THE
WORKS
OF
THE
WORKS
OF
THOMAS
VAUGHAN:
EUGENIUS
PHILALETHES
BY
ARTHUR
EDWARD
WAITE
"
I callGod to witness that I write not this to amaze
men; but I write that which I know to be certainly true." AULA Lucis.
PREPARED FOR
THE
LIBRARYCOMMITTEE OF
THE
THEOSOPHICAL
SOCIETY INENGLAND AND WALES
AND
ISSUED BYTHE
THEOSOPHICAL
PUBLISHING HOUSE, iUPPER
WOBURN
PLACE,LONDON,
W.C.iFOREWORD
THIS
is the firstvolume
of a series of Transactions to beissued
by
the LibraryCommittee
of the Theosophical SocietyofEngland and
Wales.The
choice hasfallenupon
Thomas Vaughan
fortwo
reasons: inthefirstplace,because ofJiis unique position in the chain of the
Hermetic
tradi-tionduringtheseventeenth century; and, secondly, becauseit has been possible to secure the services of
Mr
A. E. Waite,who
is recognisedby
all students of the hidden truth as onewho
isparticularly fitted, not only
by
temperament
and predilection, but alsoby
special trainingand ripe scholarship, for the task of editing one of the profoundest
and most
difficult of all visionarieswho
have seen "thenew
Eastbeyond
the stars."The
mantleof RobertFludd
may
be said to havefallenupon
the -shoulders ofVaughan,
who
in his time and generation continued the apostolate of the SecretTradi-tion, as thisis represented
by
the secretand
more
spiritualside ofalchemical philosophy.
The
two
writersdrew from
thesame
sources :from
the school of the Kabalah in all its extensionsand
reflections,from
theHermetic
Neo-Platonists,
and
from
those Latin-writingscholarsofEurope
who,
subsequent to the Renaissance, represented and not infrequently typified the struggle for liberationfrom
theyoke and
aridity of scholastic methods.Fludd
was
a physician,and
when
not dealing with cosmical philosophy he paid attention to theHermetic
foundationupon
which the true art of medicine is built.Vaughan, on
the other hand,was an exponent of alchemy;
and though
firstand
foremost a
of
Vaughan
the less a
practical alchemist
upon
the material side itwas, in fact,
from
inhaling thefumes
ofmercury
during a chemical experiment that hemet
his death.Both
Fludd
andVaughan
wereinfluencedby
themove-ment
known
as Rosicrucian, whichcame
into prominence intheearlypartoftheseventeenth century.But
Vaughan
was an unattached interpreter, while there isground
forbelieving that
Fludd
may
have been connectedmore
or less directlywith the so-called "Fratres R. C."At
anyrate he was a personal friend of Michael Maier,
who
cannot be dissociated
from
themovement.
There
is a living interest inVaughan on
the personalside
; he belongs to the history of English literature,
more
especially as a prose writer,though
alsoby
theoccasional felicity of his metrical exercises.
Above
alland
this concerns the present venturemore
closely than anylighter consideration, he hasa position of hisown
asan interpreter of the Secret Tradition.
His
works, whichare valued possessions to thosewith sufficient
knowledge
to appreciate their occult significance, are here
made
avail-able for the first time in a collected edition.THE
LIBRARY COMMITTEE.
BIOGRAPHICAL
PREFACE
THE
Vaughan
family is of old repute in history in that ofEngland
as well as Wales. It is said that an earlyrepresentative, Srr
David Vaughan,
fell at the Battle ofAgincourt.
The
branch with which Iam
concerned had Tretower Castleby
theUsk
in Brecknockshire asits ancestral seat. This is
now
in ruins and was perhaps falling into decay at theend
of the sixteenth century,for it was left
by
the master of the place about thatperiod in favour of a residence at
Newton,
near Seethrog, in the parish of Llansaintffraid,some
five milesaway
in thesame
shire. This isNewton-St-Bridget, also
on
the banks of theUsk.
In the next generationHenry
orThomas
Vaughan
1 wasof
Tretower
and
Llansaint-ffraid.
At
the latterplace,
and
inwhat
has been calledthe farmhouse at
Newton,
2 there were born tohim
of a wife aboutwhom
there is no record the twin boysThomas
and
Henry
Vaughan.
The
traditionalor accepted date, as Imust
term it, is between 1621and
1622, but the traditionmay
be regarded as sound,* since it restson
the authority of
Wood,
8who
almost unquestionablyhad for his informant the
younger
of thetwo
brothers.41 The
Rev. A. B. Grosart, who first edited the complete writings of
Henry Vaughan inthe FULLER WORTHIES LIBRARY, four beautiful
volumes exceedinglyvaluable for thelives ofboth brothers says that
the father was Henry and that he was a magistrate in 1620. The
Register of Oxford University describes him as "Thomas of Llansan-fraide, co. Brecon,//^."
2 See
Theophilus Jones: HISTORY OF THE COUNTYOF BRECKNOCK, vol. ii, part 2, p. 540. He speaks of a farmhouse at Newton, once
"
occupied by two brothers of the name ofVaughan, ofvery eccentric character."
3
ATHENE
OXONIENSES,editedbyPhilip Bliss, vol.iii,p.722. 4
Ibid.,subnomineOlor Iscanus. vii
of
Thomas Vaughan
There
are, however,no
registers of births for that period in the district, nor for almost a century later.We
shallfind further
on
that importance attaches to the birth-dateof Thojnas
Vaughan,
and it is necessary therefore to note at this point that there is aminimum
element ofun-certainty hereon.
1
Thomas
andHenry
Vaughan became famous
respec-tively in the annals of
two
departments of literature, thefirst as a mystic and alchemist
whose
little books havelong been sought eagerly
and
prized highly by students, the second as a beautiful, though very unequal, religiouspoet.
With
vocations sufficiently distinct, they yet be-longed to one another in the spirit as wellas inthe blood,for after his
own
manner
Thomas
was also a poet, or at least amaker
of pleasant verse, whileHenry
wasdrawn
into occult paths as a translator2
and
indeed otherwise,as a record of his repentance testifies.3
Between
and above both there stands the saintly figure ofGeorge
Herbert, their contemporary
and kinsman by
marriage,albeit in remote degree.*
The
pathsof the secretscienceswere
beyond
hisken
entirely,and
this is one distinctionin the triad.
But
there is another ofmore
living im-portance. Herbert was an artist in verse, "beautifulexceedingly "
in
workmanship,
and if he did not attainthe heights which were reached in rare
moments
by
1 There
isextant a letter fromHenryVaughantoJohnAubrey, dated
June 15, 1673. It issaid thatheandhisbrotherwere born in 1621,but
as a second letter mentions that Thomas Vaughan died in 1666in his
forty-seventh year, there is a mistakeon one sideor the other,and the
birth-dateis stillopento question.
2 See
AppendixIXof thepresent volume,p.489.
3 SeeThe
Importunate Fortune,writtentoDrPowellof Llanheff. The
poetcommitshisbodyto earth, his"growing faculties ... tothehumid
moon,"his cunning arts toMercury,his"fond affections" to Venus,his
pride"iftherewas aught in me" to the royalty of Sol,his rashness
andpresumptiontoMars,thelittlehehashadof avarice to Jupiter;
And
my
falseMagic,which I didbelieve,Andmysticlies,toSaturn I dogive." 4 Grosart
:
WORKS
ofHenryVaughan,vol.i,p.xxiv. Anotherkinsmanwasthe antiquary,JohnAubrey.
Biographical
Henry
Vaughan, heknew
still less of his descents. Imention these matters to indicate the kind of race and
royalty to which the triad belongsin literature.
Herbert
is still the
known
poetwhose
popularity is witnessedby
innumerable editions.
Henry
Vaughan,
designated the Silurist,1
is
known
indeed but after anothermanner
and onemuch
more
restricted.His works
have beencollected twice
and
the selections are few.As
regardsThomas
Vaughan,
with a. single exception in respect ofthe tract entitled
EUPHRATES,
he has been edited inmodern
timesby
myself only,and
thevolume
to which the presentwords
are prefixed represents theonlyattemptto produce his writings in collected form.
In the vicinity of
Newton
and Tretower
is the littletown
of Llangattock, still within the voices of theUsk,
and there at the period dwelt the Rev.Matthew
Herbert,a
kinsman
perhaps also, towhom
Thomas
2 andHenry
wrote Latin and English verses,and
towhom
the formermay
have dedicatedAULA
Lucis,3
addressing
him
as Seleucus Abantiades or such at least ismy
suspicion.
The
records4 on which Idepend
tellme
that the boys were placed in his chargeat the age of eleven years for schooling,and
so profited therein that in 1638 they proceeded apparently together to Jesus College,Ox-ford,
6
where
Thomas
indue
course took"one
Degree
in Arts."6
This is stated by
Wood
and seems finalon
1
Thomas Vaughan isas much entitled to be termed Silurist as his
brother. Inasense,itwasa familydesignation,belongingto thatbranch
which had its home in South-East Wales, where dwelt once the war-likeSilures.
2
SeeAPPENDIXII, p. 475.
3 The tract entitled
THE
MAN-MOUSEin reply to Henry More was
alsodedicatedtoMatthewHerbert byhis "pupilandservant,"Eugenius
Philalethes.
4 In addition to the researches of Grosart there are those of E. K.
Chambers in his
WORKS
of HenryVaughan,2 vols.,MUSES' LIBRARY, 1906. It must notbesaid thatthe discoveriesmade byeither editor areconsiderableinrespect ofThomasVaughan,thematerialsbeing wanting.
6 The
University Register saysthat"Thos.Vaughan . . . matriculated from Jesus Collegeon 14 Dec,1638,aged16."
ATHENA
OXONIENSES.of
Vaughan
the subject, but it has been said that he
became
a Fellowof his Collegel or alternatively a Master of Arts.2
His
age at the time of matriculation is alsodescribed variouslyas eighteen, seventeen and sixteen.
The
last is on the authority of the University Registers,and from
this itwould
follow that he was born in 1622.The
date of his baccalaureat isFebruary 18, 1640,
and
thereafter Ifind
no
particulars concerninghim
until he was ordainedby
Dr
Mainwaring, Bishop of St Davids,and
was pre-sented to the living of Llansaintffraidby
hiskinsman
SirGeorge
Vaughan
of Follerstone in Wiltshire.Again
the date is uncertain, that of 1640,which is usuallygiven,seeming too early.
3
In any case he
became
in thismanner
the rector of his native parishand
was at leastin nominal possession till 1649,
when
he wasejected
by a Parliamentary Commission, under an Act for the Propagation of the Gospel.
4
The
more
immediate reasonwas
unquestionably that, incommon
with his brother, he was an ardent Royalist.He
had alsofoughtfor the King, notwithstanding the fact of his ministry
where
or under what circumstanceswe
are never likelyto
know.
But
theWhite
King
perished in the Royal Cause on January 30, 1649, andWood
says that the loyal but dispossessed subjectsoughtthe reposeofOxford
to pursue his studies.6
He
alternated between there1
"Was
madeFellow of the said House" are the words of Wood,
referring to Jesus College, but it is a mistake according to Grosart,
who gives no reason. The fact of this Fellowship is affirmed by
Foster, ALUMNI OXONIENSES, following Walker's SUFFERINGS OF
THE CLERGY.
2 Grosart
says that he "passed M.A.," but mentions no authority.
There is, however, an expression ofopinion in the letter from Henry
Vaughan to John Aubrey, already quoted:
"
(I think) he could be no
lessthanMasterof Arts."
3 See
Grosart,op.cit.,vol.ii,p.301.
4
Theophilus Jonessays:
"Hewas ousted
by the propagators of the gospel in Wales, for drunkenness, swearing, incontinency and carrying arms for the King." Loc. tit. The last charge implied the others
presumably.
5 "
The unsettledness ofthetime hinderinghima quietpossession of
the place" meaning hiscureof souls "heleftit,and retired to Oxon,
Biographical
and London,
and the suggested repose notwithstanding was busy about .many things. Chiefamong
thesewere the publication of his first five tracts, in
two
smallduodecimo
volumes, in 1650,and
his marriage to a ladynamed
Rebecca patronymicunknown
on
September
28, 1651. In this year also he issued three further tracts
and
one other in 1652.An
"intercepted letter"included
among
theTHURLOE
PAPERS
*indicates his
pres-ence at
Newton
in the early part of 1653. It is notpossible unfortunately to identify the Pinner of
Wake-field, 2
where
hisNote-Book
tells us that he lived withhis wife "in those dear days"
when
"the gatesopened
"
and in a sedate repose prosecuted his medicinal genius (in a manner valued to him), and at length became eminent in the chemical part
thereof,atOxonandafterwardsatLondon." Wood,loc. cit.
1
AN
INTERCEPTED LETTERofM.VaughantoMrCharles Roberts. Cousin Roberts: Bythe inclosed from Captain Jenkin John Hewettto MrsLewesofLanvigan,youmaysee that he threatens the country withhis troop. MrMorgan ofTherwand divers others of the best of the
country were at this cock-fight, which was kept no otherwise than
ac-cording to the custom ofall other schools.
We
conceived that therewas no troop in our country, nor underhis command; but it appears
by this his own letter that he haththemstilllisted and keeps them up
privately. For though he came not to the cock-fight, according to his
menaces,yet he hadthatmorning at his house above thirty horse, with
saddlesandpistols,whichdidmuchtroubleandterrifythecountrypeople.
I pray learn if his highness hath lately granted him a commission.
Otherwise I knownoreason butthese actionsshouldbetaken notice of.
Ourjustices ofthe peacestillslightthe Lord Protector's authorityand
have now issued forth their warrants for the contribution, some in the
name of the keepers of the liberty by authority of parliament, others
withoutanyname at all; and divers gentlemen have been served with
them but refused to execute them. I wonderat these proceedings and
more at those that suffer them. I'll assure you, the people by reason
ofthis public and persevering contempt will not believe that there is
aLordProtectorand dolaughatsuchrelations. I could wishthatthose
whomit concerns wouldlook to it,lesttheir too much clemencyprove
hurtful to them. I prayletmehear fromyouwiththefirstconveniency,
andhowthebusiness goes betwixtmeandMrs Games. Farewell.
Yourfriendandaffectionatekinsman,
THO.VAUGHAN
Newton,Ash-Wednesday, 1653.
For
my
respected kinsman,MR
CHARLESROBERTS,at hischamberin Gray's- Inn, This.
2
SeeAPPENDIX I.
of
Thomas Vaughan
and
he believed himself to have entered deeply into the realm of natural secrets.1The
next traceable event isthe publication of
EUPHRATES,
his last text, in i655 2There
follows another period of silence, buton
April17, 1658,
we
learn byhisown
testimony3 that RebeccaVaughan
died, and was buried at Mappersall inBedford-shire.4 It was the great grief of his life, as the private memorials shew,
and
he was presumablyhenceforth alone, for there is no reason to think that a son was born to the marriage,as inferredby
one writer.5
Thomas
Vaughan
wasnow
about thirty-six years ofage
and
had not reached therefore the prime of life;but he disappears
from
the field of authorship, and allthat
we
can glean concerninghim
is contained bya fewlines in the biographical notice of
Wood.
He
is said tohave been under the protection
and
patronage of SirRobert
Murray,
Secretary of State for Scotland in the days of theCommonwealth,
6
but also a persona grata
under the Restoration in those of Charles' II.
When
the plague of 1665 drove the Court
from
London
toOxford
Thomas
Vaughan went
thither with his patron,and a little later took
up
his residence with the Rectorof Albury, the Rev. Sam. Kern,7
at
whose
house,on
February 27 of that year, he was killed by an explosion in the course of chemical experiments.He
is said tohave been buried
on
March
i in the church ofAlbury
1
SeeAPPENDIX I. 2
See, however, APPENDIX IX, s.v. ATTRIBUTED WORKS, accord-ing to which Eugenius Philalethes published a translation of Nollius
in 1657.
3APPENDIX
I,p.446.
4 MrE.
K.Chambersobtained the following extractfromthe Register
of Mappersall: 1658. Buried: Rebecka, theWife of MrVahanne,the
26th ofApril.
6 DICTIONARYOFNATIONAL
BIOGRAPHY,s.v.ThomasVaughan.
6
Wood
:
ATHENE
OXONIENSES.7 DICTIONARY OF
NATIONAL BIOGRAPHY, s.v. Samuel Kem. He
was on the Parliamentary side in the days of the Civil War, and was
notoriousfor fighting,preachingand plundering; but he becamea
con-vincedloyalist atthe Restoration. ItisdifficulttounderstandVaughan's
connectionwiththisdissolutecharacter. xii
Biographical
Preface
village "
by the care
and
charge of the said Sir RobertMurray."
* This ison
the authority ofWood
and
issupported
by
Henry Vaughan
in his Elegiac Eclogue,to be quoted later.
The
"careand
charge"must
havemeant
somethingmore
than burial fees,and
there is a tradition that amonument
was erected. If so, all trace of it has vanished, and the registers ofAlbury
contain no record of Vaughan's interment.2 It seems to followthat
we
know
asmuch
and as little about the passingof
Thomas
Vaughan
asmight be expectedfrom
hisliterary
importance and repute at that period.
3
His
little bookscould have appealed to a few only,
though
itmay
begranted that occult philosophy was a
minor
fashion of the time.He
was
satirisedby Samuel
Butler in hisCHARACTER
OFAN
HERMETIC
PHILOSOPHER,* and assome
say also inHUDIBRAS
itself.Among
his con-temporaries therefore hewas
not at leastunknown.
I proceed
now
to the consideration of asomewhat
involved question.Thomas Vaughan
publishedAULA
Lucis,
one
of the later texts, under his terminal initials,1
ATHENE
OXONIENSES. But the letter ofHenry Vaughanto John
Aubrey says only that his brother died "upon an employment for His
Majesty."
2 He
gaveallhisbooks andMSS.to SirRobertMurray.
3 The DICTIONARY OF NATIONAL BIOGRAPHY is
wrong in supposing
that the will of Thomas'Vaughan is in Somerset House reference 53 Mico though there is one of a person bearing that name. He was, however, of Cropredy in Oxfordshire, and a son William, to
whom
he bequeathed most of his property,was the father of fourchildren at thedate of making the will namely,FebruaryI7th, 1662-63 whereas any
issue ofThomas Vaughan ofNewton and Rebecca his wifewould have
bqenonly abouttenyearsoldatthat period.
4 The
satireremainedinMS.forsomethinglikeacentury. Itiscertain
that Butlerintendedto depictVaughanand wasacquainted withsomeof
hiswritings. TheHermeticPhilosopherin question"adored"Cornelius
Agrippa, magnified theBrethren of the RosyCross,was atwarwith the
schoolmen, recommended Sendivogius and the ENCHIRIDION of Jean
d'Espagnet to all of which Vaughan answers. See
THE
GENUINE REMAINSofMrSamuel Butler . . . From the original MSS. ... byR. Thyer, voU ii, p. 225 et seq., 1759. The suggestion that Ralpho thesquire ofHudibras was also intended for Vaughan can have beenmade
by noone acquaintedwith theworks ofEugeniusPhilalethes. Thereis
novestige of similitude.
Thomas Vaughan
S.
N.
Otherwise he wrotealwaysasEugenius
Philalethes,and
out of this fact there arises a very curious question of identity, involvinga confusion of distinct orapparentlydistinct personalities,
on
which Ihope
to cast suchlight that it
may
perhaps be regarded as determined. In the year 1667 beingtwo
years afterVaughan,
according tohis history, had departed this life there appeared at
Amsterdam
awork
entitled INTROITUSAPERTUS
AD
OCCLUSUM
REGISPALATIUM,
edente Joanne Langio, the accredited author being Eirenseus Philalethes, described as anonymus philosophus,and by
himself as natu tAnglus^habitatione cosmopolita. It sprang at once into
fame
as a treatise of undeniableHermetic
authorityand
exceptionalclearness
on
the GreatWork
ofAlchemy.
1 So far,how-ever, it
would
appear only that an English writer had chosen Latin as hismedium,
the continent as place of publication,and
apseudonym
recalling that of Eugenius,in all which there is nothing which calls for notice.
But
an examination of thework
and
the circumstancesunder
which it was issued arrest attention. In the first place,it
came
into the editor's hands, not long prior to itspublication,
"from
amost
excellentknowing
man
of these matters," not otherwise described, while as regardsthe author himself Langius says : "I
know
no
more
than hewho
ismost
ignorant," not even whether he was stillliving. In the second place, he did not in his opinion possess a "true manuscript copy," so that his edition appeared subject to all faults.
2
For
the nextsignificant fact
we
must
pass, however,1 Itwas
reprintedin MUSJEUM HERMETICUMReformatumet
Amplifi-catumin 1677; in 1683 at Venice; at Jena in 1699; in 1706at
Frank-furt; and in 1754 a French translation appeared in BiBLlOTHEQUE des
PhilosophesAlchimiques,vol.iv,together withEXPLICATIONdeceTraiti de Philaletheparlui-mme,the authenticity ofwhichisdoubtful.
2 The
preface ofLangiusisofconsiderableinterestandbibliographical
consequence. He points out acutely that
THE
OPEN ENTRANCEisnot only reminiscent of Sendivogius and hisNEW
LIGHT OF ALCHEMY inrespect of perspicuityand.candourbutalso inthematterofstyle. There
isnodoubtthat Sendivogius or Alexander Setonbehindhim wasthe
modelofEirenaeus; bothalsoadoptedthe descriptivetitleofCosmopolite.
Biographical
from the editor's preface to that of the writer,
who
opens with the following testimony :
"
I, being an adept
anonymous,
a lover of learningand
a philosopher, have undertakentowritethislittletreatiseconcerningmedicinal, chemical and physical secrets, in the year of redemption 1645 and in the twenty-third year ofmy
age."The
motives
by
which he was actuated were (i) that he might lead the Sons of the Art out of the labyrinth oferrors
and
the deceits of sophisters; (2) that he might
be recognised
by Adepts
atlarge as their peer and their
brother.
These
reasonssetaside,itremainsthatEirenseusPhilalethes, according to his
own
statement, accomplishedthe Great
Work
at the age oftwenty-two, and otherwise
that his memorial concerning it did not see the light for
twenty-two years. It is of course an interesting
coinci-dence
and
nothing follows therefrom ; but as the resultof a simple calculation
we
shall find that he was born in1622, or in the
same
year asThomas
Vaughan,
ifwe
accept ^the
Oxford
University record, that the lattermatriculatedatthe ageof sixteen in 1638.* I
am
obviouslynot prepared to
deny
that here is another coincidence,however
remarkable as such ; but Imust
confess thatimagination is
disposed,
on
the other hand, to speculatewhether
Vaughan
really died in 1665, whether he did not change his local habitation, adopting anotherpseudonym,
as he had
done
once previously.2A
certain romantic
1 Therecord
isinagreementwiththe birth-dategivenbyWood.
2
HenryVaughanwassatisfiedonlytoo wellonthe fact of his brother's
death,forhemakeshimthe subject ofanelegiaceclogueunderthetitleof
DAPHNIS,recording"ourlong sorrowsandhis lastingrest." The
follow-ing lineshavetheunmistakable noteof identity:
LetDaphnisstillbetherecordedname Andsolemn honourofourfeastsandfame.
For thoughthe IsisandtheprouderThames Canshowhisrelicslodgedhard bytheir streams,
Andmustforevertothehonour'dname OfnobleMurraychieflyowethatfame,
Yetherehisstarsfirstsawhim
a reference toUskanditsvicinity.
of
Vaughan
colouring is reflected
on
such a notionby
the fact thatnothing wasissuedunderthestyleof EirenaeusPhilalethes
till
Eugenius had
been settled in his grave atAlbury, according to rumour.
Our
next task is to ascertain whether the subsequentliterary history of the
two
alchemists throwsany
light onthesubject,
and
it happens that so early as the year 1705 aGerman
translation ofTHE
OPEN
ENTRANCE
was published atHamburg
under thename
ofThomas
de Vagan.1
Since that date the confusion of the
two
alchemistsbecame
almost a matter of habit2 until afterbeing misled myself by bibliographies then current I endeavoured to clear
up
the question in i888.3But
it continues in certain quarters even to this day. It
follows that the birth coincidence is illustrated
by
earlyidentification, which
may
well have arisen throughsimilarity of
pseudonyms,
4
but certainly not
owing
tothe coincidence itself, with which no one
would
have been acquaintedon
the continent. It was perpetuated inEngland
subsequentlyby
transmissionfrom
writerto writer.
1
Mr
E.K.Chambersstates that theJena Latinedition of
THE
OPENENTRANCE, published in 1699, has a preface by G. W.Wedelius, who
saysof the author,
Ex
Anglia tamenvulgo habetur oriunduset Thomasde Vagan appellatus, a still earlier ascription, but he was not able to
verify it. There is, however, a copy in the British Museum at the
present timeandI havebeenableto determine the point. The opinion expressedby Wedelius at the end of the seventeenth century rests on
the authority ofG. Hornius,aneditorofGeber. The ABYSSUS ALCHEMIZE
describesVaughan on the title-page asanEnglishadept, thetranslator's
short prefacecontaining no particulars concerning him. The
character-isticpseudonymofThomas Vaughan does not appear anywhere, northat
ofEirenasusPhilalethes. 2
Theyare distinguishedcarefully,however,by AnthonyaWood.
3 LIVESOFALCHEMYSTICAL
PHILOSOPHERS,pp. 187-200.
4 The DICTIONARY OF NATIONAL
BIOGRAPHY,s.v. George Starkey,
affirms thatEirenaeus Philalethes used the pseudonym ofEugenius "in
onecase atleast." It isunfortunatethat the case is not mentioned, but
I makenodoubtthat thereisanerroronthe point offact. Thereference
maybeto
A
BRIEF NATURAL HISTORY by Eugenius Philalethes, 1669,onwhichseeAPPENDIX IX,pp. 489, 490. There are two things certain
aboutthis tract,thefirstbeingthatitisnotbyThomasVaughan, andthe
secondthatitisnotbyEirenasus.
Biographical
Preface
Passing
now
to the question whether the identificationis
justified or can be regarded as tolerable,
we
arecon-fronted by the fact that, with the exception of
some
metrical exercises belonging to his earlier days,
Vaughan
did not write in Latin.That
he could havedone
sothere is no question if it
became
expedient or desirable for any purpose in view, but the appearance ofTHE
OPEN ENTRANCE
in that language cannot be said on thesurface to help an affirmative answer.
The
whole storyof the tract is, however, curious. I have
mentioned
thatLangius was in search of a better text than that which he was induced to publish
by
his belief in its signalimportance.
Two
years after theAmsterdam
edition,or in 1669 and with a preface dated
August
9, 1668 there appeared inLondon
and inEnglish an edition
of
THE
OPEN
ENTRANCE,
edited by William Cooper,who
styled himself "a trueLover
of Artand
Nature."By
the hypothesis it is not a translation of the Langius text,1
but is described as "the true manuscript copy which
John
Langius in his preface doth somuch
thirstafter." It is affirmed to have been in the editor's
possession for "
many
years before the publication in Latin." Moreover, the reader is directed to find "con-siderable
enlargements
and
explanations, wherein the Latin translation is deficient." I have checked thesevariations, and
some
at least ofthem seem
important tothe text. It is difficult to speak with
certainty,
and
I
am
putting the point tentatively, but on the whole I
am
disposed to infer that WilliamCooper
really had an
1
Lenglet du Fresnoy renders Cooper's title into Latin as follows:
INTROITUS APERTUS, ex manuscripto perfection in linguain
Angli-canain versus et impressus, thus making him a translator. But the
English title in full is: SECRETS REVEALED, or An Open Entrance to
the Shut Palace of the King. Containing the Greatest Treasure in Chemistry, never yet so plainly discovered. Composed by a most famous Englishman,styling himselfAnonymus,orEyraeneus Philaletha
Cosmopolita, who, by Inspiration and Reading, attained to the
Philo-sopher's Stone at his Age of Twenty-three Years, Anno Domini 1645.
Publishedforthe Benefit ofallEnglishmen byW.C.Esq.
of
Vaughan
English version in his possession,
however
hecame
byit. It is part of the Eirenaeus mystery.
Cooper
does not pretend that it was the author's autographmanu-script, but regards it as transcribed probably therefrom and
"very
little corrupted." In this caseTHE
OPEN
ENTRANCE
would
have been written originally in English.But
against this-1 have toset the fact that in his preface toRIPLEY
REVIVED
Eirenseus Philalethes specifies thathe wrote itinLatin.
He
speaks of various tracts, givingtitles in
most
cases, including "one in English, veryplain but not perfected. Unfortunately it slipped out
of
my
hand
: I shall be sorry if itcomes
abroad into theworld."
He
goeson
toenumerate BREVISMANUDUCTIO
and
FONS CHYMIC^E
VERITATIS, which he has resolved tosuppress.
He
thenadds : "Two
other Latintreatises,theoneentitled
ARS
METALLORUM
METAMORPHOSES,
theother, INTROITUSAPERTUS
AD
OCCLUSUM
REGISPALATIUM,
I latelywrote."l
Thislooks obviouslyfinal
on
thequestion, but it does not follow thatCooper
produceda fraudulentversion, translated
from
the Latin.The
manuscripts of Eirenaeusseem
to have been scattered inmany
places,and
the INTROITUS had been writtentwenty-two years before it
appearedin
Germany.
An
Englishtranslationis therefore farfrom
improbable, and, in addition toCooper,there was one possessedby Hornius
alsoinMS.
form. Nothing, however, accounts for variationsfrom
the Latin,more
especially
when
theyseem
important.These
facts and considerations are of noconsequence to
any
issuerespect-ing the identity of Eirenaeus and Eugenius, butthey are
of
moment
on the bibliographicalside.The
question of distinction or identity is inmy
opinion capable of determination by reference to the memorials themselves, in respect of their subject-matterand
mode
of treatment, andby
reference to the personal side I have putclearlyand impartially all that can be
1 He
speaksalso oftwo lost poems in English, ofan ENCHYRIDION
and DIURNAL.
Biographical
said for the identification of the
two
writers, and it will be seen that itcomes
to nothingbeyond
the similarityof
age. Against this trap to catch the unwary,
we
haveto set the following facts, (i)
At
no period of his life,and
much
less at the beginning of his literary activity, he being then in his twenty-eighth year, didThomas
Vaughan
claim to have accomplished the physicalMagnum
Opus.He
testifies,on
the contrary, that hereached
no
term in thework
on
metals,and
evenfrom
his
own
standpoint he was not acquainted withwhat
is called the First Matter
when
he published his firsttwo texts.
He
was therefore ex hypothesi in a very different positionfrom
Eirenaeus Philalethes,who
claimed in his twenty-third year that he could extract goldand
silver out of it.1 "
The
things which
we
have seen"
he says otherwise "which
we
have taughtand
wrought, whichwe
possess andknow
thesedo
we
declare."1(2)
Vaughan, on
the other hand, aswe
shall find at sufficient length in theINTRODUCTION
which follows thisPREFACE, was a cosmical philosopher, cherishing all kinds
of doctrines and theories
on
the creation of the world,on
the primitive state ofman,
on his Falland
Redemp-tion as seen in the light of Kabalistic
and
otherocculttheosophies, about which Eirenaeus
knew
nothingappar-ently. (3)
The
personalities of thetwo
men
were almostas the poles asunder, the
Welsh
mystic being an ardent lover of Nature, aman
of sentimentand
imagination, a typical poet of his period,belonging to aparticular school,whereas his co-heir in
Hermetic
tradition was positive,practical, disturbed or consoled very little
by
the beautyof external things,
and
but little of the humanist order. (4)The
identity of Eirenaeus has never transpired,3
and
1 He
saysthat "thewholesecret consistsin Mercury,"whichis sophic
and not vulgar. It is a chaos "related toallmetalsas a mother,'1
and "out of it I know how toextractallthings,even Sol and Luna, without
thetransmutingElixir."
THE
OPENENTRANCE,c.i,2. 2Ibid.,c.13.
3 Inoneofthe BritishMuseum
copies of
THE
MARROW
OF ALCHEMV,of
Vaughan
there are only traditional
rumours
concerning his life,with one important exception. I think personally that
he
must
have visitedGeorge
Starkey in America priorto 1654.*
He
has been identified otherwise with that"
stranger in a plain rustic dress,"
who
"seemed
like anative of the
North
of Holland,"and
who
called onJohn
Frederick Helvetius atThe Hague
on
Dec. 27, publishedin 1654 reference 1033,g.35, s.v.Eirenaeus PhiloponosPhila-lethes thereisanote in an old handwritingwhich says that the name
ofEirenaeuswas Childe. I have failedto carrythis intimation further.
MrsAtwood's SUGGESTIVE INQUIRYaffirms onp. 51 of thenewedition that the author of
THE
OPEN ENTRANCE was Alexander Seton, butcontradictsitwith characteristicconfusion onp. 61.
1
George Starkey was born in the Bermudas, graduated at Harvey
Collegein 1646,practised as a doctor inAmerica,and cameto England
at an uncertain date prior to 1654, when he published
THE
MARROW
OF ALCHEMY as the workof Eirenaeus Philoponos Philalethes. In his
first preface thereto he recounts his acquaintance with adisciple of the
true Eirenaeus,andenumeratesmostof thelatter'swritings thirteenyears
before thefirstofthem appearedinGermany. Heclaimsthatthey were
lenttohim by the Master's pupil. He claimsalso that inresponseto
his solicitation the latter wrote BREVIS MANUDUCTIO ad Campum
Sophicum,atract entitled ELENCHUS Errorum in Arte Chemica Devi-antium,andin fine
THE MARROW
OFALCHEMY. By meansofallthese manuscripts, Starkey says that he "attained theMysteryof theMercuryand byitthe FirstWhiteness." Heexpressedalsoahopethatheshould
have experience of the Red in ashort time,buthisteacher hadnotso
farinstructed him,fortheperiod of his own pledge given to Eirenaeus
Philalethes wasunexpired In Part I of
THE
MARROW
OFALCHEMYthe supposed Eirenaeus Philoponos being the supposititious pupil
narrateshisownadventuresandfailures inthe quest ofthe Great Work
anddescribes theadepttowhomheowedeverything. Thisartistbearsall
themarks andsigns ofEirenaeus Philalethes,issaidtobe anEnglishman
ofancientand honourablefamily, "his years scarce thirty-three," anda citizenofthe world,atpresentonhis travels. Aftercareful consideration,
I am led to conclude: (i) That the supposed pupil ofEirenaeus is a figment of Starkey's imagination; (2) That owing to some prohibition
imposed bythe"adeptanonymous," who desired toremain unknown,or forreasons propertoStarkey,he concealedin this manner his
acquaint-ance with the great alchemist; (3) That either
THE MARROW
was hisownworkorheinserted therein that section which containsthe story of
Philoponos, which is actually his own story. There is nothing in the
poem to make the introduction ofa biographical narrative in the least
likelyor needful: onthecontraryitinvolvesa break in continuity. The poemseemsscarcelyworthyofa great Hermetic reputation, but on the
whole the second alternative appears more probable. In either case,
Starkey's story of the pupil was ignored by William Cooper when he
editedRIPLEY REVIVED. ItremainstoaddthatStarkey diedof theplague
Biographical
1666, to discuss the claims of alchemy
and
to exhibit the Stone of the Philosophers.1It is to be noted also that in 1668
when
his tracton
THE
PREPARATION
OFSOPH
icMERCURY
was published atAmsterdam
by Daniel Elzevir he is described as anAmerican
philosopher.It is obvious
on
the faith of these statements whetherall or one that the life of Eirenaeus Philalethes
was
a complete contrast to that of
Thomas
Vaughan,
the measure ofwhose
wanderings was circumscribed by Wales,London
and Oxford.2 (5)But
the realand
crucial point is a question of the literary sense.On
in 1665, or in the same yearthat Thomas Vaughandied from inhaling
the fumes of Mercury. Theprecious MSS.ofPhilaletheswhich he had
seen andstudiedbegantobe published two yearsafter in Germany,with
the exception of RiPLEY REVIVED, whichappeared in London in 1678.
In two cases they were produced by editors abroad, while William
Cooper was answerable for the English work, presumably another text
which had come into his possession. Nothing seems to have been
issued under the supervision of the author himself, and Mr E. K.
Chambers says that "he cannot be shewn to have outlived Thomas
Vaughan." The remark isgratuitous,forthere isnothing to prove that
heexistedafter1654,whenStarkeyfirstmade knownthat such a person
had been abroadintheworldand hadachievedgreat things in alchemy.
Itfollowsfromthe prefaceto RiPLEYthat Philalethesobtained his
initia-tionfrombooks andnotfrom a Master,asStarkeystates. Itfollows also thatby1645he hadwrittenfive tracts,ifnotmore hisinformation being
worded vaguely an extraordinary outputfora youth oftwenty-two, not
tospeakof the studiesandattainments presupposedthereby.
-*
See VITULUS AUREUS, 1667. The narrative withwhich I
am
con-cernediscontainedinthe third chapter,andtheage of thevisitorissaidto have been aboutforty-three or forty-four,being approximatelythat of Eirenaeus in that year. Heexhibitedanivory box,"inwhichtherewere
three large pieces of a substance resembling glass or pale sulphur,and
informed me that herewas enough of the tincture for theproductionof
twentytons of gold." Heowedhisownknowledgeto a Masterwhohad
stayed a few days inhishouseand hadtaughthim"this Divine Art" whichseems contrarytothe story of Eirenaeus. Helvetiusconfesses that
when he held the substance in his hand he scraped off some particles
with his nail,but theychangedlead into glass instead of into gold. He
mentioned the fact when hesawhisvisitoron a lateroccasion,and was told that he should have protected the spoil with yellow wax before administering it to the metal. The adept ended by giving Helvetius another morselwith instructions,byfollowingwhich he succeeded
subse-quentlyin transmuting sixdrachmsoflead into thefinestgold ever seen
byacertaingoldsmithtowhomitwasoffered forexamination.
2
Grosart suggeststhathe mayhavevisitedEdinburgh,presumably on
accountofhisconnection with Murray, butitispurespeculation.
of
Vaughan
the evidence of that
faculty, it is certain that the books written under the
name
ofEugenius
are not by the hand which wroteTHE
OPEN ENTRANCE
and producedRIPLEY
REVIVED. It is a question which lies whollyoutside the issues of debate
and
is for thosewho
cansee
meaning
for thosewho
possess the sense. It will be final for them, if they are at the pains tocompare
the texts, even as it is final for me. I conclude that
Thomas
Vaughan
was not Eirenaeus Philalethes, who-soever the lattermay
have been,and
that they have beenmerged
one into anothersolely over a confusion of
pseudonyms.
The
name
ofVaughan
was forgotten speedily inEngland,
and
on
the Continent1it survived mainly
by
its identification with Philalethes the Cosmopolite.
The
reputation of
THE
OPEN ENTRANCE
magnified its author and encompassedhim
with a halo of romance.Thomas
Vaughan
the Silurist deniesspecifically his connection with any Rosicrucian Brotherhood ; but
Thomas
deVagan, Adeptus Anglus and supposed author of ABYSSUS
ALCHIMI^
EXPLORATUS, had attained the Elixir of Lifeand
was' the concealed Imperator of the Invisible Fraternity.When
Leo
Taxil inmodern
days created DianaVaughan,
as the heroine-in-chief of Luciferian Palladism, he furnished her with an ancestor in the person ofThomas
Vaughan,
author ofTHE
OPEN
ENTRANCE
and Chief of theRosy
Cross.2 Itmay
be1 ANTHROPOSOPHIA
THEOMAGICA and MAGIA ADAMICA, with its
continuation, CCELUM TERR/E, were translated into German in 1704.
EUPHRATESappearedintheDEUTSCHES THEATRUM CHEMICUM,vol.i,
Niirnberg, 1728. AtBerlin,in 1782,allthesetracts,together withANIMA
MAGICA ABSCONDITA, LUMEN DE LUMINE and AULA Lucis, as also the METAMORPHOSIS OF METALS, CELESTIAL RUBY and FONT OF
CHEMICAL TRUTH,appeared underthename ofEugenius Philalethesin
HERMETISCHES
ABC,
Berlin, 1788-89.2
Itwill be sufficient to refer
my
readers to a volume calledDEVIL-WORSHIP IN FRANCE, whichI had occasion to publish in 1896,for the
exposure of the Taxil conspiracy against
Masonry. See the chapter
entitled Diana Unveiled. LeoTaxilputbackthe birth-date ofThomas
Vaughanto1612and represented him as received into the Rosicrucian xxii
Biographical
added that in theosophical circles
Thomas
Vaughan
isnow
regarded as a Master, but that is a denomination which each of usmust
be permitted to understand after hisown
manner. I think onmy
part that he had seenthe
end
of adeptship, but there is no recordand no
suggestion that he attained it.Though
Eugenius
Philalethescomes
before us aboveall things as an occult
and
mystical writer,1we
shallmake
a mistake if
we
disregard his literary side, not forwhat
it
marks
in achievement but for that which it connotesin ambition. I set apart his Latin exercises, though as Holofernes might have said they argue facility,
and
they have been praised, moreover, for their elegance.They
indicate a bent at best.
But
if he had not been carriedover by zeal into the paths of the Secret Tradition I
believe that his
memory
mightwell have remainedamong
us as a writer ofEnglish verse, for he
would
havegone
further in that field.His
metrical fragments are proofs of considerable faculty.He
would
have followed thelead of his brother,whether or not he might havereached
a higher grade than that which is represented
by
Henry
Vaughan'soccasional but qualified excellence.
It remains to say that in preparing the various texts for
Fraternity by Robert Fludd in 1636. In 1644 he presided over a
Rosicrucian assembly,at which Elias Ashmole was present. He wrote
THE
OPEN ENTRANCE in 1645. In 1654 he became Grand Masterof the R.C. Order,which worshipped Lucifer as the good god, and in 1678 he wastranslatedtothe paradise of Lucifer. It isnotworth while dwelling on these inventions at thepresentday,but Leo Taxil had not
actedthelastscenes of hismemorablecomedy when
Mr
E. K. Chambers published hisedition of Henry Vaughan, and he gaveconsiderable spacetothe subjectinhissecond volume.
1
It may be convenient for bibliographical purposes to mention here
thatin 1888 I edited ANTHROPOSOPHiA THEOMAGICA, ANIMA MAGICA
ABSCONDITA,MAGIA ADAMICA,and COELUM TERR^E underthe general
titleof
THE
MAGICALWRITINGSofThomasVaughan.My
discoveryofVaughan's precious Note-Book is announced therein. In 1910 I edited
LUMEN DE LUMINE with an introduction to which reference is made
elsewhere. EUPHRATES appeared in the series entitled COLLECTANEA
HERMETICA, 1893, being edited with notes by Miss Florence Farr, i.e.,
S. S. D. D.
of
Vaughan
the present edition I have
met
with singular difficultiesoverthe
Greek
and Latincitations. Ido
notrefer merely to the corrupt state of the former, but, firstly, to theex-treme difficulty of
checking in both cases,
owing
to the vague nature of the referenceswhen
indeed there are references at all ; and, secondly, to the extraordinarydis-covery,
when
a certain proportion of the extracts have been at last identified, thatThomas Vaughan
was
too often quotingfrom memory,
giving the general sense of a passage but apartfrom
literal accuracy.A. E.
WAITE.
INTRODUCTION
THOMAS
VAUGHAN
is themost
interesting figure inHermetic
literature ofthe seventeenth centuryinEngland, though it
must
be admitted that he is one of a triadbetween
whom
it is difficult to choose, speaking withinthat restricted measure. In the generation which pre-ceded immediately there was the illuminated master, full of high intimations after his
own
manner,who
wroteA
NEW
LIGHT
OFALCHEMY.
He
belongs to the list inso far as I
am
right in believing that his truename
was Alexander Seton,though
hiswork
appeared under that of Michael Sendivogius, a pupil or followerwho
issuedit in this case as his own.
The
question is obscureand the last
word
remains to be said thereon unless ultimately itmay
be left over forwant
of materialsby
which to reach a settlement.1
In the
same
generation asVaughan and
almost hispseudonymous
namesake, thereis Eirenaeus Philalethes that inspired "adept
anonymous
and lover of
learning" with
whom
I have dealt in thepreface.
There
isno
conviction tocompare
inalchemicalliterature with that which
moves
through the written memorials of these two peers and co-heirswhom
I haveclassed with the
Welsh
mystic. It certifies everywherethat they had reached in their
own
view the term of searchand
had completed the great adventure.Within
their proper limits of symbolism, both are
more
clear,more
positive,more
constructive thanThomas
Vaughan,
though all at their best were on firewith a strange zeal ofmission
and
wereassuredly brothersinGod.
Inparticular1
It istobe understoodthat the
NEW
LIGHTwaswritten in theLatintongue.
of
Vaughan
as regards the third of this
Hermetic
triad, there isno
growth of the
mind
from small beginnings unto greaterends in the shining records of Eirenaeus.
That
BREVISMANUDUCTIO
which ispresumably his first
work
repre-sents the
same
height of certitude asTHE
OPEN
EN-TRANCE
orRIPLEY
REVIVED, whichmay
be ranked Isuppose
among
his last.But
ANTHROPOSOPHIA
THEO-MAGICA
and itscompanion
tract are products of a prenticehand
in comparison withLUMEN
DELUMINE
orEUPHRATES.
There
is another distinction betweenthem
which is worth noting : thepredominant tempera-mental characteristics of
Vaughan
through all his booksare those of sentiment
and
emotion, andwe
know
to/
what
lengths he was carried by these dispositions in hisduels with
Henry
More.
His
personal element is there-fore always in the ascendant,and though
it is attractiveand even winning the calamities of his quarrels not-withstanding and notwithstanding all their Billingsgate
it contrasts strangely with the intellectual repose of
Eirenseus
and
Seton,which is so like a repose in science.Finally there is a third distinction, and it is that by which
I
am
brought to
my
proper point of departure. So faras it is possible to
speak with certainty in the absence of
an established canon of criticism, the
NEW
LIGHT
andTHE
OPEN ENTRANCE
are alchemicalworks
of their periodin the
more
strictunderstanding of the term,
by
which Imean
that the transmutation of metals is their sole ormain
concern ;and
the claims of their authors to themastery attained and placed
on
record are to be taken in this sense, and in this I thinkonly.
They
weremen
of religiousmind by
the indubitable testimony of their writings, and because it followsfrom
allHermetic
litera-ture that anundevout
alchemistwould
be stillmore
mad
than even an impious astronomer.
But
theyare notmen
who
come
before us carryinggreat lights or indeed any lights at all on the
supreme
subject of religion.The
analogy of things above
and
below instituted forthem
xxvia
bond
of union between the mysteries ofHermetic
practice
and
the practice of those other mysteries which belong to theKingdom
ofHeaven
; but in therecogni-tion of this correspondence they reached the term of
their proposal in
spiritual things, so far as their
books
wereconcerned.
They
were dealing with anothersubject.
It was otherwise with
Thomas
Vaughan, albeit he hadworked
in metalsand
did often recurthereto.As
onewho
comes
out ofWild
Wales
and sets towardsLondon, Vaughan
entered into literarylifewith an abidingimplicit in his heart that the great adventure is
God,
attained andknown
in the entire being, all deeps andheights thereof.
He
may
have followedmany
false processes in outward and inward life ; hemay
havemisread
some
symbols which werecommon
modes
ofexpression in the school to which he belonged ; he
may
have devised fantastic points of meeting between paths of thought
and
experiment whichdo
not belong toone another ; but he never changed consciously the
ground
of his intent.He
began in the " narrowname
ofChemia"l
and
found
nothingtohispurpose, followingin their course "who
will hear ofnothing but metals."
He
enlarged his field of consideration and believing that he stoodupon
the threshold of great secrets he set opena
glass of
dream upon
the cosmicprocesses. It is certainagain that he
came
to nothing therein, though he had looked to surprise creative art atwork
in the laboratoryof the universe and to direct experiments thereby for his
own
ends in research.But
heknew
always that Dominusnonparsestsedtotum alike in Art and Nature, above all
in
things of the
human
soul.He
understood or divinedthat
man
is the great subject, to which the universeappeals, that
God
appeals therein,and
that the terminusad
quern of our nature is attained in so far as that which is
without us is received or shall I say acquired?
by
thatwhich is within.
For him
as for the great theosophists1 ANIMA MAGICA
ABSCONDITA,p. 95.