Fearless

(1)

(2)

Intro

Moderately q = 100

Words and Music by Taylor Swift, Liz Rose and Hillary Lindsey

Copyright © 2007, 2008 Sony/ATV Music Publishing LLC, Taylor Swift Music, Hillsboro Valley Songs and Raylene Music All Rights on behalf of Sony/ATV Music Publishing LLC, Taylor Swift Music and Hillsboro Valley Songs Administered by

Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203

All Rights on behalf of Raylene Music Administered by BPJ Administration, P.O. Box 218061, Nashville, TN 37221-8061

from Taylor Swift - Fearless





Gtrs. 1 & 3: Capo III Gtrs. 2 & 6: Capo I Gtr. 1 (elec.) * F [D] [[E]] w/ slight dist.

let ring throughout

mf 1 3 [D5] 1 1 1 [A] 1 2 4 [Em7] 2 3 [G5] 1 2 3 [Asus4] 1 3 [G/B] 1 3 2 [AsusÊ] 3 2 1 [C] 1 2 [Em] 1 2 3 [D/F#]   Gtr. 2 (12-str. acous.)   

mf



*Symbols in parentheses represent chord names respective to capoed Gtrs. 1 & 3. Symbols in double parentheses represent chord names respective to capoed Gtrs. 2 & 6. Symbols above reflect actual sounding chords. Capoed fret is “0” in tab.

Chord symbols reflect overall harmony.

 C [A] [[B]] Gm [Em] [[F#m]] Bbsus2 [Gsus2] [[Asus2]]                                3 0 3 0 2 3 0 3 0 2 3 2 3 0 3 0 2 3 5 3 3 3 2 3 0 3   _{   } 2 4 5                              3 3 0 3 0 2 3 0 3 0 32 33 23 3 0 3 0 2 3 5 3 3 3 5 3 3 3  _{    } _{    } _ _ _ _ _ 5 4 0 4 4 0 6 2 4 2 02 4 20

(3)

 Verse Gtr. 1 tacet F5 [D5] [[E5]] There’s

1. some thing- ’bout the way

Gtr. 2 tacet

Csus4 [Asus4]

the street looks when it’s just rained.

Gm7 [Em7]

There’s a glow off the

 Gtr. 2       Gtr. 3 (acous.)

Rhy. Fig. 1 mp  pave Bb [G] ment. 

- You walk me to the car

F5 [D5]

and you know I wan-na ask

Csus4 [Asus4]

you to dance right there



Gtr. 3 End Rhy. Fig. 1



Gm7 [Em7]

in the mid - dle of the park

Bbsus2 [Gsus2] [[Asus2]] ing - lot, yeah.  Gtr. 2         Gtr. 3        _     _{  }_  _                 4 0 0                   _ _ _ _ _ _ _ _ _ _ _                           0 2 3 0 2 3 0 2 3 0 2 3 0 2 3 0 2 3 0 2 3 0 0 2 3 0 0 0 0 0 0 0 2 2 3 0 2 2 3 0 2 2 3 0 2 2 3 0 2 2 3 0 2 2 3 0 2 2 3 0 2 2 3 X X X X X X 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 0 0 0 0 0                                                   _ _ _ _ _ _ _ _ _ _ 3 X0 0 0 3 X0 0 0 3 X 0 0 0 3 X0 0 0 3 X0 0 0 3 X0 0 0 3 X0 0 0 3 X0 0 0 3 X0 0 0 0 2 3 0 2 3 0 2 3 0 2 3 0 2 3 0 2 3 0 2 3 X X X X X X 0 2 2 3 0 2 2 3 0 2 2 3 0 2 2 3 0 2 2 3 0 2 2 3 0 2 2 3 0 2 2 3 X X X X X X X X        _ _ _ _ _ _  _    0 2 2 0 0                              0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 3 X0 2 3

(4)

 Interlude Gtr. 3: w/ Rhy. Fig. 1 F5 [D5] [[E5]] Csus4 [Asus4] [[Bsus4]] Oh, yeah. Gm7 [Em7] [[F#m7]] Bb [G] [[A]]   Gtr. 1  Gtr. 2      Verse Gtr. 1 tacet

Gtr. 3: w/ Rhy. Fig. 1 (1 1/2 times)

F5 [D5] [[E5]]

We’re

2. driv -ing down the road,

Csus4 [Asus4] [[Bsus4]]

I won-der if you know

Gm7 [Em7] [[F#m7]]

I’m try -ing so hard

  Gtr. 2    _         not Bb [G] [[A]]

to get caught up now.

F5 [D5] [[E5]]

But you’re just so cool, run

Csus4 [Asus4] [[Bsus4]]

your hands through your hair,

 _         _{    } _                               3 0 3 0 2 3 0 3 0 2 3 2 3 0 3 0 2 3 5 3 3 3 2 3 0  _             _ _     _ 2 4 5 4 5 4 0 4 4 0 4 4 4 0 6 7 9 7 X 11 13 X 9 11                           _ _{    } __ 0 7 9 0 9 0 0 0 4 0 0 4 2 0 0                          _ _{ } _ _ _{     } _ 2 2 0 0 0 0 0 0 4 4 4 0 4

(5)

 

Gm7 [Em7] [[F#m7]]

ab - sent - mind - ed - ly mak

Bb5 [G5] [[A5]] in’ - me want Csus4 [Asus4] [[Bsus4]] you.  Gtr. 2              Gtr. 3 (cont. in slashes) Gtr. 3 Chorus Gtr. 2 tacet 2nd time, Gtr. 5 tacet Rhy. Fig. 2 (D5) (A) 



2., 3. 1. And

’Cause



I don’t know how it gets bet - ter than



*Gtr. 4

w/ slight dist.

f

*Two gtrs. arr. for one.

[Em7] [G5] [A] _{End Rhy. Fig. 2}



this. You take my hand and drag me head - first. Fear - less.

   _ _ _ _ _  _ _              4 6 0 0 2 2 0 0 2 4 4 0 0                          _ _   0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 3 X0 0 3 3 X0 0 3 0 2 2 3 0 2 2 3 00 00                            _                 1 1 3 5 3 3 3 3 3 5 3                            _              3 3 5 1 3 5 3 3 5 8 8

(6)

2 C To oda  1 C To oda   Gtr. 3: w/ Rhy. Fig. 2 3rd time, Gtr. 4: w/ Fill 1 F5 [D5]

And I don’t know why, but

C [A]

with you I’d dance

Gm7 [Em7] in a storm in my best Bb5 [G5] dress. Fear C [A] less. -

Riff A End Riff A



Gtr. 1

Gtr. 3: w/ Rhy. Fig. 1 Interlude

F5

[D5] [Asus4)Csus4 [Em7]Gm7 [G]Bb

 Gtr. 4  Gtrs. 1 & 4 tacet Verse F [[E]] So,

3. ba-by, drive slow

Csus4 [[Bsus4]]

’til we run out-ta road Gm7 [[F#m7]]

in this one horse town.



Bb [[A]]

I wan na- stay right here

 Gtr. 2   _ _     Gtr. 4 Fill 1        _                  _                      1 1 3 5 3 3 3 3 3 5 3 3 3 5 1 3 5 3 5 8                              3 0 3 0 2 3 0 3 0 32 33 23 3 0 3 0 2 3 5 3 3 3 5 3 3 3  _{  } _{  } _{  } 8 8 10 7 7 8 5 5 7 8        _{ }                          2 1 0 0                         8 8 8 8 8 8 8 8 32 32 32 32 32 32 32 32 3 5 3 5 3 5 3 5 3 5 3 5 3 5 0

(7)

D.S. al Coda 1 1 Coda  F [[E]]

in this pas sen- -gerseat. C [[B]]

You put your eyes on me.

Gm7 [[F#m7]]

In this mo ment- now, cap Bbsus2 [[Asus2]] ture - it, re mem Csus4 [[Bsus4]] - -ber it.  Gtr. 5 (elec.)

w/ clean tone mf  Gtr. 2 Gtr. 3 Guitar Solo [Em7] [G5]   Oh, oh.  Gtr. 6 (elec.) w/ slight dist. mf let ring   Gtr. 4                                              _     _   _{ } 3 0 1 1 2 0 1 0 5 3 3 3 1 3 3 1 1 3 5 5      _{      }                     5 0 4 0 0 4 4 5 0 4 0 2 2 0 0 2 4 4 0 0                          _                      ___  4 5 0 5 0 5 4 5 0 4 0 20 00 00 2 4 0 0 0 0 2 0 1 2                 10 10 10 10 10 10 10 10 8 8 8 8 8 8 8 8

(8)

[D5] [Asus4] [G/B]

 



Gtr. 6

**w/ delay delay off



**Set for half-note regeneration w/ 1 repeat.

 1  *Gtr. 7 (elec.)  w/ dist. f *Doubled throughout  Gtr. 4 Gtr. 6 tacet [Em7] [G5]  Gtr. 7 1/2  Gtr. 4            _{          }                       2 2 4 6 4 6 5 7 5 7 7 5 7 5   _ 13         _{ } _{ } _ _{ } 12 12 12 12 12 12 12 12 10 10 10 10 10 10 10                                    3 0 1 3 0 3 2 2 3 3 1 0 3                 10 10 10 10 10 10 10 10 8 8 8 8 8 8 13 13

(9)

[D5] [AsusÊ] [G/B]

Bridge

[C]

  

Well, you stood there with me



Gtr. 7 tacet

[D5] [Em] [D/F#] [G5] [Asus4]



in the door - way. My hands shake, I’m not u - su’l - ly this way but



Gtr. 4

[C] [D5] [Em] [D/F#]



you pull me in and I’m a lit-tle more brave. It’s a first kiss, it’s flaw - less, real ly

- Gtr. 8 (elec.) w/ slight dist. mf  Gtr. 4                                _   _{   }_{ }_       _{ }  3 3 5 3 2 5 2 3       _{                     } 12 12 12 12 12 12 12 12 8 10 8 10 8 10 8 10 8 10 8 10 8 10 8 10 8 10 10 13 13 13 13 13 13 13 13                                                               _{       } 12 12 12 12 12 12 12 12 10 10 10 10 12 12 12 12 8 8 8 8 10 10 10 10              



 _         _ _{ }_                              _ 8 8 8 8 8 8 8 8 10 10 10 10 10 10 10 10 7 5                    13 13 13 13 13 13 13 13 12 12 12 12 12 12 12 12 3 5 5

(10)

Gtr. 4 tacet [G5]  Gtr. 8 tacet  Gtr. 2 tacet Gtr. 3: w/ Rhy. Fig. 1 Interlude F5 [D5] 

some-thing. It’s fear - less.

 Gtr. 8  Gtr. 5  Gtr. 2   Csus4 [Asus4] Oh, Gm7 [Em7] yeah. Bb [G]  Gtr. 5 w/ bar   

Gtr. 3: w/ Rhy. Fig. 2 (1st 3 meas.) Gtr. 5 tacet

Chorus

F5 [D5] [[E5]]

’Cause I don’t know how it

Gtr. 2 tacet

C [A]

gets bet - ter than this.

 Gtr. 2   _   



                   _{     } 3 1 1 0 1 1         4 0 4 4   _{ } _{      } _ _{ }              0 1 1 0 3 3 1  _ _ _ _  _ _  _ _ _     2 1 0 0

(11)

D.S. al Coda 2 2 Coda rit. Gm7 [Em7] Gtr. 3 [G5] [A] Gtr. 3: w/ Rhy. Fig. 2 Gtr. 4: w/ Riff A F5 [D5] 

You take my hand and drag me head first. Fear - less. And I don’t know why,

 Gtr. 4  mf   but C [A]

with you I’d dance

Gm7 [Em7] in a storm in my best Bb5 [G5] dress. Fear C [A] less. -Gtr. 3 Outro [D5] [A] [Em7] [G5]  

Oh, oh, aw, yeah.

 rit.   Gtr. 1 rit.  Gtr. 4 rit.                __                  _    6 8 8 7 6 6 8 10 109 8 8                  _                            



   _{    }  _                              3 0 3 0 3 0 3 0 3 2 3 2 3 2 3 30 30 30 30 32 33 32 30 30 30 30 30 30 30 33                        1 1 1 1 3 5 3 3 3 3 3 3 3 5 5 5 5 5 5 5 5 5 5 5 5 5 3 1

(12)

Intro

Fifteen

Words and Music by Taylor Swift

All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203

   Gtr. 2 (elec.) G5 4 9 w/ clean tone mp 2 3 4 G5 1 2 4 Em7 3 2 1 Dadd 3 2 1 C 1 2 3 D/F# 1 2 Em 2 1 3 4 C'9 1 3 2 D 3 2 1 Dadd4 Cadd9   Gtr. 1 (acous.)

Rhy. Fig. 1 mf   Em7  Cadd9  Verse G5 You

1. take a deep breath and you walk



Riff A



End Rhy. Fig. 1 Rhy. Fig. 2

      3 5 3 3 5 3                                                         3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3                  3 5 3 3 5 3 3 5 3                                                                                            0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 X0 0 3 3 3 X 0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3

(13)



Cadd9

through the doors, it’s the morn ing

Em7

- of your ver-y first day.

Cadd9

You say

  



End Rhy. Fig. 2



hi

G5

to your friends you ain’t seen

Cadd9

in a while, try and stay out

Em7

of ev ’ry- - bod-y’s way.

Cadd9   Gtr. 2 End Riff A    Gtr. 3 (elec.)   

w/ slight dist.

mf



Gtr. 2: w/ Riff A

G5

It’s your fresh man- year and you’re gon

Cadd9

na

- be here



for the next

Em7

four years in this

 Gtr. 3                               3 5 3 3 5 3                                                                                  3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 0 0 0 3 3 0 0 0 3 3                 _{      }_{ }_  _  _  3 3 5 3 3 5 3    3 0                    _ _     0

(14)





Cadd9

town. Hop ing- one of those

G5

sen -ior boys will wink

Cadd9

at you and say, “You know, I



have Em7

n’t

- seen you a - round

Cadd9

be -fore.” ’Cause when you’re

 Gtr. 1 (cont. in slashes)  Gtr. 3 Gtr. 1 Chorus G5 Em7 

fif - teen and some - bod - y tells you they love



Gtr. 2

w/ pick & finger

 Gtr. 3                                        _{   }    4 0 3      _ _{ } _   _{  }                                                                        0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 0 0 3 3 0 0 3 3   _{ } _{ }    4 0 3                         _  _      _  _ _ _ _ _ _ _   _ _ 9 12 5 8 7 10       3 X0 0 3 3 0 2 2 0 3 3

(15)

4 9 Dadd C  you, 

you’re gon -na be - lieve them. And when you’re



 _



3rd time, Gtrs. 1, 2 & 3: w/ Rhy. Fill 1

G5 D/F#  fif - teen, feel and don’t



ing your for - like first get -there’s kiss to noth makes look -  Rhy. Fill 1 Gtr. 1 G5  Gtr. 2  Gtr. 3 P.M.                             _          _    _{  }     4 7 5 8 10 13        0 2 3 3 2 0 1                          _ _ _ _ _      _    9 12 7 10      3 X0 0 3 3 0 2 3   _ _ _ _{ }   _  9 12         3 3 3 X3 0 0 3 3

(16)

2nd time, Gtr. 2: w/ Fill 1 Em 3rd time, Gtr. 2: w/ Fill 2 Cadd9  - ing your be to fig head fore - ure spin you - out, ’round. fall. well, But    Em D  count in I’ve to your found ten, life time take you’ll can it do heal in, things most this great an is er y -life than thing, -be dat and you fore ing just -you the might         _  Fill 1 Gtr. 2  Gtr. 2 Fill 2                            _ _ _ __ _ _     _{ } _ 9 12 10 13 9 12 9 12 5 8 4 7  _   _{ }    0 2 2 0 0 3 0 1 3 0                        _                  _ 2 5 4 7    0 2 2 0 0 2 3            5 8 10 13 10 13 9 12 10 13 9 12 5 8

(17)

2 C To oda  1 C To oda  G5 D/F# Cadd9 Dadd4  know boy find who on who you’re the you’re gon foot sup - posed na ball -to be. team. be. Fif - teen.        _            Gtr. 2 Interlude Gtr. 1: w/ Rhy. Fig. 1 G5  Cadd9 p mf Em7 Cadd9  Gtr. 3 

Gtr. 1: w/ Rhy. Fig. 2 (1st 3 meas.) Gtrs. 2 & 3 tacet

Verse

G5

You

2. sit in class next to a red

Cadd9

head

- named Ab - i - gail and soon e

Em7

nough

- you’re best friends.

                    



                  _   _ _ _ 5 8 4 7 2 5 4 7      _ _ 3 X0 0 3 3 2 X0 2 3 X 0 3 0 2  _ _ _ _ _   _ _ _  0 10 0 10 0 10 0 10 0 10 8 8 0 8         4 0 4 0                      _  

(18)



Cadd9



Laugh

G5

ing

- at the oth -er girls who think

Cadd9

they’re so cool, we’ll be out

 Gtr. 2  Gtr. 1    of Em7

here as soon as we can.

Cadd9

And then

Gtr. 2 tacet

G5

you’re on your ver - y first date



Gtr. 2





Cadd9

and he’s got a car

Em7

and you’re feel - ing like fly

Cadd9 ing. - And your  ma G5 ma’s

- wait-ing up, and you’re think

Cadd9

ing

- he’s the one, and you’re danc

-         _ _{        }_        _{ }   7 10 5 8 4 7 5 8 7 10        3 2 0 3 3 0 0 3 3 0 0 3 3                               7 10 9 12     _   _{    } _    _ _  _{ }                    

(19)

D.S. al Coda 1 1 Coda  ing Em7

’round the room when the night

C

ends,

D

when the night

C

ends.

Dadd4

’Cause when you’re

 Gtr. 1 mp mf (cont. in slashes)  Gtr. 3  mp mf P.M.  Cadd9 Dadd4 

I did - n’t know it at fif - teen.

  _       _ _{ }_        _{   }                                                         0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 3 2 3 2 3 2 3 2 5 4 5 4 5 4 5 4 3 2 0 3 2 0 3 2 0 3 2 0 5 4 0 3 5 4 0 3 5 4 0 3 5 4 0 3 5 4 0 3 5 4 0 3                 3 2 3 2 3 2 3 2 5 4 5 4 5 4 5 4 7 5 7 5 7 5 7 5 9 7 9 7 9 7 9 7                                      10 13 12 15       3 2 0 2 0 3 0 2 3

(20)

Gtr. 1 Guitar Solo Gtrs. 2 & 3 tacet G5 Cadd9 Em7 (cont. in notation)  Gtr. 4 (elec.) w/ dist. f      Gtr. 5 (elec.) w/ dist. f      Cadd9  D Bridge Gtr. 5 tacet Cadd9

When all you want

Gtr. 4 tacet Em7 ed - was to be want - Gtr. 4     Gtr. 5 Gtr. 2   Gtr. 1                                                    5 7 8 8 12 12 7 8 8 15                2 4 5 5 9 9 2 4 5 5 12   _{ }_{   } _ _ _{ }_{   }   15   _ _{ } _{ } _{ } _{ } _{ } _{ } _{ } _{ } 12 12 10 13 10 13 10 13 10 13 9 12 9 12 9 12 9 12                                                       3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 0 2 3 2 0 2 3 2 0 2 3 2 0 2 3 2 0 2 3 2 3 2 0 3 3 2 0 3 3 2 0 3 3 2 0 3 3 2 0 3 3 2 0 3 0 2 2 0 3 0 2 2 0 3 0 2 2 0 3 0 2 2 0 3 0 0 3 0 0 3

(21)



Gtr. 2 tacet

D5

ed,

- wish you could go back



and tell

G5

your - self what you

D/F# know now. 3  Gtr. 1 *T *T = Thumb on 6th string  Cadd9 Dadd4   Gtr. 2  Harm.  let ring  Gtr. 1   mp mf    

Gtr. 1: w/ Rhy. Fig. 2 (1 3/4 times) Verse

G5

Back

3. then I swore I was gon - na mar

Cadd9

ry

- him some - day, but I

 Gtr. 2 let ring           _       _   _   _   _   _       _  _    0 2 3 0 2 3 0 2 3 0 2 3 3 X0 0 3 3 0 3 3 2 0 2 3          12 12 12      _{ } _{ }   _{} _{ } 3 2 0 3 2 0 3 0 0 0 0 5 4 0 4 0 3 5 4 0 0 0 0 0 0 0  _                   12

(22)

D.S. al Coda 2



re Em7

al

- - ized some big -ger dreams of mine.

Cadd9 And  Gtr. 2  Harm.  let ring  Gtr. 3   Ab Gtr. 3 tacet G5 i

- - gail gave ev -’ry - thing

Cadd9

she had to a boy

Em7

who changed his mind,

 Gtr. 2 let ring     C

and we both cried. ’Cause when you’re

 Gtr. 2 p mf  *Gtrs. 1 & 3 mp P.M.  mf (cont. in slashes) *Composite arrangement      _{      }_      _      12 12 12       _   8 10 7 8 7      _{    }_  _ _{     }   _         12               _ _ _ _ _ _ _ _ _ _ _ _ _ _ 4 7 4 7 4 7 4 7 4 7 4 7 4 7 4 7 5 8 5 8 5 8 5 8 5 8 5 8                  3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 0 03 3 0 3 3

(23)

2

Coda

Cadd9 Em D/F#



I did - n’t know who I was s’posed to be

        _ Cadd9 Dadd4 Outro Gtrs. 2 & 3 tacet G5  at fif (cont. in notation) teen. -  Gtr. 1  _     Cadd9  Em7

La, la, la, la, la, la,

C

la, la, la, la.

 Gtr. 1 mp mf                           _{  }    _ _ _{ }  _ _ _ _ 2 5 9 12 7 10      _  3 2 0 3 0 2 2 0 0 2 3           



      _{ }      _                               5 8 7 10 4 7 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X 0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3     3 2 0 3 0 2                                                                                     _{ } 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 3 2 0 1 0 3 2 0 1 0 3 2 0 1 0 3 2 0 1 0 3 2 0 1 0 3 2 0 1 0 3 2 0 1 0 0 0 0 0 0 0

(24)



G5

La, la, la, la, la, la,

Cadd9

la, la, la, la.

Em7

La, la, la, la, la, la.



Cadd9

Your ver -y first

G5

day.

Cadd9

Uh, take a deep breath, girl.



Gtr. 4

mf



Em7

Take a deep breath as you walk

Cadd9

through the doors.

  Gtr. 4 let ring       Gtr. 1                                _{ } _ _         _  _                     5 7 7 7 4 3 3 5 3 3 5 3 5 5 7                         7 7 4 3 3 5 3 3 0 3 3                                      0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 3 2 0 3 3

(25)

Intro

Love Story

Words and Music by Taylor Swift





Gtr. 1: Capo II

**

*Gtr. 2 Fill 1 D [C] mp 3 2 1 [C] 2 3 4 [G5] 2 3 1 [Am] 1 3 4 2 1 1 [F] 1 3 2 [D] 1 1 1 [A] 1 3 4 2 1 [Bm] End Fill 1 A5 [G5] 

*Banjo arr. for gtr.



Gtr. 1 (acous.)

mp

P.M.



**Symbols in parentheses represent chord names respective to capoed guitar.

Symbols above reflect actual sounding chords. Capoed fret is “0” in tab.

 B5 [A5] Riff A G [F] [Fsus2]Gsus2 End Riff A 

Rhy. Fig. 1 End Rhy. Fig. 1

P.M.                                4 2 0 3 0 3 2 3 4 2 0 3 0 3 2 3 2 2 0 3 0 3 3 2 2 0 3 0 3 2 3                                 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 0 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00                                 4 4 0 3 0 3 4 3 4 4 0 3 0 3 4 3 5 2 0 3 0 3 2 3 5 2 0 3 0 3 2 3                                 0 2 22 22 22 22 22 22 22 22 22 22 22 22 22 22 0 23 32 32 32 32 32 32 32 32 32 32 30 30 30 30 30

(26)

 We Verse 1. D [C]

were both young when I first saw you. I close

G [F]

my eyes and the

 Riff B  Rhy. Fig. 2 P.M. 

flash back- starts. I’m stand-ing there

B5 [A5] on a bal - co - ny in  End Riff B 

End Rhy. Fig. 2

P.M.   sum Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Riff A G [F] mer - air.  Gsus2 [Fsus2] See Gtr. 1: w/ Rhy. Fig. 2 Gtr. 2: w/ Riff B D [C]

the lights, see the



par - ty, the ball gowns. See

G [F]

you make your way through the crowd and say hel

- - -  _{  } _       _{ } _{ }                         4 2 0 3 0 3 2 3 4 2 0 3 0 3 2 3 5 2 0 3 0 3 2 3         _{       }         2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 3 2 20 20 20 20 20 20 0 23 32 32 32 32 32 32 32   _        _{     }         _{ }               5 2 0 3 0 3 5 3 4 4 0 3 0 3 4 3 4 4 0 3 0 3 4 3                         3 2 3 2 3 2 3 2 3 2 3 2 3 2 0 0 0 2 22 22 22 22 22 22 22 22 22 22 22 22 22 22 0                            _    

(27)



lo. B5 [A5]

Lit tle- did I A5 [G5] know that  *Gtr. 3 (elec.)   w/ slight dist.

mf

*Two gtrs. arr. for one.



Gtr. 2



Gtr. 1 Rhy. Fig. 3 End Rhy. Fig. 3

P.M.  you Pre-Chorus G [F]

were Ro me- -o. You were throw

A5 [G5]

ing

- peb - blesand my dad

B5 [A5]

dy

- said, “Stay a-wayfrom Ju

D [C]

li

- - et.” And I was

 Riff C mp End Riff C P.M.   Rhy. Fig. 4 P.M.                   5 3 2                                 4 4 0 3 0 3 4 3 4 4 0 3 0 3 4 3 2 2 0 3 0 3 2 3 2 2 0 2 0 2 2 2                                 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00          _        _{           }                                 2 3 3 3 2 3 2 3 2 3 2 3 5 2 2 3 2 3 2 3 5 3 2 3 2 3 3 3 5 3 2 3                                 5 2 0 3 0 3 2 3 2 2 0 2 0 2 2 2 4 3 0 3 0 3 4 3 4 2 0 3 0 3 2 3                                 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0

(28)



cry G [F]

ing

- on the stair - case, beg

A5 [G5]

ging

- you, “Please, don’t go.”

Gtr. 2 tacet B5 [A5] [F]G And I A5 [G5] said,  P.M.  P.M.  mf     P.M. 

End Rhy. Fig. 4

(cont. in slashes) mf Gtr. 1 Rhy. Fig. 5 Chorus [C] [G5] 

“Ro me- -o, take me some where- we can be a-lone. I’ll be wait - ing; all there’s left to do is run.

 (Ah, Voc. Fig. 1  Gtr. 3 Rhy. Fig. 5A f

End Rhy. Fig. 5A

                                                      2 3 2 3 2 3 2 3 2 3 2 3 2 3 5 3 2 2 2 2 2 3 2 2 2 3 2 3 2 2 2 3 3 5 35 35 35 35                 5 3 2 3 2 3 2 3 2 2 0 2 0 2 2 2                                 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 2 3 2 3 2 3 2 0 0 0 0 0 0 0 0                                         _{      }                 _  _{ }  _{ }   _{   } 0 2 3 2 0 0 2 3 2 0 2 3 2 0 0 2 3 2 0 2 5 5 0 0 2 5 5 0 0 2 5 5 5 0 0 0 0