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(1)

Half-time groove

DARK HORSE

Words and Music by KATY PERRY, JORDAN HOUSTON, LUKASZ GOTTWALD, SARAH HUDSON, MAX MARTIN and HENRY WALTER

© 2013 WB MUSIC CORP., WHEN I’M RICH YOU’LL BE MY BITCH, PRESCRIPTION SONGS, MXM MUSIC AB, KASZ MONEY PUBLISHING, ONEIROLOGY PUBLISHING, ITALIANS DO IT BETTER and DEEETTA MUSIC

All Rights for WHEN I’M RICH YOU’LL BE MY BITCH Administered by WB MUSIC CORP.

All Rights for PRESCRIPTION SONGS, MXM MUSIC AB, KASZ MONEY PUBLISHING and ONEIROLOGY PUBLISHING Administered by KOBALT SONGS MUSIC PUBLISHING All Rights Reserved Used by Permission

     * mf Gmaj7 Bm/D  

Spoken: “Yeah, you all know what it is.”

Bm  Bm/A  “Katy Perry, Gmaj7     Juicy J, Bm/D  Uh huh.” Bm  μ Let’s rage. I     knew Mark Bm you

my were,words, this loveyou werewill makegon -youna comelev - toi - me.tateAnd herelike youa are,bird, but you

 

* Recorded a half step lower.

                                                                                                                   

(2)



bet

like- tera choosebird with-careout -fula -cage.ly. ’CauseBut down toI, earth, I’m caif -youpa -chooseble toof walkan - ya -- thing,way,

  

of

don’t walkan - ya -- thingway. and ev - ’ryIt’s- thing.in the Makepalm meof youryour handAph - now,ro

-   di ba te. by. -- It’s a Make yes me or your a one no, and no on may ly. be. -But So  

add cued notes on repeat

 

don’t

just be sure, be - makefore you giveme yourit enall - toe - my,me, your enall - toe - my,me,

                                                                                                                                                                                   

(3)

 give your it en all e to - my. me.

-

G

So, you want to play

D

with mag - ic,

  

Bm

boy, you should know

A

what you’re fall - ing for.

G Ba - by, do you    dare D to do this? Bm

’Cause I’m com- ing at

A

cha

- like a dark horse.

  

G

Are you read

D

y

- for, read - y for

Bm a                                                                                                                                              

(4)

1

 

2



per-fect storm, per fect- storm? ’Cause onceyou’re mine, once you’re mine,

 



Bm

 μ

there’s no go - ing back.

Bm       μ

there’s no go - ing back. Uh,

Bm

she’s a beast, I call her Kar- ma,

                                                                                                                               

(5)



she’ll eat your heart out like Jef- frey Dah mer.- Be care- ful, try

  

not to lead her on. Short - y heart is on ster - oids, ’cause

  

her love is so strong. You may fall in love when you meet her, if you

  

get the chance, you bet ter- keep her. She’s sweet as pie, but if you break her heart, she’ll

                                                                                                                                               

(6)



turn cold as a freez - er. That fair - y tale end - ing with a

  

knight in shin - ing ar - mor, she can be my Sleep - ing Beau - ty. I’m gon’

  

put her in a co - ma. Now

G

I think I love her, Short y- so bad,

  

sprung D

and I don’t care. She ride me like

Bm

a rol - ler coast - er, turned the

                                                                                                                                         

(7)



bed A

room

- in - to a fair. Her love

G

is like a drug, I was

   try D na

- hit it and quit it, but lil’ ma

Bm ma - so dope, I messed a -   round A

and got ad- dict- ed.

G

So, you want to play

D

with mag - ic,

  

Bm

boy, you should know

A

what you’re fall - ing for.

G Ba - by, do you                                                                                                                                                                 

(8)



dare to do this? ’Cause I’m com ing- at - cha like a dark horse.

  

G

Are you read

D

y

- for, read - y for

Bm a    per A fect

- storm, per fect- storm?

G

’Cause once

D

you’re mine, once you’re mine,

  

Bm

 μ

there’s no go - ing back.

                                                                                                                                                    

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