Intro
Moderately q = 100
Fearless
Words and Music by Taylor Swift, Liz Rose and Hillary Lindsey
Copyright © 2007, 2008 Sony/ATV Music Publishing LLC, Taylor Swift Music, Hillsboro Valley Songs and Raylene Music All Rights on behalf of Sony/ATV Music Publishing LLC, Taylor Swift Music and Hillsboro Valley Songs Administered by
Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
All Rights on behalf of Raylene Music Administered by BPJ Administration, P.O. Box 218061, Nashville, TN 37221-8061
from Taylor Swift - Fearless
Gtrs. 1 & 3: Capo III Gtrs. 2 & 6: Capo I Gtr. 1 (elec.) * F [D] [[E]] w/ slight dist.
let ring throughout
mf 1 3 [D5] 1 1 1 [A] 1 2 4 [Em7] 2 3 [G5] 1 2 3 [Asus4] 1 3 [G/B] 1 3 2 [AsusÊ] 3 2 1 [C] 1 2 [Em] 1 2 3 [D/F#] Gtr. 2 (12-str. acous.)
let ring throughout
mf
*Symbols in parentheses represent chord names respective to capoed Gtrs. 1 & 3. Symbols in double parentheses represent chord names respective to capoed Gtrs. 2 & 6. Symbols above reflect actual sounding chords. Capoed fret is “0” in tab.
Chord symbols reflect overall harmony.
C [A] [[B]] Gm [Em] [[F#m]] Bbsus2 [Gsus2] [[Asus2]] 3 0 3 0 2 3 0 3 0 2 3 2 3 0 3 0 2 3 5 3 3 3 2 3 0 3 2 4 5 3 3 0 3 0 2 3 0 3 0 32 33 23 3 0 3 0 2 3 5 3 3 3 5 3 3 3 5 4 0 4 4 0 6 2 4 2 02 4 20
Verse Gtr. 1 tacet F5 [D5] [[E5]] There’s
1. some thing- ’bout the way
Gtr. 2 tacet
Csus4 [Asus4]
the street looks when it’s just rained.
Gm7 [Em7]
There’s a glow off the
Gtr. 2 Gtr. 3 (acous.)
let ring throughout
Rhy. Fig. 1 mp pave Bb [G] ment.
- You walk me to the car
F5 [D5]
and you know I wan-na ask
Csus4 [Asus4]
you to dance right there
Gtr. 3 End Rhy. Fig. 1
Gm7 [Em7]
in the mid - dle of the park
Bbsus2 [Gsus2] [[Asus2]] ing - lot, yeah. Gtr. 2 Gtr. 3 4 0 0 0 2 3 0 2 3 0 2 3 0 2 3 0 2 3 0 2 3 0 2 3 0 0 2 3 0 0 0 0 0 0 0 2 2 3 0 2 2 3 0 2 2 3 0 2 2 3 0 2 2 3 0 2 2 3 0 2 2 3 0 2 2 3 X X X X X X 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 0 0 0 0 0 3 X0 0 0 3 X0 0 0 3 X 0 0 0 3 X0 0 0 3 X0 0 0 3 X0 0 0 3 X0 0 0 3 X0 0 0 3 X0 0 0 0 2 3 0 2 3 0 2 3 0 2 3 0 2 3 0 2 3 0 2 3 X X X X X X 0 2 2 3 0 2 2 3 0 2 2 3 0 2 2 3 0 2 2 3 0 2 2 3 0 2 2 3 0 2 2 3 X X X X X X X X 0 2 2 0 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 3 X0 2 3
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed. 2
Interlude Gtr. 3: w/ Rhy. Fig. 1 F5 [D5] [[E5]] Csus4 [Asus4] [[Bsus4]] Oh, yeah. Gm7 [Em7] [[F#m7]] Bb [G] [[A]] Gtr. 1 Gtr. 2 Verse Gtr. 1 tacet
Gtr. 3: w/ Rhy. Fig. 1 (1 1/2 times)
F5 [D5] [[E5]]
We’re
2. driv -ing down the road,
Csus4 [Asus4] [[Bsus4]]
I won-der if you know
Gm7 [Em7] [[F#m7]]
I’m try -ing so hard
Gtr. 2 not Bb [G] [[A]]
to get caught up now.
F5 [D5] [[E5]]
But you’re just so cool, run
Csus4 [Asus4] [[Bsus4]]
your hands through your hair,
3 0 3 0 2 3 0 3 0 2 3 2 3 0 3 0 2 3 5 3 3 3 2 3 0 2 4 5 4 5 4 0 4 4 0 4 4 4 0 6 7 9 7 X 11 13 X 9 11 0 7 9 0 9 0 0 0 4 0 0 4 2 0 0 2 2 0 0 0 0 0 0 4 4 4 0 4
Gm7 [Em7] [[F#m7]]
ab - sent - mind - ed - ly mak
Bb5 [G5] [[A5]] in’ - me want Csus4 [Asus4] [[Bsus4]] you. Gtr. 2 Gtr. 3 (cont. in slashes) Gtr. 3 Chorus Gtr. 2 tacet 2nd time, Gtr. 5 tacet Rhy. Fig. 2 (D5) (A)
2., 3. 1. And’Cause
I don’t know how it gets bet - ter than
*Gtr. 4
w/ slight dist.
f
*Two gtrs. arr. for one.
[Em7] [G5] [A] End Rhy. Fig. 2
this. You take my hand and drag me head - first. Fear - less.
4 6 0 0 2 2 0 0 2 4 4 0 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 0 2 2 0 3 0 3 X0 0 3 3 X0 0 3 0 2 2 3 0 2 2 3 00 00 1 1 3 5 3 3 3 3 3 5 3 3 3 5 1 3 5 3 3 5 8 8
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed. 4
2 C To oda 1 C To oda Gtr. 3: w/ Rhy. Fig. 2 3rd time, Gtr. 4: w/ Fill 1 F5 [D5]
And I don’t know why, but
C [A]
with you I’d dance
Gm7 [Em7] in a storm in my best Bb5 [G5] dress. Fear C [A] less. -
Riff A End Riff A
Gtr. 1
Gtr. 3: w/ Rhy. Fig. 1 Interlude
F5
[D5] [Asus4)Csus4 [Em7]Gm7 [G]Bb
Gtr. 4 Gtrs. 1 & 4 tacet Verse F [[E]] So,
3. ba-by, drive slow
Csus4 [[Bsus4]]
’til we run out-ta road Gm7 [[F#m7]]
in this one horse town.
Bb [[A]]
I wan na- stay right here
Gtr. 2 Gtr. 4 Fill 1 1 1 3 5 3 3 3 3 3 5 3 3 3 5 1 3 5 3 5 8 3 0 3 0 2 3 0 3 0 32 33 23 3 0 3 0 2 3 5 3 3 3 5 3 3 3 8 8 10 7 7 8 5 5 7 8 2 1 0 0 8 8 8 8 8 8 8 8 32 32 32 32 32 32 32 32 3 5 3 5 3 5 3 5 3 5 3 5 3 5 0
D.S. al Coda 1 1 Coda F [[E]]
in this pas sen- -gerseat. C [[B]]
You put your eyes on me.
Gm7 [[F#m7]]
In this mo ment- now, cap Bbsus2 [[Asus2]] ture - it, re mem Csus4 [[Bsus4]] - -ber it. Gtr. 5 (elec.)
let ring throughout
w/ clean tone mf Gtr. 2 Gtr. 3 Guitar Solo [Em7] [G5] Oh, oh. Gtr. 6 (elec.) w/ slight dist. mf let ring Gtr. 4 3 0 1 1 2 0 1 0 5 3 3 3 1 3 3 1 1 3 5 5 5 0 4 0 0 4 4 5 0 4 0 2 2 0 0 2 4 4 0 0 4 5 0 5 0 5 4 5 0 4 0 20 00 00 2 4 0 0 0 0 2 0 1 2 10 10 10 10 10 10 10 10 8 8 8 8 8 8 8 8
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed. 6
[D5] [Asus4] [G/B]
Gtr. 6
**w/ delay delay off
**Set for half-note regeneration w/ 1 repeat.
1 *Gtr. 7 (elec.) w/ dist. f *Doubled throughout Gtr. 4 Gtr. 6 tacet [Em7] [G5] Gtr. 7 1/2 Gtr. 4 2 2 4 6 4 6 5 7 5 7 7 5 7 5 13 12 12 12 12 12 12 12 12 10 10 10 10 10 10 10 3 0 1 3 0 3 2 2 3 3 1 0 3 10 10 10 10 10 10 10 10 8 8 8 8 8 8 13 13
[D5] [AsusÊ] [G/B]
Bridge
[C]
Well, you stood there with me
Gtr. 7 tacet
[D5] [Em] [D/F#] [G5] [Asus4]
in the door - way. My hands shake, I’m not u - su’l - ly this way but
Gtr. 4
[C] [D5] [Em] [D/F#]
you pull me in and I’m a lit-tle more brave. It’s a first kiss, it’s flaw - less, real ly
- Gtr. 8 (elec.) w/ slight dist. mf Gtr. 4 3 3 5 3 2 5 2 3 12 12 12 12 12 12 12 12 8 10 8 10 8 10 8 10 8 10 8 10 8 10 8 10 8 10 10 13 13 13 13 13 13 13 13 12 12 12 12 12 12 12 12 10 10 10 10 12 12 12 12 8 8 8 8 10 10 10 10
8 8 8 8 8 8 8 8 10 10 10 10 10 10 10 10 7 5 13 13 13 13 13 13 13 13 12 12 12 12 12 12 12 12 3 5 5Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed. 8
Gtr. 4 tacet [G5] Gtr. 8 tacet Gtr. 2 tacet Gtr. 3: w/ Rhy. Fig. 1 Interlude F5 [D5]
some-thing. It’s fear - less.
Gtr. 8 Gtr. 5 Gtr. 2 Csus4 [Asus4] Oh, Gm7 [Em7] yeah. Bb [G] Gtr. 5 w/ bar
Gtr. 3: w/ Rhy. Fig. 2 (1st 3 meas.) Gtr. 5 tacet
Chorus
F5 [D5] [[E5]]
’Cause I don’t know how it
Gtr. 2 tacet
C [A]
gets bet - ter than this.
Gtr. 2
3 1 1 0 1 1 4 0 4 4 0 1 1 0 3 3 1 2 1 0 0D.S. al Coda 2 2 Coda rit. Gm7 [Em7] Gtr. 3 [G5] [A] Gtr. 3: w/ Rhy. Fig. 2 Gtr. 4: w/ Riff A F5 [D5]
You take my hand and drag me head first. Fear - less. And I don’t know why,
Gtr. 4 mf but C [A]
with you I’d dance
Gm7 [Em7] in a storm in my best Bb5 [G5] dress. Fear C [A] less. -Gtr. 3 Outro [D5] [A] [Em7] [G5]
Oh, oh, aw, yeah.
rit. Gtr. 1 rit. Gtr. 4 rit. 6 8 8 7 6 6 8 10 109 8 8
3 0 3 0 3 0 3 0 3 2 3 2 3 2 3 30 30 30 30 32 33 32 30 30 30 30 30 30 30 33 1 1 1 1 3 5 3 3 3 3 3 3 3 5 5 5 5 5 5 5 5 5 5 5 5 5 3 1Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed. 10
Intro
Moderately q = 96
Fifteen
Words and Music by Taylor Swift
Copyright © 2008 Sony/ATV Music Publishing LLC and Taylor Swift Music
All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
from Taylor Swift - Fearless
Gtr. 2 (elec.) G5 4 9 w/ clean tone mp 2 3 4 G5 1 2 4 Em7 3 2 1 Dadd 3 2 1 C 1 2 3 D/F# 1 2 Em 2 1 3 4 C'9 1 3 2 D 3 2 1 Dadd4 Cadd9 Gtr. 1 (acous.)
let ring throughout
Rhy. Fig. 1 mf Em7 Cadd9 Verse G5 You
1. take a deep breath and you walk
Riff A
End Rhy. Fig. 1 Rhy. Fig. 2
3 5 3 3 5 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 5 3 3 5 3 3 5 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 X0 0 3 3 3 X 0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3
Cadd9
through the doors, it’s the morn ing
Em7
- of your ver-y first day.
Cadd9
You say
End Rhy. Fig. 2
hi
Gtr. 1: w/ Rhy. Fig. 2 (2 1/2 times)
G5
to your friends you ain’t seen
Cadd9
in a while, try and stay out
Em7
of ev ’ry- - bod-y’s way.
Cadd9 Gtr. 2 End Riff A Gtr. 3 (elec.)
let ring throughout
w/ slight dist.
mf
Gtr. 2: w/ Riff A
G5
It’s your fresh man- year and you’re gon
Cadd9
na
- be here
for the next
Em7
four years in this
Gtr. 3 3 5 3 3 5 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 0 0 0 3 3 0 0 0 3 3 3 3 5 3 3 5 3 3 0 0
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed. 2
Cadd9
town. Hop ing- one of those
G5
sen -ior boys will wink
Cadd9
at you and say, “You know, I
have Em7
n’t
- seen you a - round
Cadd9
be -fore.” ’Cause when you’re
Gtr. 1 (cont. in slashes) Gtr. 3 Gtr. 1 Chorus G5 Em7
fif - teen and some - bod - y tells you they love
Gtr. 2
w/ pick & finger
Gtr. 3 4 0 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 0 0 3 3 0 0 3 3 4 0 3 9 12 5 8 7 10 3 X0 0 3 3 0 2 2 0 3 3
4 9 Dadd C you,
you’re gon -na be - lieve them. And when you’re
3rd time, Gtrs. 1, 2 & 3: w/ Rhy. Fill 1
G5 D/F# fif - teen, feel and don’t
ing your for - like first get -there’s kiss to noth makes look - Rhy. Fill 1 Gtr. 1 G5 Gtr. 2 Gtr. 3 P.M. 4 7 5 8 10 13 0 2 3 3 2 0 1 9 12 7 10 3 X0 0 3 3 0 2 3 9 12 3 3 3 X3 0 0 3 3Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed. 4
2nd time, Gtr. 2: w/ Fill 1 Em 3rd time, Gtr. 2: w/ Fill 2 Cadd9 - ing your be to fig head fore - ure spin you - out, ’round. fall. well, But Em D count in I’ve to your found ten, life time take you’ll can it do heal in, things most this great an is er y -life than thing, -be dat and you fore ing just -you the might Fill 1 Gtr. 2 Gtr. 2 Fill 2 9 12 10 13 9 12 9 12 5 8 4 7 0 2 2 0 0 3 0 1 3 0 2 5 4 7 0 2 2 0 0 2 3 5 8 10 13 10 13 9 12 10 13 9 12 5 8
2 C To oda 1 C To oda G5 D/F# Cadd9 Dadd4 know boy find who on who you’re the you’re gon foot sup - posed na ball -to be. team. be. Fif - teen. Gtr. 2 Interlude Gtr. 1: w/ Rhy. Fig. 1 G5 Cadd9 p mf Em7 Cadd9 Gtr. 3
Gtr. 1: w/ Rhy. Fig. 2 (1st 3 meas.) Gtrs. 2 & 3 tacet
Verse
G5
You
2. sit in class next to a red
Cadd9
head
- named Ab - i - gail and soon e
Em7
nough
- you’re best friends.
5 8 4 7 2 5 4 7 3 X0 0 3 3 2 X0 2 3 X 0 3 0 2 0 10 0 10 0 10 0 10 0 10 8 8 0 8 4 0 4 0 Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed. 6
Cadd9
Laugh
Gtr. 1: w/ Rhy. Fig. 2 (2 1/2 times)
G5
ing
- at the oth -er girls who think
Cadd9
they’re so cool, we’ll be out
Gtr. 2 Gtr. 1 of Em7
here as soon as we can.
Cadd9
And then
Gtr. 2 tacet
G5
you’re on your ver - y first date
Gtr. 2
Cadd9
and he’s got a car
Em7
and you’re feel - ing like fly
Cadd9 ing. - And your ma G5 ma’s
- wait-ing up, and you’re think
Cadd9
ing
- he’s the one, and you’re danc
- 7 10 5 8 4 7 5 8 7 10 3 2 0 3 3 0 0 3 3 0 0 3 3 7 10 9 12
D.S. al Coda 1 1 Coda ing Em7
’round the room when the night
C
ends,
D
when the night
C
ends.
Dadd4
’Cause when you’re
Gtr. 1 mp mf (cont. in slashes) Gtr. 3 mp mf P.M. Cadd9 Dadd4
I did - n’t know it at fif - teen.
0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 3 2 3 2 3 2 3 2 5 4 5 4 5 4 5 4 3 2 0 3 2 0 3 2 0 3 2 0 5 4 0 3 5 4 0 3 5 4 0 3 5 4 0 3 5 4 0 3 5 4 0 3 3 2 3 2 3 2 3 2 5 4 5 4 5 4 5 4 7 5 7 5 7 5 7 5 9 7 9 7 9 7 9 7 10 13 12 15 3 2 0 2 0 3 0 2 3
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed. 8
Gtr. 1 Guitar Solo Gtrs. 2 & 3 tacet G5 Cadd9 Em7 (cont. in notation) Gtr. 4 (elec.) w/ dist. f Gtr. 5 (elec.) w/ dist. f Cadd9 D Bridge Gtr. 5 tacet Cadd9
When all you want
Gtr. 4 tacet Em7 ed - was to be want - Gtr. 4 Gtr. 5 Gtr. 2 Gtr. 1 5 7 8 8 12 12 7 8 8 15 2 4 5 5 9 9 2 4 5 5 12 15 12 12 10 13 10 13 10 13 10 13 9 12 9 12 9 12 9 12 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 0 2 3 2 0 2 3 2 0 2 3 2 0 2 3 2 0 2 3 2 3 2 0 3 3 2 0 3 3 2 0 3 3 2 0 3 3 2 0 3 3 2 0 3 0 2 2 0 3 0 2 2 0 3 0 2 2 0 3 0 2 2 0 3 0 0 3 0 0 3
Gtr. 2 tacet
D5
ed,
- wish you could go back
and tell
G5
your - self what you
D/F# know now. 3 Gtr. 1 *T *T = Thumb on 6th string Cadd9 Dadd4 Gtr. 2 Harm. let ring Gtr. 1 mp mf
Gtr. 1: w/ Rhy. Fig. 2 (1 3/4 times) Verse
G5
Back
3. then I swore I was gon - na mar
Cadd9
ry
- him some - day, but I
Gtr. 2 let ring 0 2 3 0 2 3 0 2 3 0 2 3 3 X0 0 3 3 0 3 3 2 0 2 3 12 12 12 3 2 0 3 2 0 3 0 0 0 0 5 4 0 4 0 3 5 4 0 0 0 0 0 0 0 12
Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed. 10
D.S. al Coda 2
re Em7
al
- - ized some big -ger dreams of mine.
Cadd9 And Gtr. 2 Harm. let ring Gtr. 3 Ab Gtr. 3 tacet G5 i
- - gail gave ev -’ry - thing
Cadd9
she had to a boy
Em7
who changed his mind,
Gtr. 2 let ring C
and we both cried. ’Cause when you’re
Gtr. 2 p mf *Gtrs. 1 & 3 mp P.M. mf (cont. in slashes) *Composite arrangement 12 12 12 8 10 7 8 7 12 4 7 4 7 4 7 4 7 4 7 4 7 4 7 4 7 5 8 5 8 5 8 5 8 5 8 5 8 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 0 03 3 0 3 3
2
Coda
Cadd9 Em D/F#
I did - n’t know who I was s’posed to be
Cadd9 Dadd4 Outro Gtrs. 2 & 3 tacet G5 at fif (cont. in notation) teen. - Gtr. 1 Cadd9 Em7
La, la, la, la, la, la,
C
la, la, la, la.
Gtr. 1 mp mf 2 5 9 12 7 10 3 2 0 3 0 2 2 0 0 2 3
5 8 7 10 4 7 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X 0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 X0 0 3 3 3 2 0 3 0 2 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 3 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 3 2 0 1 0 3 2 0 1 0 3 2 0 1 0 3 2 0 1 0 3 2 0 1 0 3 2 0 1 0 3 2 0 1 0 0 0 0 0 0 0Digital Conversion © 2011 Sorgdal & RedHeartBeat - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed. 12
Gtr. 1: w/ Rhy. Fig. 1 (1 1/2 times)
G5
La, la, la, la, la, la,
Cadd9
la, la, la, la.
Em7
La, la, la, la, la, la.
Cadd9
Your ver -y first
G5
day.
Cadd9
Uh, take a deep breath, girl.
Gtr. 4
mf
Em7
Take a deep breath as you walk
Cadd9
through the doors.
Gtr. 4 let ring Gtr. 1 5 7 7 7 4 3 3 5 3 3 5 3 5 5 7 7 7 4 3 3 5 3 3 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 0 2 2 0 3 3 3 2 0 3 3
Intro
Moderately q = 120
Love Story
Words and Music by Taylor Swift
Copyright © 2008 Sony/ATV Music Publishing LLC and Taylor Swift Music
All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved
from Taylor Swift - Fearless
Gtr. 1: Capo II
**
let ring throughout
*Gtr. 2 Fill 1 D [C] mp 3 2 1 [C] 2 3 4 [G5] 2 3 1 [Am] 1 3 4 2 1 1 [F] 1 3 2 [D] 1 1 1 [A] 1 3 4 2 1 [Bm] End Fill 1 A5 [G5]
*Banjo arr. for gtr.
Gtr. 1 (acous.)
mp
P.M.
**Symbols in parentheses represent chord names respective to capoed guitar.
Symbols above reflect actual sounding chords. Capoed fret is “0” in tab.
B5 [A5] Riff A G [F] [Fsus2]Gsus2 End Riff A
Rhy. Fig. 1 End Rhy. Fig. 1
P.M. 4 2 0 3 0 3 2 3 4 2 0 3 0 3 2 3 2 2 0 3 0 3 3 2 2 0 3 0 3 2 3 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 3 2 0 0 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 4 4 0 3 0 3 4 3 4 4 0 3 0 3 4 3 5 2 0 3 0 3 2 3 5 2 0 3 0 3 2 3 0 2 22 22 22 22 22 22 22 22 22 22 22 22 22 22 0 23 32 32 32 32 32 32 32 32 32 32 30 30 30 30 30
We Verse 1. D [C]
were both young when I first saw you. I close
G [F]
my eyes and the
Riff B Rhy. Fig. 2 P.M.
flash back- starts. I’m stand-ing there
B5 [A5] on a bal - co - ny in End Riff B
End Rhy. Fig. 2
P.M. sum Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Riff A G [F] mer - air. Gsus2 [Fsus2] See Gtr. 1: w/ Rhy. Fig. 2 Gtr. 2: w/ Riff B D [C]
the lights, see the
par - ty, the ball gowns. See
G [F]
you make your way through the crowd and say hel
- - - 4 2 0 3 0 3 2 3 4 2 0 3 0 3 2 3 5 2 0 3 0 3 2 3 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 3 2 20 20 20 20 20 20 0 23 32 32 32 32 32 32 32 5 2 0 3 0 3 5 3 4 4 0 3 0 3 4 3 4 4 0 3 0 3 4 3 3 2 3 2 3 2 3 2 3 2 3 2 3 2 0 0 0 2 22 22 22 22 22 22 22 22 22 22 22 22 22 22 0
lo. B5 [A5]
Lit tle- did I A5 [G5] know that *Gtr. 3 (elec.) w/ slight dist.
let ring throughout
mf
*Two gtrs. arr. for one.
Gtr. 2
Gtr. 1 Rhy. Fig. 3 End Rhy. Fig. 3
P.M. you Pre-Chorus G [F]
were Ro me- -o. You were throw
A5 [G5]
ing
- peb - blesand my dad
B5 [A5]
dy
- said, “Stay a-wayfrom Ju
D [C]
li
- - et.” And I was
Riff C mp End Riff C P.M. Rhy. Fig. 4 P.M. 5 3 2 4 4 0 3 0 3 4 3 4 4 0 3 0 3 4 3 2 2 0 3 0 3 2 3 2 2 0 2 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 2 3 3 3 2 3 2 3 2 3 2 3 5 2 2 3 2 3 2 3 5 3 2 3 2 3 3 3 5 3 2 3 5 2 0 3 0 3 2 3 2 2 0 2 0 2 2 2 4 3 0 3 0 3 4 3 4 2 0 3 0 3 2 3 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0
cry G [F]
ing
- on the stair - case, beg
A5 [G5]
ging
- you, “Please, don’t go.”
Gtr. 2 tacet B5 [A5] [F]G And I A5 [G5] said, P.M. P.M. mf P.M.
End Rhy. Fig. 4
(cont. in slashes) mf Gtr. 1 Rhy. Fig. 5 Chorus [C] [G5]
“Ro me- -o, take me some where- we can be a-lone. I’ll be wait - ing; all there’s left to do is run.
(Ah, Voc. Fig. 1 Gtr. 3 Rhy. Fig. 5A f
End Rhy. Fig. 5A
2 3 2 3 2 3 2 3 2 3 2 3 2 3 5 3 2 2 2 2 2 3 2 2 2 3 2 3 2 2 2 3 3 5 35 35 35 35 5 3 2 3 2 3 2 3 2 2 0 2 0 2 2 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 2 3 2 3 2 3 2 0 0 0 0 0 0 0 0 0 2 3 2 0 0 2 3 2 0 2 3 2 0 0 2 3 2 0 2 5 5 0 0 2 5 5 0 0 2 5 5 5 0 0 0 0