Audioslave Revelations

(1)

Intro

Moderately slow q = 87

Broken City

Lyrics by Chris Cornell

Music written and arranged by Audioslave

Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP) All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc.

from Audioslave - Revelations

 

Drop D tuning: (low to high) D-A-D-G-B-E

Gtr. 1 (slight dist.) P.M. throughout mp *_G5        =   3  3    

*Chord symbols reflect implied harmony.

  My 1.   cit Verse G5 y

- sleeps by the side of a free way,



- a cit - y of scraps in the

 Riff A



win - ter time. She wore a yel-low coat, now there’s noth-ing on her back. If a

 End Riff A         _{   }      _{  } 0 3 5 5 5 0 3 5 5 5 0 3           _{  }       5 5 5 0 3 5 5 5    _ _ _{  } _{  } _                     3 5 5 3 5 5 3 5 3 5 5    _{               }   _{ }            _{  }   3 5 5 3 5 5 3 5 3 5 5 0 0 3 5

(2)



build - ing falls, you would n’t- care to no - tice un - less you were in it. And



no one cares a-bout climb -ing stairs, noth -ing at the top no more.

   Out Chorus Gtr. 1 tacet D5 side - trip pin’- in C5 the bro D5 ken C5 - cit D5 y. -C5 D5  C5 D5 C5 D5 C5  Gtr. 3 (dist.)

*w/ phaser & DigiTech Whammy Pedal

Riff B1

f

End Riff B1

+6

*Set for one octave above.

+6 +6 +6 +6 +6 +6 +6  Gtr. 2 (dist.) Riff B w/ phaser f End Riff B                                 _ _  3 5 5 3 5 5 3 5 3 5 5 0 3    _ _{  } _{ }_ _ _  _{   }    _            _{    } 3 5 5 3 5 5 3 5 3 5 5 0 0 3 5   _{    } _ _{ }    _                                         5 X 7 5 X 7 5 7 3 X5 5 X 7 5 X 7 3 X5 3 X5 5 X 7 5 7 3 X5 5 X 7 3 X5 3 X 5                        5 X7 3 X5 5 X7 3 X5 5 X7 3 X5 5 X7 3 X5 5 X7 3 X5 5 X7 3 X 5

(3)



Out

Gtrs. 2 & 3: w/ Riffs B & B1 (3 times)

D5 side - trip - pin’ in C5 the bro D5 ken C5 - cit D5 y. -C5  D5 I watch C5 her bleed D5 and C5 crack. D5 C5  Out D5 side - trip - pin’ in C5 the bro D5 ken C5 - cit D5 y. -C5 D5  C5 D5 C5 Out D5 C5 - D5 side - kick -ing in C5 the bro D5 ken C5 - cit D5 y, -C5  D5 there’s noth C5 ing - wrong D5 with C5 that. D5 C5  Doo, Interlude *_Dm7/C

doo, doo, doo, doo, doo, doo, doo,

 Gtr. 3 Rhy. Fig. 1A

(

+6

)

+6 +6 +6

(

+6

)

+6 +6 +6  Gtr. 2 Rhy. Fig. 1       *Bass plays C.         _{     }   _{  } _{   }  _ _   _{    } _ _{ }          _ _{     } _{ }_ _{         }    _ _{   }   _ _{   }                     5 3 5 6 5 3 5 6 5 3 5 6 5 3 5 6 5 3 5 6 5 3 5 6 5 3 5 6 5 3 5 6 5 3 5 6 5 3 5 6     5 3 5 6 5 3 5 6

(4)



doo, doo, doo, doo, doo, doo, doo. 2.Now the



End Rhy. Fig. 1A

(

+6

)

+6 +6 +6

(

+6

)

+6 +6 +6   

 End Rhy. Fig. 1

       snow Verse Gtr. 1: w/ Riff A (2 times) Gtrs. 2 & 3 tacet G5

falls down like it’s fall-ing on an o - cean, dead and emp - ty by the

 Gtr. 4 (slight dist.) Riff C w/ wah-wah mp 

rail - road tracks where they used to go and come. Now they don’t come back. You can

 End Riff C    _ _{   }   _ _{    }    _  _    _  _  _  _  _  _ 5 3 5 6 5 3 5 6 5 3 5 6 5 3 5 6 5 3 5 6 5 3 5 6 5 3 5 6 5 3 5 6 5 3 5 6 5 3 5 6   _ 5 3 5 6 5 3 5 6      _{ } _{   } __ _ _ _ _{     }            3 5 5 3 5 5 3 5 3 5 5      _{  }                           _{    } 3 5 5 3 5 5 3 5 3 5 5 0 0 3 5

(5)



hear

Gtr. 4: w/ Riff C

the rust grow - ing up the through ways,



- down the al - leys where they



stole this town from the fron - tier. I can see him try’n’ to steal it back.



Out

Chorus

Gtrs. 2 & 3: w/ Riffs B & B1 (4 times)

D5 side - trip - pin’ in C5 the bro D5 ken C5 - cit D5 y. -C5 D5  C5 D5 C5 D5 C5  Voc. Fig. 1 

(Out - side trip - pin’ in the bro - ken cit - y.)

 Out D5 side - trip - pin’ in C5 the bro D5 ken C5 - cit D5 y. -C5  D5 I watch C5 her bleed D5 and C5 crack. D5 C5   

End Voc. Fig. 1



Out

Bkgd. Voc.: w/ Voc. Fig. 1

D5 side - kick - ing in C5 the bro D5 ken C5 - cit D5 y. -C5  D5 C5 D5 C5 D5 Out C5 - D5 side - trip pin’- in C5 the bro D5 ken C5 - cit D5 y, -C5 D5 there’s noth C5 ing - wrong D5 with C5 that. D5 C5 Interlude Doo,

Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A

Dm7/C

doo, doo, doo,



doo, doo, doo, doo, doo, doo, doo, doo, doo, doo, doo.

 Doo,    _{        } _ _{     }     _{  }               _{     } _{ }    _   _ _ _ _            _{     }   _{         }         _ _ _ _ _   _ _ _          _{           }     _{   }     _{   }    _{   }    _{   }

(6)



doo,

Guitar Solo

G7



Gtr. 5 (dist.)

*w/ octaver

f

 

*Set for 2 octaves below.

1/4 1/4

1 1/2



Gtr. 6 (slight dist.)

Rhy. Fig. 2 End Rhy. Fig. 2



Gtr. 1

Riff D End Riff D



doo,

Gtr. 1: w/ Riff D Gtr. 6: w/ Rhy. Fig. 2

doo, doo, doo, doo, doo, doo.

 Now 3. the  Gtr. 5   1/4 1/4 1 1/2 1 1/2                  _   _ _ _               15 17 15 15 17 15 17 15 15 17 15 17 15 15 17   _{                              } 108 108 108 108 108 108 108 108 108 108 XX XX 108 108 108 108 108 108 108 108 108 108 XX XX              _{  }   3 5 5 3 5 5 3 5 5 5 5 0 0 3 5                                    _ _{      } _ 15 15 17 15 15 17 15 17 15 17 15 17 15 15 15 17 15 17 15 15 17 15

(7)



sun

Verse

Gtr. 1: w/ Riff D (4 times) Gtr. 6: w/ Rhy. Fig. 2 (4 times)

G7

won’t shine on this part of the map

Gtr. 5 tacet

an - y - more. When it’s

 steady gliss.





cold out - side I see it hide be -hind the smoke - stacks, noth -ing grows. There’s no



gold rush, 

no min - er, no rev - o - lu - tion be - hind her and the



ship - yard is a grave - yard. No one will be try’n’ to find her.



Out

Chorus

Bkgd. Voc.: w/ Voc. Fig. 1 (2 times) Gtrs. 2 & 3: w/ Riffs B & B1 (4 times)

D5 side - trip - pin’ in C5 the bro D5 ken C5 - cit D5 y. -C5 D5  C5 D5 C5 D5 C5  Out D5 side - kick -ing in C5 the bro D5 ken C5 - cit D5 y. -C5  D5 I watch C5 her bleed D5 and C5 crack. D5 C5  Out D5 side - trip - pin’ in C5 the bro D5 ken C5 - cit D5 y. -C5 D5  C5 D5 C5 Out D5 C5 -     _{          } _{      }  _ _ 17 8                         _ _    _ _                    _                 _  _     _ _  _ _{       } _{         }     _ _ _ _ _    _ 

(8)



D5

- side kick - ing in

C5 the bro D5 ken C5 - cit D5 y, -C5 D5 there’s noth C5 ing - wrong D5 with C5 that. D5 C5  Interlude G7 

There’s noth - ing wrong with that.





(Doo, Voc. Fig. 2

 Gtr. 7 (dist.) Gtr. 8 (dist.) divisi *pp *Vol. swell 

Out - side trip - pin’ in the bro - ken cit - y.



doo, doo, doo,



doo, doo, doo, doo,

 End Voc. Fig. 2

doo.)



f



Outro

Bkgd. Voc.: w/ Voc. Fig. 2 (till fade) Gtr. 6: w/ Rhy. Fig. 2 (till fade) Gtrs. 7 & 8 tacet G7  3  Gtr. 1

Riff E End Riff E

 _ _{       }                       _ _              108                  _ _            108  _{  } _{    }                 3 5 5 3 5 5 3 5 3 5 5 3 5 5 3 5

(9)

Begin fade

Fade out



Gtr. 1: w/ Riff E (till fade)

Hey, out - side trip - pin’ in the bro - ken cit - y.

 

Out

-

Gtr. 4

Riff F End Riff F



Gtr. 4: w/ Riff F (till fade)

- side trip - pin’ in the bro - ken cit - y. Out

-

- side, out - side, out - side, out - side.

3



Gtr. 5

1/2 1



Out - side, out - side, out - side.

                                              3 5 5 3 5 5 3 5 3 5 5 3 5 5 3 5    _{    } _ _{ }_          _ _{  } _{               }                      15 17 15 17 17 17 17 17 15 17 15 17 15 17  _ _{              }   _ _ 17

(10)

Jewel of the Summertime

All Rights for Disappearing One Controlled and Administered by EMI April Music Inc. from Audioslave - Revelations

  

Intro (Drums)  * Gtr. 1 (dist.) w/ phaser Riff A D5 f E5 Fsus2 D5 E5 Fsus2 End Riff A 

 Gtr. 1: w/Riff A D5  E5 Fsus2 D5 E5 Fsus2 When 1.  I I Verse Gtr. 1: w/ Riff A (4 times) D5 was turned eight twen ty -een, one, E5 - I did I Fsus2 n’t -saw know the pain sun when pull the ing -sun out D5 was of high. sight. E5 Fsus2  D5 All Burnt that I face, met  E5 were shad dark Fsus2 ows -sil e hou -rased, ettes -and I knew stumb D5 I’d ling - in be all the E5 night. right. Fsus2 Left Then that we be col 3 -                      0 XX X X X X 2 3 3 0 3 0 3 0 3 0 3 0 3 0 0 XX X X X X 2 3 3 0 3 0 3 0 3 0 3 0 3 0                   _{  } _                    

(11)



hind lid

2nd time, Gtr. 2: w/ Rhy. Fill 1 (4 times)

D5 me, ed  -(Uh, (Uh, E5 huh. huh.  Fsus2 some and thing I - blind fin D5 ed al -me. ly -Uh, Uh, E5 huh. huh.  Fsus2 You’re got re a - mind light D5 ing on - me me.  Uh, Uh, E5 huh.) huh.)  Fsus2 of Now a I’m bet bath D5 ter ing -- in space in the E5 time, bright Fsus2  ul - tra - miles vi Asus2 o -a let -way. -rays.  F5



A jew Chorus D5 el

- of the sum-mer - time,

 Gtr. 3 (dist.)  Riff C mf 1  *Gtrs. 1 & 2 (dist.) f  **w/ wah-wah phaser off Riff B

*Composite arrangement **Gtr. 2 only

1/4  Gtr. 2 Rhy. Fill 1                _       _ _   _{ }          _ _   _{ } _{ } _{  }_ _{  }     _{   }  _         _{  } _         12 12 10 12 10           _          0 2 2 0 0 3 3 X X 0 12 0 12 XX 12 XX XX 12 12        0 0 X X X X X X 2 2 3 3

(12)

1.



jew

Dm7

el

- of the sum-mer - time, jew -el of the sum

Gtr. 3 tacet Dm6 mer - - time.  End Riff C  1   D5 F5 G5 A jew Gtr. 3: w/ Riff C D5 el

- of the sum-mer - time, a

3



Gtrs. 1 & 2 End Riff B



jew

Dm7

el

- of the sum-mer - time, jew - el of the sum

Asus2 mer - time. -F5  wah-wah off        _{   }      _              12 12 10 12 10       _  _{ }   _{ }           X X X X 0 10 0 10 XX 10 XX XX 10 10 XX XX 0 9 0 9 XX 9 XX XX 9 9  _{    } _                    _             X X X X 0 7 0 33 3 5 5 5 XX 0 12 0 12 XX 12 XX XX 12 12                              _  _{ }   _ _ X X X X 0 10 0 10 XX 10 XX XX 10 0 02 2 0 3

(13)

 2.  Interlude Gtr. 1: w/ Riff A (2 times) Gtr. 2 tacet D5 E5 Fsus2 D5  E5 Fsus2 D5  E5 Fsus2 D5 E5 Fsus2 When 2.  sum Asus2 mer - time, -G5 time, F5 time, Eb5  Gtrs. 1 & 2   Guitar Solo A5 B5 C5 Gtrs. 1 & 2 tacet A5  B5 C5  *Gtr. 4 (dist.) **w/ 2 harmonizers f

*Two gtrs. arr. for one.

**One set for a minor 7th below & one set for a major 7th below.

 Gtrs. 1 & 2 pp   Gtr. 4 A5 B5 C5  _{  } _ _ _                                        _   0 2 2 0 0 5 5 5 5 5 5 3 3 3 3 3 3 1 1 1 1 1 1 1 1 1  _ _                 8 9 10 10 11 12 13 14 14 15 16 16 19 20 20 20    _ __ 7 7 7 7 7 7      _{    }       _{ }_    12 16 14 16 12 10 10 12 10 12 9 14 10 15 12 13 12 13 9

(14)

 A5 B5 C5 D5 steady gliss. E5 F5 **  8v a 3 3 3

*Trem. pick in 32nd note pattern while sliding. *

**Note fretted on pickup, causing muted sound.

 steady gliss. D5 E5 F5 **  steady gliss. D5 E5 F5 8v a **As before  D5 E5 F5 I

3. left that be hind

Gtr. 1: w/ Riff A (2 times) Gtr. 2: w/ Rhy. Fill 1 (4 times) Gtr. 4 tacet Verse D5 - me,  (Uh, E5 huh.  Fsus2

some thing- blind

D5 ed - me. Uh, E5 huh.  Fsus2 You’re re 3 - 8v a    mind D5 ing - me  Uh, E5 huh.)  Fsus2 of a bet D5 ter - space in E5 time, Fsus2  miles Asus2 a - way.  F5 Jew Chorus Gtr. 2 tacet D5 el

- of the sum-mer - time,

  Gtrs. 1 & 2 f  Gtr. 1 phaser off 1/4 1   _{      }              12 14 12 15 15 16 19 20 22 19 15 14 12 7 15 22 X X X 22        _ _     _ _ _ _ _  5  22  X  X  X X  5  21  17  19  17  X  14  17  11  15  11       _  _   _   _     _   _      _   15  21  17  12 9          _ _   _{   } _{  } _{ }_ _{ }        _{  } _{ } _        _ _            _{   }   _  _{ }   0 2 2 0 0 12 3 3 12 10 12 10 0 12 XX 12 XX XX 12 10

(15)

Begin fade Fade out



jew

Dm7

el

- of the sum mer- - time, a jew el- of the sum

Dm6 mer - - time. D5 F5 G5 A  1  jew

Gtrs. 1 & 2: w/ Riff B (3 times) Gtr. 3: w/ Riff C

D5

el

- of the sum mer- -time, jew

Dm7

el

- of the sum -mer-time, a jew el- of the sum

Dm6 mer - - time. 3  D5 F5 G5 A jew Gtr. 3: w/ Riff C D5 el

- of the sum mer- -time, jew

Dm7

el

- of the sum mer- -time, jew el- of the

3  sum Dm6 mer - - time. D5 F5 G5 Jew Gtr. 3: w/ Riff C D5 el

- of the sum mer- - time,



jew

Dm7

el

- of the sum mer- - time, 

jew-el of the sum

Dm6 mer - - time. D5  F5 G5  Outro

Gtrs. 1 & 2: w/ Riff B (till fade)

D5  Dm7  Dm6  D5  F5 G5 D5  Dm7  Dm6                     _ _                 _{ }  _{ }   _{ }                _{ } 12 12 10 12 10 0 10 XX XX 10 XX XX 10 10 XX XX 0 9 0 9 XX 9 XX XX 9 9 XX XX 0 7 0 33 3 5 5 5                                 _                                                                                      

(16)

Moth

All Rights for Disappearing One Controlled and Administered by EMI April Music Inc.

Fade In

 

 



Gtr. 1 (slight dist.)

Intro

***w/ delay and flanger ** * w/ fingers D5 Bbmaj7 sim. D/F# G5 F5 Bb D/F# G5 

*** Delay set for eighth-note regeneration w/ 3 repeats. **Chord symbols reflect overall harmony.

*First meas. located at 3:30 of track 11 on the CD.

 delay off D5 †Gtr. 2 (dist.) Gtr. 1 tacet Riff A Dm f Bb/D †Doubled throughout  Dm[add4] Dm  Bb/D Dm7 Dm End Riff A                         5 7 5 7 5 7 5 5 3 3 5 3 5 7 5 5                         X 2 0 3 5 7 2 0 3 5 7 3 0 3 5 7 3 0 3 5 7                               0 0 3 5 3 0 0 3 5 3 2 0 3 5 7 2 0 3 5 7 2 0 3 5 7 2 0 3 5 7                           3 0 3 5 7 3 0 3 5 7 5 0 3 5 7 5 0 3 5 7 7 0 3 5 7 7

(17)

        Verse 1. 2nd time, Gtr. 2 tacet Bb 2. Thought I I loved was the dif heat, D/F# fer I - - ent, loved it the seems things G5 I’m that I just for the same. got. -F5  Gtr. 2 pp  Gtr. 3 (clean) *w/ delay mf

*Set for eighth-note regeneration w/ 1 repeat.

 Gtr. 2 tacet Bb I As loved a the gain strings -D/F# I that put tied my me hand down G5 o and cut ver - the me flame. off. D5  Gtr. 3  Bb I thought I I was was a smart king, D/F# er I - as was a I moth flew G5 in to with -paint the ed -sun, wings F5 made of cloth.   _ _{ }         _ _         _ _ 7         5 3 3 5 7 5 5 3 3 5  _ _{ }      _ _ _{ } __{ } _         5 3 3 5 7 5 5 5 7               _{ }            _  5 3 3 5 7 5 5 3 3 5

(18)

  Bb but it When did turned the out flame D/F# the way burn so it does high Gtr. 3 tacet G5 with and ev get A5 ’ry so - one. D5 -hot? 



 *Gtr. 4 (dist.) f *Doubled throughout  Oh, G5 A5 D5 oh.  Gtr. 2    Gtr. 4   1st time, Gtr. 2: w/ Riff A Gtr. 4 tacet

2nd & 3rd times, Gtr. 2: w/ Riff A (1st 6 meas.) 3rd time, Gtr. 1 tacet

Chorus

**

**3rd time, voc. tacet on beat 1.

Dm

I don’t fly a -round your fire

Bb/D

an -y - more,

 Dm[add4]

I don’t fly a - round your



fire

Dm

an -y - more. Burned and fall - en down so man

Bb/D y - times be - fore.    _{ }      _{     } _{  }_ _ _     _ _{ }     5 3 3 5 7 5 7 0 0                      _ 17     _{   }                     3 0 0 3 0 0 3 5 0 5 0 5 7 0 0 3 0 0 3 3 0 0 5                                     _{ }              _

(19)

1.        2. C o T oda  Dm7

I don’t fly a - round your fire

Dm an - y - more.  Interlude Bb D/F# G5 F5 Gtr. 2 tacet Bb  D/F# G5  D5  Gtr. 2 pp    Gtr. 3  Dm7

I don’t fly a -round, fly

F5 a D5 round, -C5 D5  C5  A5 G5 F5 D5  Gtr. 2

Rhy. Fig. 1 End Rhy. Fig. 1

            _{  }     _{ } _ _ _   _ _ 7                 5 3 3 5 7 5 5 3 3 5 5 3 3 5 7 5 5 7 5 7                                          _ 5 0 3 5 7 5 0 3 5 7 1515 1212 0 1010 1212 00 0 1010 77 0 55 33 0

(20)

 fly Gtr. 2: w/ Rhy. Fig. 1 F5 a D5 round. -C5 D5 C5 A5 G5 F5 D5  Gtr. 7 (dist.) Guitar Solo Riff B2 Bb mp D/F# Gm D/A Bb D/F# Gm D End Riff B2  Gtr. 5 (dist.) divisi Gtr. 6 (dist.) Riff B1 mp Riff B mp    End Riff B1 End Riff B   Gtr. 1 *w/ delay Rhy. Fig. 2 sim.

End Rhy. Fig. 2

*Set for eighth-note regeneration w/ 3 repeats.



Oo.

Gtr. 1: w/ Rhy. Fig. 2

Gtrs. 5, 6 & 7: w/ Riffs B, B1 & B2

Bb  D/F# Gm  D/A  (Oo.) Bb D/F#  Gm D       _      __  _{ } _{ }  __         8 7 10 13 11 10 10 8 7 10 13 11 11 15 15 15         107 7 7 12 11 11 10 107 7 7 12 11 11 10          _               5 3 5 7 5 5 3 3 5 3 5 7 5 5 5 7  _    _ _      _ 

(21)

D.S. al Coda (take 2nd ending) 

Bridge

Gtr. 1: w/ Rhy. Fig. 2 (1 1/2 times)

Bb

I don’t fly

D/F#

a -round your fire

Gm an -y - more. F5 Bb I don’t fly D/F# a - round your  Gtr. 7 pp  Gtr. 5 divisi Gtr. 6   pp  fire Gtrs. 5, 6 & 7 tacet G5 an -y D5 more. -Bb

Burned and fall

D/F# en - down so man G5 y - times be fore. F5 - Bb I won’t fly D/F# a - round, fly G5 a - round. D5  Gtr. 1 delay off            _{   } _{  } _{        }  __  _{ }    _ 8 7 10 13 11 10 10 8      _ 107 7 7 12 11 11 10 107      _{  }_                                             5 3 5 7 5 5 X

(22)

Coda Begin Fade Fade out  Gtr. 2: w/ Rhy. Fig. 1 F5 D5 Oh. C5 D5 C5 A5  G5 F5 D5  Outro

Gtr. 2: w/ Rhy. Fig. 1 (till fade)

F5 D5 Fly C5 a D5 round, -C5 A5 G5 F5 D5  F5 D5 oh. C5 D5 C5 A5 G5  F5 D5  F5  D5 C5 D5 C5  A5 G5 F5 D5  F5  D5 C5 D5 C5  A5 G5 F5 D5  Oh. F5 D5 C5 D5 C5 A5 G5 F5  D5                                           _   

(23)

  

Intro

Nothing Left to Say but Goodbye

      Drop D tuning: (low to high) D-A-D-G-B-E

Gtr. 1 (slight dist.) *

w/ tremolo

let ring throughout

D7

mf

Bb7 G7





Verse

2nd time, Gtrs. 4 & 5 tacet

D7 Just 1. like Bless 2. a your res *** heart, D7/C cue you - of gave a stray me a home Bb7 dog and in a the rain, new G7 I start was  and 

**Gtrs. 1 & 2 (slight dist.)

Riff A

End Riff A

**Gtr. 2: w/ phaser, played mp. ***Bass plays C.



hun I

Gtrs. 1 & 2: w/ Riff A (3 times)

D7 gry will - when leave D7/C you you found nev Bb7 me. er. -G7                    4 5 3 5 7 5 7 5 3 1 3 1 7 7 6 7 8 7                  _ _                    4 5 3 5 7 5 7 5 3 1 3 1 7 7 6 7 8 7           

(24)

C o T oda  D7 And Sleep you at could your tell feet D7/C by and my stand tail guard Bb7 and at my your rib front door, G7 cage  Gtr. 3 (12-str. elec.) Riff B w/ slight dist.

mf End Riff B  what I Gtr. 3: w/ Riff B D7 was will once keep *D7/F a this to round geth -Bb7 er. me. -G7 Chorus Bb5 I been chased by a  Gtr. 4 (slight dist.)  f

**Gtrs. 4 & 5 (slight dist.)

Rhy. Figs. 1 & 1A

*Bass plays F. **Gtr. 5 played f. Composite arrangement



rain

F5

cloud.

A7 Bb6['#4]

I was lost and near -ly drowned

Dm

and kicked a - round,

              _   _                    4 5 3 5 7 5 7 5 3 1 3 1 7 6 7 7 8 7                        __{ } _ _{ } _{ } _{ } _ X X X X X X 12 1 3 3 1 3 1 3 3 1 3 1 3 3 1 3 1 3 3 1 3   _{ } _          _{ }  _{ }                        _           3 3 3 33 00 0 2 0 2 0 0 2 0 0 2 0 2 0 0 0 13 0 3 0 1 3 0 1 3 0 3 0 1 3 0 1 3 0 3 0 1 3 0 1 3 0 3 0 0 0 0 0 2 3 1 0 2 3 1 0 2 3 0 2 3 0 2 3 0 2 3 1 0 2 0 2 0 0 0 0

(25)

D.S. al Coda

Coda



G13

but now I’m found

Db Dbsus4

and I won’t run a -way.

F5 E5 F5 A5

 Gtr. 4

Gtr. 5

divisi

End Rhy. Fig. 1A End Rhy. Fig. 1



Chorus

Gtrs. 4 & 5: w/ Rhy. Figs. 1 & 1A

Bb5

I been chased by a rain

F5 cloud.  A7  Bb6['#4] I was 

lost and near - ly drowned

Dm



G13

but now I’m found

Db

 

Dbsus4

and I won’t run a -way.

F5 E5 F5  A5  I Bridge G

killed my - self, threw a -way my men-tal health, but no

Dm bod - y Dsus2 - was blink Dm ing - an eye. *F5/C  Gtr. 4 *Bass plays C.                                                       3 0 0 3 0 3 0 0 0 3 0 3 0 0 3 0 3 0 0 0 0 0 46 6 6 4 6 4 6 6 7 4 6 4 6 6 7 4 6 4 6 6 7 0 0 0 0 3 3 2 3 7 3 3 2 3 7 7 7                                                           _{                } _                       5 5 5 4 5 55 5 4 5 55 5 4 5 55 5 4 X X X X X X 02 3 1 0 2 3 0 0 2 3 1 0 0 0 3 3 3 3 3 3 3 5 3 3 3 5

(26)

       Back G5 yard,

- base - ment, fall-ing on the pave

 ment. - Noth  Bb5 ing

- left to say but good bye.

Dm -3   Noth *F6/A ing

- left to say but good bye.

A7 - 3  *Bass plays A.  Verse Gtr. 4 tacet D7 It’s

3. true I ran a - way be fore,

Bb7 - but be sure G7  Gtr. 1 tremolo off Riff C P.M.  End Riff C  I Gtr. 1: w/ Riff C (3 times) D7 am no tail chas Bb7 er. -G7 Gtr. 3: w/ Riff B (2 times) D7 I know a good **

**Bass plays note to right of slash, next 4 meas.



D7/F

thing when it throws

    _{     } _{         }        _{  }         5 5 5 5 5 5 5 5 5 5 5 55 00 00 1 3 3 1 3 1 3 3 0 0 0 0 02 3 1 0 2 0 2 3 1 0 0 0        _    _       _{ } _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 3 2 3 3 2 3 3 2 3 0 0 0 0 0 2 0 2 0 2 0 0 2 0 2 0 0 2 0 2 0 2 0 2 0 2 0 0 2 0 2 0 0 2 0 0 14 140 140 140 0 0 14 0 0 14 0 0 14 0 0 14 0 14 0 0 14 0 0 14 0 0 14 0 0 14 0 0 14 0 0 14 0 14 140 140 140  _              _                    4 5 3 5 7 5 7 5 3 1 3 1 7 6 7 8 7                        

(27)

  

Play 3 times & fade

    Bb7/G me a bone. G7/Bb I’m your D7 best friend D7/F for - ev Bb7/G er. -G7  Gtr. 4    Chorus

Gtrs. 4 & 5: w/ Rhy. Figs. 1 & 1A

Bb5

I been chased by a rain

F5 cloud.  A7 Bb6['#4] I was 

lost and near - ly



drowned

Dm



G13

but now I’m found

Db

 

Dbsus4

and I won’t run a - way.

 F5 E5 F5  A5 Outro *Dm  Gm  A  Bb6  Gtr. 6 (dist.) f **Gtrs. 6 & 7 (dist.) w/ phaser

**Gtr. 7 played *Chord symbols reflect basic harmony.f.

 B5 Bb5 Dm Gm A Bb6 B5 Bb5                         15            _ _{  }        _{   }          _         _         _       _                19 0 2 3 1 0 5 0 1 6 5 4 2 0 7 5                                 4 4 4 4 3 3 3 3 0 2 3 1 0 5 0 1 6 5 4 2 0 7 5 4 4 4 4 3 3 3 3

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Intro

Moderately q = 112

One and the Same

All Rights for Disappearing One Controlled and Administered by EMI April Music Inc. from Audioslave - Revelations

   Play 3 times      Gtr. 1 (dist.) * Riff A w/ wah-wah B5 mf 

 End Riff A  **Gtr. 2 (dist.) Gtr. 1 tacet Riff B Bm7  End Riff B **Doubled throughout   Gtr. 2: w/ Riff B  Well, 1. they don’t                          9 9 9 9 9 9 9 XX X X X X 9 9 9 9 9 9 9 9 9 9 XX X X X X 9 9 9 9                         9 9 9 9 9 9 XX X X X X 9 9 9 9 9 9 9 9 9 9 XX X X X X 9 9 9 9                       7 77 9 7 9 7 9 9 7 9 7 9 7 9 7 5 7 5 7 5     

(29)

 1 To Coda   hate mask * Verse B5 you, A5 B5 you know with they a A5 love tar B5 you, get. -A5 B5 but Keep they’re your A5  Gtr. 2 Rhy. Fig. 1

*Key signature denotes B Mixolydian.

 gon en B5 na -e -come mies A5 -kill clos B5 er. -you. B7 They You fall don’t in 

End Rhy. Fig. 1



mean love

Gtr. 2: w/ Rhy. Fig. 1 (2 times)

B5 A5 B5 you an from y -a A5 harm, great B5 height. A5 B5 Now it’s the A5  just eas B5 y -what part’s A5 they o B5 do. ver. -B7 Could be Choose your your moth bat B5 er, tles, -A5 B5 could be not your your A5  fa sol B5 ther diers. -A5 B5 You’re or nev your er A5 -best sure B5 of friend their A5 in col B5 the ors. -world. B7 



But just like

     _ _  _  _{    }      _{   }_       _{   }_      7 9 X X X X 5 7 7 9 X X 7 9 X X X X 5 7 7 9 X X X X 5 7 7 9 X X 7 9 X X X X 5 7    _ _ _ _ _ _       _{   }_                  7 9 X X X X 5 7 7 9 X X 7 9 X X X X X X X X 7 9 7 7 7 9 7 7 7 9 7 7 _ _{  }                 _ _{  }_ _{ }_ _ _ _                 _ _{ }   _{ }       

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D.S. al Coda 1  1 Coda  2 To Coda   blood Chorus *

*Chord symbols implied by bass, next 8 meas. Gtr. 1: w/ Riff A (2 times) B5 in rain, D5 love F#5 and pain E5 are one D5 and the F#5 same.  (One D5

and the same.)

B5 E5

Just like blood

B5 in rain, D5 love F#5 and pain E5 are  one D5 in the F#5 same. (One D5 in the same.) Yeah, B5 E5 yeah, yeah. Interlude Bm7 Gtr. 2: w/ Riff B (2 times)    You 2. wear a   blood **

**Chord symbols implied by bass, next 8 meas. Gtr. 1: w/ Riff A (2 times) B5 Chorus in rain, D5 love F#5 and pain E5 are  one D5 and the F#5 same. D5 B5 E5

Just like blood

B5 in rain, D5 love   (One Voc. Fill 1

and the same.)

End Voc. Fill 1

  F#5 and pain E5 are one D5 and the  F#5 same.  

Bkgd. Voc.: w/ Voc. Fill 1

D5 Hey,  hey, B5 E5 hey,                                 _{ }_ _{    }              _{ }     _     _    _    _                               _ _             _    _ _{  }                         

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 hey! Guitar Solo *B5 D5  B5 D5 F#5  E5 D5 E5  Gtr. 3 (dist.) f 6 6 6 ₃ 6 3 6 ₃

*Chord symbols implied by bass, next 8 meas.

 D5 F#5 D5 B5  A5 6 6 6 6   B5 D5 B5 D5 F#5 E5 D5 E5 let ring  w/ ring modulator   Gtr. 3 D5 F#5 D5 B5 E5 1 1/2 1 1/2 1 1  Gtr. 4 (dist.) **w/ octaver f

**Set for two octaves below.

1 1/2 1 1/2 1 1                                         7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 9 9 9 XX XX 7 7 7 7 7 7 7 7 7 7 7 7 7 7 9 9 9 9                                      7 7 7 7 6 5 10 10 10 9 7 5 10 10 10 10 10 5 12 12 12 12 5 5 9 10 9 10 12 12 10 12 10 12 10                         14 10 10 10 0 10 0 9 0 12 10 0 0 10 0 10 0 10 0 9 0 12 10 0 0              _{   }          12 12 10 12 10 12 10 12 10 12 12 10 12 10 12 10 12 12 12 14 12 10 10                        12 12 10 12 10 12 10 12 12 10 12 12 10 12 10 12 12 10 12 12

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 Gtr. 3 Gtr. 4 tacet Bm7 6 6 6 6 6 6 6 6  6 6 6 6 6 6 6 6  8v a 6 6 6 6 6 6 6 3   Just like  8v a w/ ring modulator  1/2 1 1/2 1 1/2 1 1/2  blood Chorus B5 in rain, µ love Gtr. 3 tacet

and pain are

 steady gliss. 8v a                                                  14 12 10 14 12 10 14 12 10 14 12 10 14 12 10 14 12 1014 12 10 14 12 10 14 12 1014 12 10 14 12 1014 12 10 14 12 10 14 12 1014 12 10 14 12 10                                                 15 14 12 15 14 12 15 14 12 15 14 12 15 14 12 15 14 1215 14 12 15 14 12 15 14 1215 14 12 15 14 1215 14 12 15 14 12 15 14 1215 14 12 15 14 12                                              17 15 14 17 15 14 17 15 14 17 15 14 17 15 14 17 15 14 17 15 14 17 15 14 17 15 14 17 15 14 17 15 14 17 15 14 17 15 14 17 15 14 17 17 14                                 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22 22    _ _ _{ } _        _     12 24 19

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D.S.S. al Coda 2  2 Coda 1.  2. 

one and the same. Just like blood

Gtr. 1 tacet in rain, love  Gtr. 1   

and pain are one in the



same.  

(One in the same.)

Just  like a  Hey! Outro Gtr. 2: w/ Riff B (3 times) Bm7  Hey,  hey,  hey!  Hey!  Hey,  hey,  hey!   Hey!    Gtr. 2            _ __{ } _{ } _{   } _   _{  } X X X X X X                                                                               7 77 9 7 9 7 9 9 7 9 7 9 7 9 7 5 7 5 0 0 0 0 X 7 7 7 7 7 7