Intervallic Licks and Riffs
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(2) Intervallic Licks and Riffs Page (2). SECTION TWO: Stacked Interval Technique Exercises... Since stacking and mixing of intervals requires a slightly higher level of guitar technique for the left and right hands, this lesson will begin by showing a series of exercises that will stress the operation of repetitive intervals. This will help the hands to develop the feel and sense of the proper technique. As well, these exercises are especially important if this type of recurring interval movement is a brand new guitar technique for anyone reading and studying this. Example #1). Working with stacked 5th intervals along the neck from 1st position.. gV V V V V V V V. V 4 V V 1 I4 V V V V V T A B. 3. 1. 3. 5. 7. 5. 7. 10. 10. 12. 12. 14 9. 12. 9. 7. j. V V V V V 5. 7. 5. 3. j j j Vj V V V g V V V V g g V V g V e V f e V V V V V V gV stacked V V methods V gVand mixed interval V V basic V gV ofV VVapplying V Vmost One of the ideas is the V V V V V V 4 V V jsequence it in 3rd procedure of scale sequencing. In example #2, I take the major scale and 1 V V Iintervals. V V 4 T V This V thirds V What makes V requires a mix of using both major and minor V Vdiatonically. V this A exercise slightly different, is that I do not stay in one scale for the 4entire study, instead6 I am 5 4 7 7 6 9 5. 5. j. I. 2 3 2 5 4 5 4 7 6 7 6 9 5 7 7 9 B the moving study along the neck. example below 12 14 3 5 5 7 The 7 9 shows several positions, however feel T 10 10 12 12 free to move the exercise to several other fretboard 7 7 9 9locations as well. A 5 5 7 7 c the pattern. 3 3 5 5 V BExample c k k k with g V gVneck 10 in, “G Major,” Voff of the 6th the V V string, move along 3V V gV I1 #2). Starting. I T A B. V. V j V TV V V V V A B. 3. 2. 0 5. V gV. 9. 7. 7. V. V gV V V V V 11. 9. 3 2 5 Am. 5. 4. 5 7. V j. (5). 7. 9. 5. 5 4 7. 7. I V V VgV k V cV V V V V 10 VV Vk VV c I V V gV V V V V V V V V V V T A B. 0 9. 5. 7. 0 11. 4. 5. 0. 2. 3 7. V. 9. 0. (0). 6 C 7 6g/B 9 7 9. 14. T A B. gV V V j V V g V V V V. c V V jV V g V e V gV f V e V. 9. 0. 2 3 9. 2 3. 5 Am. 7 4. 9 7. 9. 7. 7. 9. 5. (5). 5. 7. V. 9. (9). j V V g V V V g V. 11. 7 5 4 7. 6. 7. 7. 6. V V V. 7. 5. 0 2. 9. 0. 7. 5. 11. 9. 0. 7. 9. 9. 7. C. 0 (9). 9. 10 7. 6. 7. 5. 0 12 4. C. V V VV. 9 9 10 0. sl.. V. k. g/B. VV. c V. 4 0. 7 6sl. 9. 9. V cV V V V V V VV V g V VV V V V gV kV V V V V gV V V V k c V V V V. 0 (0) 7 V 2013 V C g/BGuitar V V V V V © Creative Studio V V Am Am V V g V V V V 18 I V V V V 14 V I V V V7 V V 8 V V 10V 12 10 0. V. g/B. VV 7 9.
(3) V V gV VIntervallic V andV Riffs V VLicks V Page (3) V V V V. V 4 V V 1 I4 V V V V V T A B. 7. 7. 10. 10. 12. 14. 12. 12. 9. j. 9. 5 5 7 7 SECTION THREE: 3 3 5 5 g V 1 3 V V VConcepts... V V Intervallic Performing Riffs Using Vj V 4 V V 1 V V V V V j j gV V V V j j j V V 5 I 4 V I Next, we VV VVwill V mixesV gintervals. V VV V The primary V through e V gVaf Vriffe V gthat V gVinterval idea V shift gears gV V toV playing V However, VV riff V there V Vthe in will be thatV of 5th’s. will also be thirds within the pattern as well. Since. the fifth’s I’ve used are stacked, 12 the stretches will be somewhat demanding to perform. So, take 14. T your time, and before building 10 10 12 12 T speed with9this riff, be 7 7 9 sure to commit the entire line to memory. A 5 5 7 7 A 4 554 7 6 7 6 9 3 3 5 B 21 3 2 5 4 5 4 7 6 7 6 9 5 73 7 9 B Example #3). Interval riff in the key of, “E Minor.” 3 5 5 7 7 9. 5 10. j j j V V Vk j cV j V g V I V V V g g V V g k k c k V e V f e V V V g g V V V V V V V V I V VV V V V gV V V V gV V V V V V gV c VV gV VV VV V V V gV c V V V V V T A T B A B. 2. 3 2 5 11 59 7 9 7. 3. 5 5. 4. 5 4 97 7 7 (5). 97. 7. 6. 9. 7 6 9 7. 5. 9. 4 9. 7 11. 5 4 7 9. (9). 11 9 7 9 7 9 10 0 0. (9) 9. 7 7 6. 6. 9 7. 7 6 9 5. 4. sl. c C g/B Am C g/B V k k c k k g g V V 10 V V V V g V I V V gV V g V V V V c V V V V V V c V V V V V V V V V V 14 V V next riffV isV stacking V V V to realize V V that unlike 5th’s,V inV order to V stay It is important V intervals. I The V third V V V V V V inside ofVthe keyVsignature when using thirds, weV need toV apply both V V V major Vand minor third. 0. 5. 0. (0). 7. 0. Am. T intervals along the course of how our riff progresses. 9 A T 9 11 7 9 7 5 9 4 5 (5) 7 7 2 B Example A 0 7 7#4). 5 2of, “A0 Minor.” 0 (0) 7 5 Interval 3 riff in the key 0 0 0 0 2 3 3 2 0 B Am C g/B Am. 14 18. 9 5. V V V V V V V V V V V V V V V V V V V V I V V V gVV V V I V V V V V V V VV V V V T T A A B B. 7. 5 0. 7. 5. 5. 7 5. 0. 8. 7. 4. 8. 3. 0. 10. 8. 2 0. 2. 12. 10 2 3. 3. 10. 10. 0 2. 0. 12 7. 5 0. 9. 7 0. 10. VV V V V VV gV e VV e V V V V V V V V V V VV V V V gV f V e V V V V eV V 21 V 18 I V V V sl.. T T A A B B. 21. I T. 5 10 10. 7. 8. 58. sl.. 7. 10. 8. 11. 7. 8. 10. V V V V V eV eV V sl.. sl.. sl.. 8. 10 6. 8. 8. 5. 6. 12. 10. 3. sl.. 5. 10 3. 10. 3. gV V f V V e V V V V H. 12. 5. 5. 3. 3. 5. 5. V V eV V V V V. generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org. 10. 10. 8. 8 10. 11. 8. 10. © Creative Guitar Studio 2013. 6. 8. 5. 6. 3. 5. 3. 3. 5. 3. 7. 6. sl.. 0 12. V. V. 7 95 9 10 C. V V VV. 9 0 12. 9 9 10. 4. 7 9 g/B. VV 7 9. 0.
(4) 12. 14. 9 9 V 5 5 gV k 7 7 k c c k g V 10 V V V V 5 5 I1 3 V3 V V V gV V V V gV V and cRiffsV V3 gV V V Licks V Intervallic V V V V Page (4) j j j j 5 Vj V V V g V V I T V V V g g V V g V V V V V e V f e V V V gV V gV V V V 9 V AV V V 9 11 7 9 9 11 7 6 4 7 9 5 (5) 7 7 9 9 (9) 7 5 SECTION B FOUR: 0 7 5 0 (0) 7. T A B. 7. 7. 10. 10. 12. 12. T. Am C g/B Licks... Am Application of Intervallic Concepts to Guitar A. sl.. 4. 5 4 7. 6. 5 lick we move5 along 7 9 In the first143guitar apply slide concepts V V V theV V V V 7V twoVstrings and V toV inter-connect V V I V run in a very horizontal fashion along the neck. the key center, V V lick VValso stays V is theV key V“E Minor”). V It Vis The V inside V ofwith V licks,Vit’s c guitar V (which in this case of, important to mention, that k k c k g g V V 10 V V V V gV V V I helpful gV gV spendV timeV learning V toV analyze V centerc of theVlick. Then extremely the V tonality V V andV key V T V the line into how to move any4other key that you mightV wantV to hear the 5 2 5 part transposed 7 9to. 2. B. 3 2 5. 4. 5 4 7. 6. 7 6 9. 5. 7. A 7 5 3 2 0 7 9 0 0 0 0 2 3 3 2 0 0 0 B Horizontally Example #5). applied 5th’s interval slide-lick in the key of, “E Minor.” T 9 A V V V9 9 11 7 9 11 V V (5) 9 V V 5 7 V V0 (0)V 7 7V 9 V B 18 0 7 V 7 9 V gV 5. I. Am. 14. T V A VB. I T A B. 21. I 0. 7. C. V5. 7. V V 5. 7. V. 8. V. 7. V V V VV. V V sl. sl. V V e V V V 4 V eV2 V 5 5 3 0. 0. 10. 0. 8. 2. g/B. 8. VV. 12. 10. V. sl.. 3. 10. (9). Am. 10. V V 10. gV 2V f V 0V e V V V 7 V 5 3. 7. 2. 0. 12. V 0. V V. V. V. 9. 0 12. 7. 6. 7. 5. V. C. V. V V VV. 9 9 10. The final example moves into the sounds of the 4th interval. Mixed along-side of this interval Vsound 10 8 fifth. These V two intervals will also be the diminished cool V when mixed into the same V Vvery TV V10 V g8V V V11 V 10 8 V 6 3 V V licks18or scale-runs. And, since 10 these 8 intervals 6 can 5 often3 be 5 odd 3to finish 5 off 3on when wrapping I A tried to solve that 5 3 5 up a lick, I’ve by using some of the Pentatonic Scale as a way to 5 produce a B good sense of resolution with the line. sound of the “G Minor” chord, but H 10 7 8 10 This lick covers 12 the T 5 5 7 7 8 8 10 generated using the10 Power Tab Editor by Brad12 http://powertab.guitarnetwork.org take the time to learn how to move this guitar lick over to otherLarsen. chords as well.. V V V V V eV eV V sl.. 21. I T A B. 10. 10. 8. sl.. 8 10. 11. 8. 10. sl.. gV V f V V e V V V V 6. 8. 5. 6. 3. 5. 3. 3. V V eV V V V V 5. 5. 3. 3. 5. 5. H generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org. © Creative Guitar Studio 2013. V VV k V c V 9 9 10. 4 0. sl.. V9 V7 e V 10V 9V V 0 V 0 12. A B #6). Along the neck applied 5th’s interval lick in the key of, “G Minor.” Example. C. 7 6 9. g/B. VV 7 9. g.
(5) Intervallic Licks and Riffs Page (5) - Video Opening Guitar Jam. 1. I 44 T A B. 5. 3. 6. 3. 7. 5. V V V k V 5 eV V V I gm7. T A B. gm11. 3. 5 3. 6 5. 7. 5. ` V V V V 9 I gVu k Vu k k Vu k Vu 6 6. 6 6. 6 6. 6 6. 6 6. `. eV eV V V 17 I k eV eV V 6. 8. 10. 8. 10. 11. Am7 5. V V. V V V. (5). 3. Cm7. 5. 5. Dm7. V. (5). 3. V. 7. V V. 5. 5. V. 7. Dm7. eV V V V V V. (7). 8. `. Dm7. Am7 5. V V V. 11. 4 6. 4. 3. 4. 7. 5. 3. 5. 8. 7. 5. 3. ` kge VV k VV VV V e V V u u 4 6. ` gW. E7. 9. 4 6. 4. 3. 4. V gV V V 8 6. 6. 6 6. 6 6. 5. WW. 4 6. 6 6. (4) (6). 4 6. ` E`7 eV V V eV V eV k V u 8. 8. 3. 4. V V gV V. 3. 3. 4. UU (4) (6). U. 6. generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org. © Creative Guitar Studio 2013. 8. 4. VV V e V V. E9. 6. 7. (5). ` E`7 V V V e k k k k gV V V VV u u u u 6 6. (5) 5. W. E9. 6 6. V W V V V. gm7. gm7. eV V V V V V. (7). 6 6. E7. 6 6. E9. T A B. 5. 4 6. ` V V V V 13 I gVu k Vu k k Vu k Vu 6 6. Dm7. V. 6 6. E9. T A B. `. by Andrew Wasson Cm7. E`7 E`9 E`7 V V V V e V V V V e kg V k V V e V gV k V k k V k VV u u u u u u. E9. T A B. Adjusted Position. D P = 144 (P P CP PR ) gm7 gm11 V k V eV V V V V. (3). 3. 4. 5.
(6) Intervallic Licks and Riffs Page (6) E`9. Song Title - Artist. eV eV V V 21 I k eV eV V T A B. 6. ` eU 25 I gUUU. 10. 8. 8. 10. 11. E`7 gW. 11. 8 6. 6. V V e V e V V gV V V. 4 5 4 5. 7. V V V k V 29 eV V V I gm7. gm11. T A B. 5. 3. 6. 3. 5. V V V k V 33 eV V V I gm7. T A B. V gV V V. 9. D7 9. T A B. - Video Opening Guitar Jam. gm11. 3. 5 3. 6 5. 7 5. 7. 5. 5. (5). (5). 3. 5. Dm7. VVV. V V. `. 5. 7. 5. 7. (7). e V V gV V V e V V V. eU. 8. 3. 7. 8. V. 8. 8. 7. `. 7. 10 8. 11 10. V W V V V. Dm7. gm7. eV V V V V V. (7). 8. Dm7. 8 7. UU (6) (4). 4. 6. Page 2 of 2. 6 4. 6. c V eV V V k V V. Am7 5. VV. E`7 e V V V e V V e V k VV u. Am7 5. V V V. 5. 5. Dm7. V. 3. 7. 4. 6. Cm7. Cm7. V. 8. 5. E`9. 5. 7. 5. 3. `. Am7 5. 7. 5. (5) 5. D7. V eV V V V V V. (7). 8 7. 5 3 5. 8. 7. gm9. U (5). sl.. Thank you for your donations & Generous Support - Andrew Wasson © Creative Guitar Studio 2013 generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org.
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