ELIZABETH LIDE [email protected]
www.elizabethlide.com
EDUCATION
MFA Georgia State University BFA University of Georgia Converse College, SC ARTIST RESIDENCIES
Fellow, Virginia Center for the Creative Arts, 1991, 1992, 1993, 2011, 2012, 2013 Fellow, The Hambidge Center, Georgia, 1986, 1991, 1992, 1994, 1995
Fellow, The Tyrone Guthrie Centre at Annaghmakerrig, County Monaghan, Ireland, 1994 Fellow, The MacDowell Colony, New Hampshire, 1982
Artist-in-Residence, Cortona, Italy. University of Georgia Program, 1982 COLLECTIONS
The Orchard Gallery, Derry, Northern Ireland
The Tyrone Guthrie Centre, Annaghmakerrig, County Monaghan, Ireland University of North Carolina, Chapel Hill, Sloane Art Library
Emory University, Atlanta Museum of Modern Art Library, New York Ruth and Marvin Sackner Collection North Carolina Writers’ Network Rijksmuseum, Holland
Atlanta College of Art (SCAD Library)
Museum of Contemporary Art of Georgia (MOCA GA) University of Damascus, Syria
School of the Art Institute of Chicago Virginia Commonwealth University Minnesota Center for Book Arts University of Iowa
SELECTED SOLO EXHIBITIONS
Sandler Hudson Gallery, Atlanta, Recordings, January 2012
Eyedrum, Atlanta, Art in the Summer Garden, site-specific Installation (student work), 2003 Sandler Hudson Gallery, Thorn Upon the Rose, site-specific Installation
(sound design: Paul Kayhart), 1995/6
Sandler Hudson Gallery, Everything’s Just Fine, site-specific Installation, 1993 Nexus Contemporary Art Center, Atlanta, Musical Chairs/Elimination Games, 1992
site-specific Installation with video (collaboration with Paul Kayhart), Winter Solo Series La Mama La Galleria, New York, Wearing Water/Eating Cement, 1990
site-specific Installation and performance (sound design: Paul Kayhart) Window on Gaines, Tallahassee, Green is the Color of My True Love’s Hair,
site-specific Installation, 1989
Nexus Contemporary Art Center, Wearing Water/Eating Cement (Icons to Kiss) site-specific Installation and performance (collaboration with Lee Heuermann), Solo Series, 1988
Nexus Contemporary Art Center, Untitled site-specific Installation, 1984 Baldwin-Wallace College, Berea OH, 1983
Winthrop College, Rock Hill SC, Untitled site-specific Installation, 1982 Atlanta Women’s Art Collective, Untitled site-specific Installation, 1981 Atlanta Art Workers Coalition, Untitled site-specific Installation, 1980
Southeastern Center for Contemporary Art (SECCA), Winston-Salem NC, 1979 SELECTED GROUP EXHIBITIONS
Little Things Mean A Lot, Swan Coach House, Atlanta, 2014
Doubt, collaboration with Nicole Livieratos & Paul Kayhart, Hambidge Mailbox exhibition, 2014 Georgia State University, 100 at 100,
Welch School of Art and Design,
juried by Jerry Cullum, 2013 1x1=One, 2TEN HAUSTUDIO, Ivanhoe, NC, 2011Sketchbook Project, Art House, Brooklyn, 2011
Sandler Hudson Gallery, Atlanta, Have a Seat, January 2011
The Museum of Contemporary Art of Georgia (MOCA GA), Certain Artists, 2010 MOCA GA, Lamar Dodd, 2008
MOCA GA at SunTrust Plaza, Drawn in Georgia, 2006
The Upstairs, Tryon, NC, Botanicals: Images Inspired by Plants, 2006
MOCA GA, Accelerating Sequence: Artists Observe Time and Aging curated by Dan Talley, 2005 Sandler Hudson Gallery, Drawings and Works on Paper, 2004
Swan Coach House Gallery, Atlanta, Sketches, 2000, 2003 Converse College, Spartanburg SC, 2002
Spruill Center Gallery, Dunwoody GA, Personal Circumstances, 2000 Michael C. Carlos Museum, Emory University
Connections and Contradictions: Modern and Contemporary Art, 1998
Oregon Coast Council for the Arts, Newport OR, Book Arts (with Mary Hood, Clarissa Sligh), 1998 Brenau College, Gainesville GA, Illuminations, 1997
Sandler Hudson Gallery, Atlanta, Drawing Show, 1997
GRATIS, Public Art Project, Alem da Agna, between Spain and Portugal, 1996
University of Northern Colorado, Shape-shifting: Transformations in the Art of the Book, 1996-98 Southeastern Louisiana University, Sims Memorial Library, Book Art, 1995
Arts Festival of Atlanta, Money Changes Everything, curated by Lisa Tuttle Installation with Video, Title Will Come Later, 1994
Exceptions, American Artists’ Books and Art Books,
organized by the U.S. Information Agency and Washington Project for the Arts, 1994 University of Maryland, Baltimore, Her Hands, 1994
Agnes Scott College, Book Arts National Juried Show, 1994
Austin Peay University, Tennessee, TRACES, Proposals, Plans and Documentations, 1993 The Women’s Path, Atlanta Contemporary Art Center, permanent installation, 1991 A.I.R. Gallery, New York, Choice (video), 1991
High Museum of Art-Downtown, Atlanta, RSVP (innovative exhibition announcements), 1991 The Atlanta College of Art Gallery, Oh, Those Four White Walls: The Gallery as Context
Installation with video: O Nabu, 1990 Nexus Contemporary Art Center, Multiples, 1990
New Visions Gallery, Atlanta, Return from Argentina, 1989 Atlanta College of Art Library, Sketchbooks, 1989
Centro Cultura, Buenos Aires, Argentina, Art of Atlanta, 1989
Vend’art, Atlanta, 1987 and New York, 1988, Artist-of-the-Month (objects in vending machines) Southeastern Center for Contemporary Art (SECCA), Winston-Salem NC, The Art of Atlanta, 1988 The Limbo Gallery, Charlotte NC, Off the Beaten Path, curated by Roger Manley, 1986
Ersatz Gallery, Atlanta, Shared Quarters (with Stan Sharshal, Linda Armstrong, Paul Kayhart), 1986 Window on Gaines, Green is the Color of My True Love’s Hair, Tallahassee FL, 1985
Nexus Contemporary Art Center, The Atlanta Biennale, 1984 and 1986
The Lamar Dodd Art Center, LaGrange GA, The LaGrange National Exhibition, 1983
The First Mattress Factory Show, Atlanta, Saturday Morning Yard, site-specific Installation, 1983 Lamar Dodd Art Center, Artists in Georgia, (selected for traveling exhibition), 1982
Georgia Southern College, Statesboro GA, Nine Diverse Directions, 1983
Palazzo Vagnotti, Cortona, Italy, site-specific Installation, Le Citta Invisibili (Italo Calvino), 1982 The University of Tennessee, Chattanooga, 1982
Atlanta Art Workers Coalition, Fashion Moda in Atlanta, 1982 Montgomery College, Rockville, Maryland, 1981
Southern Exposure: An Exhibition from Women’s Art Centers, Washington, D.C., 1980 High Museum of Art, Artists in Georgia, curated by Peter Morrin, 1980 (Installation) Carlsberg Glytotek Museum, Copenhagen, International Festival of Women Artists, 1980 A.I.R. Gallery, Atlanta Women’s Art Collective at A.I.R., New York, 1980
SECCA, Papermaking and Paper Using: Traveling Exhibition (Southern Arts Federation), 1979 The Chautauqua Exhibition of American Art, The 21st National Jury Show, (prints) Chautauqua NY, 1978 Atlanta Art Workers Coalition, Two-Person Exhibition (with Chester Old), 1978
Atlanta Art Workers Coalition, MAPPINGS: A Personal Survey of Women Artists, 1978 Davidson Galleries, Seattle, FOOTPRINT: The Northwest International Print Exhibition, 1978 SECCA, Winston-Salem NC, Annual Juried Painting and Sculpture Show, 1975
GRANTS AND AWARDS Blumenthal Grant, 2011
Georgia Women in the Visual Arts, Honored by Georgia Commission on Women, 1997 CGR Artist Project Grant, 1997
Alternate Visions Grant (NEA, Rockefeller and Warhol Foundations, NC Arts Council), 1995-96 CGR Advisors Residency Scholarship, The Hambidge Center, 1995
Fulton County Arts Council Hambidge Fellowship, 1994 Georgia Council for the Arts, Individual Artist Grant, 1992 Artists Space, New York, project grant, 1990
Southern Arts Federation, Fellowship Finalist, 1990
Interdisciplinary Artist Fellowship (NEA Interarts and Rockefeller Foundation), 1987
Artist Grant: Bureau of Cultural Affairs, City of Atlanta, 1978, 1980, 1981, 1986, 1987, 1992, 1994 Scholarship from Cassa di Risparmio Di Firenze for study in Cortona, Italy, 1977
PUBLISHED ARTISTS’ BOOKS
Thorn Upon the Rose, book w/audio CD by Paul Kayhart, 1999
Time Capsule: A Concise Encyclopedia by Women Artists, Performers, and Writers
published by Creative Time, Inc., New York; edited by Robin Kahn; for distribution at the Third International Women’s Conference, Beijing, China, 1995
You Are What You See, a trilogy of books based on the Library of Mary Hambidge, founder of The Hambidge Center, an artist colony. Nexus Press, 1993
Home, with Linda Armstrong, Jo Anne Paschall, MM Wade, Kathy Yancey, published by Art Papers, 1992
PUBLICATIONS
BURNAWAY, UnmonumentalATL, http://burnaway.org/elizabeth-lide/. (January 21, 2014) Review of To Us at Twilight, Installation/Performance by Alyson Pou, Art Papers (Jan/Feb 1995) Interview with Harriette Oliver Forbes: Art Papers (Jan/Feb 1994)
Review of We Are Secretaries, Performance by Kim Irwin, Art Papers (July/Aug 1989)
CATALOGS
Connections and Contradictions: Modern and Contemporary Art from Atlanta Collections, Michael C. Carlos Museum, Emory University, 1998
Shape-shifting: Transformations in the Art of the Book, University of Northern Colorado, 1996 Money Changes Everything, Arts Festival of Atlanta, 1994
TRACES, Proposals, Plans and Documentation, Austin Peay University, 1993 Vital Signs, Nexus Contemporary Art Center, 1991
Oh, Those Four White Walls: The Gallery as Context. The Atlanta College of Art, 1990 Multiples, Nexus Contemporary Art Center, 1990
Art of Atlanta, SECCA, 1988 The Xerox Show, SECCA, 1984
Artists in Georgia, Lamar Dodd Art Center, 1982
Southern Exposure, The Washington Women’s Arts Centers, Washington, D.C., 1981 Elizabeth Lide, Atlanta Art Workers Coalition, 1980
Artists in Georgia, High Museum of Art, 1980 SELECTED BIBLIOGRAPHY
Darcie Dyer. Atlanta Homes and Lifestyles (January 2012)
Christina Cotter. A Study in Contrasts. ArtsATL (February 2, 2012)
Jerry Cullum. Measuring Time. Atlanta Journal-Constitution (Sunday, March 6, 2005). Tom Patterson. Irish Inspired. Winston-Salem Journal (Sunday, April 2, 2000).
Judith A. Hoffberg. Thorn Upon the Rose, Umbrella (December 1999). Experiments in the Book Arts, Newport New Times (March 6, 1998).
Laurence Holden. Thorn Upon the Rose, Sandler Hudson Gallery, Art Papers (March/April 1996). James Hull. Elizabeth Lide and Lisa Tuttle, Art Papers (March/April 1995).
Jerry Cullum. Money Changes Everything, Arts Festival of Atlanta, Art Papers (Jan/Feb 1995). Jerry Cullum. Questions of Money and Art, Atlanta Constitution (September 20, 1994).
Linda Huggins. Creative Energy at the Hambidge Center, Athens Magazine (June 1994).
Jerry Cullum. New from Nexus—experimentally Rich Books, Atlanta Constitution (December 31, 1993). Mitzi Faber. Everything’s Just Fine, Elizabeth Lide, Art Papers (Sept/Oct 1993).
Nancy Princenthal. Artist’s Book Beat, Print Collector’s Newsletter (May/June 1993). Jerry Cullum. Everything’s Just Fine, Elizabeth Lide, Atlanta Constitution (April 16, 1993). Thomasine Bradford. Musical Chairs/Elimination Games, Art Papers (July/August 1992). Catherine Fox. Musical Chairs/Elimination Games, Atlanta Constitution (March 13, 1992). Laura Lieberman. Once is Not Enough, AfterImage (December 1990).
Catherine Fox. Oh Those Four White Walls, Atlanta Constitution (October 26, 1990). Bob Trotman. Wearing Water/Eating Cement, Art Papers (July/Aug 1990).
Michelle Mercadal. Wearing Water/Eating Cement, Art Papers (July/Aug 1988). Tom Patterson. Pluralism on Parade, Winston-Salem Journal (March 20, 1988). Tom Patterson. SECCA: The Art of Atlanta, Art Papers (May/June 1988). Catherine Fox. Shared Quarters, Atlanta Constitution (October 17, 1986). Alan Sondheim. The Mattress Factory Show, Art Papers (Jan/Feb 1984). Laura Lieberman. An Intimate Look, Creative Loafing (June 2, 1984).
Xenia Zed and Alan Sondheim. Elizabeth Lide: Environmental Installation, Art Papers (Sept/Oct 1984). Jan Schall. Elizabeth Lide/Atlanta Women’s Art Collective, Art Papers (Jan/Feb 1982).
Catherine Fox. Requiem for a Gallery, Atlanta Journal/Constitution (June 12, 1982).
Richard Parry. Elizabeth Lide/Atlanta Art Workers Coalition, Atlanta Art Papers (July/Aug 1980). TEACHING EXPERIENCE
The Paideia School. Art Teacher, 2004-2014, grades K-4, High School long- & short-term Agnes Scott College. Visiting Art Professor, Fall 2009, 1982-1983, 1989-1990
Art in the Summer Garden. Founder and teacher, 2000-2007
The Atlanta School. Art Teacher, 1988-1991, 1999, Children, ages 3-12 years old The Atlanta College of Art. Teacher, 1980-1989
Children, ages 4-8 years old
Pre-college High School summer honors program College degree program-Foundation
Adult Continuing Education-Drawing
Georgia State University. Part-time Instructor, 1979, 1986
NEA/Artist-in-Education Program: Residency, Georgia Council for the Arts, 1981 SECCA, Winston-Salem NC. Visiting Artist in CLOD, 1978
Creative Learning in the Out-of-Doors Children’s Program GRAPHIC DESIGN EXPERIENCE
Art Papers magazine. Design Director, 1987-1995 Freelance graphic designer, 1987-2006
Raymond Loewy/William Snaith, Inc., New York. Graphic and Package Designer, 1969-1970
(Raymond Loewy designed the Avanti automobile, the Coke bottle, the Princess telephone and advocated that everyday objects could be both functional and beautiful.)
OTHER WORK EXPERIENCE
Nexus Contemporary Art Center, Atlanta. Administrative Director, 1983-1985 Piedmont Craftsmen Inc, Winston-Salem NC. Shop manager, 1973-1976 RELATED ACTIVITIES
Presenter, GISA 2012 Conference, Clink Clank collaborative installation by Susan Loftin Juror, MOCA GA Multiples Project, 2007 and 2005
MOCA GA, Artist Resource Council (ARC) Steering Committee, 2002-2006 The Atlanta Contemporary Art Center, Up-close & Personal Artists’ Studio Tour, 2001
Planning committee member, Architecture Society of Atlanta/Corporation for Olympic Development Public Space in the New American City, Design Competition, 1994
Co-Director, Artist Market (originated Bazaar Bizzozo w/Xenia Zed), Arts Festival of Atlanta, 1992 Visiting Lecturer, Florida State University, 1989
GARDENS
Panel member, Avant Gardening, Nexus Contemporary Art Center, May 1999 My home garden on tours: The Secret Garden Tour, The Atlanta School, 1998
Avant Gardening, Nexus Contemporary Art Center, 1999
My home garden featured in Garden Seating, book published by Lark Press, 1998 Master Gardener, 1996
COMMUNITY SERVICE
Board member, Venetian Community Pools, 2006-2008. Grounds Chair Volunteer Art Teacher for Fugee (Soccer Team) Academy. 2007-2008
