I
I
@
Roland
RHYTHM DICTIONARY
by
SANDY
F~
LOSTE IN
This new edition includes information
on the
ROLAND RHYTHM COMPOSER
TR
-
727
• Rhythm
patterns and fill
s
for
every
s
t
y
le
of
mu
s
i
c
-ROCK
,
JAZZ
,
LA TIN,
SP
ECIAL
DANCES
•
Rhythm Patterns in the
s
tyl
e
of
today's most popular
drummers
-APPICE,
PORCARO
, COL
LIN
S,
CAD
D
,
VAN HALEN,
plu
s
10 more
•
Tip
s
on multi-track recording
•
Tips on
how to
create
yo
ur
ow
n
patterns and
t
r
ack
s
'
.
)!i
I
;;;
.
~,.,.,
,{ROL
/
IN
D
'
S DR
U.
"1
,
\,\A
(HINE
RI IYT~I.'ADIC
T
I
ONARY wi
ll
p
r
ov
id
e any
music
i
an:
drummer.
SOrlS"\'rit~r. k~boilrdist. arra
ng
er
,
VOC
d
lbt
J
e
t
c
.
with th
e ba
sic drum
h<-Jit~ior e--ery style
o(mu>ic
.
As technology k
ee
ps adv,mcing.
it is possibl
e
lo use rhese grea
t
machine
s
to lay
dn
w
1
' tr
a
c
k
s
i
o
r
rnulti~trJckreco
rrl
i
ngo
r'
i
•
'
li
ve peri
o
rr
n
a
n
ct
s
i
tu
a
1
io
n
s
. H
o
w
eve
r
,
i
f
y()u ;ue
n
ot il schoo
le·
cl
d
rumm
e
r \·
v
ho knm·vs
th
e
rig
ht
pattCI'O$t
o
input
f
or
~vl:'ry~l~~le
o
f
m
u
s
ic: ..
}'OU mr~yt
al<
<?
hours
fi
n
d
in
g.
the
ri
ght bent
or f
c
('l f
o
•
· a
specit
l
c sonR.
T
h
is
l
1<>o
k
answers
th
at
p
r
obl
e
m
.
I
I c
o
nt
a
i
n
s goo
d
sound
i
n
il
be
at
s
for
a
ll
s
t
y
l
es
of
mu
s
i
c
ils
well
il$sugg
e
s
t
io
n
s
(
o
r
dev
e
l
opi
ng
your
own
b
ea
t
s a
nd
~uggestionsfor
multi~track
recordin
g.
B~sidcs usln~th
e
se a
s
st.lrtin
g
rl
a
ccs. II Is
s
u
gg
e
s
t
e
d
t
h
a
t
you
li
s
t
en t
o
y
o
ur
i
avo
ri
t
e r<'cord
l
n;lS a
nd t
r
y
to anal
y
z
e
rh
e b<:a
r
s
b
ei
n
g
pla
y
ed.
"
Plu
g
them in"" to )"Our drum machine and
keep ad
j
u
sting till you halt('
it
as
dose
a
s
possi
·
blc
.
Then use th
e
manuscrip
r p,1~
in the ba
c
-k oi
t
his book
t
o write
t
hem down so
}<OU
c.
1
n usc then> agai
n al
a
la
r
er date
.
You can make photo copie.
<
of
t
hc<c
ma
n
usc
ripr
d
Mrt
s
and
en
ter each
n
ew
beat
o
n
a separa
t
e chart. Yo
u may want
to
incl
u
de a
note
al>
m
Jt
w
h
e
r
e
yo
u
go
t th
e
idea fort
h<>
bc
<>
t
o
r th
e
type o
f
tune
or
f
eel
Ihat you
tried to
c
a
ptur
e.
I
n
esse
nce
you
will b
e
d
eve
l
o
p
i
n
g
yo
ur
o
wn R
h
yt
h
lll
D
ic:tion;uy
.
II
is
assume
d that
you
k
now
th~basics of
how to
us
c y
our
Dr..
.
1
m Machine.
li
not,
r
e
f
e
r t
o
Roland
'
s Drumoti
x
T
R
-6
06 ~Ia
ndyGuide
o
r
t
he D
r
.
Rhyt
h
m G
ra
p
hi
c
Ha
ndy
C
ukl
c
for
basic
inf
o
r
m
at
i
u
n r
e
i;"Jtc
cf
co
inputting beab
a
nd
tr
ac
ks on your Drum
Machine.
Add
i
t
ional techniques need
ed to pla
y all oi the rhythms in
th
is
d
i
c1
i
onar
y
~~ll
~~~
THIS DICTIONARY IS DESIGNED
<
·
/\
11
v(the beat
s
in
ROLA
N
0'5
DRU
M MAC
HI
NE RHYTHM
O
I
CT10NARY
ca
n
be
pl
a
yi?cl
o~> the
Drum
atix
TR
·
606,
Or.
!J
o
ss Rhythru
DR
·
I"IO
,
Rhy
thlll
Colllposer
TP.-707. T
R·72
7,
or the
Rh}'1hm
C<:>
mposer
TR·90
9.
·
Each hear
is
w
ri
ncn
out
musically and
graphic
a
lly
ior
the
TR·
606 and the
DR·
1
1
0 on
(acin
g
pages.
·
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The left·hand
p•gc i
s
d~;ignedfor
lhe
TR
·
606
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tO"
.
.
The
ri~ht·handpa8t!
i
s
u~signedior
the
DR-11 0
I(
you are the
proud
"'"""'
oi
the
T
R
·707
or
TR-909
,
pages
12
t
h
r
ough
19
give
you
m
ore.>
infonn~tionand show you
how
to
ac/ap! any
TR-006
beat (or \
'OUr specia
l
i
nst
rument
.
A
new
section
on
th~T
R.n
7
beg
ins
on
p.1ge
1
1
2
.
fUN~Y .ROC!< TR·CIJ6 .. ~.:".
OR
•119'~'/. ~·:
.
.
Hf\1-W 'ROCK:· TR·f10f• . Ol~·liO ... \· .. }.:. 1/\ZZ ROCK ·-~ -.....
.
.
_,.-
...
.
,
...
-.
-
·
·
.
'
:_ ,.
.
.·
_,..,TWELVE
BASE RHYTHM
S
1-'rog
rt
urming
a
r
hythru
with
a
b(l~r.pu
ls<7
ot
hv~lvt-bf.'et1S.
r
n
,..,
hil
r
i~a ttoc:hniqu
C'
m<'d ior
rh
)'
·
th
n
rs
with.;.
j~'l11 ({"(~1.Si1ce a jazz iee
:
is ba5-r.tf
M
3
(
lrip
l
el.sj r.tlht't tha
n
4
{'iixt~nthsl,wt•nN'd
to
u~.1
IAI>e pub
..
oi 12 .,.,,,.
p<.'r
bolr rath•r liMn 16.
Ju~
ted
4
.l
14
I
2
• ": J
J
J
.1
3
4
5
6
jTo Uo
t
h
i;
:
i
o
llm·V
rh
e
;:.
,
,me
v
rv
c:~
dur
(?
~
·
·o
u
d
o
i
n
;JII
of
you
r
O
lh
rr
p
t~
tt
f"rn
\<\:ril
i
n
g.,
('x(:cpl
yo
u
milkeont!'
c.:
h
d
i
1H('
whC'
n
prr:p<1ringtht>
DR
.
I~HYI
H
.
Vr.
PREPARING TO
WRITE
(
I
N
P
U
T
)
'
I
,
Thi> p
roc~duroi;
t
h
<!
1am".
Ho
lt!
SlllfT
down
~nciP
'
""
4 (S
T
E
P
WRIT
E;.
You
\\:i
ll
'iee
it <
Hllht'
')<.:n
:.
•
e
n
.
2
.
This procedure is tne :, .. une. Prt-ss l3l\NK Sf.
LECrnR
l
oA.
Yov will 5-CC'.A.
on the~c:r<-'en under LV\NK.
). If
yo
u
\·Vilnt
to
save
whal yvu hc~ve ic'lStL£C
l
OR
1, J>ir.:kd
n
c
v"
'
::>~LI:CI ORnumb<-.,-.
li not. this
IJr<X.~ur(>i;
11'\(" ~1mc. Press 1. Youwill$('('
1 on r-he scre~nunder
RHYTIIM.
4. T
h
i> wocNiu
r
<'
i<
rhe
""m~.lluld SlllrT down .1nd
pr~ss7
i
PJ\TI(R)'o. CLeAR)
.
.
WRITING
(INPUTIING)
THE
BEAT
Yo
u
t>
n
ltor
lh~bl?at
t
h
e
s<~mc\ ... ay you \\:ou
l
d
e
n
ter
a
n}'
other
one.
1
.
Press the
Closed
ll
i
-
h
,
\t
b
utto
n
. Press ST
At<
r
.1
n
ri
STOP
so
the
dots on
lh
e
screen
wrresp
ond l
o
th
ose on
th
e
grap
h
ic c
h
art (4
&
1
Oi.
2
.
Rep-eM
th~s
.1m
e
procedure to e
n
tE!
r
all
ol
th
e
o
t
he
r
instrum~nts.'
CH
OH
SD
BD
CY
HC
AC
CH
OH
SD
BD
CYM
HC
JAZZ BEAT
GKAPHtC CHART
1
2 3
4
5
6
7
8
9 10
11
12
I
I
J
I
I
I
I
-I
1
2
3
4 5
6
7
8
9
10 11
12
MUSIC NOTATION
J
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•
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J
L
Lj
•
,__
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I
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..
3
-1
J
J
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I~
J
J
•
'
J
-
t
J
J
•
'
J
.
.
.
·
Enterin
g
rhy
t
hm
s
with a
12
b<.
lse
<.illov\:s
you to
play
j.:ta
be
ats
and
rock b
ea
ts
in
t
h
C'
;ame
t
<?
I11J
)
<
)
.
H
old
S~II~Tdown and
p
r
eS$
2
(1'.-\
I
TE
I<
N
r'LAYi.
Pre"
S
TART
and
.5\vi
t
c
h
b
e
l\\'
c
cn you
r
j.177.
b
c
.n
.1
n
d
.1n~.orock
h
e
.u
yo
u
h<1ve
p
reviousl
y
ente
r
ed
.
Yo
u
'<viii notit:e
that
the te
r
n
po
i::>the
~ame.T
hi::>
me~ms youcan
sw
·
it
ch
b
e
t
v
•
.~ee-n.:t
j
a77.
cmr.l
(0(.1<fed
vvi
t
h
i
n th
('
same
s
ong.
To
enter
<.t3/·4 \'~-'
~tilL., you
\'\,.O
u
ld
also
u$e
base
'
1
2
.;
\
w
a
l
tz
h
()S
J
bcilt5
(
1nd
a
pu
lse
o
i
s
i
x
t
C'C
•'
t
h
note~(
4
l)f:'f
b
ec•t). 3
bcMs
t
imes 4
p
ul
se$
c
qu.1
l
s
12
s
ubd
ivisions
.
8
,
.
il
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~-·-
·
~
·
·
·
··
-! ~
' rot
/.'
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4t
c.
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~~to'
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~7
~~-~~!jii!ji~
ABOUT THE DRUMATIX TR-606
'
TWELVE BASE RHYTHMS
Progr~1mmi•'S Ci rh~·lhm
w
ilh
a
basE'
pu
i'SE>
or
tw
el
v
e
bea!~t
o
<t b~~ri
s
a
h~c:hfli(luE'mc•ri for
rhy~hf)H\vit
h
.1 j.177.f<'r.L
S
in
c
e-
c'l j.:1.ZZi
('el
i~ b.:
•
S
t
'd o
n
3 (
t
r
ipl
to
ts
;
r.:tlh~rlh.:m
4
(s
i
;
dEt
.;o
ot
hsj, ...
,t>n
t-t'd to
u~e ..1hilsc~
p
ul-;e of
i
L.
hc~;:ts.pe
r
h
;u
r
;;th
r
·r
t
h
;;n I h.
Jan
feel
14
.J
4
1
2
.
3
.J
"'
'
J
3
'
4
5
6
J
J
;
J
J
7
8
9
1
0 11 12
ro
do lhis. fo
ll
o'<v th
e
s
a
•
ne ,urot:E:tlurt>
~:oud
o in a
ll
of
~:our oth~r p~lftern'.\·riting
,
t:><
c:epr you
m.1
k
<"" rwo c
.
hil
ng~~v
.. 4lC
I''I
prep<
H
ing th(· DRU!vl!\
T
I
X.
PREPAR
ING
TO WRITE
(INPUT)
I.
I hi
s
p
r
o
c
e
d
u
r
e
i; thr.-
~arn~.S
e
t
!vlODE >e
leclo
r
lo PATTER
N
W
R
ITE
.
2
.
This proc•
d
u
r•
i
>
I
h
e
same
.
Pre>S PA
TT
E
R
N
C.
R
O
l!
Pto
1,
it w
i
ll
lig
ht
.
:
t
Ify
ou
\·VMHt
o
SilVC ~vhi•lyo
u
~)dVP.i
n ')
(
L[CTOR
#
·1 ..pi<.:k
a nE:''.\'
SELECTOR
num
twr
.
If
n
ot
.. thi
s
pro
c('
d
l.t
r('
is lhe
s
ame.
Pres; S
El
E
CTO
R
sv ....
iL
c
h
L
il
\
·
vi
i
i
ila
sh
.
4.
T
hi
s p
rocedure
is
th
e
s.1m<~.Ho
ld
SELI:CH
)
I<
S
\vit
c
h
1
dm
.v
n
a
n
d
p
r
ess
PAT'rl:I~NCl
.
f.
/\1{.
~.
Th
i
s
p
t<
><:e
d
ure
i~the
silm
e
.
Pre~!:- RU~/SH)f'.(
Li
ght
s
\
V
i
ii
SCM'lacross
f
r
om
r
-
16.
;
6.
NEW
f'I<OC~Dl:l<~..
Sr.
;
~CAl f ~clr,ctorswitch
1)11J.
IIi;
lin~dup viH,.
II
I
y
w il11the
grouping~;o
f
3
(triplets:•
.
:K.AU~ .~EI.K I()R
-7.
Thi>
p
rocroure is
th
e
same. Press
H
JNCTIO'l buuon.
8
.
"EW
PROC(DUKE.
Hold
F
UN
CI
ION
tlnwn and
IJ(ess
SH
~CIOR>witch
12.
Steps
6
•ntl
8
tell
the memory
rh.11
you
ore
dividing
ynur
4i4 m..a..<urc
into
12
p;ons "ith
a
tripl.t
or jazz
fccl.
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FL•NCTION IU.•TION ~tii:C H'>K 1 JWRITING (INP
U
TTING
)
THE BEA
T
You enter
tht;> Ueat t
h
e s.1me
\vay
yo
u
would ent
e
r
a
ny
o
th
e
r
one.
I.
SN
11'\S IRUMENT
to
Cll (Closed H
i-h.
u
}
.
2.
Pr
es$ the S(LE
C
T
OR switc
h
es
i
nd
i
ca
t
ed
by
th
e
dnl<
on
the
g
r
ap
hic c
h
art (4
&
.
'
I
O
i.
3.
R
e
p
ea
t
lh
e sa
rn
C'
proc~rluret
o
e
nt
e
r
all
o
f
th
e
O
lh
N
instrum~nts.4,
l't·r.~~RL!NiSTO
P
to slop and
S!illlth
e potle
rn
.
8 CH 7 OH 6 CY 5 HT 4 LT 3SO 2 BO 1 AC
IAZZ BEAT
GRAPH
IC CHA
RT
1 2 3 4s
&1
a s
10 11 12-·--
'
I
--I--
-
-
-
1--1
2 3 4 5 6
7 8
9
10
11
12
'
10
MUSIC
NOTATION
.
J
•
..
CH
~
J
-
-
·
---
~
J
~~
I
OH
J
i
:
CY
_1
_
_
.
I
o{J
J
·
'
•
J
~
I IJ
'
.
:..
:-...
'
'"
~
I
HT
-
·
-
...
'
LT
~
J
-
-~-so
l
J
~
J
.
I .\,i
~
l
_j_
'
J
.
I
I
'··
·
80 :..._ ---...Ent('ring
rhythm~in
s<.:ale
3
allo\',
..
5
you to plcl}
'
jazz
be
o:.
'ILS and
ro<.:k
beats
i
n the
s.1mc
t
empo
.
T
urn MOU
E
to
P;\
TT
E
RN
PLAY and
'witch
betwe~nyour
j~zzbe
at an
ti
any
rock beat yo
u
h;Jv
~
prcviou~ly
enlered
.
.
Yo
u
\viii
notice th<lt the tem
p
o is
the
same.
This rneans
~
~ou
c;:m
S\o\'i
~c
h
b
elw
eton
a
j.:.u:z
and rock
·
!
eel
\\ .. itl)in
·
t
h
e Sil
~~
'€'
so
n
g.
If
yo
·
u
w.:.nl
Lo input
<J9 hilsc
rhythm
(u5e
d
i
J~
a
ja
Z
L \V
;:,
lhz
)
..
.
i
n
.
Step
:
}) under
·
PRH'A~t.'l(;
TO WRITE
(INP
U
T)
.you
would
pres~S
E
L
ECT
OR
s
witch 9 .
I
~
J
.
J
1
2
3
4
5
6
7
,
s
-
9
T
o
e
nter
a straight
3
i•
1
waltz
,
you WO
(I
Id u
><?
S
c
alti ·1
(
'ix
t
een
t
h
not~>base). In
pro
c
edur
e
H
on
the pre
v
ious page, pre<s
S
F.I.F.
CTOR
switch
12.
-
,,
.3
<>....:...t!jt______._J
__._
J
_
jL.__
----11
'
)
-4
;
2
3
4
.5
6
7
8
9 10 11 '12
•.
.. .
-Chaining
rlv~.,hm
·
l)(ltt('tnS on
the
T
R-6f.lb
is
(1.simp
l
e
tcchhiq
ue
.
\vhich
<.;m
fllilkr.
the
rcp~tition
of $pCci(i
c.
mc~1$dr~$ ~1utomatic..It i
;;
cxtr~m~l~' h~lpfulin
:
two
:
me.1su
re
patt~rns
ust=d
.
jn
Latin music and you'
.
JI
want to knov\
:
hoo,o,
·
lo
·
do
il for
many
oi
Lt\~Lali"
beats in the
diclionar\' section
of this book.
-U
p
co
four rhy1hms
can
be
c
haine-d
toge
th
er
v..-ithin the· fo
u
r rhyrhm hlo
t
ks of
SELECTOR
switches (numbers
1-4
,
.;-8, 9-12.
onrl
l.l
-
16)
.
OLOCK I ~•.or;K u
1.
-
Set
MOI)
F.
to
PATT
f.
I{N
PL
•
\Y.
, '·
2
:
.Selec
t
~A
.
TIERN
·
GR
O
UP
L
-....
3.
Press
SELECTOR
>wi
t
ch
1.
•'
Oi..OC!( IIi
. ' ' '
4
.
Press
RUI"iSTOP
~you
w
i
ll hear t
h
e boat
which is stored
.
iri
SElECTOR '1.
...
.
s
·
.
"
Press
SELEC
T
ORS
2
&:1
simulta
M
r.>usly.
You will hear
th
e
b~al
stor
ed
in
·
SELECTOR 2
followed
by
the boot
<torod
in
SELECTOR :1.
T
he two b
ea
t< will
keep
repe~~Lingi
n
L,h<~L urd~r.6.
No
w
p
r
e
ss
SF.L~C:H)RS·1
&
J
;imuh,~neously.You
''ill
hear
!leal
#'I
followed
by
Beat
it2
iollowed
by
Rei>!
ll:l.
T
hey will
kCCI)
.
r<2'peating
i
n
th,1l
ord<2'r.
7
.
Press
RUN/S
'
IOI' to
$!OPthe r
h
ytl·un
.
The
<.haining
concepl
o.
•o
ill
\·vo
:
k
H ')>'OU
pr
ess
iiny
lwo SELECTORS
simult<meousl~'·
You cannor chain rhyrhni
s
fro
i'
n one
block
t
o
c'H'IO
lhef:
ror
exampl~, numU~rs2
and 7 would not \\:ork.
·'
j
-
~
tt~iff!IJ'I
V
Jf#P
VJ¥!11'
'
,
~
I&~
ABOUT THE RHYTHM
C
OMPOSE
R TR-909
12
T
h
e
TR-~l09 i~a
"f
u
ll
-b
l
own"
IJro
fe
ss
ionol
ve
r
$
i
o
n of
t
h
e
o
th
e
r
Rol~nddru
m
milc:
h
i
n
c
$.
It
off
e
r
s a
n
infinil~n
u
m
h
e
r
of
t
o
n,J
I
v~ri;..tir,.ns fl$w
·
e
ll
as
ind
i
\'idu
a
l
t:()
nt
r
o
l
o
f
d
e
c
a
y
tim~,vo
l
ume
.
all
d .. Ku
ml
fu
r
~<.t<.:hdru
m s.oun
d
.
It
'
s
m~moryC
<'
l1
be
l
oa
ded to tap
e
, i
t
ca
n
s
yn
<.
ro o
the
r
Ml
lJ
I
i
n
s
t
r
u
m
e
n
l:i, a
nd
ca
n se
nd
t
ri
gg
er
~'UI$eS
o
ut.
The
basic
functions
oi
the
TR-909
closely
parallel
those
of
the
TR-606.
The
added
features make it a sul"'fb drum
machine.
BASS f>Kll.\~ I • \\'ill• :•<:<.•:nl 2 • v.·ilhour ,l(.(.f"':t !N• :rrr.a. t vci•JtnCJ S. 'tAIU DR\JM } • \-'~t1h a'CCtU 1 .
w
!h,.... ;«1,_'f1tS
OUND SOURCE
S
lOW TOM MIIJTC)M Ill TOM $1
7.
9. \•\:ith ;,(.(~Ill 6. K, 10 \'l;ilhuut accent RIM SHOI 11 HANIJ 14 • Clc»cd CLAP hi h.11 wil,·uu! 1:Z l«(""t.,_..,...,.,
I)& I'••-c
gmp:i-ne~Ol111.:ft I ti-hat fin
·
SOUNL>
CO
NT
ROLS
13td
ng
aUI~ to<.:
O
nlro
l
E'(l.th
;o
und off
e
r$
you lOl
i•
l
COI'.Uolo
f
your
.
rJrum
p<ltterns.• C:..1nhnl-. in llu•.Suund S('(.li()l'l
• lt·~·c>l knnl1
Thi~ ir. pro•.·iO;;cl ic' C\'i.:t•i s:;ou;d :c:.1u:~· ,me
<"u:tt·••l•. •··1d1 \•o>lnm•!. &\!\."i IJIHJ.\~ • Attack This h• tu cun:·:,1l :h<: .:)11 •. 11;k ~~~w .. l.
•
oCc:a~· l11i•, ;;:Jj .. •!•, 1l1o• •::-< ,\•: !.11 fo. li y:··~• wi:\h tf> f!\ulfo t~e kkt. c'r .. m s.o~nd. r:.1t<.k thi~ ,.,n·:)b 1'11111!1:•:< !:wkwio.!· I0
:
•
.
• Tuua• Thi:> is to cvn:,.,.>l th•: pit~ 1:, SNARE ORlJM • l()tle"This··~ 1'.1 ch.;n;,w ~imlx::-ui lho• •;uo.:d . A, yo: .. •
'<JUte :In;. : ... n,,b, :i-,; ~:lu11d · .... ·ill bC'C(.'r-1"' t;.:i,)ht~r.
• TunE'
Tbi:> i:
:o
C>)ntrt.•l :!·:; IJi:t:h :.1( lnl· ~IMn· Dr .. n:~11\11111.
• !,n •. SIIII)'
Thi: cones.po•~d~ to :~e ):O.:.ppine:s olthe Snare
I )I ,,1'1.
lOW TOM/,\UI) TOM/Ill TO.\\
• TuM
~O.:l<'.l nt~ lhl: 1:-"t;. d:)dwi~' ( ( ) :· incr.n::e; ;~ e
;•tl: ··. (1;.r11~1liux til•: IJi.o::h -:oi th•:~l.' :ru:~· -<n l !.fl~l:'~l~. ~·f:-•• f:lfl :s·<' 111<'111 ,, •• Vu•lo:o:•; l•ofll.
• Decay
ntil> ;1r.:'jtz-.:h 11w ~l•:c:r~· tirn::. It 'l'.IU wi!>l"o lo m .. ;e
lhe I<IIU ~tnn·d. z<•l·llt! ll1i• ~·:<•I: a,un:t'!rd•,:>.-(r ·~ :
O
LHI·H:\(
• Ck.•<:a.y
Iii!. kn•~:'l t••lliiC ~:h.; 1-:i·h:;l ;,·..und. li ;:f:IJ wi;h
lli-h;.i -:c~ nd. ·:.'lt.ltc lhis dcd<wh•c ( () ·, CRASII/RIOI!
• Turuo
Tl'ois is 1::1 adju.;: :h~ lite.., Y.>unc..
Th~
concepts
-
of
9
and
12
bJse
.1nd
d1
<
li
n
i
ng on
th~ Tl~-909 rH~th<"'
-=;,1m~,1::;
o
n
the
TR
-606
•:$1?'1?p(lgE'S
o
.:
J
I
;.
.
'flt$lf
lf(iE
DICTIONARY FOR THE TR-909
A~V\<
'il
S
m
e-
rHiO
nE:-d
un
pa~c::
i,
t
h<'
be
at
s
in
the di<.:t
i
o
n;
uy
.'.lre~wn
neo
o
ut
ior th
e-TR
.
f>Oei
on thr.
l
ef
t h
•
11
cl
~"~··a
n
rl
for
th
e f.JR·llf
)
o
n
t
h
.,
ri~hth
a
nd
pogo.
·
1
h<:'
T
R-909
r.:<
m
pl<l}'
th~ <'X<~<l HHlll~ bto~tlsa::;
the
TR
-
60b.
Hnw
r.
·vcr
, -;
iuce tht- T
R-909 ha
s
n'lnr(•
C<l
p<t
iJil
it
itos. you
<;
;
a
n
p
t!
h
i
'lllC
.
('
c)n~:Of
lht'
b~alS W IO'li<C~.
,
rJv,
1
nt
t1ge
o
f
t
h
e
~xp:mo'erl
f<"'arw
cs
or· th
h
l<.'l~.t·ol·the-lin~rl
ru
r
n
f
n
a
c
hi
m
:
.
HARD ROCK B
EA
T
FOR
TR-606
EMBELLI
SH
ED FOR
THE
TR-909
4 7 10 1112 141$ 16
~~CH~
=
t:~~
=t
=
~~i=
t=t=~:!~
:t
6~Y
I . SHT·um
~li===
JSO 2 80 I AC 4s
6 1a
9 10 11 12 13 14 1s 16C
H
J
J
J
I
•
. . JJ
J
•
OH
CY_.._
J
I
•
J
HTLT
SD
-
f
80 ..J
.
J
H
e
r
e
's. <ln ex~1mp
lco
f ('mbcl
l
is
h
i
ng
<1s
l
ow
r
o
ck
fill. Th
e
sma
ll
d
'l<!
ng
€' o
f
on
l
y 1
no
t
es
w
i
ll g
r
eat
l
y
·
e
nh
;mc:
e
t
h
e :;o
u
nd of
t
h
<"'
f
il
l.
SL
OW ROCK FILL FOR TR
-
606
E
MBELLISHED F
OR TH
E TR
-
909
3 4 13141516
SC
H
-
t~=t
~
~
~
~
+=
+=+=
t=
t=t=
~
~
==
70H -6CY-+~~+-+-~~-+-+~~+-+-+-f--·H
HT
·
oomrimr
3so
2 80 1 ACCH
OHCY
HT LTso
80 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16J
J_
- -
!
~
~
-·
I.fJ
I
Th
E>
vari~l~..
of
sounci~c;.p
a
b
l
l?
on
th~ TR~909il
re
o
nl
y
l
im
i
te
d
b
v
~'Ourown
c::r
('
;.
ri
vity
.
1
6
Th"
TR
-707
comb
i
n
es e
l
"rn"nl
s ol
l
h
" TR
-909 a
nd
the DR
-
'
111
)
10
ma
k
e
il
>
program-nl
i
n
g
~<tsit:orlhan
i.illYof
lh~ pruf~ssiunal lin~dru
iJI
Jl
lat:hini?S. llS
b~~SiCf
ut
lCtiO
I1
S
c1r('
:liimil~1r
t
o
rhr.
Tl~-9oq.In
fa<J
it
h
..
H
mo
rr.
o'
rum
~ounrl~Ml
d
i
ng
cmvhe
ll
11
nd
1.:\mbourin~.
E
<1
ch
i
mtnun
c
n
t's sou
n
d
i!'
p
re-
s
e
t
~o }'OUc:;m'
t
co
ntro
l
it
s
tone
.:\son
th~TR
-
909
.
T
h
t:n:
i
s a m
ixin
g
p
ane
L
h
O\veve
r
..
t
h.:1t
allows
y
ou
to
<.:unlr
o
l
lh
e vu
lurn
t'
oi
E?
ach
,
.
tr~K~
indtope
nd(?
nlly
~~>-..veil ~~s lh~ lOl<~lo
ulpul
o
f
c'lllso
u
nd
s
.
-I
he~T
R
-
707
co
nl
ai
n
s
~t8
r
il
p
h
ic
displ<~y \\:indow
\v
hi
<
:
h
giv~!ly
o
u
(Iv
is,u(l
l
p
1
c
tur
e o
f
i11l
of
t
h
e
fundiun~you
M
C
p
c
rfm
rnin
g
. It s
hov•.:s
tht.>
i
nput
.
,
r
t
h
r.
p
.1
tt
e
r
ns ..
t
ht:!
l
'l'l
<:"
lmnome
t
emp
o
..
a
n
d
t
h
t
n
l
O
c.Jt>
you MC
\·
vork
i
n
g in
.
\·
V
h
t
n
wr
ili
nH or p
l
(
'l
y
i
ng
track
s.
i
t
!ihows lh
e
trt~cknumh
r:r
;
m
d
n1e
a
s
urt.>
numb
e-r
.
As
Vvi
th
t
h
e
gra
ph
ic
scree-n on
1
hr.
1)1(
.
1
10.
w
me J
ines
~'the- (ii;plr1~·ar
e
used
{o
r
more lh"n
on
e
instrument
(h~ndcl•p&
tambourine
,
r
ionshot
&
co
"·b<:I
Q
.
STEP
1 2 3 4
5
6
7
8 9
1
0
1
1
12
13
141516
CYMBA
L
H
o
H
A
r
.
HCPJTAMB
Rl M/COWe
m
H
oloM
M
ooT OM
Low
Tow
S
NARE
D
RIIM
BASS DR
U
M
ACCEN
T
.
[TRA
C
K
1
'---
---
----~l~M--00-E
----
---
--
~\
I
he·~con
c
ept
s
of 9 and
·121Jd~t! ~"ntlc
h
ain
in
g o
n
t
h
C'
11
<
·
7
0
7 :l
r
e
I h
e
s<
lme
a
s
o
n
lh
t'
TR-909
'""I
T
R
-
60r,
(~n<' r>•S<'<
H-
I
li
.
;
""
"
'
•
ri:l
~f.ir?f!JJ:~
~
THE DICTIONARY
FOR
THE TR-
7
07
.A.
::.
.,.,
•
.
•
,:;
mentioned
on
p~lge3.
thf:'
b~alsi
n
L
h
e
di
c
tio
r
hJ
IY
;m
;
\Vritt
e
n
o
ut
f
or
lh.:o
TR
.
60
6
on
I
h~ l~ft h~unl :x~g.:o<tml
ro
r
th
e-
DR
· 1
1 0
on
t
he
r
i
g
ht h
a
n
d
pay,~.Th
E>
T
R-
707
Gmpl"'y
t
h
e
.;·x(Kl -;(1m('bC
(
•t
s
;15th('
11~-006and
T
R
-
909. HO\·V
E'
\
1f:'f.
-;in
cc
th
E'
n~-707 ht~smor
<"·
<:<1p.1h1litie~.. }'
O
U
c:<
m
enh~mceany uf
tlu~ !)(·()!.~to1,1kc ilri
v
an
·
t;J
gc o
f t
he
e>:pand~d f~atur<:>~o
f
lhi~ l<.•p-Of-lht~-lin('d
n
u
r.
mM
:
hine
.
•
LATIN ROCK
BEAT FOR THE T
R
-60
6
EMBELLISHED FOR THE TR
-
707
4 7 9 10 11 12 13 14 15 16 8CH 7 OH 6CY 5 HT 4LT 3
so
2 BO 1 AC 1 2 4 6 7 8 10 12 14 15 16 CH f -OH CY HTLT
so
"
'J
-; 'BO
J
•
•
~
-
'
J
"
'
J
I
:
J
J
.
j
I
TH
E
TR
-707
HAS
ADDITIONAl
SOU
NDS
H
e
re
>
an
exam
p
le
of
embe
lli
s
h
in
g
a
fast rock
t
i
ll.
FAST
ROCK FILl FOR TH
E TR
A
6
06
EMB
ELLIS
HED FOR THE TR
-707
t 2
s
4 5 6 7 15 16!cg~.=
mm
mmmt=
=
s~~
:
-t
i-
t-
f
-1~
·
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H
OH
CY
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so
1 2. 3 4 5 8 7 8 9 10 11 12 13 14 1S 16J
~
•
The
variety
oi
sound
s you
are
c
apable
o
f
produ
c
ing
on
the
TR-707 is
g
r
eatl}
'
e
nh;mced
b
y
your creativ
e
U!>t u(the
variou~i
n
s
t
rum<'nt
s.
·
8 CH 7 OH 6 CY 5 HT
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T
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1 AC1
h
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s
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R
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a
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e
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1nd
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t
k
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ith thC'm
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t-x~unple.
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FOR TR-60&
ADJUSTED
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1 2 3 4
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6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 111213141516.
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~ 1TRACKS
On
;-.11
of
th~Roland drun1 mac;hines: you
r .. 1n
cntc~r(nmpiNc rhythm trac
ks
into
m~mory
ior
I'E'COnling
or
liv
e
pl~yback.Althmrgh
rh~kvlgrh nf
rhe
tr~cksdnd
the
off-lirH~ ~rnr
•
.,gc
nption5-
v
af1•
on
eo.c.:h
rn
..
.-c
h
inf!.
th~cn
n
cc
pis
;uc
th
e
~;unc.•:
rhc
.. K
lual
t~ch11iquesoi
writing
tr~1cks <"~~'C'•
:
·
xp
l
iii
n
t-d
in
lh
t'
R()
k
mU Dr
u
matix and Dr.
l
<hyihn'l
Cr~phiclla
n
cJv
Cuid~sJCra~Jhi<:all~'
o
utlini
ng your
rhy~lrn ln~chv,,..jfl
h
tolp
yuu
c.:n~Jteones
th<lt
are morC'
mu
s
i1
.:
al
~uuJth.:\1
t
otally
f
i
t
yo
ur
tu
n('
.
HELPFUL HINTS
WHEN WRITING
TRACK
S
•
I
2. 1
\d
d
d~!!-c;riptivern.:\lerial
to
givPyou
C.UC'S <"~S>lOsty
l
€'.
f)hra~el
e
n
gth, tempo
.
.
etc.
RllJES FOR
T
R-707
lnU<
>
M
O<Iernre
Ro
ck (
J
=
120i
3
•
l3
.
Wb~lpattern!. you
want to
u~..
md
"'her('
11~ .,~'O
tored.
in!:n
Mod
e
r:Ut) Ruck
Pmtm 1 S~·leccor
I
BLUES FOR
TK-
7
07
Fill 1 ~d<::~·tor4 1~·rC.
lloru
s
IIJ
P.,ttcrn 2 S<:lt:ctor 25
66
ll•
4. L.:-.bC'
I th
e t"'
nc
ir£'
tun
e.
Thb
i
s
J.S(trn
p
l
e
oi
.:1f2-
b
(l
r
hltH~!'-wit
h
d
4
41.M
r
i
n
lr
o
..=.nd
<,
l~hilr
end
in
J.;
.
•
•'
nt:o
Mo
d
e
rat
e
Ro~k 1\m~rn1
J
Se-
l
t-et(): 1
~ Fill 2l S
cle1:tor.5
Puttm21
Sdectut2
13 1<BLUES
FOR TR-70
7
s
P:atu.!rn 3 1 Selc..:h.lr 39
15 Fillll
Stle.ctor ·1I
4 10 (:jb 11Sriec-w4
16h
'
t
Churu~0
Pamrn 2 IJS
e
l
oc
tu
:
2
6
Fill 3 ll 1 SclctHJr 6Cm.l
i
nr;.
P.llltrn 1 Fill4~
Sdcctor 1 17I
Sdc:ctUf1
13~
5. Rc•membcr to l.llx-1
Ihe' tr;')(k v •. ftcre you
a
re entering this tune and k
ee
p il
(or
reference.
ti
you
\\',1nlro
m.1
k
e chang
e
i later:
you
will know
~.xactlywftal
)'OtJdid. li your drum
111achine ha>
oil
-
line ca>seue
or canridgc sroragc.
you
moy
\'\·i~h