• No results found

Booklet 067

N/A
N/A
Protected

Academic year: 2021

Share "Booklet 067"

Copied!
76
0
0

Loading.... (view fulltext now)

Full text

(1)

Selected Works

Quentin Trollip

(2)

©Models - Quentin Trollip

©Diagrams - Quentin Trollip

Compilation published by British Origami Society, January 2008

Quentin Trollip - Selected Works is BOS Booklet No. 67

Printed in the United Kingdom. All rights reserved. No part of this publication may be reproduced, stored in any retrieval system, or transmitted, in any form or by any means, electronic, mechanical photocopying, recording or otherwise without the express written permission of the author and of the British Origami Society.

The British Origami Society is a registered charity. Charity Number 293039 www.britishorigami.info

(3)

Selected Works

Quentin Trollip

(4)

To my Mom and Dad

(5)

Contents

Introduction...7

Road to Nowhere...10

Give Way...11

No Entry...12

PacMan...13

Arrow...14

Arum Lily...16

Skateboard...18

Scream...20

Dog...23

Sand Shark...26

Ballet Dress...28

Flower...32

Chameleon...34

Time to Fold...40

Watch Box...44

Giant Eagle Owl...49

Cupid...54

Crucifix...61

BOS Publications...74

(6)
(7)

INTRODUCTION

Whenever somebody finds out I enjoy origami, they always want

to know how I started. Well, it’s a long story…

After spilling water on a “Draw your own cartoons” book, my father

had to replace it. He couldn’t find another such book and thought

“Paper Toys” by Toshie Takahama would be a good substitute. I

wouldn’t know the difference, I mean, I was only about ten years

old! This was in 1987. Knowing better than to argue or complain,

I thought I’d try some of the paper folding. I was soon hooked

and my dad bought me Robert Harbin’s “Teach Yourself Origami”,

of which I shortly had several models memorized. Then I got

Eric Kenneway’s “Origami from A to Z”. I never met anybody else

interested in origami and even my friends didn’t catch onto it. I

tried my best. So my origami was all self-taught.

There were no more books to buy in the bookshops, and folding

the same models over and over got a bit boring. A few years later

my brother’s visiting friend saw me attempting a model, and

taught me how to fold a wonderful Husky Dog. His parents had

bought Robert Harbin’s “Secrets of Origami: The Japanese Art

of Paperfolding” in Germany a few years before. I had to have it,

but it was not purchasable in South Africa (even though Robert

Harbin was born in South Africa!) So I did what the wrong thing is

to do and copied the book from my brother’s friend.

During my high school career, origami didn’t exist in my life. There

was sport, girls and of course trying to achieve the right grades to

go to University. After school I joined the South African National

Defense Force. Still no origami. In 1996, internet reached our

home and my brother wanted to buy me a book from Amazon.

com for my birthday. He thought he was cool, because he was

(8)

the only computer literate family member. Anyway, I was not big

on reading and didn’t have any idea of a book to order. Eventually

I decided to replace my copy of Harbin’s book with the real thing.

So my brother ordered “Secrets of Origami: The Japanese Art of

Paperfolding” for me.

And I guess that’s where it all began, with the internet. After

seeing a photo of John Montroll’s Skunk on the net, I thought it

to be impossible. After all, I was still used to the 1970’s designs in

Harbin’s books. As it was so easy to order books over the internet,

I decided to check out Montroll’s “Origami Inside-Out”. And it

was true. One uncut square to fold the Skunk! Unbelievable! My

Origami book collection grew quickly, and instead of studying

Physiotherapy subjects, I was spending a lot of time folding as

many origami models as possible. Soon thereafter I had folded all

the complex models from Lang’s “Origami Insects and their Kin.”

But designing your own models is different. Not easy at all! Try

and try again (it sounds like something a teacher would say!)

My first original design was a Christmas Tree in 1998. Now I hardly

spend any time folding other creators’ models. I try to design as

many new and original models as possible.

I hope you enjoy them!

Quentin Trollip

South Africa

April 2004

(9)

100

Key to Symbols used

Date designed

*

Simple

**

Low Intermediate

***

Intermediate

****

High Intermediate

*****

Complex

******

Super Complex Scale Indicator

Square Coloured on Both Sides Square Coloured Side Up Square White Side Up

Lines

Arrows

Symbols

Outline, Raw edge Crease

X-Ray Line Mountain fold Valley fold

Fold in this direction Fold inside

Unfold

Fold and unfold

Fold over and over Fold behind and unfold

Pleat Crimp

Turn paper over Push here Rotate model Enlarged view

View from this direction Marker

Hold here and pull

Right angle Equal distances

(10)

.

The Road to Nowhere

2001-07-23

*

100 96 Long

1. Pre-crease. 2. Valley fold the top corners to the marker just under the top edge.

(11)

. . . .

Give Way

2003-07-21

*

100 100 Wide

1. Pre-crease.

2. Valley fold the top right corner to the crease line.

3. Valley fold. 4, Unfold.

5. Valley fold both sides. Note marker.

6. Mountain fold to hide the excess paper.

7. Repeat step 6 at the bottom.

8. Mountain folds. Rotate.

(12)

.

No Entry

2002-08-07

*

100 55 x 55

1. Pre-crease. 2. Pre-crease. 3. Valley fold approximately 1/3 inwards.

4. Valley fold to just short of horizontal crease line.

5. Turn over. 6. Valley folds.Note markers. Enlarge. 7. Valley fold to form an octagon.

8. Shape as round as possible. Turn over.

(13)

.

.

.

1. Pre-crease. Turn over.

2. Pinch. 3. Pinch. 4. Valley fold to the pinch mark.

5. Mountain fold

both layers. 6. Enlarge. 7. Swivel fold. The model will not lie flat.

8. Round the model with mountain folds.

PacMan

2002-08-30

*

(14)

Arrow

2001-07-03

***

100 100

1. Pre-crease

2. Valley fold and unfold. Turn over

3. Valley fold and unfold. 4. Turn over

5. Repeat steps

1 - 3 vertically. 6. Pleat fold on the existing creases.

(15)

.

7. Enlarge. 8. Elias-Stretch. 9. In progress...

10. Still in progress... 11. Elias-Stretch completed.Repeat steps 8 - 10 on the 3 re-maining corners.

Scale change.

12. Valley fold down and rotate.

(16)

Arum Lily

2002-05-27

***

100 50 High

1. Pre-crease. 2. Pre-crease.

3. Valley fold the corners

to the centre. 4. Valley fold in half.

5. Inside reverse fold the bottom corner.

(17)

7. Mountain fold repeat behind.

8. Valley fold over and over.

9. Round the coloured point and slide it to the left.

10. Shorten the point with an inside reverse fold and

shape the flower.

1. Roll the paper from side to side.

2. Insert the stem into step 10 of the flower.

(18)

Skateboard

2000-02-24

***

100 90 Long

1. Pinch top and bottom. 2. Valley fold to the pinch marks.

3. Valley fold and unfold.

4. Inside reverse fold.

5. repeat step 4 on the other three corners.

6. Valley fold and

unfold. 7. Open sink.

8. repeat steps

6-7 on the left. 9. Valley fold and unfold the raw edges only.

10. Valley fold

(19)

12. Valley fold the raw edges. Swivel fold the top. The model will not lie flat.

13. Valley fold the two points up.

14. Like this. Repeat steps 12-13 on the bottom. Scale change.

15. Outside reverse fold on existing creases. Flatten the model.

16. Enlarge.

17. Valley fold two points down.

18. Valley folds and swivel fold the tip through all layers.

19. Round all four wheels.

(20)

Scream!

2002-10-20

***

100 60 High

1. Pre-crease. Turn over.

2. Pre-crease 3. Valley fold the corners to

the centre. This is a Blintz fold 4. The blintzed base. Turn over.

5. Valley fold and unfold through all the layers.

6. Valley fold and unfold

through all the layers. 7. Rabbit-ear both sides.

8. Unfold the four corners from behind.

9. The blintzed Fish Base. Valley fold to the creases.

10. Valley fold on existing creases.

(21)

11. Valley fold on

existing creases. 12. Valley fold on existing creases. Tuck under the white points

13. Enlarge.

14. Valley fold down. Marker shows centre

of model. 15. Mountain fold.

16. Swivel fold.

17. Mountain folds. 18. Repeat steps 14-17 on the left. 19. Inside reverse fold to the marker. Enlarge.

(22)

.

20. Enlarge. 21. Rabbit-ear and bring the tip to the front.

22. Squash fold.

23. Like this. Scale change.

24. Fold over and over to form the chin.

25. Final shaping... Pinch the jaws to make them 3D.

(23)

Dog

1999-07-24

***

100 47 High

1. Pre-crease. Turn over. 2. Pre-crease. 3. Blintz the corners.

4. Turn over. 5. Valley fold and unfold through all the layers 6. Valley fold and unfold through all the layers

7. Rabbit-ear both sides. 8. Unfold the four corners from behind.

9. The Blintzed Fish Base. Valley fold.

(24)

10. Valley fold both points up.

11. Rabbit-ear both sides.

12. Mountain fold the top flap behind. Enlarge.

13. Spread squash 1

layer to the left. 14. Valley fold one corner to the right and lift the triangle up. 15. Repeat steps 13-14 on the left. Scale change.

16. Fold the flap up that was mountain

folded in Step 12. 17. Mountain fold in half.

18. Inside reverse fold. Enlarge.

(25)

22. Valley fold and unfold. Repeat behind.

23. Inside reverse fold. Repeat behind.

24. Inside crimp fold to form the snout and mouth.

25. Pleat fold one

leg only. 26. Slide the paper backwards. Repeat

behind. 27. Squash fold the paws. Rotate.

28. Slide the tail back to balance the dog. Open the tip.

(26)

Sand Shark

2001-06-10

***

100 93 Long, 62 Wide

1. Pre-crease. Turn over.

2. Pre-crease. 3. Collapse, bringing all four corners together. This is a Preliminary fold.

4. Preliminary fold in progress...

5. The Preliminary base. Enlarge.

7. Petal fold the front point only.

Scale change.

8. Turn over and rotate. 9. Open sink the point. 6. Precrease.

(27)

10. Turn over. 11. Valley fold both sides to the centre.

12. Valley fold both sides to the centre.

13. Valley fold marker to the point. 14. Valley fold to the right. 15. Repeat steps 13-14 on the left.

16. Turn over. 17. Mountain fold top layer to the X-Ray line.

18. Valley fold the eyes back.

(28)

Ballet Dress

2003-06-29

***

100 50 High

1. Pre-crease 2. Valley fold and unfold. 3. Valley fold and unfold. 4. Pre-crease 5. Pre-crease 6. Pre-crease

(29)

7. Pleat folds.

8. Elias-Stretch on the creases made in Step 6.

9. In progress...

10. Squash fold. 11. The result. Turn over.

12. Valley fold down.

13. Pivot down, while folding the two flaps at

(30)

16. Valley fold. 17. Valley fold up. 18. Valley fold.

19. Enlarged detail,

Swivel fold. 20. Repeat steps 16-19 on the left.

21. Squash fold all the layers together.

22. Place only the top darker layer in front.

23. Repeat Step 22

(31)

25. Squash fold the middle edge asymetrically to make

the dress 3D. 26. Repeat step 25 on the left.

27. Turn over.

28. Shape the dress to taste.

(32)

1/8

Flower

2000-05-15

****

100 88 High

1. Pinch. 2. Valley fold and unfold. 3. Valley fold down. Note marker.

4. Fold and unfold.

Turn over. 5. Valley fold. 6. Inside reverse fold. Enlarge.

(33)

.

10. Repeat steps

5-9 on the left. 11. Mountain fold the left half behind.

12. 3D drawing. Enlarge.

13. Next view

from the front. 14. Spread the petals down on the crease made in step 2.

15. Shape the petals with mountain folds.

16. Like this. Scale change.

17. Shape and flatten the leaves. Curl the stem.

(34)

1. Begin with a Bird base. Valley fold and unfold.

2. Valley fold and unfold. 3. Valley fold down.

4. Valley fold up on the

underlying crease. 5. Unfold. 6. Open sink in and out.

7. Like this. 8. Valley fold on existing creases. Repeat behind.

9. Fold one flep to the left in front and one to the right behind.

Chameleon

2004-04-23

****

(35)

10. Inside reverse fold

two flaps. Scale change. 11. Inside reverse fold both sides.

12. Valley fold up.

13. Valley fold and unfold.

Enlarge. 14. Valley fold. 15. Unfold some paper.

16. Squash fold.

17. Unfold some paper.

(36)

19. Valley fold and unfold. 20. Squash fold on

existing creases. 21. Valley fold. Enlarge.

22. Valley fold. 23. Valley fold both points up.

24. Rabbit ear.

25. Inside reverse folds. 26. Inside reverse folds. 27. repeat steps 12-26 behind.

(37)

.

28. Like this. 29. Pleat fold the front leg. Repeat behind. 30. Valley fold. Repeat behind. Scale change. 31. Enlarge.

32. Valley fold down. Repeat behind.

33. Mountain fold inside.

Scale change. 34. Enlarge.

35. Valley fold.

(38)

.

37. Scale change.

38. Enlarge.

39. Swivel fold. Repeat behind.

40. Inside reverse fold. Scale change.

41. Enlarge.

42. Inside reverse fold.

43. Hide the tip. 44. Inside reverse fold. Repeat behind.

(39)

.

45. Squash fold the eye. Repeat behind.

46. Shape the eye. Repeat behind.

47. Mountain folds. Repeat behind.

48. Shape the head. 49. Further shaping. 50. Like this. Scale change.

51. Valley fold the feet and curve the tail.

(40)

Time to Fold

1999-10-05

****

100 93 Long

1. Pre-crease. 2. Valley fold and unfold. 3. Valley fold and unfold.

4. Rabbit-ear the right side.

5. Rabbit-ear

the left side. 6. Rotate. Enlarge.

7. Valley fold and unfold both sides.

8. Valley fold

(41)

10. Enlarge. 11. Valley fold both sides of the tip to the centre line.

12. Valley fold again.

13. Unfold both sides. 14. Scale change. 15. Place the darker paper on top.

16. Enlarge. 17. Valley fold on existing creases.

18. Valley fold on existing creases again.

(42)

19. Valley fold the tip over the top layer. Scale change.

20. Repeat steps 8-19

on the top flap. 21. Mountain fold and unfold. Turn over. Enlarge.

22. Valley fold the bottom markers to the top markers.

23. Repeat step 22 on top.

24. Valley fold on existing creases.

25. Valley fold on the

midline underneath. 26. Repeat steps 24-25 on the left. Scale change.

(43)

28. While valley folding the point back to the right, wrap a single layer around to colour change. Repeat on top.

29. Repeat steps 27-28 on the left.

30. Valley fold to the centre. The arrowed corner will be squash folded in the procedure.

31. Repeat step 30 on the other three

(44)

Watch Box

2003-12-06

****

100 25x25x12.5

If watch was folded from a 100mm2, use 160mm2 for the box.

1. Pinch vertically

and horizontally. 2. Valley folds.

3. Valley fold the top and bottom.

4. Valley fold

(45)

7. Rabbit-ear up at 90˚. The model will not lie flat.

8. Closed sink. 9. Repeat steps 7-8 on the left.

10. Collapse the flap down.

11. Repeat steps 7-10 on the bottom end of the box. Enlarge.

Shape the straps and place the watch in the Watch Box.

(46)

. . .

Lid

Use the same size paper as the box.

1. Pinch the centres of

the horizontal edges. 2. Pinch only. Note markers. 1/10

3. Valley fold and unfold marker to marker.

4. Valley fold

and unfold. 5. Valley fold and unfold.

6. Valley fold and unfold.

7. Valley fold

and unfold. 8. Repeat steps 4-7 on the bottom.

9. Valley fold and unfold all four raw edges.

(47)

10. Rabbit-ear. 11. Rabbit-ear the three remaining three corners.

12. Valley fold to the right.

13. Lift both edges up at 90°. Rabbit-ear the corner inwards.

14. 3D view. Lift the darker layer upwards.

15. Closed sink the triangular shaped layer.

(48)

18. Repeat steps 10-16 on the remaining three corners. Shape the darker corner last.

(49)

.

Giant Eagle Owl

2002-11-09

****

100 67 High

1. Pre-crease. 2. Valley fold to

the centre. 3. Valley fold and unfold.

4. Inside reverse fold.

5. Repeat step 4 on the other three corners.

6. Valley fold and unfold through all the layers.

(50)

7. Open sink. 8. Repeat steps 6-7 on the left.

9. Valley fold down two points.

10. Enlarge. 11. Valley fold and unfold.

12. Valley fold to the creases.

13. Squash fold. 14. Petal fold. 15. Wrap one layer behind to colour change on each side.

(51)

16. Mountain fold. 17. Repeat steps

11-16 on the left. 18. Valley folds.

19. Valley fold down.

Enlarge. 20. Shape the beak with squash folds.

21. Mountain folds.

22. Like this. Scale change.

23. Pleat fold.

24. Enlarge. Inside reverse fold both small corners.

(52)

.

25. Valley fold top

layers only. 26. Unfold both sides. 27. Open sinks.

28. Turn over.

29. Valley fold top layer only. Squash fold the top corners.

30. Like this. Turn over.

31. Lift one layer and crimp fold. Repeat on the left.

32. Pleat fold the claws.

(53)

34. Mountain fold inside on the existing creases.

Perch the owl on your drink to watch over it.

(54)

Cupid

1998-02-08

****

100 27 High, 43 Long

1. Begin with a bird base. Valley fold and unfold.

2. Valley fold and unfold.

3. Valley fold down.

4. Valley fold up on the underlying crease.

5. Unfold. 6. Open sink in and out.

(55)

.

7. Like this. 8. Valley fold on existing creases. Repeat behind.

9. Fold one flap to the left in front and one to the right behind.

10. Valley fold up. Scale change.

11. Valley fold perpendicularly on the right edge.

12. Valley fold up.

13. Unfold the flap. 14. Repeat steps 11-13

(56)

.

16. Rabbit-ear backwards.

17. Rabbit-ear

forwards. 18. Repeat steps 11-17 on the back flap. Enlarge.

19. Inside reverse fold and repeat steps 11-17.

20. Rotate.

21. Squash fold so that two layers are at the bottom and three layers at the top.

(57)

24. Inside crimp fold.

25. Pull the bottom front flap out and to the left.

26. Valley fold up. 27. Repeat steps 25-26 behind.

28. Inside reverse fold.

29. Inside reverse fold.

(58)

30. Inside reverse

fold. 31. Inside reverse fold.

32. Repeat steps 30-31 behind.

33. Like this. 34. Inside reverse fold the legs and feet. Repeat behind.

35. Rabbit-ear both

(59)

37. Shape the bow.

38. Pleat the left hand and thumb around the bow to hold it.

39. Shape the arm. Turn over. 40. Shape the right arm and arrow.

(60)

Crucifix

2002-07-06

*****

100 60 High, 34 Wide

1. Valley fold and unfold. Pinch the centre. Turn over.

2. Pinch.

3. Valley fold and unfold to the centre. Pinch only.

4. Valley fold marker to marker and unfold. Repeat vertically.

(61)

5. Mountain fold and unfold.

6. Valley folds.

7. Turn over. 8. Fold a Waterbomb base using the existing creases.

(62)

.

11. Valley fold and unfold. 12. Valley fold and unfold.

13. Open sink the corner. 14. Fold one layer to the right and push some paper up from the inside.

15. Inside reverse

fold the corner. 16. Open sink.

(63)

19. Open sink. 20. Valley fold all the layers to the left.

21. Valley fold down. 22. Swing one layer to the left.

23. Repeat steps 9-22

on the right. Enlarge. 24. Squash fold.

(64)

.

27. Squash fold. 28. Inside reverse folds.

29. Spread sink the corner. 30. Valley fold to the left.

31. Repeat steps 29-30

(65)

.

33. Valley fold up at 90°.

34. Open sink the dark triangle. Flatten model.

35. Repeat steps 32-34 on the left.

36. Valley fold one layer at the top and three layers at the bottom to the left.

37. Swivel fold while folding the top layer

(66)

39. Repeat steps 36-38

on the left. 40. Mountain folds.

41. Turn over.

42. Swivel fold two layers together.

(67)

.

45. Repeat steps 41-44 on the left.

46. Valley fold one layer to the right.

47. Valley fold one point up.

48. Valley fold to the left.

49. Valley fold the flap back to the left.

50. Repeat steps 46-49 on the right.

(68)

51. Mountain folds. 52. Mountain folds or inside reverse folds.

53. Turn over. 54. Mountain fold. 55. Repeat steps 24-28 on this flap. 56. Stretch fold. Scale change.

(69)

.

57. Turn over. 58. Enlarge.

59. Swivel fold to the left and squash fold the corner. Place under the dark layer.

60. Like this...

Repeat step 59 on the left.

61. Swivel folds. Place under the dark layer.

62. Closed sink both sides (mountain folds are easier).

(70)

.

63. Valley folds form

the hands. 64. Pleat fold.

65. Open out some paper from behind.

66. Mountain fold.

67. Mountain fold.

68. Pleat fold the knee and elbows.

(71)

69. Curl the head, shape the chest and feet. Scale change.

70. Mountain folds. Enlarge.

(72)

BOS Publications

1 History of Origami John Smith

2 Origami and Mathematics John S Smith

3 History of Origami in Britain David Lister

4 Origami Instruction Language John S Smith

5 Teaching Origami John S Smith

6 Geometric Division Mick Guy

7 Chess Sets of Martin Wall, Max Hume & Neal Elias Mick Guy & Dave Venables

8 Napkin Folds John Cunliffe

9 Origami and Magic Ray Bolt

10 Neal Elias: Selected Works 1964-1973 Dave Venables

11 Flexagons Paul Jackson

12 Martin Wall: Early Works 1970-1979 Martin Wall

13 Orikata John S Smith

14 Pureland Origami 1 John S Smith

15 Max Hume: Selected Works 1973- 1982 Dave Venables

16 18 of My Paperfolds Paul Jackson

17 Origami Games Mick Guy & Paul Jackson

18 Philip Shen: Selected Geometric Paperfolds Paul Jackson

19 Tony O’Hare: Selected Works 1973:1982 Daniel Mason

20 Origami Christmas Tree Decorations Paul Jackson

21 The Silver Rectangle John Cunliffe

22 In Praise of the Bird Base John S Smith

23 Index: BOS Magazine 1-100 John Cunliffe

24 Index: BOS Magazine 101-120 John Cunliffe

25 Envelope and Letter Folds John Cunliffe

26 Animal Origami Edwin Corrie

27 Origami Jeff Benyon

28 Structural Reconstruction Ricky Wong

29 Pureland Origami 2 John S Smith

30 Paper People and Other Pointers David Petty

31 Mor’igami Jeff Benyon

32 Patterns in Paper John S Smith

33 Animal Origami 2 Edwin Corrie

34 Neal Elias: Miscellaneous Folds I Dave Venables

(73)

36 Neal Elias: Faces and Busts Dave Venables

37 Jeffori 3 Jeff Benyon

38 Four ‘igami Jeff Benyon

39 Animal Origami 3 Edwin Corrie

40 Genius of Jan Willem Derksen David Petty

41 Index: BOS Convention Packs David Petty

42 Larry Hart: Selected Works (1971-1991) Larry Hart

43 Pureland 3: Smith John S Smith

44 Multi Plication Jeff Benyon

45 The Origami of Stephen Palmer David Petty

46 Modular Construction and Twists David Petty

47 ABC of Origami Eric Kenneway

48 Making Faces David Petty

49 World of Fred Rohm I Pete Ford

50 World of Fred Rohm II Pete Ford

51 World of Fred Rohm III Pete Ford

52 Origami Models Folded from Rectangles John Morgam

53 Origami Models Folded from Silver Rectangles John Morgan

54 More Origami Models Folded from Silver Rectangles

John Morgan

55 Sink or Swim with Ted Normington Ted Normington

56 Petal Folds and More Ted Normington

57 Pureland 4 John S Smith

58 Owrigami Francis Ow

59 10 Pop-Ups John S Smith

60 A Medieval Court in Origami Julia Pálffy

61 Decorative Boxes from Single Squares Arnold Tubis & Leon Brown

62 Animals and Birds Tony O’Hare

63 Ship-shape and Bristol Fashion Tony O’Hare

64 Faces’n’Fings Tony O’Hare

65 Planar Modulars (CDRom) David Petty

66 The Nativity - An Origami Scene Lore Schirokauer

67 Quentin Trollip - Selected Works Quentin Trollip

68 Which Came First Bob Neale

69 3D Masks and Busts Eric Joisel

70 Phillip Shen: More Geometric Paperfolds Boaz Shuval

(74)

Occasional Booklets

Paperplay John S Smith Bibliography: Origami in

Education and Therapy

John S Smith COET Editor: John S Smith

Other Booklets

Fold with Feeling Nick Robinson Hearts 3D David Petty Origami Favourites Edwin Corrie

For information about;

Buying BOS Publications e-mail [email protected] Joining BOS e-mail [email protected] Origami in General e-mail [email protected] Submitting material for

publication

e-mail [email protected] Origami Teachers or

Commissions

e-mail [email protected]

(75)
(76)

References

Related documents

ƒ Press the ▼ key to select the mode of operation for which the setpoint temperature is to be changed.. L Repeat the above steps if the setpoint temperature is

Ang wika na ginagamit sa enterteynment ay pwedeng tawaging moderno subalit hindi ito masasabing intelektwalisado, gayundin naman ang wikang ginagamit sa tabloyd ay hindi

Network providers may bill the patient up to the MedCost allowable amount if payment has not been received 30 days from the MedCost repricing date. For claims where payment or

It is shown in the main report that the frequency (per year) of the critical event can be estimated in two ways: either by estimating the frequency (probability) of the

 Implemented SAP Fiori™ apps, including My Leave Requests, Approve Leave Requests, My Spend, and Approve Requisitions – to provide a simple and intuitive mobile user

If not successful, then the affected tile should be replaced as per HELPFUL HINT #5 of the “Installing allure ” section3. Animal and diaper stains should be treated same as

It proves that the proposed nulling-based semi-blind algorithm is not subject to the signal perturbation error, and justifies why the conventional LP-based blind algorithms

This study shows that, for nursing professionals, the agreeableness, conscientiousness, and openness to experience factors maintain a significant negative relationship with the