Elliot Carter, String Quartet 1

ELLIOTTCARTER

STRING

_QUARTET

_NO.

1

(1994

_Edition)

(1)

(2)

(2)

(3)

G)

g)

Fantasia-Maestoso

Allegro

Scorrevole

Allegro

Scorrevole

I.

II.

1

32

(m.

₃₅₆₎

.

Adagio

(m.

₅₇₎

(m.736)

III.

Variations

Associated

Music

Publishers,

Inc.

,,,,

_-

H.H*

={ifiri,i,

:^Hs;,

" "., "

47

5t

77

73

PROGRAM NOTE

String

_Quartet

No.

I

establishes

its

almost constantly diversified textures

by

starting

with

a solo cello, which is then joined by each of the other instruments, each presenting a

different musical character at a different speed. These four different ideas recur in contexts

of

still

other ideas, each

with

its own rhythmic identity. The ending

of

the

first

movement comes when the four main ideas are presented simultaneously and dissolve into a

whirling

second movement,

which

is intemrpted

by

a dramatic statement, then resumes and fades out to a pause.

After

the pause, the second movement is continued and a dramatic passage,

similar to the one previously heard, leads to the slow third movement, which consists

of

a

quiet, muted duet played

by

the

violins in

their high

register, contrasted

with

a rugged recitative played by the viola and cello. This, in turn, is fragmented and leads to the opening

of the fourth "Variations" movement, at measure 236, which is interrupted by a pause after

which it continues, stating one idea after another, each of which returns at a greater speed as the movement progresses. The _{Quartet ends}

with

the

first violin

continuing the opening

cello solo in its upward rise.

Looking back

from

l994,Irealize

that _{this Quartet,} which marked such a turning point in my development, is my most extreme adventure into what has been called 'metric

modu-lation.'This

method of composing developed out of a very early interest in the polyrhythms

that I found in Scriabin, and in Ives, whose

Volin

SonataNo. 1 is quoted near the beginning of _{the Quartet.}

At

the time,

I

discussed these ideas

with

Conlon

Nancarroq

whose

Player-Piano Study No. 1 suggested the opening measures of the _{Variations movement. This} Quar-tet is

primarily

a linear, melodic

work like

many

of

my earlier ones, and differs

from

my

later work, which deals

with

other concerns.

The score was composed largely in Tucson, Arizona

in

1950-51 on a Guggenheim Fel-lowship and was later submitted to a contest given in Liége,

Belgium.After

almost a year

of

not

hearing

from

Liége,

I

allowed

the

Walden _Quartet

to

give

the

first

performance on February 26,1953 at Columbia University. This performance disqualified me from

receiv-ing the

first

prize

from

Liége, which was announced shortly after the New York premiere and which

I

had to renounce.

There are numerous written discussions of this work, the most elaborate being my own

Writings by

Elliott

Carter and

in

The Music of

Elliott

Carter by David Schiff.

In

addition,

four recordings have been released:

Sony Classical S2K 47229, The

Juilliard

_{Quartet (1990)} Etcetera

KTC

1065, The

Arditti

_{Quartet (1988)}

Nonesuch 71249, The Composers Quartet (1970)

Columbia

ML

5 104, _{The Walden Quartet of} the University of

Illinois

( 1 956)

-Er-lrorr

C¡nrsn

duration:

ca. 40 Minutes

PERFORMAI\CE NOTE

A

double-barline between two measures indicates a change of time value in the written notes.At such changes, the relation between the notation of the first measure and the next is

given

as an equation whose

first

term refers

to

the note values

of

the

first

measure and whose second term to the

following

measure. For example:

-J

duration: ca. 40 minutes

Violin I Violin

II

Viola

Cello

to the Walden Quartet of the University of

lllinois

STRING

_QUARTET

NO.

1

I.

Fantasia

Moestoso

J

=?Z

(-)

_pJ

=:=-Elliott

Carter

(1e51) arrochá, morc.

Copyright @ 1955, 1956 (Renewed) by Associated Music Publishers, Inc. (BMI) New York, NY

This edition copyright @ 1994 by Associated Music Publishers, Inc. (BMI) New York, NY

International Copyright Secured. All Rights Reserved.

Warning: Unauthorized reproduction of this publication is

J=¿¿.

J_g

rr.

:ñ/

E

t!,'=26-z--

j!

A

_*-.

.b¡

.\

t'h'=

r2q

lü'=tzl

-

.b

L

jl l

tj.=

tzo)

lD'=tzt

.hr-

A

ji j

t¿\.= r?ol

.h.=

J

(J

=l2o)

¡.;

_l-t1*ol

_-.

ttp

tronqulllo >5r

-l I .A. .¡. $

¡{Í1''lr

=.

¡.;

¡

t¡

=

l2O)

h=

AMP-95544-119

-3 t-5 ---!\

^-¿-¿'

-\---"'/

(J

=9O) v

.

__-__¡r.

tld=d

-t '. L JJ

r-

¡

_---r

_o

llo(J, =,so)

e

i

=lJtt

="gol

lnf,

o _='o.(J=90) AMP-95544-r19

5

L

,(J J.=gOl d=

_U'i?,

_!

J{¡.t¿J.=sor

pé

nJl

=--¿/

/--

_{!-¿*t-l.r!.=sor}

.h+ .h

J!J).

,---J.

= J

"---/

¡=.b(J.=

_> l5o) ^¿'t¿ >

p

subito ln

fuori

ol cresc.

.l''!)t¿.

=rso)

cresc.

I >

>

)-L

it¡.

= rso) AMP-95544-119

(J=t50)

_¡,L

_!.,t'^"t

n

(J

_i.

= 60)

(fj.

= 60)

JJ.=eol

f,f

cresc

+¿

J.)"JtJ

,Í

ld

=6 AMP-95544-119

E[,

_(J

=180)

i-sult

t

,)-.--=r,:;-: I

P^sr¡b. d J

).d'..oot

J

!

J.tJ.=60)

.mf

( J. =

l8o)

(J. ₌ 60) oVO,:

(J.=60,J=t8O)

AMP-95544-119

AMP-95544-119

;JJ(-so'/ffi\

)

)).d.=eo,J

-t35)

¡607t

--

r--3

rl-____-_-/

T

(j.

= t80)

¡

1l

=t35)

Q

=27Q1

JJJ

tJ*2701

AMP-95544-119

t!.

-

roet

)

)'i

¿

_tJ

=

ros)

v (J

_{¿ -^^^}

_J.=

lo8)

)."=)

d

-rog)

@

,[)=

¡

J.=J

_tJ

₌₁₄₄₁

J-

_J

tJ --

l++l

rr-

jlj

t>

J.TJt

_J!j

Í

., Conl .

áltJ

-

t44t

AMP-95544-l l9

10 ( _{J. =} 144) t-L-t _''Z

--J-]ItJ.-t44\

rú

J{J.(J.-t

(J

_=lO8)

¡l¡

!-*t$¿r.,{:..,oo

¿

¿',

D

(!'

'

loel AMP-95544-119

11

-

L2

13-)))-¿

)

)

!J

.il

-=:-7.

7

n AMP-95544-l l9 ¿.+. ¿

13 Lt _5

:-,n!

)

-f, morc.

-[81

AMP-9554+119

t4

@

89

ñeno

_f,

*ffiatoilT'-)':i

¿. t _{t_-r}

JJ.=Jü=721

JJ.+J1.J=r2l

¿¡41¡'i-='s?l

ll-J

J.=

J

d=7zl

AMP-95544-119

15

]4L--/

cresc.

J-

_D.

lQ.=tzl

i=A

(r\. = t20)

.[¡.$t].=

t20)

JF!.

(r ,\:.b (¡\. = tzo)

iUhl':

7lr

mo - J.=J. L

p

J.$JtJ=r

- -¡l

r,

mP Jr.=Jr- _{.b.'i,htj =t2olv}

:¡i.b.--

_{.$,1¡rif'zol}

AMP-95544-r19

j

(J. _{= eo)}

J

iJ.=

eol

,b.=

f¡

cresc.

_^

_{J.I Jl.}

_tn.

₌

_eol

-

---

a

¿+fr\iplzi

I't'

r'E-2

,

;iffic

_i''

l!fi

_{{1.-!E

morc'

1 ¡.

ll-t=l

L7t

,h=.h

t.h=2oo)

.h=i

tJ

= loo)

tr--

>-

=-=]:_

I

tE,

t-ffiJ-t

¡i¡t¡=zoo)

ifl@

r¡í'

r^Éfr]G¡A¡-

_?gcr

.hf.h

lJ_=roor-

O-.l.rl.\(j=

2oo)

L7

-íñ\

:=:-JJ.-á

J).:)

-P

:

--(J

₌₆₀₎ A MP-9t544-119

p

sub. 5

18

) =)..

Yl I

:Sz

fp

p

(J=60l

_,-5---

J+

)

t)..

=ao

,J.

=t4o)

_--_,_

?.-r >^

na

-

¡+)

f

sub. { J,.= 60, J'

-

l4Q

---/)---J.

E

J. =---o

-:--a

o.

J

.":-J_:J. (J. - l4o)

di

'--:fsub

AMP-95544-119

¡.[¡

tJ=r40,JJ-set

rl|J

fp

=.4(LJ.=5o)

).)l'¿ r¿.=s6,J

=84)

).ü.-se J

=g+)

U.d.

-56)

ll

f

morc.e sost.

e-J.rf

_{L.¡iJ!.b. -56,}

J. -84) AMP-95544-119

+:

>-\___-20

J=Jt)=63)

r-3:J morc,

tlt_

-n a=a :

)

t')

'J-2s -r

meno

¿!),

t-3

¡ >tD€no ¿ +¿, (J ₌

₁₈₉₎

_>

1J

--rasrll:

A \{P-9t544-1 19

2l

¡.'

ma'.c.

-mf

J.-

J

(J

-

126)

,'T

>

f

J.g

J

tJ

=leo) ¡.

*J

rJ _^= rz6) .tt _l- .h

¿IjJ

tJ

=,r.r

Z--¿

AMP-95544-1r9

22

.=.[(J

=tea)

MB

j-F

spicc. leggiaro ftttS

-

-:_i\,

fut'*f

<

_.ñ

{l

rhr¡

reel AMP-95544-119

23

@

,tLOt

r

I

r

'

spicc. lagqiero

_-

in ri/ievo

poco

_vib.

24

(J

_{=-rL2)---_.-^.}

(J =

tl2) fÉ:

h

(J

₌ ll2)

25

-.ll-¡ii=.or

1J : 160)

.hI.h1T:tr

rli

r

fl=J.6L.-Jl-:J'..=' ₌ a= AMP-95544-119

26

ÚJ

Í_, __

sempre ben /ega

27

me'rl_,

₎

_+¡.

_,¿lllio,

ry'g?1,üí!,n

cresc.

).

d,

= aot 1J

_'

t20) ld

=taol

_t-;T>

_!

¡'l:

)+JtJ-r,?gLi-l--3 +

J-)

É,¡J AMP-9J544-1I9 meno

f

28

-@

)=¿

qÉ;i'

(J=tBoL

)=J

+t

¿Ll.¡/'

=60)

_al

ll-

_ar(J=l t-t _----J

df

+3-r

(J.=eo)

J

_*J.

_tJ.:Eo)V Alvf P-95544-119

29

:=:--5-_r

5-Y":>

_<---t->

30

8u9

31 llr rÍ'' lfr, ijii:

Í,

morc. AMP-95544-il9

D.' I :-.r

JL) - -u--J

(J ₌ 135)

(J'135)

rJ

=r¿15-'

J=rs6l:

Allegro

scorrevole v

gp

sub' AMP-95544-119

D' .).) 1ii .]l:: ,n :i i I I ,:' il il AMP-95544-119

34

35

--_-//

*--____-_---/

f

espr.

mollo

espr. .h= J

I

.bJ¡

=:::--LA

(J ₌

loEl

./._\ -r'--

8vfr

:-,

€

f,rrcltoespr. (J

-

lO8)

_--T-r

(J ₌ IOB) rJ

-

roEFJ

ffi;ffi

¡J¡u':zzt,-^ Nlt P-95544-1 I 9

i--'íf,

cresc.molto

36

@

.n

-,_:/ A a:/ /=_.-\r

#.f

_,t+,

>: ñ

jl.h

.hi.h

:.tr

=--.hl.h

---=.=--__.-={ll5j

n #: m fti tii fi

r

ü=tzlf

<_

pizz.

tloü!=;T-,f¡a.{-!ffilP{!:

;¿t:1!¡.

.A = .A

ti

= t8O)

@

J=J.1J.=99¡

.\,1Atl

_=laol

#

j.

t

/'

=gol

¡$1¡W*^-.nlri:;i

_J*J.(J.=eo)

i1

¡tn;

reot

_.hf

_{.ll t,t} -- 90) neno_f

,---!-38

(J=135)

(J = 135)

pp

(J ₌ t35) (J =

135)

(orco)

@

)=

)

Aivf P-95544-119

39

40

atotr

*-A MP-95t4,1-l l9

.'t h;

ü

_*SjÉ

ry!:-ft ,rw

T}

u

U\Il-_

rt¡p-

_*+ñ

p

_r<lñ

p-.fr.

p-

:-p

AMP-95544-rl9

ry:

42

j

43

44

(i''

reo)

>

45

j=$

_(J=r35)

j

_i.h

_{1J = r35)}

p

in rilievo

-.

np

lJ

₌ 135)

.b,T4,u.

A l\'1 l,-9i541-l 19

{6

47

II.

Allegro

scorrevole

(

J

= r35)

AMP-95544-119

{8

-¡^orr.

_w

cresc

mf morc. 7t

49

',8

50

¡

.N=

¡

(J = to6)

.h=.h

-_.--_--i-mollo espr.

-6_--v

_--

Fr

ry

t-,a--li-;

,

;iñro

elñ |

--J-r'Rr(J--lo8)

'\

jlj

fCnrn

{='BL4i--JJ *'H

> _íLD n L--

{

¡

rffia

¡w

andltffiry

)

¿':=--(J.=

72!.

J.l!,

¿nu^

).4

¿

tJ

=tz

A MP-95544-119

51

Adogio

(J .36)

(i

=72) u_

); r

V

t-

_-J

AN{P-9i544-1 l9 ü r r,--\_, a

7

52

53 (J.

_'36,

.h = roe)

;,-'---\

eü!

()

?vg

'

@i

E

( J. _=36,

)

₌

log)

_{con sord. , y}

'TfrV-t'

b

-\

trffi+r

==----i-;--l*-r---\

-*'r

_{I * --}

\

_¡

w

v

,.---

hí?.

/_

ví €eu.€7

u

_Yrl

_pp

A MP-955.{4-119

i4

t-l)

-7Zl

E

16

!*'

f 7

gesonle

(I=72

_l+

:==--

=ñ>

Piüf

ANIP-9tt44-l l9

b5

56

@

(con. sord.)

.

v^

(¡-

to8)

¡:

e.

e;

pp

(.h _{= loe)(c6ri} sord )

pp

lronquillo

<.>.-ntp

bá;>.

fÉé-p

A N,l P-gii44-l i 9

t¡

senzo sord.

>

_snorz.

[oqj

Bug

h¡í=->

í6

ñeio7-vio&

_.--^--->

<--__--:---.-_----.\

--lif

mf

_.'

_L-^

nf

,{MP-9ii44-119

58

qt

==:

t

)V

P---151

|'--A MP-95544- l l9

59

-¡-/

mt

v!

-Í

7q'?q'V

i^

flr

,ql¡^

l,{e:

ie:

f

h

f

A MP-95544-1r 9

60

r_3

.r

t..-3

-t---t|ffiffmorc'

íl)r-í:

z t

b

b7

-f

t

rcresc.t

J

-AMP-9tt44-l r9

6t

3

J

_I

_{v r}

_{n r}

J

3

_vJv

-sl----*+

,r

.,---\

A,

=.=Eb

A Nf P-91541-l 1 9

62

j=JrtJ:s¿l

,h{.l\

tJ

=

s+l

J=

J.ú,'s6,¿\=

roa)

w

.t

\

un poco ptu

(rit.

Wterpo)

'p

_{tronquillorun poco espr.}

63 r:--3J L-5J- 3; -V: sJ-J L

¡\l

.ll

t¡.

= 36)

l-T-.ñ{

.l''

ti.

= ¡e I

-

np>p

AMP-95544-l r 9

64 senzo sord

-,=tJ

W

Setr.?re

_I

(J=lo8)

JIJ

-J,,-v-#f

-J-J',!), d=

b5

r''-{.1'

i

a'.

.h*

J\.(.h.=z16)

66 ItJ.=721 ¡\.= J] t

).=zz)

i,

_{ñ :}

_.lt!jtJ.=zzl

!l5

.{ N,lP-95544-1 19

67

68

pYresc.

69

fr{cresc

o¡.9-.h

_=f .h.

,rl ¡fi

J.)

=

)

JJ =

86'4)

orco

I

=

86.4)

/--J^-v1

fr

.h

¡.'i

J tJ =

86.4)

?

7

).)t)¿rJ=ee

AMP-95544-ll9

70

fs

,f

-

JJ)

¡ff,¡

(!.

= 86.a)

lJ

¡

d

=roe)

,

J.b

f=,o'

]¡

ff

= ro8) A

i

.h

(.D. =

t44l

v

.hl¡

t¡\.=r44)

,bJA

ti.=

t44,1=

zvtr-.--tr

AMP-95544-l i9

7t

i

= A t.|. =r++l _{J''.= ¡\}

_lj

_{= t44)}

.lt.[.b

r¿\

_=t4*t

_ u-?_.'=.l.*¡Frqd6;

h¡

-,

_mf

AMP-95544-119

,hl

A

e,izz-

>

o rco

+b.

^2

.h+.h

'jÁ,orJ.

-,bL¡

in fuori

ot

F!.91

.b!.\

.h=.$

(j

=il

lJ =72

í¡

_.¡l¡il"3

-A4r=,!

,h!.\

¡J .t

---l=---.-né

e'

=--

---III.

Variations

AMP-95544-119

il

¡.h. = l60)

,b*,\

t.b.= 16o)

-.

.>-AMP-9t544-119

75 sub. meno

f

,:fr),'

lttr

--J

(J

i

801

í

rf

j.,i

_¡

_tfl

_eol

AMP-95544-119

76 = 64)

I

n

sub.

,\lA

rti.=eol

,b

_t

.h t

E'

=

ec)

nP

tegqiero

fip

leggiero ¡J = 64) .t!

I

_tP=aq

I

¿\--!J

l¿

=641s

iJ

,i-

64)

r.: AMP-95544-119

tt

¡ J.= 64)

f

molla espr. J

j:J.

(J.=

e+)

J.=

J.

)

f.i.=

teZ)

w

(v)

.b'I

i.

(j.=

te2)

l-JrPt

f,sub.ll- > ,1,,

iof

.h.l

.l,.

l:-f

_.h+j.

;1

f1'gniÉ

.lr.=l J\. f

4Í

>--l ^MP-95544-119

79

---

-p

(v)

ltLf

(n)

rt'

p

(n) _-Jl I ¡1F sub.I AMP-95544-119

ttf

81

Melodic outline of Víolins I

ond ll

cornbined: a

Á---n/---:

ir(eventy

ad/bnced _Violinr

_ll)

:

'l -l _l-v r

1

(evenly bo'lonced with Vjot'tn t

p

non vib,rolo

p

non vib,rolo

p

non vit,roto AN{P-95544-1 1 9 t!__-4.

p

non vtdroto

82

hi-\

AN,IP-9tt44-t r9

9v-o---r

57v*h=J

-r

G.,

.A+.b .A _-l .b

AIA

83

J\=)tJ:t44t

):.h

tJ =

A4l

i:)

tJ

=

ta4i

.hL.h lJ

=

l+

tr

morc. A l\,f P-95544-r l9

84 .h=.h (J.

-

96)

"o

'üÉ-tTe

_{{+- ,--}

_{¡l¡rJ.=;ñí__--:}

.[].b

tJ.=

96)

i'l¡

rJ.=e6)

>

.lt+.h

AlvlP-91544-119

í;ffir#;"

.h ll_ .h

85

(J

= 96)

¿ +

|J

(E'

=ge)

)

+,

n

ir].

=ge) r>

V¿

J

!.

_ll

t7.

_{- >-l}

(D'-@

,|

=)

ml

AMP-95544-119

JljrJ.=

.f

*j

rI-eol

ff.bf}rJ'=eot

-f

_.-"r

-ry

86 €¿

=nol

tr

flt!

-l¡

rJ

-¡zol

AMP-95544-119

87

t

--

-i-

'-t-_

_{6___}

,' 3

, AMP-95544-119

88

g>> _{L_r}

--

89 -?J\t''\

p+

_{JF-_:_}

>.

:-J*

r;\_./

:f>

p1".,.+-t-:

t@

r-3-Í

PP btocc rf- _{rJ --r} 3 J

:lJ.

tJ.

= l2o) L_JJ _{_3}

I(p

srdcc r 3J L__3_J

pp

sfocc.

stocc.

_{J =:J. TJ. = t20)}

-'

puiil

J=ll¡.

ri][or

AMP-95544-l i9

.lt-.b tJ

= l8o) Lv.-_-v

)l)

d=BotnI

Vt

fllr--.

cresc' a-a

rl

_'(J=l8o)

-r

morc.

nf

meno

f ál

sc

_ü

91

í-\flÉ

> _.---_---\ fl

mh*t;)

3¡Z

-J

=> (J. ₌

;l;;\

(

_J.

₌ leo) (

_J.

₌

l8o)

ltLf A r\,t P-95544-1 l9

rJ _V)

f

morc.

¿

=¿!

F+-1266.l

<ü

nf

sub.

''J*-t'r'--.

!:t9¡\

J

-ll

¡

tJ

= r3s)

<f,

mf

sub-tJ

=

r¡s)

AMP-95544-119

93

ttf ==-.

tr r

I

.. L: tdÍd

(¿

= 451

;¿:?¿

(J = as)

mf

),!¿

r¿

=

ou,

Melodic outlíne of Violins I ond

ll

combined:

evenly bolonced with

94 .h=

)tJ

=gol

=

)(J

=9O)

=e0)

_.fñ

(J.

-

60)

J.=)d

= 6ol

_j

_=.4

()

_t?ol

,b-)J

.htJ = lzo

J.\)d=aol

ü hg r'?-. g -1J. =

60)

.i/

(J

= eol

Já-;E-,'6

_.\iX

(J.

₌

60)

J.ltiJfJ,=eol

AMP-95544-119

b-95

J

=

¿.(J.

=60)

r

orco

¿=¿

J!¿

J.

d.-

aol

_JJJ

¿,L

¿.

tJ.

--

eol

J;J

LZ

.r

@

(J

₌

teO)

L>6-t

Sound

of

Violins I ond il

1J

=

l8o)

(J

_-

l8o)

#e'l

AMP-95t44-l r 9

===_-ljÉ

!L'1D],

-Sound of Violins

I

ond,ll

p

sub.

_fi

.. a¿ a

'

_$tp.pub >Vrlr

,a

¿2-

J=J

(V) _¡csuD.t

I

I g\a ¿=¿ J

l! .h.

rj.

:

reol

j

₌ "f''.

(I.

=

lgo)

J

I.h

¡.1r.

=

t8o)

leggi

ero

AMP-95544-r19

97

,--<

.'_¿ I eggt e7ó

!

legg iqre

Pr

_leggieto

r, _/e99

_iero

AMP-95544-119

98 ñ

_/---

_-n

-At

p

cont

lffi11--1--..

,-/---\'

poco

:--F)---

P

;M:,,L¡í)

,¡

t=l¡i-riffipúmorc

1J.

=eo)

,

i

¡!¡

tJ =11s1

!-

iiú

norc' ,{ \tP-9i 514_t r 9

99

100

.h=.b tJ

^

ell

¡\litJ

=

erl

oufllqe of Vln.lt,

wifh Viol¡n llond Cello

p

evenly bolonced with Violin llond Violo

=

F-(

{

lt

101

fr

!l l+

¿'= ¿

(J _=8t)

Jirdf'"

--á--^ffi

(J.

_'el)

r=r.

¿1ñ

.l)=

I

¡

_ll¡Í'i;

f-t

t

norc mollo es7r

fel¡.rr,nT

_,

6¡4p_955aa-i,

i

---

4f

102

f

morc.l

"

.Á+J\ t2t.5l (

l.

_{= 243}

,U=

_8,tl '.',,,,,,,_--'-- J avJt-¿ _{.tl. t.D. = 243,1; !.=}

_Atl

J-t

¡

morc.

j=.lt

(J.

_-

Att .ft'i J''

t¡.

=

erl

.r,.1.¡

u-*,

1 ñf P-95 t44- r r 9

103

@

J. = J (J = Bt) J.l.!J tJ --eu mf,

¡it!

=,i,+

Jii=JtJ=eu

Melodic ouiline:

)=)ü=F¡zl

d

d

=toZl

v

menoll

morc. #

Y) d

-

162)

b;^'

bíT>

=

¿-tJ

=) ^MP-95544-ll9 6

==-l

rJl

-->.,

--

.t¡P

5!.r

.h!.h

l_---.

#

W

sub

:á€-(J. _{= IOB)}

Y

:.,J

r(i

é

_I

_{.ffmorcollss.} (J. ₌ roB)

tJ.l=72],

lJ.

l.

-72!'

tf.i.

=zzt

)t

l.

-T?l

_:

t',ú.'nt

(J..[

_'72]

_,,{¡

_.¡. AMP-95544-119

105

pii'f

_-o,i.

I rl6

v inlensome

trp

_.lt

_].h.

107

,

.l.'+

J

i

sub. morc. 'inl¿nggns¡

E7ól

-espr. I

ll

, f-t .'.1 ¿ .->-lntensonenlete _t-ill a'= a

l--11

intensonenfQ.!

₎

#Í

6

intensomente

tf¡,iñ,r,

<:-:!==

_f,j,o,r.

A r\f _{P-9tt1t-l I9} sosl.

108 (

)

_=72') morcoliss.

lJ =72)

t¿=7zt

-]ii-T

rr r mO rCOl ISS

.5osl.

mollo'esor-l)

=72t.

='- .T

_<'>\-/-.-

7'

bBEl

n !7: morcatiss.

109 ,[

j.]

.b=1j

sff

sÍf-

J. .J

ttr

J.

.lt=J

(Jr=rzo) . morcotiss. 1Jr. = rzo) ñ

f,:

nolto

sosf.

r'

_-at

-\---l

J

¿it.tufl?t.

.h.'l

¡

(J

=1zo)

-(Jr.

=r2o)

cresc.

l.[

J

(,r"

(i.

=

l2O)

cresc.

$e

ürG

¡.':

J

(i.,=¡izo)

(J\.

-

t2o)

cresc'

tW

molto¿

'

cresc. inlensomenle AMP-95544-119

110

.l..lr

_¡

>á-)'=)

.h: .h

f

espr.

.l)=J

¡A:,¡

)

)

JIJ

¡i

J\

-a

=

ha

J=J

¿+¿

ovo

- o-ú^orgc.

!il'É

J=

J=¡

)=)

-{

JL¿

)'=

)

u5J

(J=961

,,

8u9

-f,s

-

¡ril

-

--

.-

-,.1

>i>Z-AMP-95544-119

111

b:-;-ff

-¿ hi^r

v ttr

-J=J

z

-_l

p

st¡'

AMP-95544-119

tL2

o

poco

cresc.

113 morcdliss. .f= .h

inllsua.

cresc. )rl=

!,

*P

t'o'

cresc' ^ f_ ^ ztP

saó.

cresc. J'l a' .tf=

¡

1U'

sttb'

cresc _' AMP-95544-119

114 (J.. _{= 96)} (J.. = 96 )

(J..

_{' +1=} 96

)¡

JttJ =

168l

_!

J=¡ti

1

.l'ti=.t.'f.tt

t6¡¡--

b

@

d

₌

J.l).

J

J.

(J.:

84) A MP-95144-l r 9

116 J.= J.

).+

). pizz.

_J.!

p

J.

fnnrcpp)j

tt

AMP-95544-r19

tt7

(J

₌ 126)

(J

₌ rza)

(J

₌ 126)

l=

j

ti..-- zzl

f-

j,i=

r,

J.=J

llrt ¿'. = J

illr

¿..-¿

;il

)'.

₌

i

(J

7-a

H

_p

=Jl-I;r,

AMP-95544-119

)tjffi;

118

l) =721

T

l).72)

E

_¡Ll

ño,"o,"ri

119

J

=

_D.

t8.-tzt

(.h. ₌ t20)

@

lJrLt

=tz

₌

,

-.f

=.b

ebL

.f=i

j=j

9

(¿)

Tucson - Dorset Sepi.l95i A ñfP-95t44-1 I 9