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(2) 5. Two/Three-part Chords Begin with this unison exercise in this or any key. Once learned, progress to the two-part variation and the three-part variation. Unison. 4 & b4 œ. œ. re. Do. œ. œ. ˙. ˙. ˙. mi. fa. sol. fa. mi. b ¢& œ. Part I. I. Do. œ. w. re. mi. fa. sol.. œ. œ. œ. ˙. ˙. ˙. mi. fa. sol. fa. mi. re. w. ie w. Do. œ. re v. II. re. O. Two-part Variation. ° b Part II & œ œ. ˙. w. do.. nl y. Choir. ˙. re. w w. do.. Three-part Variation. Do. Part II. II. œ. œ. ˙. ˙. w. re. mi. fa. sol. fa. mi.. œ. œ. œ. w. re. mi. fa. sol.. œ. œ. œ. ˙. ˙. ˙. mi. fa. sol. fa. mi. rP. III. ° b Part III & œ œ &b œ. Fo. Do. b ¢& œ. Part I. I. Do. re. w. w. w ˙. re. w. do.. Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.. CGBK67.
(3) 6. Bumble Bee Teach Part I as a unison exercise first. Once your singers know it well, divide the group into two equal parts and try both parts together. Part II. Bum - ble, bum - ble, bum - ble, bum - ble,. 4 & 4 œœ ? 44 œœ. ° œ &. œœœ œ œ. œ. œ. bum - ble. {. & œœœ. œ. œ œ. ° & œ. œ. bum - ble,. ¢& œ. {. Fo I. œ. œ. bum - ble. & œœœ ? œ. œ. œ. Bum - ble, bum - ble,. œœ œ. œœ œ. œ. rP. II. œ. œœ. ? œ œ. œ. œ. bum - ble,. ˙™. œ. œ. œ. bum - ble. œ. œœ œ œ. œ œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œœœ œ. œœœ œ. œœœ œ. œœœ. œ. œ. œ. œ. œ. bee.. œœ œ œ. 2 4 2 4. 2 4 b˙ b ˙˙ 2 4 bœ. ∑ ∑. bœ. Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.. CGBK67. œ œ. bum - ble, bum - ble, bum - ble, bum - ble,. œ. œ. œ. bee.. œœ œ. œ. œœ œ œ œ. œœœ œ. œœœ œ œ. Bum - ble, bum - ble, bum - ble, bum - ble,. re v. Ó ¢&. bee.. bum - ble, bum - ble, bum - ble bee.. œœ. œ. Ó. œ œ œ œ œ œ œ œœ. œœœ œ œ. œœ œœ. bum - ble, bum - ble, bum - ble, bum - ble,. nl y. {. Part I. œ œ œ œ œ œ œ œ. ie w. Piano. I. Bum - ble, bum - ble,. 4 ¢& 4 œ œ œ œ œ œ œ œ. I. II. œ œ œ œ. O. ° 4Ó &4. II.
(4) Rhythm Rumbles. 7. O. nl y. Over a period of several rehearsals, introduce these rhythm rumbles one at a time, teaching the chant and the correct rhythm by rote. Take time to emphasize the concept of steady beat. Once your choristers have mastered the first rumble, teach the next. When they have learned two rumbles, divide them into teams and have team one chant “Basketball” while team two chants “Soccer,” beginning and ending together. When your choristers have learned all three rumbles, the “part-thinking” fun increases! Divide your choristers into three teams and have them chant all three rumbles simultaneously. Finally, challenge your choristers to write their own rumbles by assigning a time signature and a set number of measures to each team. They will enjoy being creative and will increase their knowledge of rhythm and music notation in the process.. Rhythm Rumble #1: Basketball. 4 /4œ œ œ œ œ œ œ œ œ˙. œ œ œ œ œ œ œ œ œ œ œ œ œ œ. vi e. Rhythm Rumble #2: Soccer. w. Bas -ket - ball, bas -ket - ball, best game of all. Wheth -er you are short or tall, hit the hoop and not the wall.. 4 Œ Œ Œ /4 œ œ œ œ œ œ œ œœ œ œ œ œ œ œ œ œ œ œ œ œ œ in the grass or in the street, soc - cer,. rP re. Kick, kick your feet,. Rhythm Rumble #3: Sports Medley. soc - cer,. 4 / 4 œ œ œ œ œ œ œ œ œ œœ œ œœ œ œ œ. œ œ œ œ œ œ œ. I just can’t de - cide, guess I’ll have to play them all.. Fo. Base- ball, bad -mint - on, vol -ley - ball, golf or ten - nis.. real - ly it’s the best of all.. Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.. CGBK67.
(5) Echo Songs. 8. The Lord Is My Shepherd. I. ° ## 4 & 4. ∑. ## 4 & 4Ó ¢. j j Œ ‰ œ œ œ œ œ œ™. ‰ œj œ œ œ œj œ™. O. {. Œ. Leader or Part I. The Lord is my shep - herd;. #4 & #4. The Lord is my shep - herd;. re v. œ œœ œ œ œ˙ œ œ˙ œ ˙˙ ? ## 4 4˙ ˙. j œ œ. ˙˙˙˙. Ó. Œ. œ œ œ œ œ œ J J &. ˙˙ ˙. ‰ j œ. ˙˙˙. Fo. rP. Piano. Ó. Part II. ie w. II. nl y. When first teaching this piece, the director should sing Part I, inviting the choir to echo as Part II. Gradually add choristers to Part I until there are even groups of singers on each part. At that point, the director should be able to drop out. For a responsorial psalm in worship, try having the choir sing Part I and the congregation sing Part II.. Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.. CGBK67. He. j œ ?.
(6) 9. ## œ œ œ ˙ & ¢. {. ‰. # & # œœ œ œ œœ ™™. 7. Ó. œœ œ œ œœ ™ ™. œ J. ˙ ˙. ## Ó & ¢. Œ. rP. {. ## œœ &. ˙˙ ˙. Ó. Lord watch - es ov - er me. ‰. œ œ œœ œ œ. # &#˙ ˙. Fo. I. ˙˙ ˙. &. œ œ œ œ œ. ˙ ˙. ‰ œj œ. Œ. re v. ° ## œ II &. Ó. He loves me, I know.. loves me, I know.. ? ## ˙˙. j œ œ œ œ ˙. The. œ œ œ œ œ. The Lord watch - es ov - er me. j œ œœ ?. Œ. ˙˙. œ œ œœ œ œ ˙ ˙. j œ ˙. j œœ™ œ. j œ œ™ œ™. œ ?. œ. I. œ. ‰. j œj œ œ. go.. ˙. œ J. I. œ. go.. ∑. œj œ œ™. œ ˙ J ˙ œ. œ. &. j œ ˙. where - ev - er. j œj œ œ. where - ev - er. ‰ œj. Œ. nl y. I. Œ. O. 4. ie w. ° ## Ó II &. ˙. ™™* ™™ ™™ ™™. *Optional repeat. CGBK67.
(7) 10. Come into God’s Presence When first teaching this piece, the director should sing Part I, inviting the choir to echo as Part II. Gradually add choristers to Part I until there are even groups of singers on each part. At that point, the director should be able to drop out. For accompaniment, use Orff instruments alone, piano alone, or a combination of the two. Try using this piece as a choral introit or call to worship.. ∑. b 44 & ¢. ∑. ° 4 Metallophone* & b 4 Xylophone*. ∑. ∑. ∑. b. Fo & b ˙˙. œ. ˙. œ. ˙˙. œ. ˙˙. œ œ œ œ ˙ œ. ˙ ˙ ?. œ. œœœ ˙˙. œ œ œ œ ˙ ˙ &. œ œ œ œ ˙. sing - ing songs of joy!. ∑. ˙. œ. ˙ ˙. ˙ ˙ ˙ ˙ œ˙ œ œ œ ˙˙˙. sing - ing songs of joy!. ˙ ˙ œ œ œ œ ˙ ˙. ˙. Come in - to God’s pre - sence,. ie w. ∑. rP b ˙ ¢& ˙ œœœ &b. {. œ œ œ œ œ œ. ∑. re v. ¢&. Come in - to God’s pre - sence,. ° œ Met. & b Xyl.. ∑. II ° b Part œ œ œ œ œ œ & 4. I. {. ∑. Leader or Part I. 4 & b 4 œ œ œ œœ œ œ œ œ ˙ œ œ œ ˙ ? b4 ˙ ˙ 4˙ ˙. Piano. II. b 44 & ¢. ∑. O. I. ∑. nl y. ° b4 & 4. II. œ˙ œ œ œ ˙˙˙ ˙ ˙ ˙ ˙. &. ˙ ˙. œ. ˙. ˙ ˙. *If not using piano, Orff instruments should play ms. 3 and 4 as an introduction. Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.. CGBK67. ?.
(8) 11. ° b & 7. Come in - to God’s pre - sence;. œ. & b œœœ ? b ˙˙. ˙˙. ˙˙. ˙ ˙. ∑. b ¢& ˙™ ° b œ &. b ˙ ¢& ˙. {. &b œ. &. œ. this. ˙˙. œ. œ. ? b ˙˙. ˙. œ. ˙˙. ˙˙. ˙. ˙ ˙˙. ˙ ˙. this. œ œ œ œ. ˙˙. ˙ ˙. œ œ œ. is. Œ. Fo. Met.. ˙. œ. œœœ. œ œ œ œ. Lord.. Xyl.. œ. rP. I. 10. ˙. re v. ° b &. II. œ œ œ œ œ œ. b œ œ œ œ œ œ. ° b œ &. {. ∑. Come in - to God’s pre - sence;. b ˙ ¢& ˙. Xyl.. ∑. ˙. is the house of the. œ œ. ˙. ˙˙. ˙˙. nl y. Met.. œ œ œ œ œ œ. O. ¢&. I. ∑. ie w. II. œ. the house. œ œ. of. the. ?. ˙˙ ˙. ˙˙˙ ˙. ˙. Œ. ˙™. ™™. Lord.. ∑. ∑ ˙. œ. ˙˙. ˙˙. ˙ ˙˙. œ œ. ˙. ˙. œ. œ. ™™*. ˙ ˙˙ ˙ ˙ ˙. ™™ ™™ ™™ ™™. *Optional repeat CGBK67.
(9) Mini-Descants. 12. Come, Christians, Join to Sing* This is designed to be an easy, first introduction to hymn descants. Teach the hymn and the descant part to all singers and then take turns having different groups try the descant each time. Use the descant on as many verses as you like.. Piano. œ. œ œ ˙. #4 & ¢ 4 ˙. œ. œ. œ œ ˙. #4 & 4 ˙˙. œœ. œœ. œœ œœ ˙˙. 1. Come, Christ - ians, join to sing: 2. Come, lift your hearts on high: 3. Praise yet the Lord a - gain:. Al - le - lu - ia, Al - le - lu - ia, Al - le - lu - ia,. 1. Come, Christ - ians, join to sing: 2. Come, lift your hearts on high: 3. Praise yet the Lord a - gain:. Al - le - lu - ia, Al - le - lu - ia, Al - le - lu - ia,. ? #4 ˙ 4 ˙. ° # Descant & ˙ 5. Loud Let Life. œ œ. œ œ. praise to prais - es shall not. œ œ. rP. # & ˙ ¢. œœ. Choir. {. Loud Let Life. Fo. # & ˙˙ ?# ˙ ˙. praise to prais - es shall not. œœ œœ œœ œ œ. œ œ œ œ. O. {. œ œ œ œ. œœ œœ ˙ ˙. œ œ ˙. nl y. œ. ˙˙ ˙. ˙˙˙ ˙. œ. œ. œ. œ. a a a. -. men! men! men!. a a a. -. men! men! men!. œ œ ˙ œœœ œ ˙˙ œœ ˙ œ. œ ˙. œ œ œ œ. œ œ ˙. Christ our King: fill the sky: end the strain:. Al - le - lu - ia, Al - le - lu - ia, Al - le - lu - ia,. a a a. -. men! men! men!. Christ our King: fill the sky: end the strain:. Al - le - lu - ia, Al - le - lu - ia, Al - le - lu - ia,. a a a. -. men! men! men!. re v. Choir. ° #4 & 4 ˙. ie w. Descant. œ œ ˙ œ œ ˙ œœ œœ ˙˙ œœ œœ ˙ ˙. œ œ œ œ ˙˙ ˙. ˙˙˙ ˙. œ. œ. œ. œ. œ œ ˙ œœœ œ ˙˙ œœ ˙ œ. œ ˙. *Spanish folk melody. Text: Christian Henry Bateman, 1813-1899. Arrangement: Benjamin Carr, 1768-1831. Descant and accompaniment: Mark Patterson. Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.. CGBK67.
(10) 13. 9. Choir. ˙. ˙. all with heart and voice is our guide and friend; heav - en’s bliss - ful shore. be to his. -. Let He On. all with heart and voice is our guide and friend; heav - en’s bliss - ful shore. be to his. -. œ œ. œ œ. ˙. 13. œ. œ. œ. ˙. œ. œ. œ. ˙. & œœ œ œ œœ œ œœ œ. œœ. œœ œ. Praise his sing. œ. is his gra - cious choice love shall nev - er end: ing for - ev - er - more:. rP. #. ¢& ˙. {. Praise his sing. #. Fo. Choir. ?#. ˙. fore his throne re - joice; us he’ll con - de - scend; good - ness we’ll a - dore,. œ œ œ œ œ œœœ œœœ ˙œ œ œ œ œ ˙. œ œ ˙. re v. ° # Descant & ˙. œ œ. œ œ. -. -. œ. œ œ. œœœœ˙. œ œ œ œ. œ œ ˙. Al - le - lu - ia, Al - le - lu - ia, Al - le - lu - ia,. a a a. -. men! men! men!. a a a. -. men! men! men!. ˙ œ ˙. œ œ œ œ. is his gra - cious choice love shall nev - er end: ing for - ev - er - more:. œ. œ. œœœ. œ œ ˙. œ œ. ie w. ?# ˙. ˙. fore his throne re - joice; us he’ll con - de - scend; good - ness we’ll a - dore,. O. # & œ œ œ œ œ œ œ œ œ œ œ œ ˙˙. œ œ ˙. œ œ. Let He On. # ˙ & ¢. {. œ œ. œ œ. nl y. ° # Descant & ˙. Al - le - lu - ia, Al - le - lu - ia, Al - le - lu - ia,. ˙˙ ˙ œ. œ. œ œ ˙. ˙˙ ˙. ˙˙˙ ˙. œœ œ ˙˙ œ œœ ˙. œ. œ. œ. œ. œ. CGBK67.
(11) 14. Away in a Manger* Teach this descant to all of your singers and consider using a flute or recorder to reinforce the part. Encourage small groups of singers to take turns trying the descant while others sing the original melody. Sing verses 1 and 2 in usison, and use the descant on verse 3. If singing this carol with the congregation, consider having the choir sing the descant while the congregation sings the melody.. ˙™. b3 œ ¢& 4. œ™. Be. {. Choir. 1. A - way 2. The cat 3. Be near. b ¢& œ ™. -. œ œ J. œ. œ œ. I. ask. Thee to. œ œ. œ. œœ œœ J. ˙œ. in a man - ger, no tle are low - ing, the me, Lord Je - sus; I. lit lit by. Fo. &b œ™ œ ™. œ. œ œœ. œœ. œ. me for - ev. j œ œ. -. ? b ‰ œj ˙˙ ˙™. œ. tle Lord Je tle Lord Je me for - ev. j œ œ. œœ. -. -. œ œ. er,. and. œ œ. sus laid sus, no er, and. œ œ. ‰ œj ˙˙ ˙™. œ œ. ˙. ˙œ œ. œ ˙. ‰˙ œj ˙˙ ™. œ œ œ. love me,. I. œ œ œ. down his sweet cry - ing he love me, I. œœ œ œœœ ˙ ˙. œ. stay. close. œ. œœ. the but close. œ. œ. ‰ œj ˙ ˙™. ie w. j œ œ. œ. crib for a bed, ba - by a - wakes, ask Thee to stay. ‰˙ œj œ œ ™. ‰ œj œ œ œ ˙™. rP. {. œ. re v. 5. by. Choir. œœ ™™ œ™. ? b3 Œ 4. ° Descant & b œ™. œ. near;. 3 & b 4 œœ. Piano. ˙. nl y. ° b3 œ & 4. O. Descant (verse 3). ˙. œ. pray.. Bless. ˙. œ. head. makes; pray.. The I Bless. ˙œ ˙. œ œ œ. ‰ œj ˙˙ ˙™. *Traditional carol. Text: anonymous. Music: James R. Murray, 1841-1905. Descant and accompaniment: Mark Patterson. Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.. CGBK67.
(12) 15. ¢&. {. b œ™. œ œ J. stars love all. ° ™ Descant & b œ. j œ œ. œ œ. in. Thy. ten - der. œ œ. œ. œ œ. œ œœ. œœ. b œ™ ¢& fit. us. ˙œ. ‰˙ œj œ œ ™. for. j œ œ. rP lit stay fit. Fo. & b œœ ™™. looked down sky Je - sus, look down Thy chil - dren in. re v. ? b ‰ œj œ œ œ ˙™. 13. œ. in the thee, Lord the dear. œœ œœ J. {. œ. all. & b œœœ ™™™. Choir. œ. -. ? b ‰ œj ˙˙ ˙™. tle Lord by my us for. j œ œ. where he from the ten - der. ˙œ œ. ‰˙ œj ˙˙ ™. ie w. Choir. ˙. œ. œ. heav - en,. œ. œ. Je - sus, cra - dle heav - en,. œ œ ˙™ ˙™ ˙™. œ. œ. œ. œ. care,. ˙. œ. lay, sky care,. œ. œ. œ ˙. œ. ‰ œj ˙ ˙™. with Thee. live. œ. œ. œ. œ. œ. œ œ. œ. œœ œ. ˙ ˙. œ. ˙. a - sleep on the till morn - ing is to live with Thee. the and and. œ. ˙. to. ˙ ˙. œ. and. nl y. 9. O. ° ˙™ Descant & b. there.. ˙. hay. nigh. there.. CGBK67.
(13) Rounds. 16. Share God’s Love*. 1. œ. ° b3 ˙ ™ & 4 ˙™. the. Take. Instrument 2. ˙˙ ™™. light. b3 Œ ¢& 4. œ. ˙. Œ. œ. œ. of. Christ. to. œ. ˙. ˙™ ˙™ œ. ˙. œ. ˙. œ. the. ˙™ ˙˙ ™™. world,. œ. ˙ œ. ˙. ˙. Fo. rP. Instrument 3. 3 & b4 œ. œ. re v. Instrument 1. ˙. ie w. Choir. 3 & b4 ˙. O. nl y. This simple song may be performed as a unison song, a two-part round, or a three-part round, and may be sung a cappella or with accompaniment. The instrumental parts can be played by any combination of Orff instruments, handbells, or handchimes, depending on what you have available. Feel free to use just one or two of the parts, or all three. The instruments can all begin together or you can layer them in as the round progresses. Use one or more playing the four-measure pattern as an introduction. The parts can also be played on the piano in various octaves, if desired.. *Text: Mark Patterson. Music: based on O wie wohl ist mir am Abend, anonymous German canon.. Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.. CGBK67. œ.
(14) 17. œ. ° b ˙™ & ˙™. serv. Inst 2. &b œ. Inst. 3. b ¢& ˙. 9. Choir. ° b ˙™ & ˙™. Share. œ. œ. God’s. rP. Inst. 1. &b œ. b ¢& ˙. Fo. Inst 2. Inst. 3. ˙˙ ™™. oth - ers. œ. ˙. 3. &b ˙. ing. œ. ˙. œ. ˙. œ. œ. œ. ˙™ ˙™. where - ev - er. œ. ˙ œ. ˙™. re v. Inst. 1. -. œ. ˙. œ. ˙™. you. go.. œ. œ. ˙. ˙. ˙˙ ™™. share. œ. œ. ˙. œ. œ. ˙™ ˙™. hope,. ˙. ˙˙ ™™. nl y. &b ˙. ˙. ˙. œ. O. Choir. 2. ie w. 5. ˙. God’s. ˙ œ. ˙™. ™™. œ. ™™. ˙˙ ™™. ™™. love.. ˙™. ˙. ™™. CGBK67.
(15) 18. Clap Your Hands and Sing Hallelujah* Teach this song in unison first, and then try it as a two-part round. Add tambourine on the off-beats of one and two if desired. For Palm Sunday, use the alternate set of lyrics provided.. Choir. Œ œ Œ œ ™™ Œ œ œœ œœ œœ . . . ˙ ™™ ˙ ˙. ˙. ˙. b & b #œ ˙. {. 5. œ. Glo - ry Lift up. to the. œ œ œ Œ. God a - bove! gates and sing.. ˙. ˙. ˙. b & b #œ ˙. rP. 9. Choir. {. œœ Œ œœ œ. œ.. re v. b & b Œ #œœœ Œ œœœ Œ . . ? bb. œ. Glo - ry wel - come. to the. ˙. œ œ œ Œ. God a - bove! King of Kings!. Fo. b & b Œ #œœœ Œ œœœ Œ œœ Œ œœ œ. œ. . . ? bb. ˙. ˙. œ #œ œ œ œ. nl y. {. œ œ. Clap your hands and sing Hal - le - lu - jah, Clap your hands and shout Ho - san - na,. b2 & b 2 Œ œœ Œ œœ œ. œ. ? bb22. ™™ œ œ. ∑. Œ. ˙. œœ œ.. Œ œ œœ . ˙. O. Piano. ∑. 1. ˙. ˙. Œ œ œœ .. ˙. œ œ. œ œ. œ #œ œ œ œ. Œ. Œ. Œ œ œœ . ˙. ie w. Choir. b2 &b 2. Clap your hands and sing Hal - le - lu - jah, Clap your hands and shout Ho - san - na. œœ œ.. ˙ 2. ˙. œœ œ.. Œ œ œœ .. ˙. ˙. ˙. œ œ œ œ œ. Shout Shout. for for. joy, Hal - le - lu - jah, joy Ho - san - na,. Œ œœœ Œ œœ œ. œ.. ˙. ˙. Œ œœœ œ.. ˙. Œ œœ œ.. ˙. *Text: Mark Patterson. Music: Traditional Hebrew round. Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.. CGBK67.
(16) 19. glo - ry lift up. to the. God a - bove! gates and sing.. b & b Œ #œœœœ Œ œœœœ . . ? bb. Choir. ˙. ˙. b &b œ ˙. {. 17. to the. b & b Œ #œœœœ Œ œœœœ . .. œ Œ. ˙. œ. œ. Glo - ry lift up. to the. God gates. b & b #œ. {. 21. #œœœ Œ .. rP. b &b Œ. ˙. ˙. Fo. ? bb. Choir. b & b œ #œ œ œ. {. 24. œœœ .. ?b ˙ b. œœ œ.. Œ. ˙. joy, Hal - le - lu - jah, joy Ho - san - na. ˙. Œ œœœ œ. ˙. œ œ. œ œ. œ #œ œ œ œ. Œ. Œ. œœ œ.. Œ œ œœ . ˙. œ. œ. œ. œœ œ.. Œ. œœ œ.. Œ. œ. œ. œœ œ.. œ. Œ. Œ. œœ œ.. a - bove! and sing.. œœ œ.. #œ. ˙. ˙. Glo - ry wel - come. Œ #œ Œ œ. œ. ˙. ˙. ˙. ˙. sing Hal - le - lu - jah, shout Ho - san - na. b &b Œ. for for. ˙. re v. Choir. œœ œœ Œ œ. œ. ˙. ˙. Shout Shout. Œ œœ œ.. ˙. Clap your hands and sing Hal - le - lu - jah, Clap your hands and shout Ho - san - na. God a - bove. King of Kings!. ˙. œ œ œ œ œ. Œ œœœ Œ œœ œ. œ.. œ œ œ Œ œœ œ.. ˙. œ Œ. ˙ œ. Glo - ry wel - come. ? bb. œœ œœ œ Œ œ. œ. œœ. ˙. nl y. {. œ œ œ Œ. œ. O. Choir. ie w. b &b œ ˙ 13. ˙. Clap Clap. Œ. œ. to the. God King. œœœ .. œœ œ.. ˙. ˙. your hands your hands. ˙ œ. Œ œ œœ .. œ. and and. œœ œ.. ˙ œ. Œ. ™™. œ œœ œ. œ œ. Œ. ™™. œ. a - bove! of Kings!. œ. Œ. ™™. CGBK67.
(17) 20. Come, Lord Jesus Sing in unison or as a two- or three-part round. (The accompaniment is optional.) Consider starting with piano, and then have the piano drop out, featuring the voices a cappella. Add percussion as desired. If not being used for communion or table blessing, use the alternate text.. 1. 4 & b 4 œ™. Choir. œ™. j œ ˙. j œ ˙. œ™. j œ ˙. j j j 4 ‰ ‰ ‰ Djembe, Conga ° œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ / 4 or Hand drum 4 Œ œ Ó Finger Cymbals / 4 ∑ ∑ 4 Œ œœ Ó Œ œœ Œ œœ Ó Claves ¢/ 4 Ó. °/. œœ ™™ œ™. {. j œœœœ ‰ œœ Œ œ Ó Œ. Ó. Fo. ˚ ¢/. œœ. Œ. rP. ∂ ç /. guest.. j œœ ˙˙ œ ˙. sus,. be. œ œ. ˙ ˙. our. O j œœ ˙˙ œ ˙. œ œ œ. 2. œ™. j œ ˙. At In. this your. œœ. j œœœœ ‰ œœ ∑. œœ Ó. j œ œœœ ™™™ œœ œœ œ œ. & b œœ ™™ œ™ ? œ b œ. œ. re v. & b ˙™. Je -. ie w. ? b4 4 œ œ. 4. Choir. {. 4 & b 4 œœ ™™ œ™. Piano. Lord. nl y. Come,. œ. Œ. j œœ ˙˙ œ ˙ œ. œœ. œ. œœ ™™ œ™. œ. Œ. œ. œ™. ta pres. œ. œœ. ble ence. -. j œœœœ ‰ œœ Œ œ Ó Œ. œœ ™™ œ™. œ œ. j œœ ˙˙ œ ˙ œ. œœ. œœ. œ. Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.. CGBK67. œ. œ ˙ J. œœ Ó. œ. j œœ ˙˙ œ ˙. œ.
(18) 21. all. are. ° / œ œ œ œ ‰ œj œ ∂ ç / ∑ Œ œ œ ˚ ¢/ Ó. {. & b œœœ ™™™. j œœœ ˙˙˙. Choir. Lord. œœ. œ. Come,. j œœœœ ‰ œœ Œ œ Ó Œ. Ó. œœ. j œœœœ ‰ œœ ∑. œ œ Ó. j œ™ œ œ œ œ œ œœœ ™™™. œœ ™™™ œ œœ. ˙˙. re v. &b w 10. œ. œ. blessed.. ie w. ?b Œ. Œ. ˙™. œ. j œœœ œ. -. sus.. ˙˙ ˙˙. w w w w. œœ. ˙˙˙ ˙. œ. œœ. ˙™. w. Je. Œ. nl y. Choir. 3. w. O. &b œ™. j œ ˙. 7. Œ. œ. œ. ™™. rP. ° / œ œ œ œ ‰ œj œ ‰ œj œ ‰ œj œ ™™ œ œ œ œ œ œ œ œ ∂ Œ œ ™™ Œ œ Ó ç / Ó ∑ Œ œ œ Ó Œ œ œ ™™ Œ œ œ Ó ˚ ¢/ Ó. Fo. {. &b ?b. œœœ ™™™ œ™ œ. j œœœ œ. œ. œœ ™™ œœ ™™. ˙˙˙ ˙ œ œ. œ. œ. Œ. j œœ œœ. œ. œœ. œ. œ. œ. ™™. œ. ˙. ™™ CGBK67.
(19) 22. Sing Unto God* This simple round may be performed as a unison song, a two-part round, or a three-part round. A cappella singing is preferred, but an optional piano accompaniment is provided here, if desired.. 5. 3. &b œ. {. sing. œ. œ. un - to. œ. œ. rP. & b œœ. œ. œ. to. œœ œ. God,. ˙˙ ™™ ˙˙ ™™. œœ. œœ. œ. sing. un. œ. œ ˙. œ. œ. œ. œ œ œ œ. God,. Al - le - lu - ia,. œœ. œ œ œ œ. ˙˙ ™™. -. œ. to. œœ. ˙ ™™ ˙ ˙™. ˙™. un - to. œ. œ. œ. œ. œ. œœ. God,. œ. œ. sing. ˙™. œœ. œœ. God.. ˙ ™™ ˙ ˙™. Fo. ? b œœ. œ. nl y. ? b 3 œ˙ 4. -. ˙™. O. {. 3 & b 4 œ˙. un. œ. ie w. Piano (optional). Sing. œ. 2. re v. Choir. Choir. 1. 3 & b4 œ. *Text: Mark Patterson. Music: William H. Bradbury, 1816-1868.. Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.. CGBK67. ™™ ™™ ™™.
(20) 23. Sing Alleluia This simple song may be performed as a unison song, a two-part round, or a three-part round, and may be sung a cappella or with accompaniment. The instrumental parts can be played by any combination of Orff instruments, handbells, or handchimes, depending on what you have available. Feel free to use just one or two of the parts, or all three. The instruments can all begin together or you can layer them in as the round progresses. Use one or more playing the two-measure pattern as an introduction. The parts can also be played on the piano in various octaves, if desired. Use the main lyrics for general use or the alternate lyrics for Christmas or Easter. Consider using in worship as a processional or introit.. (With a feeling of 2). Sing. ° ## 4 & 4œ. Instrument 2. Instrument 3. ¢. œ. œ. ˙. œ. w w. w w. œ œ ˙. Lord! the born! is is a - live!. rP. ° ## & œ. ¢. ˙. the Lord! is born! is a - live!. Praise Christ Christ. ? ## 44 w w. œ. ˙. ™™. 3. ˙. Sing. œ. œ. œ œ. al - le. ˙. ˙. - lu. œ. -. œ. ˙. ia.. ™™. ˙. ## œ œ œ œ ˙ &. œ œ œ œ ˙. œ œ œ œ ˙. ? ## w w. w w. w w. Fo Inst. 3. al - le - lu - ia,. œ œ œ œ ˙. # &# œ. Inst. 2. œ. œ œ ˙. œ. œ œ œ œ ˙. Praise Christ Christ. Inst. 1. ˙. œ. sing. œ œ œ œ. ## 4 œ œ œ œ ˙ & 4. 4. Choir. al - le - lu - ia,. œ. re v. Instrument 1. œ œ œ œ. ie w. Choir. 2. nl y. 1. O. #4 & #4 œ. ™™ ™™. Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.. CGBK67.
(21) 24. Gloria Deo* Sing in unison or as a two-part round. Consider adding these simple movements to help provide a kinesthetic anchor for each phrase of the round: Ms. 1-4: Take four steps forward with your hands by your sides. Ms. 5-8: Raise both hands upward slowly and follow with eyes. Ms. 9-12: Take four steps backward, lowering hands gradually to rest again at your side. Feel free to elaborate on these depending on time, rehearsal space, and the ability of your group.. Choir. voice. 2. &b œ. œ. œ. Glo - ri. - a. & b œœœ ? b ˙˙™™. œœ. {. œœ. 9. &b œ. {. œ. œ. glo - ri. - a. & b ˙˙. Fo. **. ?b œ. and sing. ˙˙˙ ™™™ ˙™ ˙™. ? b 43 ˙ ™ 5. j œ œ. œœ. œ. œ. œ. œ. glo - ry. œ œ ˙˙ ™™ ˙™. œ. œ™ œœ ™™. De. œ. -. œ œ J. o,. œœ œœ J. ˙. œ™. j œ œ. De. -. œ™ œ. ˙™. nl y. your. œ™. to. œ. God.. ˙™ œJ œ œ™ œ œ œ. O. lift. rP. Choir. {. 3 & b 4 ˙˙˙ ™™™. œ. ie w. Piano. Come. œ. re v. Choir. 1. 3 & b4 œ. œ. o,. j œ œ œ œ. œ. œ. œ. œ™. glo - ri. - a. De. œ œ ˙™ ˙™. œ œ. œ. œ. glo - ry. to. œ œ. œ. œ. œ. œœ. œ. œ. -. œœ ™™ œ. œ œ J. o,. j œœ œœ. ˙ ™™. ˙™. ™™. God.. ˙ ™™ ˙ œ œ. œ. *Text: Mark Patterson. Music: Traditional German. **Piano should repeat ms. 9-12 when accompanying two-part round. Copyright © 2012 Choristers Guild. All rights reserved. Printed in U.S.A. Reproduction of all or any portion in any form is prohibited without permission of the publisher. The copying of this music is prohibited by law and is not covered by CCLI, LicenSing, or OneLicense.net.. CGBK67. ™™.
(22) ie w. re v. rP. Fo O. nl y.
(23) CGBK67 7. $12.95. 49193 01776. Can’t Wait to Sing, 2!. nl y. Discover More Great Resources from Choristers Guild! Anthems and Teaching Activities for the Church Year. O. By Mark Patterson. Halle, Halle, We Sing the World Round. Songs from the World Church for Children, Youth, and Congregation. ew. By C. Michael Hawn. Of Primary Importance, Volumes 1 & 2 A Practical Guide for Directors of Elementary Choristers. re vi. By Helen Kemp. Sing Together, Children!. Fo. rP. Developing Young Singers through Vocal Exploration, Warm-ups, Rounds, Songs, and Singing Games. By Madeline Bridges. When the Spirit Says Sing. Spirituals for Unison/Two-part Voices. Various Composers. www.choristersguild.org. 0.
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