245423217 Trinity Guitar Grade 4 PDF

Pa a a _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 3 Bourre§,e (from Cello Suite no. 3 BWV 1009) 4

Bagatella op. 73 no. 3 5

Pastorale op. 21 no. 16 ___ __ _ _____ _ --- _______________ 6

Ejercicio (no. 2 from

Colecci6n 12a de Ejercicios)__

_____

____

_

__

_

__

__

__

__

_

_

7 Nostalgia. _____ ___ __ ... ... 8 ·sey-Ciark Steely Blue ... .. . . .. ... . .. ... . ... 10 Garden Steps... ... . ... 12 j I Buen augurio ... . ... 14 Technical Suite (Exercises) ... .. . ... 15

ernative pieces for this grade (2010-2012):

':1on.

3~o • er

2 cia

Mascarade (from Le petit livre de guitare vol. 2) Etude 6 or 7 Cfrom Etudes simples 2e serie) Le Grand Brasseur (from 25 Etudes esquisses) Berceuse (from Twelve Inventions for Guitar)

Les Productions D'OZ DZ12 Eschig ME7998 Mel Bay 95430 .La II obinson ollory or

Robinson's May (from Easy Pieces from Shakespeare's Time vol. 2) Summer Solstice Song (from The Real Guitar Book vol. 2)

Holley Music Holl S007 Universal UE16693 Camden Music CM192 Chanterelle 491 Alsbach Educa 10591

Trad. arr. Hartog

Trad. Scottish arr. Fiorentino

Pi

eces

Etude no. 18 op. 35 (from Complete Studies for Guitar) El noy de Ia mare (from Tapas de Espana)

Bonnie Laddie, Highland Laddie

(from Celtic Music for Classical Guitar) Carisch ML2601

Three pieces to be performed, chosen from the pieces included in this book or from the alternative piece(s) listed "'or the grade, to form a balanced programme. Full details of alternative pieces are given above and in the current Guitar Syllabus. One piece may be replaced by the candidate's own composiNon of a similar length and standard -:o the other pieces chosen.

T

echnical work

ee inside back cover for details.

S

u

pporting tests

vo tests to be chosen from Aural, Improvisation, Musical Knowledge

or

Sight Reading at candidate's choice. ee the current Guitar Syllabus for details.

rtant

idates and teachers must refer to the Information & Regulations booklet for all examination requirements

regulations. Syllabuses and further information can be obtained from your Trinity Guildhall Centre Representative

Guitar Grade

4

Pieces

&

Exercises

for Trinity Guildhall examinations

2010-2015

Published by:.

Trinity College London 89 Albert Embankment London SE1 7TP UK T +44 (0)20 7820 6100 F +44 (0)20 7820 6161 E [email protected] www.t ri n ityg u i ld ha ll.co.u k

Copyright© 2009 Trinity College London

Unauthorised photocopying is illegal

No part of this publication may be copied or reproduced in any

form or by any means without the prior permission of the publisher. Music processed by Artemis Music Ltd.

Printed in England by Halstan & Co. Ltd, Amersham, Bucks.

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Candidates choosing Option ii) Technical Suite in the Technical Work section of the examination must prepare e ~ ~

--exercises.

1. Arabesque

(slurs)

To be prepared apoyando or tirando at candidate's choice.*

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either i) Scales a e ·ormeo ·ro

As given in Guitar & Plec rum Guitar Scales & Exercises from 2007

Scales

The following scales to be performed with dynamics, right hand fingering pattern and rhythmic 'e cs :~­ (See current Guitar Syllabus for examples of rhythmic styles). Candidate's choice of apoyando or '"ira ~

A major (two octaves),f, im fingering. Straight rhythm E major (two octaves),

mf.

im fingering. Straight rhythm

B natural minor (two octaves),p, ma fingering. Straight rhythm B harmonic minor (two octaves),f, ma fingering. Swing rhythm B melodic minor (two octaves),p, ma fingering. Swing rhythm Arpeggios

The following arpeggios to be performed '"!f'and tirando:

D major (two octaves) B minor (two octaves)

Dominant 7th in the key of D (two octaves, starting on A)

or ii) Technical Suite Exercises

Candidates to prepare all of the following exercises, printed in this book:

1. Arabesque (slurs)

2. Clair de Lune (half barre and arpeggios) 3. Espana (scales)

4. Skyline Melody (full barre)

All pieces in this volume have been edited with regard to current concepts of performance practice. Dynamics a'"'

fingering have been suggested to assist candidates and their teachers in developing their own interpretations.

Recommended metronome markings are given as a useful, but not definitive, performance guide for all pieces..

Those without square brackets are the composer's own indication of the appropriate speed for the music.

Repeats of more than three bars should be omitted unless instructed otherwise in the syllabus or Trinity

music book, but all da capo and dal segno instructions should be observed.

Every effort has been made to trace and acknowledge the copyright owners. If any right has been omitted

or if any detail is incorrect, Trinity College London apologises and will rectify this in any subsequent reprints

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