
3 3 ?b mp cresc. 3 3 ?b ff mp cresc. ff Î ä Ïj Ïb Ï Ïn Ï Ïj ä Ï Ïb Ï. Ïj Ï Ïb Ï Ï ú Ï>nj ä Ï Ïb Ï Ï Ï Ï Ï Ï Ïb Ï Ï ú ä Ïbj ä Ïj Ï Ï ä Ïj ä Ïj Ïb Ï Ï Ïb Ï ä Ïbj ä Ïj Ï Ï Ï Ï Ïn Ï Ï Ï Ï>bJ ä Ï>bJ ä Ïb Ïb Ï. Ïj Ïb Ï Ï Ï ú Ï>bJ ä Ï Ï Ï Ï Ï Ïb Ï Ïbj Ïn Ïbj úb ä Ïj Ïb Ï Ïb Ï Ïbjä ä Ïbj Ïb Ï Ïn Ï Ïjä ä Ïj Ï Ï Ï Ï Ï>bJ ä ä Ï Ï Ï Ïb Ï Ï Ï Ï Ïb Ï>bJ ä Î î ä Ïbj ä ÏjÏ Ï ä Ïj ä Ïj Ïb Ï Ï Ïb Ï ä ÏbJ ä ÏJ Ï Ï Ïb Ï Ïb Ïn Ï Ï Ï>b Ï> Ï> Ï>J ä Î Î ä Ïj Ï Ïb Ï Ïb Ï ä Ïj Ï Ïb Ï Ïb Ï ä Ïnj Ï Ïb Ï Ïb Ï. Ï>j 3 = (Trombone) B-6 6Timothy Jackson
Circulation
Sprightly q. = 116 5 10 15 20 25 31 36 98 ?bbb f ?bbb p ?bbb ?bbb f p ?bbb f p ?bbb f ?bbb p ?bbb Ï. Ï. Ï Ïj Ï Ïj Ïn Ï Ïn Ï. Ïn. Ï. Ï Ïnj Ï# Ïnj Ï Ï# Ïn Ï. Ïn. Ï. Ï Ïj Ïn Ïj Ï Ï# Ï Ï. Ïn. Ï ÏjÏ ÏjÏ Ïj ú. Ï. Ï. Ï ÏjÏ Ïj Ïn Ï Ï# Ï. Ï. Ï. Ï ÏjÏ Ïj Ï Ï Ïn Ï. Ï. Ï. Ï Ïj Ïb Ïbj Ï Ïn Ï Ïn. Ï. Ï ÏjÏ ÏjÏ Ïj ú. Î. Ï Ïn Ï Ïb. Ï. Ï Ï Ï Ïb. Ï. Ï ÏjÏ ÏjÏ Ïj Ïn Ï Ï# Ï. Î. Ï Ïn Ï Ïb. Ï. Ï Ïn Ï Ïb. Ï. Ïn ÏjÏ ÏjÏ Ïj Ï# Ï Ï# Ïn. Î. Ï>. Ï>. Ï>. Ï ÏjÏ Ïj Ïn. Ï>. Ï>. Ï>. Ï ÏjÏ ÏnjÏ. Ï>. Ï>. Ï>. Ï>. Ï>. Ï>. Ï Ïj Ï ÏjÏ Ïj ú. Ï. Ï. Ï ÏjÏ Ïj Ïn Ï Ïn Ï. Ïn. Ï. Ï Ïnj Ï# Ïnj Ï Ï# Ïn Ï. Ïn. Ï. Ï Ïj Ïn Ïj Ï Ï# Ï Ï. Ïn. Ï ÏjÏ ÏjÏ Ïj ú. (E- Tuba) 7Tom Davoren
Quiet Moment
Easy and relaxed q = 108
7
13 rit. With a little more flow
20
27 rit. Easy and relaxed
34
41 rit.
34 ?##
p smooth and rich
?## mp winding up ?## ·U mf intense 3 ?## 3 ?## mp winding down ?## p smooth and rich ?## mf mp p pp 3 Ï. Ïj Ï Ï Ï-. Ïj Ï Ï Ï. ÏJ ú. Î Ï Ï Ï. Ïj Ï Ï Ï Ï. Ïj ú. Î Ï. Ïj Ï- Ï Ï. Ïj Ï Ï Ï. ÏJ ú. Ï.- Ï.- Î Ï.- Ï.- Î Ï Ï Ï. Ïj ú. Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ä Ïj ú- Ï ú. Î Ï-. ÏJ ú Ï Ï- Ï. Ïj Ï- Ï. Ïj Ïn. ÏJ Ï Ï ú Ïn Ïj ún. Uú. Î Ï. Ïj Ï- Ï Ï. Ïj Ï Ï Ï. ÏJ ú Î ú Ï Ï. ÏjÏ Î Ï Ï Ï Ï ú. Ï. ÏjÏ Ï Ï-. Ïj Ï Ï Ï Ï. ÏJ ú. Ï.- Ï.- Î Ï.- Ï.- Î Ï Ï ú ú Ï úU. (Euphonium) 8
Peter Meechan
Reflections
Adagio q = 76 5 10 15 19 rit. a tempo 23 34 ?bb mp ?bb p mf p mf 3 ?bb f mp 3 ?bb f ?bb p f ?bb p ú Ï Ï Ï Ï ú Ï ú Î Ï. Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ú Ïj ä Ï. Ïj Ï Ï Ï- Ï Ï- Ï Ï Ï Ï Ï- Ï Ï- Ï ú Î Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ú Î ä Ïj Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï. Ïj Ï Ï Ï Ï Ï ú ä Ïj Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï. Ï Ï Ï Ï Ï Ï> Î Ï Ï. Ï Ï Ï Ï Ï Ï Ï Ï Ï ú Ï ú. ú Ï ú. (Horn) 9John Frith
Caber Dance
Moderato q = 88 5 9 13 16 19 22 rall. 44 ?b · mf ?b f · mf ?b · f · p ?b mf p mf ?b ( ) fp cresc. Ù mf ?b ( ) p cresc. Ù f mf ?b The trills are optional and not required in an ABRSM exam.
cresc. ff î Î ä Ïj Ï. Ï. Ï. Ï Ï Ï. Ï. Ï. ÅÏr Ï. Ï. Ï. Ï Ï Ï Ï Ï. Ï. Ï.jä ä Ï> Ï Ï Ï. Ï. ÏÏÏ.Ï. Ï Ï Ï. Ï. Ï.Ï. Ï. Ï. Ï Ï Ï. Ï. Ï>J ä Ï Ï Ï.Ï.Ï.Ï.Ï.Ï.ÏÏÏ.Ï.Ï- Ï. Ï Ï Ï. Ï. Ï. Ï. Ï. Ï. Ï Ï Ï. Ï. Ï>j ä ÏjÏ. Ï. Ï. Ï. Ï Ï Ï Ï Ï- Ï.Ïj ä Ï> Ï. Ï. Ï Ï Ï. Ï. Ï>j ä ÏjÏ. Ï. Ï. Ï. Ï Ï Ï Ï Ï- Ï. Ï Ï Ï.b Ï. Ï. Ï. Ï.Ïj Ï. Ï Ïb Ï. Ï. Ï.>j ä î Î ä Ï.j ú>. Î Å Ï. Ï. Ï. Ï Ï Ï. Ï. Ï Ï Ï. Ï. Ï- Ï. ú >. ä Ï#j Ï Ï Ï. Ï. Ï. Ï. Ï. Ï. Ïn Ï Ï. Ï. Ï > J ä Î ä Ï. Ï. Ï. Ï. Ï. ä Î ä Ï. Ï. Ï. Ï. Ï. ä ä Ï> Ï Ï Ï Ï Ï Ï Ï. Ï. Ï Ï Ï. Ï. Ï. Ï. Ï. Ï. Ï Ï Ï. Ï. Ï > J ä (Euphonium) B-10 7
© 2012 by The Associated Board of the Royal Schools of Music David A. Stowell
Jam Bouree
John FrithCanzona
Andante q. = 63 6 12 18 24 30 rall. 68 ?bb mf p cresc. ?bb f · p ?bb mf p cresc. ?bb ?bb f p mf ?bb cresc. f p ff Ï.j Ï. Ï Ï. Ï. Ï Ï. Ï. Ï Ï. Ï ä Ï. ÏÏ. Ï. ÏÏ. Ï. ÏÏ. Ï. ä ÏÏÏ Ï. Ï. Ï. Ï. Ï Ï Ï ä Ï. Ï Ï. Ï. Ï Ï Ï Ï Ï Ï Ï Ï ä Î. ä Ï. Ï. Ï. Ï. Ï. Ï Ï.n Ï. Ï. Ï.n Ï Ïn Ï Ï Ï Ï Ïb. Ï Ï Ï. Ï Ï. Ïb. Ï Ï. Ï ä Ï. Ï Ï. Ï. ÏÏ. Ï. ÏÏ. Ï ä Î. Î. ä Ï.Ï.Ï.Ï. ú>. Î. ä Ï. Ï. Ï. Ï. ú>. Ï. Ï Ï. Ï. Ï Ï. Ï. Ï Ï. Ïj ä Ï.#j Ï. Ï# Ï Ïn Ï. Ï Ï Ïn Ï. Ï.b Ï. Ï ä Î. Î Ï.j Ï Ïj ÏjÏ Ï. Î Ï.j Ï Ïj Ïj Ï Ï ÅÏ Ï Ï Ï Ï.j Ï Å Ï Ï Ï Ï. Ï. Ï Ï. Ï. ÏÏ. Ï Ï Ï Ï Ï Ï Ï ä Ï. Ï. Ï. Ï. Ï.Ï. Ï. Ï. Ï. Ï. Ï. Ï. Ï- ÅÏ.Ï.Ï. Ï U . Con bravura q = 96 44 ?bb mf staccato ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ä Ïj Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï (E- Horn) B-11 8 (Euphonium) B-12 94 7 11 15 18 21 24 27 31 molto rit. ?bb ( )m f ?bb mf staccato ?bb ( )m f ff ?bb f ff ?bb mf f ?bb mp staccato ?bb ( )m f ?bb mf staccato ?bb
Notes and ornaments in brackets are optional and not required in an ABRSM exam. The bracketed notes can be treated as optional
m ( ) f mf m ( ) f Ï Ï Ï Ï Ï Ï# Ï Ïn Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï# Ï Ï Ï Ï Ï. Ï ú ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ä Ïj Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï# Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï# ÏÏÏÏÏ. Ïú ä ÏÏ Ï Ï ÏÏÏÏÏ ä ÏÏÏ Ï ÏÏÏÏÏ ä Ï Ï Ï Ï Ï ä Ï Ï Ï Ï Ï ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ä Ï Ï Ï Ï Ïn Ï Ï Ï Ï ä Ï Ïn Ï Ï Ï Ï Ï Ï Ï ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ä Ïj Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï# Ï Ïn Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï# Ï Ï Ï Ï Ï. Ï ú ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ä Ïj Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï# Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï# ÏÏÏÏÏ. Ïú ÏÏÏ Ï ÏÏÏ ÏÏÏ Ï# Ï Ï Ï Ï Ï. Ïú
Peter Meechan
Final Thought
Moderato q = 92 4 8 12 15 18 21 25 28 44 ?bbb f mp f ?bbb p cresc. ?bbb mf f 3 mp 3 ?bbb pp ?bbb ?bbb mpcresc. f 3 ?bbb ff 3 ?bbb ?bbb Ï Ï Ï Ï ú Ï Ï Ï Ï Ï Ï Ï ú Ï Ï Ï Ïb Ï Ï Ï ú> ÏJ ä Ï Ï Ï Ï Ï Ï Ï Ïb Ïj ä Ï. Ïj Ï-b Ï- Î Ï Ï Ï Ï ú Ï Ï Ï Ï Ï Ï Ï ú Ï Ï Ï Ïb Ï Ï Ï Ï>J ä ú> Ï-b Ï Ï Ï Ï Ï Ï Ïb Ï Ï Ïb Ïj äú Ï-b ú Ïj ä Ï Ï Ï Ï Ï Ï Ï Ïb Ïj ä Ï Ï Ï Ïb Ïj ä Ïb Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï.jä ä Ï Ï Ï Ï Ï Ïj ä Î ä Ï Ï Ï Ï Ï Ïj ä Î ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ïb Ï Ï Ï Ï Ïj ä î ä Ï Ï Ï Ï Ï Ïj ä Î ä Ï Ï Ï Ï Ï Ïj ä Î ä Ï Ï Ï Ï Ï Ï Ï Ï ÏJ ä Ï Ï Ï ÏJ ä Ï- Ï- Ï- Ïj ä Î Ï Ï Ï Ï ú Ï Ï Ï Ï Ï Ï Ï ú Ï Ï Ï Ï Ï Ï Ï ú ÏJ ä Ï Ï Ï Ï Ï Ï Ï Ïb Ïj ä Ï>. Ï>j Ï> Ï> Ï> Ï>J ä Ï Ï Ï Ï ú Ï Ï Ï Ï Ïb Ï Ï ú Ï Ï Ï Ï Ï Ï Ï Ïjä ä Ï. Ï. Ï.>j ä Î Ï.>j ä Î Î (Horn) B-13 10Lucy Pankhurst
Gone, Not Forgotten
Grave q. = 44
5
8 poco a poco agitato
Più mosso q. = 48
11
14
Ancora più mosso q. = 54
17
20 rall. Tempo primo
128 98 98 128 98 128 ?b · p mf mp ?b mf f ?b mf p ?b ff f ?b p mf bbbb ?bbbb f ff f mp ?bbbb f non dim. p pp ä Ï Ï Ï Ï Ï ú. ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ú. ÎÏj . ä Ï Ï Ï Ï Ï ú. ä Ï Ï Ï Ï Ï Ï Ï ÏÏj Ï Ï Ï Ï Ï Ï ÏÏj Ï Ï Ï ÏJ Ï Ï Ï Ï Ï Ï ÏjÏ. ä Ï Ï Ï Ï Ï Ï Ï Ï ÏjÏ. Ïjä ä äÏ Ï Ï Ï Ï Ï. ä Ï Ï Ï Ï Ï ú. Î. Î. ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ÏÏj . ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï- Ï- Ï-Ïj Ïj Ï Ï Ï Ï Ï Ï ú. Ïj ä ä Î. ä Ï Ï Ï Ï Ï Ï Ï> ú. î. ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ÏÏ-jÏ Ï. Ï. ä Ï Ï Ï ÏÏÏÏÏj Ïj Ï Ï Ï Ï Ï Ïº Ï-. Ï-. Ï-. Ï-. ú. Ï. ä Ï Ï Ï Ï Ï Ï. ä Ï Ï Ï Ï Ï Ï. Ï. w U . (Horn) B-14 11
Tom Davoren
Lindy Hop!
for Lindy Tennent-BrownUp-tempo swing h = 108 6 12 17 22 27 32 49 C ?b f marcato ?b
2
mf ?b ?b f ?b fp mf ?b f ?b3
mf3
8
?b p legato 3 î ä ÏjÏjä î ä ÏjÏjä î ä Ï Ï Ï Ï Ï Ï Ï ä Ï Ï Ïn Ïjä Î î î ä Ï Ï Ïn Ïj ä Î Ï. Ïj ä Ï ä Ï Ï Ï Ï Ï Ï. Ï- Ïb Ï. î ä Ï Ï Ïn Ï Ï Ï Ï ä Ï ä Ï ä Ï Ï Ï Ï Ï Ï. Ï- Ïb Ï. î ä Ï Ï Ïn Ï Ï Ï ä Ï Ï ä Ï ä Ï ä Ï Ï Ïb Ï Ï Ï. Ï- Ïb Ï. Î Ï- Ï. Î Î Ï- Ïn Ï Î Ïn Ï Ï Ï. Î ä Ïj Ïn Ï Ï Ï Ïb Ï ä ÏJ ú. Ï Ïb Ïn Ï Ï Ï Ï Ïb Ï Ï Ï Ï Ï Ï Ï Ï Ï Ïn Ïb Ï ú î ä Ï ÏjÏjä Î ä Ï ÏjÏj äÏ Ï Ï Ï ä Ï Ï ä Ï ú. Î ä Ï Ïn Ï Ï Ï Î Ï Ï Ï Ï. î Ï Ï ú ú Ï Ï Ï Ï ú ú î Ï Ï ú ú Ï Ï Ï 3 = (E- Tuba) B-15 1255 61 67 73 79 84 89 94 100 ?b mp 3 ?b 3 p mp legato ?b mf 3 mp dolce ?b 3 3 ?b mf ?b ?b · f legato ?b 3 · ?b ff p Ï Ï ú Ï Î úb ú Ï Ï Ï ú Ï Ï Ï Ï ú Î Ï Ïb Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï wn úb. Î Ï Ï ú ú Ï Ï Ï Ï ú ú î Ï Ï ú ú Ï Ï Ï w î ú ú Ï Ï Ï úb. Ï ú Ï Ï Ï ú. Ï# ú Ï Ï ú ú ú î î ä Ï Ï Ïn Ïjä Î Ï. Ïj ä Ï ä Ï Ï Ï Ï Ï Ï. Ï- Ïb Ï. î ä Ï Ï Ïn Ï Ï Ï Ï ä Ï ä Ï ä Ï Ï Ï Ï Ï Ï. Ï- Ïb Ï. î ä Ï Ï Ïn Ï Ï Ï ä Ï Ï ä Ï ä Ï ä Ï Ï Ïb Ï Ï Ï. Ï- Ïb Ï. Ï Ï ú ú Ïb Ï Ï ú ú Ï Ï ú Ï Ïb Ï Ï Ï Ï w î ä Ï Ï Ïn Ïjä Î Ï. Ïj ä Ï ä Ï Ï Ï Ï Ï Ï. Ï- Ïb Ï. Î ÏnjÏ. Ï. Î
Peter Meechan
Air
Adagietto q = 72 5 10 14 18 23 34 ?b mf ?b p mp ?b cresc. f ?b mp f ?b mp ?b f Ï ú Ï Ï Ï. Ïj Ï Ï Ï Ï ú Ï ú Ï Ï Ï Ï Ï Ï. Ïj Ï ú Ï Ï. Ïj Ïj Ï- Ïj Ï Ï Ï Ï Ï Ï Ï Ïj Ï Ïj Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï. Ï Ï Ï Ï Ï Ï Ï Ï. Ï Ï Ï Ï Ï Ï Ï- Ï- ú Ï ú Ï Ï Ï. Ïj Ï Ï Ï Ï ú Ï ú Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï. Ïj Ï Î (Euphonium) 16David A. Stowell
Flennon Study
Higher register version
(E- Horn) 17 Con motoq = 108 4 7 10 13 rit. 16 a tempo 19 22 44 ?bbbb f mf ?bbbb slent. f ?bbbb mf ?bbbb ?bbbb mp ?bbbb f mf ?bbbb slent. f ?bbbb ff Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ä Ïj Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï- Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Î Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï. Ï Ï Ï ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ïj ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï. Ï Ï Ï ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ä Ïj Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï- Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ä Ïj Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ú
Con moto q = 108 4 7 10 13 rit. 16 a tempo 19 22 44 ?bbbb f mf ?bbbb slent. f ?bbbb mf ?bbbb ?bbbb mp ?bbbb f mf ?bbbb slent. f ?bbbb ff Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ä Ïj Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï- Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Î Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï. Ï Ï Ï ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ïj ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï. Ï Ï Ï ä Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ä Ïj Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï- Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ä Ïj Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ú David A. Stowell
Flennon Study
Lower register version
John Frith
Lament
Andante con moto q. = 60
4 8 12 16 19 23 27 rall. 98 ?bbbb p dolce 4 ?bbbb mf 4 ?bbbb f espress. 4 4 ?bbbb p ?bbbb ?bbbb mp cresc. dolcep 4 ?bbbb 4 mf ?bbbb mp dolente 4 4 pp Ïj Ï Ï Ï Ï. Ï Ï Ï Ï. Ï Ï Ï Ï. Ïj äÏj Ï Ï Ï Ï. Ï Ï Ï Ï ú. Ïj ä Ï Ï Ï. Ï Ï Ï Ï ÏJ Ï. Ï ä Ï. Ï. Ï Ï Ï Ï Ï. Ï Ï Ï Ï Ï. Ï Ï- Ï- Ï- Ï. ä Å Ïn Ï Ï Ï Ï Ï Ï Ï Ï Ïb. Ï Ï Ï Ï Ï Ï Ï Ï J Ï ä Ï. Ï Ï Ïn Ïn Ï Ï Ï Ï Ï Ï-. ú. Î Ï Ï Ï. Ï Ï Ï Ï. Ï Ï Ï Ï Ï Ï Ï. Î Ï Ï Ï. Ï Ï Ï Ï Ï Ï Ï. Ï Ï Ï Ï Ï Ï Ï. Å Ï Ï Ï Ï Ï Ï ÏjÏ Ï Ï Ï ÏjÏ. Ï Ï Ï Ï. Ï Ï- Ï- Ï- Ï-ÏÏ Ï. Î Ïj Ï Ï Ï Ï. Ï Ï Ï Ï. ÏÏÏÏ. Ïj äÏj Ï Ï Ï Ï. Ï Ï Ï Ï ú. Ïj ä Ï Ï Ï. Ï Ï Ï Ï ÏJ Ï-. Ï ä Ï. Ï Ïn Ï Ïn Ïn Ï Ï Ï Ï Ï Ï Ï-. úU. (Horn) 19