MUSEUM FOR A SMALL CITY / SET-UP

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MUSEUM FOR A SMALL CITY / SET-UP 1

11.10–21.10.2013

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A

Artist Franz West

Title “Lemurenkopf 1”

Year 1991

Dimensions sculpture: 210 ✕ 90 ✕ 90 cm

with plinth: 250 ✕ 100 ✕ 100 cm

Materials & technique partially welded, plaster, wrought iron, plaster, steel, wood, papier mâché

Collection on loan from the Ministry of the Flemish Community Collection

Object number 1607

Acquisition 1994

Inventory number BK 6193/G4, D1-MHK/001/II

Notes – Restored in 2007

– Monika Holzer Kernbichler’s press release states that the open-mouthed lemur’s head was used as a rubbish bin at

Documenta IX, resulting in a stench emanating from the ‘mouth’ of the work. ‘bei der Documenta IX in Kassel 1992, wo er

sie, als Müllschlucker eingesetzt, auch aus dem Mund stinken ließ.’ (Franz West, Ein ABC, Universalmuseum Joanneum, 2010). This information was confirmed by Jan Hoet.

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11.10–21.10.2013

B

Kunstenaar Franz West

Titel “Lemurenkopf 2”

Jaar 1991

Afmetingen beeld: 220 ✕ 60 ✕ 80 cm

met sokkel: 260 ✕ 100 ✕ 100 cm

Materiaal & Techniek onderdeel gelast, plaaster, staafijzer, plaaster, staal, hout, papier mâché

Collectie bruikleen van de Collectie Ministerie van de

Vlaamse Gemeenschap Objectnummer 1608 Verwerving 1994 Inventarisnummer BK 6194/G5, D1-MHK/002/I Nota – Gerestaureerd in 2007 11.10–21.10.2013

B

Artist Franz West

Year 1991

with plinth: 260 ✕ 100 ✕ 100 cm

Object number 1608

Acquisition 1994

Inventory number BK 6194/G5, D1-MHK/002/1

Notes – Restored in 2007

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1

Kunstenaar Art & Language

Titel “Picasso’s Guernica in the style of Jackson Pollock”

Jaar 1980

Afmetingen 356,5 ✕ 790,5 cm

Materiaal & Techniek olieverf, papier, doek, karton, huidenlijm

Collectie S.M.A.K. Gent

Objectnummer 1684

Verwerving 1980

Inventarisnummer 80 MHK 082

Nota – 1ste uitvoering werd vernietigd na de tentoonstelling ‘Kunst na

‘68’, Museum van Hedendaagse Kunst, 1980. Huidig werk in de collectie is de tweede uitvoering van datzelfde jaar.

B

Artist Art & Language

Title “Picasso’s Guernica in the style of Jackson Pollock”

Year 1980

Dimensions 356.5 ✕ 790.5 cm

Materials & technique oil paint, paper, canvas, cardboard, hide glue

Collection S.M.A.K. Ghent

Object number 1684

Acquisition 1980

Inventory number 80 MHK 082

Notes – The first version was destroyed after the exhibition ‘Kunst na

‘68’, Museum of Contemporary Art, 1980. The work currently held in the collection is the second version from the same year.

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11.10–21.10.2013

2

Kunstenaar Marcel Broodthaers

Titel “Miroir d’Epoque Regency”

Jaar 1973

Afmetingen 142 ✕ 77, 3 cm (diameter 52 cm)

Materiaal & Techniek Bolle spiegel in kader

Objectnummer 147

Verwerving 1973 (Vereniging voor het Museum van Hedendaagse Kunst)

Inventarisnummer 02-MHK 009/II, VMHK 073

Nota – “2013-02-20: Volgens Yves Gevaert: In de oorspronkelijke

opstelling zou er nog een tafeltje met daarop een leeg boek (soort gastenboek) onder de spiegel gestaan hebben. Dit zou bij de aankoop van het werk geleverd zijn.”

(Bron: archief S.M.A.K.) 11.10–21.10.2013

2

Artist Marcel Broodthaers

Title “Miroir d’Epoque Regency”

Year 1973

Dimensions 142 ✕ 77.3 cm (diameter 52 cm)

Materials & technique convex mirror in frame

Object number 147

Acquisition 1973 (Association for the Museum of Contemporary Art)

Inventory number 02-MHK 009/II, VMHK 073

Notes – “2013-02-20: Yves Gevaert states: In the original set-up

there would have been a small table with an empty book upon it (a kind of guestbook) standing beneath the mirror. This would have been delivered when the work was purchased.”

(source: S.M.A.K. archive) 2

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3

Ontwerper Maarten Van Severen

Titel Balie meubel S.M.A.K. Gent

Jaar 1999

Afmetingen 70 ✕ 90 ✕ 58 cm

Materiaal & Techniek geborsteld aluminium

Collectie Archief Maarten Van Severen. De Zwarte Doos, Stadsarchief

Nota

3

Designer Maarten Van Severen

Title Reception desk for S.M.A.K. Ghent

Year 1999

Dimensions 70 ✕ 90 ✕ 58 cm

Materials & technique brushed aluminium

Collection Maarten Van Severen archive. De Zwarte Doos, City Archives

Notes

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11.10–21.10.2013

4

Kunstenaar Thierry De Cordier (Leonard)

Titel “Kruisigings-ontwerp A.B.C.”

Jaar 1973

Afmetingen 36 ✕ 60 cm

Materiaal & Techniek kleurpotlood op papier

Collectie Bruikleen van de Collectie Ministerie van de Vlaamse

Gemeenschap Objectnummer 3178 Verwerving 1975 Inventarisnummer BK 2642, NIEUW 0408L702 Nota 11.10–21.10.2013

4

Artist Thierry De Cordier (Leonard)

Title “Kruisigings-ontwerp A.B.C.”

Year 1973

Dimensions 36 ✕ 60 cm

Materials & technique coloured pencil on paper

Object number 3178

Acquisition 1975

Inventory number BK 2642, NIEUW 0408L702

Notes 4

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5

Kunstenaar

Jef Geys

Titel

postkaart “Geel, rood, blauw, enz...,”

Jaar

1979 (?)

Afmetingen

10,5

✕

15 cm

Materiaal & Techniek

Offset

Foto

Dirk Pauwels

Uitgave

Stedelijk Museum voor Actuele Kunst Gent

Nota

– De postkaart toont een gespiegelde afbeelding van het

oorspronkelijke werk.

11.10–21.10.2013

5

Artist Jef Geys

Title postcard “Geel, rood, blauw, enz...,”

Year 1979 (?)

Dimensions 10.5 ✕ 15 cm

Materials & technique Offset

Photo Dirk Pauwels

Publication Municipal Museum of Contemporary Art Ghent

Notes – The postcard shows a mirror image of the original work.

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MUSEUM FOR A SMALL CITY / SET-UP 2

29.10–18.11.2013

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B

2

Artist Marcel Broodthaers

Title “Miroir d’Epoque Regency”

Year 1973

Dimensions 142 ✕ 77.3 cm (diameter 52 cm)

Materials & technique convex mirror in frame

Object number 147

Acquisition 1973 (Association for the Museum of Contemporary Art)

Inventory number 02-MHK 009/II, VMHK 073

Notes

A 2

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29.10–18.11.2013

B

6

Artist André Cadere

Title photo document, Museum of Contemporary Art, Ghent

Year 1977

Materials & technique Photo

Collection S.M.A.K. archive

Object number Acquisition Inventory number

Notes – _{Photo taken on 9.6.1977 during the opening of the exhibition}

“Marcel Broodthaers, André Beullens, Amedée Cortier”, 10.6– 24.7.1977.

– _{Jan Hoet explained (29.10.2013) that during the opening of}

“Marcel Broodthaers, André Beullens, Amedée Cortier” he had installed the plinth in the museum especially for Cadere.

In addition, Cadere also exhibited a work in the office of the former museum director Jan Hoet. (9–25.7.1977).

–

A 6

9 June–25 July, Cadere made an invited appearance with his work at the Museum van Hedendaagse Kunst Ghent. Cadere signed the book of honour at the museum. ‘From the point of view of my work, any place in the museum can be used. In exhibiting in the curator’s office, I confronted him with the reality of his function, which, like the name says, is to guard the works of art which are confined to him. It was also interesting to open up to the public, for a short time, an office space which is usually not accessible. I proposed this exhibition one year previously, but at the time it was refused… During the exhibition the curator (Jan Hoet) exhibited and explained my work to the public; this work had been relocated many times on one of the three tables, according to necessity, by the curator or one of his assistants.’ Herbert-Gewad document 49. Translation Chris Dercon Archive. Working with Cadere may have influenced Hoet’s exhibition, “Chambre d’Amis” (Friends Rooms) Ghent 1986 which led to his curation of Documenta 9, Kassel 1992. (“Documenting Cadere 1972–1978” (pg. 140) copyright Lynda Morris, Modern Art Oxford, Mu.ZEE, Artists Space, Koenig Books London.)

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B

7

Artist Didier Vermeiren

Title “L’Homme qui marche”

Year 1984

Dimensions 51 ✕ 166 ✕ 85 cm

Materials & technique plaster

Object number 1575

Acquisition 1984–1985 sponsored by the Nationale Loterij

Notes

A 7

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29.10–18.11.2013

B

8

Artist Stanley Brouwn

Title “1 Step 1:1, 1 M 1:1”

Year 1976

Dimensions filing boxes: 15.3 ✕ 19.8 ✕ 39.5 cm (✕ 2), table top +

trestles: 80.5 ✕ 74 ✕ 50 cm

Materials & technique paper, metal, wood

Object number

Acquisition 1999 donated by VMHK

(Association for the Museum of Contemporary Art), Ghent Inventory number Notes – – A 8

Since 1972, every catalogue or group exhibition that the artist has participated in has featured the line “At the request of the artist there are no photos or bio-bibliographical data” or “At the artist’s request, his birth date is excluded here, and the works are not reproduced”

In 1961, when Brouwn asked random passers-by for directions, and to explain these via a sketch, he was inviting them to move within their imaginations. From 1971, he measured and portrayed distances using his own steps, which he always linked to the metric system of measurement. Pre-senting those distances via card systems, books or portfolios of drawings, and later by also literally shaping them in paper, polyester or wood, he created a concrete awareness of time, space and movement. In 2001, Stanley Brouwn made an exhibition at S.M.A.K. In a number of otherwise empty galleries, he affixed just one label per space, stating for example: In the middle of this room, there is an imaginary cube, measuring 1,000 ✕ 1,000 ✕ 1,000mm’. (source: SMAK website)

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B

9

Artist Maurice Blaussyld

Title “Sans Titre – Août”

Year 1987

Dimensions 106.5 ✕ 78.5 ✕ 61 cm

Materials & technique latex paint, wood, metal

Object number 104

Acquisition 1998–1999, purchased from Willy D’Huysser Gallery, Brussels

Inventory number

Notes

A 9

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29.10–18.11.2013

B

10.1

Artist

Title Letter from Jan Hoet to the Wallraf–Richartz Museum, Cologne,

regarding exhibition material

Year 1975

Dimensions A4

Materials & technique paper

Collection S.M.A.K. archive Ghent

Notes – Correspondence from 1975 between Jan Hoet and

Dr A. Von Euw regarding an exhibition display system. A 10

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B

10.2

Artist

Title Configuration of photos from Haim Steinbach’s work

“An Offering (collectibles of Jan Hoet)”

Year 1992

Dimensions

Materials & technique photo montage

Notes – The series of images with photos of the configuration show the correct and original arrangement of the objects per shelf.

A 10

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29.10–18.11.2013

B

11

Artist Franz West

Title “Habsburger Stuhl”

Year 1989

Dimensions chair: 77 ✕ 112 ✕ 53 cm, plinth*: 11 ✕ 120 ✕ 150 cm

Materials & technique sheet iron, wrought iron

Object number 1606

Acquisition 1989, donated by Franz West

Inventory number D4-MHK 0001/IV

Notes –

A

11

In 1990 haben wir eine gemeinsame Ausstellung im Kunstverein horn – ich habe dafür eine Auswahl Sockel meiner Skulpturen zusammengestellt. Franzens Sitze sollten ursprünglich ohne Sockel sein – wie bisher – doch für diese Ausstellung hat franz überlegt doch Sockel zu wollen – ich war aber nicht so begeistert – hab dann aber doch für ihn die Proportionen der Sockel bestimmt. er wollte, dass sich die Betrachter etwas erhoben fühlen durch die Sockel. es war nicht klar ob das nun grundsätzlich so weitergeht und obwohl ich mich um die Dimensionen gekümmert hab, haben wir das nicht so sehr als die neue grosse Kollaboration gesehen – mal so ein versuch. die Ausstellung war dann noch in der Stadt Galerie prag zu sehen. danach hat er das dann eher nicht fortgesetzt – vielleicht so mal so – da weiss ich nicht so bescheid. (email Heimo Zobernig – Moritz Küng, November 2013)

* Heimo Zobernig’s original plinth was reconstructed on the occasion of ‘Museum for a Small City – Case 1: Art, Display & Confusions’, a conversation between Moritz Küng and Heimo Zobernig (3 November 2013).

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B

12

Artist Manfred Pernice

Title “D & A-Punkt”

Year 1997

Dimensions as a whole: dependent upon the space, round structure:

diameter 182 cm (✕ 103), works on paper: 21 ✕ 29.6 cm (x 5)

Materials & technique fibreboard, wood, metal, rubber, lamp, pencil, paint, paper

Collection Ministry of the Flemish Community

Object number 3282

Acquisition 1998, on loan from the Ministry of the Flemish Community

Inventory number BK 7003/G54

Notes – The original arrangement consists of five drawings (A4 format);

previously the work – with the artist’s permission – had been

configured without the drawings.

A 12

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03.11.2013

L

Lecture “Art, Display and Confusions”

Speakers Moritz Küng and Heimo Zobernig

Notes

A B

Lecture organised with LUCA School of Arts, OPAK – Onderzoeksplatform voor de Kunsten and CAHF – Contemporary Art Heritage Flanders.

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B

13

Artist Franz West

Title “Habsburger Stuhl”

Year 1989

Dimensions chair: 77 ✕ 112 ✕ 53 cm, plinth*: 11 ✕ 120 ✕ 150 cm

Materials & technique sheet iron, wrought iron

Object number 1606

Acquisition 1989, donated by Franz West

Inventory number D4-MHK 0001/IV

Notes * Heimo Zobernig’s original plinth was reconstructed for

“Museum for a Small City – Case 1: Art, Display & Confusions, a discussion between Moritz Küng and Heimo Zobernig”

(3 November 2013)

A

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MUSEUM FOR A SMALL CITY / SET-UP 3

28.11–09.12.2013

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14

Kunstenaar Michelangelo Pistoletto

Titel “Rilievi di Taglio”

Jaar 1989

Afmetingen geheel afhankelijk van de ruimte, 4 ✕ (250 ✕ 183) cm

Materiaal & Techniek lijmverf op doek op multiplexplaten

Objectnummer 1101

Verwerving 1989 (verworven met de steun van de Nationale Loterij)

Inventarisnummer 89 MHK

Nota – Announced in January 1989 on the invitation of a solo show

in Perugia, “White Year” is a ‘time continent’ conceived ‘as a mirror painting ready to receive tomorrow’s images’ or ‘white newspaper pages’ open to outside events. It is in this sense that the large white sheets of plaster and marble shown in various places during the year should be understood. (http://www.pistoletto.it)

A B 14

14

Artist Michelangelo Pistoletto

Title “Rilievi di Taglio”

Year 1989

Overall dimensions depending upon the space, 250 ✕ 183 cm (x 4)

Materials & technique distemper on canvas on multiplex sheets

Object number 1101

Acquisition 1989 (acquired with the support of the Nationale Loterij)

Inventory number 89 MHK

Notes * Announced in January 1989 on the invitation of a solo show

in Perugia, “White Year” is a ‘time continent’ conceived ‘as a mirror painting ready to receive tomorrow’s images’ or ‘white newspaper pages’ open to outside events. It is in this sense that the large white sheets of plaster and marble shown in various places during the year should be understood.

(http://www.pistoletto.it)

A B 14

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28.11–09.12.2013

15

Artist Carl Andre

Title “11 bent long pipe run”

Year 1969

Dimensions 14.10 cm

Materials & technique metal

Collection Private collection

Object number 3663

Acquisition on loan from Fiszman, Isi + Dorothée Fischer

Inventory number

Notes * In 1969, curator Enno Develing invited Carl Andre to stage a

solo exhibition at the Haags Gemeentemuseum in The Hague. The story goes that the work ‘11 bent long pipe run’, dated the same year, is fashioned from a reclaimed electrical conduit ‘from the museum building by the architect Hendrik Berlage, which was then under renovation.’

A B 15

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16

Artist

Title “Museum zoekt museum” (exhibition catalogue)

Year 1983

Dimensions 21 ✕ 29.7 cm

Materials & technique printed material

Notes * This book was published in 1983 – to mark the 25th anniversary

of what was then the Association for the Museum of Contemporary Art, Ghent – and explores ‘projects for an

autonomous museum of contemporary art, in confrontation with options and realisations from both Belgium and abroad’.

To accompany the lecture by Kersten Geers and Jan De Vylder entitled “To enter a museum one has to open the door”,

100 examples were reprinted and augmented with an appendix by both speakers.

A B 16

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Lecture organised with LUCA School of Arts, OPAK – Onderzoeksplatform voor de Kunsten and CAHF – Contemporary Art Heritage Flanders

“Museum zoekt museum” (exhibition catalogue), 1983, reprinted with appendix, 2013

1.12.2013

L

Lecture “To enter a museum one has to open the door”

Speakers Kersten Geers and Jan De Vylder

Notes

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14.12.2013–05.01.2014

17

Kunstenaar Charles Vandenhove (+ Daniel Buren, Giulio Paolini)

Titel “Salon Royal ”

Jaar 1986

Afmetingen Koninklijk Salon van de Muntschouwburg, Brussel, schaal 1/1

Materiaal & Techniek hout, ijzer, gips, marmer

Objectnummer 1463

Verwerving 1986 aankoop Stichting Wonen Amsterdam

Nota – Voor de tentoonstelling ‘Charles Vandenhove’ 07.06.1986–24.08.1986 in de Beurs van Berlage in Amsterdam werd een exacte replica gebouwd van het Koningklijk Salon van de Muntschouwburg in Brussel. Datzelfde jaar wordt dit model op ware grote aangekocht door het Museum van

Hedendaagse Kunst, Gent. In een persmededeling van 4 december 1986 staat te lezen: Het “Salon Royale” is een schitterende constructie van drie kunstenaars die elk afzonderlijk hun persoonlijk accent hebben gelegd en het geheel in harmonie wisten te bouwen. (archief S.M.A.K) Het statuut en de verdere bestemming van dit werk is dubieus; het museum en de betrokken kunstenaars stellen zich vragen omtrent de authenticiteit van de kunstwerken binnen deze replica.

A B 17 14.12.2013–05.01.2014

17

Artist Charles Vandenhove (+ Daniel Buren, Giulio Paolini)

Title “Salon Royal”

Year 1986

Dimensions Royal Salon at La Monnaie, Brussels, scale 1/1

Materials & technique wood, iron, plaster, marble

Object number 1463

Acquisition 1986 purchased from Stichting Wonen, Amsterdam

Notes *

17 B

A

An exact replica of the Royal Salon at La Monnaie in Brussels was built for the exhibition ‘Charles Vandenhove’ (07.06.1986 – 24.08.1986) at the Beurs van Berlage in Amsterdam. That same year, the life-size model was purchased by the Museum of Contemporary Art, Ghent. A press release dated 4 December 1986 reads: ‘The “Salon Royale” is a magnificent construction by three artists who have each left their individual mark yet managed to create a harmonious whole.’ (S.M.A.K. archive). The status and future destination of this work is dubious; the museum and the artists involved are questioning the authenticity of the artworks within this replica.

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14.12.2013–05.01.2014

18

Kunstenaar Gerhard Richter

Titel “Pyramide”

Jaar 1966

Afmetingen 190 ✕ 240 cm Materiaal & Techniek olieverf op doek Collectie S.M.A.K. Gent Objectnummer 1235

Verwerving 1999 Schenking VMHK Gent Inventarisnummer D2-MHK 114/II

Nota – De titel staat op de achterkant van het schilderij: “Pyramide” In de Catalogue Raisonné en op de website van Gerhard Richter wordt het werk Große Pyramide (Large Pyramid) genoemd. Onder de titel “Keine Pyramide” staat dit werk uit 1964 afgebeeld. (gerhard-richter.com) A B 18

18

Artist Gerhard Richter

Title “Pyramide”

Year 1966

Materials & technique oil on canvas

Object number 1235

Acquisition 1999 Donated by VMHK Ghent

Inventory number D2-MHK 114/II

Notes – The title is on the rear of the painting: “Pyramide”. In the

catalogue raisonné and on Gerhard Richter’s website, the work is entitled “Große Pyramide” (Large Pyramid). This work from 1964 is reproduced beneath the title “Keine Pyramide” (gerhard-richter.com).

18 B

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15.12.2013

L

Lecture “Scale 1/1”

Speakers Bart Verschaffel and Paul Robbrecht

Notes

A B

Lecture organised with LUCA School of Arts, OPAK – Onderzoeksplatform voor de Kunsten and CAHF – Contemporary Art Heritage Flanders

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15.01.2014–26.01.2014

19

Kunstenaar Anne & Patrick Poirier

Titel “La colonne pour la villa adriana”

Jaar 1979

Afmetingen sokkel 200 ✕ 200 ✕ 24 cm, 5 elementen van 152 ✕ 97 cm,

3 van 152 ✕ 87 cm, 2 van 152 ✕ 60 cm, 1 van 195 ✕ 52 cm

Materiaal & Techniek plaaster op houten structuur Collectie S.M.A.K. Gent

Objectnummer 1105

Verwerving 1979 aankoop Galerie Sonnabend Inventarisnummer 79 MHK 078

Nota – Opstelling: Kunst in Europa na ’68, Museum voor Hedendaagse Kunst, Gent

19

15.01.2014–26.01.2014

19

Artist Anne & Patrick Poirier

Title “La colonne pour la villa adriana”

Year 1979

Dimensions plinth 200 ✕ 200 ✕ 24 cm, elements measuring 152 ✕ 97 cm (x 5),

152 ✕ 87 cm (x 3), 152 ✕ 60 cm (x 2), 195 ✕ 52 cm (x 1)

Materials & technique plaster on wooden structure

Object number 1105

Acquisition 1979, purchased from Galerie Sonnabend

Notes – Configuration: ‘Kunst in Europa na ’68’,

Museum of Contemporary Art, Ghent 19

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15.01.2014–26.01.2014

20

Kunstenaar Gaston Bertrand

Titel “La cathédrale”

Jaar 1950

Afmetingen 81 ✕ 65 cm Materiaal & Techniek olieverf op doek Collectie S.M.A.K. Gent

Objectnummer 56

Verwerving 1976 Schenking VMHK ( Vereniging voor het Museum van Hedendaagse Kunst) Gent

Nota – Woning en Atelier Gaston Bertrand: Architect Jacques Dupuis, Ukkel, 1946 –1950

– “Oublier la peinture afin de pouvoir la redécouvrir en ses apparences élémentaires, tel est semble-t-il le sens des recherches entreprises par le peintre Gaston Bertrand. [...] En imaginant la maison – actuellement en construction – du peintre Bertrand, l’architecte Jacques Dupuis a voulu satisfaire à ce dualisme caractéristique. Aqyant pénétré lq’essentiel de la vision du peintre, l’architecte a tenté de donner sinon une restitution de cette vision, au moins une équivalence.”

– Deux peintres et leur maison; Rythme. Architecture Métiers d’art.; april 1950; nr. 6; p. 20.

20

w

20

Artist Gaston Bertrand

Title “La cathédrale”

Year 1950

Materials & technique oil on canvas

Object number 56

Acquisition 1976 Donated by VMHK (Association for the Museum of

Contemporary Art) Ghent

Notes – Home and studio of Gaston Bertrand: Architect Jacques Dupuis,

Ukkel, 1946–1950

– –

20

“Oublier la peinture afin de pouvoir la redécouvrir en ses apparences élémentaires, tel est semble-t-il le sens des recherches entreprises par le peintre Gaston Bertrand. [...] En imaginant la maison – actuellement en construction – du peintre Bertrand, l’architecte Jacques Dupuis a voulu satisfaire à ce dualisme caractéristique. Ayant pénétré l’essentiel de la vision du peintre, l’architecte a tenté de donner sinon une restitution de cette vision, au moins une équivalence.”

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15.01.2014–26.01.2014

21

Kunstenaar René Heyvaert

Titel Zonder Titel

Jaar 1982

Afmetingen 8 ✕ 4.4 ✕ 1.8 cm, 10.5 ✕ 6.8 ✕ 3.8 cm, 4.5 ✕ 32.7 ✕ 1.7 cm,

20.5 ✕ 2.4 ✕ 3.7 cm, 33.1 ✕ 2.1 ✕ 0.6 cm,

Materiaal & Techniek metaal

Collectie Ministerie van de Vlaamse Gemeenschap

Objectnummer 3372, 3373, 3374, 3375, 3376

Verwerving 2006 bruikleen Ministerie van de Vlaamse Gemeenschap

Inventarisnummer BK 7318, BK 7319, BK 7320, BK 7321, BK 7322 Nota 21 15.01.2014–26.01.2014

21

Artist René Heyvaert

Title Untitled

Year 1982

Dimensions 8 ✕ 4.4 ✕ 1.8 cm, 10.5 ✕ 6.8 ✕ 3.8 cm, 4.5 ✕ 32.7 ✕ 1.7 cm,

20.5 ✕ 2.4 ✕ 3.7 cm, 33.1 ✕ 2.1 ✕ 0.6 cm

Materials & technique metal

Object number 3372, 3373, 3374, 3375, 3376

Acquisition 2006 on loan from the Ministry of the Flemish Community

Inventory number BK 7318, BK 7319, BK 7320, BK 7321, BK 7322

Notes

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L

Lecture “A Museum For A Small City”

Speakers Bart De Baere, Phillip Van Den Bossche, Philippe Van Cauteren

and Sara Weyns

Notes

Debate organised in collaboration with LUCA School of Arts, OPAK – Onderzoeksplatform voor de Kunsten and CAHF – Contemporary Art Heritage Flanders.

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HIGHLIGHTS FOR A FUTURE

15.03–03.11.2019

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A

Artist Franz West

Year 1991

with plinth: 250 ✕ 100 ✕ 100 cm

Object number 1607

Acquisition 1994

Inventory number BK 6193/G4, D1-MHK/001/II

Notes – Configuration for Richard Venlet’s exhibition

“Its Walls, Floors Ceiling and Windows”, BOZAR, Brussels A

A

Jaar 1991

met sokkel: 250 ✕ 100 ✕ 100 cm

Vlaamse Gemeenschap

Objectnummer 1607

Verwerving 1994

Inventarisnummer BK 6193/G4, D1-MHK/001/II

Nota – Opstelling in het kader van de tentoonstelling “De Collectie (I):

Highlights For A Future”

Publiek programma met o.a. Pedro Barbosa, Artur Barrio, Hamady Bocoum, Tanja Boon, Paula van den Bosch, Koen Brams, Clara van den Broeck, Berlinde De Bruyckere, Giovanni Carmine, Philippe Van Cauteren, Jo Coucke, Nikolaas Demoen, Stefaan Dheedene, Peter Downsbrough, Tatjana Gerhardt, gerlach en koop, Martin Germann, Joris d’Hooghe, Ann Hoste, Frederika Huys, Richard Jackson, Shervin Kianersi Haghighi & Christian Hansen, Joachim Koester, Jac Leirner, Ulrike Lind-mayr, Bjarne Melgaard, Oscar Murillo, Sophie Nys, Dirk Pauwels, Posture Editions, Chantal Pattyn, Ana Teixeira Pinto, Dirk Snauwaert, Alexander Streitberger, Nathalie Zonnenberg, Richard Venlet, Robin Watkins, Guy Woueté.

Public program with, amongst others: Pedro Barbosa, Artur Barrio, Hamady Bocoum, Tanja Boon, Paula van den Bosch, Koen Brams, Clara van den Broeck, Berlinde De Bruyckere, Giovanni Carmine, Philippe Van Cauteren, Jo Coucke, Nikolaas Demoen, Stefaan Dheedene, Peter Downsbrough, Tatjana Gerhardt, gerlach en koop, Martin Germann, Joris d’Hooghe, Ann Hoste, Frederika Huys, Richard Jackson, Shervin Kianersi Haghighi & Christian Hansen, Joachim Koester, Jac Leirner, Ulrike Lindmayr, Bjarne Melgaard, Oscar Murillo, Sophie Nys, Dirk Pauwels, Posture Editions, Chantal Pattyn, Ana Teixeira Pinto, Dirk Snauwaert, Alexander Streitberger, Nathalie Zonnenberg, Richard Venlet, Robin Watkins, Guy Woueté.

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ITS WALLS, FLOORS, CEILING AND WINDOWS / BOZAR

28.02–19.05.2019

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B

Jaar 1991

met sokkel: 260 ✕ 100 ✕ 100 cm

Vlaamse Gemeenschap Objectnummer 1608 Verwerving 1994 Inventarisnummer BK 6194/G5, D1-MHK/002/I Nota –

B

Artist Franz West

Year 1991

with plinth: 260 ✕ 100 ✕ 100 cm

Object number 1608

Acquisition 1994

Inventory number BK 6194/G5, D1-MHK/002/I

Notes – Configuration for Richard Venlet’s exhibition “Its Walls, Floors

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MUSEUM FOR A SMALL CITY / REBUILD

07.02.2020–21.02.2021

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P

Performance Ula Sickle

Title “The Host: An Incomplete History of Performance at S.M.A.K.”

Notes

This new production ‘The Host: An Incomplete History of Performance at S.M.A.K.’ takes the form of a subjective guided tour through the history of Performance Art in S.M.A.K. The artist conducted her research through an oral history, setting up a series of conversations with the museum staff. Tracing as it were the museum’s embodied archive, the attention shifts away from the visual to expe-rience, memory and context. The performance marks the first instance of the re-activation of Richard Venlet’s artwork ‘Museum for a Small City’ entitled ‘Rebuild’, that partly functions as a display of the S.M.A.K. collection. It ultimately comprehends the current immateriality of the re-activation on an institutional level, namely as the modest attention for Performance and Live Art in public collections.

P

Performance Ula Sickle

Title “The Host: An Incomplete History of Performance at S.M.A.K.”

Note

This new production ‘The Host: An Incomplete History of Performance at S.M.A.K.’ takes the form of a subjective guided tour through the history of Performance Art in S.M.A.K. The artist conducted her research through an oral history, setting up a series of conversations with the museum staff. Tracing as it were the museum’s embodied archive, the attention shifts away from the visual to experience, memory and context. The performance marks the first instance of the re-activation of Richard Venlet’s artwork ‘Museum for a Small City’ entitled ‘Rebuild’, that partly functions as a display of the S.M.A.K. collection. It ultimately comprehends the current immateriality of the re-activation on an institutional level, namely as the modest attention for Performance and Live Art in public collections.

Tanja Bruguera, “Untitled” (An ongoing performance focused on a disturbing reality

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12.02.2020

22

Artist Jef Geys

Title “Lila”

Year 1968

Dimensions H:174 cm (diameter 32 cm)

Material & technique lacquer on wood

Object number 2084

Acquisition 1998, on loan from the Ministry of the Flemish Community

Inventory number VG:BK 0618

Notes

Announcement of the death of Jef Geys with an image of his sculpture “De Schildwacht ”on the marketplace at Balen. rtv.be, 2013.

12..02.2020–

22

Artist Jef Geys

Title “Lila”

Year 1968

Dimensions H:174 cm (diameter 32 cm)

Material & technique laquer on wood

Collection Ministerie van de Vlaamse Gemeenschap

Object number 2084

Acquisition 1998, on loan from the Ministerie van de Vlaamse Gemeenschap

Inventory number VG:BK 0618

Note

Announcement of the death of Jef Geys with an image of his sculpture “De Schildwacht ”on the marketplace of Balen.

rtv.be, 2013

22 22

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23

Artist Katharina Fritsch Title Gehirn

Year 1987-1988 Dimensions 12 X 16 X 13 cm Materials & technique paint on plaster Collection S.M.A.K. Ghent Object number 3677 Acquisition 1999 Inventory number Notes Detail: schale 1/1 23