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Flute Oboe Clarinet in Bb 1 & 2 Clarinet in Bb 3 Trumpet in Bb 3 Bass Clarinet in Bb Alto Saxophone Tenor Saxophone Baritone Saxophone Trumpet in Bb 1 Horn in F Trombone 1 Euphonium Tuba Orchestral Bells Snare Drum Marching Tenor Drums Marching Bass Drum

RRRRRRRR RRRRRRRR RRRRRRRR RRRRRRR L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L

RRRRRRRR RRRRRRRR RRRRRRRR RRRRRRR L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L

RRRRRRRR RRRRRRRR RRRRRRRR RRRRRRR L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L L

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Director Reminder:

1. Students should stay set during rests. 2. Direct attention to posture.

3. Focus on beginning, middle, and end of notes. 4. Relax, but be precise.

5. Tell them what you want them to do, then LISTEN. 6. Tone Quality, Balance, Blend, Intonation and Phrasing.

arr. Matt Porter

Breathe

Warm-Up- Daily Routine 2018 pg 1.

Crow Tuning Note

Student Goals:

1. Breathe Together 3. Follow through with the same air and VOWEL SOUND. 5. ORGANIZE the end of each note as clearly as the beginning. 2. Start together. 4. Release together. 6. Vibrato-producing instruments can alternately play a straight tone or with vibrato.

A

WARM-UP/TUNEUP IN F

B

Rhythm Patterns:

A.

iqiq / B. eq e

A.

iqq / B. q iq

1. RELAX! 2.. Use stick height, not force to achieve dynamics. 3. Match your neighbor, then your section,, then the drumline. 4. Don't overplay or underplay the band. Use your ears and LISTEN! 5. Stretch before and after playing to avoid injury. 6. Wear ear protection.

(2)

Fl. Ob. Cl. 1 & 2 Cl. 3 B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Hn. Tbn. Euph. Tba. Orch. Bells S. D. T. D. B. D. 13 Basses

Tuning Sequence

Low Br/WW Alto Voices Sop. Voices

(3)

Fl. Ob. Cl. 1 & 2 Cl. 3 B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Hn. Tbn. Euph. Tba. Orch. Bells S. D. T. D. B. D. 18

Rr r r R r r r Rr rRr rR L l l l L l l l L l l L l l L Rr r rR r r r Rr rRr rR L l l l L l l l L l l L l l L Rr r rRr r r Rr rRr rR L l l l L l l l L l l L l l L Rr r r Rr r r Rr rRr rR

Rr r r R r r r Rr rRr rR L l l l L l l l L l l L l l L Rr r rR r r r Rr rRr rR L l l l L l l l L l l L l l L Rr r rRr r r Rr rRr rR L l l l L l l l L l l L l l L Rr r r Rr r r Rr rRr rR

Rr r r R r r r Rr rRr rR L l l l L l l l L l l L l l L Rr r rR r r r Rr rRr rR L l l l L l l l L l l L l l L Rr r rRr r r Rr rRr rR L l l l L l l l L l l L l l L Rr r r Rr r r Rr rRr rR

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MIDDLE

Interval Study #1 (approx 1':10")

Match percussion or roll according to what is needed.

Accent Pattern #1

Accent Pattern #1

Accent Pattern #1

(4)

Fl. Ob. Cl. 1 & 2 Cl. 3 B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Hn. Tbn. Euph. Tba. Orch. Bells S. D. T. D. B. D. 33

R r R r R r R r r R r R r R r R R r R r R r R r r R r R r R r R R r R r R r R r r R r R r R r R R r R r R r R r r R r R r R r R R r R r R r R r r R r R r R R

R r R r R r R r r R r R r R r R R r R r R r R r r R r R r R r R R r R r R r R r r R r R r R r R R r R r R r R r r R r R r R r R R r R r R r R r r R r R r R R

R r R r R r R r r R r R r R r R R r R r R r R r r R r R r R r R R r R r R r R r r R r R r R r R R r R r R r R r r R r R r R r R R r R r R r R r r R r R r R R

HIGH

Match percussion or roll according to what is needed.

Accent Pattern #2

Accent Pattern #2

Accent Pattern #2

(5)

Fl. Ob. Cl. 1 & 2 Cl. 3 B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Hn. Tbn. Euph. Tba. Orch. Bells S. D. T. D. B. D. 44

L l L l L l L l l L l L l L l L L l L l L l L l l L l L l L l L L l L l L l L l l L l L l L l L L l L l L l L l l L l L l L l L L l L l L l L l l L l L l L l L L l L l L l L l l L l L l LL

L l L l L l L l l L l L l L l L L l L l L l L l l L l L l L l L L l L l L l L l l L l L l L l L L l L l L l L l l L l L l L l L L l L l L l L l l L l L l L l L L l L l L l L l l L l L l LL

L l L l L l L l l L l L l L l L L l L l L l L l l L l L l L l L L l L l L l L l l L l L l L l L L l L l L l L l l L l L l L l L L l L l L l L l l L l L l L l L L l L l L l L l l L l L l LL

LOW Pedal Tone

Match percussion or roll according to what is needed.

(6)

Fl. Ob. Cl. 1 & 2 Cl. 3 B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Hn. Tbn. Euph. Tba. Orch. Bells S. D. T. D. B. D. 58 1e

R...

a2&a e&4& 1e a2&a e&4& 1 ea2&a e&4 ea 1 &a e&3 ea4e&

L...

R...

L...

1e

R...

a2&a e&4& 1e a2&a e&4& 1 ea2&a e&4 ea 1 &a e&3 ea4e&

L...

R...

L...

1e

R...

a2&a e&4& 1e a2&a e&4& 1 ea2&a e&4 ea 1 &a e&3 ea4e&

L...

R...

L...

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LIP FLEXIBILITY #1 (approx. 0:45")

(7)

Fl. Ob. Cl. 1 & 2 Cl. 3 B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Hn. Tbn. Euph. Tba. Orch. Bells S. D. T. D. B. D. 74

R...

R...

R... R 1 L e R & L a R 2 L e R & L a R 3 L e R & L a R 4 L e R & L a R... R 1 L e R & L a R 2 L e R & L a R 3 L e R & L a R 4 R... R 1 R & L a R 2 R & L a R 3 R & L a R 4 R & L a R... 1 R 1 R & L a R 2 R & L a R 3 R & L a R 4 R 1 L e L a R 2 L e L a R 3 L e L a R 4 L e L a R... 1 R 1 L e L a R 2 L e L a R 3 L e L a R 4 R... 1 R 1 L e R & R 2 L e R & R 3 L e R & R 4 L e R & R... 1 R 1 L e R & R 2 L e R & R 3 L e R & R 4

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Bb Major scale - one octave A Major scale - one octave Ab Major scale - one octave G Major scale - one octave

LIP FLEXIBILITY #2 (approx 0:45")

Bb Major scale - one octave A Major scale - one octave Ab Major scale - one octave G Major scale - one octave

Bb Major scale - one octave A Major scale - one octave Ab Major scale - one octave G Major scale - one octave

Bb Major scale - one octave A Major scale - one octave Ab Major scale - one octave G Major scale - one octave

Bb Major scale - one octave A Major scale - one octave Ab Major scale - one octave G Major scale - one octave

Bb Major scale - one octave A Major scale - one octave Ab Major scale - one octave G Major scale - one octave

Bb Major scale - one octave A Major scale - one octave Ab Major scale - one octave G Major scale - one octave

Bb Major scale - one octave A Major scale - one octave Ab Major scale - one octave G Major scale - one octave

Lip Flex #4

Lip Flex #4

Lip Flex #4

Lip Flex #4

Lip Flex #4

(Check Pattern) Diddles (right hand) Diddles (left hand) Diddles (right hand) Diddles (left hand)

(Check Pattern) Diddles (right hand) Diddles (left hand) Diddles (right hand) Diddles (left hand)

(Check Pattern) Timing Timing (Check Pattern)

(8)

Fl. Ob. Cl. 1 & 2 Cl. 3 B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Hn. Tbn. Euph. Tba. Orch. Bells S. D. T. D. B. D. 90

R...

R...

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R...

R...

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R...

R...

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R...

R...

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R L R L R L R L R R L L R R L L R L R L R L R L R R L L R R L L R

R L R L R L R L R R L L R R L L R L R L R L R L R R L L R R L L R

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Concert Ab scale

Scale Study (approx. 0:10" each)

Concert Eb scale

Chicken and a Roll

Chicken and a Roll

Chicken and a Roll Chicken and a Roll

Double Stroke

Double Stroke

(9)

Fl. Ob. Cl. 1 & 2 Cl. 3 B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Hn. Tbn. Euph. Tba. Orch. Bells S. D. T. D. B. D. 100

R...

R...

R

R...

R...

R

R...

R...

R

R...

R...

R

R L R L R L R L R L R R L R L L R L R L R L R L R L R R L R L L R

R L R L R L R L R L R R L R L L R L R L R L R L R L R R L R L L R

Concert Bb scale

Concert F scale

Chicken and a Roll

Chicken and a Roll

Chicken and a Roll Chicken and a Roll

Paradiddle

Paradiddle

(10)

Fl. Ob. Cl. 1 & 2 Cl. 3 B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Hn. Tbn. Euph. Tba. Orch. Bells S. D. T. D. B. D. 110

R L R R L R R L R R L R L L R L R R L R L L R L R R L R L L R L R R L

R L R L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L

R L R R L R R L R R L R L L R L R R L R L L R L R R L R L L R L R R L

R L R L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L

R L R R L R R L R R L R L L R L R R L R L L R L R R L R L L R L R R L

R L R L R L R R L R L L R L R R L R L L R L R R L R L L R L R R L R L

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Articulation #1

ARTICULATION

Articulation #2

Paradiddle

Windmill (reverse paradiddle)

Paradiddle

Windmill (reverse paradiddle)

Paradiddle

Windmill (reverse paradiddle)

(11)

Fl. Ob. Cl. 1 & 2 Cl. 3 B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Hn. Tbn. Euph. Tba. Orch. Bells S. D. T. D. B. D. 120 l

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Multiple Tonguing - Very Short and Soft

Flams

Flam Taps

Flams

Flam Taps

Flams

Flam Taps

(12)

Fl. Ob. Cl. 1 & 2 Cl. 3 B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Hn. Tbn. Euph. Tba. Orch. Bells S. D. T. D. B. D. ppp fff ppp fff ppp fff ppp fff ppp fff 130 ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ll

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ppp fff ppp fff ppp fff ppp fff ppp fff ll

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ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff ppp fff

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Bb CHROMATIC SCALE

Chromatic Scale

Dynamic Control (promotes good pitch, tone quality, and endurance: practice daily)

Ruff/Drag

MULTIPLE BOUNCE ROLL (aka: Buzz Roll, Press Roll, Orchestral Roll, etc.)

Ruff/Drag

(13)

Fl. Ob. Cl. 1 & 2 Cl. 3 B. Cl. Alto Sax. Ten. Sax. Bari. Sax. Tpt. Hn. Tbn. Euph. Tba. Orch. Bells S. D. T. D. B. D. pp cresc. ff fff Adagio 150 pp cresc. ff fff pp cresc. ff fff pp cresc. ff fff pp cresc. ff fff pp cresc. ff fff pp cresc. ff fff pp cresc. ff fff pp cresc. ff fff pp cresc. ff fff pp cresc. ff fff pp cresc. ff fff pp cresc. ff fff pp cresc. ff fff

pp cresc.

fff

Adagio

pp cresc.

fff

pp cresc.

fff

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Bb CHORALE (approx. 0:45")

1x soft; 2x crescendo every 2 measures

4. Multiple Bounce Roll (aka Buzz or Press Roll)

References

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