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From: “Best of James Morrison” From: “Best of James Morrison”

You Make It Real You Make It Real

by by

PAUL BARRY and JAMES MORRISON PAUL BARRY and JAMES MORRISON

Published Under License From Published Under License From

Universal Music Publishing Group Universal Music Publishing Group

Copyright © 2008 Sony/ATV Music Publishing UK Ltd. and Metrophonic Music Ltd. Copyright © 2008 Sony/ATV Music Publishing UK Ltd. and Metrophonic Music Ltd.

All Rights on behalf of Sony/ATV Music Publishing UK Ltd. Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, N All Rights on behalf of Sony/ATV Music Publishing UK Ltd. Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, N

All Rights on behalf of Metrophonic Music Ltd. in the U.S. and Canada Controlled and Administered by Universal - PolyGram Inter All Rights on behalf of Metrophonic Music Ltd. in the U.S. and Canada Controlled and Administered by Universal - PolyGram Inter

International Copyright Secured All Rights Reserved International Copyright Secured All Rights Reserved

NOTICE: Purchasers of this musical file are entitled to use it for their personal enjoym

NOTICE: Purchasers of this musical file are entitled to use it for their personal enjoyment and musical fulfillment. ent and musical fulfillment. However, anyHowever, any duplication, adaptation, arranging and/or transmission of

duplication, adaptation, arranging and/or transmission of this copyrighted music requires the written cthis copyrighted music requires the written c onsent of the copyright owner(s)onsent of the copyright owner(s) and of Universal Music Publishing Group

and of Universal Music Publishing Group Unauthorized uses are infringements oUnauthorized uses are infringements of the copyright laws of the United States and otherf the copyright laws of the United States and other countries and may subject the user to civil and/or c

countries and may subject the user to civil and/or c riminal penalties.riminal penalties.

musicnotes.com musicnotes.com

(2)

" " " " " " "  #  #  #  # $$ $$ $$ $$ $$ $$ $$ $$ $$ $$ $$ %%

%% && & & & & &&&& &

& &&&& & & & &

&& & & & &

&& &

& &

& &&& &&& & & & & & & & & & &&& & & & &

&&& &&& &&&

& &&&& & &&&& & & & &&& & &&& & & & & &&& &&&

& &&&& & & & &&& & &&& & & & & &&& & & & & &&& & &&& &&& & &&& & & &&& & &&& & & & & & &&& & &&& & & & & &&& & &&& & & &&& & &&& & & & & &&&& & &&&& & & & & & &&& & & & & &&& &&& & &&& & & & & & &&& & & & & &&& ' '' ' '' ' ' '' ' ' ' ()   * * * *  *  *  * *  * * + ++ + ++ + + + + +++ + + + + +++  ,  , -. . . . . . .  / /  / / 01 1

2

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23

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Moderately 3 Gm x x B$/F xx E$ x B$ 3 Gm xx B$/F xx E$ x B$

There’s so much cra - zi - ness

xx

F

surround

-3

Gm

- ing me. There’s so much

x xE$

go - ing on, it gets hard

x x

F

to breathe. When all

o x x D7 my faith xx E$

is gone, you bring it back

Copyright© 2008Sony/ATV Music PublishingUK Ltd. and MetrophonicMusicLtd.

All Rightson behalfof Sony/ATV Music PublishingUK Ltd. Administeredby Sony/ATV Music PublishingLLC,8 MusicSquareWest, Nashville,TN 37203 All Rightson behalfof MetrophonicMusic Ltd. inthe U.S.and Canada Controlledand Administeredby Universal- PolyGramInternationalPublishing,Inc.

InternationalCopyrightSecured All RightsReserved

Words and Music by JAMES MORRISON and PAUL BARRY

(3)

& & & & & &

" " " " " " " "  #  #  #  # $$ $$ $$ $$ $$ $$ $$ $$ $$ $$ $$ $$ & &&& & &

& &&& &&&&

& &&&& &&&&

& &&&& & & &&& & & & & &&&& & &&& & &&& & &&& & & &&& &&&& & &&&& & & & & & & & & & &&& & & &&&

& &&&& &&&&

& &&& & &&& & & & & &&& & &&& & & & & &&& & &&&

& &&&& &&&& & & & &&& & &&& & & & & &&& & & &&&

& &&&& &&&& & & & &&& & &&& & & & & & &&&& & &&&& & & & & & & &&&&

& &&&& &&&& & & & &&&& & & & & & &&&& & & & & & & &&&

& &&&& &&&& & & &&& & &&& & & & & &&& + +++ + + + + + + +++ + + +++ ' ' ' '  * *  *  * *  *  *  * *  *  * * 4 . . . . . .  5  5  5  / /  / /  , 01 1

2

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x B$ to me. 3 Gm You make it x x F

real for me.

x xE$ xB$

When I’m not sure

head of  is strong my but x xF pri my - or heart -3 Gm - i is - ties, weak, when I’m I’ve full o xx B$/D lost of  sight ar xx E$ - ro of, - gance of where and I un meant - cer -x -xF to - tain be, - ty. like When ho I - ly can’t x xE$ wa find the - ter words, wash you teach - ing my o heart -2

(4)

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2

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3

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7

x B$ - ver to me, speak. (2.,D.S.) (1.) 3 Gm you You make make it it x x F real real for for me. me. x xE$ xB$ And I’m x xF 3 Gm7 run x xE$ -ning to you, xB$ ba - by. xxF You 3 Gm7 are the on x xE$ - ly one who’ll x B$

save me. And that’s

x x F why 3 Gm7 I’ve been 3 3 3 ! " #

(5)

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& & & & & & & & & & & & &&& & & & & & & & &

& & &&&& & & & & & & && & & & & & & & & & & & & & & & & &&&

& & & & &&&& . . . . . + +++ + + + +  8 8  8 8  *  * *  * * 4 4 4 4 ' 6 5  5  5  , ,  / /

23

23

23

23

miss x x E$

- ing you late

x

B$

- ly, ’cause

3

Gm

you make it real

xx F for me. x x E$ x B$ When my 3 Gm

you make it real

x x F for me. x x E$ x B$ Oh, xx F

ev - ’ry - bod - y’s talk - ing in

x x E$ words I don’t un x B$ - der - stand. x x F

You’ve got to be the on - ly one who knows

2. 1. 4 3 3 3 3 To Coda9

(6)

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x x E$  just who x B$ I am. o xx D7

You’re shin - ing in the dis - tance, I hope

x x

E$

I can make it through, ’cause the

x x C7/E on - ly place that I o x C7 want to be is x xF

right back home with you.

F7sus I guess there’s x B$ so much more x x F I have 3 Gm to learn. But xx B$/F if you’re 5 3 3 3 3

(7)

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 9

x x E$

here with me, I know which

x x

F

way to turn. You al

o xx D7 - ways give me x x E$

some - where, some - where

x

B$

I can run.

3

Gm

you make it real

x x F for me. xx E$ x B$ 3 Gm

You make it real

x x F for me. xx E$ x B$ 6 3 3  D.S.7al Coda Coda

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