• No results found

Avenged Sevenfold - Hail to the King (Digitabs)

N/A
N/A
Protected

Academic year: 2021

Share "Avenged Sevenfold - Hail to the King (Digitabs)"

Copied!
118
0
0

Loading.... (view fulltext now)

Full text

(1)
(2)

Intro Free Time

Words and Music by Matthew Sanders, Jonathan Seward, Brian Haner, Jr. and Zachary Baker

Acid Rain

© 2013 EMI BLACKWOOD MUSIC INC., SLAYER ST PUBLISHING,

LEWIS CHRIST PUBLISHING, S GATESMUSIC and SKELETONS AND BOWTIES PUBLISHING All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC.

All Rights Reserved International Copyright Secured Used by Permission from Avenged Sevenfold - Hail to the King

Moderately q = 103 rit. Slowly q. = 61 1     *Gtr. 1 (Rumbling) μ 5 sec.   w/ fingers

let ring throughout

Dm

mp

Dm7/C Bb

*Piano arr. for gtr.



Bbmaj7/A Bb5 Gm Gm7/F Asus4 A

 Gtr. 2 (clean)

let ring throughout

Riff A Gtr. 1 tacet

Dm

mp

Dm/C Bbmaj7 Bbmaj7/A Bbmaj7

 Gm Gm/F Asus4 A End Riff A    0 2 3 1 3 3 2 1 1 3 3 3                       0 3 2 3 1 3 3 0 2 3 5 5 3 3 3 3 1 3 3 3 3 3 3 0 2 3 0 2 3 0 2 2 0 5 5                      0 2 3 1 3 2 3 2 3 1 3 2 1 2 3 1 3 2 0 2 3 1 2 3                        3 5 3 3 3 3 1 3 3 3 3 3 0 2 2 3 2 3 0 2 2 2 2 2 1

(3)

 Gtr. 3 (dist.) Gtr. 2: w/ Riff A w/ ambient delay mf Dm Dm/C Bbmaj7 Bbmaj7/A  Bbmaj7 3  1 1 1 1 1/2 1 1/2  Gm Gm/F Asus4 A 1 1 1 1/2  Verse Gm A,

1. our day has come,

C Gtr. 3 tacet  Gtr. 3  1 

Gtr. 2 Riff B End Riff B



Gtr. 2: w/ Riff B (3 times)

Gm

it’s drawn in the sky,

C                          8 8 8 6 8 X 8 8 6 8 7 7 7 7                8 8 6 8 8 6 5 5 5 6 5                6                         3 0 3 3 3 3 3 0 3 3 3 3 3 2 0 1 0 1 3 2 0 1 0 1            

(4)



Gm

so don’t shed a tear

C

now,



Gm

be thank-ful for the time.

C



Pre-Chorus

A[b9]

Life would n’t- be so pre cious,- dear, if there nev er- was an end.

 *Gtrs.

2 & 4 Riff C End Riff C

3

*Gtr. 4 (slight dist.), played mf.

 Chil Chorus Gtrs. 2 & 4: w/ Riff A Dm dren - still play Dm/C in the gar Bbmaj7 den, -Bbmaj7/A  Bbmaj7  dance Gm as the sun Gm/F slips a way. Asus4 -A  Verse Gtr. 2: w/ Riff B (4 times) Gm  We

2. stand on the edge

C now,                                                                            0 2 2 3 2 2 0 2 2 3 2 3 2 2 0 2 2 3 2 2 0 2 2 3 2 2                                        3

(5)



Gm

we’ve come so far,

C



Gm

and through all the dust it be - comes

C

clear,



Gm

you will al - ways be my heart.

C



Pre-Chorus

Gtrs. 2 & 4: w/ Riff C

A[b9]

There’s no death, no end of time when I’m fac ing- it with you.

 Chil

Chorus

Gtrs. 2 & 4: w/ Riff A (2 times)

Dm dren - still play Dm/C in the gar Bbmaj7 den, -Bbmaj7/A  Bbmaj7  dance Gm as the sun Gm/F slips a way. Asus4 -A  Not Dm e - ven stars Dm/C last for ev Bbmaj7 - - er, Bbmaj7/A Bbmaj7  cleanse Gm us, Gm/F ac - id rain. Asus4 A                                                                                                                               

(6)

 Gtrs. 2 & 4 Interlude Bb Bb/A Gm Gm/F D  Stand Bridge Gtrs. 2 & 4 tacet Gm near F/A to Bb me, G/B   Gtr. 1  don’t Cm look,  A/C# be  Dm brave. C/E   O Fm ver

- the black - ened moon

C/E I’ll car Fm ry - you a way, D/F# -             1 3 3 0 3 3 3 3 3 1 3 3 42 3                                    3 3 3 5 6 8 7 6 7 5 7 8 8 6 7 6 7 7 7 8 0 15 12 13                                        12 11 10 10 13 13 12 13 12 12 14 14 17 15 14 13 12 12 13 14 15 13 10 12 15 12 13 11                                          9 8 10 10 9 8 8 9 10 9 13 11 9 8 6 8 10 9 10 12 10 10 11 10 12 12 14 14 5

(7)

 through Gm the plan F/A ets - we fly. Bb D    Gtr. 3 Guitar Solo Gtr. 1 tacet Gtr. 2: w/ Riff B (4 times) Gm  C  Gm     1 1 1 1/2 1  C   Gm  3 3    1 1/2 1/2 1 1   C   3 3 3 1/2  1/2   1 1 1 1 1  Gm  C steady gliss.  w/ bar   Gtrs. 2 & 4: w/ Riff C A[b9]   1/2                                           15 15 12 11 11 10 10 12 12 10 10 10 10 10 10 11 10 12 10 12 12 10 11 10 11 10 11 10 11 10 11 10 11 10                    5 5 3 5 5 5 3 3 5 5                              5 6 5 5 3 3 6 3 6 3 6 5 5 5 5 5 6 6 6 3 6                      3 6 6 6 6 3 6 3 5 5 5 5                            5 10 5 7 8 10 10 8 10 7 7 3 9 6 6 1 3 5 6 8 8 10 11 8

(8)

    3 3 3 5     Chil Chorus

Gtrs. 2 & 4: w/ Riff A (2 times)

Dm dren - still play Dm/C in the gar Bbmaj7 den, -     1/2  Bbmaj7/A  Bbmaj7 dance Gm as the sun Gm/F slips a way. Asus4 -        A  Not Dm e - ven stars Dm/F last for -   3 3 3                                   10 11 10 11 13 12 13 11 12 9 10 12 12 7 8 10 7 8 11 7 8 11 9 12 10 10 12 13 10 11 14 10 12                        12 12 12 10 10 10 10 13 12 10 10 10                                 6 10 10 13 11 10 11 11 12 10 11 10 10 12 10 11 9 9 3 7                               6 7 9 10 8 9 11 10 9 9 8 9 10 9 10 12 13 13 7

(9)

 ev Bbmaj7 er, -Bbmaj7/A  Bbmaj7 cleanse Gm us, Gm/F ac - id  8va   1 1 1 1/2  rain. Asus4 A  8va loco 3  Outro Bb  Bb/A Send Gm us Gm/F home,  D  Gtr. 3   1 1 1/2  1/2 1  Gtrs.

2 & 4 Riff D End Riff D

                    15 15 15 15 15 15                            17 18 15 17 18 15 17 18 15 17 18 15 17 17 17 17 15 14 17 14 15 17                             17 17 17 17 14 14 14 7 11 12 14 14 14 1215 15 14                      1 3 3 0 3 3 3 3 3 1 3 3 0 2 3 2 3 2 0 2 3 2 3 2

(10)



Gtrs. 2 & 4: w/ Riff D (2 times)

Bb  Bb/A send Gm us Gm/F home,  D  Gtr. 3  8va 1 1  Bb  Bb/A send Gm us Gm/F home,  D  loco   1 1  Bb  Bb/A send Gm us Gm/F home,  D  Gtr. 3  1   Gtrs. 2 & 4

 (Storm noises) 64 sec. 

                          17 17 17 17 17 12 14 15 14 15 16 15 14 15 14 17 18 17                         17 17 17 17 14 15 14 11 12 11 7 8 7 2 3 2              3 3 3 3 5 5 2                 1 3 3 0 3 3 3 3 3 1 3 3 42 3 9

(11)

Intro

Very fast q = 184

Words and Music by Matthew Sanders, Jonathan Seward, Brian Haner, Jr. and Zachary Baker

Coming Home

© 2013 EMI BLACKWOOD MUSIC INC., SLAYER ST PUBLISHING, LEWIS CHRIST PUBLISHING, S GATESMUSIC and SKELETONS AND BOWTIES PUBLISHING

All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission

from Avenged Sevenfold - Hail to the King

  Gtr. 1 (slight dist.) Drop D tuning, down 1/2 step: (low to high) Db-Ab-Db-Gb-Bb-Eb

* mf D5 D[b6] let ring  Dsus4 D5 let ring  

*Chord symbols reflect implied harmony.



Dm Dsus4

let ring

C5 Csus4 C Csus2 C Csus4

let ring   Verse D5 I’ve 1. been a way, D[b6] - search Dsus4 ing - for a rea D5 son, - Riff A

let ring let ring

                                5 5 7 5 5 7 5 8 5 8 5 5 5 8 5 5 5 5 5 5 5 5 7 5 7 5 5 5 7 5                                 5 5 3 5 5 3 5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 2 3 3 0 3 3 2 3 3 3                                             5 5 7 5 5 7 5 8 5 8 5 5 5 8 5 5 5 5 5 5 5 5 7 5 7 5 5 5 7 5

(12)

 Dm an - oth-er pur Dsus4 pose - to find. C5 Csus4 C  Csus2 C Csus4  let ring End Riff A let ring   Gtr. 1: w/ Riff A (2 1/2 times) D5

I’ve sailed the seas,

D[b6] fought Dsus4 my man y- de D5 mons; - Gtr. 2 (dist.) Riff B *pp w/ slight delay mp *Vol swell  Dm

I’ve looked to gods

Dsus4 in the skies. C5 Csus4 C  Csus2 C Csus4  End Riff B  Gtr. 2: w/ Riff B (2 times) D5

I’ve stood in hell,

D[b6] where man Dsus4 y - had to suf D5 fer; - Gtr. 3 (slight dist.) Rhy. Fig. 1 mf P.M.  P.M.  P.M.  P.M.                                           5 5 3 5 5 3 5 5 5 5 5 5 5 5 5 3 5 3 3 3 3 3 2 3 3 0 3 3 2 3 3 3                  12            12 10                                                5 7 5 5 5 5 5 58 5 5 5 5 5 5 55 5 5 5 5 5 57 5 5 5 5 5 5 2

(13)



I stared the

D[b6]

Dev il- in the eyes.

C5 Csus4 C

Csus2 C Csus4



P.M. 

End Rhy. Fig. 1

P.M.  P.M.  P.M. P.M. P.M.



Gtr. 3: w/ Rhy. Fig. 1

D5

Walked man - y roads

D[b6] to wit Dsus4 ness - an - cient i D5 dols, - Dm

and found the great

Dsus4

gates of fire.

Gtr. 1 tacet

C5 Csus4 C Csus2 C Csus4

 Gtr. 4 (dist.)

 

f

Rhy. Fill 1 End Rhy. Fill 1

 Gtr. 1 let ring  f Gtr. 5 (dist.)                                          5 7 5 5 5 5 5 58 5 5 5 5 5 5 35 3 3 33 3 32 3 30 3 32 33                                       3 5 3 3 3 2 3 0 3 2 3 3                  5 5 3 5 5 3 5 5 5 5 5 5 5 5 35

(14)



 Gtr. 7 (dist.)

Interlude

Gtrs. 4 & 5: w/ Rhy. Fig. 1

f D5 D[b6] Dsus4  D5  1  Gtr. 6 (dist.) f   1/2  D[b6]

Gtrs. 4 & 5: w/ Rhy. Fill 1

C5 Csus4 C Csus2 C Csus4





Gtrs. 4 & 5: w/ Rhy. Fig. 1 1st time, Gtrs. 6 & 7 tacet 3rd time, Gtr. 10 tacet Verse D5 Had Es My 2. 3. 4. man caped sto -y ry -the storms hail ends D[b6] of not ques cal far Dsus4 tion cu from -my lat where -con ed it -vic mor start D5 - tion, tars, ed; - gave then my ar drank wear y -mies the -blood limbs D[b6] rea son of have - to a grown rise. king. old.

Gtrs. 4 & 5: w/ Rhy. Fill 1

C5 Csus4 C

Csus2 C Csus4



Gtrs. 4 & 5: w/ Rhy. Fig. 1

D5 The The I’ve hang des seen ert -man’s the -rain world D[b6] search - ing through for has the bones washed eyes Dsus4 a he way of -can di a bor rec no D5 -row tion, mad. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 10 10 12 10 12 10 10 10 10 12 10 12 10 10 12 12 10 9 10 12 10 12 10 12 12 10 12 10                                 5 6 5 7 5 6 7 6 6 5 7 5 6 7 8 5 7 5 7 5 7 5 7 5 5 7 7 7                         10 10 12 10 12 10 10 10 10 12 10 12 10 10 13 10 10 8 8 6 8 10                         5 6 5 7 5 6 7 6 6 5 7 5 6 7 8 6 5 5 3 5 6                                             4

(15)

 Home while had is I an where es gels the -caped heart D[b6] -look ing is -in af I’ve been the ter -night. me. told.

Gtrs. 4 & 5: w/ Rhy. Fill 1

C5 Csus4 C Csus2 Fight So So C or it I Csus4  flight. seems. go. Eb5 μ     Gtrs. 4 & 5 P.M. P.M. P.M. P.M.   Live Chorus G5 a - gain, all F5 roads end;  Gtr. 9 (slight dist.) mf  *Gtr. 8 (dist.) Riff C mf *Doubled throughout  Gtrs. 4 & 5 Rhy. Fig. 2                                          1 1 1 1 1 1 1 1 1 1 1 1 5 6 0 3 5 0 1 3 0 0 1 0 0 1 0 3                        8 X 11 8 X 11 8 X 11 8 X 11 8 X 11 8 X 11 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10               0 2 3 0 2 3 3 2 3 3 0 2 0                                   5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

(16)

 I’ll

Eb5

be com - ing home.

F5   End Riff C   

End Rhy. Fig. 2

 Tend

Gtrs. 4 & 5: w/ Rhy. Fig. 2 Gtr. 8: w/ Riff C

G5

your light, ’cause on

F5 this night,  Gtr. 9                                5 X8 7 X 10 5 X8 5 X8 5 X8 5 X8 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 10 10 10 10 10 10 10 10 10 10    3 2 3 3 0 3                         1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3                               8 X 11 8 X 11 8 X 11 8 X 11 8 X 11 8 X 11 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 6

(17)

C To oda 1.       2.  I’ll Eb5

be com - ing home.

F5   Gtr. 4 Interlude Gtr. 9 tacet G5 P.M.  G[b6] P.M.  Gsus4 P.M.  G5  P.M.   Gtr. 5   Gtr. 9 tacet Interlude G5    Gtr. 9  Gtr. 10 (dist.) f  1 1 1   Gtrs. 4 & 5 P.M. P.M.                                 5 X8 7 X 10 5 X8 5 X8 5 X8 5 X8 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10                             5 5 5 5 5 5 5 56 5 5 5 5 5 5 35 5 5 5 5 5 55 5 5 5 5 5 5         5 5 5                     7 X 10 7 X 10 108 7 X 10 7 X 10 7 X 10 7 X 10 12 10 13 11 13        5 5 5 55 5 55

(18)

 F5  Eb5 1 1 1 1 1 1  P.M. P.M. P.M. P.M.   Gtr. 10 F5  1 1  Gtr. 11 (dist.)   f   Gtrs. 4 & 5 * P.M.   *Gradually lift P.M.                     12 10 13 11 15 13 15 1113 1315 1517              3 3 3 33 3 33 11 1 11 1 11            17 15 17 1820 1820       10 1210 12 10 1210 13                 1 1 3 3 3 3 3 3 3 3 33 33 33 33 33 33 33 33 8

(19)

 Gt. 11 Guitar Solo Gtr. 10 tacet D5 D[b6] Dsus4 D5  grad. bend D[b6] Dsus4 1 1 1  Gtrs. 4 & 5 Rhy. Fig. 3 P.M. P.M. P.M. P.M.  P.M. P.M.  D5  D[b6] Dsus4 D5 1   P.M. P.M.  P.M. P.M. P.M.

End Rhy. Fig. 3

P.M. 

 Gtr. 11

Gtrs. 4 & 5: w/ Rhy. Fill 1

C5 Csus4

 C Csus2 C Csus4

 

Gtrs. 4 & 5: w/ Rhy. Fig. 3

D5 D[b6] Dsus4 3 3  1 1 1           13 13 13 13 10 13 12 12                    5 7 5 58 5 55 5 57 57 0 0 0 0 5 7 5 58 5 55                     12 12 12 8 10 13 10 10 12 10 10 13 10 10 12 10 10 1013 10 13 15                      5 57 57 0 0 0 0 5 7 5 58 5 55 5 57 57 0 0 0 0                     12 13 12 13 13 14 12 13 12 15 12 13 13 12 12

(20)

 D5  P.M. D[b6] Dsus4 D5  1  8valoco D[b6]  Dsus4

D5

T  T  T

*

*Tap w/ ring finger.

T T T

T T T



Gtrs. 4 & 5: w/ Rhy. Fill 1

C5 Csus4 C

8va loco

Csus2

C

Csus4  7 7 6 5 T T T T T

T T T

T T T

T T T

T T  T

T T

T T T  Gtr. 11 Bb5 grad. bend  Gtr. 11 tacet C5   1 1  Gtr. 10 P.M. P.M. P.M. P.M. P.M. P.M. P.M. 1  Gtrs. 4 & 5 Rhy. Fig. 4                                       12 12 12 0 13 10 12 13 12 10 13 10 12 13 12 10 13 10 12 13 12 10 13 10 12 13 12 10 13 10 12 13 12 10 13 10                                 17 18 17 13 10 13 17 18 17 13 10 12 17 19 17 12 10 12 14 17 14 12 10 12 14 12 10 12 10 12 10 12                                          19 12 10 14 12 10 22 12 10 17 12 10 17 20 17 13 17 20 17 13 10 17 20 17 13 17 20 17 13 12 17 19 17 19 17 12 10 12 14 10 12       13 13                                 8 10 8 8 10 11 8 10 10 8 10 11 8 10 8 10 10 12 10 10 12 13 12 13 13 12 13 13 12 13 13      1 3 1 3 3 5 10

(21)

 Gtr. 10 D5    F5   G5 F5 D5     Gtrs. 4 & 5 P.M.     F5 G5 F5 Bb5  1 1/2 1   P.M. 

End Rhy. Fig. 4

 Gtr. 10

Gtrs. 4 & 5: w/ Rhy. Fig. 4 Gtr. 11 tacet P.M. Bb5 P.M. P.M. P.M. P.M. P.M. C5 P.M.                   13 13 0 5 8 7 7 10 15 14 15 13 17 16 15 13 15 14 15                0 0 0 0 0 0 0 0 0 0 0 0 33 55 33 00                    12 15 14 15 13 16 17 16 15 13 15 13 13 13 13 13                0 0 0 0 0 0 0 0 0 0 0 0 33 55 33 1 3                         8 10 8 8 10 11 8 10 10 8 10 11 8 10 8 10 10 12 10 10 12 13 12 13

(22)

 D5 grad. bend F5 G5 F5 8va  D5 *

*2nd string caught w/ bend finger due to vib.; don’t pick.  1  loco F5 G5 F5 D5 8va  Gtr. 10 Bb5  8va Gtr. 10 tacet C5   1  Gtr. 7  8va   Gtr. 6    *Gtrs. 4 & 5

Rhy. Fig. 5 End Rhy. Fig. 5

*Composite arrangement                 12 13 12 13 15 17 20 20 20 20 20 2020                                12 10 12 14 10 12 15 10 12 12 10 12 14 10 12 13 10 12 13 10 13 15 10 13 12 17 19 17 18 20 17 20      20 22          12 13 13 15 17 15 13 15 15 17 18            8 10 10 12 13 12 10 12 12 13 15                1 3 1 3 1 3 1 3 1 3 3 5 3 5 3 5 3 5 3 5 3 5 3 5 12

(23)

         1.        Gtr. 7 loco D5 C5  Gtr. 6  Gtrs. 4 & 5  Gtr. 7

Gtrs. 4 & 5: w/ Rhy. Fig. 5

Bb5 C5  8va   Gtr. 6                              13 17 15 17 13 17 15 17 13 17 15 17 17 17 15 17 17 17 15 17 17 17 15 17                            10 13 12 13 10 13 12 13 10 13 12 13 13 13 12 13 13 13 12 13 13 13 12 13                    5 7 5 7 5 7 5 7 5 7 5 7 5 7 3 5 3 5 3 5 3 5 3 5 3 5 3 5        13 13 15 17 15 13 15 15 17 18           10 10 12 13 12 10 12 12 13 15

(24)

2.  Gtr. 7 Half-time feel Bb5 G5 8va loco

End half-time feel

 Gtr. 6 8va  Gtrs. 4 & 5  C5 A/C#  loco                             15 13 12 13 15 13 12 13 15 13 12 13 18 15 18 15 15 15 18 15 15 15 18 15                           15 15 13 15 15 15 13 15 15 15 13 15 20 18 17 18 20 18 17 18 20 18 17 18           1 3 1 3 1 3 1 3 1 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5                                     13 13 12 13 13 13 12 13 13 13 12 13 14 13 12 13 14 12 15 12 14 11 12 14 11 13 10 1311 14 1211 14 12                                    8 10 8 10 8 10 8 10 8 10 8 10 10 10 9 10 10 9 12 9 11 8 9 11 8 10 7 10 8 11 9 8 11 9                                 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 4 7 4 7 4 7 4 7 4 7 4 7 4 7 4 7 4 7 4 7 4 7 4 7 4 7 4 7 4 7 4 7 4 7 14

(25)

D.S. al Coda

 Gtr. 7

Gtrs. 4 & 5: w/ Rhy. Fig. 1

D5 D[b6] Gtrs. 6 & 7 tacet  1/2  Gtr. 6  1  Gtr. 10 grad. release 3 1  Gtr. 10 Dsus4  D5  3 D[b6]  1/4 1 1 

Gtrs. 4 & 5: w/ Rhy. Fill 1

C5 Csus4 C  Csus2 C Csus4  1 1 hold bend  1 1/2 T *

*Execute vib w/ frethand.

 1      17 17       13 13         13 13 13 13 13                       13 10 10 12 10 10 10 10 12 10 12 10 12 12 12 10 12 12 10 12 10 12 10                  12 12 12 12 10 12 10 12 12 19 19

(26)

Coda                  Interlude Gtr. 9 tacet

2nd time, Gtrs. 6 & 7: w/ Riffs E & E1 (1st meas.)

G5   F5    Gtr. 7   Gtr. 6   Gtr. 9      Gtr. 8  Riff D  Gtrs. 4 & 5  Rhy. Fig. 6                             15 13 15 15 15 13 1515 15 13 15 1415 13 15 14 15 13 1514 15 13 15                           11 10 11 12 11 10 1112 11 10 11 1011 10 11 10 11 10 1110 11 10 11        7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10                  0 2 3 0 2 3 3 2 3 3 0 2 0                                     5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 16

(27)

1.                2.  Gtr. 11 Eb5   F5   8va 1  Gtr. 7

Riff E1 End Riff E1

 Gtr. 6

Riff E End Riff E



Gtr. 8 End Riff D



Gtrs. 4 & 5 End Rhy. Fig. 6



Outro-Guitar Solo

Gtrs. 4 & 5: w/ Rhy. Fig. 6 (till fade) Gtrs. 6 & 7: w/ Riffs E & E1 (till fade) Gtr. 9: w/ Riff D (till fade)

G5   I’m F5 com-ing  Gtr. 11 grad. bend  grad. release  8va 1  1 2 1/2  1     18 18                                  15 15 13 15 15 15 13 15 15 15 13 15 14 15 13 15 14 15 13 15 14 15 13 15 13 15 14 15 13 15                                  12 11 10 11 12 11 10 11 12 11 10 11 10 11 10 11 10 11 10 11 10 11 10 11 10 11 10 11 10 11        3 2 3 0 3 3                                          1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3                   18 18 18 18 18 18 18 18

(28)

 home. Eb5 F5    8va loco steady gliss.   1   G5   I’m F5 com-ing    grad. release   1  home. Eb5 F5       1   G5   I’m F5 com-ing    8va 1   1 1/2 1 1                18 15 17 17 15 17 17                   12 15 15 17 15 15 18 18 18               15 17 17 15 17 17 12 19                      20 20 20 20 20 20 18 17 20 20 18 18

(29)

Fade out  home. Begin fade Eb5 F5    8va  loco   1 1 1   G5   I’m F5 com - ing         home. Eb5 F5      1 1  G5   I’m F5

com ing- home.

Eb5    8va    1                    17 18 20 17 17 15 17 17 17 17                  14 15 17 14 15 14 15 15 10 10 12 7 15                  14 15 18 17 17 15 17 18 17                       15 15 17 15 18 20 20 18 20

(30)

Intro Slow q = 68

Words and Music by Matthew Sanders, Jonathan Seward, Brian Haner, Jr. and Zachary Baker

Crimson Day

© 2013 EMI BLACKWOOD MUSIC INC., SLAYER ST PUBLISHING, LEWIS CHRIST PUBLISHING, S GATESMUSIC and SKELETONS AND BOWTIES PUBLISHING

All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission

from Avenged Sevenfold - Hail to the King

      Gtr. 1 (clean) * mf w/ chorus

let ring throughout

Em D/F# G5 C

*Chord symbols reflect implied harmony.

 Am Dsus2 Em['9]  Dark Don’t Verse 2nd time, Gtr. 3 tacet 1. 2. Em years speak, D5 G5 brought no end use less for - rain. words. C'9                   0 2 0 2 4 2 3 2 3 0 3 0 3 0 0 1 0 2                      0 2 0 1 2 0 0 2 0 3 2 0 0 2 4 0 0 4 0 0 0                                0 2 0 2 0 0 2 3 2 0 3 0 3 0 3 0 0 3 0 2 1

(31)

 Am Out Lie in in the my cold, arms, D I lost sleep my se way. cure. -G5 D/F# But I   storms won Em won’t der - what last, you’re they clear dream D5 the ing -air of, G5 for lands some rare thing and - new. far. C'9   Am The A sun time came less -out flight D and to brought reach you the through. stars. Em   Pre-Chorus Am

A life-time full of words to say,

Em

a hope

D

that time will slow the pass - ingday.

 *Gtrs. 1 & 2

let ring throughout

Riff A End Riff A

*Gtr. 2 w/ clean tone & chorus, played mf.

                                   0 2 0 1 2 2 0 2 2 3 2 0 3 0 3 0 0 0 2 0 2 3                                0 2 0 2 0 0 2 3 2 0 3 0 3 0 3 0 0 3 0 2                                  0 2 0 1 2 2 0 2 2 3 2 0 0 2 0 2 0 0 0 0                                                                     0 2 2 1 0 1 2 2 0 2 2 1 0 1 2 2 0 2 0 0 0 0 0 2 0 2 0 0 0 0 0 2 0 2 3 2 2 3 2 0 0 2 3 2 2 3 2 0

(32)

  C'9 Gtr. 2 tacet Em  D/F# G5 A5 G/B  Gtrs. 1 & 2 Gtr. 1  *Gtr. 3 (dist.) f P.M. 

*Two gtrs. arr. for one.

 I’ve

3rd time, Gtr. 4: w/ Fill 1

Chorus

C'9

been wrong times o

G5 ver - and  Gtr. 1  Gtr. 3 let ring  P.M.   Fill 1 Gtr. 4                            3 2 0 2 0 3 0 2 3 0 2 0 2 2 0 2 0 3 0 0 0 0 0 2 0               0 2 2 0 2 2 0 2 2 2 5 3 5 0 0 2 2 5                                          3 2 0 2 0 3 0 2 3 2 0 0 3 0 3 0 0 0 3 3 0 0 3 0 0 0 3 3 0 0                          3 5 5 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 0 0 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5     15 15 3

(33)

 I’ve

C'9

been shamed with no words to find.

G5 But if the   P.M.   sun D

will rise, bring us to mor

-Em row. -D                                           3 2 0 2 0 3 0 2 3 2 0 0 3 0 2 3 0 0 0 3 3 0 0 3 0 0 0 3 3 0                               3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 0 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5                                             0 2 3 2 2 3 2 0 0 2 3 2 2 3 2 0 0 2 0 0 0 0 0 2 0 2 3 2 2 3 2 0                   5 7 5 7 5 7 5 7 5 7 5 7 5 7 5 7 7 9 7 9 7 9 7 9 5 7 5 7 5 7 5 7 5 7 5 7

(34)

C To oda 1.       2.  Walk C'9 with G/B me, Am C/G

crim-sonday.

D D/C  Riff B  Rhy. Fig. 1  D/B D/A End Riff B G5 D/F# 

End Rhy. Fig. 1

 Walk Gtr. 1: w/ Riff B Gtr. 3: w/ Rhy. Fig. 1 C'9 with G/B me, Am C/G

crim - son day.

                                                        3 2 0 3 0 3 0 0 2 0 0 3 0 3 0 0 0 2 2 1 0 1 2 2 3 2 1 0 0 1 0 2 0 2 3 2 3 2 3 2 3 2 3 2 3                   3 5 3 5 3 5 2 5 2 5 2 5 0 2 0 2 3 X2 3 X2 57 57 57 57 X3 2 3 X2 3 X2 3 X2                             2 2 3 2 3 2 0 0 0 2 3 2 3 2 0 3 0 0 3 0 0 3 0 0 2 0 2 3          2 X2 2 X2 2 X2 2 X2 0 02 02 02 02 02 3 X0             5

References

Related documents

• Need to check nuclear power against definition of sustainability and the. triple

Following a short overview of the legal provisions to be enforced in the context of hate speech and fake news (2.1), the traditional law enforcement strategies of crim- inal

An inmate’s right of access to the courts “does not encompass a requirement that prison officials provide a prisoner with free, unlimited access to photocopies.” Logue v. Chatham

An approved helmet is required if you operate or ride as a passenger on a special all-terrain vehicle (SATV; for more information on SATVs, see page 12) or motorcycle on-road in

Our methods will give dierent proofs for some previous results, where singular integrals are dened by Euclidean convolution, since our proof of Theorem 1 will not use Fourier

There was no association between late diagnosis and infrequent HIV testing in this study, although the sample was small with CD4 cell count data available for only 84 participants..

The draft Rules of Procedure for the UPC appear to extend the general jurisdiction of the UPC to SPCs by stating that references in the Rules to "patent" and "proprietor" shall,

In summary, we demonstrated that the preventive effect of a yerba mate aqueous extract and mate saponins were associated with a decrease of inflammation through the NF-κB pathway