Roland Drum Machine Rhythm Dictionary Ocr

121 

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(1)
(2)

I

I

@

Roland

RHYTHM DICTIONARY

by

SANDY

F~

LOSTE IN

This new edition includes information

on the

ROLAND RHYTHM COMPOSER

TR

-

727

• Rhythm

patterns and fill

s

for

every

s

t

y

le

of

mu

s

i

c

-ROCK

,

JAZZ

,

LA TIN,

SP

ECIAL

DANCES

Rhythm Patterns in the

s

tyl

e

of

today's most popular

drummers

-APPICE,

PORCARO

, COL

LIN

S,

CAD

D

,

VAN HALEN,

plu

s

10 more

Tip

s

on multi-track recording

Tips on

how to

create

yo

ur

ow

n

patterns and

t

r

ack

s

'

.

)!i

I

;;;

.

~,.,

.,

,{

(3)

ROL

/

IN

D

'

S DR

U.

"1

,

\,\A

(HINE

RI IYT~I.'A

DIC

T

I

ONARY wi

ll

p

r

ov

id

e any

music

i

an:

drummer.

SOrlS"\'rit~r. k~boilrdist. arr

a

ng

er

,

VOC

d

lbt

J

e

t

c

.

with th

e ba

sic drum

h<-Jit~

ior e--ery style

o(

mu>ic

.

As technology k

ee

ps adv,mcing.

it is possibl

e

lo use rhese grea

t

machine

s

to lay

dn

w

1

' tr

a

c

k

s

i

o

r

rnulti~trJck

reco

rrl

i

ngo

r'

i

'

li

ve peri

o

rr

n

a

n

ct

s

i

tu

a

1

io

n

s

. H

o

w

eve

r

,

i

f

y()u ;ue

n

ot il schoo

le·

cl

d

rumm

e

r \·

v

ho knm·vs

th

e

rig

ht

pattCI'O$

t

o

input

f

or

~vl:'ry

~l~~le

o

f

m

u

s

ic: ..

}'OU mr~y

t

al<

<?

hours

fi

n

d

in

g.

the

ri

ght bent

or f

c

('l f

o

· a

specit

l

c sonR.

T

h

is

l

1<>o

k

answers

th

at

p

r

obl

e

m

.

I

I c

o

nt

a

i

n

s goo

d

sound

i

n

il

be

at

s

for

a

ll

s

t

y

l

es

of

mu

s

i

c

ils

well

il$

sugg

e

s

t

io

n

s

(

o

r

dev

e

l

opi

ng

your

own

b

ea

t

s a

nd

~uggestions

for

multi~track

recordin

g.

B~sidcs usln~

th

e

se a

s

st.lrtin

g

rl

a

ccs. II Is

s

u

gg

e

s

t

e

d

t

h

a

t

you

li

s

t

en t

o

y

o

ur

i

avo

ri

t

e r<'cord

l

n;lS a

nd t

r

y

to anal

y

z

e

rh

e b<:a

r

s

b

ei

n

g

pla

y

ed.

"

Plu

g

them in"" to )"Our drum machine and

keep ad

j

u

sting till you halt('

it

as

dose

a

s

possi

·

blc

.

Then use th

e

manuscrip

r p,1~

in the ba

c

-k oi

t

his book

t

o write

t

hem down so

}<OU

c.

1

n usc then> agai

n al

a

la

r

er date

.

You can make photo copie.

<

of

t

hc<c

ma

n

usc

ripr

d

Mrt

s

and

en

ter each

n

ew

beat

o

n

a separa

t

e chart. Yo

u may want

to

incl

u

de a

note

al>

m

Jt

w

h

e

r

e

yo

u

go

t th

e

idea fort

h<>

bc

<>

t

o

r th

e

type o

f

tune

or

f

eel

I

hat you

tried to

c

a

ptur

e.

I

n

esse

nce

you

will b

e

d

eve

l

o

p

i

n

g

yo

ur

o

wn R

h

yt

h

lll

D

ic:tion;uy

.

II

is

assume

d that

you

k

now

th~

basics of

how to

us

c y

our

Dr..

.

1

m Machine.

li

not,

r

e

f

e

r t

o

Roland

'

s Drumoti

x

T

R

-6

06 ~Ia

ndy

Guide

o

r

t

he D

r

.

Rhyt

h

m G

ra

p

hi

c

Ha

ndy

C

ukl

c

for

basic

inf

o

r

m

at

i

u

n r

e

i;"Jtc

cf

co

inputting beab

a

nd

tr

ac

ks on your Drum

Machine.

Add

i

t

ional techniques need

ed to pla

y all oi the rhythms in

th

is

d

i

c1

i

onar

y

(4)

~~ll

~~~

THIS DICTIONARY IS DESIGNED

<

·

/\

11

v(

the beat

s

in

ROLA

N

0'5

DRU

M MAC

HI

NE RHYTHM

O

I

CT10NARY

ca

n

be

pl

a

yi?cl

o~> the

Drum

atix

TR

·

606,

Or.

!J

o

ss Rhythru

DR

·

I"IO

,

Rhy

thlll

Colllposer

TP.-707. T

R·72

7,

or the

Rh}'1hm

C<:>

mposer

TR·90

9.

·

Each hear

is

w

ri

ncn

out

musically and

graphic

a

lly

ior

the

TR·

606 and the

DR·

1

1

0 on

(acin

g

pages.

·

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The left·hand

p•gc i

s

d~;igned

for

lhe

TR

·

606

-

-

--

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---~

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tO

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.

The

ri~ht·hand

pa8t!

i

s

u~signed

ior

the

DR-11 0

I(

you are the

proud

"'"""'

oi

the

T

R

·707

or

TR-909

,

pages

12

t

h

r

ough

19

give

you

m

ore.>

infonn~tion

and show you

how

to

ac/ap! any

TR-006

beat (or \

'OUr specia

l

i

nst

rument

.

A

new

section

on

th~

T

R.n

7

beg

ins

on

p.1ge

1

1

2

.

(5)
(6)

fUN~Y .ROC!< TR·CIJ6 .. ~.:".

OR

•119'~'/. ~·

:

.

.

Hf\1-W 'ROCK:· TR·f10f• . Ol~·liO ... \· .. }.:. 1/\ZZ ROCK ·-~ -....

.

.

.

_,

.-

...

.

,

...

-.

-

·

·

.

'

:_ ,

.

.

.

·

_,..,

(7)

TWELVE

BASE RHYTHM

S

1-'rog

rt

urming

a

r

hythru

with

a

b(l~r.

pu

ls<7

ot

hv~lvt-

bf.'et1S.

r

n

,..,

hil

r

i~

a ttoc:hniqu

C'

m<'d ior

rh

)'

·

th

n

rs

with.;.

j~'l11 ({"(~1.

Si1ce a jazz iee

:

is ba5-r.tf

M

3

(

lrip

l

el.sj r.tlht't tha

n

4

{'iixt~nthsl,

wt•nN'd

to

u~

.1

IAI>e pub

..

oi 12 .,.,,,.

p<.'r

bolr rath•r liMn 16.

Ju~

ted

4

.l

14

I

2

• ": J

J

J

.1

3

4

5

6

j

To Uo

t

h

i;

:

i

o

llm·V

rh

e

;:.

,

,me

v

rv

c:~

dur

(?

~

·

·o

u

d

o

i

n

;JII

of

you

r

O

lh

rr

p

t~

tt

f"rn

\<\:ril

i

n

g.,

('x(:cpl

yo

u

milke

ont!'

c.:

h

d

i

1H('

whC'

n

prr:p<1ring

tht>

DR

.

I~HY

I

H

.

Vr.

PREPARING TO

WRITE

(

I

N

P

U

T

)

'

I

,

Thi> p

roc~duro

i;

t

h

<!

1am".

Ho

lt!

SlllfT

down

~nci

P

'

""

4 (S

T

E

P

WRIT

E;.

You

\\:i

ll

'iee

it <

Hl

lht'

')<.:n

:.

e

n

.

2

.

This procedure is tne :, .. une. Prt-ss l3l\NK S

f.

LECrnR

l

oA.

Yov will 5-CC'

.A.

on the

~c:r<-'en under LV\NK.

). If

yo

u

\·Vilnt

to

save

whal yvu hc~ve ic'l

StL£C

l

OR

1, J>ir.:k

d

n

c

v"

'

::>~LI:CI OR

numb<-.,-.

li not. this

IJr<X.~ur(>

i;

11'\(" ~1mc. Press 1. You

will$('('

1 on r-he scre~n

under

RHYTIIM.

4. T

h

i> wocNiu

r

<'

i<

rhe

""m~.

lluld SlllrT down .1nd

pr~ss

7

i

PJ\TI(R)'o. CLeAR)

.

(8)

.

WRITING

(INPUTIING)

THE

BEAT

Yo

u

t>

n

ltor

lh~

bl?at

t

h

e

s<~mc

\ ... ay you \\:ou

l

d

e

n

ter

a

n}'

other

one.

1

.

Press the

Closed

ll

i

-

h

,

\t

b

utto

n

. Press ST

At<

r

.1

n

ri

STOP

so

the

dots on

lh

e

screen

wrresp

ond l

o

th

ose on

th

e

grap

h

ic c

h

art (4

&

1

Oi.

2

.

Rep-eM

th~

s

.1m

e

procedure to e

n

tE!

r

all

ol

th

e

o

t

he

r

instrum~nts.

'

CH

OH

SD

BD

CY

HC

AC

CH

OH

SD

BD

CYM

HC

JAZZ BEAT

GKAPHtC CHART

1

2 3

4

5

6

7

8

9 10

11

12

I

I

J

I

I

I

I

-I

1

2

3

4 5

6

7

8

9

10 11

12

MUSIC NOTATION

J

0

l

~

J

L

Lj

,__

~-)

j

I

J

~

J

I

I

..

3

-1

J

J

I

~

J

J

'

J

-

t

J

J

'

J

.

.

.

·

Enterin

g

rhy

t

hm

s

with a

12

b<.

lse

<.illov\:s

you to

play

j.:ta

be

ats

and

rock b

ea

ts

in

t

h

C'

;ame

t

<?

I11J

)

<

)

.

H

old

S~II~T

down and

p

r

eS$

2

(1'.-\

I

TE

I<

N

r'LAYi.

Pre"

S

TART

and

.5\vi

t

c

h

b

e

l\\'

c

cn you

r

j.177.

b

c

.n

.1

n

d

.1n~.o

rock

h

e

.u

yo

u

h<1ve

p

reviousl

y

ente

r

ed

.

Yo

u

'<viii notit:e

that

the te

r

n

po

i::>

the

~ame.

T

hi::>

me~ms you

can

sw

·

it

ch

b

e

t

v

.~ee-n

.:t

j

a77.

cmr.l

(0(.1<

fed

vvi

t

h

i

n th

('

same

s

ong.

To

enter

<.t

3/·4 \'~-'

~tilL., yo

u

\'\,.O

u

ld

also

u$e

base

'

1

2

.;

\

w

a

l

tz

h

()S

J

bcilt5

(

1nd

a

pu

lse

o

i

s

i

x

t

C'C

•'

t

h

note~

(

4

l)f:'f

b

ec•t). 3

bcMs

t

imes 4

p

ul

se$

c

qu.1

l

s

12

s

ubd

ivisions

.

(9)

8

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'.[K

~7

~~-~~!jii!ji~

ABOUT THE DRUMATIX TR-606

'

TWELVE BASE RHYTHMS

Progr~1mmi•'S Ci rh~·lhm

w

ilh

a

basE'

pu

i'SE>

or

tw

el

v

e

bea!~

t

o

<t b~~r

i

s

a

h~c:hfli(luE'

mc•ri for

rhy~hf)H

\vit

h

.1 j.177.

f<'r.L

S

in

c

e-

c'l j.:1.ZZ

i

('el

i~ b

.:

S

t

'd o

n

3 (

t

r

ipl

to

ts

;

r.:tlh~r

lh.:m

4

(s

i

;

dEt

.;o

ot

hsj, ...

,t>

n

t-t'd to

u~e ..1

hilsc~

p

ul-;e of

i

L.

hc~;:ts.

pe

r

h

;u

r

;;th

r

·r

t

h

;;n I h.

Jan

feel

14

.J

4

1

2

.

3

.J

"'

'

J

3

'

4

5

6

J

J

;

J

J

7

8

9

1

0 11 12

ro

do lhis. fo

ll

o'<v th

e

s

a

ne ,urot:E:tlurt>

~:ou

d

o in a

ll

of

~:our oth~r p~lftern

'.\·riting

,

t:><

c:epr you

m.1

k

<"" rwo c

.

hil

ng~~

v

.. 4lC

I''I

prep<

H

ing th(· DRU!vl!\

T

I

X.

PREPAR

ING

TO WRITE

(INPUT)

I.

I hi

s

p

r

o

c

e

d

u

r

e

i; thr.-

~arn~.

S

e

t

!vlODE >e

leclo

r

lo PATTER

N

W

R

ITE

.

2

.

This proc•

d

u

r•

i

>

I

h

e

same

.

Pre>S PA

TT

E

R

N

C.

R

O

l!

Pto

1,

it w

i

ll

lig

ht

.

:

t

If

y

ou

\·VMH

t

o

SilVC ~vhi•l

yo

u

~)dVP.

i

n ')

(

L[CTOR

#

·1 ..

pi<.:k

a nE:''.\'

SELECTOR

num

twr

.

If

n

ot

.. thi

s

pro

c('

d

l.t

r('

is lhe

s

ame.

Pres; S

El

E

CTO

R

sv ....

iL

c

h

L

il

\

·

vi

i

i

ila

sh

.

4.

T

hi

s p

rocedure

is

th

e

s.1m<~.

Ho

ld

SELI:CH

)

I<

S

\vit

c

h

1

dm

.v

n

a

n

d

p

r

ess

PAT'rl:I~N

Cl

.

f.

/\1{.

~.

Th

i

s

p

t<

><:e

d

ure

i~

the

silm

e

.

Pre~!:- RU~/SH)f'.

(

Li

ght

s

\

V

i

ii

SCM'l

across

f

r

om

r

-

16.

;

6.

NEW

f'I<OC~Dl:l<~

..

Sr.

;

~CAl f ~clr,ctor

switch

1)11

J.

IIi;

lin~d

up viH,.

II

I

y

w il11

the

grouping~;

o

f

3

(triplets:•

.

:K.AU~ .~EI.K I()R

(10)

-7.

Thi>

p

rocroure is

th

e

same. Press

H

JNCTIO'l buuon.

8

.

"EW

PROC(DUKE.

Hold

F

UN

CI

ION

tlnwn and

IJ(ess

SH

~CIOR

>witch

12.

Steps

6

•ntl

8

tell

the memory

rh.11

you

ore

dividing

ynur

4i4 m..a..<urc

into

12

p;ons "ith

a

tripl.t

or jazz

fccl.

'

..

..,.,.

_

.

....

. :

.

:@

'

. ,

.

.'

,

·

.

,.

®

'•.·

··

..

,

.

__

·J·~f

"

"""

... .

.

..

FL•NCTION IU.•TION ~tii:C H'>K 1 J

WRITING (INP

U

TTING

)

THE BEA

T

You enter

tht;> Ueat t

h

e s.1me

\vay

yo

u

would ent

e

r

a

ny

o

th

e

r

one.

I.

SN

11'\S IRUMENT

to

Cll (Closed H

i-h.

u

}

.

2.

Pr

es$ the S(LE

C

T

OR switc

h

es

i

nd

i

ca

t

ed

by

th

e

dnl<

on

the

g

r

ap

hic c

h

art (4

&

.

'

I

O

i.

3.

R

e

p

ea

t

lh

e sa

rn

C'

proc~rlure

t

o

e

nt

e

r

all

o

f

th

e

O

lh

N

instrum~nts.

4,

l't·r.~~

RL!NiSTO

P

to slop and

S!illl

th

e potle

rn

.

8 CH 7 OH 6 CY 5 HT 4 LT 3SO 2 BO 1 AC

IAZZ BEAT

GRAPH

IC CHA

RT

1 2 3 4

s

&

1

a s

10 11 12

-·--

'

I

--I

--

-

-

-

1--1

2 3 4 5 6

7 8

9

10

11

12

(11)

'

10

MUSIC

NOTATION

.

J

..

CH

~

J

-

-

·

---

~

J

~

~

I

OH

J

i

:

CY

_1

_

_

.

I

o{

J

J

·

'

J

~

I I

J

'

.

:..

:-...

'

'"

~

I

HT

-

·

-

...

'

LT

~

J

-

-

~-so

l

J

~

J

.

I .\,

i

~

l

_j_

'

J

.

I

I

'··

·

80 :..._ ---...

Ent('ring

rhythm~

in

s<.:ale

3

allo\',

..

5

you to plcl}

'

jazz

be

o:.

'ILS and

ro<.:k

beats

i

n the

s.1mc

t

empo

.

T

urn MOU

E

to

P;\

TT

E

RN

PLAY and

'witch

betwe~n

your

j~zz

be

at an

ti

any

rock beat yo

u

h;Jv

~

prcviou~ly

enlered

.

.

Yo

u

\viii

notice th<lt the tem

p

o is

the

same.

This rneans

~

~ou

c;:m

S\o\'i

~c

h

b

elw

eton

a

j.:.u:z

and rock

·

!

eel

\\ .. itl)in

·

t

h

e Sil

~~

'€'

so

n

g.

If

yo

·

u

w.:.nl

Lo input

<J

9 hilsc

rhythm

(u5e

d

i

J~

a

ja

Z

L \V

;:,

lhz

)

..

.

i

n

.

Step

:

}) under

·

PRH'A~t.'l(;

TO WRITE

(INP

U

T)

.you

would

pres~

S

E

L

ECT

OR

s

witch 9 .

I

~

J

.

J

1

2

3

4

5

6

7

,

s

-

9

T

o

e

nter

a straight

3

i•

1

waltz

,

you WO

(I

Id u

><?

S

c

alti ·1

(

'ix

t

een

t

h

not~>

base). In

pro

c

edur

e

H

on

the pre

v

ious page, pre<s

S

F.I.F.

CTOR

switch

12.

-

,,

.3

<>....:...t!jt______._J

__._

J

_

jL.__

----11

'

)

-4

;

2

3

4

.5

6

7

8

9 10 11 '12

•.

.. .

(12)

-Chaining

rlv~.,hm

·

l)(ltt('tnS on

the

T

R-6f.lb

is

(1.

simp

l

e

tcchhiq

ue

.

\vhich

<.;m

fllilkr.

the

rcp~tition

of $pCci(i

c.

mc~1$dr~$ ~1utomatic..

It i

;;

cxtr~m~l~' h~lpful

in

:

two

:

me.1su

re

patt~rns

ust=d

.

jn

Latin music and you'

.

JI

want to knov\

:

hoo,o,

·

lo

·

do

il for

many

oi

Lt\~

Lali"

beats in the

diclionar\' section

of this book.

-U

p

co

four rhy1hms

can

be

c

haine-d

toge

th

er

v..-ithin the· fo

u

r rhyrhm hlo

t

ks of

SELECTOR

switches (numbers

1-4

,

.;-8, 9-12.

onrl

l.l

-

16)

.

OLOCK I ~•.or;K u

1.

-

Set

MOI)

F.

to

PATT

f.

I{N

PL

\Y.

, '·

2

:

.Selec

t

~A

.

TIERN

·

GR

O

UP

L

-....

3.

Press

SELECTOR

>wi

t

ch

1.

•'

Oi..OC!( IIi

. ' ' '

4

.

Press

RUI"iSTOP

~you

w

i

ll hear t

h

e boat

which is stored

.

iri

SElECTOR '1.

...

.

s

·

.

"

Press

SELEC

T

ORS

2

&

:1

simulta

M

r.>usly.

You will hear

th

e

b~al

stor

ed

in

·

SELECTOR 2

followed

by

the boot

<torod

in

SELECTOR :1.

T

he two b

ea

t< will

keep

repe~~Ling

i

n

L,h<~L urd~r.

6.

No

w

p

r

e

ss

SF.L~C:H)RS·

1

&

J

;imuh,~neously.

You

''ill

hear

!leal

#'I

followed

by

Beat

it2

iollowed

by

Rei>!

ll:l.

T

hey will

kCCI)

.

r<2'peating

i

n

th,1l

ord<2'r.

7

.

Press

RUN/S

'

IOI' to

$!OP

the r

h

ytl·un

.

The

<.haining

concepl

o.

•o

ill

\·vo

:

k

H ')>'OU

pr

ess

iiny

lwo SELECTORS

simult<meousl~'·

You cannor chain rhyrhni

s

fro

i'

n one

block

t

o

c'H'IO

lhef:

ror

exampl~, numU~rs

2

and 7 would not \\:ork.

·'

j

(13)

-

tt~iff!IJ'I

V

Jf#P

VJ¥!11'

'

,

~

I&~

ABOUT THE RHYTHM

C

OMPOSE

R TR-909

12

T

h

e

TR-~l09 i~

a

"f

u

ll

-b

l

own"

IJro

fe

ss

ionol

ve

r

$

i

o

n of

t

h

e

o

th

e

r

Rol~nd

dru

m

milc:

h

i

n

c

$.

It

off

e

r

s a

n

infinil~

n

u

m

h

e

r

of

t

o

n,J

I

v~ri;..tir,.ns fl$

w

·

e

ll

as

ind

i

\'idu

a

l

t:()

nt

r

o

l

o

f

d

e

c

a

y

tim~,

vo

l

ume

.

all

d .. Ku

ml

fu

r

~<.t<.:h

dru

m s.oun

d

.

It

'

s

m~mory

C

<'

l1

be

l

oa

ded to tap

e

, i

t

ca

n

s

yn

<.

ro o

the

r

Ml

lJ

I

i

n

s

t

r

u

m

e

n

l:i, a

nd

ca

n se

nd

t

ri

gg

er

~'UI$eS

o

ut.

The

basic

functions

oi

the

TR-909

closely

parallel

those

of

the

TR-606.

The

added

features make it a sul"'fb drum

machine.

BASS f>Kll.\~ I • \\'ill• :•<:<.•:nl 2 • v.·ilhour ,l(.(.f"':t !N• :rrr.a. t vci•JtnCJ S. 'tAIU DR\JM } • \-'~t1h a'CCtU 1 .

w

!h,.... ;«1,_'f1t

S

OUND SOURCE

S

lOW TOM MIIJTC)M Ill TOM $1

7.

9. \•\:ith ;,(.(~Ill 6. K, 10 \'l;ilhuut accent RIM SHOI 11 HANIJ 14 • Clc»cd CLAP hi h.11 wil,·uu! 1:Z l«(""t

.,_..,...,.,

I)& I'

••-c

gmp:i-ne~

Ol111.:ft I ti-hat fin

(14)

·

SOUNL>

CO

NT

ROLS

13td

ng

aUI~ to

<.:

O

nlro

l

E'(l.th

;o

und off

e

r$

you lOl

i•

l

COI'.Uol

o

f

your

.

rJrum

p<ltterns.

• C:..1nhnl-. in llu•.Suund S('(.li()l'l

• lt·~·c>l knnl1

Thi~ ir. pro•.·iO;;cl ic' C\'i.:t•i s:;ou;d :c:.1u:~· ,me

<"u:tt·••l•. •··1d1 \•o>lnm•!. &\!\."i IJIHJ.\~ • Attack This h• tu cun:·:,1l :h<: .:)11 •. 11;k ~~~w .. l.

oCc:a~· l11i•, ;;:Jj .. •!•, 1l1o• •::-< ,\•: !.11 fo. li y:··~• wi:\h tf> f!\ulfo t~e kkt. c'r .. m s.o~nd. r:.1t<.k thi~ ,.,n·:)b 1'11111!1:•:< !:wkwio.!· I

0

:

.

• Tuua• Thi:> is to cvn:,.,.>l th•: pit~ 1:, SNARE ORlJM • l()tle"

This··~ 1'.1 ch.;n;,w ~imlx::-ui lho• •;uo.:d . A, yo: .. •

'<JUte :In;. : ... n,,b, :i-,; ~:lu11d · .... ·ill bC'C(.'r-1"' t;.:i,)ht~r.

• TunE'

Tbi:> i:

:o

C>)ntrt.•l :!·:; IJi:t:h :.1( lnl· ~IMn· Dr .. n:

~11\11111.

• !,n •. SIIII)'

Thi: cones.po•~d~ to :~e ):O.:.ppine:s olthe Snare

I )I ,,1'1.

lOW TOM/,\UI) TOM/Ill TO.\\

• TuM

~O.:l<'.l nt~ lhl: 1:-"t;. d:)dwi~' ( ( ) :· incr.n::e; ;~ e

;•tl: ··. (1;.r11~1liux til•: IJi.o::h -:oi th•:~l.' :ru:~· -<n l !.fl~l:'~l~. ~·f:-•• f:lfl :s·<' 111<'111 ,, •• Vu•lo:o:•; l•ofll.

• Decay

ntil> ;1r.:'jtz-.:h 11w ~l•:c:r~· tirn::. It 'l'.IU wi!>l"o lo m .. ;e

lhe I<IIU ~tnn·d. z<•l·llt! ll1i• ~·:<•I: a,un:t'!rd•,:>.-(r ·~ :

O

L

HI·H:\(

• Ck.•<:a.y

Iii!. kn•~:'l t••lliiC ~:h.; 1-:i·h:;l ;,·..und. li ;:f:IJ wi;h

lli-h;.i -:c~ nd. ·:.'lt.ltc lhis dcd<wh•c ( () ·, CRASII/RIOI!

• Turuo

Tl'ois is 1::1 adju.;: :h~ lite.., Y.>unc..

Th~

concepts

-

of

9

and

12

bJse

.1nd

d1

<

li

n

i

ng on

th~ Tl~-909 rH~

th<"'

-=;,1m~

,1::;

o

n

the

TR

-606

•:$1?'1?

p(lgE'S

o

.:

J

I

;.

.

(15)

'flt$lf

lf(iE

DICTIONARY FOR THE TR-909

A~

V\<

'il

S

m

e-

rHiO

nE:-d

un

pa~c:

:

i,

t

h<'

be

at

s

in

the di<.:t

i

o

n;

uy

.'.lre~

wn

neo

o

ut

ior th

e-TR

.

f>Oei

on thr.

l

ef

t h

11

cl

~"~··

a

n

rl

for

th

e f.JR·llf

)

o

n

t

h

.,

ri~ht

h

a

nd

pogo.

·

1

h<:'

T

R-909

r.:<

m

pl<l}'

th~ <'X<~<l HHlll~ bto~tls

a::;

the

TR

-

60b.

Hnw

r.

·vcr

, -;

iuce tht- T

R-909 ha

s

n'lnr(•

C<l

p<t

iJil

it

itos. you

<;

;

a

n

p

t!

h

i

'lllC

.

('

c)n~:

Of

lht'

b~alS W IO'li<C~

.

,

rJv,

1

nt

t1ge

o

f

t

h

e

~xp:mo'erl

f<"'arw

cs

or· th

h

l<.'l~.t·ol·the-lin~

rl

ru

r

n

f

n

a

c

hi

m

:

.

HARD ROCK B

EA

T

FOR

TR-606

EMBELLI

SH

ED FOR

THE

TR-909

4 7 10 1112 141$ 16

~~CH~

=

t:~~

=t

=

~~i=

t=t=~:!~

:t

6~Y

I . SHT

·um

~li===

JSO 2 80 I AC 4

s

6 1

a

9 10 11 12 13 14 1s 16

C

H

J

J

J

I

. . J

J

J

OH

CY_.._

J

I

J

HT

LT

SD

-

f

80 ..

J

.

J

(16)

H

e

r

e

's. <ln ex~1mp

lc

o

f ('mbcl

l

is

h

i

ng

<1

s

l

ow

r

o

ck

fill. Th

e

sma

ll

d

'l<!

ng

€' o

f

on

l

y 1

no

t

es

w

i

ll g

r

eat

l

y

·

e

nh

;mc:

e

t

h

e :;o

u

nd of

t

h

<"'

f

il

l.

SL

OW ROCK FILL FOR TR

-

606

E

MBELLISHED F

OR TH

E TR

-

909

3 4 13141516

SC

H

-

t~=t

~

~

~

~

+=

+=+=

t=

t=t=

~

~

==

70H -6CY-+~~+-+-~~-+-+~~+-+-+-

f--·H

HT

·

oomrimr

3

so

2 80 1 AC

CH

OH

CY

HT LT

so

80 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

J

J_

- -

!

~

~

I

.fJ

I

Th

E>

vari~l~

..

of

sounci~

c;.p

a

b

l

l?

on

th~ TR~909

il

re

o

nl

y

l

im

i

te

d

b

v

~'Our

own

c::r

('

;.

ri

vity

.

(17)

1

6

Th"

TR

-707

comb

i

n

es e

l

"rn"nl

s ol

l

h

" TR

-909 a

nd

the DR

-

'

111

)

10

ma

k

e

il

>

program-nl

i

n

g

~<tsit:or

lhan

i.illY

of

lh~ pruf~ssiunal lin~

dru

iJI

Jl

lat:hini?S. llS

b~~SiC

f

ut

lCtiO

I1

S

c1r('

:liimil~1r

t

o

rhr.

Tl~-9oq.

In

fa<J

it

h

..

H

mo

rr.

o'

rum

~ounrl~

Ml

d

i

ng

cmvhe

ll

11

nd

1.:\mbourin~.

E

<1

ch

i

mtnun

c

n

t's sou

n

d

i!'

p

re-

s

e

t

~o }'OU

c:;m'

t

co

ntro

l

it

s

tone

.:\son

th~

TR

-

909

.

T

h

t:n:

i

s a m

ixin

g

p

ane

L

h

O\veve

r

..

t

h.:1t

allows

y

ou

to

<.:unlr

o

l

lh

e vu

lurn

t'

oi

E?

ach

,

.

tr~K~

indtope

nd(?

nlly

~~>-..veil ~~s lh~ lOl<~l

o

ulpul

o

f

c'lll

so

u

nd

s

.

(18)

-I

he~

T

R

-

707

co

nl

ai

n

s

~t

8

r

il

p

h

ic

displ<~y \\:i

ndow

\v

hi

<

:

h

giv~!l

y

o

u

(I

v

is,u(l

l

p

1

c

tur

e o

f

i11l

of

t

h

e

fundiun~

you

M

C

p

c

rfm

rnin

g

. It s

hov•.:s

tht.>

i

nput

.

,

r

t

h

r.

p

.1

tt

e

r

ns ..

t

ht:!

l

'l'l

<:"

lmnome

t

emp

o

..

a

n

d

t

h

t

n

l

O

c.Jt>

you MC

vork

i

n

g in

.

V

h

t

n

wr

ili

nH or p

l

(

'l

y

i

ng

track

s.

i

t

!ihows lh

e

trt~ck

numh

r:r

;

m

d

n1e

a

s

urt.>

numb

e-r

.

As

Vvi

th

t

h

e

gra

ph

ic

scree-n on

1

hr.

1)1(

.

1

10.

w

me J

ines

~'the- (ii;plr1~·

ar

e

used

{o

r

more lh"n

on

e

instrument

(h~ndcl•p

&

tambourine

,

r

ionshot

&

co

"·b<:I

Q

.

STEP

1 2 3 4

5

6

7

8 9

1

0

1

1

12

13

141516

CYMBA

L

H

o

H

A

r

.

HCPJTAMB

Rl M/COWe

m

H

oloM

M

ooT OM

Low

Tow

S

NARE

D

RIIM

BASS DR

U

M

ACCEN

T

.

[TRA

C

K

1

'---

---

----~l~M--00-E

----

---

--

~\

I

he·~

con

c

ept

s

of 9 and

·121Jd~t! ~"ntl

c

h

ain

in

g o

n

t

h

C'

11

<

·

7

0

7 :l

r

e

I h

e

s<

lme

a

s

o

n

lh

t'

TR-909

'""I

T

R

-

60r,

(~n<' r>

•S<'<

H-

I

li

.

(19)

;

""

"

'

ri:l

~f.ir?f!JJ:~

~

THE DICTIONARY

FOR

THE TR-

7

07

.A.

::.

.,.,

.

,:;

mentioned

on

p~lge

3.

thf:'

b~als

i

n

L

h

e

di

c

tio

r

hJ

IY

;m

;

\Vritt

e

n

o

ut

f

or

lh.:o

TR

.

60

6

on

I

h~ l~ft h~unl :x~g.:o

<tml

ro

r

th

e-

DR

· 1

1 0

on

t

he

r

i

g

ht h

a

n

d

pay,~.

Th

E>

T

R-

707

Gm

pl"'y

t

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LATIN ROCK

BEAT FOR THE T

R

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6

EMBELLISHED FOR THE TR

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4 7 9 10 11 12 13 14 15 16 8CH 7 OH 6CY 5 HT 4LT 3

so

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TRACKS

On

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of

th~

Roland drun1 mac;hines: you

r .. 1n

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(nmpiNc rhythm trac

ks

into

m~mory

ior

I'E'COnling

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liv

e

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rhe

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al

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t

otally

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i

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ur

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.

HELPFUL HINTS

WHEN WRITING

TRACK

S

I

2. 1

\d

d

d~!!-c;riptive

rn.:\lerial

to

givP

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C.UC'S <"~S>lO

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l

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n

gth, tempo

.

.

etc.

RllJES FOR

T

R-707

lnU<

>

M

O<Iernre

Ro

ck (

J

=

120i

3

l

3

.

Wb~l

pattern!. you

want to

u~

..

md

"'her('

11~ .,~

'O

tored.

in!:n

Mod

e

r:Ut) Ruck

Pmtm 1 S~·leccor

I

BLUES FOR

TK-

7

07

Fill 1 ~d<::~·tor4 1~·r

C.

lloru

s

IIJ

P.,ttcrn 2 S<:lt:ctor 2

5

6

6

ll

(23)

4. L.:-.bC'

I th

e t"'

nc

ir£'

tun

e.

Thb

i

s

J.

S(trn

p

l

e

oi

.:1

f2-

b

(l

r

hltH~!'-

wit

h

d

4

4

1.M

r

i

n

lr

o

..=.nd

<,

l~hilr

end

in

J.;

.

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nt:o

Mo

d

e

rat

e

Ro~k 1\m~rn

1

J

Se-

l

t-et(): 1

~ Fill 2

l S

cle1:tor

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Puttm2

1

Sdectut

2

13 1<

BLUES

FOR TR-70

7

s

P:atu.!rn 3 1 Selc..:h.lr 3

9

15 Filll

l

Stle.ctor ·1

I

4 10 (:jb 1

1Sriec-w4

16

h

'

t

Churu~

0

Pamrn 2 IJ

S

e

l

oc

tu

:

2

6

Fill 3 ll 1 SclctHJr 6

Cm.l

i

nr;.

P.llltrn 1 Fill4

~

Sdcctor 1 17

I

Sdc:ctUf

1

13

~

5. Rc•membcr to l.llx-1

I

he' tr;')(k v •. ftcre you

a

re entering this tune and k

ee

p il

(or

reference.

ti

you

\\',1nl

ro

m.1

k

e chang

e

i later:

you

will know

~.xactly

wftal

)'OtJ

did. li your drum

111achine ha>

oil

-

line ca>seue

or canridgc sroragc.

you

moy

\'\·i~h

to

pull rhis

ofi-llnc

ior

iuturc

rciereoc~.

L.tbel rhe

Colssette

c

ar

e

fully.

Nothing

is

mo

re

fru

s

tr

a

t

ing t

h

a

n t

r

ying to

i

in

d

..

1 ~reviously

re

co

rdl?d

uac

k

r

h(

·Jt

(24)

Th

e

r:

h

.1rt'

o

n

t

h

e

s

e

l\

"

.:0

p

ages

a

re

s~trnples

f

or you

to

u

se

.

Y

ou

m

o

ly m

;

lk

<"'

IJ

h

o

l

oc

o

p

i

es

o

f

them

to

h

e

g

i

n to

riC'

'

vc

lo

p

you

r O\v

n

li

l

mtry uf

Lracks

.

This pap,e

co

nt

.

1ins

t\·vo

c

h

a

rl

-:.

:

(nl•~

f

or

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1

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hurus

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12-b

ar

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es

.

an

d o

ne

·

for

;1

1-l'

:h

orm.

,

3

2

-ba

r

At\B.:\

tune.

The next pilg

c

i

s

;1

bh

'<

•'k

c

h

a

r

llhal

yo

u

c

a

n

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jusl lo

yo

ur

~pecial n.:oed~.

0

I

0

l

0

I

I

11

7 10 I~

8

II 19 20 21

27

29 4 5 6 11 12

I

I

7

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15 I (o

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(25)

Figure

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References

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