Orchestration Theory

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the Music Reference Collection

A Conductor's Repertory of Chamber Music: Compositions for Nine to Fifteen Solo Instruments

William Scott, compiler

Opera Mediagraphy: Video Recordings and Motion Pictures Sharon G. Almquist, compiler

American Fuging-Tunes, 1770-1820 Karl Kroeger, compiler

Classical Singers of the Opera and Recital Stages: A Bibliography of Biographical Materials

Robert H. Cowden

Rock Stars/Pop Stars: A Comprehensive Bibliography, 1955-1994 Brady J. Leyser, compiler

The Johnny Cash Record Catalog John L. Smith, compiler

Thesaurus of Abstract Musical Properties: A Theoretical and Compositional Resource Jeffrey Johnson

Song Finder: A Title Index to 32,000 Popular Songs in Collections, 1854-1992 Gary Lynn Ferguson, compiler

Musical Anthologies for Analytical Study: A Bibliography James E. Perone, compiler

A Guide to Popular Music Reference Books: An Annotated Bibliography Gary Haggerty

Rock Music Scholarship: An Interdisciplinary Bibliography Jeffrey N. Gatten

Sing Glory and Hallelujah!: Historical and Biographical Guide to Gospel Hymns Nos. 1 to 6 Complete

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A Bibliography

Compiled by

JAMES E. PERONE

Music Reference Collection, Number 52

Greenwood Press

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Perone, James E.

Orchestration theory : a bibliography / compiled by James E. Perone.

p. cm.—(Music reference collection, ISSN 0736-7740 ; no. 52)

Includes bibliographical references and index. ISBN 0-313-29596-4 (alk. paper)

1. Instrumentation and orchestration—Bibliography. 2. Arrangement (Music)—Bibliography. I. Title. II. Series. ML128.166P47 1996

016.7813'74—dc20 95-52948

Library of Congress Catalog Card Number: 95-52948 ISBN: 0-313-29596-4

ISSN: 0736-7740 First published in 1996

Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. Printed in the United States of America

<§>"

The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48-1984). P

In order to keep this title in print and available to the academic community, this edition was produced using digital reprint technology in a relatively short print run. This would not have been attainable using traditional methods. Although the cover has been changed from its original appearance, the text remains the same and all materials and methods used still conform to the highest book-making standards.

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PREFACE Viii ACKNOWLEDGMENTS Xi

ORCHESTRATION TREATISES (A-L) 1

ORCHESTRATION TREATISES (M-Z) 47

GENERAL BIBLIOGRAPHY 85

CHRONOLOGICAL LIST OF ORCHESTRATION TREATISES 131

LIST OF JAZZ ARRANGING/ORCHESTRATION TREATISES 151

LIST OF BAND-RELATED TREATISES 155

LIST OF TREATISES DEALING WITH SPECIFIC INSTRUMENTS 159

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Orchestration Theory: A Bibliography is designed to present as complete bibliographic information as possible about all aspects of orchestration, instrumentation, and musical arranging, with the broadest possible historical and stylistic palette. The book is divided into four principal sections: (1) "Orchestration Treatises (A-L)"; (2) Orchestration Treatises (M-Z)"; (3) "General Bibliography"; and (4) "Index." In addition, the reader will find four chapters providing more specific listings of treatises: (1) "Chronological List of Orchestration Treatises"; (2) "List of Jazz Arranging/Orchestration Treatises"; (3) "List of Band-Related Treatises"; and (4) "List of Treatises Dealing with Specific Instruments."

Both "Orchestration Treatises" chapters include publication, original language, English translation, reprint, and bibliographic information for general orchestration books, jazz orchestration books, and theses and dissertations which deal with orchestration in a significant way. Books which deal in a smaller and sometimes less complete way with orchestration will not be found in this chapter, but can be located in the "General Bibliography " All treatises included in the "Orchestration Treatises" chapters are listed in alphabetical order, based on the author's name. A number of treatises which were substantially revised at some point are included twice. Note that the only periodical articles included in "Orchestration Treatises" are those which refer specifically to treatises contained in the chapter, generally, reviews. The present chapters do not include more general orchestration-related periodical articles — those may be found in the "General Bibliography." In the case of many of the works included in "Orchestration Treatises," titles present the reader with an adequate idea of the scope of the work. I have included additional commentary as appropriate. The reader interested in a chronological overview of orchestrational treatises should consult the "Chronological List of Orchestration Treatises." In listing and refering to treatises, I have used the pneumonic "T" (for treatise) followed by a number. Bibliographic citations related to the various treatises are listed by TB" numbers (for treatise bibliography).

One of the problems which can be encountered when using this or any other reference book that treats works by and about persons who were/are both composers and authors is best illustrated and explained by using the example of Hector Berlioz. Reviews, articles, and dissertations related to Berlioz's orchestration treatise will be found under the BIBLIOGRAPHY subheading within the entry for the Berlioz work (See TB30, for example). Treatises dealing with Berlioz's orchestration within his compositions, however, are listed separately in the "Orchestration Treatises" chapters (periodical articles dealing with Berlioz the composer can be found in the "General Bibliography"). Of course, these writings about Berlioz's orchestration may, and probably will, refer to the

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composer's own treatise — these separately-listed writings concerning the composer, however, are most concerned with his compositions. Berlioz and Richard Strauss are the two principal composers for whom the reader will find books and articles both about their orchestration treatises and their compositions included in the present book. The reader researching individuals who were/are active both as authors and as composers would be advised to consult the general index for all entries related to the individual.

Under each entry in the "Orchestration Treatises" chapters I have included information pertaining to original language, English translations of foreign-language works, and special notes. Translations into languages other than English are included under the subheading of BIBLIOGRAPHY under each treatise. I have also included information pertaining to the scope of particular treatises, especially when the scope is not self-evident from the title of the work. I have also cross-referenced "General Bibliography" entries related to the authors of treatises, but not to the treatises themselves. For example Maury Deutsch wrote articles about arranging in addition to his book (See: T65 and GB135, for example). The articles are not direct commentary on the book, so they are presented in the "General Bibliography." In the case of the example just cited, "GB135" refers to the 135th entry in the "General Bibliography" chapter. A perusal of the entry for Deutsch's book will show the articles by Deutsch cross-referenced by "See also" notes.

A number of books and dissertations deal to a more limited extent with orchestration than do others. I have included these in the "General Bibliography." Part of the placement was a judgement call on the part of this author. Whenever possible, I have annotated entries (especially those for dissertations) to indicate the extent to which orchestration is treated. Generally, books dealing with a specific instrument or family of instruments which focus heavily on performance techniques are included in the "General Bibliography." The reader will find some books dealing with specific instruments in the "Orchestration Treatises" chapter — these books focus on the use of these instruments in orchestration. Again, in a number of cases, I had to make a judgement call. The vast diversity of all the books and articles included in the present book creates categorization difficulties — I have included annotations when appropriate to help the reader discover the extent to which orchestration is the principal focus. I have also included "See also" references cross-referencing entries by the same author or on closely related topics.

Along with the general index, I have included the following separate lists of treatises related to more narrow topics: (1) orchestration in jazz and popular music; (2) orchestrating for various types of bands; and (3) treatises dealing with orchestration using specific instruments or instrumental families. These additional, more narrowly focussed sections should assist the researcher in locating specific references more quickly and easily. As mentioned earlier, since the "Orchestration Treatises" chapter is arranged alphabetically, I have also provided a separate list of treatises arranged chronologically.

In all the listings, I have distinguished between the doctoral dissertation and masters' thesis. A search of a large database, such as OCLC, reveals a number of undergraduate honors theses on the subject of orchestration. Undergraduate projects are not included in this book. Naturally, even with this limitation, some works (especially dissertations and theses) had to be omitted. There are a large number of works examining a particular work or, say, orchestral works of a given composer. Works of this type which do not focus on orchestration had to be omitted, due to space restrictions. In referencing works related to specific composers, the reader is advised to consult the "Index"

Since some readers might find it necessary to seek out orchestrational treatises related to specific instruments or families of instruments, I have included the chapter "List of Treatises Dealing with Specific Instruments." Please note that this chapter includes

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only citations from the "Orchestration Treatises" chapter. More general articles and books about instruments and instrumental families can be found in the "Index."

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This book could not have been completed without the help and advice of several individuals. I wish to thank Alicia S. Merritt, Acquisitions Editor at Greenwood Press, for initially suggesting that I investigate the idea of writing a set of music theory-related reference books. I also wish to thank the staff of the Mount Union College Library for their assistance with the interlibrary loan end of my research. Finally, I wish to offer special thanks to Karen Perone for patiently guiding me through the world of on-line searching and for offering her indexing and cataloging suggestions.

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T1. A ber, Thomas Carr. A History of the Bass Clarinet as an Orchestral and Solo Instrument in the Nineteenth and Early Twentieth Centuries and an

Annotated, Chronological List of Solo Repertoire for the Bass Clarinet from before 1945. Dissertation; University of Missouri, 1990.

Original language: English.

Scope: A major portion of this dissertation addresses the use of the bass clarinet in orchestration.

T2.A dam, William. Styles in Jazz Orchestration. Thesis. University of Rochester, 1947.

Scope The present thesis contains both text analyzing and examples of mid-1940s big band orchestrations.

T3. Ades, Hawley. Choral Arranging. Delaware Water Gap, Pennsylvania: Shawnee Press, 1966.

Original language English.

(For additional citations dealing with choral arranging, see: T77, T87, T147, T316, GB290, and GB556)

BIBLIOGRAPHY

TB1. Review of Choral Arranging by Hawley Ades. American Choral Review 9:49-50 (no. 3, 1967).

TB2. Review of Choral Arranging by Hawley Ades. The Diapason 58.49 (March 1967).

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TB3. Review of Choral Arranging by Hawley Ades. The Instrumentalist 21:24 (March 1967).

TB4. Review of Choral Arranging by Hawley Ades. Music Journal 25.42 (June 1967).

TB5. Review of Choral Arranging by Hawley Ades. National Association of Teachers of Singing Journal 2H1-% (no. 4, 1967).

T4. Adkins, Hector Ernest. Adkins' Treatise on the Military Band, by Capt H.E. Adkins. London and New York: Boosey & Co., 1931.

Original language: English.

Revised editions: Adkins, Hector Ernest. Treatise on the Military Band. London and New York: Boosey & Hawkes, 1945. 2nd revised edition. 1958.

T5. Adler, Samuel. The Study of Orchestration New York: W.W. Norton, 1982. Second edition, 1989.

BIBLIOGRAPHY

TB6. Adler, Samuel. The Study of Orchestration (sound recording). New York: W.W. Norton, 1982. 17 analog cassette tapes.

TB7. Adler, Samuel. The Study of Orchestration (sound recording) (2nd edition). New York: W.W. Norton, 1989. 5 digital compact discs. TB8. Adler, Samuel. The Study of Orchestration: Enlarged Musical

Examples. New York. W.W.Norton, 1982.

A supplementary book of musical examples to accompany the first edition of The Study of Orchestration (T5).

TB9. Adler, Samuel. Workbook for The Study of Orchestration. New York W.W. Norton, 1982.

TB 10. Adler, Samuel. Workbook for The Study of Orchestration (2nd edition). New York: W.W. Norton, 1989.

TB 11. Review of The Study of Orchestration by Samuel Adler Computer Music Journal %.65-7 (no. 4, 1984).

TB12. Review of The Study of Orchestration (2nd edition) by Samuel Adier. The Consort 46:23 (1990).

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TB 13. Review of The Study of Orchestration by Samuel Adler. The Musical Times 124:361-2 (June 1983).

T6. Agafonnikov, Nikolai Nikolaevich. Simfonicheskayapartitura ~ vosprosy prakticheskoy orkestrovki. Leningrad: Muzyka, 1967.

Original language: Russian. English translation: None.

BIBLIOGRAPHY

TB 14. Review of Simfonicheskaya partitura ~ vosprosy praktockeskoy orkestrovki by Nikolai Nikolaevich Agafonnikov. Sovetskaya Muzyka 39:123-4 (January 1975).

T7. Alexander, Peter L. Electronic Arranging & Orchestration (2nd edition). Newbury Park, California: Peter L. Alexander Publications, 1991.

Scope: This book deals with arranging and orchestrating using MIDI computer equipment, and is based on Joseph Wagner's Band Scoring (See: T302) and Orchestration: A Practical Handbook (See: T303).

(See also: TB345 for a related book revised by Peter L. Alexander) (See also: TB339)

T8. Alexander, Van. First Arrangement. New York: Criterion Music Corporation, 1947.

Original language. English.

Scope: The present book deals with jazz arranging. BIBLIOGRAPHY

TB 15. Alexander, Van. First Chart; A New Method to Teach Arranging to Today fs Contemporary Musician. Edited by and with contributions by

Jimmy Haskell. New York: Criterion Music, 1971.

The present represents a republication and update of First Arrangement. (See also: TB16)

TB16. Review of First Chart by Van Alexander. Down Beat39:3\ (May 25, 1972).

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T9. Andersen, Arthur Oiaf. Practical Orchestration. Boston: C.C. Birchard & Company, 1924. Second edition 1929.

Original language: English. (See also: GB13)

TIO. Anderson, John D. Brass Scoring Techniques in the Symphonies of Mozart, Beethoven, and Brahms. Thesis: George Peabody College for Teachers, 1960. Original language: English.

Til. Babic, K. Orkestracija, ideo. No publication information. [1969?] BIBLIOGRAPHY

TB17. Review of Orkestracija, i deo by K. Babic. Zvuck pp. 235-6 (no. 104-105, 1970).

T12. Bailey, Jim. The Development of the Violoncello Section as a Lyric Melodic Color in the Symphonies of Beethoven and Schubert. Dissertation: University of Kansas, 1984.

Scope: This dissertation compares Beethoven's and Schubert's approach to the 'cello section with that of Mozart and Haydn. Bailey finds that the late symphonies of Mozart and Haydn, as well as those of Cherubini, were major influences on the orchestrational style of Beethoven and Schubert. The author examined orchestration treatises of the past as well as scores by the composers in question.

T13. Baker, David. Arranging & Composing for the Small Ensemble: Jau/R&B/Jazz-Rock. Chicago: Maher Publications, 1970. Revised edition, Bloomington, Indiana. Frangipani Press, 1985.

Original language: English. (See also: GB23)

T14. Baker, Mickey. Complete Handbook for the Music Arranger. New York: Amsco Music Publishing Company, 1972.

Scope: The present book is primarily concerned with jazz arranging.

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BIBLIOGRAPHY

TB 18. Review of Complete Handbook for the Music Arranger by Mickey Baker. Down Beat 39:31 (May 25, 1972).

T15. Barley, Raymond B., Jr. An Investigation of the Value of Set Complex Theory as a Teaching Aid to Teachers of Orchestration Thesis: Duquesne University, 1987.

Scope: The present thesis uses Allen Forte's pitch-class set theory system of analysis to study woodwind writing in the symphonic music of Hector Berlioz.

T16. Barzizza, Pippo. Vorchestrazione moderna nella music leggera (VABC deWarrangiatore). Milano: Curci, 1952

Original language: Italian. English translation: None.

Scope: The present book deals with the orchestration of jazz and popular music.

T17. Bauer, Anton. Der Instrumentator; Etnfuhrung in die Instrumentation, tnit einem Anhang: Die Grundlagen von Hindemiths Theorie. Munchen: L. Kiammerlohr, 1949.

Original language: German. English translation: None.

T18. Bazala, Branko. Die Grundlagen der Orchestrierung von Berlioz bis zu R. Strauss. Leipzig, 1943.

T19. Becker, Heinz. Geschichte der Instrumentation. Cologne: A. Volk Verlag, 1964.

Original language: German.

English translation: Becker, Heinz. History of Instrumentation Translated by Robert Kolben Cologne: A Volk Verlag, 1964.

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T20. Bennett, Robert Russell. Instrumentally Speaking. Melville, New York: Belwin-Mills, 1975.

(See also: GB53, GB54, GB55, GB56, and GB57) (See also: GB538) BIBLIOGRAPHY

TB 19. Review of Instrumentally Speaking by Robert Russell Bennett. Composer (London) 58:44 (Summer 1976).

TB20. Review of Instrumentally Speaking by Robert Russell Bennett. Music in Education 40:133 (no. 379, 1976).

TB21. Review of Instrumentally Speaking by Robert Russell Bennett. The Strad 87:335 (August 1976)

T21. Berlioz, Hector. Grande traiti d'instrumentation et d'orchestration modernes. Paris: Schonenberger, 1844. Second edition, 1855.

Original language: French.

English translations: Berlioz, Hector. A Treatise upon Modern Instrumentation and Orchestration, New Edition. Translated by Mary Cowden Clarke. London: Novello, 1856.

Berlioz, Hector. A Treatise on Modern Instrumentation and Orchestration; to which is appended the Chef d'orchestre. Translated by Mary Cowden Clarke. Newly edited, revised, and edited by Joseph Bennett. London. Novello, 1882.

(See also: T21, T313, and T315)

BIBLIOGRAPHY

TB22. Bartenstein, Hans. Hector Berlioz' Instrumentationskunst und ihre geschichtliche Grundlagen. Strassburg: Heitz, 1939. 2nd edition Baden-Baden: Koerner, 1974.

(See also: TB24 and TB25) (See also: GB29)

TB23. Logier, Johann Bernhard. Logier *s Comprehensive Course in Music, Harmony, and Practical Composition. Edited by Carl Stein. Boston: J. White, 1888. Reprinted New York: Da Capo Press, 1976.

Contains an abridged treatise from the Berlioz work, based on the Mary Cowden Clarke translation. (See also: TB26)

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TB 24. Review of Hector Berlioz' Instrumentationskunst und ihre

geschichtliche Grundlagen by Hans Bartenstein. Melos: Zeitschrift fitr mueMusik 3:459-60 (no. 5, 1977).

Review of TB22.

TB 2 5. Review of Hector Berlioz' Instrumentationskunst und ihre

geschichtliche Grundlagen by Hans Bartenstein. Die Musikforschung 30:394-5 (no. 3, 1977).

Review of TB22.

TB26. Review of Logier's Comprehensive Course in Music, Harmony, and Practical Composition by Johann Bernhard Logier. The Musical Times

118:732 (September 1977). Review of TB23.

TB27. Rosell, Karen Joan. Color: A Credible Link Between the Paintings of Eugene Delacroix and the Music of Hector Berlioz. Dissertation: Ohio University, 1986.

This dissertation compares the orchestrational technique of Berlioz and the use of color of painter Delacroix. Berlioz's discussion of orchestration in Grande trade... forms the basis for much of RoselPs work.

TB28. Warrack, Guy. "Hector, Thou Sleep'st (Berlioz's Treatise Upon Modern Instrumentation and Orchestration)" The Musical Times

104:896-7 (December 1963).

T22. Berlioz, Hector. Instrumentationslehre, egiinzt und revidiert von Richard Strauss (2 volumes). Leipzig: C. F. Peters, 1905.

Original language: French, translated to German by Strauss, who also revised and enlarged Berlioz's original work.

English translation: Berlioz, Hector. Treatise on Instrumentation, Enlarged and Revised by Richard Strauss. Translated by Theodore Front. New York: Kalmus, 1948.

Note: Although the present work is based on T21, it is listed separately here due to Strauss's extensive reworking.

BIBLIOGRAPHY

TB29. Berlioz, Hector. Bol 'shoy traktat o sovremennoy instrumentovke I orkestrovke s dopolneniyami Rikarda Shtrausa. Edited by S.P. Gorchakov. Moscow: Muzyka, 1972.

This book is the Russian translation of T22. (See also: TB31) TB30. Lockspeiser, Edward. "The Berlioz-Strauss Treatise on

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TB31. Review of Bol 'shoy traktat o sovremennoy instrumentovke I orkestrovke s dopolneniyami Rikarda Shtrausa by Hector Berlioz. Sovetskaya Muzyka 38:79-83 (January 1974).

The present article is a review of TB29.

TB32. Review of Treatise on Instrumentation, Enlarged and Revised by Richard Strauss by Berlioz and Strauss (1948 Kalmus edition). High Fidelity 6:52+ (October 1956).

T23. Biales, Albert. The Orchestrational Technique of Beta Bartdk Thesis: Ohio State University, 1954.

T24. Blattner, Alfred. Instrumentation-Orchestration. New York: Longman, 1980. Original language: English.

Reprint: New York: Schirmer Books, 1985. BIBLIOGRAPHY

TB33. Review of Instrumentation-Orchestration by Alfred Blattner. Computer Music Journal 5:77-8 (no. 4, 1981).

T2S. Bogel, Hartwig. Studien zur Instrumentation in den Opern Giacomo Puccinis Tubingen. Sofortdruck H.G. Vogler, 1978.

Original language. German. English translation: None.

Scope. The present treatise deals with Giacomo Puccini's orchestrational technique.

T26. Borch, Gaston. Practical Manual of Instrumentation, by Gaston Borch; With Numerous Musical Illustrations, and Particular Reference to the Reduction of Large Scores for Smaller Orchestra. Boston: Boston Music Company; New York: G. Schirmer, 1918.

T27. Boresch, Hans-Werner. Besetzung und Instrumentation: Studien zur kompositorischen Praxis Johann Sebastian Bachs. Kassel: Barenreiter, 1993. Original language: German.

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Scope: The present book deals with Johann Sebastian Bach's compositional and orchestrational practice.

Note: This book is a revision of the author's dissertation: Ruhr-Universitat Bochum, 1990.

T28. Bostley, Edward John. The Horn in the Music ofGustav Mahler. Dissertation: Univeristy of Missouri - Kansas City, 1980.

T29. Braslavskii, Daniil. Aranzhirovka soprovozhdeniia vokala dlia instrumental*nykh ansamblei. Moscow: "Sov. Rossiia," 1983. Original language: Russian.

English translation: None.

T30. Bratt, Renata Louise. A Study of String Practice in Selected Large Orchestra Works of Igor Stravinsky. Dissertation: University of California at San Diego, 1988.

T31. Brown, Howard Mayer. Sixteenth-Century Instrumentation: The Music for the Florentine Intermedii. Dallas. American Institute of Musicology, 1973. Original language: English.

(See also: GB81, GB82, GB83, and GB84) (See also: T124)

T32. Brundrett, Grant Allan. Ramenu's Orchestration. Dissertation. Northwestern University, 1962.

Scope: The present dissertation deals with the orchestrational technique of Jean-Phillippe Rameau.

T33. Brunelli, Stephanie. The Use of the Piano in the Twentieth Century Orchestra: A Study of Pulitzer Prize Compositions by Copland, Bassett, and Druckman. Dissertation: University of Northern Colorado, 1992.

Scope: This dissertation deals with the use of the piano as an orchestral instrument in Aaron Copland's Appalachian Spring (Suite version for 13 instruments), Leslie Bassett's

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T34. Bruner, Tom. Mel Bay's Basic Concepts of Arranging and Orchestrating Music. Pacific, Missouri: Bayside Press, 1988.

Scope: The present book reflects a strong jazz/popular music orientation.

T35. Bufllngton, James L. Orchestration Technique in Modern Arranging for the Radio Orchestra. Thesis: University of Rochester, 1950.

Scope: The present book deals primarily with jazz and commercial music.

T36. Burghauser, Jarmil and Spelda, Antonin. Akustische Grundlagen des Orchestrierens. Regensburg: G. Bosse, 1971.

BIBLIOGRAPHY

TB34. Review of Akustische Grundlagen des Orchestrierens by Jarmil Burghauser and Antonin Spelda. Neue Musikzeitung 21:15 (October-November 1972).

TB35. Review of Akustische Grundlagen des Orchestrierens by Jarmil Burghauser and Antonin Spelda. Musikhandel 26:394 (no. 8, 1975).

T37. Burton, Stephen Douglas. Orchestration. Englewood Cliffs, New Jersey: Prentice-Hall, 1982.

T38. Burwasser, Daniel A. A Study of Lou Harrison fs "Concerto for Violin and

Percussion Orchestra" and "Concerto for Organ and Percussion Orchestra." Dissertation: City University of New York, 1993.

Scope: This dissertation deals specifically with the orchestration of the two Harrison works.

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T39. Cacavas, John. Music Arranging and Orchestration. Melville, New York: Belwin-Mills, 1975.

BIBLIOGRAPHY

TB36. Review of Music Arranging and Orchestration by John Cacavas. Composer (London) 58:44-5 (Summer 1976).

TB3 7. Review of Music Arranging and Orchestration by John Cacavas. The Instrumentalist 30:6 (February 1976)

TB38. Review of Music Arranging and Orchestration by John Cacavas. Music in Education 40:133 (no. 379, 1976).

T40. Carney, Thomas Kent. Rearranging Music to Solve Performance Problems in Very Easy to Medium Concert Band Music. Dissertation: University of Colorado at Boulder, 1990.

Original language: English

T41. Carse, Adam. The History of Orchestration New York: E. P. Dutton, 1925. Original language: English.

Reprint: Dover, 1964.

Scope. Carse covers the use of the orchestra and the development of orchestral instruments from the seventeenth century through the early twentieth century. He does not, however, refer explicitly to earlier orchestration treatises. (See also: GB105)

BIBLIOGRAPHY

TB39. Review of The History of Orchestration (reprint) by Adam Carse. American Music Teacher 15:42 (no. 1, 1965).

TB40. Review of The History of Orchestration (reprint) by Adam Carse. American Organist 50.5 (January 1967).

TB41. Review of The History of Orchestration (reprint) by Adam Carse. American Recorder 8:67 (no. 2, 1967).

TB42. Review of The History of Orchestration (reprint) by Adam Carse. Music and Musicians 13:52 (May 1965).

TB43. Review of The History of Orchestration (reprint) by Adam Carse. Music in Education 29.140-41 (no. 313,1965).

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TB44. Review of The History of Orchestration (reprint) by Adam Carse. The Music Review 30:248-9 (1969).

TB45. Review of The History of Orchestration (reprint) by Adam Carse. Musical Opinion 89 (June 1966).

TB46. Review of The History of Orchestration (reprint) by Adam Carse. Neue ZeitschriftfurMusik 127:506 (December 1966).

TB47. Review of The History of Orchestration (reprint) by Adam Carse. Zvuk 89:597-8 (1968).

T42. Casella, Alfredo and Mortari, Virgilio. La tenica dellforchestra contemporanea. Milan: Ricordi, 1951.

Original language: Italian. English translation. None.

Reprint: 1959. BIBLIOGRAPHY

TB48. Casella, Alfredo and Mortari, Virgilio. La tecnica de la orquesta contemporanea. Ciudad de La Habana: Editoiral Arte y Literatura, 1978.

Spanish translation of T42.

TB49. Casella, Alfredo and Mortari, Virgilio. Die Technik des modernen Orchesters. Translated by Wolfgang Jacobi and M. Schatzle. Milan: Ricordi, 1961.

The present book represents the German translation of T42. (See also. TB50)

TB50. Review of Die Technik des modernen Orchestei s by Alfredo Casella and Virgilio Mortari Musikhandel 13:130 (no. 3, 1962).

Review of TB49.

TB51. Review of La tenica dell 'orchestra contemporanea by Alfredo Casella Casella and Virgilio Mortari. Canadian Music Journal 6:73+ (no. 1, 1961).

TB52. Review of l a tenica dell 'orchestra contemporanea by Alfredo Casella and Virgilio Mortari. Rassegna Musicale 22:65-7 (January 1952). TB53. Review of La tenica dell 'orchestra contemporanea by Alfredo Casella

and Virgilio Mortari. RivistaMusicale Italiana 53.387 (October-November 1952).

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T43. Cesana, Otto. Voicing the Modern Dance Orchestra. New York: Modern Dance Publications, 1946.

Scope: The present book deals strictly with jazz and dance band orchestration.

(See also: GB107)

T44. Chenoweth, Richard K. The Horn in Opera: A Study in Orchestration with a Focus on Selected Operas by Britten and Strauss. Dissertation: University of Cincinnati, 1988.

Original language: English

Scope: Although this dissertation deals exclusively with the horn, the historical background on the instrument's treatment in orchestration is significant.

T45. Chidester, Lawrence William. International Wind-Band Instrumentation. San Antonio, Texas: Southern Music, 1946.

Original language. English.

Scope: The present brief booklet contains much detailed

information on the instrumentation of concert and military bands. While not strictly an orchestration treatise, the book contains suggestions on adapting arrangements for various instrumentations and guidlines for band doubling in a basic four-part texture.

(See also: T46) (See also: GB111, GB112, and GB113)

T46. Chidester, Lawrence W. Wind-Band Orchestration: International Theories and Practices with Deductions for the United States. Dissertation: The University of Iowa, 1943.

(See also: T45) (See also: GB111, GB112, and GB113)

T47. Chow, Wayne Yunwei. Twenty Chinese Instruments and "Concerto East and West" Dissertation: The Louisiana State University and Agricultural and Mechanical College, 1987.

Scope: The present dissertation presents information on the twenty most popular musical instruments of the Han people of China. Concerto East and West is the author's original composition which incorporates the twenty instruments into the western symphonic orchestra.

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T48. Clappe*, Arthur A. The Principles of Wind-Band Transcription. New York: Carl Fischer, 1921.

Scope: The present book deals with transcribing orchestral literature for the concert band.

T49. Coerne, Louis Adolphe. The Evolution of Modern Orchestration. New York: Macmillan, 1908.

Reprint: New York: AMS Press, 1979.

Note: The present work was originally presented as the author's dissertation: Harvard University, 1905.

BIBLIOGRAPHY

TB54. Review of The Evolution of Modern Orchestration by Louis Adolphe Coerne. The Nation 88:72-3 (January 21, 1909).

TSO. Collinson, Francis M. Orchestration for the Theatre. London: Bodley Head, 1941.

Reprint: 1949. New York: I. Ravin, 1951. BIBLIOGRAPHY

TB55. Review ofOrchestration for the Theatre by Francis Collinson (1951 I. Ravin edition). Notes 9:404-5 (June 1952).

T51. Coon, Oscar. Harmony and Instrumentation. The Principles of Harmony, with Practical Instruction in Arranging Music for Orchestras and Military Bands. Cincinnati, Ohio: A. Squire, 1883 (also published Cincinnati, Ohio: Fillmore Music House, 1883).

T52. Cordell, Albert Oram. The Orchestration of Verdi: A Study of the Growth of VerdVs Orchestral Technique as Reflected in the Two Versions of "Simon Boccanegra." Dissertation. The Catholic University of America, 1992. Original language: English.

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T53. Corder, Frederick. The Orchestra and How to Write for It: A Practical Guide. London: R. Cocks; New York: E. Schuberth, 1896. Sixth edition, 1923. Original language: English.

T54. Crowder, Laurin Peyton. The Development of a Self-Tutoring Program in the Fundamentals of Orchestration. Dissertation. The Louisiana State University and Agricultural and Mechanical College, 1971.

T55. Cucuel, George. Etudes sur un orchestre au XVIHme siecle: L 'instrumentation chez les symphonistes de La Poupliniere. Oeuvres musicales de Gossec, Schencker, et Gaspard Procksch. Paris: Fischbacher,

1913.

Original language. French. English translation: None.

T56. Czerny, Carl. Schule derpraktischen Tonsetzkunst, Op. 600. 1839. Original language: German.

English translation: Czerny, Carl. School of Practical Composition: Complete Treatise on the Composition of all Kinds of Music, both Instrumental and Vocal Together with a Treatise on Instrumentation, in Three Volumes. London: R. Cocks,

1848. Reprinted New York: Da Capo Press, 1979. (See also: GB479)

T57. Dackow, Sandra {Catherine. Arranging for the School Orchestra: An Analysis of Selected Works with Recommended Guidelines for Teachers and Arrangers. Dissertation: The University of Rochester, 1986.

T58. Darvas, Gabor. Pravile orkestrovki. Budapest: izd-vo Korvina, 1964. Original language: Hungarian and Russian.

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T59. Davis, Joyce Francine. The Cornet A Pistons in French and French-Influenced Orchestration from 1830 to 1936 Dissertation: The Ohio State University, 1990.

Scope: Although the present work deals with a limited orchestral repertoire and with the use of one particular instrument, it explains a great deal about why French and French-influenced brass writing was the way that it was during the period in question.

T60. Del Mar, Norman. Anatomy of the Orchestra. London: Faber; Berkeley: University of California Press, 1981.

BIBLIOGRAPHY

TB56. Review of Anatomy of the Orchestra by Norman Del Mar. American Music Teacher 33:58-9 (no. 3, 1984).

TB57. Review ofAnatomy of the Orchestra by Norman Del Mar. American Record Guide 47:85 (no. 4, 1984).

TB58. Review ofAnatomy of the Orchestra by Norman Del Mar. British Journal of Music Education 1:180-82 (no. 2, 1984).

TB59. Review ofAnatomy of the Orchestra by Norman Del Mar. Central Opera Service Bulletin 24:46 (no. 3, 1983).

TB60. Review of A na tomy of the Orchestra by Norman Del Mar. Music and Letters 66:269-7'1 (no. 3, 1985).

TB61. Review of Anatomy of the Orchestra by Norman Del Mar. Music Review 43:267+ (no. 3-4, 1982).

TB62. Review of Anatomy of the Orchestra by Norman Del Mar. Music Review 45:304-8 (no. 3-4, 1984).

TB63. Review of Anatomy of the Orchestra by Norman Del Mar. Revue de Musicologie 69:99-103 (no. 1, 1984).

T61. Delamont, Gordon. Modern Arranging Technique; A Comprehensive Approach to Arranging and Orchestration for the Contemporary Stage Band, Dance Band, and Studio Orchestra. Delevan, New York: Kendor Music, 1965. Original language: English.

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BIBLIOGRAPHY

TB64. Review of Modern Arranging Technique by Gordon Delamont. The Instrumentalist 21:22 (January 1967)

TB65. Review of Modern Arranging Technique by Gordon Delamont. Music Journal 24:66 (April 1966).

T62. Dempsey, Harry J. A Study in Composition for Large Jazz Ensemble. Thesis. Kent State University, 1977.

Scope: The present thesis deals extensively with the topic of arranging and orchestrating for jazz ensemble.

T63. Denisov, Edison Vasilievich. Udarnye instrumenty v sovremennotn orkestre. Moscow: Sovetsky Kompozitor, 1982.

Original language: Russian. English translation: None.

BIBLIOGRAPHY

TB66. Review of Udarnye instrumenty v sovremennotn orkestre by Edison Vasilievich Denisov. Sovetskaya Muzyka 5:95-8 (May 1984). T64. Dersnah, Susan Jane. Orchestration in the Orchestral Works of Bernard

Rogers. Dissertation: University of Rochester, 1975. Original language: English.

T65. Deutsch, Maury. Dr. Deutsch Encyclopedia of Arranging: Nine Books in One. New York: Charles Colin, 1977.

Scope: The present book contains a strong jazz and popular music orientation.

(See also: GB135 and GB136)

BIBLIOGRAPHY

TB67. Stone, Reppard. "Voicing Chords by Acoustics: The Concept of Maury Deutsch." The Proceedings of NAJE Research 4:98-103 (1984).

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T66. Devuyst, Kelly K. Orchestral Piano: Its Origins, Styles and Repertoire with a Stylistic Comparison and Textural Analysis of Rakhmaninov's "Symphonic Dances" and Stravinsky's "Petrushka" Dissertation: Memphis State University, 1993.

T67. Diamond, Charles Herbert. Arranging Latin-American Music Authentically, a Reference and Guide to Typical Latin-American Dance Forms with Examples of the Forms Scored for Orchestra. New York: King Brand Publications, 1948.

T68. Dittrich, Paul-Heinz. Das Arrangierbuch. Berlin. Lied der Zeit, 1967. Original language: German.

T69. Dmitriev, Georgii Petrovich. O dramaturgicheskoi vyraziteVnosti orkestrovogo pis'ma. Moscow: Sovetsky Kompozitor, 1981. Original language: Russian.

BIBLIOGRAPHY

TB68. Review of O dramaturgicheskoi vyrazitel 'nosti orkestrovogo pis 'ma by Georgii Petrovich Dmitriev. SovetskayaMuzyka 5:95-8 (May 1984).

T70. Dobbins, Bill. Jazz Arranging and Composing, A Linear Approach. Rottenburg: V. Gruber, 1986?

BIBLIOGRAPHY

TB69. Review of Jaw Arranging and Composing, A Linear Approach by Bill Dobbins. Jazz Podium 36:53 (January 1987).

T71. Dodson, Leon. Adapting Selected Compositions and Arrangements of Duke Ellington for High School Jazz Orchestra. Dissertation: New York University,

1979.

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T72. Dombourian-Eby, Zartouhi. The Piccolo in the Nineteenth Century. Dissertation: Northwestern University, 1987.

Scope: The present dissertation examines a variety of orchestration treatises from 1772 to 1930, as well as the history of the piccolo to trace the instrument's role in the orchestra throughout the nineteenth century.

T73. Dondeyne, Desire and Robert, Frederic. Nouveau traite (Vorchestration, a I*usage des harmonies, fanfares et musiques militairespour faire suite au traite dfinstrumentation et d*orchestration de G. Pares. Paris: Lemoine, 1969.

Original language: French. English translation: None. (Seealso: TB2I2) (Seealso: T214)

BIBLIOGRAPHY

TB70. Review of Nouveau traite' d'orchestration, a Vusage des harmonies, fanfares et musiques militaires pour faire suite au traite

d 'instrumentation et d 'orchestration de G. Pares by Desire Dondeyne and Frederic Robert. Journal Musical francais. 188:47 (January 1970). TB71. Review of Nouveau traite d 'orchestration, a I 'usage des harmonies,

fanfares et musiques militaires pour faire suite au traite

d'instrumentation et d'orchestration de G. Parts by Desire Dondeyne and Frederic Robert. SoveiskayaMuzyka 39:15 (no. 6, 1975).

T74. Downey, Lyle W. and Johnson, Harold McKinley. Basic Orchestration Manual and Workbook. Dubuque, Iowa: William C. Brown, 1953. Original language: English.

BIBLIOGRAPHY

TB 72. Review of Basic Orchestration Manual and Workbook by Lyle W. Downey and Harold McKinley Johnson. Etude 72:6 (January 1954). TB73. Review of Basic Orchestration Manual and Workbook by Lyle W.

Downey and Harold McKinley Johnson. The Instrumentalist 8:42 (November 1953).

TB74. Review of Basic Orchestration Manual and Workbook by Lyle W. Downey and Harold McKinley Johnson. Journal of Research in Music Education 2:182 (Fall 1954).

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TB75. Review of Basic Orchestration Manual and Workbook by Lyle W. Downey and Harold McKinley Johnson. The Musical Courier 148:26 (October 15, 1953).

TB76. Review of Basic Orchestration Manual and Workbook by Lyle W. Downey and Harold McKinley Johnson. Woodwind Magazine 6:11 (September 1953).

T75. Dudley, Walter Sherwood, Jr. Orchestration in the uMusique d'harmonie" of

the French Revolution. Dissertation: University of California at Berkeley, 1968. Original language: English.

T76. Dunn, John Petrie. A Student's Guide to Orchestration. London: Novello and New York: H.W. Gray Company, 1928.

T77. Ehrich, Wilbur Henry. A Study of Orchestration for Band with Chorus. Thesis: University of Rochester, 1946.

T78. Ehrle, Thomas. Die Instrumentation in den Symphonien und Ouverturen von Felix Mendelssohn Bartholdy. Wiesbaden. Breitkopf & Hartel, 1983.

Note: Originally published as a dissertation: Goethe-Universitat zu Frankfurt am Main, 1983.

BIBLIOGRAPHY

TB77. Review of Die Instrumentation in den Symphonien und Ouverturen von Felix Mendelssohn Bartholdy by Thomas Ehrle. Musica 38:282 (no. 3,

1984).

T79. Ellis, Norman. Instrumentation and Arranging for the Radio and Dance Orchestra. New York: Roell Publications, 1936.

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Scope: The present book focuses on studio (chamber) orchestra and dance band.

T80. Erickson, Frank. Arranging for the Concert Band. Melville, New York: Bel win-Mills, 1983.

T81. Erpf, Hermann. Lehrbuch der Instrumentation und Instrumentenkunde. Mainz: Schott, 1959.

Original language: German. English translation: None. (See also: GB150 and GB151)

BIBLIOGRAPHY

TB 7 8. Revi ew of Lehrbuch der Instrumentation und Instrumentenkunde by Hermann Erpf. Musica 14:471 (July 1960).

TB 79. Review of Lehrbuch der Instrumentation und Instrumentenkunde by Hermann Erpf. Musical America 81:273 (January 1961).

TB80. Review of Lehrbuch der Instrumentation und Instrumentenkunde by Hermann Erpf. Musik und Kirche 32:86-7 (no. 2, 1962).

TB81. Review of Lehrbuch der Instrumentation und Instrumentenkunde by Hermann Erpf. Neue Zeitschrift fur Musik 121:110 (March 1960). TB82. Review of Lehrbuch der Instrumentation und Instrumentenkunde by

Hermann Erpf Notes 18:64 (no. 1, 1960).

TB 8 3. Revi ew of Lehrbuch der Instrumentation und Instrumentenkunde by Hermann Erpf. Phono 8:60 (no. 3, 1962).

TB84. Review of Lehrbuch der Instrumentation und Instrumentenkunde by Hermann Erpf. La RassegnaMusicale 32:58-60 (no. 2-4, 1962). TB 8 5. Review of Lehrbuch der Instrumentation und Instrumentenkunde by

Hermann Erpf. Schweizerische Musikzeitung 100:203-4 (no. 3, 1960). TB86. Review of Lehrbuch der Instrumentation und Instrumentenkunde by

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T82. Evans, Edwin. Method of Instrumentation; How to Write for the Orchestra and Arrange an Orchestral or Band Score. London: W. Reeves, 1926. Original language: English.

Scope: The present treatise contains separate volumes dealing with strings (I) and woodwinds, brass, and percussion (II).

T83. Eversole, James A tlee. A Study of Orchestrational Style through the Analysis of Representative Works of Mozart and Beethoven. Dissertation: Columbia University, 1966.

T84. Fetis, Francois-Joseph. Manuel des compositeurs, directeurs de musique, chef d*orchestre & de musique militaire, ou, Traite methodique de Vharmonie, des instrumens, des voix, et de tout ce qui est relatig a la composition, a la direction et a la execution de la musique. Paris: Schlesinger, 1837. Original language: French.

English translation. None.

T85. Fidler, Florence G. A Handbook of Orchestration. London: K. Paul, Trench, Trubner; New York: E.P. Dutton, 1921.

Orginal language: English.

T86. Flum, Robert A., Jr. The Use of the Alto, Bass, and Contrabass Clarinets in Selected Wind Band Compositions Written between 1951 and 1972.

Dissertation: University of Northern Colorado, 1985. Original language: English.

Scope: The present dissertation deals specifically with Symphony in B-flat by Paul Hindemith, Symphony for Band, Masquerade, and Parable for Band by Vincent Persichetti, and Sinfonietta by Ingolf Dahl.

(See also: GB412, another study concerned with the Persichetti Symphony for Band)

T87. Forsyth, Cecil. Choral Orchestration. New York: The H.W. Gray Company, 1920.

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T88. Forsyth, Cecil. Orchestration London: Macmillan, 1914. 2nd edition, New York: Macmillan, 1935.

Reprint: Second edition reprinted New York: Macmillan, 1949 and 1967.

T89. Fox, Ronald Steven. A Critical Comparison of Orchestration Texts Concerning Brass. Dissertation: Indiana University, 1984.

Note: The present dissertation, unfortunately, is one of a very few listed in this book not available from University Microfilms. This work provides for interesting comparisons between a number of earlier orchestration books.

T90. Francour, Louis-Joseph. Diapson general de tous les instruments a vent Paris, 1772.

Original language: French. English translation: None.

Reprint: Geneva: MinkorTReprints, 1972.

Scope: The present work deals with wind instruments and provides a historically interesting view of French orchestrational practices in that regard in the classical period.

T91. Frazeur, Ted C. The Successful Use of Percussion in the Modern Orchestra as Exemplified by Three Works of Rogers, Stravinsky, and Bart ok Thesis: University of Rochester, 1956.

Scope: Although the present thesis deals with only three twentieth-century works, percussion scoring techniques are treated in detail. The thesis also contains a recording of the musical examples cited in the text.

T92. Fredrickson, Lawrence Thomas. Stravinsky's Instrumentation: A Study of His Orchestral Techniques. Dissertation: University of Illinois, 1960. Original language: English.

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T93. Fuhrmann, Peter. Untersuchungen zur Klangdifferenzierung im modernen Orchester. Regensburg: Bosse, 1966.

Orginal language: German. English traslation: None.

T94. Galli, Amintore. Manuale del capo-musica. Trattato di strumentazione per banda... Milano: Ricordi, 1889.

Original language. Italian. English translation: None.

Scope: The present book deals with band instrumentation and orchestration.

T95. Gallo, Stanislao. The Modern Band; A Treatise on Wind Instruments, Symphony Band and Military Band. Boston: C.C. Birchard, 1935. Original language: English.

Scope: While the present book deals with several aspects related to various types of wind bands, orchestration and arranging are key components.

T96. Gangware, Edgar Brand. The History and Use of Percussion Instruments in Orchestration. Dissertation: Northwestern University, 1962.

T97. Garcia, Russell. The Professional Arranger Composer. New York: Criterion Music Corporation, 1954. Book II published in 1979.

Scope: The present book deals primarily with jazz and other forms of commercial music.

BIBLIOGRAPHY

TB87. Review of Das moderne Arrangement (Munich: Modern, 1961, 1979) by Russell Garcia. Musik undBildung 13:118-19 (February 1981). T98. Gardens, Helmut. Arrangier-Methodeftir modernes Tanzorchester:

Spezial-Arrangements, Druck-Spezial-Arrangements, Combo-Arrangements. Frankfurt am Main: Tenuto-Musik-Edition, 1959.

Original language: German. English translation: None.

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Scope: The present book deals with jazz and dance band arranging.

T99. Gardner, Maurice. The Orchestrator*s Handbook; A Complete, Concise and Informative Reference Manual. Great Neck, New York: Staff Music, 1948. Original language: English.

Scope: While the present book provides much information, it is a reference guide with little prose.

BIBLIOGRAPHY

TB88. Review of The Orchestrator \s Handbook by Maurice Gardner. Etude 69:9 (March 1951).

TB89. Review of The Orchestrator's Handbook by Maurice Gardner. The Instrumentalist 27:16 (August 1972).

T100. Gauldin, Robert. The Historical Development of Scoring for the Wind Ensemble. Dissertation: University of Rochester, 1958.

T101. Gevaert, Francois-Auguste. Cours methodique d*orchestration. Paris and Brussels, 1890.

Original language: French. English translation: None. (See also: T102andT103)

T102. Gevaert, Francois-Auguste. Nouveau traitd d'instrumentation. Paris: H. Lemoine, 1885.

Original language. French.

English translation: Gevaert, Francois-Auguste. Nouveau traite

d Instrumentation. Translated by Edward Suddard. Paris: H. Lemoine, 1906.

(See also: T101 and T103)

T103. Gevaert, Francois-Auguste. Traite gineraid* instrumentation. Ghent, 1863. Original language: French.

English translation: None. (See also: T101andT102)

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T104. Gieseler, Walter. Instrumentation in der Musik des 20. Jahrhunderts. Celle: Moeck, 1985.

Original language: German. English Translation: None.

BIBLIOGRAPHY

TB90. Review of Instrumentation in der Musik des 20. Jahrhunderts by Walter Gieseler. Beitraege zur Musikwissenschaft 30:299 (no. 4, 1988). TB91. Review of Instrumentation in der Musik des 20. Jahrhunderts by Walter

Gieseler. The Galpin Society Journal 45:157 (1992).

TB92. Review of Instrumentation in der Musik des 20. Jahrhunderts by Walter Gieseler. Musica 39:594-8 (no. 6, 1985).

TB93. Review of Instrumentation in der Musik des 20. Jahrhunderts by Walter Gieseler. Musik undBildung 18:196-7 (February 1986).

TB94. Review of Instrumentation in der Musik des 20. Jahrhunderts by Walter Gieseler. Musik und Kirche 59:204 (no. 4, 1989).

TB95. Review of Instrumentation in der Musik des 20. Jahrhunderts by Walter Gieseler. Musikerziehung 42:38 (October 1988).

TB96. Review of Instrumentation in der Musik des 20. Jahrhunderts by Walter Gieseler. Neue Musikzeitung 36:56 (December 1987).

TB97. Review of Instrumentation in der Musik des 20. Jahrhunderts by Walter Gieseler. Neue Zeitschrift fur Musik 11:64-5 (November 1985). TB98. Review of Instrumentation in der Musik des 20. Jahrhunderts by Walter

Gieseler. DasOrchester 33:968 (October 1985).

TB99. Review of Instrumentation in der Musik des 20. Jahrhunderts by Walter Gieseler. RivistaItaliana diMusicologia 22:495-6 (no. 3, 1988).

T105. Gilinsky, Joshua Earl. Unity and Opposition in the Orchestration of Tchaikovsky*s uRomeo and Juliet Overture.tf Thesis. Manhattan School of

Music, 1990.

Scope: This thesis examines orchestration in the Tchaikovsky work as a part of the composition, making the point that orchestration is not a separate musical element.

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T106. Gillespie, George Dobson. Orchestration Techniques in Certain Contemporary Brass-Choir Music. M. A. thesis: Indiana University, 1957. Original language: English

T107. Greenberg, Stanley Samuel. A Comparison of the Uses of the String Section of the Orchestra as Evidenced in Selected Works of Brahms and Wagner. Thesis: University of Rochester, 1958.

T108. Grove, A.T. (Dick). Arranging Concepts; A Guide to Writing Arrangements for Stage Band Ensembles. Studio City, California: First Place Music

Publications, 1972.

Original language: English (See also: GB194, GB195, and GB530)

BIBLIOGRAPHY

TB 100. Review of Arranging Concepts; A Guide to Writing Arrangements for Stage Band Ensembles by Dick Grove. Crescendo International 11:34 (June 1973).

TB 101. Review of Arranging Concepts; A Guide to Writing Arrangements for Stage Band Ensembles by Dick Grove. Dawn Beat 40:36 (June 7,

1973).

TI09. Gruhn, Wilfried. Die Instrumentation in den Orchestenverken von Richard Strauss. Dissertation: Mainz, 1988.

Original language. German. English translation: None

Scope: The present dissertation deals strictly with Richard Strauss* orchestrational technique.

T110. Guiraud, Ernest. Traitepractiqued*instrumentation. Paris: A. Durand et fils, 1892.

Original language French. English translation: None.

Scope: The present treatise represents a complete turn-of-the century, French approach to orchestration.

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T i l l . Guiraud, Ernest. Traite pratique dfinstrumentation (Revised and completed

by Henri Busser). Paris: Durand, 1933. Original language: French. English translation: None.

Note: The present treatise represents an updating of a work originally published in 1892. (See: Tl 10)

Tl 12. Gunderson, Hugh. Instrumentation and Orchestration for the Modern Concert Band. Dissertation. The University of Iowa, 1947.

Tl 13. Gut, Serge and Pistone, Daniele. Les Partitions d'orchestre de Haydn & Stravinsky: Histoire, lecture, reduction, commentaire. Paris: H. Champion,

1977.

Orginal language: French. English translation: None.

Scope: The present book is a history of orchestrational practice from the time of Haydn through that of Stravinsky. The book also presents details on all the orchestral instruments and a discussion of timbral combinations. In addition to these standard orchestration-related matters, the authors also provide commentary on motivic, harmonic, and melodic usage by composers from the late 18th century through the early 20th century.

Tl 14. Habia, Bernhard. Besetzung und Instrumentation des Blasorchesters seit der Erfindung der VertilefUr Blechblasinstrumente bis zum zweiten Weltkrieg in Osterreich und Deutschland. Tutzing: H. Schneider, 1990.

Original language: German.

English translation: None. The English-language abstract, however, for the dissertation upon which this book is based is available in Dissertation Abstracts International, Volume 51-03. Scope: This book deals with the instrumentation of and

orchestration for wind bands from the first quarter of the nineteenth century through 1945 in Germany and Austria. Note: The present volume was originally presented as the

author's dissertation: Karl-Franzens Universitat Graz, 1989.

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Til 5. Hala, Vlastimil. Zaklady aranzovnai moderni popularni hudby Prague: Panton, 1980.

Original language: Czech. English translation: None.

Scope: The present book deals with the arranging of jazz and popular music.

T116. Haller, Klaus. Partiuranordnung und musikalischer Satz. Tutzing: H Schneider, 1970.

Original language: German. English translation: None.

Note: The present treatise was originally presented as the author's thesis, Munich, 1968.

BIBLIOGRAPHY

TB 102. Review of Partituranordnung und musikalisher Satz by Klaus Haller. DieMusikforschung 26.53H-9 (no. 4, 1973).

Tl 17. Hamilton, Amy Sue. The Relationship of Flute Construction to the Symphonic Role of the Flute and Orchestral Performance Practice in the Nineteenth Century. Dissertation: Northwestern University, 1984. Original language: English.

Scope: This dissertation contains significant research on woodwind orchestrational styles in the nineteenth century, relating some of the idiosyncracies of some orchestrational approaches to interactions between specific performers and composers. In short, the work is more orchestration-related than the title might suggest.

Tl 18. Hamlin, Peter Scott. ''Pierrot Lunaire" and the New Sound World of Twentieth-Century Chamber Music and "Sky dances for Orchestra." Dissertation: University of Rochester, 1994.

Scope: The author analyzes Arnold Schonberg's orchestration in Pierrot Lunaire, Igor Stravinsky's Three Japanese Lyrics, and Maurice Ravel's Troispoemes de Stephane Mallarme. Also included is the author's original composition, Skydances, which uses the Schonberg work as an orchestrational model.

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TI19. Hansen, Brad. The Essentials of Instrumentation. Mountain View, California: Mayfield Publishing Company, 1991.

T120. Hanson, Wesley Luther. The Treatment of Brass Instruments in the Symphonies of Gustav Mahler. Dissertation: University of Rochester, 1976.

T121, Heacox, Arthur Edward. Project Lessons in Orchestration. Boston. O. Ditson, 1928.

Reprint. New York. AMS Press, 1978.

Note: The present book was later revised and issued by a different publisher. (See: T122) The two versions of the book are given separate "T" numbers here to account for the publication and reprint complexities.

T122. Heacox, Arthur Edward. Project Lessons in Orchestration. Philadelphia: Ditson and Bryn Mawr, Pennsylvania: Theodore Presser, 1938.

Note: The present treatise represents a revamping of a work previously issued by a different publisher. (See: T121) The two versions of the book are given separate "T" numbers here to account for the publication and reprint complexities.

BIBLIOGRAPHY

TB 103. Heacox, Arthur Edward. Music Supplement to Project Lessons in Orchestration. Philadelphia: O. Ditson and Bryn Mawr, Pennsylvania: Theodore Presser, 1938.

T123. Hill, Frank W. Orchestral Tone-Color in Russian Music. Thesis: University ofRochester, 1932.

T124. Hills, Ernie Marvin, HI. The Use of Trombone in the Florentine Intermedii, 1518-1589. Dissertation. The University of Oklahoma, 1984.

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Scope: Although this dissertation deals with only one instrument and with a narrow time period, it provides a significant discussion regarding the early history of orchestration (See also. T31 and GB83 for other citations related to the subject)

T125. Hind, Harold Charles. The Brass Band London: Hawkes& Son, 1934. Original language: English.

Scope: In addition to discussing other details pertaining to British brass bands, Hind discussing instrumentation and arranging for this type of ensemble.

T126. Hoby, Charles. Military Band Instrumentation; A Course for Composers and Students. London. Oxford University Press, 1936.

Scope. The present book deals with all aspects of arranging and orchestrating for bands.

T127. Hofer, Franz. Instrumentationslehre mit besonderer Berucksichtigung der Kirchenmusik. Regensburg and New York: Friedrich Pustet, 1913.

Original language: German. English translation. Unknown.

T128. Hofmann, Richard. Praktische instrumentationslehre. Leipzig: Dorftling & Franke, 1893.

Original language German.

English translation. Hofmann, Richard. Practical Instrumentation. Translated by Robin H. Legge. London: Augener; New York: Schirmer, 1893.

T129. Hopkins, Anthony. Sounds of Music: A Study of Orchestral Texture. London: Dent, 1982.

Scope: Although the present book seems to be intended primarily as a listening guide, the extensive discussion of

orchestrational techniques and numerous musical excerpts illustrating the same make it a true orchestration treatise.

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BIBLIOGRAPHY

TB104. Review ofSounds of Music: A Study of Orchestral Texture by Anthony Hopkins. Gramophone 60:84 (June 1982).

TB 105. Review of Sounds of Music: A Study of Orchestral Texture by Anthony Hopkins. The Music Review 43:267+ (no. 3-4, 1982).

TB 106. Review ofSounds of Music: A Study of Orchestral Texture by Anthony Hopkins. Music Teacher 62:26 (January 1983).

TB 107. Review of Sounds of Music: A Study of Orchestral Texture by Anthony Hopkins. The Musical Times 123:843-4 (December 1982).

T130. Hornbacher, Mark Jay. "Petrushka": A Comparison of the Original and Revised Trumpet and Cornet Parts. Dissertation. Arizona State University,

1991.

T131. Home, Ivan Francis. A Study of Organ Transcription for Band. Thesis: University of Texas at Austin, 1953.

T132. Hoy, Patricia Jean. A Comparison of Selected Performing Editions of the Robert Schumann Symphonies. Dissertation: The University of Arizona, 1991. Original language: English.

Scope: The author of the present dissertation compares the orchestration of editions of the Schumann symphonies by Gustav Mahler, Arturo Toscanini, George Szell, and Felix Weingartner, as well as revisions made by numerous other conductors.

T133. Hoyt, Gordon Everett. Arranging Orchestra Music for the Small, Incomplete School Orchestra. Thesis: University of Rochester, 1948.

Scope: The present thesis deals with both original arranging and with the reworking of published arrangements.