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101057225 LOUD Songbook Rihanna

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Moderate Dance groove

S&M

Words and Music by MIKKEL ERIKSEN, TOR ERIK HERMANSEN, SANDY WILHELM and ESTHER DEAN

© 2010 EMI MUSIC PUBLISHING LTD., PEERMUSIC III, LTD., DAT DAMN DEAN MUSIC and 2412 LLC All Rights for EMI MUSIC PUBLISHING LTD. in the U.S. and Canada Controlled and Administered by EMI APRIL MUSIC INC.

All Rights for DAT DAMN DEAN MUSIC and 2412 LLC Controlled and Administered by PEERMUSIC III, LTD. All Rights Reserved International Copyright Secured Used by Permission

  



*

Na, na, na, come on. E5 5fr A5 3fr C5 Na, D5

na, na, come on. E5 5fr A5  mp   3fr C5

Na, na, na, D5

na, na, come on. E5 5fr A5 3fr C5 Na, D5

na, na, come on.

   E5 Come on. 5fr A5 Come on. 3fr C5 Na, µ

na, na, na, come on. E5

5fr A5





* Recorded a half step lower.

                                                                                                                                                     

(3)

 3fr

Na, na, na, come on.

5fr 3fr

Na, na, na, na, na, come on.

   E5 5fr A5 3fr C5 Na, D5

na, na, come on. E5 Come on. 5fr A5 Come on,    3fr C5 na, na, D5 na, na. Em

Feels so good be - in’ bad. D

(Uh, oh, uh, oh,







oh.) Em

There’s no way I’m turn -in’ back. B/D

(Uh, oh, uh, oh, oh.)

C

Now the pain is my pleas

-                                                                                                                                                                                                 

(4)

  D ure

- ’cause noth ing- can meas Em

ure,

- oh, oh.

G Em

Love is great, love is







fine, D

(Uh, oh, uh, oh, oh.) Em

out the box, out ta- line. B/D

(Uh, oh, uh, oh, oh.) C

The af flic- -tion of the

   feel D in’

- leaves me want - in’ more, Em oh, oh. G ’Cause I E5 may be bad, 5fr A5 but I’m    per 3fr C5 fect - -ly good D5 at it. Sex E5 in the air, 5fr A5 I don’t care. I 3fr C5

love the smell D5 of it.                                                                                                                                                                                                                                               

(5)



Sticks and stones 5fr

may break 3fr

my bones but chains and whips

5fr ex - cite    3fr C5 me. D5 ’Cause I E5 may be bad, 5fr A5

but I’m per 3fr C5 fect - -ly good D5 at it.    Sex E5 in the air, 5fr A5 I don’t care. I 3fr C5

love the smell D5 of it. Sticks E5 and stones 5fr A5 may break    3fr C5 my bones D5 but chains E5 and whips 5fr A5 ex - cite 3fr C5 me. Na, D5

na, na, come on.

                                                                                                                                                                                                                 

(6)

C To oda  E5 Come on. 5fr A5 Come on. 3fr C5 I like it, D5

like it, come on. E5 Come on. 5fr A5 Come on.    3fr C5 I like it, D5

like it, come on. E5 Come on. 5fr A5 Come on. 3fr C5 I like it, D5

like it, come on.

   E5 Come on. 5fr A5 Come on. 3fr C5 I like it, D5 like it. Em

Love is great, love is







fine, D

(Uh, oh, uh, oh, oh.) Em

out the box, out ta- line. D

(Uh, oh, uh, oh, oh.) C

The af flic- -tion of the

                                                                                                                                                                                                                               

(7)



feel-in’leaves me want - in’ more, oh, oh.

’Cause I may be bad, 5fr but I’m    per 3fr C5 fect - -ly good D5 at it. Sex E5 in the air, 5fr A5 I don’t care. I 3fr C5

love the smell D5 of it.    Sticks E5 and stones 5fr A5 may break 3fr C5 my bones D5 but chains E5 and whips 5fr A5 ex - cite    3fr C5 me. Na, D5

na, na, come on. E5 Come on. 5fr A5 Come on. 3fr C5 I like it, D5

like it, come on.

                                                                                                                                                                                                                               

(8)

 E5 Come on. 5fr A5 Come on. 3fr C5 I like it, D5

like it, come on. E5 Come on. 5fr A5 Come on.    3fr C5 I like it, D5

like it, come on. E5 Come on. 5fr A5 Come on. 3fr C5 I like it, D5 like it. S, E5 S, S 5fr A5 &    3fr C5 M, D5 M, M. S, E5 S, S 5fr A5 & 3fr C5 M, D5 M, M. Oh, Am7 I    love Bm7

the feel - ing you Em

bring to me. Oh, you turn me on.

Am7 It’s ex -                                                                                                                                                                                                                                       

(9)

D.S. al Coda     CODA 1    2 

act - ly what I’ve been yearn - in’ for. Give it to me strong

   Am7 and meet me in G

my bou -doir. Make my bod F

y

- say ahh, ahh, ahh.







I like it, like it. ’Cause  S, E5 S, S 5fr A5 & 3fr C5 M, D5 M, M.      S, E5 S, S 5fr A5 & 3fr C5 M, D5 M, M. 3fr C5 M, µ M, M.                                                                                                                                                                                  

(10)

q = 100

Words & Music by Mikkel S. Eriksen, Tor Erik Hermansen, Traci Hale, Ester Dean & Aubrey Graham

© Copyright 2010 EMI Music Publishing Limited (50%)/peermusic (UK) Limited (50%). All Rights Reserved. International Copyright Secured.

What’s My Name









Oh, na F#m

na. What’s my name? Oh, na

A

na. What’s my name?







Dmaj7

E Oh, na F#m

na. What’s my name? Oh,



 



na

A

na. What’s my name? Oh, na

Dmaj7

na. What’s my name? What’s my name? What’s my

E name?



 

              

 

      

       



 

 

       

          



      



    



              

    

    

      

            

   



 

  



 

 

(11)



(Spoken:) I heard you good with them soft lips

Yeah, you know word of mouth.



 



Dmaj7

The square root of sixty nine is eight somethin’.

Right? ’Cause I’ve been tryin’ to work it out.

E



 



Oh, good... white wine.

F#m

Oh, I come alive in the night time.

A

Dmaj7

O.K. away we go.



 



Only thing we have on is the radio.

E F#m

Oh, let it play. Say you gotta leave but I know you wanna stay.

A



 





    





    





    





    



   

                    



    



                    

    



   

2

(12)









Dmaj7

You just waiting in the traffic jam to finish, girl.

The things that we could do in twenty minutes, girl.

E



 



F#m

Say my name, say my name, wear it out.

A

It’s getting hot, crack a window, air it out.



 



I could get you through a mighty long day. Soon as

Dmaj7

you go, the text that I write gon’ say…

E Oh,



 



na F#m

na. What’s my name? Oh, na

A

na. What’s my name? Oh,



 





    





    



   





    





    



   



     



  





   

  

       

   

  

   

  

   



 

 

3

(13)



na na. What’s my name? What’s my name? What’s my 1. name? Not 2.Ba ev by -’ry you - bod -got

-



 



-F#m y me knows and how ain’t to no work where -my that bod I’d A y, be - knows than how with to your make arms me a want round

-



 



Dmaj7 it. me. But boy, Back you and stay forth up you on rock it. me, yeah. E You So got I that sur some ren -

-



 



F#m -thin’ der - that to keeps ev me ’ry -so word off you ba whis A lance. per. -Ba Ev by, ’ry -you’re door a you chal en

-



 

      

   

    

   

      

   



    

 



 

 

  

        

     

                 



 

 

   

       



 

     

          



   

   

       

  

 

                



   

4

(14)

$



Dmaj7 lenge, ter -let’s I ex plore will - your ta let lent. you -in.

E Hey,



 



boy, F#m

I real-ly wan na- see if you can go

A

down town with a girl like me. Hey,



 



boy,

Dmaj7

I real ly- wan na- be with you ’cause you’re just my type. Ooh, na na

E

na na.



 



I need a boy to take it o - ver. Look in’- for a guy to put you un - der.



 

  

       

  

 

      





   

                  

          

       



   

                   

            

   

   





   

                     



                     



 

 

5

(15)

To Coda Ø









Oh. Oh. Hey, boy, I real ly- wan na- see if you can



 



go

A

down town with a girl like me. Hey, boy

Dmaj7

I real ly- wan na- be with you ’cause you’re



 



just my type. Ooh, na na

E

na na.

F#m

I need a boy to take it o - ver.



 



Look A in’

- for a guy to put you un - der. Oh.

Dmaj7 Oh. E Oh,



 

            

         



  





   



         



    



                    



                   

   



                  



   

   





          

   



                       

           

  





   



    



   

6

(16)

2.



Oh. D You’re so a ma E

- -zing, you took

F#m the time to fi E/G# gure - me A out,



 



D

that’s why you take

E

me way past

F#m

the point of turn

E/G# ing - me A on. D

You ’bout to break

E me, I



 



swear F#m

you got me los

E/G# ing - my A mind. Bm A E/G# Oh,



 



na F#m

na. What’s my name? Oh, na

A

na. What’s my name?

Dmaj7



 

     

 

  

       



   



     

       

   

               

 

  

         

  

    

            

                       

           

      

  

 

           

      

 



                       

              

      

             



 

  



7

(17)

D.S. al Coda Ø Coda



Oh, na na. What’s my name? Oh, na na. What’s my name? Oh,



 



na

Dmaj7

na. What’s my name? What’s my name? What’s my

E name? Hey,



 



Oh. E F#m

A







Dmaj7

E F#m



 

               

   



      

        

    



 

 

      

   

     

      

   



   





 

 

     



   



             

    



   

              



    

8

(18)

Moderate Hip-Hop groove

CHEERS

Words and Music by ANDREW HARR, JERMAINE JACKSON, STACY BARTHE, AVRIL LAVIGNE, LAURA PERGOLIZZI, ROBYN FENTY, SCOTT SPOCK, LAUREN CHRISTY, GRAHAM EDWARDS and COREY GIBSON

Copyright © 2010 UNIVERSAL MUSIC CORP., TRAC N FIELD ENTERTAINMENT LLC, NOTTING DALE SONGS, INC., ALMO MUSIC CORP., AVRIL LAVIGNE PUBLISHING LLC, WARNER-TAMERLANE PUBLISHING CORP.,

MR. SPOCK MUSIC, RAINBOW FISH PUBLISHING, WB MUSIC CORP., PRIMARY WAVE PERGOLIZZI, QUARTER INCH OF LOVESONGS, EMI BLACKWOOD MUSIC INC., ANNARHI MUSIC LLC and SONY/ATV MUSIC PUBLISHING LLC

All Rights for TRAC N FIELD ENTERTAINMENT LLC and NOTTING DALE SONGS, INC. Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights for AVRIL LAVIGNE PUBLISHING LLC Controlled and Administered by ALMO MUSIC CORP.

All Rights for ANNARHI MUSIC LLC Controlled and Administered by EMI BLACKWOOD MUSIC INC.

All Rights for SONY/ATV MUSIC PUBLISHING LLC Administered by SONY/ATV MUSIC PUBLISHING LLC, 8 Music Square West, Nashville, TN 37203 All Rights Reserved Used by Permission

(Drink to That)        Yeah, E

yeah, yeah, yeah, yeah, yeah, yeah, D

yeah, yeah, yeah, yeah, yeah.



mp





E

Cheers to the freak - in’ week end,- I D drink to that, A yeah, yeah.    E

Oh, let the Jam -e -son sink in, I D drink to that, A yeah, yeah.                                                                                                                                             

(19)



Don’t let the bas - tards get you down, turn it a round- with an oth- - er round.







E

There’s a par ty- at the bar; ev ’ry- bod D

- -y, put your glass es A

- up. And I drink to that.

 





Yeah, E

yeah, yeah, yeah, yeah, yeah, yeah, D yeah, yeah, A yeah, I drink yeah, to yeah. that.    Yeah, E

yeah, yeah, yeah, yeah, yeah, yeah, D/E

yeah, yeah, yeah, yeah, yeah.

’Bout to                                                                                                                                                                                                                     

(20)

 Life’s hop E too on the short bar, to put be it sit all tin’ on - ’round my mis card ’ra to - ble. night. -D A Might And be    peo mad E ple in - gon’ the talk morn in’ -wheth but er you - you know do we’re go in’ in’ -bad hard or to good, night. -D A yeah. It’s Got get a tin’ -   drink “coy E on o -my te -mind ug ly” -and up my in mind here, on no my mon Ty ey, ra. -D A yeah. It’s on ly -   Look up E in’ - so from bomb, here, gon no na - find down me ward -a hon spi ey. ral. -D

A Got my                                                                                                                                                                                                                          

(21)

      

Ray-Bans on and I’m feel-in’ hell -a cool to - night, yeah.

   Ev E ’ry

- -bod-y’s vib - in’, so don’t no bod- -y start a fight, D yeah. A    E

Cheers to the freak - in’ week end,- I D drink to that, A yeah, yeah.    E

Oh, let the Jam-e -son sink in, I D drink to that, A yeah, yeah.                                                                                                                                                                                                                  

(22)

 E

Don’t let the bas - tards get you down, D

turn it A

a round- with an oth- - er round.







E

There’s a par ty- at the bar; ev ’ry- bod D

- -y, put your glass es A

- up. And I drink to that.

 





Yeah, E

yeah, yeah, yeah, yeah, yeah, yeah, D yeah, yeah, A yeah, I drink yeah, to yeah. that.    Yeah, E

yeah, yeah, yeah, yeah, yeah, yeah, D/E

yeah, yeah, yeah,

And I drink yeah, to yeah. that.                                                                                                                                                                                                                           

(23)

1    2   

Repeat and Fade

 

Optional Ending



Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah,

I drink yeah, to yeah. that.    Yeah, E

yeah, yeah, yeah, yeah, yeah, yeah, D/E

yeah, yeah, yeah, yeah, yeah.

 





yeah, D/E

yeah, yeah, yeah,

And I drink yeah,

to yeah.

that.

(Vocal 1st time only)

E     D A E                                                                                                                                                             

(24)

q = 124

Only Girl (In The World)

Words & Music by Crystal Johnson, Mikkel S. Eriksen, Tor Erik Hermansen & Sandy Wilhelm

© Copyright 2010 Cstyle Ink Music Publishing/Slide That Music/Ultra Tunes/EMI April Music Incorporated, USA/Fralter International Sàrl, Switzerland. EMI Music Publishing Limited (83.05%)/Truelove Music (16.95%).

All Rights Reserved. International Copyright Secured.

1.







$

2.









F#m

La, la, la, la.

La, la, la, la.







1. I want you to (2.) love take µ me it like I’m like a a hot thief in ride. the night.



 



Hold Keep me think like in’ a - of pil me, low, -do make in’ me - what feel you like. right.



 

    

 

  

    

 

  

                               

                               

         

 

      

                             

       

            

 

     

        

                              

  

    

 

      

(25)

$$



So Ba boy, by, -for I’ll get tell - a you bout all - the my se world crets -’cause that I’m it’s gon’ keep be ing; -me you and can you come to in night. side.

-



 



I And wan when na you - make en ter you - you beg ain’t for leav it in’, - be and my then pri I’ll son -make er -you swal for low - your the pride. night.



 



Oh. Want you to make

G

me feel like I’m the on ly- girl in the world.



 



Bm

Like I’m the on ly- one that you’ll ev er- love.

G

Like I’m the on ly- one who knows your heart.



 

 

                  

                         

 

     

 

   

   

 

        

       

              

       

 

 

  

  

   

       

       

  

                 

       

   

  

   

 

 

 

 

  

           

         

  

           

         

   

 

 

 

 

   

 

 

 

 

2

(26)

To Coda II Ø To Coda I Ø



Bm

On - ly girl in the world.

G

Like I’m the



 



on-ly one that’s in com mand.

-Bm

’Cause I’m the on -ly one who un - der-stands



 



G like how I’m to the make on ly you one -feel who like knows a your man. heart. Em F#m Yeah. On -G



 



Want you to make

G

me feel like I’m the on - ly girl in the world.



 

             

 

 

       

    

 

 

   

 

 

 

 

       

        

 

         

        

 

         

                       



    

    

 



          

 

                       

 

       

       



 

       

       

             

 

 

 

3

(27)

D.S. al Coda I ØCoda I









Like I’m the on - ly one that you’ll ev - er love. Like I’m the



 



on -ly one who knows your heart.

Em F#m On G ly - heart. 2.Want you to



 



G - ly one. Take D me for A a ride, Bm ride. Oh,







ba D by - take A me high, Bm high. Let D me make A you burst, Bm burst. Oh,



 

 

          

 

 



 

          

 

 

     

 

 

 

     

        

      

 

    

                     

 

 

 

          

   

   

 



   

   

 

               

    

 

    

 

    

 

    

 

        

4

(28)







D.S.S. al Coda II ØCoda II



make D it last A all night, Bm night. night. Bm Want you to



 



Em F#m On G ly

- girl in the world.







Girl in the world.

Bm

On - ly girl in the world.



 



G

Girl in the world.

Em F#m G



 

    

       

   

 

 

    

      

 



   

 

    



 

      

                       

      

   



      

     

                       

 

    

 







    

 



                



5

(29)

q = 86

Words & Music by Jermaine Jackson, Priscilla Hamilton, Andrew Harr & Alexander Delicata

© Copyright 2011 POWER Pen Biz Publishing, USA/Annarhi Music, LLC, USA/Trac N Field Entertainment, LLC, USA/Priscilla Renea Productions, USA Copyright Control (50%)/EMI Music Publishing Limited (5%)/Warner/Chappell North America Limited (45%).

All Rights Reserved. International Copyright Secured.













G/B

Csus2 G/B

Csus2 G/B

C'9 3fr G5

D/F#



R.H. Con pedale

2. 1. G/B Chest Eye 8vb til * to to chest. eye. Csus2 G/B Nose Cheek to to nose. cheek. Csus2 G/B Palm Side to by palm. side. Csus2 We You were were

 

al sleep 3fr G5 ways in’ -just next that to D/F# close. me. G/B Wrist Arm to in wrist. arm. Csus2 G/B Toe Dusk to to toe. dawn. Csus2 With the

 











 



     



   

 

      

      

      



 

   



 

   



 

   

 











 





  

    

 

    

 

   

    



 

   



 

   



 

     











 

(30)

G/B cur Lips that tains -felt drawn Csus2 just and a like lit the tle -in last 3fr G5 side night - of on a those rose. sheets. D/F#

So

 

how Em come when I C

reach out my fing

Em ers -C it seems feels Em like

more than C

dis tance- be - tween

 

G/B us?* D In this Ca G li

- - for -nia king

D/F#

bed we’re ten thou

Em sand - miles a -part.

 

C I’ve been Ca G li

- - for - nia wish

D/F# ing - on these stars,

 

 

   



      

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 



      





   



 

   

        



  

    

  

   

 

 



     





  



        



 

     



 



       



       

 

 

 

 

     

 

 

     

 



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     

 

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   

2

(31)







2.

for your heart for me. My Ca li- - for - nia King.

 

G D/F#

Em

 

C

G

 

D/F#

Em

C

 

         

      

  

 

 

   

     





 



   

 

     





 

  



 



    

 

     

           



 

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

 





 

 









    

 





  

3

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