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Guidelines for Junior HighlMiddle School

All-State Sight Reading Exercises

A. General Criteria for Exercises

1.

There are three exercises of

eight measures (twenty-four to

7K

minimum passing score is eight measures.

2. The range of exercises should not exceed a Major 6th and shou\,)

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be lower then; Middle C for the Treble voice, C below Middle

C

Baritone voice and G below Middle C for the Changing Voice. The:;

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should not be higher than; C above middle C for the Treble voice,

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C for the Baritone voice and

F

above middle C for the Changing

VOl' .. '"

B. Specific Criteria for Progression

by

Exercise.

#1.

Key:

C Major (TreblelBari), G Major (Changing Voice'

Pitch:

Step-wise, diatonic, with repeated notes

Meter:

4/4

Duration:

Quarter, Half and Whole Notes

#2.

Key:

Pitch:

Meter:

Same as number

1

Stepwise, diatonic, with repeated notes and step"

limited to the tonic triad

3/4

Duration:

Quarter, Half, and Dotted Half Notes, Quarter

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#3.

Key:

. ·Pitch:,·

Meter:

D Major (Treble/Bari),

A

Major (Changing voiccj

Ste~w.{se"di:atonic,skips"limited

to the{Ollic triad

at the beat level'

.. -' .. -.---- ...

3/41

or

4/4

Duration:

Quarter, Half, Dotted Half and Whole notes,

Quarter and Eighth rests

Being aware of the limited ranges of JHlMS voices, especially boys, the

auditi,xi;:;r

will be allowed to change the key of any exercise to suit the particular student The

girls, for instance, may find that C and D Major are alittle low, while some

Baritones would sing more comfortably in B Flat rather than C or D Major. Sorne

ofthe young boys will sing the Treble exercises comfortably, while others w\u

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these too high and the Changing Voice keys too low. Please change the keys

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accommodate the student!

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MIDDLE SCHOOL

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Guidelines for High School

All-State Sight Reading Exercises

A. General Criteria for Exercises

1. There are six exercises of eight measures (forty·eight total). The minimum passing score is twelve measures.

2. The range of the exercises should not exceed a Major 9th and should not be lower than B flat below middle

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.or higher than E in the second octave above middle C (an octave lower for bass clef).

B. Specific Criteria for Progression

by

Exet"cise

#1. Key: C Major #2. #3. #4. #5. #6.

Pitch: Stepwise, diatonic Meter: 4/4 Duration: Key: Pitch: Meter: Duration: Key: Pitch: Meter: Duration: Key: Pitch: Meter: Duration: Key: Pitch: Meter: Duration: Key: Pitch: Meter: Duration:

Quarter, half and whole notes, no rests

F Major

Stepwise, diatonic, with division level activity restricted to repeated tones allU neighbor lanes

3/4

Add division level activity to include two eighth notes, dotted quarter and eighth and dotted half

F Major

Stepwise, diatonic, with skips limited to the Tonic triad on the beat level, lower neighbor approach to the Tonic or Dominant,

or upper neighbor approach to the Dominant 4/4 or 3/4

Add rests at the beat level

d minor (relative minor of #3) , Harmonic form

Stepwise, diatonic, with skips on the Tonic triad at the beat level 4/4 or 3/4

Beat and division level notes with passing eighths andlor a one be"! triplet on repeated notes

G Major or D Major

Stepwise, diatonic, with skips on the Tonic triad but not on consecutive eighths (quarter, eighth, dotted quarter andlor dotted half notes)

6/8 or 6/4 (compound duple) Add dotted quarter rest CMajor

Stepwise and skips on the Tonic, Sub-Dominant and Dominant Triads, chromatic alterations of the 4th (fe), and 7th (te) approached stepwise.

4/4, 3/4 or 6/8

All values previously used plus dotted eighths/sixteenths, syncopation at the division level and ties across the bar line.

(5)

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Florida Vocal Association .

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References

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