Illinois State University
ISU ReD: Research and eData
School of Theatre and Dance Programs
Theatre and Dance
Fall 2017
All's Well That Ends Well
School of Theatre and Dance
Illinois State University
Follow this and additional works at:
https://ir.library.illinoisstate.edu/sotdp
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Theatre and Performance Studies Commons
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Recommended Citation
School of Theatre and Dance, "All's Well That Ends Well" (2017). School of Theatre and Dance Programs. 17.
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September 27
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30
Illinois State University School of Theatre and Dance
A LIE OF THE MIND
CAST
Baylor
...
.
...
Dylan
DeWittBeth
...
Gina Sanfilippo
Frankie
...
.
...
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.
...
...
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.
..
...
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.. Everson Blade Pierce
Jake
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.
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... Parker Carbine
Lorraine
...
Abigail Langner
Meg
...
....
...
.
...
Elena Sasso
Mike
...
.
...
Raul Marron
Sally
...
.
...
...
...
Betsy Diller
Assistant Director
NICMcMINN*
Hair
&Makeup Designer
EMILY KINASZ
Lighting Designer
KAYLABROWN
There will be two ten-minute intermissions
-This performance will contain violence and gunshot effects
Director
WR/ADAMS
Scenic Designers
NICK KILGORE, JOHN STARK
Properlies Master
DEVON RODLUND
Fight Director
...
PAUL DENNHARDT
*Denotes Master of Fine Arts student
Costume Designer
EMILY KINASZ
Sound Designer
MORGAN HUNTER
Stage Manager
LUCYYAHR
ATTORNEY FRANK HOFFMAN
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SCHOOL OF
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-A LIE OF THE MIND
Production Staff
Techn
i
cal D
i
rector
...
.
..
..
...
.
...
.
...
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...
Jeremy Jenkins
Composer
.
.
...
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..
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...
.
...
...
...
Garik Wheeler
Poster Designer
...
.
...
.
.
..
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...
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...
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Adriano Gomez
Dramaturg
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Katie Kurz
Assistant Prop Master .
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.
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..
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Claire Buchanan
Assistant Costume Designer
...
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...
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..
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.
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.
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.
..
....
.
...
..
.
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Autumn Egger
Assistant Stage Manager
...
..
...
...
...
Katie Kurz
Charge Artist
...
.
...
.
...
..
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.
...
Jordan Gerow*
Assistant Lighting Designer
.
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.. Halley Paluch
Master Electrician
.
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.
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.
.
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Emily Quick
Assistant Master Electrician/Light Board Operator
.
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Nick Chamemik
Wardrobe Supervisor
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.. Ashleigh Coyier
Run Crew
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. Casey Iwanski
,
Emma Lizzio, Georgia Kaminski,
Gregory Kontos
,
Alex Kulak
,
Jenna Panos
,
Allison Pater,
Frank Rodriguez, Kelly Tony, Mary Wood
Wardrobe Crew
...
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Emily Cassidy, Ashley Genung
,
Josie O'Shaughnessy,
Megan Rechtien, Serena Villardita,
Emily White, Angela Yonan
Light Crew
...
...
.
..
...
Lexi Beutler, Adam Bridges, Marisa Patten, Derek Ray,
Chaning Sparks, Tanner Starr, JoJo Wallenberg
Paint Crew
...
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.
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....
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...
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Josey Campbell, Gretchen Fischer
,
Esthe
r
Moss,
Daija Nealy, Jessica Padilla
,
Nicole Waterkotte
SPECIAL THANKS:
Mitch Sachdev, Stevie Tupper, Gabby Munoz, Kiara lziarry, Emily Quick,
Emma Yahr, Kenleigh Roden-Foreman, Erica Maholmes, Joe Fehr
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DRAMATURGAL NOTES:
SAM SHEPARD
There
'
s no way
to
escape the fact that we've grown up in a violent culture, we just can't get away from it, it's part of our
heritage. I t/rinkpart ofit is that we've always felt somewhat helpless in the face of this vast continent. Helplessness is
answered in many ways, but one of them
is
violence. (Shepard 2010)
The School of Theatre and Dance honors Sam Shepard with our production of A Lie of The Mind. A
beloved playwright and actor, Shepard passed away in July from complications of ALS. Although a pioneer of the American avant-garde theatre of the 1960s and '70s, he is known world-wide for his gritty, realistic family dramas like A Lie of the Mind, Buried Child, and True West. Shepard's works
are an intriguing combination of dark humor, biting satire, and American mythology, particularly of the West, where he spent much of his childhood.
Many of Shepard's plays deal with dysfunctional families that mirror his own turbulent childhood. He was born November 5, 1943, in Fort Sheridan, Illinois, just two hours north of Bloomington-Normal. He was the eldest of three children and in his early years, the family followed his father from one military base to another throughout the West. An officer and WWII bomber pilot in the Army Air Forces, Shepard's father was an alcoholic whose life eventually spun out of control. As a young man, Shepard parted ways with his father, and he acknowledged in several interviews that his plays were deeply affected by that relationship and his family.
Sam Shepard started his career as a playwright at the age of 21 in New York's Theatre Genesis with a production of two one-act plays, Cowboys and The Rock Garden, earning praise from Michael
Smith of the Village Voice as "distinctly American." Over his career, he earned multiple awards for playwriting, including several Obie Awards for Off-Broadway productions and the Obie's Sustained Achievement Award in 1980 and a Pulitzer Prize in 1979 for Buried Child.
However, Sam Shepard did not stay confined to the theatre. Over his long career he did extensive work in film and television as an actor, director and screenwriter. Shepard even had a stint in the music industry during the mid 1970's traveling with Bob Dylan's band "Rolling Thunder Avenue." His acting credits include the films Steel Magnolias, Black Hawk Down, and The Right Stuff, the latter
earning him an Academy Award nomination for Best Supporting Actor. Most recently he appeared in the Netftix Original Bloodline as Robert Rayburn. As a screenwriter he has given us film adaptations
such as Paris, Texas, and Fool For Love.
A Lie of the Mind premiered Off-Broadway on December 5, 1985, at the Promenade Theater, with a
cast that included Harvey Keitel (Jake), Amanda Plummer (Beth), Aidan Quinn (Frankie), Geraldine Page (Lorraine), and Will Patton (Mike). Shepard directed the production himself. It won the 1986 Drama Desk Award for Best New Play, the Outer Critics' Circle Award for Best Off-Broadway Play, the New York Drama Critics' Circle Award for Best Play, and was nominated for the Olivier Play of the Year Award.
Whether onscreen or on stage, the haunting imagery and unique take on family and the American ideal that Sam Shepard presents will impact generations of audiences. A Times Magazine article points out,
"If plays were put in time capsules, future generations would get a sharp-toothed profile of life in the U.S. in the past decade and a half from the works of Sam Shepard."
To learn more about this brilliant dramatist, visit www.sam-shepard.com. Katie Kurz, Dramaturg
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SENIOR LIVING
WHERE OUR RESIDENTS ARE ALL THE RAGE™
Assisted and supportive living based on experience and tradition to help you LIVE LIFE YOUR WAY!
OUR SERVICES
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Jan Murphy
CENTER FOR THE PERFORMING ARTS
Coordinator for the Center for the Performing Arts
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Box Office
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Natasha Amezcua,Alexis Brock, Erika Clark, Megan Compton,
Anthony Harden
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Emma Harmon, Kat
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Erin Jess
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Emily Qu
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Hannah Sons
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Grace Winterland, Caitlin Wolfe
Scene Shop
Kevin Paxton - Shop Foreman
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Jon Buettner, Caroline Dischell*, Hannah Doherty, Jordan Gerow•, Kiara Irizarry
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Jake Lambert,
Allison McCarthy•, Adam Peak, Cambry Totten-Wade*
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Bre Ahrens, Anthony Mariano, Keizo Osuga
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Tahalia Rusley
Prop Shop
Prop Shop Superv
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Daniel Esquivel
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Halley Paluch
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Haley Armitage, Chase Baskin, Megan Compton, Adam Ford, Rachel Heinz
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Cydney Jones
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Makenna Lockhart, Adam Peak, Erin Powell, Dana Rochford
Sound Shop
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Naomi Kibler
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Connor Kubil, Emily Quick, Devon Rodlund
Costume Shop
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Daniel Balsamo
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Amanda Bedker'
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Autumn Egger, Daniel Esqu
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Chyna Hawkins,
Lexi Howe, Em
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Nicole Kippen•, Dillon Knapp, Abby Langner, Jan Liberman,
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Janelle Smith*, Amanda Vander By!•, Megan Wood*, Megan Wuoglueck
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Tanner Starr, JoJo Wallenberg
*Denotes Master of Fine
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Call today to schedule a personal tour -
(309) 268-1501
W\Vw.mcadowscommunities.org
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School of Theatre and Dance
Faculty and Staff
Janet Wilson (Director)
Ann Haugo (Associate Director and Graduate Coordinator)
Acting
Lori Adams (Head of Acting)
Connie de Veer (Voiceffext/Speech)
Paul Deanhardt (Movement/Fight Direction)
Kelsey Fisher
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Waits
Kim Pereira
David Prete
Dance Education and Dance Performance
Kristen Carlson
(AT!(Faculty)
Gregory Merriman
Kaley Pruitt
Sara Semonis (Head of Dance)
Darby Wilde
Design/Production
Joshua Foxhoven (Lighting and Sound supervisor)
Dave George (Associate Technical Director)
Elena Hansen (Stage Management)
Jeremy Jenkins (CPA Technical Director)
Mary Jungles-Goodyear (Scenic Design)
Lauren Lowell (Head of Costume)
Dan Ozminkowski (Head of Lighting Area)
Aaron Paolucci (Director of AT!(; Sound)
Kevin Paxton (Scene Shop Foreman)
Tony Reimer (Sound Design)
Kari Beth Rust (Costume Shop Supervisor)
John
C.Stark (Head of Design/Production; Head of Scenic Design)
Wendy Wallace (Craft Room Supervisor)
Directing
Robert Quinlan (Head of Directing)
David Prete
Theatre Education
Jimmy Chrismon
Michael J. Vetere III (Head of Theatre Education)
Theatre and Film Studies
Bruce Burningham
Shannon Epplelt
Ann Haugo (Head of Master's in Theatre Studies)
DianaJaher
Leslie Orr
William Prenevost (Theatre Management)
Li Zeng (Head ofTheatre and Film Studies)
Additional Faculty/Sta!T
Brian Aitken (Freshman Academic Advisor)
Courtney Grose (Administrative Aide)
Carla Leber (Office Support Specialist)
Cristen Monson (Academic Advisor)
Michelle Woody (Administrative Aide)
THEATRE POLICIES
Ticket Policies
The ticket office in the Center for the Performing Arts handles tickets for all College of Fine Arts events, including music and theatre performances in the Center, plus performances in Westhoff Theatre.
The ticket office is open 11 am to 5 pm, Monday through Friday. Call (309) 438-2535. Purchase tickets online at Ttcketmaster, 24 hours a day!
There is a performance ticket office (often referred to as "will-call") open one hour before each performance for picking up tickets. For Center for the Performing Arts performances it is the main ticket office. For Westhoff Theatre performances, it is in the Westhoff lobby.
Late Seating
Patrons who arrive after a performance has been started for a Westhoff Theatre production will not be seated until intermission if there is one (this is for safety requirements due to the intimate nature of the space - entering the theatre requires walking on the stage). For events in the Center for the Performing Arts, patrons may be seated late at the discretion of the House Manager during an
appropriate break in the performance.
Exchanges and Refunds
Exchanges can be made for a $2.00 exchange fee per ticket at least 24 hours in advance. Tickets cannot be refunded.
NOTICES
So that you may have the best experience in enjoying today's production, please be aware of the following:
• The use of cameras or other recording devices in the theatre is prohibited. • Please silence and put away all electronic devices. Sound and lit phone
screens are distracting to other patrons.
• Latecomers will be seated at the discretion of the House Manager.
• If
you leave your seat during the performance, you may not be reseated.• Food and drink (except bottled water) are not allowed in the theatre.
Illinois State University is a member of the National Association of Schools of Theatre and the University/Resident Theatre Association
Started in 1969 by Roger L. Stevens, the Kennedy Center's founding chainnan, the Kennedy Center American College Theater Festival (KCACTF) is a national theater program involving 18,000 students from colleges and universities nationwide, which has served as a catalyst in improving the quality of college theater in the United States. The KCACTF has grown into a network of more than 600 academic institutions throughout the country, where theater departments and student artists showcase their work and receive outside assessment by KCACTF respondents.
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The goals of the Kennedy Center American College Theater Festival are:
to encourage, recognize, and celebrate the finest and most diverse work produced in university and college theater programs;
to provide opportunities for participants to develop their theater skills and insight; and achieve professionalism;
to improve the quality of college and university theater in America;
to encourage colleges and universities to give distinguished productions of new plays, especially those written by students; the classics, revitalized or newly conceived; and experimental works.
Through state, regional, and national festivals, KCACTF participants celebrate the creative process, see one another's work, and share experiences and insights within the community of theater artists. The KCACTF honors excellence of overall production and offers student artists individual recognition through awards and scholarships in playwriting, acting, criticism, directing, and design.
The KCACTF is a year-round program in eight geographic regions in the United States. Regional activities are coordinated through eight KCACTF regional chairs and eighl KCACTF playwriting awards chairs. With funding and administrative support from the Kennedy Center, the regional chair coordinates with the Co-Managers of KCACTF all aspects of the adjudication of productions on the local and regional level and supervises regional-level KCACTF award competitions. The playwriting chair works with schools thal have entered new and student-written plays by providing expertise in lhe development of new scripts--assessment specifically designed for a developing play--and by providing infonnation on the numerous playwriting awards offered.
In January and February of each year, regional festivals showcase the finest of each region's entered productions and offer a variety of activities, including workshops, symposia, and regional-level award programs. Regional festival productions are judged by a panel of three judges selected by the Kennedy Center and the KCACTF national committee. These judges in consultation with the Artistic Director select four to six of the best and most diverse regional festival productions to be showcased in the spring at the annual noncompetitive national festival at the Kennedy Center, all expenses paid.
Since its inception, KCACTF has given more than 400,000 college !healer students the opportunity lo have their work critiqued, improve their dramatic skills and receive national recognition for excellence. More than 16 million theatergoers have attended approximately 10,000 festival productions nationwide.
The Kennedy Center American College Theater Festival is sponsored by Delta.
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