{WDWDNDbD} {DWDWhWDW} {WDWDnDWI} {!pgW0k)N} {WDWDWDW)} {DpDPDBDP} {qDWDrDrD} {GWDWDWDW} vllllllllV White to play and mate in four moves
edited by
James Pierce and W. Timbrell Pierce
[]
“Look what is best; that best I wish in thee.” Shakspeare “Keen to track
“Suggestion to her inmost cell.”
Tennyson
An Electronic Edition Anders Thulin, Linköping · 1999-04-12
v
To FRANK HEALEY, Esq.
Dear Sir,
You have, by so many masterpieces of Chess strategy, rendered your name, and thereby English Chess Problem Composi-tion, famous all over the world, that we feel there is a peculiar fitness in availing ourselves of your kind permission to dedicate such a work as this to yourself. Without your support we should certainly not have undertaken the task, but we have received such ample and cordial help both from you and from others almost equally distinguished, that we feel sure that the work will be of great value, not only to living compos-ers, but also to those who may come after, marking as it unmistakably does the character which the art has assumed at the present time. The most superficial student may see in what striking contrast it stands to the composition of previous periods, and without question this is due mainly to yourself, as the pioneer of new and suggestive ideas, as re-markable for their depth and beauty, as for their neat and elegant con-struction.
We are, Dear Sir,
Yours faithfully,
THE EDITORS.
The present edition of English Chess Problems follows the original edi-tion, published by Longmans, Green & Co., London, in 1876, as closely as possible as far as contents is concerned. The layout has been modi-fied to place six problems on a page instead of one, in order to reduce the number of pages required, and solutions have been translated into algebraic notation, using ‘S’ to indicate knights.
The only change to the solutions has been to change over-general statements (e.g. ‘Q mates’ or ‘Anything’) to specify the move or the piece in such cases where only one single move or piece was possible. All problems have been checked with the help of computer pro-grams. Problemiste by Matthieu Leschemelles was used for problems to 6 moves. For longer problems, Fritz 4.01 and Crafty with the Nali-mov endgame databases were used for rough checking and explora-tion of the intended soluexplora-tion.
69 problems were found to be unsound. They have been indicated as follows:
[*] problem has more than one solution. [†] problem has no solution.
[†*] author’s solution is cooked, but with second solution(s). [?] problem appears to be misprinted.
[!] problem with possible correction suggested in solution. [corr.] problem has been corrected from the original edition. In all cases, further details are given in the solution.
vii
PART I:
MODERN ENGLISH PROBLEMS
Page
Introduction … … … xi
On Problem Construction … … … xiv
List of Subscribers … … … xviii
Names of Composers Section I 2-move prb. Section II 3-move prb. Section III 4-move prb. Section IV 5-move prb. &c. Abbot, J. W. … … 001–20 … 033–410 … 252–256 … 000–000 Andrews, H. J. C. … 000–00 … 042–440 … 257–262 … 462–466 Baxter, C. M. … … 000–00 … 045–460 … 263–269 … 000–000 Bennet, F. H. … … 003–500 … 047–520 … 000–000 … 000–000 Benbow, C. … … 000–00 … 000–000 … 270–272 … 467–469 Campbell, J. G. … 000–00 … 053–610 … 273–276 … 470–472 Callander, C. … … 006–00 … 062–670 … 277–279 … 000–000 Coates, W. … … 000–00 … 068–700 … 280–287 … 000–000 Cotton, W. C. … … 007–00 … 071–720 … 288–000 … 000–000 Cruikshank, R. … 008–00 … 000–000 … 000–000 … 000–000 Deacon, F. H. … … 000–00 … 073–000 … 289–291 … 473–481 Duffy, P. T. … … 000–00 … 074–770 … 292–299 … 000–000 Farrow, G. W. … … 000–00 … 000–000 … 300–000 … 000–000 Fawcett, D. … … 009–00 … 078–810 … 301–304 … 482–000 Finlinson, J. H. … 010–00 … 082–880 … 305–308 … 000–000 Frankenstein, E. N. … 011–00 … 089–940 … 309–312 … 000–000 Freeborough, E. … 000–00 … 095–960 … 313–321 … 000–000 Greenwood, W. … 012–00 … 097–102 … 322–328 … 483–484 Grimshaw, W. … … 013–00 … 103–109 … 329–334 … 485–000 Healey, P. … … 014–15 … 110–117 … 335–341 … 486–487 Hopwood, T. H. … 016–00 … 118–120 … 342–343 … 000–000 Hunter, J. A. W. … 017–00 … 121–122 … 344–348 … 488–000 Ingleby, C. M. … … 000–00 … 000–000 … 349–000 … 000–000 Johnson, R. W. … 018–00 … 123–126 … 350–353 … 000–000 Jordan, M. … … 000–00 … 127–130 … 354–356 … 489–000 Kempe, A. … … 019–00 … 131–000 … 357–000 … 490–491 Kidson, H. E. … … 020–00 … 132–137 … 358–361 … 492–000 Langley, Rev. C. J. … 000–00 … 000–000 … 362–000 … 000–000 Lord, F. W. … … 021–00 … 138–144 … 363–366 … 000–000 McArthur, Rev. G. … 000–00 … 145–149 … 367–372 … 493–000 McCombe, A. G. … 000–00 … 000–000 … 373–377 … 000–000 Menzies, J. … … 000–00 … 150–155 … 378–381 … 000–000 Miles, J. A. … … 000–00 … 156–160 … 382–385 … 494–000
PART II:
PROBLEMS BY DECEASED ENGLISH AUTHORS
PART III:
NEW PROBLEMS, SPECIALLY COMPOSED FOR THIS WORK
Mitcheson, W. … … 022–00 … 161–162 … 386–391 … 495–000
Ormond, R. … … 000–00 … 163–167 … 392–395 … 000–000
Parr, G. … … 000–00 … 168–169 … 396–401 … 000–000
Pavitt, W. S. … … 000–00 … 170–175 … 402–404 … 496–000
Pearson, Rev. A. Cyril … 023–00 … 176–186 … 405–408 … 000–000
Pierce, J. … … 000–00 … 187–190 … 409–415 … 497–000 Pierce, W. T. … … 024–00 … 191–195 … 416–420 … 498–499 Ranken, Rev. C. E. … 000–00 … 196–000 … 421–425 … 500–000 Roll, J. C. … … 000–00 … 000–000 … 426–000 … 000–000 Slater, G. J. … … 025–26 … 197–203 … 427–429 … 501–000 Spens, W. C. … … 027–00 … 204–210 … 430–432 … 000–000 Taylor, J. P. … … 028–29 … 211–000 … 000–000 … 000–000 Thomas, S. H. … … 000–00 … 212–217 … 433-439 … 000–000 Townsend, A. … … 030–00 … 218–220 … 440–000 … 502–000 Turton, H. … … 000–00 … 221–227 … 441-444 … 503–505 Tyrrel, S. … … 031–00 … 228-229 … 445–000 … 506–000 Watts, J. J. … … 000–00 … 230–231 … 446–449 … 508–000 Wayte, Rev. W. … 000–00 … 232–233 … 450–452 … 000–000 W—, C. “of Sunbury” … 000–00 … 234–242 … 453–458 … 507–000 Wormald, R. B. … 032–00 … 243–251 … 459–461 … 000–000 Angas, Silas … … … 509–517 Bolton, Rev. H … … … 518–531 Bone, W. … … … 532–534
Brown, John (“J. B., of Bridport”) … … … … 535–562
Brown, R. A. … … … 543
Lewis, W. … … … 544
Smith, T. … … … 545–562
Names of Composers 2 move probs. 3 moveprobs. 4 moveprobs.
Abbott, J. W. … … … – … 566 … 588 Andrews, H. J. C. … … … … – … 567 … 589 Baxter, C. M. … … … – … 568 … 590 Bennett, F. W. … … … 563 … – … – Callander, C. … … … – … 569 … – Campbell, J. G. … … … … – … – … 591 Coates, W. … … … – … – … 592, 3 Deacon, F. H. … … … – … 570 … – Names of Composers Section I 2-move prb. Section II 3-move prb. Section III 4-move prb. Section IV 5-move prb. &c.
SOLUTIONS Finlinson, J. H. … … … … – … 571 … – Freeborough, E. … … … … – … – … 595 Greenwood, W. … … … … – … 572, 3 … – Grimshaw, W. … … … – … – … 596 Heywood, G. C. … … … … – … 574 … – Healey, F. … … … – … – … 597 Heywood, M. C. … … … … – … – … 598 Johnson, R. W. … … … … – … 575 … – Jordan, M. … … … – … – … 599 Kidson, H. E. … … … 564 … – … – Lord, F. W. … … … – … – … 600, 1 Menzies, J. … … … – … 576 … – Miles, J. A. … … … – … – … 602 Ormond, R. … … … – … – … 603 Parr, G. … … … – … 577 … – Pavitt, W. S. … … … – … 578 … 604 Pearson, A. Cyril … … … … – … 579 … 605 Pierce, J. … … … – … – … 606, 7 Pierce, W. T. … … … – … 580, 1 … – Slater, G. J. … … … – … 582 … – Spens, W. C. … … … – … 583 … – Taylor, J. P. … … … 565 … – … – Thomas, S. H. … … … – … 584 … 608 Townsend, A. … … … – … 585 … – Watts, J. J. … … … – … 586 … – Wormald, R. B. … … … … – … 587 … – Part I … … … 107 Part II … … … 136 Part III … … … 139
xi
The history of the progress of Chess problems has yet to be written. A work, giving, in a chronological order, the best specimens of succes-sive periods would be highly interesting and instructive. The most compendious treatise of the kind is Alexandre’s Collection, consisting of several thousand problems of all ages; but these are not arranged on any plan, and a large percentage of them are wrong. The next English work we know of is that published some fifteen years ago by Mr. J. A. Miles (himself a composer of considerable merit), called “Chess Gems.” This collection is not restricted to the works of the English or any particular school, but contains the finest specimens, collected by the author from all times and countries. We think the time has now ar-rived, considering the rapid advance of Chess knowledge, and in par-ticular the general interest taken in problems, that the results of the last twenty years should again be sifted, and the best preserved in a permanent form. If the idea carried out in the present work be fol-lowed up on the Continent and in America, we should have the groundwork or basis for a larger and more refined selection, derived from the masterpieces of the whole world, arranged in a proper histor-ical or chronologhistor-ical form. The American Chess Nuts is, indeed, a mag-nificent contribution towards this object. The chief objection to this work is that the student has to skim the cream for himself; the object of the compilers apparently being to embrace as large a number of problems as they could gather together without any especial regard to their quality; and consequently the gems of the collection can be ar-rived at only after long labour and research. This fault we have endeav-oured to avoid. We have, as a general rule, restricted the number of problems by each author to twelve. We have devoted a separate chap-ter to the works of authors recently deceased, and have thought it wise to include some of the more excellent stratagems of our English Chess Problem Fathers, Bolton and Bone, names which will always be re-garded with esteem and admiration. For the selection of Bolton’s mas-terpieces we are greatly indebted to the Rev. Mr. Gape, who very kindly placed all Mr. Bolton’s MSS. at our disposal. As most of these problems represent the old school of composition, this chapter forms an admi-rable contrast between the remote and more modern styles, as it is im-mediately succeeded by a chapter of novelties, giving problems by the chief English composers, made especially for this book. It is to this chapter we fancy all Chess lovers will turn with the greatest pleasure and interest. If it had not been for the great kindness of Mr. H. J. C. An-drews, we should have hesitated considerably before resolving to add the labour of examining so many new productions to that of our other
editorial duties. Should this chapter, as we hope and believe is the fact, be without flaw as regards second solutions, and with only here and there a few unavoidable duals, the sole merit will be due to our es-teemed contributor, whose kind and gratuitous labour we have great pleasure in publicly acknowledging.
On comparing ancient and modern problems as a whole (and, of course, excepting well-known and most able ancient productions), we think it will be found that problems at first were little better than in-genious end games. It was considered the highest art to give Black a most preponderating force and White an apparently hopeless posi-tion, out of which he is made to extricate himself by a series of sacrific-es or succsacrific-essive checks. In general, Black’s movsacrific-es were all forced. With a better knowledge of the game, a more scientific style of composition gradually came into vogue. Instead of the old clumsy mates in so many hundred moves, or under such and such absurd conditions and re-strictions, composers endeavoured to concentrate their powers on mates in three, four, and five moves. In these days the resemblance of the position to an end game is no longer considered necessary or de-sirable; the sole aim of the author now is to render his idea in the sim-plest and most compact form possible, using no superfluous piece or pawn. With a more subtle range of ideas and stratagems, a greater punctiliousness obtained to avoid dual methods of solution in reply to any particular form of defence; and, while richness or variety of play is always aimed at, a single line of attack in reply to each variation is deemed almost indispensable. To this æsthetic sense of fitness and purity may be attributed the excellency of modern problems over those of earlier date. Some, indeed, carry their sensitiveness to an ab-surd extent, and would trammel the genius of an author by a set of hard and fast grammatical rules; they would proclaim a problem faulty or imperfect because of some second way of solving it, or “dual,” even in a minor variation, utterly oblivious of artistic exigencies or other merits, for the sake of which the duals may be allowed to exist. Of course, in consequence of the vast number of skilful composers now living and periodically contributing to the shoals of weekly Chess-col-umns appearing all over the world, a far larger number of clever solvers have simultaneously arisen. Many of these now occupy the first rank as analysts, and, although not necessarily composers themselves, from the skill and power of insight they have acquired by long practice in discriminating the merits of a position, they have gradually come to be regarded as the best critics on problems. The older stratagems were never subjected to half the fire of scrutiny and analysis the productions of our day have to undergo, and, consequently, there was nothing like the same accuracy or finish; to this may be added the intense rivalry which now exists, and is stimulated by the constant problem tourneys,
and action of mind upon mind has produced the happiest results. The compositions of our best men are now as remarkable for their extreme elegance and accurate construction as they are for the grace and beau-ty of their conception. There is, however, we fancy, a danger that the practised solver may be inclined to condemn a problem too readily, to satisfy his insatiable delight in the search after duals. It would be well to lay down some broad general principles to govern composers and examiners as to the admission or exclusion of duals. As yet, however, there exists great diversity of opinion on the subject, although we be-lieve the liberal views lately expressed will ultimately triumph over those of some American purists. A problem is a mixed work of science and art, and these elements are to a certain extent antagonistic. A flaw in the construction, duals in a minor variation, or weak defence, may readily be forgiven when they are necessary to secure the original idea intact, provided always their existence is not due to carelessness but simply from necessity; the necessity being judged chiefly from the ar-tistic, and not only from the constructive point of view. We trust the study of this work, containing, as it undoubtedly does, some of the very finest specimens of modern art, will conduce to develope the growing genius of our future Andrews, Grimshaws, Healeys, &c., &c.
A few words, perhaps, are needed to explain why we have adopted the present arrangement of grouping the problems according to the number of moves. Although, by not having all the problems of each au-thor kept together, one great advantage is, to a certain extent, sacri-ficed, viz., that of studying the special characteristics of each compos-er’s style, yet we felt that such loss was more than compensated by the gain in variety arising out of the contrast of stratagems conceived by different minds. Such contrast is certainly very real and of great inter-est. For, extraordinary as it may seem, that, with such a limited mech-anism at command as there is in Chess, there should be so many dis-tinct conceptions realizable; it is still more wonderful that the produc-tions of each author, and, in a wider sense, those of a nation, should have certain marked characteristics which may be found to vary from time to time in the same way as its art and literature. Hence the value of collections such as this, and it will not be without service, if, as we believe, it fairly reflects the genius of the best English composers, and thus generally of English Chess Problem composition during this cen-tury.*
* The Editors wish to note that in consequence of the sudden decease of their contributor, Mr. F. H. Deacon, his set should strictly be placed in Part II., but his death occurred when the work was too far advanced in the press to admit of al-teration. They esteem themselves very fortunate in having a problem by Mr. Deacon composed quite recently, and expressly for this book, and this the more, as he had for some years given up problem composing.
So much has been written lately on the above subject, and so many dif-ferent views expressed, that it is difficult to ascertain the current in
which the general opinion of composers runs. The few remarks we are about to offer have no authoritative value, but may be of some assist-ance towards bringing the several points at issue to some final judg-ment. But whatever rules may be laid down they will always be disre-garded, and, to a certain extent, ignored by the leading composers of each country. In Chess, as in all other things, genius will not be bound by any fixed rule. It makes its own rules; and rightly so. In suggesting, therefore, the principles which should govern the attempts of youthful aspirants in the art of problem construction, it is necessary to deduce them from the works of recognised masters, such as Healey of Eng-land, Loyd of America, and Bayer of Germany. It would be the height of folly to attempt to dictate to such men; we must be content to learn what they teach, and to ascertain upon what common principles their chief works are constructed. First of all, then, we shall find in the prob-lems of these three masters, and notably in those of Healey and Loyd, that there exists a certain affinity between the idea and its expression.
The body or form in which the soul or thought is enshrined is just the
one of all possible which is most appropriate, or which expresses it in the happiest and apparently least laboured manner. It is just this fac-ulty or perception of fitness which is peculiar to those highly gifted with the genius of Chess art. Others may have equally fine or subtle ideas, but they are unable to give them their neatest expression; the la-bour and study is too apparent. The result may indeed be a difficult
problem, but the form is artificial and laboured; in fact, they manufac-ture so ugly a body, that they give no pleasure or sense of beauty to the unhappy solver. The value of a problem may be measured by the pleasure it is capable of giving. “Ars est celare artem;” this is peculiarly true of Chess problems. In the most beautiful stratagems of Loyd, the positions are always most natural, and the study which they must have cost the composer is never visible, the idea and form being co-related in the fittest manner. The following principles should therefore obtain, first, not to give either side a greater force than is required to express fully the idea. Whilst it is good to give Black as great a defensive power as possible (so long as the unity of the idea is not obscured), it is the greatest mistake to aim at giving him a stronger force than White. Some youthful composers think it wise apparently to crush White by giving Black an overwhelming force. It is generally most difficult to
solve those problems where Black has only his King, for the simple rea-son that the adversary has then so many possible methods of directing
his attack that it is not easy to detect the one way leading to success. Disparity of force then between the two sides is not to be regarded as a fault, whether it occur on one side or the other. The fault to be avoided in all problems is rather superfluity of force. It is not legitimate to in-sert a piece merely to mislead, but which otherwise has no bearing on the solution. Each piece on either side should be fully wanted, the power which it can exert should be utilised to the greatest extent pos-sible. This principle has been aptly termed “economy of force,” and al-though the idea has been ridiculed lately by an editor of one of our leading Chess magazines, it is one which composers should faithfully observe. In fact, it is only by attending to this one golden rule, viz., the employment of the least force possible, that one can arrive at the fittest construction, and, if the fittest, in consequence, the most difficult
con-cealment of the idea or stratagem. By its due observance, also, almost all the other evils incidental to problem construction will be found to vanish; namely, clumsy crowding together of pieces, unnatural and impossible positions, &c., &c.
This principle of “economy of force” is not necessarily inconsistent with the object of giving Black a varied and powerful defence. The de-fence must bear on the attack threatened, or the force in which the former consists must be reckoned superfluous or wasted. Variations are not to be introduced simply for the sake of rendering the problem more difficult, unless they are to some extent, at least, in harmony with
the main idea. The composers who best illustrate the advantage of giv-ing Black a rich and varied defence are Andrews of England, and Bayer of Germany; their problems are distinguished principally for the dis-play of great and brilliant resources against a number of powerful and varied defences. They are like those beautiful sky-rockets, which, after their main strong flight is ended, and all seems over, suddenly scatter beautiful series of clustered stars, each of which afterwards breaks up into numberless and ever varied repetitions. This kind of problem forms quite a class of its own, and is, perhaps, the highest development of this branch of Chess strategy. Of course, in reply to so many lines of defence, it is not always possible to secure one method of solution, and this leads us to the discussion of the much-vexed question of “duals.” We have never regarded “duals,” or second ways in variations, as the evil of evils to be avoided in problems. Of course, they are to be guard-ed against, but as we have already statguard-ed our views pretty fully, in the Introduction, on this point, it is not necessary to repeat them here. Suf-fice it to say, that they become less objectionable the more remote the variation in which they occur lies from the main line of play or central idea of the problem. We would next say a few words on “strategy.” Al-though the artifices resorted to are limited, and might easily be tabu-lated, still this does not constitute the virtue or essence of a problem, any more than the leaves which compose a flower represent the
flower. For, were this the case, not only would problem composition soon cease to be an art, but it would as soon cease to be cared for or practised. The artifice stands in the same relation to the strategy as the verse and metre of a poem stand in relation to the poem. There is a nameless something besides, in the structure or expression of an idea, an exquisite balancing of force against force, a manifestation of skill and tact in concealing the sacrifice, or the reserve of energy concen-trated by some apparently aimless coup, which constitute the beauty and strength of a position. But to the beginner we may say a few words here, which may prove of service. First, then, avoid positions in which an idea is evolved by successive checks, as such, whatever the ingenu-ity, and however numerous the variations, are comparatively easy, and belong to a lower order of composition altogether. Again, composers are at first very fond of making the main idea consist in a series of sac-rifices. Now, such problems are not of the highest rank at all, as refer-ence to the problems by the best composers in this volume will amply demonstrate. We may especially cite J. B. of Bridport and Healey as ex-emplifying this. In our view, the finest conceptions are those where, by some move or set of moves difficult to see, either through their
subtle-ty or the manifold resources in defence, a store of energy is laid up which breaks out at last and ensures defeat. Others may prefer concep-tions of a different kind; but in all there must be concealment of de-sign, not through over-crowding, but through what we can only define as naturalness of position and a range of choice of moves as extensive as possible. One word on two move problems. Such have been decried as too easy for any but tyros, and not worth the pains bestowed on their composition. This we consider is a great mistake. Of all problems, a good two mover is probably the most difficult to compose; for here,
if anywhere, duals are to be avoided in reply to every move worthy the name of a defence; it is essential here, if anywhere, that the idea should be concealed, and this can only be done in general by allowing consid-erable freedom or scope on both sides with plenty of resources on the part of Black. These problems are sui generis, as in a two mover more than any other there is a balance of power, if we may so speak, which, if slightly disturbed by any move but the right one, destroys the harmo-ny contemplated; hence the niceness and delicacy of the artifice; to ensure, amidst the clash of so many forces, a subtle but exact stroke, which suffices, in each case, to effect with some piece a mate next
move. Sometimes accordingly the full beauty of a “coup de repos” is brought out; sometimes Black's own strokes here and there are used against himself; sometimes we have, on both sides, checks by discov-ery, like the quick crossing of swords in a duel.
Problems of three moves are and will probably remain the most popular and pleasing; because there is just enough difficulty about
five moves. At the same time, in the latter, there is a scope for manœu-vre and design, serving to render many problems of this class pro-found studies, containing many beautiful variations.
In conclusion, young composers must learn to depend upon them-selves, and upon their own sense of what is right. Excellency in the art will never come by mere drudgery or study of other men's works, un-less accompanied by a love for Chess and a special and innate aptitude for it. We shall watch with interest the future development of this most beautiful and fascinating study—for of further development it is with-out question susceptible—in just the same way as of late years it has taken new forms of a distinct character, and may do so again.
There is no doubt that the study of Chess has much increased, among all classes. The number of Chess periodicals now in circulation, of good works recently published on the subject, and of new clubs con-stantly being formed all over the country, prove this. It is greatly to be desired that our working classes should learn more and more to share in the pure and intellectual enjoyment of the game, which would thus gradually be the means of weaning them from other debasing, if not vi-cious, pursuits or sources of recreation.
Abbott, J. W., London
Andrews, H. J. C., London (2 copies) Avery, Thomas, Birmingham Alpha, Bingley
Askew, B., Longport, Staffordshire Baxter, C, M., Dundee
Baxter, J. M., Dundee Barnes, C. C., New York
Brownson, O. A., Dubuque, U.S.A. (6 copies) Brown, J., Inverness Cuthbertson, F., London Campbell, J. G., London Coates, W., Cheltenham Callender C., Newcastle-on-Tyne Cotton W. C., Eastwood, Notts. Cruikshank, R. J., London
Cockerell, Rev. G., M.A., Kingston Vale Chapman, D. B., Roehampton Carpenter, G. E., Now York. Chatto, J. T. C., Trinity Coll., Cambs. Cunningham, J. G., Newcastle-on-Tyne Davison, Newcastle-on-Tyne Duffy, P. T., London (2 copies) Dougan, —, Glasgow Ellis, Rev. J. H., Bath
Edinburgh Chess Club (1 copy) Frankenstein, E. N., London Finlinson, J. H., Huddersfield Feisthamel, A., Paris Gape, Rev. C., Soole, Norfolk Grimshaw, W., Whitby Greenwood, W., Leeds (2 copies) Gümpel, C. G., C.E., London Gallie, J.B., Edinburgh Gilberg, C. A., Brooklyn, U.S.A. Humphreys, E. E., London
Hazeltine, Miron J., New Hampshire, U.S.A.
Hawkins, J., Kentucky, U.S.A. Jordan, M., Sheffield Johnson, R. W., Lancaster
Keynes, J. N., Pembroke Coll., Cambs. Kidson, R. E., Liverpool
Lasa, H. v. Heydebrandt de Langley, Rev. C. J., Northampton Liverpool Chess Club
Lovelock, J. F., London Lord, F. W., London Lyons,W., Ohio, U.S.A. Löwenthal, J., London Laing, —, Derby
McClellan, Rev. J. B., Bottisham. Meyer, H., London (2 copies) Miles, J. A., Fakenham
Miller, W. J. C., B.A., Huddersfield McArthur, Rev. G., Edinburgh McArthur, Sergt.-Major 35th Regt., 45th
Brigade, Chichester Menzies, J., London Manning, J. A., London Murray, A. K., Glasgow Ormond, R., Newcastle-on-Tyne Pearson, Rev. A. Cyril, M.A., Balliol. Coll.,
Oxford (3 copies) Parr, G., London (2 copies) Pierce, J. T., London
Pavitt, Wm. S., Chelmsford (2 copies) Procter, J. A., Lancaster
Préti, J., Paris (6 copies) Rhodes, J., Leeds (2 copies) Ranken, Rev. C. E., Malvern Rayne, W.T., Wynaad, India (3 copies) Roll, Beevor, Bedford
Studd, A. B., Exeter
Spens, Sheriff, Hamilton, N.B. Scott, Patrick, Sec. Dundee Chess Club Sheffield Athenæum Chess Club Sanders, Rev. T. C., Northampton Saunders, S., Warwick, Queensland Sury, A., Ardennes
Thomas, S. H., London Turton, H., Bath
Townsend, A., Newport, Mon. Taylor, I. O. H., Thorpe, Norwich Tomlinson, W., H. B., Wakefield Taylor, J. P., Sec. of North London Chess
Club
Taylor, Seth, London Thompson, F., Derby Tyrrell, S., Adelaide (3 copies) Umbers, W. C., Wolverhampton Vyse, W. E., London
Wormald, R. B., London W——, C., “of Sunbury,” India Watts, J. J., London
Watkinson, J., Huddersfield (2 copies) Wilson, J. W. Rimington, Sheffield (2
copies) Wood, A., London
Ward, W. G., Nottingham (3 copies) Wayte, Rev. W., Windsor (2 copies) Wild, C. T., London
1
SECTION 1: PROBLEMS IN TWO MOVES
1. J. W. Abbott cuuuuuuuuC {WDWDWDWh} {DWDN$WDW} {W)WDW0WD} {DpDkgNDB} {W0WDWDWD} {DKDWDWDW} {WDWDWDbD} {DQDWDWDW} vllllllllV 2. J. W. Abbott cuuuuuuuuC {WDWIWDWd} {DWDWGWDW} {WDW$pdWD} {DwDwdWDW} {WdWDpiWD} {DQ0WHpDW} {WDpDW)wD} {DW$WDWDW} vllllllllV 3. F. H. Bennett cuuuuuuuuC {WDWHWDWd} {DWDWDWDr} {NDW0wdWD} {DpDkdpDW} {WdWDq)WD} {DKGWDw)W} {QDwDWDBD} {DWgWDWDW} vllllllllV 4. F. H. Bennett cuuuuuuuuC {WGWDWDWd} {DWHQDWDw} {PDWdwdpD} {IRDw)p)W} {WdbDqiWD} {DWDWDP$P} {W0w)WHW)} {DBdWDWDW} vllllllllV
5. F. H. Bennett cuuuuuuuuC {WDWIW$Wh} {DW)WDbGw} {WDW)wHpD} {DnDwiw0W} {Wdw1wHPD} {DWDRDBDW} {QdwDWDW)} {DWdWDWDW} vllllllllV 6. C. Callander cuuuuuuuuC {WDWDWDWd} {DWDWDwDw} {W0QDwDwG} {DpDwHwdW} {WdwdN1WD} {DWDWiWDW} {WIw$WDWh} {DndWDWgW} vllllllllV 7. W. C. Cotton cuuuuuuuuC {WDWDWDWd} {DqHWDwDw} {Wdp4wDwD} {Dwiw)BdW} {ndPdWdWD} {DRDWHKDW} {WDwDWGWd} {DwdWDWdW} vllllllllV 8. R. J. Cruikshank cuuuuuuuuC {WDWDNDWd} {DwDQDwDw} {qdwdPDwD} {0wdwDrdW} {wdW)kdWD} {DWhWHW)W} {BDw$P)Wd} {IwdWDWdW} vllllllllV 9. D. Fawcett cuuuuuuuuC {QDWDWDbh} {DwDW4wDw} {wdp$W$wD} {dpIwiwdW} {wdWDpdBH} {DW0W)WhW} {WDwHWDWd} {DwdWDWdW} 10. J. H. Finlinson cuuuuuuuuC {QDnDWDwd} {Dr$WdwDw} {w0wHKDpD} {4wgwdP)W} {wdBib$WD} {GP0W0Wdp} {WDwDWDq)} {DwdWHWhW}
11. E. N. Frankenstein cuuuuuuuuC {QDwDWDwd} {DNDqdwDw} {wdwDRGwD} {dwdk4W)W} {wdndwDWD} {DWdW$WHw} {BDwDWDwD} {DwdWDWIW} vllllllllV 12. W. Greenwood cuuuuuuuuC {WDwDWDwd} {DWDwdwDw} {wdwDWDwD} {dwdNdW0W} {wdwdpDQD} {$ndWGpDw} {WDbDkDNI} {DndRDWDW} vllllllllV 13. W. Grimshaw cuuuuuuuuC {WDwDRDwd} {IWDw0wDw} {wdw0WDp$} {dwdkdrhP} {pdwdw)WD} {)wdWGwDB} {WDQDwHWD} {DwdWDWDW} vllllllllV 14. F. Healey cuuuuuuuuC {WDwDW$wd} {DWDwHwDn} {NdPiWDwD} {dwdpdwdW} {wdwdwDQD} {gwdWGWDW} {bDWDwDWD} {DwdWDWDK} vllllllllV 15. F. Healey cuuuuuuuuC {WgwDWDwd} {DWDwDwDw} {WdWdKGwD} {dwdwdwdW} {wdwdwDND} {!wdW$PiW} {wDWDwDpD} {DwdWDWHW} vllllllllV 16. T. H. Hopwood cuuuuuuuuC {qdRDWDwG} {DWDwDwDw} {WdbdWDQD} {dwdkHwdp} {B)wdwDWD} {DwhW0WdW} {wDRDwDwD} {DwhWDWDK} vllllllllV
17. J. A. W. Hunter cuuuuuuuuC {wdnDWDwD} {DWDwDRGw} {KdwdWDW0} {)wdpDw0w} {WDpdk0BD} {DwdbdWdN} {wDW$wDwD} {DQdN4rDW} vllllllllV 18. R. W. Johnson cuuuuuuuuC {wdwDWDwD} {DWDbINDw} {WdBdWDPd} {Dw)wDw$w} {WDPdwiWD} {Dwdw0WdW} {wDWhwDwD} {DW!R1nGW} vllllllllV 19. A. Kempe cuuuuuuuuC {wdwDWDwD} {DWDpDWgw} {WdpGW)Wd} {hwDwDwDw} {pDWiP)WD} {$whwdKdW} {QHPdwDwD} {DWDwdwDW} vllllllllV 20. H. E. Kidson cuuuuuuuuC {BdwDRIwg} {DWDwDNdw} {Wdw0N0W)} {dp1nDkDP} {w)WdWDpD} {Dw$pdWGW} {QDWdPDwD} {DWDwdwDW} vllllllllV 21. F. W. Lord cuuuuuuuuC {bdwgWDwd} {$nDBDWGw} {RhPiW0WD} {0wHWDwDW} {PDWdPDwD} {DwDwdNDW} {W!WdWDwD} {DWDwdwDK} 22. W. Mitcheson cuuuuuuuuC {wdwdWHwd} {DwDBDpDw} {WdN0WhWD} {dKDkDwDr} {WDW0nDwg} {DwDw0QDW} {WDPdWDwD} {DWDwdwDW}
23. A. Cyril Pearson cuuuuuuuuC {ndwdWIwd} {DNgWGwDw} {Bdk)WHWD} {dW)wDwDw} {WDWdwDwd} {DwDwdpDW} {WDWdWDwD} {DW!wdwDW} vllllllllV 24. W. T. Pierce cuuuuuuuuC {wdwdWDwd} {DWdpDwDw} {Pdw)WDND} {dpGkHpDQ} {W)WdwDwd} {DwDbdwDW} {WIWdWDw)} {DWDRdwDW} vllllllllV 25. George J. Slater cuuuuuuuuC {wGNgbDwd} {DWdwDwDQ} {WdwDW)PD} {dnDPDk4R} {WDW$w0Nd} {DwDw0wDP} {WIndW4wD} {DBDWdwDW} vllllllllV 26. G. J. Slater cuuuuuuuuC {wDWGw$wI} {DWdw4bDR} {WdwDW)pD} {dnDWiwHW} {WDpDwdPd} {Dw)wdwDW} {WDN!WdwD} {DWDWdwDW} vllllllllV 27. Walter C. Spens cuuuuuuuuC {wGW$QDwD} {DpdwdwDW} {WdbDWDwD} {dpDqdwDW} {WHwiwdW4} {Dw4whwDW} {WhWHKdw0} {DW$WdwDW} vllllllllV 28. J. P. Taylor cuuuuuuuuC {wDW$rDwD} {Dwdw)wDW} {W)kDPDwD} {)pDwdwDW} {WDwdNdWd} {gwdwIBDW} {Wdp0Pdwd} {DW1WdwDn} vllllllllV
29. J. P. Taylor cuuuuuuuuC {wGWDwDwD} {DwdKDwDW} {WDwDPDwD} {hw0NdwgR} {PDk0rdWd} {drdwDWDW} {BdP$WHw0} {DWdWdwDQ} vllllllllV 30. A. Townsend cuuuuuuuuC {wDWDwDwD} {DwdWDwDW} {WDNDW0wD} {dw)W0wdW} {Q0wdkdWd} {dKdwGWDP} {WdNDW)wd} {DBdWdwDW} vllllllllV 31. S. Tyrrell cuuuuuuuuC {wDW$wDwD} {DwdWDw!W} {p4WgW0wD} {HnDWib$W} {p)BdwdWd} {)WdwDPDN} {WdWDpDKd} {DWdWGwDW} vllllllllV 32. R. B. Wormald cuuuuuuuuC {wDWDw$KD} {0kdWDwDW} {b)WdRdwD} {DwDWdpDW} {wDNdwdWd} {DndpDWDp} {QdWDwDNd} {DWdWDqDB} vllllllllV
7
SECTION 2: PROBLEMS IN THREE MOVES
33. J. W. Abbott cuuuuuuuuC {WDWDWGWD} {DWDWDWDW} {WDWDWDpD} {DWDPDWDW} {WHpiW0WD} {hWDWHWDB} {WDWDW!WD} {DWDWDKDW} vllllllllV 34. J. W. Abbott cuuuuuuuuC {WDRDWDBI} {GWDWDWDW} {WDW0rDND} {DWhkDpDW} {WDwdRdWD} {)WDWDqDW} {WDPDWDQD} {DWDWDWDW} vllllllllV 35. J. W. Abbott cuuuuuuuuC {WDK$WDWD} {DWDpDNDW} {WDW0BDWD} {DW0w0w$W} {WDwiPdWD} {DWDpDw)W} {PDWGWDWD} {DWDWDWDW} vllllllllV 36. J. W. Abbott cuuuuuuuuC {WDWDWDKD} {DWDwDWDW} {NDWdW$PD} {DWdw$wDQ} {WDw0WdWD} {DWDkDBDW} {WhpDWDWD} {DWGWDWDW} vllllllllV
37. J. W. Abbott cuuuuuuuuC {WDWDWGWD} {DWDwDWDp} {WDWdw0WI} {DWdBiwDW} {WDPdWdRD} {DWDwDWDW} {WdwDW)WH} {DWDWDWDW} vllllllllV 38. J. W. Abbott cuuuuuuuuC {WDWIWDWD} {DWDwDWDw} {WDWHp0WD} {DWdkGwDQ} {WDWdWdWD} {DWDP0W)W} {WdwDWDWD} {DWDWDWDW} vllllllllV 39. J. W. Abbott cuuuuuuuuC {WDWDWDWD} {DrDwDWDw} {p0WDwHWD} {DWdwDwDW} {BDkGWdWD} {DW)W0WDW} {Wdw0PDnD} {DWDKDQDb} vllllllllV 40. J. W. Abbott cuuuuuuuuC {WDWDKDWD} {DwDwDWDw} {wdWiwDWD} {DW$bHwDW} {W0w)WdWD} {hRDWdpDB} {WdwdWDwD} {!WDWDWDw} vllllllllV 41. J. W. Abbott cuuuuuuuuC {WDW!WDWD} {DwDwDWDw} {wdpHpDW)} {DpDwDwDW} {WdwiWHWD} {dWDWdw)W} {Wdw)WDwD} {IWDWGWDn} 42. H. J. C. Andrews cuuuuuuuuC {WDWDKDWD} {Dp0wDWgw} {wdwDkDND} {1w)RDw0W} {WdwdWDWD} {dBDW)wDW} {WGwDW4wD} {DWDrDNDb}
43. H. J. C. Andrews cuuuuuuuuC {WDnDWDWD} {Dw!wDWIb} {wdPGkDWD} {dPDWDwdW} {Wdw4W4P$} {hpDNDNDB} {WDwDPdwD} {DWDqDWDw} vllllllllV 44. H. J. C. Andrews cuuuuuuuuC {KDwDWDWD} {DwDpDWDw} {wdWDpDWD} {dWHkGwdW} {PdwdWdWD} {dw0W)PDW} {WDwDWdQD} {DWDwDWDw} vllllllllV 45. C. M. Baxter cuuuuuuuuC {WDwDBDQD} {Dw0rDW0w} {wdWDwhRD} {)WDwiPdW} {WdbHWdW0} {dwdWIWDP} {WDRDWdWD} {DWDwGWDw} vllllllllV 46. C. M. Baxter cuuuuuuuuC {W4wDWDWD} {DpdQDWdp} {RdWDwdnD} {DpDw0WdW} {BdnDkGpd} {DN)WDWDW} {K)WDP1WD} {DWDw$W4w} vllllllllV 47. F. H. Bennett cuuuuuuuuC {QdwDWDWD} {DKHW0Wdw} {W0WDpdBG} {DP0wiWdW} {WdPDNDwd} {DWDPDW0W} {WDPDW1PD} {DWDwDWdw} vllllllllV 48. F. H. Bennet cuuuuuuuuC {QhwDWDWD} {hW4WdWdw} {W4WDw)WD} {DWdRdWdW} {WdpDkHpd} {DWDWHW)b} {WDWDB)WI} {DWDwDWdw} vllllllllV
49. F. H. Bennett cuuuuuuuuC {WdwDWDWD} {dWdW0WdK} {WdWDPDBD} {DWdWiWdW} {WdwDwDw0} {DWDWGWDP} {WDWDWDWD} {DWDw!Wdw} vllllllllV 50. F. H. Bennet cuuuuuuuuC {WDWDWDWD} {Dp!BDWDW} {W)WDWDpD} {DWDWDW)p} {PHWgkDW0} {DNDW0WDP} {WDWDPDWD} {DKDWDWDW} vllllllllV 51. F. H. Bennett cuuuuuuuuC {WDWDWDWD} {DwDWDWDW} {W0WDW)wD} {DPDW)WGw} {WDWHkDWd} {DWDWdWDQ} {WDWDWDWD} {DWINDWDW} vllllllllV 52. F. H. Bennett cuuuuuuuuC {WDWDBDWD} {DpDWDW$W} {WIWDPDwD} {DWDW)WDw} {WDWHwiWd} {DWDWdWDR} {WDWDWHW)} {DWDWDWDW} vllllllllV 53. J. G. Campbell cuuuuuuuuC {WDWIWDWD} {DwDBDWDN} {nDW0N0wD} {DW0kDpDw} {WDpgwGpd} {DWhWdW!W} {WDPDWDWD} {DWDW$WDW} 54. J. G. Campbell cuuuuuuuuC {WIWGWDWD} {0wDbDRDW} {k0W)pdwD} {hWdw0wDB} {WDw0NDwd} {!WdPdWDW} {PDNDWDWD} {DWDWDWDW}
55. J. G. Campbell cuuuuuuuuC {WDWDWDWD} {dwDwDpDQ} {wdWiNdwD} {dWdwHwDW} {WDwdPDBd} {DWdW)pDW} {WDWDWIWG} {DWDWDWDW} vllllllllV 56. J. G. Campbell cuuuuuuuuC {WDWHWDWD} {dwDwDp0W} {wdWdWdwD} {GWip)whQ} {WDpHW)Wd} {DWdBDwDW} {WDWDWDWD} {DK$WDWDW} vllllllllV 57. J. G. Campbell cuuuuuuuuC {NDWDWDWD} {dnDpDwdr} {wGWdb0wh} {DkdBDwdW} {WDwDWDWd} {DW)WDPDQ} {RDWIWDRD} {DWDWDWDW} vllllllllV 58. J. G. Campbell cuuuuuuuuC {WDWDWDWD} {dwDKDpdw} {wDW$wdwd} {DwGpinHP} {WDwDWDp)} {DWDW0WDW} {WDW4W$ND} {DWDWDWDW} vllllllllV 59. J. G. Campbell cuuuuuuuuC {WDWDWDWD} {dw$W0wdb} {wDW0wdwd} {0wDNdwDN} {W4wDkGPD} {DW)ndwDW} {WDBdWDKD} {DWhWDWDW} vllllllllV 60. J. G. Campbell cuuuuuuuuC {WDWDWDWD} {dwDWdwdw} {wDWdw0wd} {dwDpdpDB} {WdwDwiWD} {DWDKdNDW} {WDWdWDW)} {DWdWDW$W} vllllllllV
61. J. G. Campbell cuuuuuuuuC {WDWDWDWI} {dwDQdwhw} {wDpdpdpd} {Gwiw0bHW} {WdwgwdWD} {HPDW$WDW} {WDWdWDW$} {DrdWDWDW} vllllllllV 62. C. Callander cuuuuuuuuC {WDWDnDWg} {dpDWdwdw} {w)wHwdPd} {Dwdk0NDR} {KdpdwdWD} {DWDpDWDW} {WDW!WDWD} {DwdW$WDW} vllllllllV 63. C. Callander cuuuuuuuuC {WDWDwDWd} {!wHbdwdw} {wIwDwdWd} {DwdNdW)W} {WdwiwdpD} {DWDB0W$W} {W$WDWDWD} {hwdnDWDW} vllllllllV 64. C. Callander cuuuuuuuuC {KDWHwDWh} {Gw$wdwdw} {wDwDwdWg} {DwdpiBDW} {WdwdpdP0} {DW$W0WDW} {WDWHWDW)} {dwdnDWDW} vllllllllV 65. C. Callander cuuuuuuuuC {KDWDwDnd} {DQDwdwdw} {wDwDk0Nd} {DwdwgWDW} {WdwdwdWd} {GWDWdW0W} {WDWDWDWD} {dwdw$WDW} 66. C. Callander cuuuuuuuuC {WDWDwDwd} {DKDwdpdw} {wDwDw)W!} {0w)wdWDW} {kdw0BdWd} {DWDNdRdW} {W)pDWDWD} {dwdNDWDW}
67. C. Callander cuuuuuuuuC {BDWhwDwd} {DbDwdNdw} {w)wDpDW0} {dwGwdNDR} {wdwdkdW0} {!W0WdWdW} {WDKDWDWD} {dwdWDWDW} vllllllllV 68. W. Coates cuuuuuuuuC {WDWdwDQg} {DpDpdnhw} {wDw)wDRd} {dpDwdpDW} {wdwdk)Wd} {DBdW0WdW} {WDPDNDRD} {dwIWDWDW} vllllllllV 69. W. Coates cuuuuuuuuC {WDWdwDWd} {hw0BgNdb} {wDw0w$Wd} {dw0kdwDW} {ndwdpDWd} {DWdW)WdW} {WDWDWDWD} {dwIWDQDW} vllllllllV 70. W. Coates cuuuuuuuuC {WDWdwGWd} {dwdWdWdw} {wDwdwDWd} {dwdpdwDP} {NdwiwDW)} {DPdWDWdW} {WDWDWDWD} {IwDWDQDW} vllllllllV 71. W. C. Cotton cuuuuuuuuC {WHrdQDWd} {dw0WdWdw} {PDp4qGWd} {IwipdwDW} {WdwdwDWD} {DBdWHWdW} {WDWDW)WD} {DwDWDWDW} vllllllllV 72. W. C. Cotton cuuuuuuuuC {WDwHWhWg} {0wdWdWdr} {KDpdwDWd} {DwipdPDW} {W0wdwDQD} {DBdWDWHW} {WGW)WDWD} {DwDWDWDW} vllllllllV
73. F. H. Deacon cuuuuuuuuC {WDwDRHWg} {hwdWGWdw} {WDwdwDWd} {4wdwiWDW} {WHPdpDPD} {DWdW)WDK} {pDWDWDWD} {DnDWDWDW} vllllllllV[*] 74. P. T. Duffy cuuuuuuuuC {W4wDBDWd} {dwdWDWdw} {WDwdwDnG} {dN0whWDW} {WHkdKDWD} {DWdWDWDW} {PDPDWDWD} {DwDRDWDW} vllllllllV[*] 75. P. T. Duffy cuuuuuuuuC {WdwDWDWd} {dwdNDWhw} {pDwdwDwD} {!WdwdWDW} {WDwdkDnD} {DWIW0WDN} {WDWDBDr)} {DwDWDWDW} vllllllllV[*] 76. P. T. Duffy cuuuuuuuuC {WdwDWDWd} {dwdWDWdw} {wDwGpDwD} {DWdkHWDW} {WDwdNDpD} {DW$WdW)W} {WDWDWDwD} {DwIWDWDW} vllllllllV 77. P. T. Duffy cuuuuuuuuC {WdwDWDWd} {dwdKDWdw} {pDwDwDwD} {DW)k0WGW} {WDw4WDwD} {HWDWdWDW} {WDQDWDwD} {DwDWHWDW} 78. D. Fawcett cuuuuuuuuC {WdwDWDWd} {dwdKDWdw} {wDPDwDwD} {DWDwdWDW} {WDNiBDw!} {)WDWdWDW} {WDWDWDPD} {DwDWDWDW}
79. D. Fawcett cuuuuuuuuC {WdwDWDW1} {dpdpDWgw} {kGW0w$wD} {0bDN0WDW} {pDWdPDwD} {DWDWdPDW} {WDWDWDWD} {IQDWDWDW} vllllllllV[*] 80. D. Fawcett cuuuuuuuuC {WdwiWDNd} {0wdpDWdw} {wDWHwDw$} {IwDpGWDW} {wDW)WDwD} {DWDWdbDW} {WDWDWDWD} {DWDWDWDW} vllllllllV 81. D. Fawcett cuuuuuuuuC {WdwdWDW!} {dwdwDWdw} {wDWDwDwD} {DpDkHNDW} {w0WDWDwD} {DWDW)pDW} {WDWDWDWD} {DWDKDWDW} vllllllllV 82. J. H. Finlinson cuuuuuuuuC {WdwdWDWD} {dwGKDWdw} {wDWHwDw0} {DwDkDWDW} {wdWDWDRD} {DWDW0wDW} {WDWDPDWD} {DWDWDWDW} vllllllllV 83. J. H. Finlinson cuuuuuuuuC {WdwdWIWD} {dw0WDWdw} {QDNDkDwd} {DwDw)WDW} {PdWDWDWD} {DWDWDwDP} {WDWDwDPD} {DWDWDWDW} vllllllllV 84. J. H. Finlinson cuuuuuuuuC {WdwdWDWD} {dpdWDWdw} {W)WDwDwd} {DwDw0RDK} {QdNDkDWD} {DW)WDwDW} {WDWDwDWD} {DWDWDWDW} vllllllllV
85. J. H. Finlinson cuuuuuuuuC {W!wdWDnI} {dwdWiWdw} {WDWHphw0} {DwDwdWDP} {WdPDwDWD} {DWDWDwDW} {WDWDRDWD} {DWDWDWDW} vllllllllV 86. J. H. Finlinson cuuuuuuuuC {WDwdWHwD} {dBdWdWdw} {RDWDpdQ0} {DwDw)WDn} {WHpDwDWD} {DW)WDwDW} {WDWIWiW)} {GWDWDbDW} vllllllllV 87. J. H. Finlinson cuuuuuuuuC {WDwdKDwD} {dWdW0Wdw} {WDWDwdRd} {)wDk4WDw} {pDw0wDPD} {DWDNDwDW} {WDWDW)rD} {DQDWDwDW} vllllllllV 88. J. H. Finlinson cuuuuuuuuC {WDBdWDw1} {IW$Wdbdw} {WDWDndW!} {DwDkdWDw} {P0w4NDWD} {DWDW0wDW} {WDWhWDPD} {DWDWDwDW} vllllllllV 89. E. N. Frankenstein cuuuuuuuuC {WDWdQDwd} {DWDWdwdp} {WDpDbHWD} {Dw)wiWhw} {KdwdpDWD} {DWDWHpDW} {WDWdWDWD} {DWGWDwDW} 90. E. N. Frankenstein cuuuuuuuuC {WDWdW1w4} {hW$WdNdp} {WDwDkDrD} {DpDwdbdw} {Wdw0NDWD} {0WDRDwDW} {WDWdBDQG} {IWDWDwDW}
91. E. N. Frankenstein cuuuuuuuuC {NDWdWdwd} {dWDWgW4w} {WDwDw0wD} {DwDwiw)p} {WdwdWDW0} {GWDWDwDQ} {BDK)WDWH} {DWDWDwDW} vllllllllV 92. E. N. Frankenstein cuuuuuuuuC {WDWdrdwd} {dW0WdWdw} {W)wDpdwD} {HwDpipDw} {Wdw$WDWd} {DKDWDwDW} {WDW!WDBD} {DWDWDwDW} vllllllllV 93. E. N. Frankenstein cuuuuuuuuC {WDWdwdwd} {0WdWdWdw} {KDw0Qdp0} {DwDw0wDb} {WdwDkDWd} {DpDWDN)W} {W)W)pDWD} {DWDWHwDW} vllllllllV 94. E. N. Frankenstein cuuuuuuuuC {WDWdRdwd} {HWdWdWdn} {WDw0Wdwd} {0wDkdwDw} {PgwDwDWd} {DPhWGWDW} {WDPHr$WI} {DWDWDwDW} vllllllllV 95. E. Freeborough cuuuuuuuuC {rGWHWdwd} {DWdPdBdp} {WDwdW0wi} {dwDwdwDw} {pdwDw0RI} {DbdWDWDQ} {WDWDwDWD} {DW1rDwDn} vllllllllV 96. E. Freeborough cuuuuuuuuC {wDWHWdwd} {DWdWdW0w} {W0wdWipg} {dw4p$wDw} {wdwDw0PD} {Dw0WDpDW} {WDWDwIWD} {DWGw$wDw} vllllllllV
97. W. Greenwood cuuuuuuuuC {wDWDWdwd} {0WdWdWdw} {RGwdWdwd} {dwdkDwDw} {wdwDpIQ0} {DwdWDwDW} {WDWDwDWD} {DWDwDwDw} vllllllllV 98. W. Greenwood cuuuuuuuuC {bDWHWdwd} {dW$W0W!w} {W)wiPdKd} {dwdpDwhw} {wdwHwDWd} {gw0WhwDW} {WDWDwDW$} {DrDwDwDw} vllllllllV[*] 99. W. Greenwood cuuuuuuuuC {rDWhBdwd} {dWDWGW0w} {WDwdpdWd} {dwdbiwHw} {ndwDw0Kd} {dwdQdwDW} {WDW)wDWD} {DwDwDwDw} vllllllllV 100. W. Greenwood cuuuuuuuuC {WhWDWDWD} {DWdqDWGW} {WDW$WDW!} {DWiWHWDW} {WDWDWDpD} {DnHWDWIW} {WDWDPDWD} {DWDWDWDW} vllllllllV 101. W. Greenwood cuuuuuuuuC {WdWDWDWD} {DBdwDWDW} {WDWDWDWD} {DWdNDWDW} {WDWDkHwD} {DwDWDWDW} {QDWIWDWD} {DWDWDWDW} 102. W. Greenwood cuuuuuuuuC {WGBDWDWD} {DWHwDWDW} {WDWDWDWD} {DWdWDpDW} {QDW0kDwD} {Dw$WDNDW} {pDWDbDW1} {IWDWDWgW}
103. W. Grimshaw cuuuuuuuuC {WDWgWDWD} {DWDp$rDW} {WDWDbDqD} {DWdkGp0W} {P)NdwDwD} {DP!W)WDW} {wDPDw)Wd} {DWDWIWdW} vllllllllV 104. W. Grimshaw cuuuuuuuuC {KDWdNDn1} {DpDwDwDW} {WinDw0wD} {0rdwDwdp} {WDPdwDwD} {DW$WDWDW} {wDQDw$Wd} {4WDWDWGW} vllllllllV 105. W. Grimshaw cuuuuuuuuC {WDWdWIwd} {DQDwDwDW} {WdnDwdwD} {dWdwDw0w} {WDWdN0Pg} {0WDWDWDW} {w0WHwDWd} {iWDWDWDW} vllllllllV 106. W. Grimshaw cuuuuuuuuC {WDWdWDwd} {DWDwDwDW} {Wdw0w0ND} {dWdpDwdK} {WDW)kdWd} {dWDWDWDW} {RdWDwDPd} {GWDWDBDW} vllllllllV 107. W. Grimshaw cuuuuuuuuC {WDWdWDwd} {DnDwDwIW} {q0BdwdW0} {dWdRDwdP} {WDWDk0WH} {dW0WDWDP} {WdPDp)Wd} {DWDWDW$W} vllllllllV 108. W. Grimshaw cuuuuuuuuC {WGWdWDwI} {0wDwDw0W} {wdW$wdW0} {dW0WDwdW} {WgBDwdb0} {dW0WHWDk} {WdPDpDWd} {DWDWHWDW} vllllllllV
109. W. Grimshaw cuuuuuuuuC {WDWdWDwD} {HwDKDwdW} {wgWDwdWd} {dWdkDwdW} {W)p0p)wd} {dWdWDW)P} {W!WDwDRd} {DWDWDWDW} vllllllllV[*] 110. F. Healey cuuuuuuuuC {WDWGWDBD} {DbDW4wdW} {pdWDniWI} {dWdwDpdW} {WDNdw)w)} {dW)WDWDW} {QDWDwDWd} {DWDWDWDW} vllllllllV 111. F. Healey cuuuuuuuuC {WDWDWDWD} {DwDWdwdW} {wGNDwdWD} {)Wdw0w0W} {WDKdkgPD} {!WDWDWDW} {WDWDwDWd} {DWDWhWDW} vllllllllV 112. F. Healey cuuuuuuuuC {WDRDQDWg} {DwDWdwdW} {wDWDwdWD} {DWdpdwdW} {KDWiwdWD} {DWDWDW)W} {W)WDwDWd} {DWDWdBDW} vllllllllV 113. F. Healey cuuuuuuuuC {WDWDWDWd} {DwDWdwdW} {QDWDwdWD} {DW0wgwdW} {WDNiwdWD} {)WDBDWDW} {WDPDwDWd} {DWDWdWDK} 114. F. Healey cuuuuuuuuC {WDWDWDWd} {DwDWdQdW} {WDWDwhpD} {DWdwdkdW} {WDWdwdWD} {DWDPDWDW} {WDWDwDRG} {DWDWIWDW}
115. F. Healey cuuuuuuuuC {WDWDWDWd} {DwDWdWdW} {WDWIwdwD} {DW$wdwdW} {WDWdwdWD} {DW)kDWDW} {WDWDw!WD} {DWDWDWDW} vllllllllV 116. F. Healey cuuuuuuuuC {WDRDWDWd} {DwDNdKdW} {W0WDwdwD} {DpDpdw0W} {p!niwdPD} {)WDwDWDW} {WDWDwDWD} {DBgWDNDW} vllllllllV 117. F. Healey cuuuuuuuuC {W!WDWDWd} {DwDWdW4W} {WdNDwdwD} {DnDw0wdr} {kDwgNdWD} {DW0wDnDW} {KDWDwDpD} {DWdWDWDW} vllllllllV 118. T. H. Hopwood cuuuuuuuuC {QDWDWDWd} {DwDWdBdW} {WdpIwdwD} {DwDN0kdw} {whwdNgW0} {DWdwDRDW} {WDb)wDw)} {DWdWDWDW} vllllllllV 119. T. H. Hopwood cuuuuuuuuC {WgWhWDWd} {!p4WdNdW} {NdwDpdwD} {DwDpdwdw} {wdw0WdWd} {DWdkDWDB} {WDRGwDwD} {DWdWIWDn} vllllllllV 120. T. H. Hopwood cuuuuuuuuC {WdW!WDWd} {DwdpdWIW} {pdwDwdw0} {)wDw$wdw} {wdwiWhW0} {DPHwDWGW} {WDWDwDwD} {DW1WHWDw} vllllllllV
121. J. A. W. Hunter cuuuuuuuuC {WdNDWDBd} {DwdwdWDW} {wdwDwdwd} {IwDwDwdR} {R0wiW0Pd} {DWDnDPDW} {WDW)wDwD} {DWdWDWDw} vllllllllV 122. J. A. W. Hunter cuuuuuuuuC {WdBDWhWd} {DwdwdNDW} {wIW$w)Pd} {DwDp)wdN} {WdwhkdWd} {DWDpDWDW} {WGW)wDPD} {DWdWDWDw} vllllllllV 123. R. W. Johnson cuuuuuuuuC {WdWDWdWd} {DwdwdWDW} {wDpDNDWd} {Dw)wDw0W} {W)Ndw0Pd} {0WDkDKDW} {BDWGwDWD} {DWdWDWDw} vllllllllV 124. R. W. Johnson cuuuuuuuuC {WdWDWdqG} {4wdkdpDR} {w)wDNDWd} {DwDwIwdW} {W!WHndBg} {dWDwDWDW} {WDWDwDWD} {DWdWDWDw} vllllllllV 125. R. W. Johnson cuuuuuuuuC {NdWDWhwD} {dwdwdwDW} {BDwDWDWI} {DwDwDwdW} {pDWiwdWd} {dWDwDWDW} {WDWDwDWD} {DWGNDWDQ} 126. R. W. Johnson cuuuuuuuuC {bdWDWdwD} {0wdw0KDW} {QDwDNDpD} {Dw0wDw)W} {wHWdkGPd} {dpDw0WDW} {WhWDBDWD} {DnDWgWDW}
127. M. Jordan cuuuuuuuuC {wdWDWdwD} {dw0wdWDW} {WDQDWDwD} {Dwdp0wDW} {wHWdwDKd} {dwDwiWDW} {WdWDWDWD} {DBDWdWDW} vllllllllV 128. M. Jordan cuuuuuuuuC {bdWDWdwD} {dwdwdWDW} {WDpDNHpD} {DwdwinDR} {wDQdw0Wd} {dwDwdWDW} {WdWDWDWD} {DKDWdWDW} vllllllllV 129. M. Jordan cuuuuuuuuC {wdWDWdwD} {dwdwGW0K} {W)wDRDwD} {0wdkdwDW} {BDRHwdWd} {dwDpdpDW} {WdWDbDWD} {DWDWdnDW} vllllllllV 130. M. Jordan cuuuuuuuuC {wdWDNdwD} {dw)rDWdW} {WDwDpDwD} {dwdNipDW} {WDW0wdWd} {IwDPdwDW} {WdW!wDW)} {DWDWdwDW} vllllllllV 131. A. Kempe cuuuuuuuuC {wdbDWdND} {4p4wDRdW} {WDw0wGpD} {dwdWdw0W} {NDWdwiPd} {hw0WdPDP} {WdWDwIWD} {DBDWdwDW} vllllllllV 132. H. E. Kidson cuuuuuuuuC {wdw$QdWD} {dwdwDpdW} {WGwdwDwD} {dwHpgwdq} {W$niwdWd} {dwdWdWDW} {bdW)wDW0} {hWDWHwDK} vllllllllV
133. H. E. Kidson cuuuuuuuuC {wdwDWdW1} {dwdwDwhW} {WDwdpgBD} {dw)wdrdw} {W)w0kHpd} {dwdNhW)W} {wIPDR$Wd} {!WDWDwDW} vllllllllV 134. H. E. Kidson cuuuuuuuuC {wdwDWgWd} {dQdw$wdK} {WDpdwHWD} {dw)wdwdw} {rDk0wDwd} {GRdN0WDp} {wDWDWDW1} {DWDWDnDW} vllllllllV 135. H. E. Kidson cuuuuuuuuC {w4wDWdWd} {dpdw0w4W} {WHwipdWD} {Hw$wdwgQ} {wGwdwDwd} {)WdbdWDw} {wDWDnDWd} {IWDWDwDW} vllllllllV 136. H. E. Kidson cuuuuuuuuC {wgwDNdWd} {0wdBdwhq} {pDR0wdrD} {)wDkdw0W} {wDw)wDPd} {DPdwGWDw} {wDWDwDWd} {IQDWDwDW} vllllllllV 137. H. E. Kidson cuuuuuuuuC {wdwDrgWd} {dBdWdwdp} {w0WdwdpD} {Dw$wdwdW} {wDwipHWd} {GWdwHW)w} {wDWDKDWd} {hWDWDwDW} 138. F. W. Lord cuuuuuuuuC {wdwDw4Wi} {dWdWdBdp} {wdWdN)wH} {DwDwdw0W} {wDwdwDWd} {DWdwDWDw} {wDWDWDPI} {GWDWDwDW}
139. F. W. Lord cuuuuuuuuC {wdwDwdWd} {dWdWGWdw} {wdN4W0wD} {)wiPdwdQ} {PDwdwDWd} {DWdwDWDw} {bDpDWDWD} {dWIWDwDW} vllllllllV 140. F. W. Lord cuuuuuuuuC {wdwDwdWd} {dWdWDnHb} {wdWGWdk0} {DwdPdRdp} {WDwdwDW)} {DWIw0W)w} {wDwDBDWD} {dWDWDwDW} vllllllllV 141. F. W. Lord cuuuuuuuuC {wdwDw!Wd} {dWdWDwDw} {wdWDpdwd} {DwdWibdw} {W)w0p$pD} {DWDwdW0w} {wDPDWDPD} {IWDRDwDW} vllllllllV 142. F. W. Lord cuuuuuuuuC {wdwDwDWd} {dpHWDnDw} {w)pDwdwd} {DwiW0wdw} {WDw0wDND} {DKDwdWdw} {wDP)WDBD} {!WDWDwDW} vllllllllV 143. F. W. Lord cuuuuuuuuC {wdKDwDWd} {dp)WDpHw} {wGkDn$wd} {0wdWdpdw} {pDwdw)WD} {)WDwdWdw} {wDPDWDW0} {DW!WDBgr} vllllllllV 144. F. W. Lord cuuuuuuuuC {wdWDw!Wd} {dwDWDwDw} {wDKDw)pd} {dwdWdwdw} {wDNdwDWD} {DW)wdWgw} {wDPDkDWd} {DWDWDW$w} vllllllllV
145. G. McArthur cuuuuuuuuC {wdWDwDWd} {dwDWDwIw} {wDW$wDwd} {dw$Niwdw} {wDWdwDpD} {DWHwdW)w} {wDW)w0rd} {hWDWDWgw} vllllllllV 146. G. McArthur cuuuuuuuuC {wdWDwDWd} {0pDBiwDK} {wDWDwDwd} {dw0W0w)w} {wDWdwDwD} {4WDPdQDw} {wDWGwdw0} {dWDWDWdr} vllllllllV 147. G. McArthur cuuuuuuuuC {wdWDwDBi} {dwDpdw0W} {wDW)pDwd} {dw)WIpHw} {wDWHwDR)} {dWGWdWDw} {wDWDQdwd} {dWDWDWdw} vllllllllV 148. G. McArthur cuuuuuuuuC {wHnDwDWH} {dwDRdwIn} {wDWDp4wd} {dbDpip0w} {pDWDPDWD} {GW)WdWDw} {wDWDWdP)} {dWDWDQdw} vllllllllV 149. G. McArthur cuuuuuuuuC {w!wDwIWD} {dw$WdwDw} {wDWDN0wd} {dwDNGwdw} {wDWDkDW)} {DWDpdWDw} {wDW)WdWD} {dWDWDWdw} 150. J. Menzies cuuuuuuuuC {WDWDWDWD} {DWDWDWDW} {WDpDW0WD} {DWiWDWDW} {WDWDRDWD} {DWDWDWDW} {WDWIBDWD} {DWDWDWDQ}
151. J. Menzies cuuuuuuuuC {WDWDWDWD} {DWDWDWDW} {WDw)WdWI} {DWdWDkDW} {WDWDWDN0} {DWDP0WDW} {QDrDWDWG} {DWDWDrDW} vllllllllV 152. J. Menzies cuuuuuuuuC {WDWDWDWD} {DWDWDWDW} {WDwDWdWD} {DWdWDrDW} {WDWDRDWI} {DWDPhkDW} {WDRDWDpD} {!WDWDwDW} vllllllllV 153. J. Menzies cuuuuuuuuC {WDWDWDWD} {DWhWDWDW} {WDwGWdWD} {!WdWDK)W} {W0WDWDN4} {DBDWdk0W} {WDWgRDwD} {DWDWDbDW} vllllllllV 154. J. Menzies cuuuuuuuuC {BDWDKDk4} {DWdWdpDr} {WDwDWdW0} {DWdWDWHN} {WdWDPDWd} {DWDWdwdW} {WDWdWDwD} {GWDWDwDW} vllllllllV 155. J. Menzies cuuuuuuuuC {WDKDWDwd} {DWdWdWDw} {WDwDW0W!} {Dk0WDWDW} {WdW0WDWd} {0WDWdwdW} {PDWdWDwD} {DWDBGwDW} vllllllllV[*] 156. J. A. Miles cuuuuuuuuC {NDWhNhwd} {)pdW0WDp} {WDwDkdWD} {DwdWDW0K} {WdW$WDWd} {dWDWdPdW} {bGQdWDwg} {DrDWDrDW} vllllllllV
157. J. A. Miles cuuuuuuuuC {RIWdWdwd} {)p)k0WDN} {WDwDb0WD} {DwdPDPgW} {W4W!WDW4} {hWDWdWdW} {wDWdBDw1} {DwDWDwDW} vllllllllVChess Gems 158. J. A. Miles cuuuuuuuuC {WDWdWdwd} {IwDwdWDR} {W0RDwdN4} {DwdkhW0W} {PdWHWDWd} {dWDPdWGW} {wDWdWDwd} {DwDWDwDq} vllllllllV 159. J. A. Miles cuuuuuuuuC {WDWdrdwd} {hwDwdWDW} {pdwDwdW1} {iwdN$WdW} {WdP0W4Wd} {dKHWdPDW} {wDWdWDwd} {DwGWDwDw} vllllllllV 160. J. A. Miles cuuuuuuuuC {WDWdwdwd} {hwHwdW)p} {rdPDwdWd} {dwdWDWdK} {WdbdpiWd} {dQDpdWDP} {BDWdW)P4} {GwDW$wDw} vllllllllV 161. W. Mitcheson cuuuuuuuuC {WDWdwdwd} {dwDRdWDw} {wdWDKdWd} {dpdWgNdW} {Wdwdk0nd} {dWDwdbDQ} {BDWdWDWd} {DwDW4wDw} 162. W. Mitcheson cuuuuuuuuC {BDWdwdnd} {hQDWdW0w} {wHpDWgrd} {IpiWdWdW} {WdwHwdpd} {0W0w$wGW} {qDP)WDWd} {DwDWdwDw}
163. R. Ormond cuuuuuuuuC {WDWdw1wg} {dpGWdndw} {wDwDWdwd} {DpdWdQdW} {W$wDpdwd} {dPiNDwDW} {wDPDWDWd} {DwIWdwDw} vllllllllV 164. R. Ormond cuuuuuuuuC {WDWdwdBG} {dwDNdwdw} {wDrDWdwd} {DwdWdW0W} {pDwDkdKd} {dWdpDwDW} {PDW)WDWd} {DwDWdwDw} vllllllllV 165. R. Ormond cuuuuuuuuC {WDWdwdWI} {dwDBdwdw} {wDwiPdwd} {DwdNdW0W} {wDwDwdW0} {dWdwDwDW} {WDWDW!W)} {DbDWdwGw} vllllllllV 166. R. Ormond cuuuuuuuuC {WgWdwdWD} {dwDW0ndw} {wDB0kdw4} {DwdNdpdn} {rDwDw0Wd} {dWGwDNDP} {WDWDWDRD} {DbIWdw!w} vllllllllV 167. R. Ormond cuuuuuuuuC {WdWdRdWh} {dwDWdwdw} {wDpdwdwd} {DwdbdN0w} {P0kDwgPd} {dNDw0WDW} {K)WDPDWD} {DwDWGwDw} vllllllllV 168. G. Parr cuuuuuuuuC {WdWdWdWI} {dwDbdwdw} {whw)wdRG} {Dw)wipdw} {WHwDwdW)} {dP0wdPDW} {WDNDPDWD} {DwhWDwDw} vllllllllV
169. G. Parr cuuuuuuuuC {KdWgWdWD} {dwDwdwdw} {BdNhPdW!} {DwDwdwdp} {kDwDw0W4} {0WdwHpDW} {PDWDWDWD} {DwdbDRDw} vllllllllV 170. W. S. Pavitt cuuuuuuuuC {WdWdWdWD} {dpDwdwdw} {WHW0pdWD} {ipDw)wdw} {PHw!wdWd} {gWdKDwDW} {WDWDWDWD} {DRdwDWGw} vllllllllV[†*] 171. W. S. Pavitt cuuuuuuuuC {WdWdWdWG} {dwDwdpgw} {WDWIwipD} {dw0wDB0w} {WhwDwdWd} {dW0WDwHW} {WDWDWDWh} {DWdQDWDw} vllllllllV 172. W. S. Pavitt cuuuuuuuuC {WdnIWdWD} {dwDwdNdw} {WDpDw0wD} {dw0wDpdw} {WdkgwGWd} {dWdWDPDW} {PDW!WdRd} {DRdNDWDw} vllllllllV 173. W. S. Pavitt cuuuuuuuuC {WdwDWdnD} {dw0wdW0b} {WDNDw0wg} {GwdPDw0w} {WdwIpDkd} {dWdW0W)p} {WDWDWDW)} {DWdWDQ$w} 174. W. S. Pavitt cuuuuuuuuC {rdwDWdwh} {dwdwdWdQ} {WDWDB0wd} {hq0WDwdw} {WdpDNDpd} {0kdWdWDb} {NDW$WDWD} {DWdWDWIw}
175. W. S. Pavitt cuuuuuuuuC {wdwDWdwd} {dwdwdp0K} {WDWDWiwg} {dWdp$wdw} {b)pDPDwd} {dwdWdW!p} {WDWDNDPD} {DW4WDWDw} vllllllllV[†] 176. A. Cyril Pearson cuuuuuuuuC {wdwDWdwd} {dwdwdwdW} {WDpHWdwd} {dW)kDwdK} {wDwDWDwd} {dPdWdW!w} {WDWDWDWD} {DWdWDWDw} vllllllllV 177. A. Cyril Pearson cuuuuuuuuC {wdwDwiwd} {dwdw4p$r} {WDwHWdw0} {dWDwDwdP} {wDwDWDwd} {dWdW!WDw} {WDWDWDWD} {DWdWDRDK} vllllllllV 178. A. Cyril Pearson cuuuuuuuuC {qdwDwdw4} {dwdwdRDw} {pDwDWdnd} {dWDw0wdW} {BDwDkHwd} {$WdWhWDw} {W!WDWDW0} {DWdWDWDK} vllllllllV 179. A. Cyril Pearson cuuuuuuuuC {wdwDRdwd} {dpdwdnDw} {nDwDWdwd} {0WDwdwdW} {WDwiwDwd} {)WdPdWDw} {WDWIWDWd} {DWdW!WDW} vllllllllV 180. A. Cyril Pearson cuuuuuuuuC {wdwDWdrd} {dw)Pdpgw} {wDwDWdwH} {dpDwdwdb} {WGwdw$pd} {DWhWiW0w} {WDBDWDPd} {DWdWIWDW} vllllllllV
181. A. Cyril Pearson cuuuuuuuuC {wdwDWdwd} {dpDKdp!w} {wDwDP4wD} {)wDkdwdp} {W$wgwDwd} {DWdPdWdw} {WDWGWDWd} {DWdWDWDW} vllllllllV 182. A. Cyril Pearson cuuuuuuuuC {wdwDWdwd} {dw0Wdw0p} {wDPDpdnD} {DwDriwdN} {W!wdP0wd} {DWdWdPdw} {BIWDWDWG} {DWdWHWDW} vllllllllV 183. A. Cyril Pearson cuuuuuuuuC {rdrDWdwd} {dwdRdwdb} {pDWDwdw)} {DwDw0wdW} {WDwdW0wd} {IWiWDNhw} {RHpDpDW!} {DWdWDWDW} vllllllllV 184. A. Cyril Pearson cuuuuuuuuC {wdwDWdrd} {dwdQHwdw} {P0WDpdwD} {DwDwdwdW} {WDkdW4wd} {INdWDWdb} {WDwDwhWD} {DWdWGWDW} vllllllllV 185. A. Cyril Pearson cuuuuuuuuC {wdwDQdwd} {dw0WDNdw} {ndWDwdK0} {DwDBdwdW} {WDpiPdwg} {hWdpDWGw} {WDw)wdWD} {DWdWDWDW} 186. A. Cyril Pearson cuuuuuuuuC {kdwDWdwd} {hpdNDKdw} {wdp0wdWd} {DnDWdwdW} {WHQdWdwd} {dWdwDWDw} {WgwDwdWD} {$WdWDWDW}
187. J. Pierce cuuuuuuuuC {wdRDWdwd} {dwdWDWdw} {wdw0wdpd} {DpDpdwdW} {RDripGpd} {dWhwDb)w} {pHwDw)WD} {InHqDW!W} vllllllllV 188. J. Pierce cuuuuuuuuC {wgW$Wdwd} {dQdWDWdw} {wdw1pdwh} {Dw0wdw0W} {P)wiwDwd} {dPdB4wDP} {wHwDRDWD} {GwDKDnDW} vllllllllV 189. J. Pierce cuuuuuuuuC {wDNDWdwd} {dWdNDRdw} {wdwdwdwd} {0PdkGwdW} {PDpdwDwd} {dW0WdwDW} {wDKDWDWD} {DwDWDwDW} vllllllllV 190. J. Pierce cuuuuuuuuC {whQDWHBd} {dWdWHWdp} {n)wipdwI} {0PdwDwdW} {W4wdwDw0} {dWGW$PDW} {w1WgW4WD} {DwDRDwDW} vllllllllV 191. W. T. Pierce cuuuuuuuuC {wdnDrDWd} {dbdWDWdw} {rDwdwdR0} {gWdB1kdP} {RGwdNDwd} {dW0PDp)P} {wdKdQdWD} {DwDWDwhW} vllllllllV[†] 192. W. T. Pierce cuuuuuuuuC {wdw$WDWd} {dwdWDWdw} {wDwdwdWd} {dPdbdwdW} {WDwiWDwd} {dWdWDwDW} {wIWGWdWD} {DwDQDwdW} vllllllllV
193. W. T. Pierce cuuuuuuuuC {wdwDW!Wd} {dwdWDW0r} {wDPdPdWd} {dNdw0PdP} {PDwgkDN$} {GpdWDw)W} {nDWDPdWD} {DwDWDKdW} vllllllllV 194. W. T. Pierce cuuuuuuuuC {wdkDNDWd} {dwGWDW0w} {w)WdWdpd} {dWdw$WIW} {WDwdwDWD} {DwdWDwDW} {wDWDWdWD} {DwDWDWdB} vllllllllV 195. W. T. Pierce cuuuuuuuuC {w$wIWhWd} {4wDPDWdw} {RDpiWdw0} {0WHw0W0W} {WDwHw)Qh} {DwdWDwDW} {BDWGrdWD} {DwDWDWdq} vllllllllV 196. C. E. Ranken cuuuuuuuuC {wDwDWdnd} {dwDWDWdw} {WDwdkdK0} {dW)w)NdP} {WDwDwDWd} {DwdWDwDQ} {WDWDwdWD} {DwDWDWdw} vllllllllV 197. George J. Slater cuuuuuuuuC {QDwDKdwd} {dwDp)Wdp} {W0wiw)pd} {dWhBDWgW} {PDwDw0Pd} {GwdN0wDq} {b0RDwdWD} {DR4WDWdw} 198. George J. Slater cuuuuuuuuC {RDwDWdwd} {dwDwDPgp} {RdwGkDwd} {dWdpdW)B} {WDwDwdWd} {DwHWdw0q} {wHWDwdbh} {IQdWDWdw}
199. George J. Slater cuuuuuuuuC {W4nDWdwd} {Gw0wDRdw} {W0wDw)wd} {0WdWdWDW} {WDwipdRd} {Dw0Ndwdw} {BDWDwHbh} {IW!WDWdw} vllllllllV[*] 200. George J. Slater cuuuuuuuuC {WDnDWDWD} {DW!WDWGW} {WDphW0WD} {DW)PdPDW} {WDWDk)pD} {DW)NDW$W} {WDWDBDWD} {DWDWIWDW} vllllllllV 201. George J. Slater cuuuuuuuuC {WDwDQGWD} {DWDWDWDW} {WDw0WdWD} {DWDk0WDW} {WDWDwDwD} {DWDW0WDW} {pDWDBDWD} {IWDWDWDW} vllllllllV 202. George J. Slater cuuuuuuuuC {WDwDWDWD} {DWDWDWDW} {BDw0WdWD} {DWDwiWGW} {WHWDbDwD} {)WDp$WDQ} {KhWhWDWD} {DRDWHWDW} vllllllllV[*] 203. George J. Slater cuuuuuuuuC {WDwDw!WD} {gWDBhWDW} {WDw0WdWD} {4WipdpDW} {WDWDw0wD} {)WDwDPDW} {WdWHWDWD} {DRDKGWDW} vllllllllV 204. Walter C. Spens cuuuuuuuuC {WDwDwDBD} {0WhWdWDW} {p0pdqdRD} {dW)k0wDW} {WDWDwdwD} {DWDPIWDW} {WHWDWDWD} {DW$WGWDW} vllllllllV
205. Walter C. Spens cuuuuuuuuC {WDnDwDWD} {dWdWdWDW} {wdwdK0WD} {GWDNdwDW} {W)pipdwD} {DW$WDWDp} {qDWDWDW)} {DWDWDNhW} vllllllllV 206. Walter C. Spens cuuuuuuuuC {WDwDwDW!} {dWdWdWDW} {wdw0WdWD} {DWDWdwDp} {WDwdkdw)} {DWdN0WDw} {wIWDPDWD} {DWDWDWdW} vllllllllV 207. Walter C. Spens cuuuuuuuuC {WDwDn4kD} {drdWdp0W} {wdw0W1pD} {DWDNdw)w} {WDwdwHwD} {0B0WdWDw} {KDPDQDW$} {DWDWDWdW} vllllllllV 208. Walter C. Spens cuuuuuuuuC {WDwDwdwD} {dN0WdwdW} {wdwdndwD} {HWDWdRDp} {WDwdkDw)} {hWdWdWIB} {WDW)PDWD} {DWDWDWdW} vllllllllV 209. Walter C. Spens cuuuuuuuuC {WGwHwHwD} {dW4W0w0W} {ndwiBdwD} {)W1W$WDw} {WDw0wDw)} {dWdPdWDW} {WDW!bIWD} {DWDWDWdW} 210. Walter C. Spens cuuuuuuuuC {WDwDwDbD} {dWdWdn!p} {wHw0Wdw0} {DBdp1WDR} {W)wipDwD} {dWdWdW)W} {KDW)wHWD} {DWDWDWdW}
211. J. P. Taylor cuuuuuuuuC {WDwDwDwD} {dWdWdpDw} {QIbdk)wd} {DW)wdRDW} {WDwdwDwD} {)WdWdWDW} {WDPDwDWD} {GWhWDNdW} vllllllllV 212. S. H. Thomas cuuuuuuuuC {nDwDwGwD} {dW0WdwDw} {W0PdKDwd} {DWDwdWDB} {pHwipDPD} {0WdWdWDQ} {PDW0PDWD} {DWgRDWdW} vllllllllV 213. S. H. Thomas cuuuuuuuuC {wDwDQDwD} {hWdWdp0N} {WdW0WDwg} {DWDkdWDW} {wDwHw1W$} {dKdP0WDW} {WDWdWDWG} {DWdRDWdW} vllllllllV 214. S. H. Thomas cuuuuuuuuC {RDnDWDwD} {dWdNgwdW} {WdW0KDwd} {DWDPdWDW} {wDw0kdPD} {dWdw0WDN} {WDbdPDpD} {!WdWDWdW} vllllllllV 215. S. H. Thomas cuuuuuuuuC {WDwDW!B1} {dWHWdwdn} {WdWGW0w$} {DWDWdWDW} {wDpdkdpI} {dpdwdWDW} {W0wdW0wD} {DWdbgNdW} vllllllllV 216. S. H. Thomas cuuuuuuuuC {WDwDW!Wd} {$nDWdwgr} {Wdp0Wdw0} {DWDWibDW} {RDBdpHwG} {0wdp0PDW} {WHwdWdwD} {DWdwdWdK} vllllllllV
217. S. H. Thomas cuuuuuuuuC {WDwHbDWd} {0wDWdw1r} {BdwdW$wd} {iW0NdwDW} {nDWdwDwD} {dPdwdp)Q} {WDwdW)w0} {$WdwgWdK} vllllllllV 218. A. Townsend cuuuuuuuuC {WgwDwhnd} {drDWdPdw} {WdwHWHp0} {dW0WdwiW} {w$WdwDwD} {dWdwdw)b} {WDwdPDw)} {DBdwdWdK} vllllllllV 219. A. Townsend cuuuuuuuuC {WdwHwdwd} {dwDWdWdw} {WdwDpDw0} {dWdNiwdW} {wDW0wDw)} {dWdPdwDw} {KDwdWDwD} {DWdwdW!W} vllllllllV 220. A. Townsend cuuuuuuuuC {WdwDwdwd} {dwDWdWdw} {W0wDRDbd} {dWdWHwdW} {wDWdwDwD} {dWdWiwDw} {WDwhPDwD} {!WdKdWDW} vllllllllV 221. Henry Turton cuuuuuuuuC {WdwDwdKd} {dwDndWdw} {W0wDwDQd} {dWdWiwdW} {RDWdN0wD} {dPdWgwGw} {WDwdWDwD} {DbdWdWDB} 222. Henry Turton cuuuuuuuuC {W4wDwdrg} {dw0wdWdB} {WdwDwDWd} {DNdWdRdp} {wDWdkdwD} {dWGbdwDw} {WDwIWDw$} {DwdWdWDW}
223. Henry Turton cuuuuuuuuC {Wgwhwdw1} {dwHwdndW} {pdwDwDW4} {0WdpdWdb} {wDWiwdwD} {GWDwdpDw} {WDWIWDwD} {DQdWdBDW} vllllllllV 224. Henry Turton cuuuuuuuuC {Wdwdwdwh} {dwgwdndW} {KdwHwDWd} {dWdw0WdB} {wDWdwdwD} {)W)wdwDw} {W)WiWDwD} {DW$W$WDW} vllllllllV 225. Henry Turton cuuuuuuuuC {Wdwdwgwd} {dKdpdw0W} {pdwDwDWd} {dW$wdWdW} {wiWdwdwD} {DpHwdwDw} {bDWdPDwD} {DWDW!WDW} vllllllllV[†] 226. Henry Turton cuuuuuuuuC {Wdwdwdwd} {0WdwdwdW} {wdwDwDWd} {dWDwiNdW} {wdWdwdwD} {DKDQdPDw} {wDWdW)wD} {DWGWDWDW} vllllllllV 227. Henry Turton cuuuuuuuuC {WdwdKdwi} {dRdwHw0W} {wdwDwDBd} {dWDwgWdW} {pdWdw0wD} {0WDndWDw} {wDWdWDw4} {DQDWDWDW} vllllllllV 228. S. Tyrrell cuuuuuuuuC {WdRdWHwd} {dB0wDwdW} {wdnDwDWd} {dWGk0WdW} {wdWdNdwD} {dWDwdWDw} {w!WdWDwd} {DWDWDWIW} vllllllllV
229. S. Tyrrell cuuuuuuuuC {WdWdWDwd} {dWdwDwdp} {wdwDwDb$} {dPiwdWHW} {wHWdRGPD} {dWDwdWDw} {KDPdWDwd} {DWDWDBdW} vllllllllV 230. J. J. Watts cuuuuuuuuC {WdWdQDwh} {drdw)wdr} {wdBDwDwD} {dWGndpDW} {bDWdkDpD} {dpDNdWDw} {WDWdPDwd} {DKgWDWdW} vllllllllV 231. J. J. Watts cuuuuuuuuC {rdWhWDwd} {dwdwDpdw} {wdW)w0wD} {dWDwdNDK} {wDPdwiwD} {0wDWdWHw} {WDBdPDwd} {DWdWGWdW} vllllllllV 232. W. Wayte cuuuuuuuuC {wdW1WDwd} {dQdwDwGw} {wdWDwdwD} {0WDwdWDW} {PDWdRdwH} {dbDkdWDw} {WDWdp)w4} {DWhWIWdn} vllllllllV 233. W. Wayte cuuuuuuuuC {wdWdWDwd} {dWdRDwDw} {wdWDw0wI} {dWDbdkDW} {WDWdWdwD} {dwDw)WDp} {WGRdwHwd} {DWdWDWdq} 234. C. W., of Sunbury cuuuuuuuuC {wdWHWDnd} {0WdWDw4p} {wHWDpdwh} {dPDw0w!W} {WDWdkdwD} {dwDwDW)w} {WDWdKDwd} {DWdWDWGw}
235. C. W., of Sunbury cuuuuuuuuC {wdWDWDwd} {dKdWhpdw} {ndWDwdwd} {dNipdwDQ} {WDW0wdwD} {)wDwDWDp} {WDW)BDbd} {4WdWDWDw} vllllllllV[†!] 236. C. W., of Sunbury cuuuuuuuuC {wdWgWDKd} {dWdp0wdw} {qdpDwdwd} {dbdwdwDk} {WDWHwdpD} {DwDwDWDw} {WDW!WDw)} {dWdWGWDw} vllllllllV 237. C. W., of Sunbury cuuuuuuuuC {wdWdWDWd} {dWdbdwdw} {w0pDpdwd} {dwiwdwDw} {W0PHwdwD} {DwDKDWDw} {WGQDWDwD} {dWdWDWDw} vllllllllV 238. C. W., of Sunbury cuuuuuuuuC {wdWdnDWd} {dWdwdwdw} {wdwDwgwd} {dwdw0w!w} {KdWHpdwD} {DwDkGWDw} {WDWDRDwD} {dWdWDWDw} vllllllllV 239. C. W., of Sunbury cuuuuuuuuC {wdWdwDWd} {dWdwdwdw} {wdwDwdwd} {dpdwdwDw} {N0WDpdwD} {ipDwHQDw} {WDpDWDKD} {dWdWDWDw} vllllllllV 240. C. W., of Sunbury cuuuuuuuuC {w!WdwDWd} {dWdwIwdw} {wdwDwdwd} {dwdwdBiw} {WdW0p0wD} {hRDwDWDw} {WDwDWDWD} {dWgWDWDw} vllllllllV
241. C. W., of Sunbury cuuuuuuuuC {wDWdwIQd} {dWdwDwdw} {ndwDwHwd} {dpdwdWdw} {k)WdwdwD} {0WGwDWDw} {WDwDWDWD} {dWdWDWDw} vllllllllV 242. C. W., of Sunbury cuuuuuuuuC {wDWdQDWd} {dWdwHwdw} {wdBipDwd} {IwdwdW0w} {pDW0pdwD} {dWDwDW)w} {WDwDWDWD} {dWdbDWgw} vllllllllV 243. R. B. Wormald cuuuuuuuuC {wDWdBDNd} {dWdwDwdp} {wdWdw0n)} {Dwdwdpdk} {wDWdp)R0} {dWDwDWDp} {WDwDPDWG} {dWdwDKdw} vllllllllV 244. R. B. Wormald cuuuuuuuuC {RDWGW4W1} {dp4wDwdn} {wiWdwgQ$} {0w0P0wdw} {wDPdN)Wd} {dWDBDWDp} {PDwDWDWD} {IWdwDWdb} vllllllllV 245. R. B. Wormald cuuuuuuuuC {WDWDWGWd} {!wdwDwdw} {wdpdwdWD} {dkdWdwdw} {pDWdWDWd} {gWDKDWDw} {PDwDWDWD} {DWHwDWdw} 246. R. B. Wormald cuuuuuuuuC {WDWDWDWd} {DwdN0wdw} {w$BdpdWD} {dw0r)wdw} {wDNdkDPd} {0PDpgWDR} {PDnDWDWD} {DWDKDWdw}
247. R. B. Wormald cuuuuuuuuC {WDWDWDnd} {DwdW0bdw} {wDWdRdW0} {dwdw)wdP} {wDWdNipd} {dWDQ0WHW} {WDwDPDWD} {IWDWDWdw} vllllllllV 248. R. B. Wormald cuuuuuuuuC {nHWDQDwd} {DwdW0whw} {p0WgWdKd} {4wdwiwdW} {bDWdpHwd} {dWDW)WDW} {WDwDWDWD} {DWDWDWdw} vllllllllV 249. R. B. Wormald cuuuuuuuuC {wDWDWDwI} {DwdWGwdw} {wdpdWdWd} {HwdpiBdW} {QDWdPDwd} {drDWDRDW} {WDrDWDWD} {DWHWDWdw} vllllllllV 250. R. B. Wormald cuuuuuuuuC {wDWDWDbD} {DwdWDpdk} {KdwdW!Wd} {Dwdw)W0W} {W)WdRDpd} {0wDWDW)W} {B0wDW)WD} {HWDWDWdw} vllllllllV 251. R. B. Wormald cuuuuuuuuC {wDWDWhwD} {DwdWGwdp} {WdwdpDW)} {DwdpiWdW} {WDP0WDKH} {dwDWDP0p} {WdwHqDWD} {DWDQDbdr} vllllllllV
SECTION 3: PROBLEMS IN FOUR MOVES 252. J. W. Abbott cuuuuuuuuC {WDWDWDWI} {DWDWDWHW} {W0WDWDpD} {DWDWGW)W} {WDWDWDWD} {DWDkgW$W} {QDWDWDnD} {DWDWDNDb} vllllllllV 253. J. W. Abbott cuuuuuuuuC {WDWDWDWD} {DWDBDWDW} {WdWHWDpD} {DWDkGWDW} {WDw)RDPD} {DW0wdWDW} {WDPDWDwD} {DWIWDWDw} vllllllllV 254. J. W. Abbott cuuuuuuuuC {WDWDWDW4} {DWDWDWDW} {WdP$W)wD} {DWDwiNDW} {W)pDWDPD} {Dndw0BIp} {WDW0WDwG} {DWgRDWDw} vllllllllV 255. J. W. Abbott cuuuuuuuuC {qDWDWDWd} {gphWDW4W} {WdW$WDpD} {DWDwdW0W} {WDwDkDPD} {DwdwGWIw} {WDW)WDwD} {!WdbDWDw} vllllllllV
256. J. W. Abbott cuuuuuuuuC {wDWDWDWd} {dwdWDpdW} {WdWGWDwD} {DWDwdNdW} {WDwDpDWD} {Dwdw)WDk} {WDRDWDwH} {IWdwDWDw} vllllllllV 257. H. J. C. Andrews cuuuuuuuuC {wHnDkDWd} {dw!WDN)b} {KdpDWDw0} {DpDPdWhW} {WDPDwDWD} {DwdwDWDq} {W0WDWDR4} {DWdwDBDw} vllllllllV 258. H. J. C. Andrews cuuuuuuuuC {wGwDnDW1} {dwDW0WDw} {W4PDWHwd} {iBDQdWdp} {rDpDwDWD} {0wdpDW)w} {P)WDWDWI} {HWdnDWDw} vllllllllV 259. H. J. C. Andrews cuuuuuuuuC {wDwDwDWd} {gwDWdBDb} {WdWHWDwd} {!WDNindw} {PDwDwDW0} {dwdp)WDw} {WDpDWDWD} {IndwGWDw} vllllllllV 260. H. J. C. Andrews cuuuuuuuuC {wIwiwDW4} {dRDWdPHw} {Wdp0WDPd} {DW)Wdpdw} {WGqDwDWd} {dndw0nDb} {WDwDWDWD} {DwgwDW!w} vllllllllV 261. H. J. C. Andrews cuuuuuuuuC {riwdwDKd} {0w$WdW0w} {Wdp)WDWd} {DWDWgp$w} {WHwhwDW!} {4wdwdnDb} {W0PDWDWD} {DwdwDW1w} vllllllllV
262. H. J. C. Andrews cuuuuuuuuC {rdwdwDWd} {hwDWdPdr} {pdwDWDQ0} {DWGkHwhK} {bDw)wDWD} {dqdwdpDB} {WdWDWDWD} {DwdwDNdw} vllllllllV[†*] 263. C. M. Baxter cuuuuuuuuC {wdrdw4W1} {dwDWdWdw} {ndwDWDW0} {!WDNDkdW} {wDwDwHW)} {dw0wdKDW} {WdWDWDWD} {DwdwDBdw} vllllllllV 264. C. M. Baxter cuuuuuuuuC {wGwdwdWd} {dBDpHWdq} {n4w4pDpd} {DpDWiwdp} {wDw0N$W)} {dndw)WDK} {WdWgWDWD} {Dw!wDWdw} vllllllllV[*] 265. C. M. Baxter cuuuuuuuuC {wDwdwhWd} {dWDrDrdw} {ndw$wDwd} {HbDWipdw} {wDwdWDR0} {!wdBDWDW} {WdWIWDW)} {DwDwDWdw} vllllllllV 266. C. M. Baxter cuuuuuuuuC {wDbdwdW1} {dWDw4wdr} {w$wDwDw)} {DwDWiw0w} {wDwHW0Pd} {DwdWDWDB} {pdW!WDnD} {IwDwDWGw} 267. C. M. Baxter cuuuuuuuuC {w!wdbgWd} {dWDwHwhq} {nHwDpDwD} {DpDWdwdr} {wDwDk)W0} {DwdW)WDW} {wdPDKDRD} {DwDwDWDw}
268. C. M. Baxter cuuuuuuuuC {wDw1w4Wd} {dB!w0wdR} {w4wDwDwD} {DpDWdw0w} {RDwDNDk0} {DpdWIWDW} {wdWDWDWD} {DwDwDWDw} vllllllllV 269. C. M. Baxter cuuuuuuuuC {nDwdwdWd} {drDwdwdb} {wdRGkDwH} {DwDW0w0w} {WDwDrDNd} {DwdnDWDW} {wdW)W!WD} {IwDwgWDw} vllllllllV 270. C. Benbow cuuuuuuuuC {wDwIw$Wd} {dwDwdwdw} {wdW0kDwD} {DwDW0wdw} {WHwDwDWd} {DwdwDWDW} {wdWDWdWG} {DwDwdWDw} vllllllllV 271. C. Benbow cuuuuuuuuC {wDwDwDWi} {dwDw0w0w} {pdWdwDPD} {DwDWdwdw} {WDwDwDWd} {DwdnDWDW} {QdWDPdWD} {IbDw4W$w} vllllllllV 272. C. Benbow cuuuuuuuuC {wDwDwDWd} {dw0wdwdp} {NdPdwDW)} {DwDW$wdw} {W)wDw)Wd} {DwdkGWDW} {B0WDWdWD} {DKDwdWDw} vllllllllV 273. J. G. Campbell cuuuuuuuuC {wDwDwDW4} {dwGwdRdN} {WdWdwDWD} {DwDW$PhP} {WDwinDWd} {DwdwDpHW} {BdKDWdW0} {DWDwdWDw} vllllllllV
274. J. G. Campbell cuuuuuuuuC {RDwDwDbd} {dwDwdWdW} {W0WdpDWh} {DkDWDWdW} {NHwdP)Wh} {)wdKDpDW} {WdWDWdWd} {DWDwdWDw} vllllllllV 275. J. G. Campbell cuuuuuuuuC {WDwDKDwd} {dw0wdWdW} {RdWdwDWd} {DwDkDN)W} {W)pdp)Wd} {DpdWDPDW} {WdW0WdWd} {DWDBGWhw} vllllllllV[†] 276. J. G. Campbell cuuuuuuuuC {WDRDWDwd} {dwdkdr0K} {WdR)NDp0} {)pDP0WDW} {PDwdPDW1} {hwdQDwHW} {BdPdWdWd} {hrDWDWgw} vllllllllV 277. C. Callander cuuuuuuuuC {BDWDWDwG} {dwgr0wdW} {WdNhW$wd} {DwDbdPDp} {W0wdWDPd} {dPdWiw0N} {WdQdWdWd} {IwDWDWdw} vllllllllV 278. C. Callander cuuuuuuuuC {WDWDW$wh} {dwgw4ndQ} {K0WdpDwd} {DpDwdWDb} {WdwiB0Wd} {dWdP0w0W} {WdWdWdWd} {Dw$WHWdw} 279. C. Callander cuuuuuuuuC {WGWDKDwd} {dwdRdwdW} {Ndpdk0wh} {DwDpdWDw} {BhwdpdW)} {dWHW0wdr} {WdWdWdWd} {DwDWDWgq}
280. W. Coates cuuuuuuuuC {WHWDWDwH} {dwdWdw!W} {Wdwdkdwd} {DwDwdWDw} {pdwdpdWD} {)WDW)wdw} {WdWdWdPd} {DwDWDKdw} vllllllllV 281. W. Coates cuuuuuuuuC {WDBIWDwD} {hwdW$w0W} {Wdpiwdwd} {0w$NdWDP} {wdw0wdWD} {0PDpDwdw} {WdWdW)Wd} {gNDWDWdw} vllllllllV 282. W. Coates cuuuuuuuuC {WDWDWDwD} {dNdpDwdW} {Wdw)kdwd} {dwDpdWDW} {wdwhwdWD} {dWGBDwdw} {WdWdW$Wd} {dWDWDWdK} vllllllllV 283. W. Coates cuuuuuuuuC {WDWDWDwD} {dWdwGwdW} {WdwDPdwd} {dwDk0QDW} {wdwdwdW0} {dWDW)wdp} {WdWdWDN)} {dWHWDWIW} vllllllllV 284. W. Coates cuuuuuuuuC {WDWDWDwD} {dWdwDpdW} {W)RDWdwd} {dKDwdPDW} {wdw0wdNd} {)WDkDP0w} {W)W0WDPD} {dWDBDWDW} vllllllllV 285. W. Coates cuuuuuuuuC {WDWHWDwD} {dWdwDwdW} {WDWiWdwd} {dKDwdWDW} {wdwHw)Wd} {DWDw$Wdw} {WDWdW)WD} {dWDWDWDW} vllllllllV
286. W. Coates cuuuuuuuuC {W$WDWDwD} {0WdwHwdW} {WgpdWdwI} {dPDNdW0W} {pdkDwDWd} {DWDwDWdw} {WDBdPDpD} {dW$WDWDW} vllllllllV 287. W. Coates cuuuuuuuuC {KDBDWDwD} {dWdwDwdW} {Wdw$WdPD} {dW0WdWdW} {wdPDNHWd} {DWDwiW)w} {W)WdWDPD} {dWDWDWDW} vllllllllV 288. W. C. Cotton cuuuuuuuuC {W4kDWDwD} {dpdrDwdW} {WdwDWdWD} {1N0WdP0W} {BdPDNGKd} {DnDwdWDw} {W!WdWDWD} {dWDWDWDW} vllllllllV 289. F. H. Deacon cuuuuuuuuC {WdwDWDwD} {dwhwGwgp} {W0wDWdWD} {dW0WipdW} {r0WDWHWd} {hwDwdP)w} {BDWHWIWD} {dWDWDWDR} vllllllllV 290. F. H. Deacon cuuuuuuuuC {WdbHWDwD} {4wdpDw0w} {rdp0Wdp0} {0WdkdwGR} {wdWDW0Wd} {dNDBgWDw} {WDWDPDWD} {dW$WDWDK} 291. F. H. Deacon cuuuuuuuuC {WdwDWDrD} {HpdwDbdw} {w$wdWGnh} {dWdwdkDN} {w0WDW)p)} {dpDPdWIw} {W)WDWDWD} {dWDWDWDW}
292. P. T. Duffy cuuuuuuuuC {WdwDWDwD} {DwdwDw0w} {nGpdpDwd} {dWdwiwIW} {wdWDWDwD} {HwHpdW0w} {WhWDWDBD} {dWDWDWDW} vllllllllV[*] 293. P. T. Duffy cuuuuuuuuC {WdwDWiwg} {DwdKDwdp} {wDwdwDwH} {dWdNdpDW} {QdWDWDPD} {DwDpdWdw} {W)W)WDWD} {dWDWDqDW} vllllllllV[*] 294. P. T. Duffy cuuuuuuuuC {WdnDWdQI} {0wdW4Ndw} {wDw0wDwD} {HndkdpDB} {W)WDW)wD} {DwDPdW)w} {PDp$WDWD} {GW1W4wDb} vllllllllV 295. P. T. Duffy cuuuuuuuuC {WdbDBdrD} {hwdWdWhw} {wIwiwGwD} {Dwdw0wDW} {W0PDW0QD} {DwDNdWDw} {WDRDW4WD} {DWdWdwDw} vllllllllV 296. P. T. Duffy cuuuuuuuuC {WdwDWdwD} {Iwdpdpdw} {wDw0pDwD} {hwdkdw)n} {WdRDWdWD} {DwDNdPDw} {WDWHWdWD} {DWdWdQDb} vllllllllV 297. P. T. Duffy cuuuuuuuuC {WdwDWdwg} {Dw0wdw4w} {wDwdRDpD} {dwIw0wDw} {WdWDWdbD} {DwHkdWGw} {QDWdW)WD} {DWdWdWDw} vllllllllV