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Kubla Khan

Kubla Khan GeGeneral neral RomaRomantinti ciscism m  

 PantheisticPantheistic –  –  spirituality spirituality

found through the beauty of found through the beauty of nature, which allows oneself nature, which allows oneself to experience God.

to experience God.

 2 waves of Romanticism2 waves of Romanticism –  – 

1800s, and 1830-50 1800s, and 1830-50

Ge

General neral ff or Poem or Poem  

 17971797 

 Came to him in a dream thatCame to him in a dream that

was opium induced. was opium induced.

 Fell asleep, had aFell asleep, had a

dream/vision that was dream/vision that was 200-300

300 lines. lines. When hWhen he awoke,e awoke, he started writing, but was he started writing, but was interrupted and therefore interrupted and therefore forgot.

forgot.

 Second half of poem wasSecond half of poem was

written after the interruption written after the interruption from what he could

from what he could remember.

remember.

 May not have been trueMay not have been true –  – 

reason could be to put the reason could be to put the notion of the importance of notion of the importance of imagination out there as a imagination out there as a Romantic.

Romantic. IMAGINATION IMAGINATION

 River, sunless sea, etc.River, sunless sea, etc. –  – 

lifeless dark place in the lifeless dark place in the subconscious of the subconscious of the imagination, which

imagination, which can’tcan’t necessarily be accessed. necessarily be accessed.

 The fountain is therefore theThe fountain is therefore the

source of inspiration. source of inspiration.

 Goes back to the lifeless sea.Goes back to the lifeless sea. Title

Title 

 Mongolian emperorMongolian emperor –  –  exotic exotic 

 ViolenceViolence –  –  Mongols famous Mongols famous

for violently taking over large for violently taking over large areas.

areas.

 AlliterationAlliteration

Or, a vision in a dream. A Fragment.

Or, a vision in a dream. A Fragment. [Subtitle][Subtitle]

Fragment

Fragment

 Imagination is so powerful,Imagination is so powerful,

that it’s so difficult to capture

that it’s so difficult to capture

and to hold/maintain.

and to hold/maintain.

(2)

imagination. In Xanadu did Kubla Khan Xanadu

 Summer capitol  exotic,

different, unusual.

A stately pleasure-dome decree:  Kubla Khan as a place of

 pleasure Stately

 Contrasting tone to violence.

Connotation of reservation, grandness. Pleasure-dome decree  Alliteration  Compound word Dome  Connotations of circle –  no  beginning or end. Where Alph, the sacred river, ran Sacred river

 Mongols not Christian. Not

traditional religion that he’s talking about, and the

Romantic view of religion isn’t traditional.

River, ran

 Alliteration

 Many sound techniques in the

 poem

Aplh, the sacred river

 Alpheus, a river in Greece,

 pursued the nymph, Arethusa, and dived underground and  below the sea until it

re-emerged in a fountain.

 The Alph is also a legendary

river with features similar to the river Nile in Africa. The Egyptians considered the Nile sacred, so perhaps this is why Coleridge refers to the Alph as a sacred river.

Through caverns measureless to man Measureless to man/sunless sea

 Dark imagery

Down to a sunless sea.

So twice five miles of fertile ground Twice five miles

 Emphasizes size

Fertile ground

 Positive image

With walls and towers were girdled round; Girdled round

 Confining image

(3)

 Held in, watched connotations

And there were gardens bright with sinuous rills,

Where blossomed many an incense-bearing tree;

Incense-bearing

 Overtones of religion

And here were forests ancient as the hills, Ancient as the hills

 Simile

 Ancientness –  feelings of

deep respect and permanency with value.

Enfolding sunny spots of greenery. Enfolding

 Beautiful image somewhat

contained and restricted. Tonal shift.

Sense of violent nature moving.  Note use of verbs.

 Exclamatory

 – 

 harshness, violence But oh! that deep romantic chasm which

slanted

But oh!

 Volta –  change of direction  Exclamatory –  in wonder,

surprise. Down the green hill athwart a cedarn cover!

A savage place! as holy and enchanted Savage place!

 Surprising

Holy and enchanted

 Holy –  connotations of

holiness and religion

 Enchantment –  non traditional

religion

 Therefore, mix between the

two. As e’er beneath a waning moon was haunted

By woman wailing for her demon-lover!   Not a traditional, religious

image. More Pagan.

 Onomatopoeic, alliteration

Demon-lover

 This is a reference to an

eastern legend where a

woman, after falling in love, discovered that her lover was a demon or a supernatural  being. Thereafter, she kept on

looking for him in all sorts of enchanted places.

And from this chasm, with ceaseless turmoil seething,

 Sense of foreboding

movement

 Sibilance –  threatening  Alliteration in first stanza – 

(4)

As if this earth in fast thick pants were  breathing,

 Simile, personification

A mighty fountain momently was forced: Amid whose swift half-intermitted burst

Huge fragments vaulted like rebounding hail,  Simile

Or chaffy grain beneath the thresher’s flail: And mid these dancing rocks at once and ever

It flung up momently the sacred river. Five miles meandering with a mazy motion Through wood and dale the sacred river ran, Then reached the caverns measureless to man,

And sank in tumult to a lifeless ocean; And ’mid this tumult Kubla heard from far 

Ancestral voices prophesying war!  Supernatural overtone

Prophesying war

 Largely discussed by critics as

to what that will mean War

 This would ruin the pleasure

dome. Therefore, reality (war) ruins imagination and his sense of please –  fleeting. The shadow of the dome of pleasure Shadow of the dome

  Not a full experience

Floated midway on the waves;

Where was heard the mingled measure Mingled

 Halfway in everything – 

 between the fountain and the caves.

From the fountain and the caves.

It was a miracle of rare device, Device/ice

 Rhyme

Miracle

 Religious overtones

A sunny pleasure-dome with caves of ice! Sunny pleasure-dome…caves of ice

 Paradox –  heat and cold  Bringing things together, to

get back to the real world.  Another vision

A damsel with a dulcimer Dulcimer

 Stringed instrument

In a vision once I saw: It was an Abyssinian maid

And on her dulcimer she played,

Singing of Mount Abora. Mount Abora

(5)

his inspiration. Appears to be exotic etc.

Could I revive within me Her symphony and song,

To such a deep delight ’twould win me, That with music loud and long,

I would build that dome in air,

That sunny dome! those caves of ice! And all who heard should see them there, And all should cry, Beware! Beware!

His flashing eyes, his floating hair!  Critics –  talking about himself

His

 Repetition

Weave a circle round him thrice, Thrice

 Biblical connotation –  holy

trinity.

 Supernatural overtones – 

 power attached to it.

 Three –  wrapping around and

solidifying the pantheistic  beliefs.

And close your eyes with holy dread Holy dread

 In awe and dread when God is

confronted. Combination of  paradoxical feelings.

For he on honey-dew hath fed,

And drunk the milk of Paradise. Paradise

 After death usually.  Therefore if that’s

experienced before death, it’s the ultimate knowledge which results in people being scared of that knowledge being held. Milk of paradise

 Coleridge, having ‘drunk the

milk of paradise’ desired and sought after the beautiful image of Xanadu and Utopia, and his final stanza is his way of describing to the reader how badly he wants to go  back there.

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