from Scorpions - Love at First Sting
Moderate Rock q = 139
Big City Nights
Words and Music by Klaus Meine and Rudolf Schenker 1 1 1 3 4 1 3 4 1 3 4 1 3 4 2 3 A5 F5 C5 5fr D5 7fr E5 A5 A(b6)type2 Gtr. 1 (dist.) Intro mf A5 µ A(b6) A5 P.M. F5 E5 D5 C5 G5 G6 P.M. G5 Gsus4 G P.M. A5 Gtr. 1 Rhy. Fig. 1 A(b6) A5 F5 E5 D5 C5 G5 G6 P.M. G5 Gsus4 G
End Rhy. Fig. 1
P.M. A5 Gtr. 2 (dist.) Gtr. 3 (dist.) divisi mf mf Gtr. 3 divisi Gtr. 2
Gtr. 1: w/ Rhy. Fig. 1 (2 times) A(b6) A5 F5 E5 D5 C5 G5 G6 G5 Gsus4 G A5 1 1 0 2 X X 0 3 0 2 0 8 10 8 10 7 9 5 7 3 5 3 5 3 5 3 7 3 35 0 7 8 8 7 8 8 7 8 8 7 8 8 7 8 8 7 8 7 0 0 2 0 2 0 2 0 3 0 2 0 108 108 79 57 35 3 5 3 5 3 7 3 35 0 7 8 8 7 8 8 7 8 8 7 8 8 7 8 8 7 8 7 0 02 7 5 7 0 3 7 9 5 8 7 10 10 7 7 10 4 7 5 4 7 8 7 10 4 5 7 8 9 7 5 7
A(b6) A5 F5 E5 D5 C5 G5 G6 G5 Gsus4 Gtr. 3 tacet 1. When G the day A5 - Gtr. 2 Gtr. 3 divisi Gtr. 2 3 1 1 1 1 Gtr. 4 (dist.) mf * Verse A5 - light F
is fall-ing down
C5 Gtr. 2 tacet in Csus4 to C - the night, Dsus4 D and D5 the sharks A5 Gtr. 2 fdbk. 8v a Gtr. 4 P.M. P.M. P.M. P.M. let ring D E Gtr. 1 Rhy. Fig. 2 P.M. P.M. P.M. P.M.
* Chord symbols reflect overall harmony.
7 9 5 8 7 10 10 7 7 10 15 15 13 15 13 14 15 13 15 14 0 7
14 14 0 0 0 0 0 07 0 07 0 0 0 0 0 07 0 5 7 5 5 5 5 6 5 5 5 7 7 8 7 7 8 7 7 7 8 9 7 7 0 7 0 2 0 0 0 0 0 1 3 3 1 1 1 1 1 1 1 3 5 5 3 3 3 3 3 3 3 57 7 5 5 5 5 5 5 5 02 2 try F to cut a big C piece Csus4 out C of life, Esus4 E Esus4 it E feels al Asus4 - Gtr. 4 P.M. P.M. P.M. P.M. Gtr. 1 P.M. P.M. P.M. P.M. (cont. in slashes)
End Rhy. Fig. 2
Gtr. 1 Rhy. Fig. 3
A5 F5 C5 D5 A5
- right to go out to catch an out -ra-geous thrill. But it’s more
Gtr. 4 Rhy. Fig. 3A
let ring
F5 C5 E5
like spin ning- wheels of for tune,
-
which nev-er stand still.
End Rhy. Fig. 3A
1 0 0 0 0 0 07 0 07 0 0 0 0 0 07 0 5 7 5 5 5 5 6 5 5 5 9 9 10 9 9 10 9 9 9 9 9 10 9 9 9 7 7 0 0 0 0 0 0 0 1 3 3 1 1 1 1 1 1 1 3 5 5 3 3 3 3 3 3 3 0 2 2 0 0 7 9 9 7 9 9 7 9 9 0 2 2 7 7 7 7 7 7 7 7 7 5 7 7 7 7 7 7 7 7 7 5 5 5 5 5 6 5 5 6 5 5 5 7 7 7 7 7 7 8 9 7 7 7 7
End Rhy. Fig. 3
3 fr G A5type2
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
Chorus
A(b6) A5 F5 E5 D5 C5 G5
Big cit - y, big cit - y nights.
P.M. 1 1 G6 G5 Gsus4
You keep me burn ing.
G -A5 Big A(b6) cit A5 y, -F5 P.M. P.H. P.M. *
* Move pickhand up & down string to achieve random harmonics.
big E5 cit D5 y C5 - nights. G5 G6 G5 Gsus4 2. When G the sun A5 - 8v a loco P.H. Pitches: D D A Ab G F# F 1/2 Gtr. 1: w/ Rhy. Fig. 2 A5 Verse - light F5 is ris -ing up C5 in Csus4 C my eyes, Dsus4 D and D5 the long A5 P.M. P.M. P.M. 11 11 11 11 11 0 2 0 2 0 3 0 2 0 108 108 79 57 35 3 5 3 5 3 5 3 7 3 5 0 3 0 3 0 3 0 3 0 3 0 3 0 3 0 3 0 0 2 0 2 0 3 0 2 0 108
8 10 8 10 7 9 5 7 3 5 3 5 3 5 3 7 3 5 3 0 5 4 3 2 1 02 2 0 2 2 0 02 2 0 2 2 0 1 3 3 1 13 3 1 3 3 1 3 3 5 7 5 5 5 5 6 5 5 5 7 7 8 7 7 8 7 7 7 8 9 7 7 0 2 2
night F5
has left me back
C5 at some Csus4 bod C - -y’s side, Esus4 E Esus4 it feels al Asus4 - P.M. P.M. P.M.
Gtrs. 1 & 4: w/ Rhy. Figs. 3 & 3A
- right for
Am
a long
F6
sweet min ute F -C5 Csus4 like hours C be fore. D - But D5 it’s more Asus4 like look Am ing - out F6
for some thing
F - C5 Csus4 can’t find an C y - more. E - A5type2
Gtr. 1: w/ Rhy. Fig. 1 (3 ¾ times)
Chorus Big A(b6) cit A5 y, -F5 Gtr. 4 let ring C loco P.H. P.M. 1 1 big E5 cit D5 y C5 - nights. G5 G6 G5 Gsus4
You keep me burn ing.
G -A5 1/2 1 1/2 1 0 02 2 5 0 2 2 0 1 3 3 1 13 3 1 3 3 1 3 3 5 7 5 5 5 5 6 5 5 5 9 9 10 9 9 10 9 9 9 9 9 10 9 9 9 7 7
9 9 9 9 9 11 9 12 11 9 12 11 9 11 0 2 0 2 0 3 0 2 0 108 Big A(b6) cit A5 y, -F5 big E5 cit D5 y C5 - nights. G5 G6 G5 Gsus4 P.M. 1/2 1 1/2 1
Al - ways yearn ing.
G -A5 Big A(b6) cit A5 y, -F5 big E5 cit D5 y C5 - nights. G5 P.M. 5 1/2 1 G6 G5 Gsus4
You keep me burn ing.
G -A5 P.H. C loco 3 1 1 1 1 Big A(b6) cit A5 y, -F5 big E5 cit D5 y C5 - nights. G5 G6 G5 Gsus4 0 2 0 2 0 3 0 2 0 108 108 79 57 35 17 17 17 17 17 17 15 17 17 17 15 17 1717 1515 1717 17 17 15 17 15 17 16 17 16 15 18 15 18 0 2 0 2 0 3 0 2 0 108 108 79 57 35
5 5 4 5 4 5 4 7 4 5 0 7 5 4 5 0 7 8 8 8 8 8 8 10 8 10 7 9 5 7 3 5 3 5 3 5 3 7 3 5 7 8 8Half - time feel
End half - time feel
G Gsus4 µ Bridge µ There is E5 no dream 3 G5
that you can’t make true C5 Gtrs. 1 & 4
if you’re look-ing for love.
B5 µ
But there’s E5
no girl’s
G5
burn ing- the ice C5 Gtr. 1 D5 D (D5) A5type2 a - way from my 3
heart, may - be to night.
*
-
Gtrs. 1 & 4 Gtr. 4
P.M.
(Gtr. 1 cont. in slashes) (cont. in slashes)
Gtr. 2 Gtr. 3 divisi 7 8 8 7 8 8 7 8 8 7 8 8 7 8 8 7 8 7 7 8 8 7 8 8 7 8 8 7 8 8 7 8 8 3 2 0 7 9 9 3 5 5 3 5 5 3 5 5 2 4 4 3 2 0 7 9 9 3 5 5 3 5 5
3 5 5 5 7 7 5 7 5 5 7 7 5 7 7 5 0 02 Gtrs. 1 & 4 open A Interlude A(b6) A5type2 open A F5
Gtrs. 1 & 4: w/ Rhy. Fig. 1 (last 3 meas.)
E5 D5 C5 G5 G6 G5 Gsus4 divisi Gtr. 3 Gtr. 2 1 1 G A5
Gtrs. 1 & 4: w/ Rhy. Fig. 1
A(b6) A5 F5 E5 D5 C5 G5 G6 G5 Gsus4 1 1 1 Gtr. 3 tacet G A5 Gtrs. 1 & 4 Guitar Solo A(b6) A5 F5 C5 Gtr. 5 (dist.) w/ reverb f 8v a 1 1 1 1 Gtr. 2 3 1 7 9 5 8 7 10 10 7 7 10 7 4 5 4 7 8 7 10 4 5 7 8 7 0 3 5 7 9 7 5 7 9 5 8 7 10 10 7 7 10 15 20 20 20 20 20 20 20 15 15 13 15 13 14 13 15 15 14 14
Gtr. 2 tacet D5 A5 F5 Gtr. 5 loco 3 3 8v a 1 1 C5 E5 Gtr. 1 A5 8v a loco (Gtr. 4 cont. in notation) 1 Gtr. 4 F5 C5 D5 3 3 1 1/2 1 1 1 20 18 17 18 17 15 17 15 17 16 17 16 22 20 18 17 22 20 20 20 17 17 16 13 12 14 12 12 14 13 12 10 12 12 10 12 10 12 7 5 5 X X X X X X 7 9 9 0 2 2 0 2 2 0 2 2 8 7 8 5 5 8 8 7 5 5 5 8 8 8
A5 F5 C5 grad. bend 8v a 3 3 1 1/2 1 E5 A5type2 8v a loco 3 3 1 1 1 1
Gtr. 1: w/ Rhy. Fig. 1 (4 times)
Chorus A5 Big A(b6) cit A5 y, -F5 big E5 cit D5 y C5 - nights. G5 Gtr. 5 tacet G6 G Gsus4
You keep me burn ing. G -A5 P.M. 1/21/2 1/21/2 8 8 X X X 5 5 5 7 5 7 5 7 6 5 8 5 8 5 5 8 5 15 5 7 7 5 5 7 7 5 5 7 7 5 5 0 2 2 X X X X X X 0 2 2 0 2 2 0 2 2 1 3 3 X X X X X X 1 3 3 1 3 3 1 3 3 3 5 5 15 15 13 12 13 12 15 12 13 15 12 15 15 15 13 15 13 14 13 15 15 14 X X X X X X 3 5 5 3 5 5 3 5 5 0 2 2 7 9 9 7 9 9 7 9 9 7 9 9 7 9 9 10 7 9 9 10 7 9 9 10 7 9 9 10 7 9 9 10 7 9 9 10 7 9 9 10 0 2 14 0 2 0 2 0 3 0 2 0 108 108 79 57 35 3 5 X X X X 3 7 3 5 3 3 3 5 3 3 5 3 0 2
Big A(b6) cit A5 y, -F5 big E5 cit D5 y C5 - nights. G5 G6 G5 Al Gsus4 ways - yearn ing. G -A5 Gtr. 3 divisi Gtr. 2 * w/ octaver
* Set one octave below.
Gtr. 4 P.M. grad. bend1 1 1 1 Big A(b6) cit A5 y, -F5 big E5 cit D5 y C5 - nights. G5 G6 G5 Gsus4 Riff A1 Riff A 1 1 P.M. semi-harm. 7 5 7 0 3 5 0 2 0 2 0 3 0 2 0 108 108 79 57 35 5 6 6 5 56 56 4 5 4 7 5 4 7 5 7 8 0 3 02 7 9 5 8 7 10 10 7 7 10
Play 2 Times & Fade out
You keep me burn ing.
G -A5 Big A(b6) cit A5 y, -F5 big E5 cit D5 y C5 - nights. G5 1 1 semi-harm. P.M. P.M. G6 G5 Al Gsus4 ways - yearn - ing. G A5 End Riff A End Riff A1 1
Gtrs. 1 & 4: w/ Rhy. Fig. 1 (till fade) Gtrs. 2 & 3: w/ Riffs A & A1 (till fade)
Outro Big A(b6) cit A5 y, -F5 big E5 cit D5 y C5 - nights. G5 G6 G5 Gsus4
You keep me burn ing.
G -A5 Big A(b6) cit A5 y, -F5 big E5 cit D5 y C5 - nights. G5 G6 G5 Al Gsus4 ways - yearn ing. G -A5 7 10 0 3 5 7 7 5 7 9 5 8 7 10 10 7 3 0 3 0 3 0 3 0 3 0 3 0 0 20 02 03 02 0 108 108 79 57 35 5 3 7 10 4 7 5 4 7 8 7 10 4 5 7 8 5 7 5 7 7 0 3 5 5 3 5 3 5 3 5 3 5 3 5 3 5 7 65 56 5 33 0 2
Fast Rock q = 180
Blackout
Words and Music by Herman Rarebell, Klaus Meine, Rudolf Schenker and Sonja Kittelsen
1 3 4 1 3 4 1 3 4 1 3 4 1 1 3 4 5fr D5 7fr E5 10fr G5 C5 7fr E5/B Intro
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 1 (dist.) f E5 P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. Gtr. 2 (dist.) w/ bar steady dive f -4 -2½ Gtr. 2 *
Gtr. 1: w/ Rhy. Fig. 1 (1 ¾ times)
Riff A
Em7 E5 Em7 E5 Em7
* Chord symbols reflect overall harmony.
P.H. E5 End Riff A Em7 7 9 9 X X X X 7 9 9 X X X X 7 9 9 X X 7 9 9 X X X X 7 9 9 X X X X 7 9 9 X X 7 9 9 X X X X 7 9 9 X X X X 7 9 9 X X 7 9 9 X X X X 7 9 9 X X X X 7 9 9 X X 0 0 0 0 0 10 0 0 0 10 0 0 10 0 0 10 0 0 10 0 0 10 0 12 0 12 0 0 10 0 0 10 0 0 10 0 0 10 0 0 10 0 0 10 0 12 0 12 0 0 12 12 0 0 12 12 0 0 12 12 0 0 12 12 0 0 12 10 0 0 12 10 0 0 12 12 0 0 12 12 0 0 12 12 0 0 12 12 0 0 12 10 0 0 12 10
0 0 12 10 0 0 12 10 0 0 12 0 0 12 0 0 12 10 0 0 12 10 0 0 12 0 0 12 0 0 12 10 0 0 12 10 0 0 12 0 0 12 0 0 12 10 0 0 12 10 0 0 12 0 0 12 0 12 12 0 12 12 0 0 12 12 0 0 12 12 0 00 12 10D5 VerseE5 Rhy. Fig. 2 P.M. P.M. P.M. Gtr. 1 1. I re - al - ize I w/ bar P.M. P.M. P.M. -1½ P.M. P.M. P.M. G5 P.M. P.M. P.M. C5 P.M. P.M. P.M. P.M. P.M.
End Rhy. Fig. 2
P.M.
missed a day, I’m too wrecked to care an - y - way. I
P.M. 15ma P.H. loco P.M. P.M. P.M. P.M. P.M. P.M. look Gtr. 1: w/ Rhy. Fig. 2 E5
a - round and see this face, what
G5
the hell have I
P.M. P.M. P.M. P.M. 15ma P.H.
0 0 0 0 7 9 9 X X X X 7 9 9 X X X X 7 9 9 X X
7 9 9 X X X X 7 9 9 ? X X 12 14 12 12 14 3 5 5 X X X X 3 5 5 X X X X 3 5 5 X X 3 5 5 X X X X 3 5 5 X X X X 3 5 5 X X
7 9 9 X X X X 7 9 9 X X X X 7 9 9 X X 7 9 9 X X X X 7 9 9 ? X X 12 14 12 12 14 2C5 Rhy. Fig. 3 D5 Pre - Chorus lost my taste? Gtr. 1 Don’t loco P.M. P.M. 15ma P.H. loco P.H.
15ma loco 15ma
P.H. loco
C5
P.M. P.M. P.M. P.M. P.M.
End Rhy. Fig. 3
P.M.
want to find out,
_1 _1 _1 w/ bar P.M. P.M. P.H. P.H. P.H. _1 _1 _1 Pitch: E D5 C5 P.M. P.M. P.M. µ
just want to get out. 2. My
_1 _1 _1 w/ bar P.M. P.M. P.M. _1 _1 _1
3 5 5 X X X X 3 5 5 X X X X 5 5 6 5 7 5 7 9 7 5 7 5 5 7 7
5 7 7 5 7 7 5 7 7 3 5 5 X X X X 3 5 5 X X X X 3 3 2 0 3 2 0
head grab
Gtr. 1: w/ Rhy. Fig. 2 (2 times) E5 Verse ex my plodes, things, - ears make my ring, run. I can’t On G5 re my mem way - ber out, - just an where oth C5 -I’ve er -been. one. P.M. P.H. P.M. P.M. P.M. 15ma P.H. loco Pitch: C 1/4 2nd time, Gtr. 2: w/ Fill 1 Last Would like E5 to know thing be - fore I re I stop, call, - P.M. P.H. 8v a loco 1/4 I did G5 got I lost make in it a or 3 deep did C5 black I hole. flop?
2nd time, Gtr. 2: w/ Fill 2 15ma P.H. loco P.M. P.M. P.M. w/ bar Harm. 8v a Pitches: D G B E -1 Gtr. 2 Fill 1 Gtr. 2 Fill 2 3 3 3 3 1 1 1
0 7 5 0 5 0 7 5 0 5 0 12 14 12 12 14 XX XX 55 XX XX 55 55
5 8 5 5 5 8 5 8 5 5 8 5 8 0 7 5 0 5 0 7 5 0 5 0 12 14
12 12 14 3 5 5 X X X X 3 5 5 X X X X 3 5 5 X X 5 5 5 5 5 5 7 5 0 7 9 7 0 5 7 5 0 5 7 5 0 X X 10 10 1010 10 1010 1010 4C o T oda Gtr. 1: w/ Rhy. Fig. 3 D5 Pre - Chorus
Don’t want to find out,
C5 loco _1 _1 _1 w/ bar P.M. P.M. P.M. _1 _1 _1 1/4 Rhy. Fig. 4 D5 C5 P.M. P.M. P.M. µ
End Rhy. Fig. 4 E5/B
Gtr. 1
just want to get out.
(cont. in notation) Black - Rhy. Fig. 4A 1 _ _1 _1 w/ bar P.M. P.M. P.M.
End Rhy. Fig. 4A
_1 _1 _1 out. ** Chorus D5 E5
I real -ly had a black out. D5 -E5 Black - *Gtrs. 1 & 2 Rhy. Fig. 5 P.M.
End Rhy. Fig. 5
P.M. 5 7 7 5 7 7 5 7 7 5 7 7 3 5 5 X X X X 3 5 5 X X X X 3 5 5 X X 3 2 0 3 2 0
5 7 7 5 7 7 5 7 7 5 7 7 3 5 5 X X X X 3 5 5 X X X X 3 5 5 X X 3 5 5 7 7 9 9 7 9 7 9 out,
Gtrs. 1 & 2: w/ Rhy. Fig. 5 ( 2 ½ times)
D5 E5
I real - ly had a black out.
D5 -E5 Black - out, D5 E5
I real - ly had a black out.
D5 -E5 Black out, D5 -E5
I real - ly had a black
- out. D5 E5 G5 E5 G5 E5 G5 Gtr. 1 Gtr. 2 grad. bend 1 Gtr. 2
Gtr. 1: w/ Rhy. Fig. 1 ( 2 ¾ times) E5 Interlude w/ bar steady dive -3½ -2½ 5 5 7 7 0 0 3 2 0 3 3 2 0 3 3 2 0 3 5 5 7 7 0 0 3 2 0 3 3 2 0 3 3 2 0 3 3 0 6
D.S. al Coda Coda Gtr. 2: w/ Riff A Gtr. 1 D5
3. I
Gtr. 2 8v a Pitches: w/ bar Harm. G D A -2½ out,Gtrs. 1 & 2: w/ Rhy. Fig. 5 ( 2 ½ times)
D5 E5
(Yeah.
I real - ly had a black out.
D5 -E5 Black out, D5 -E5 Ah, ah
I real - ly had a black
- out. D5 E5 yeah.) Black out, D5 -E5
I real - ly had a black
- out. D5 E5 G5 Yeah, E5 G5 yeah, E5 yeah, G5
I real ly- had a black out- ba - by.
Gtr. 3 (dist.) f 1 Gtrs. 1 & 2
0 7 5 5 5 5 5 5 14 Gtr. 3 Gtr. 2 tacet E5 Guitar Solo Bm B5add9 B5addb9 8v a 1 1 1 1 1 Gtr. 1 Rhy. Fig. 6 P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. B5 8v a loco G 1 1 1 1 1 P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. C5 D5 3 3 3 3 3 3 P.M. P.M. P.M. P.M. P.M.
End Rhy. Fig. 6
P.M. 14 12 15 12 12 14 15 12 14 12 15 12 12 14 15 12 14 12 15 12 12 17 12 15 12 14 12 17 12 15 12 14 12 17 12 15 12 7 9 9 X X X X 7 9 9 X X X X 7 9 9 X X 7 9 9 X X X X 7 9 9 X X X X 7 9 9 X X 47 XX XX 64 XX XX 45 XX 17 17 17 14 12 14 14 12 15 12 15 14 12 12 4 4 X X X X 4 4 X X X X 4 4 X X 5 4 X X X X 5 4 X X X X 5 4 X X 5 4 X X X X 5 4 X X X X 5 4 X X 15 12 15 14 12 14 15 12 15 14 12 14 7 8 7 9 7 9 7 9 7 5 7 5 7 5 5 5 X X X X 5 5 X X X X 5 5 X X 7 7 X X X X 7 7 X X X X 7 7 X X 8
Gtr. 3 Gtr. 1: w/ Rhy. Fig. 6 E5 P.H. P.H. 8v a loco Bm B5add9 B5addb9 P.M. 3 3 3 3 Pitches: G B 1 1 1 1 1 B5 P.M. P.M. G let ring 3 3 3 1 1 1 1 1 1 C5 D5 3 3 3 3 3 3 3 3 1 1 1 Gtr. 1: w/ Rhy. Fig. 3 D5 Pre - Chorus
Don’t want to find out,
C5 w/ bar P.M. P.M. P.M. *8v a P.H. +2
2 2 2 2 2 2 0 2 2 5 7 5 7 4 7 4 5 4 5 7 5 7 4 7 4 7 4 7 15 15 14 1415 14 15 15 14 15 14 14 15 14 12 14 12 15 12 12 15 12 15 12 15 14 12 14 12 12 9 12 9 9 9 12 10 12
0 0 55 X X 55 X X 55 X
Gtrs. 1 & 3: w/ Rhy. Figs. 4 & 4A D5
just want to get out.
C5 µ Black E5 - out,
Gtrs. 1 & 3: w/ Rhy. Fig. 5 (5½ times) D5
Chorus
E5
I real - ly had a black out.
D5 -E5 Black - out, D5 E5 (Yeah,
I real - ly had a black out.
D5 -E5 Black - out, D5 E5
I real - ly had a black out.
D5 -E5 Black - out, D5 E5 Yeah,
I real ly- had a black yeah, out. D5 -E5 Black out, D5 -oh E5 yeah, oh yeah, black out. D5 -oh E5 yeah, oh yeah, oh yeah, Black - out. D5 oh E5 yeah, oh yeah, oh yeah. Ah.) Band tacet Outro µ (Glass shattering) 10
Slowly q = 82
Coming Home
Words and Music by Klaus Meine and Rudolf Schenker
1 3 4 1 3 4 1 3 4 1 3 4 1 3 4 IX 1 3 4 1 3 4 1 3 4 1 3 4 7fr E5 C5 5fr D5 B5 9fr B5 10fr G5 F#5 5fr A5 4fr C#5 Intro Gtr. 1 (clean) mp
let ring throughout Cadd9
Riff A
C Cadd9 C Asus4 A Asus4 A
End Riff A Gtr. 2 (clean) mp Gtr. 1: w/ Riff A Riff A1
Cadd9 C Cadd9 C Asus4 A Asus4
End Riff A1 A
let ring throughout
Gtrs. 1 & 2: w/ Riffs A & A1 (2 times)
A A Ev 1. Verse Cadd9 ’ry - morn ing C - when I wake Cadd9 up yawn ing C
- I’m still far
Asus4 a - way. Asus4 Trucks Cadd9
still roll ing
C
- through the ear
Cadd9 ly - morn ing C - to the place Asus4 we play. A Asus4 A 3 2 0 3 1 0 2 3 2 0 3 1 0 2 0 2 2 3 2 2 2 0 2 2 3 2 2 2 3 2 3 0 3 2 3 0 0 2 3 2 0 2 3 2
Boy, Dsus4
you’re home, you’re Dm dream Dsus2 ing. - Don’t Dsus4
you know that
Dm you’re Dsus2 still far Asus4 a -way? A Asus4 A
Gtr. 1 Riff B End Riff B
Gtr. 2
Riff C End Riff C
Boy, Gtr. 1: w/ Riff B
Dsus4
you’re home you’re Dm dream Duss2 ing. - Don’t Dsus4
you know you’re
Dm hav Dsus2 ing - just Asus4 a break? A Asus4 A Gtr. 2 Dream Gtr. 1: w/ Riff A (2 times) Gtr. 2: w/ Riff A1 (1st 2 meas.) Cadd9 we’re go ing C - out on stage, Cadd9 it feels like C
com ing- home
Gtr. 2: w/ Riff C Asus4 a - gain. A Asus4 A Dream Gtr. 2: w/ Riff A1 Cadd9 we’re go ing C - out on stage, Cadd9 it feels like C
com ing- home Asus4 a - gain. A Asus4 A Gtr. 3 (dist.) mp 0 2 3 3 1 0 3 0 2 3 3 1 0 3 0 2 2 3 2 2 2 0 2 2 3 2 2 2 0 2 3 2 0 2 3 2 0 2 3 2 0 2 3 2 0 2 3 2 0 2 3 2 0 2 3 2 0 2 3 2 0 2 2 3 2 3 5 7 5 7 8 2
Dream Cadd9 we’re go ing C - out on stage, Cadd9 it feels like... C Asus4 A Gtr. 3 rit. fdbk. 1 Gtr. 1 rit. Gtr. 2 rit. Gtr. 4 (dist.) Interlude f E5 Rhy. Fig. 1 Very fast q = 221 C5 D5 B5Gtr. 3 tacet
End Rhy. Fig. 1
Gtr. 3 Gtr. 5 (dist.) Riff D f EndRiff D
8 10 8 9 13 13 12 9 810 10 10 3 2 0 1 0 2 3 2 0 3 1 0 2 0 2 2 3 2 2 2 0 2 2 2 3 2 3 0 3 2 3 0 0 2 3 2 0 10
E5 C5 D5 B5IX
Gtr. 5
Riff E End Riff E
Gtr. 4: w/ Rhy. Fig. 1 (2 times)
E5 C5 D5 B5 E5 C5 3 D5 B5 Rhy. Fig. 2 E5 Verse 2., 4. Gtr. 4
Year af - ter year,
Riff F P.M. 3 3 3 1 1 1 1 1 9 8 X X 9 8 9 8 7 7 9 8 X X 9 8 9 8 7 7 9 8 X X 9 8 9 8 7 7 11 12 9 8 X X 9 8 9 8 7 7 9 8 X X 9 8 9 8 7 7 9 8 X X 9 8 9 8 7 7 7 10 7 10 9 7 7 7 98 XX 98 89 77 98 XX 98 98 77
14 12 12 12 12 15 12 15 12 15 12 12 14 15 12 14 12 14 7 7 7 7 7 7 7 7 4C5 B5
End Rhy. Fig. 2
out on the road,
it’s P.M. * P.H. 8v a Pitch: A
*8va applies to P.H. only.
great Gtr. 4: w/ Rhy. Fig. 2 E5 to be here to C5
seerock
you all. loco P.M. ** P.H. P.H. 15ma loco P.M. Pitch: G
**15ma applies to P.H. only.
B5 µ Chorus I know for Gtr. 5 * P.H. End Riff F 8v a loco
*8va applies to P.H. only
1 Riff G Gtr. 4 1