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Text. Basic typography. Keep your eyes open! Typography Defined. Identify these logos Legibility. Playful l interaction

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Basic typography

Sonnoli

Text

• Legibility

– Most of the time test is there to read – Size, font, colour contrast against background Pl f l i t ti

• Playful interaction

– text as image, illustration, inspiration, decoration 

Keep your  e y e s open!

• Text is important on the web

• Start noticing typography. 

• Look at logos on everyday household items,  bus signs, cereal boxes . . . everywhere,  especially in ads. 

• Look at use of type in print and on the Web.

Identify these logos Typography Defined

“The art of using the shape of text characters  and their arrangements as a graphic art form.”

“ h i f i ll i d ”

“The practice of visually representing words.”

Typography can offer solutions where some 

graphics cannot.

(2)

Terms to know

• Typeface (teckensnitt, typsnitt): A style of  lettering, such as Helvetica, Futura, Comic Sans, Bodoni, Times, Papyrus, Apple Chancery, Sand, Lucida Handwriting

• Type family (teckensnittsfamilj,  typsnittsfamilj, puh): A group of similar  typefaces, such as Franklin Gothic, Franklin  Gothic Bold, Franklin Gothic Condensed

• Font: A complete set of characters (A‐Z, plus  numbers, symbols) of one specific size, style  and weight of a typeface

Familjer

Typsnitt kan delas upp i sju huvudgrupper:

• Antikvor, till exempel Baskerville, Garamond och  Times

M di l T tik N tik

– Mediaval, Transantikva, Nyantikva

• Mekaner till exempel Rockwell och Courir

•Grotesker till exempel Arial, Futura,Helvetica och  Gill Sans

•Skripter (skrivstilar)

Anatomy of typeface Letter characteristics

Bracketed serif Hairline

(thinnest stroke)

Xheight and proportion Cupped serif

(2 points touch)

Slab serif Terminal

i

Titter

Bokstaven HtiQfoe ‐ Palatino

HtiQfoe – Times new

HtiQfoe - Bodoni

(3)

AAAA t t t t o o o o

HHHH s s s s x x x x g g g g

e e e e

Palatino, Times new roman, Bodoni, Arial (all in size 72)

m m m m p p p p

Garamond

• Oldstyle (1400+ ) Antikva / Mediaeval / Medievalantikva / Humanistantikva, Diagonalantikva / Renässansantikva.

•Transitional (or Modern?) (1775, Times new roman 1932)

• Subtle thick and thin organic contrast in weight of stem and hairline.

• Finely bracketed serifs, sharper and more defined than in oldstyle.

Times new roman

Confusion - Times (Windows ©)

• Xheight larger than oldstyle

• The thinnest parts of letters are at an angle rather than at the top and bottom (compared to oldstyle)

Palatino

• Oldstyle / Antikva / Transantikva / Real (Garamond, Times…)

• Subtle thick and thin organic contrast in weight of stem and hairline.

• Finely bracketed serifs Finely bracketed serifs.

• Capitals lower than lowercase ascenders.

• Diagonal stress (the thinnest parts of letters are at an angle rather than at the top and bottom)

Bodoni

• Modern /Nyantikva (1813, Didon)

• Extreme contrast in weight of stem and hairline.

• No bracket on serifs No bracket on serifs

• Horisontal stress

• Axis completely upright

Arial

•Sans-serif / Grotesk / Linjär

•No serifs, little stress because weights of stem and hairline optically appear even.

• Large body height in proportion to capital height.

• Often squared-off terminal.

(4)

Comparison of some sans serif fonts

Arial bold and Arial Black

Arial and Impact p

Arial and Trebuchet Arial and Comic Sans

Courier

• Slab serif (Egyptian) / Mekan / Egyptienne

• Sans serif + slabs (horisontal serifs with same weight as stem)

• Wide body Wide body

Spacing

• The three types of spacing to control – Letter spacing 

• The space between letters – Word spacing Word spacing

• The space between words – Line spacing (leading)

• The distance between lines of type

Times New Roman, 10 point, with 1pt  leading and with 3pt leading

Horizontal Spacing

• Proportional Spacing: each character is  allotted width proportional to it’s natural  geometry

geometry – Most fonts

• Monospacing: each character is allotted 

Courier New and Times New Roman

Courier New is a monospaced font: the comma gets 

(5)

A bit of C++ code in Courier  In Times New Roman the same thing  seems strange—to a programmer

Guidelines: Body Type on the Web

• Use Georgia or Verdana

• Use 10 point or 12 point type

• Avoid bold or italic in body type, except for a few 

d f h i

words for emphasis

• Use upper case only for the first word of sentences,  proper names, etc.

• Use left alignment

• Use dark text on a light background

• Never use underlining for emphasis 

Times New Roman & its screen‐friendly  cousin Georgia—in same font size

Microsoft commissioned the design of Georgia to be a  screen‐friendly font similar to Times New Roman. 

Times Roman letters have oblique  stress; Georgia has vertical stress

The pixel view: how Georgia gets 

vertical stress (the letters are bigger)

(6)

Times New Roman and Georgia Arial and its screen‐friendly cousin  Verdana—in same font size

What are the discernible differences?

(open/closed, descenders, distances between and within)

Guess that Font

• wascily wabbit

il bbit

• Comic sans

C i

• Serif

• wascily wabbit

• wascily wabbit

• wascily wabbit

• Courier

• Arial

• Times

• Sans Serif

• Decorative

Guess that Font

• wascily wabbit

• wascily wabbit

wascily wabbit

• Serif – Old Style – Modern

T i i l

y

• wascily wabbit

• wascily wabbit

• wascily wabbit

• wascily wabbit

• wascily wabbit

– Transitional – Slab Serif – Script

• Sans Serif

• Decorative

Choosing Fonts

• The Cardinal Rule:

– Don’t mix two fonts of the  same type (two serif fonts same type—(two serif fonts  together, or two sans‐serif  fonts together) 

Choosing Fonts

• The Cardinal Rule:

–Don’t mix two fonts of the same type

same type

–Doing so almost

guarantees conflict.

(7)

Headings on the Web

• Big is beautiful 

• Use any typeface that is legible

• Use the HTML line‐height attribute for control of  g line spacing 

• Use HTML letter spacing and word spacing to get  effects you want 

Choosing Fonts (a matter of taste)

Generally serif fonts are more decorative

San-serif or mild old style fonts work better for large blocks of text. San-serif or mild old style fonts work better for large blocks of text. San-serif or mild old style fonts work better for large blocks of text. San-serif or mild old style fonts work better for large blocks of text.

San-serif or mild old style fonts work better for large blocks of text. San-serif or mild old style fonts work better for large blocks of text

Mixing them can create strong visual  contrast (contrast is good)

The Principles of Design Applied to  Type: creating Unity 

– Choose typefaces that complement each other.

– Use contrasting styles, faces, and weights, rather  than using similar faces.

– Typefaces with pronounced or exaggerated design 

h t i ti ld i ll

characteristics seldom mix well.

– Avoid mixing two or more sans serif typefaces in a  design.

– Establish harmonious size relationships.

– Determine how the size and choice of typefaces  will work with the visuals.

– Establish correspondence and alignment.

The perfect paragraph?

Before considering the question that is seemingly always the most immediate one and the only urgent one, What shall we do? we ponder this: How must we think? For thinking is genuine activity, genuine taking a hand, if to take a hand means to lend a hand to. The coming to presence of Being.” We do not say: Being is, time is, but rather: there is Being and there is time. Why are there beings at all, instead of Nothing?

Before considering the question that is seemingly always the

Before considering the question that is seemingly always the most immediate one and the only urgent one, What shall we do? we ponder this: How must we think? For thinking is genuine activity, genuine taking a hand, if to take a hand means to lend a hand to. The coming to presence of Being.”

We do not say: Being is, time is, but rather: there is Being and there is time. Why are there beings at all, instead of Nothing?

g y y

most immediate one and the only urgent one, What shall we do? we ponder this: How must we think? For thinking is genuine activity, genuine taking a hand, if to take a hand means to lend a hand to. The coming to presence of Being.” We do not say: Being is, time is, but rather:

there is Being and there is time.

Why are there beings at all, instead of Nothing?

Whitespace  and hard 

return return

Ragged edge  or not?

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Pellentesque et felis ut nisi  rutrum vehicula. Suspendisse sed tortor diam. Nullam rhoncus nibh non nunc posuere  vestibulum. Pellentesque congue lectus et nibh bibendum mattis. Nullam eget nulla  sapien, vitae placerat quam. Phasellus scelerisque, dui nec ultricies sagittis, est erat  faucibus dolor, sit amet semper risus erat in urna. Donec vitae tellus metus. Nam viverra,  leo non pretium congue, sem risus eleifend urna, ut commodo leo lectus sed magna. 

Pellentesque porta odio id neque rhoncus vestibulum. Maecenas volutpat tincidunt  dapibus. Nunc lobortis luctus ante, et rhoncus orci egestas ut.

Vestibulum vel urna a nisl eleifend placerat eu eu odio. Vivamus sem felis, iaculis tempus  porta sit amet, dignissim nec turpis. Integer placerat porta magna eu lacinia. Praesent  laoreet nibh eu lacus convallis et sollicitudin odio fringilla. Suspendisse potenti. In  pulvinar imperdiet mi eu hendrerit. Curabitur sit amet odio lorem. Sed consectetur enim  non augue ultrices luctus. Quisque euismod, risus vel lobortis accumsan, lacus nibh  mattis erat, sit amet dignissim ipsum tortor a diam. Ut egestas enim at mauris euismod a  rhoncus augue porttitor. Nulla facilisi. Suspendisse ipsum ipsum, eleifend eget molestie  sed, lobortis et quam.

Nunc a neque id sapien congue pellentesque. Vestibulum ante ipsum primis in faucibus Nunc a neque id sapien congue pellentesque. Vestibulum ante ipsum primis in faucibus  orci luctus et ultrices posuere cubilia Curae; Integer volutpat faucibus metus dictum  varius. In id metus congue dolor pretium venenatis. Sed at ligula quis mi aliquet congue  nec eu dui. Suspendisse potenti. Donec vel varius tortor. Donec ac sapien et eros  ullamcorper elementum quis ut sem. In blandit diam justo. Vivamus faucibus sem id ante  laoreet tincidunt. Quisque nec turpis turpis, et pharetra arcu. Fusce eget libero velit. 

Praesent sit amet est vel dui porta auctor sed sit amet odio. Ut tincidunt sapien sit amet  leo viverra id cursus neque feugiat.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Pellentesque et felis ut nisi  rutrum vehicula. Suspendisse sed tortor diam. Nullam rhoncus nibh non nunc posuere  vestibulum. Pellentesque congue lectus et nibh bibendum mattis. Nullam eget nulla  sapien, vitae placerat quam. Phasellus scelerisque, dui nec ultricies sagittis, est erat  faucibus dolor, sit amet semper risus erat in urna. Donec vitae tellus metus. Nam viverra,  leo non pretium congue, sem risus eleifend urna, ut commodo leo lectus sed magna. 

Pellentesque porta odio id neque rhoncus vestibulum. Maecenas volutpat tincidunt  dapibus. Nunc lobortis luctus ante, et rhoncus orci egestas ut.

(8)

Ragged edge  or not?

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Pellentesque et felis ut nisi rutrum vehicula. Suspendisse sed tortor diam. Nullam rhoncus nibh non nunc posuere vestibulum. Pellentesque congue lectus et nibh bibendum mattis. Nullam eget nulla sapien, vitae placerat quam. Phasellus scelerisque, dui nec ultricies sagittis, est erat faucibus dolor, sit amet semper risus erat in urna. Donec vitae tellus metus. Nam viverra, leo non pretium congue, sem risus eleifend urna, ut commodo leo lectus sed magna.

Pellentesque porta odio id neque rhoncus vestibulum. Maecenas volutpat tincidunt dapibus. Nunc lobortis luctus ante, et rhoncus orci egestas ut.

Vestibulum vel urna a nisl eleifend placerat eu eu odio. Vivamus sem felis, iaculis tempus porta sit amet, dignissim nec turpis. Integer placerat porta magna eu lacinia. Praesent laoreet nibh eu lacus convallis et sollicitudin odio fringilla. Suspendisse potenti. In pulvinar imperdiet mi eu hendrerit. Curabitur sit amet odio lorem. Sed consectetur enim non augue ultrices luctus. Quisque euismod, risus vel lobortis accumsan, lacus nibh mattis erat, sit amet dignissim ipsum tortor a diam. Ut egestas enim at mauris euismod a rhoncus augue porttitor. Nulla facilisi. Suspendisse ipsum ipsum, eleifend eget molestie sed, lobortis et quam.

Nunc a neque id sapien congue pellentesque. Vestibulum ante ipsum primis in faucibus Nunc a neque id sapien congue pellentesque. Vestibulum ante ipsum primis in faucibus orci luctus et ultrices posuere cubilia Curae; Integer volutpat faucibus metus dictum varius. In id metus congue dolor pretium venenatis. Sed at ligula quis mi aliquet congue nec eu dui. Suspendisse potenti. Donec vel varius tortor. Donec ac sapien et eros ullamcorper elementum quis ut sem. In blandit diam justo. Vivamus faucibus sem id ante laoreet tincidunt. Quisque nec turpis turpis, et pharetra arcu. Fusce eget libero velit.

Praesent sit amet est vel dui porta auctor sed sit amet odio. Ut tincidunt sapien sit amet leo viverra id cursus neque feugiat.

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Pellentesque et felis ut nisi rutrum vehicula. Suspendisse sed tortor diam. Nullam rhoncus nibh non nunc posuere vestibulum. Pellentesque congue lectus et nibh bibendum mattis. Nullam eget nulla sapien, vitae placerat quam. Phasellus scelerisque, dui nec ultricies sagittis, est erat faucibus dolor, sit amet semper risus erat in urna. Donec vitae tellus metus. Nam viverra, leo non pretium congue, sem risus eleifend urna, ut commodo leo lectus sed magna.

Pellentesque porta odio id neque rhoncus vestibulum. Maecenas volutpat tincidunt dapibus. Nunc lobortis luctus ante, et rhoncus orci egestas ut.

Ragged edge  or not?

Lorem ipsum dolor sit amet, consectetur adipiscing elit.

Pellentesque et felis ut nisi rutrum vehicula. Suspendisse sed tortor diam.

Nullam rhoncus nibh non nunc posuere vestibulum. Pellentesque congue lectus et nibh bibendum mattis. Nullam eget nulla sapien, vitae placerat quam. Phasellus scelerisque, dui nec ultricies sagittis, est erat faucibus dolor, sit amet semper risus erat in urna. Donec vitae tellus metus.

Nam viverra, leo non pretium congue, sem risus eleifend urna, ut commodo leo lectus sed magna. Pellentesque porta odio id neque rhoncus vestibulum..

experiment,

familiarize yourself with the tools

BUT remember...

just because you CAN do something...

...doesn’t mean you SHOULD

Lots of tutorials on Youtube!

• http://www.youtube.com/watch?v=OepLhtcw WWU

Summary  (1 of 2)

• Typography is the design of letterforms and the  arrangement of them in two‐dimensional space (for  print) and in space and time (for digital media). 

• For both print and digital media, visual communication  professionals must consider some fundamental issues of  p

form and structure, design, message/content, and  expression.  

• Learn to differentiate among letterforms.

Summary  (2 of 2)

• When arranging typographic elements, you  should consider balance, emphasis, rhythm,  unity, positive and negative space, and the  manipulation of graphic space to create  illusion. 

• Consider the interrelated visual factors of  visual weight, position, and arrangement.

• Consider form, direct and secondary  meanings, and graphic impact. 

• Considering the subtle, precise relationship of 

References

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