Flute Oboe Clarinet in Bb 1 & 2 Clarinet in Bb 3 Trumpet in Bb 3 Bass Clarinet in Bb Alto Saxophone Tenor Saxophone Baritone Saxophone Trumpet in Bb 1 Horn in F Trombone 1 Euphonium Tuba Orchestral Bells Snare Drum Marching Tenor Drums Marching Bass Drum
RRRRRRRR RRRRRRRR RRRRRRRR RRRRRRR L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L
RRRRRRRR RRRRRRRR RRRRRRRR RRRRRRR L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L
RRRRRRRR RRRRRRRR RRRRRRRR RRRRRRR L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L
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Director Reminder:1. Students should stay set during rests. 2. Direct attention to posture.
3. Focus on beginning, middle, and end of notes. 4. Relax, but be precise.
5. Tell them what you want them to do, then LISTEN. 6. Tone Quality, Balance, Blend, Intonation and Phrasing.
arr. Matt Porter
Breathe
Warm-Up- Daily Routine 2018 pg 1.
Crow Tuning Note
Student Goals:
1. Breathe Together 3. Follow through with the same air and VOWEL SOUND. 5. ORGANIZE the end of each note as clearly as the beginning. 2. Start together. 4. Release together. 6. Vibrato-producing instruments can alternately play a straight tone or with vibrato.
A
WARM-UP/TUNEUP IN F
BRhythm Patterns:
A.
iqiq / B. eq e
A.
iqq / B. q iq
1. RELAX! 2.. Use stick height, not force to achieve dynamics. 3. Match your neighbor, then your section,, then the drumline. 4. Don't overplay or underplay the band. Use your ears and LISTEN! 5. Stretch before and after playing to avoid injury. 6. Wear ear protection.
Fl. Ob. Cl. 1 & 2 Cl. 3 B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Hn. Tbn. Euph. Tba. Orch. Bells S. D. T. D. B. D. 13 Basses
Tuning Sequence
Low Br/WW Alto Voices Sop. Voices
Fl. Ob. Cl. 1 & 2 Cl. 3 B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Hn. Tbn. Euph. Tba. Orch. Bells S. D. T. D. B. D. 18
Rr r r R r r r Rr rRr rR L l l l L l l l L l l L l l L Rr r rR r r r Rr rRr rR L l l l L l l l L l l L l l L Rr r rRr r r Rr rRr rR L l l l L l l l L l l L l l L Rr r r Rr r r Rr rRr rR
Rr r r R r r r Rr rRr rR L l l l L l l l L l l L l l L Rr r rR r r r Rr rRr rR L l l l L l l l L l l L l l L Rr r rRr r r Rr rRr rR L l l l L l l l L l l L l l L Rr r r Rr r r Rr rRr rR
Rr r r R r r r Rr rRr rR L l l l L l l l L l l L l l L Rr r rR r r r Rr rRr rR L l l l L l l l L l l L l l L Rr r rRr r r Rr rRr rR L l l l L l l l L l l L l l L Rr r r Rr r r Rr rRr rR
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MIDDLE
Interval Study #1 (approx 1':10")
Match percussion or roll according to what is needed.
Accent Pattern #1
Accent Pattern #1
Accent Pattern #1
Fl. Ob. Cl. 1 & 2 Cl. 3 B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Hn. Tbn. Euph. Tba. Orch. Bells S. D. T. D. B. D. 33
R r R r R r R r r R r R r R r R R r R r R r R r r R r R r R r R R r R r R r R r r R r R r R r R R r R r R r R r r R r R r R r R R r R r R r R r r R r R r R R
R r R r R r R r r R r R r R r R R r R r R r R r r R r R r R r R R r R r R r R r r R r R r R r R R r R r R r R r r R r R r R r R R r R r R r R r r R r R r R R
R r R r R r R r r R r R r R r R R r R r R r R r r R r R r R r R R r R r R r R r r R r R r R r R R r R r R r R r r R r R r R r R R r R r R r R r r R r R r R R
HIGHMatch percussion or roll according to what is needed.
Accent Pattern #2
Accent Pattern #2
Accent Pattern #2
Fl. Ob. Cl. 1 & 2 Cl. 3 B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Hn. Tbn. Euph. Tba. Orch. Bells S. D. T. D. B. D. 44
L l L l L l L l l L l L l L l L L l L l L l L l l L l L l L l L L l L l L l L l l L l L l L l L L l L l L l L l l L l L l L l L L l L l L l L l l L l L l L l L L l L l L l L l l L l L l LL
L l L l L l L l l L l L l L l L L l L l L l L l l L l L l L l L L l L l L l L l l L l L l L l L L l L l L l L l l L l L l L l L L l L l L l L l l L l L l L l L L l L l L l L l l L l L l LL
L l L l L l L l l L l L l L l L L l L l L l L l l L l L l L l L L l L l L l L l l L l L l L l L L l L l L l L l l L l L l L l L L l L l L l L l l L l L l L l L L l L l L l L l l L l L l LL
LOW Pedal ToneMatch percussion or roll according to what is needed.
Fl. Ob. Cl. 1 & 2 Cl. 3 B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Hn. Tbn. Euph. Tba. Orch. Bells S. D. T. D. B. D. 58 1e
R...
a2&a e&4& 1e a2&a e&4& 1 ea2&a e&4 ea 1 &a e&3 ea4e&L...
R...
L...
1e
R...
a2&a e&4& 1e a2&a e&4& 1 ea2&a e&4 ea 1 &a e&3 ea4e&L...
R...
L...
1e
R...
a2&a e&4& 1e a2&a e&4& 1 ea2&a e&4 ea 1 &a e&3 ea4e&L...
R...
L...
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LIP FLEXIBILITY #1 (approx. 0:45")
Fl. Ob. Cl. 1 & 2 Cl. 3 B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Hn. Tbn. Euph. Tba. Orch. Bells S. D. T. D. B. D. 74
R...
R...
R... R 1 L e R & L a R 2 L e R & L a R 3 L e R & L a R 4 L e R & L a R... R 1 L e R & L a R 2 L e R & L a R 3 L e R & L a R 4 R... R 1 R & L a R 2 R & L a R 3 R & L a R 4 R & L a R... 1 R 1 R & L a R 2 R & L a R 3 R & L a R 4 R 1 L e L a R 2 L e L a R 3 L e L a R 4 L e L a R... 1 R 1 L e L a R 2 L e L a R 3 L e L a R 4 R... 1 R 1 L e R & R 2 L e R & R 3 L e R & R 4 L e R & R... 1 R 1 L e R & R 2 L e R & R 3 L e R & R 4c
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Bb Major scale - one octave A Major scale - one octave Ab Major scale - one octave G Major scale - one octave
LIP FLEXIBILITY #2 (approx 0:45")
Bb Major scale - one octave A Major scale - one octave Ab Major scale - one octave G Major scale - one octave
Bb Major scale - one octave A Major scale - one octave Ab Major scale - one octave G Major scale - one octave
Bb Major scale - one octave A Major scale - one octave Ab Major scale - one octave G Major scale - one octave
Bb Major scale - one octave A Major scale - one octave Ab Major scale - one octave G Major scale - one octave
Bb Major scale - one octave A Major scale - one octave Ab Major scale - one octave G Major scale - one octave
Bb Major scale - one octave A Major scale - one octave Ab Major scale - one octave G Major scale - one octave
Bb Major scale - one octave A Major scale - one octave Ab Major scale - one octave G Major scale - one octave
Lip Flex #4
Lip Flex #4
Lip Flex #4
Lip Flex #4
Lip Flex #4
(Check Pattern) Diddles (right hand) Diddles (left hand) Diddles (right hand) Diddles (left hand)
(Check Pattern) Diddles (right hand) Diddles (left hand) Diddles (right hand) Diddles (left hand)
(Check Pattern) Timing Timing (Check Pattern)
Fl. Ob. Cl. 1 & 2 Cl. 3 B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Hn. Tbn. Euph. Tba. Orch. Bells S. D. T. D. B. D. 90
R...
R...
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R...
R...
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R...
R...
R
R...
R...
R
R L R L R L R L R R L L R R L L R L R L R L R L R R L L R R L L R
R L R L R L R L R R L L R R L L R L R L R L R L R R L L R R L L R
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Concert Ab scale
Scale Study (approx. 0:10" each)
Concert Eb scale
Chicken and a Roll
Chicken and a Roll
Chicken and a Roll Chicken and a Roll
Double Stroke
Double Stroke
Fl. Ob. Cl. 1 & 2 Cl. 3 B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Hn. Tbn. Euph. Tba. Orch. Bells S. D. T. D. B. D. 100
R...
R...
R
R...
R...
R
R...
R...
R
R...
R...
R
R L R L R L R L R L R R L R L L R L R L R L R L R L R R L R L L R
R L R L R L R L R L R R L R L L R L R L R L R L R L R R L R L L R
Concert Bb scale
Concert F scale
Chicken and a Roll
Chicken and a Roll
Chicken and a Roll Chicken and a Roll
Paradiddle
Paradiddle
Fl. Ob. Cl. 1 & 2 Cl. 3 B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Hn. Tbn. Euph. Tba. Orch. Bells S. D. T. D. B. D. 110
R L R R L R R L R R L R L L R L R R L R L L R L R R L R L L R L R R L
R L R L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L
R L R R L R R L R R L R L L R L R R L R L L R L R R L R L L R L R R L
R L R L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L
R L R R L R R L R R L R L L R L R R L R L L R L R R L R L L R L R R L
R L R L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L
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Articulation #1
ARTICULATION
Articulation #2
Paradiddle
Windmill (reverse paradiddle)
Paradiddle
Windmill (reverse paradiddle)
Paradiddle
Windmill (reverse paradiddle)
Fl. Ob. Cl. 1 & 2 Cl. 3 B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Hn. Tbn. Euph. Tba. Orch. Bells S. D. T. D. B. D. 120 l
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rLL
lR R
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lR R
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lR R
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rLL
lR R
rLL
lR R
rLL
lR R
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lR R
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rLL
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rLL
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rLL
lR R
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lR R
rLL
lR R
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lR R
rLL
lR
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Multiple Tonguing - Very Short and Soft
Flams
Flam Taps
Flams
Flam Taps
Flams
Flam Taps
Fl. Ob. Cl. 1 & 2 Cl. 3 B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Hn. Tbn. Euph. Tba. Orch. Bells S. D. T. D. B. D. ppp fff ppp fff ppp fff ppp fff ppp fff 130 ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ll
R
rrL
llR
rrL
llR
rrL
llR
rrL
llR
ppp fff ppp fff ppp fff ppp fff ppp fff llR
rrL
llR
rrL
llR
rrL
llR
rrL
llR
ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff68
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Bb CHROMATIC SCALE
Chromatic Scale
Dynamic Control (promotes good pitch, tone quality, and endurance: practice daily)
Ruff/Drag
MULTIPLE BOUNCE ROLL (aka: Buzz Roll, Press Roll, Orchestral Roll, etc.)
Ruff/Drag
Fl. Ob. Cl. 1 & 2 Cl. 3 B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Hn. Tbn. Euph. Tba. Orch. Bells S. D. T. D. B. D. pp cresc. ff fff Adagio 150 pp cresc. ff fff pp cresc. ff fff pp cresc. ff fff pp cresc. ff fff pp cresc. ff fff pp cresc. ff fff pp cresc. ff fff pp cresc. ff fff pp cresc. ff fff pp cresc. ff fff pp cresc. ff fff pp cresc. ff fff pp cresc. ff fff