PURE Insights
Volume 1
Article 3
2012
PURE Identity Manual
Cristin Stevens
Western Oregon University
Follow this and additional works at:
https://digitalcommons.wou.edu/pure
Part of the
Graphic Design Commons
This Article is brought to you for free and open access by the Student Scholarship at Digital Commons@WOU. It has been accepted for inclusion in
PURE Insights by an authorized editor of Digital Commons@WOU. For more information, please contact
Recommended Citation
PURE Identity Manual
Abstract
Published standards are essential for providing consistency in a organization’s graphic identity. This set of
standards was selected in 2010 by the PURE Executive Committee to provided the basis for that set of
standards for PURE.
The aims of this brand identity are:
• To create a single, consistent, and clear visual identity for PURE: Program for Undergraduate Research
Experiences.
• To project PURE as a professional, reliable, dynamic and contemporary organization.
• To standardize the organization’s visual presentation in a number of applications, thereby increasing
consistency of the image projected
From the Editor:
This manual was submitted to the PURE executive committee along with five others during
the 2009-2010 academic year. It was selected by the committee for use in PURE publications. Some changes
have been made as PURE has evolved, but the manual in itself remains an outstanding example of WOU
undergraduate work.
Keywords
PURE, design, graphic design, identity
A publication of the Program for Undergraduate Research Experiences at Western Oregon University
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digitalcommons.wou.edu/pure
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2012
PURE Identity Manual
Cristin Stevens,
Western Oregon University
Faculty Sponsor:
Jen Bracy
Published standards are essential for providing consistency in a organization
ʼ
s graphic identity. This set of
standards was selected in 2010 by the PURE Executive Committee to provided the basis for that set of standards
for PURE.
The aims of this brand identity are:
•
To create a single, consistent, and clear visual identity for PURE: Program for Undergraduate Research
Experiences.
•
To project PURE as a professional, reliable, dynamic and contemporary organization.
•
To standardize the organization
ʼ
s visual presentation in a number of applications, thereby increasing
consistency of the image projected.
u
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!
Stevens | PURE Identity Manual
PURE Insights
Volume 1, Issue 1
Contents
Introduction
Logo & Tagline
Typography
Colors
Images & Graphic Elements
Stationery
Website
Cover Art
Article Template
Promotional Tools
08
09
10
01
02
03
04
06
11
12
Introduction
To create a single, consistent, and clear
visual identity for PURE Journal: Program for
Undergraduate Research Experiences.
To project PURE as a professional, reliable,
dynamic and contemporary organization.
To standardize the organization’s visual
presentation in a number of applications,
thereby increasing consistency of the image
projected.
01
Published standards are essential for providing
consistency in a organization’s graphic identity.
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Stevens | PURE Identity Manual
PURE Insights
Volume 1, Issue 1
Logo & Tagline
02
The PURE logo is about combining the style of
a scholarly journal and the concept of forward
thinking. The background box, highlighting the
letter ‘u’, communicates a playful yet traditional
manuscript reference. The highlighted and italic
letter ‘u’ serves the purpose of showcasing
PURE as a journal that is for students. The use
of serif and sans serif font composes a logo
where traditional meets modern.
Program for Undergraduate
Research Experiences
pure
Program for Undergraduate
Research Experiences
p
u
re
Typography
03
The two typefaces for PURE are
a serif and sans serif font: Didot
and Geneva. These two typefaces
complement one another as well as
the identity.
Didot Regular
This is used for the majority of the
acronym.
Didot Italic
This is used to highlight the ‘u’ as
to showcase that PURE is a journal
for students.
Geneva Regular
This is used for the tagline and
most body text.
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
0123456789
DIDOT REGULAR
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
0123456789
DIDOT ITALIC
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
0123456789
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Stevens | PURE Identity Manual
PURE Insights
Volume 1, Issue 1
Colors
04
PURE Purple
PANTONE 518U
70C 100M 55Y 25K
102R 51G 100B
PURE Light Purple 54%
PANTONE 518U
70C 100M 55Y 25K
102R 51G 100B
PURE Black
0C 0M 0Y 100K
0R 0G 4B
The color palette for PURE include
spot colors (for uncoated paper
stocks), custom process breakdowns
(CMYK), RGB equivalents for screen
applications and use in Word, Excel
or Powerpoint.
Primary Palette
There are two colors that make up
the primary palette for the PURE
logo: black and Pantone 518U.
3DQWRQH8RϝHUVDVRSKLVWLFDWHG
purple.
Note: Pantone 518U at 54% tint is
used for the background box. Black
is used for the tagline.
Colors
05
PURE Green 100% & 52%
PANTONE 385U
3C 0M 100Y 58K
153R 153G 0B
PURE Blue 100% & 52%
PANTONE 294U
100C 58M 0Y 21K
0R 102G 153B
PURE Red 100% & 52%
PANTONE 216U
0C 95M 40Y 49K
153R 0G 51B
Secondary Palette
The secondary palette provides
three other possible color variations.
Pantone 518U can be replaced by
Pantone 385U, Pantone 294U, or
Pantone 216U.
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Stevens | PURE Identity Manual
PURE Insights
Volume 1, Issue 1
Images & Graphic Elements
06
Images
There is a preference for student photography; however,
whether shooting original photography, selecting from
already-shot images or purchasing stock photography, try
to base decisions on these guidelines:
Aim to use images with natural, outdoor and available
OLJKWUDWKHUWKDQDPELHQWRUDUWLÀFLDOOLJKWLQJ
Strive to use active images of real-life experiences rather
than staged portrait-like shots.
Wherever possible, there is preference for images in full
color, or in greyscale.
Images & Graphic Elements
07
u
u
u
u
Graphics
The primary graphic is the highlighted ‘u’
and can be used in a manner consistent
with the design of the stationery and
promotional tools.
The small squares can be used along a
headline or act as list bullets.
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Stevens | PURE Identity Manual
PURE Insights
Volume 1, Issue 1
Stationery
08
345 N Monmouth Ave Monmouth OR 97361
Program for Undergraduate Research Experiences
p
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u
u
Program for Undergraduate Research Experiences
p
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re
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The PURE stationery design continues to create
unity within the brand identity. The letterhead and
envelope are professional and modern to maintain
the style of a scholarly journal and forward thinking.
Wherever possible in the PURE stationery system
print on bright-white paper stoc
k.
Business Envelope
9.5” x 4.125”
Letterhead
8.5”x11”
Website
09
The PURE website (1024 x 768 pixels) format is consistent with the
Digital Commons model. The two-color palette is converted to the RGB
equivalents for screen applications.
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Spring 2011 Volume 1
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Stevens | PURE Identity Manual
PURE Insights
Volume 1, Issue 1
Cover Art
10
1
Program for Undergraduate
Research Experiences
p
u
re
Spring 2011 Volume 1
Research
1
1
Scholarship
1
1
Creative Arts
The PURE cover art has a number
one to represent that it is the
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to represent spring. The use of the
black and white logo is meant to
create a cohesive feel between the
one and the logo.
Article Template
11
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Stevens | PURE Identity Manual
PURE Insights
Volume 1, Issue 1
Promotional Tools
12
u
“The only source of knowledge is experience”-Albert Einstein
Program for Undergraduate Research Experiences
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“The only source of knowledge is experience” -Albert Einstein
Progra mforUnd
ergraduat e Research
Experie nces
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u
re
These are some suggested promotional tools
for the PURE brand identity. Both display the
quote by Albert Einstein: “The only source
of knowledge is experience.” There are many
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here are by no means the only applications of
promotion.
Reusable Bag
Shirt