Intro Free Time
Words and Music by Matthew Sanders, Jonathan Seward, Brian Haner, Jr. and Zachary Baker
Acid Rain
© 2013 EMI BLACKWOOD MUSIC INC., SLAYER ST PUBLISHING,
LEWIS CHRIST PUBLISHING, S GATESMUSIC and SKELETONS AND BOWTIES PUBLISHING All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission from Avenged Sevenfold - Hail to the King
Moderately q = 103 rit. Slowly q. = 61 1 *Gtr. 1 (Rumbling) μ 5 sec. w/ fingers
let ring throughout
Dm
mp
Dm7/C Bb
*Piano arr. for gtr.
Bbmaj7/A Bb5 Gm Gm7/F Asus4 A
Gtr. 2 (clean)
let ring throughout
Riff A Gtr. 1 tacet
Dm
mp
Dm/C Bbmaj7 Bbmaj7/A Bbmaj7
Gm Gm/F Asus4 A End Riff A 0 2 3 1 3 3 2 1 1 3 3 3 0 3 2 3 1 3 3 0 2 3 5 5 3 3 3 3 1 3 3 3 3 3 3 0 2 3 0 2 3 0 2 2 0 5 5 0 2 3 1 3 2 3 2 3 1 3 2 1 2 3 1 3 2 0 2 3 1 2 3 3 5 3 3 3 3 1 3 3 3 3 3 0 2 2 3 2 3 0 2 2 2 2 2 1
Gtr. 3 (dist.) Gtr. 2: w/ Riff A w/ ambient delay mf Dm Dm/C Bbmaj7 Bbmaj7/A Bbmaj7 3 1 1 1 1 1/2 1 1/2 Gm Gm/F Asus4 A 1 1 1 1/2 Verse Gm A,
1. our day has come,
C Gtr. 3 tacet Gtr. 3 1
Gtr. 2 Riff B End Riff B
Gtr. 2: w/ Riff B (3 times)
Gm
it’s drawn in the sky,
C 8 8 8 6 8 X 8 8 6 8 7 7 7 7 8 8 6 8 8 6 5 5 5 6 5 6 3 0 3 3 3 3 3 0 3 3 3 3 3 2 0 1 0 1 3 2 0 1 0 1
Gm
so don’t shed a tear
C
now,
Gm
be thank-ful for the time.
C
Pre-Chorus
A[b9]
Life would n’t- be so pre cious,- dear, if there nev er- was an end.
*Gtrs.
2 & 4 Riff C End Riff C
3
*Gtr. 4 (slight dist.), played mf.
Chil Chorus Gtrs. 2 & 4: w/ Riff A Dm dren - still play Dm/C in the gar Bbmaj7 den, -Bbmaj7/A Bbmaj7 dance Gm as the sun Gm/F slips a way. Asus4 -A Verse Gtr. 2: w/ Riff B (4 times) Gm We
2. stand on the edge
C now, 0 2 2 3 2 2 0 2 2 3 2 3 2 2 0 2 2 3 2 2 0 2 2 3 2 2 3
Gm
we’ve come so far,
C
Gm
and through all the dust it be - comes
C
clear,
Gm
you will al - ways be my heart.
C
Pre-Chorus
Gtrs. 2 & 4: w/ Riff C
A[b9]
There’s no death, no end of time when I’m fac ing- it with you.
Chil
Chorus
Gtrs. 2 & 4: w/ Riff A (2 times)
Dm dren - still play Dm/C in the gar Bbmaj7 den, -Bbmaj7/A Bbmaj7 dance Gm as the sun Gm/F slips a way. Asus4 -A Not Dm e - ven stars Dm/C last for ev Bbmaj7 - - er, Bbmaj7/A Bbmaj7 cleanse Gm us, Gm/F ac - id rain. Asus4 A
Gtrs. 2 & 4 Interlude Bb Bb/A Gm Gm/F D Stand Bridge Gtrs. 2 & 4 tacet Gm near F/A to Bb me, G/B Gtr. 1 don’t Cm look, A/C# be Dm brave. C/E O Fm ver
- the black - ened moon
C/E I’ll car Fm ry - you a way, D/F# - 1 3 3 0 3 3 3 3 3 1 3 3 42 3 3 3 3 5 6 8 7 6 7 5 7 8 8 6 7 6 7 7 7 8 0 15 12 13 12 11 10 10 13 13 12 13 12 12 14 14 17 15 14 13 12 12 13 14 15 13 10 12 15 12 13 11 9 8 10 10 9 8 8 9 10 9 13 11 9 8 6 8 10 9 10 12 10 10 11 10 12 12 14 14 5
through Gm the plan F/A ets - we fly. Bb D Gtr. 3 Guitar Solo Gtr. 1 tacet Gtr. 2: w/ Riff B (4 times) Gm C Gm 1 1 1 1/2 1 C Gm 3 3 1 1/2 1/2 1 1 C 3 3 3 1/2 1/2 1 1 1 1 1 Gm C steady gliss. w/ bar Gtrs. 2 & 4: w/ Riff C A[b9] 1/2 15 15 12 11 11 10 10 12 12 10 10 10 10 10 10 11 10 12 10 12 12 10 11 10 11 10 11 10 11 10 11 10 11 10 5 5 3 5 5 5 3 3 5 5 5 6 5 5 3 3 6 3 6 3 6 5 5 5 5 5 6 6 6 3 6 3 6 6 6 6 3 6 3 5 5 5 5 5 10 5 7 8 10 10 8 10 7 7 3 9 6 6 1 3 5 6 8 8 10 11 8
3 3 3 5 Chil Chorus
Gtrs. 2 & 4: w/ Riff A (2 times)
Dm dren - still play Dm/C in the gar Bbmaj7 den, - 1/2 Bbmaj7/A Bbmaj7 dance Gm as the sun Gm/F slips a way. Asus4 - A Not Dm e - ven stars Dm/F last for - 3 3 3 10 11 10 11 13 12 13 11 12 9 10 12 12 7 8 10 7 8 11 7 8 11 9 12 10 10 12 13 10 11 14 10 12 12 12 12 10 10 10 10 13 12 10 10 10 6 10 10 13 11 10 11 11 12 10 11 10 10 12 10 11 9 9 3 7 6 7 9 10 8 9 11 10 9 9 8 9 10 9 10 12 13 13 7
ev Bbmaj7 er, -Bbmaj7/A Bbmaj7 cleanse Gm us, Gm/F ac - id 8va 1 1 1 1/2 rain. Asus4 A 8va loco 3 Outro Bb Bb/A Send Gm us Gm/F home, D Gtr. 3 1 1 1/2 1/2 1 Gtrs.
2 & 4 Riff D End Riff D
15 15 15 15 15 15 17 18 15 17 18 15 17 18 15 17 18 15 17 17 17 17 15 14 17 14 15 17 17 17 17 17 14 14 14 7 11 12 14 14 14 1215 15 14 1 3 3 0 3 3 3 3 3 1 3 3 0 2 3 2 3 2 0 2 3 2 3 2
Gtrs. 2 & 4: w/ Riff D (2 times)
Bb Bb/A send Gm us Gm/F home, D Gtr. 3 8va 1 1 Bb Bb/A send Gm us Gm/F home, D loco 1 1 Bb Bb/A send Gm us Gm/F home, D Gtr. 3 1 Gtrs. 2 & 4
(Storm noises) 64 sec.
17 17 17 17 17 12 14 15 14 15 16 15 14 15 14 17 18 17 17 17 17 17 14 15 14 11 12 11 7 8 7 2 3 2 3 3 3 3 5 5 2 1 3 3 0 3 3 3 3 3 1 3 3 42 3 9
Intro
Very fast q = 184
Words and Music by Matthew Sanders, Jonathan Seward, Brian Haner, Jr. and Zachary Baker
Coming Home
© 2013 EMI BLACKWOOD MUSIC INC., SLAYER ST PUBLISHING, LEWIS CHRIST PUBLISHING, S GATESMUSIC and SKELETONS AND BOWTIES PUBLISHING
All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Hail to the King
Gtr. 1 (slight dist.) Drop D tuning, down 1/2 step: (low to high) Db-Ab-Db-Gb-Bb-Eb
* mf D5 D[b6] let ring Dsus4 D5 let ring
*Chord symbols reflect implied harmony.
Dm Dsus4
let ring
C5 Csus4 C Csus2 C Csus4
let ring Verse D5 I’ve 1. been a way, D[b6] - search Dsus4 ing - for a rea D5 son, - Riff A
let ring let ring
5 5 7 5 5 7 5 8 5 8 5 5 5 8 5 5 5 5 5 5 5 5 7 5 7 5 5 5 7 5 5 5 3 5 5 3 5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 2 3 3 0 3 3 2 3 3 3 5 5 7 5 5 7 5 8 5 8 5 5 5 8 5 5 5 5 5 5 5 5 7 5 7 5 5 5 7 5
Dm an - oth-er pur Dsus4 pose - to find. C5 Csus4 C Csus2 C Csus4 let ring End Riff A let ring Gtr. 1: w/ Riff A (2 1/2 times) D5
I’ve sailed the seas,
D[b6] fought Dsus4 my man y- de D5 mons; - Gtr. 2 (dist.) Riff B *pp w/ slight delay mp *Vol swell Dm
I’ve looked to gods
Dsus4 in the skies. C5 Csus4 C Csus2 C Csus4 End Riff B Gtr. 2: w/ Riff B (2 times) D5
I’ve stood in hell,
D[b6] where man Dsus4 y - had to suf D5 fer; - Gtr. 3 (slight dist.) Rhy. Fig. 1 mf P.M. P.M. P.M. P.M. 5 5 3 5 5 3 5 5 5 5 5 5 5 5 5 3 5 3 3 3 3 3 2 3 3 0 3 3 2 3 3 3 12 12 10 5 7 5 5 5 5 5 58 5 5 5 5 5 5 55 5 5 5 5 5 57 5 5 5 5 5 5 2
I stared the
D[b6]
Dev il- in the eyes.
C5 Csus4 C
Csus2 C Csus4
P.M.
End Rhy. Fig. 1
P.M. P.M. P.M. P.M. P.M.
Gtr. 3: w/ Rhy. Fig. 1
D5
Walked man - y roads
D[b6] to wit Dsus4 ness - an - cient i D5 dols, - Dm
and found the great
Dsus4
gates of fire.
Gtr. 1 tacet
C5 Csus4 C Csus2 C Csus4
Gtr. 4 (dist.)
f
Rhy. Fill 1 End Rhy. Fill 1
Gtr. 1 let ring f Gtr. 5 (dist.) 5 7 5 5 5 5 5 58 5 5 5 5 5 5 35 3 3 33 3 32 3 30 3 32 33 3 5 3 3 3 2 3 0 3 2 3 3 5 5 3 5 5 3 5 5 5 5 5 5 5 5 35
Gtr. 7 (dist.)
Interlude
Gtrs. 4 & 5: w/ Rhy. Fig. 1
f D5 D[b6] Dsus4 D5 1 Gtr. 6 (dist.) f 1/2 D[b6]
Gtrs. 4 & 5: w/ Rhy. Fill 1
C5 Csus4 C Csus2 C Csus4
Gtrs. 4 & 5: w/ Rhy. Fig. 1 1st time, Gtrs. 6 & 7 tacet 3rd time, Gtr. 10 tacet Verse D5 Had Es My 2. 3. 4. man caped sto -y ry -the storms hail ends D[b6] of not ques cal far Dsus4 tion cu from -my lat where -con ed it -vic mor start D5 - tion, tars, ed; - gave then my ar drank wear y -mies the -blood limbs D[b6] rea son of have - to a grown rise. king. old.
Gtrs. 4 & 5: w/ Rhy. Fill 1
C5 Csus4 C
Csus2 C Csus4
Gtrs. 4 & 5: w/ Rhy. Fig. 1
D5 The The I’ve hang des seen ert -man’s the -rain world D[b6] search - ing through for has the bones washed eyes Dsus4 a he way of -can di a bor rec no D5 -row tion, mad. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 10 10 12 10 12 10 10 10 10 12 10 12 10 10 12 12 10 9 10 12 10 12 10 12 12 10 12 10 5 6 5 7 5 6 7 6 6 5 7 5 6 7 8 5 7 5 7 5 7 5 7 5 5 7 7 7 10 10 12 10 12 10 10 10 10 12 10 12 10 10 13 10 10 8 8 6 8 10 5 6 5 7 5 6 7 6 6 5 7 5 6 7 8 6 5 5 3 5 6 4
Home while had is I an where es gels the -caped heart D[b6] -look ing is -in af I’ve been the ter -night. me. told.
Gtrs. 4 & 5: w/ Rhy. Fill 1
C5 Csus4 C Csus2 Fight So So C or it I Csus4 flight. seems. go. Eb5 μ Gtrs. 4 & 5 P.M. P.M. P.M. P.M. Live Chorus G5 a - gain, all F5 roads end; Gtr. 9 (slight dist.) mf *Gtr. 8 (dist.) Riff C mf *Doubled throughout Gtrs. 4 & 5 Rhy. Fig. 2 1 1 1 1 1 1 1 1 1 1 1 1 5 6 0 3 5 0 1 3 0 0 1 0 0 1 0 3 8 X 11 8 X 11 8 X 11 8 X 11 8 X 11 8 X 11 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 0 2 3 0 2 3 3 2 3 3 0 2 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
I’ll
Eb5
be com - ing home.
F5 End Riff C
End Rhy. Fig. 2
Tend
Gtrs. 4 & 5: w/ Rhy. Fig. 2 Gtr. 8: w/ Riff C
G5
your light, ’cause on
F5 this night, Gtr. 9 5 X8 7 X 10 5 X8 5 X8 5 X8 5 X8 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 10 10 10 10 10 10 10 10 10 10 3 2 3 3 0 3 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 8 X 11 8 X 11 8 X 11 8 X 11 8 X 11 8 X 11 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 6
C To oda 1. 2. I’ll Eb5
be com - ing home.
F5 Gtr. 4 Interlude Gtr. 9 tacet G5 P.M. G[b6] P.M. Gsus4 P.M. G5 P.M. Gtr. 5 Gtr. 9 tacet Interlude G5 Gtr. 9 Gtr. 10 (dist.) f 1 1 1 Gtrs. 4 & 5 P.M. P.M. 5 X8 7 X 10 5 X8 5 X8 5 X8 5 X8 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 5 5 5 5 5 5 5 56 5 5 5 5 5 5 35 5 5 5 5 5 55 5 5 5 5 5 5 5 5 5 7 X 10 7 X 10 108 7 X 10 7 X 10 7 X 10 7 X 10 12 10 13 11 13 5 5 5 55 5 55
F5 Eb5 1 1 1 1 1 1 P.M. P.M. P.M. P.M. Gtr. 10 F5 1 1 Gtr. 11 (dist.) f Gtrs. 4 & 5 * P.M. *Gradually lift P.M. 12 10 13 11 15 13 15 1113 1315 1517 3 3 3 33 3 33 11 1 11 1 11 17 15 17 1820 1820 10 1210 12 10 1210 13 1 1 3 3 3 3 3 3 3 3 33 33 33 33 33 33 33 33 8
Gt. 11 Guitar Solo Gtr. 10 tacet D5 D[b6] Dsus4 D5 grad. bend D[b6] Dsus4 1 1 1 Gtrs. 4 & 5 Rhy. Fig. 3 P.M. P.M. P.M. P.M. P.M. P.M. D5 D[b6] Dsus4 D5 1 P.M. P.M. P.M. P.M. P.M.
End Rhy. Fig. 3
P.M.
Gtr. 11
Gtrs. 4 & 5: w/ Rhy. Fill 1
C5 Csus4
C Csus2 C Csus4
Gtrs. 4 & 5: w/ Rhy. Fig. 3
D5 D[b6] Dsus4 3 3 1 1 1 13 13 13 13 10 13 12 12 5 7 5 58 5 55 5 57 57 0 0 0 0 5 7 5 58 5 55 12 12 12 8 10 13 10 10 12 10 10 13 10 10 12 10 10 1013 10 13 15 5 57 57 0 0 0 0 5 7 5 58 5 55 5 57 57 0 0 0 0 12 13 12 13 13 14 12 13 12 15 12 13 13 12 12
D5 P.M. D[b6] Dsus4 D5 1 8va loco D[b6] Dsus4
D5
T T T
**Tap w/ ring finger.
T T T
T T T
Gtrs. 4 & 5: w/ Rhy. Fill 1
C5 Csus4 C
8va loco
Csus2
C
Csus4 7 7 6 5 T T T T T
T T T
T T T
T T T
T T T
T T
T T T Gtr. 11 Bb5 grad. bend Gtr. 11 tacet C5 1 1 Gtr. 10 P.M. P.M. P.M. P.M. P.M. P.M. P.M. 1 Gtrs. 4 & 5 Rhy. Fig. 4 12 12 12 0 13 10 12 13 12 10 13 10 12 13 12 10 13 10 12 13 12 10 13 10 12 13 12 10 13 10 12 13 12 10 13 10 17 18 17 13 10 13 17 18 17 13 10 12 17 19 17 12 10 12 14 17 14 12 10 12 14 12 10 12 10 12 10 12 19 12 10 14 12 10 22 12 10 17 12 10 17 20 17 13 17 20 17 13 10 17 20 17 13 17 20 17 13 12 17 19 17 19 17 12 10 12 14 10 12 13 13 8 10 8 8 10 11 8 10 10 8 10 11 8 10 8 10 10 12 10 10 12 13 12 13 13 12 13 13 12 13 13 1 3 1 3 3 5 10 Gtr. 10 D5 F5 G5 F5 D5 Gtrs. 4 & 5 P.M. F5 G5 F5 Bb5 1 1/2 1 P.M.
End Rhy. Fig. 4
Gtr. 10
Gtrs. 4 & 5: w/ Rhy. Fig. 4 Gtr. 11 tacet P.M. Bb5 P.M. P.M. P.M. P.M. P.M. C5 P.M. 13 13 0 5 8 7 7 10 15 14 15 13 17 16 15 13 15 14 15 0 0 0 0 0 0 0 0 0 0 0 0 33 55 33 00 12 15 14 15 13 16 17 16 15 13 15 13 13 13 13 13 0 0 0 0 0 0 0 0 0 0 0 0 33 55 33 1 3 8 10 8 8 10 11 8 10 10 8 10 11 8 10 8 10 10 12 10 10 12 13 12 13
D5 grad. bend F5 G5 F5 8va D5 *
*2nd string caught w/ bend finger due to vib.; don’t pick. 1 loco F5 G5 F5 D5 8va Gtr. 10 Bb5 8va Gtr. 10 tacet C5 1 Gtr. 7 8va Gtr. 6 *Gtrs. 4 & 5
Rhy. Fig. 5 End Rhy. Fig. 5
*Composite arrangement 12 13 12 13 15 17 20 20 20 20 20 2020 12 10 12 14 10 12 15 10 12 12 10 12 14 10 12 13 10 12 13 10 13 15 10 13 12 17 19 17 18 20 17 20 20 22 12 13 13 15 17 15 13 15 15 17 18 8 10 10 12 13 12 10 12 12 13 15 1 3 1 3 1 3 1 3 1 3 3 5 3 5 3 5 3 5 3 5 3 5 3 5 12
1. Gtr. 7 loco D5 C5 Gtr. 6 Gtrs. 4 & 5 Gtr. 7
Gtrs. 4 & 5: w/ Rhy. Fig. 5
Bb5 C5 8va Gtr. 6 13 17 15 17 13 17 15 17 13 17 15 17 17 17 15 17 17 17 15 17 17 17 15 17 10 13 12 13 10 13 12 13 10 13 12 13 13 13 12 13 13 13 12 13 13 13 12 13 5 7 5 7 5 7 5 7 5 7 5 7 5 7 3 5 3 5 3 5 3 5 3 5 3 5 3 5 13 13 15 17 15 13 15 15 17 18 10 10 12 13 12 10 12 12 13 15
2. Gtr. 7 Half-time feel Bb5 G5 8va loco
End half-time feel
Gtr. 6 8va Gtrs. 4 & 5 C5 A/C# loco 15 13 12 13 15 13 12 13 15 13 12 13 18 15 18 15 15 15 18 15 15 15 18 15 15 15 13 15 15 15 13 15 15 15 13 15 20 18 17 18 20 18 17 18 20 18 17 18 1 3 1 3 1 3 1 3 1 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 13 13 12 13 13 13 12 13 13 13 12 13 14 13 12 13 14 12 15 12 14 11 12 14 11 13 10 1311 14 1211 14 12 8 10 8 10 8 10 8 10 8 10 8 10 10 10 9 10 10 9 12 9 11 8 9 11 8 10 7 10 8 11 9 8 11 9 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 4 7 4 7 4 7 4 7 4 7 4 7 4 7 4 7 4 7 4 7 4 7 4 7 4 7 4 7 4 7 4 7 4 7 14
D.S. al Coda
Gtr. 7
Gtrs. 4 & 5: w/ Rhy. Fig. 1
D5 D[b6] Gtrs. 6 & 7 tacet 1/2 Gtr. 6 1 Gtr. 10 grad. release 3 1 Gtr. 10 Dsus4 D5 3 D[b6] 1/4 1 1
Gtrs. 4 & 5: w/ Rhy. Fill 1
C5 Csus4 C Csus2 C Csus4 1 1 hold bend 1 1/2 T *
*Execute vib w/ frethand.
1 17 17 13 13 13 13 13 13 13 13 10 10 12 10 10 10 10 12 10 12 10 12 12 12 10 12 12 10 12 10 12 10 12 12 12 12 10 12 10 12 12 19 19
Coda Interlude Gtr. 9 tacet
2nd time, Gtrs. 6 & 7: w/ Riffs E & E1 (1st meas.)
G5 F5 Gtr. 7 Gtr. 6 Gtr. 9 Gtr. 8 Riff D Gtrs. 4 & 5 Rhy. Fig. 6 15 13 15 15 15 13 1515 15 13 15 1415 13 15 14 15 13 1514 15 13 15 11 10 11 12 11 10 1112 11 10 11 1011 10 11 10 11 10 1110 11 10 11 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 7 X 10 0 2 3 0 2 3 3 2 3 3 0 2 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 16
1. 2. Gtr. 11 Eb5 F5 8va 1 Gtr. 7
Riff E1 End Riff E1
Gtr. 6
Riff E End Riff E
Gtr. 8 End Riff D
Gtrs. 4 & 5 End Rhy. Fig. 6
Outro-Guitar Solo
Gtrs. 4 & 5: w/ Rhy. Fig. 6 (till fade) Gtrs. 6 & 7: w/ Riffs E & E1 (till fade) Gtr. 9: w/ Riff D (till fade)
G5 I’m F5 com-ing Gtr. 11 grad. bend grad. release 8va 1 1 2 1/2 1 18 18 15 15 13 15 15 15 13 15 15 15 13 15 14 15 13 15 14 15 13 15 14 15 13 15 13 15 14 15 13 15 12 11 10 11 12 11 10 11 12 11 10 11 10 11 10 11 10 11 10 11 10 11 10 11 10 11 10 11 10 11 3 2 3 0 3 3 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 18 18 18 18 18 18 18 18
home. Eb5 F5 8va loco steady gliss. 1 G5 I’m F5 com-ing grad. release 1 home. Eb5 F5 1 G5 I’m F5 com-ing 8va 1 1 1/2 1 1 18 15 17 17 15 17 17 12 15 15 17 15 15 18 18 18 15 17 17 15 17 17 12 19 20 20 20 20 20 20 18 17 20 20 18 18
Fade out home. Begin fade Eb5 F5 8va loco 1 1 1 G5 I’m F5 com - ing home. Eb5 F5 1 1 G5 I’m F5
com ing- home.
Eb5 8va 1 17 18 20 17 17 15 17 17 17 17 14 15 17 14 15 14 15 15 10 10 12 7 15 14 15 18 17 17 15 17 18 17 15 15 17 15 18 20 20 18 20
Intro Slow q = 68
Words and Music by Matthew Sanders, Jonathan Seward, Brian Haner, Jr. and Zachary Baker
Crimson Day
© 2013 EMI BLACKWOOD MUSIC INC., SLAYER ST PUBLISHING, LEWIS CHRIST PUBLISHING, S GATESMUSIC and SKELETONS AND BOWTIES PUBLISHING
All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Hail to the King
Gtr. 1 (clean) * mf w/ chorus
let ring throughout
Em D/F# G5 C
*Chord symbols reflect implied harmony.
Am Dsus2 Em['9] Dark Don’t Verse 2nd time, Gtr. 3 tacet 1. 2. Em years speak, D5 G5 brought no end use less for - rain. words. C'9 0 2 0 2 4 2 3 2 3 0 3 0 3 0 0 1 0 2 0 2 0 1 2 0 0 2 0 3 2 0 0 2 4 0 0 4 0 0 0 0 2 0 2 0 0 2 3 2 0 3 0 3 0 3 0 0 3 0 2 1
Am Out Lie in in the my cold, arms, D I lost sleep my se way. cure. -G5 D/F# But I storms won Em won’t der - what last, you’re they clear dream D5 the ing -air of, G5 for lands some rare thing and - new. far. C'9 Am The A sun time came less -out flight D and to brought reach you the through. stars. Em Pre-Chorus Am
A life-time full of words to say,
Em
a hope
D
that time will slow the pass - ingday.
*Gtrs. 1 & 2
let ring throughout
Riff A End Riff A
*Gtr. 2 w/ clean tone & chorus, played mf.
0 2 0 1 2 2 0 2 2 3 2 0 3 0 3 0 0 0 2 0 2 3 0 2 0 2 0 0 2 3 2 0 3 0 3 0 3 0 0 3 0 2 0 2 0 1 2 2 0 2 2 3 2 0 0 2 0 2 0 0 0 0 0 2 2 1 0 1 2 2 0 2 2 1 0 1 2 2 0 2 0 0 0 0 0 2 0 2 0 0 0 0 0 2 0 2 3 2 2 3 2 0 0 2 3 2 2 3 2 0
C'9 Gtr. 2 tacet Em D/F# G5 A5 G/B Gtrs. 1 & 2 Gtr. 1 *Gtr. 3 (dist.) f P.M.
*Two gtrs. arr. for one.
I’ve
3rd time, Gtr. 4: w/ Fill 1
Chorus
C'9
been wrong times o
G5 ver - and Gtr. 1 Gtr. 3 let ring P.M. Fill 1 Gtr. 4 3 2 0 2 0 3 0 2 3 0 2 0 2 2 0 2 0 3 0 0 0 0 0 2 0 0 2 2 0 2 2 0 2 2 2 5 3 5 0 0 2 2 5 3 2 0 2 0 3 0 2 3 2 0 0 3 0 3 0 0 0 3 3 0 0 3 0 0 0 3 3 0 0 3 5 5 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 0 0 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 15 15 3
I’ve
C'9
been shamed with no words to find.
G5 But if the P.M. sun D
will rise, bring us to mor
-Em row. -D 3 2 0 2 0 3 0 2 3 2 0 0 3 0 2 3 0 0 0 3 3 0 0 3 0 0 0 3 3 0 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 0 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 0 2 3 2 2 3 2 0 0 2 3 2 2 3 2 0 0 2 0 0 0 0 0 2 0 2 3 2 2 3 2 0 5 7 5 7 5 7 5 7 5 7 5 7 5 7 5 7 7 9 7 9 7 9 7 9 5 7 5 7 5 7 5 7 5 7 5 7
C To oda 1. 2. Walk C'9 with G/B me, Am C/G
crim-sonday.
D D/C Riff B Rhy. Fig. 1 D/B D/A End Riff B G5 D/F#
End Rhy. Fig. 1
Walk Gtr. 1: w/ Riff B Gtr. 3: w/ Rhy. Fig. 1 C'9 with G/B me, Am C/G
crim - son day.
3 2 0 3 0 3 0 0 2 0 0 3 0 3 0 0 0 2 2 1 0 1 2 2 3 2 1 0 0 1 0 2 0 2 3 2 3 2 3 2 3 2 3 2 3 3 5 3 5 3 5 2 5 2 5 2 5 0 2 0 2 3 X2 3 X2 57 57 57 57 X3 2 3 X2 3 X2 3 X2 2 2 3 2 3 2 0 0 0 2 3 2 3 2 0 3 0 0 3 0 0 3 0 0 2 0 2 3 2 X2 2 X2 2 X2 2 X2 0 02 02 02 02 02 3 X0 5