Sleightly Sensational

(1)

(2)

Copyrights Copyrights

This ebook is for personal and home use only. Renting or public viewing of this ebook is This ebook is for personal and home use only. Renting or public viewing of this ebook is strictly prohibited. Any other use of this ebook — including reproduction for purposes other strictly prohibited. Any other use of this ebook — including reproduction for purposes other than those noted above, modification, distribution, or republication — without the prior than those noted above, modification, distribution, or republication — without the prior written

written permission of permission of Lybrary.com is Lybrary.com is strictly prohibited. strictly prohibited. We We have have a a special special arrangemenarrangement t forfor libraries. Please contact us for details.

libraries. Please contact us for details. Disclaimer

Disclaimer

Lybrary.com used its best efforts in preparing this ebook. However, Lybrary.com makes no Lybrary.com used its best efforts in preparing this ebook. However, Lybrary.com makes no representation or warranties (express or implied, including, but not limited to, warranties of representation or warranties (express or implied, including, but not limited to, warranties of title, non-infringement, merchant

title, non-infringement, merchantability or fitness ability or fitness for a particular purpose) with for a particular purpose) with respect to therespect to the accuracy, applicabilit

accuracy, applicability, fitness, or y, fitness, or completenescompleteness of s of the contents of this the contents of this ebook. The informationebook. The information contained in this ebook is strictly for educational purposes. Therefore, if you wish to apply contained in this ebook is strictly for educational purposes. Therefore, if you wish to apply ideas contained in this ebook,

ideas contained in this ebook, you are taking full you are taking full responsibiliresponsibility for your ty for your actions.actions. Crime Watch

Crime Watch

Please help us to identify criminals. At the end of the day illegal copying will increase ebook Please help us to identify criminals. At the end of the day illegal copying will increase ebook prices for you or make such products impossible altogether. If you encounter suspicious prices for you or make such products impossible altogether. If you encounter suspicious activities, please contact us at [email protected] or any of our other email and mailing activities, please contact us at [email protected] or any of our other email and mailing addresses. We reward any tips

addresses. We reward any tips and information, which lead to the and information, which lead to the conviction of illegal copyingconviction of illegal copying activity with 50% of the punitive damages placed to our credit.

activity with 50% of the punitive damages placed to our credit. Feedback

Feedback

Please send error corrections to [email protected]. We appreciate if you let us know about Please send error corrections to [email protected]. We appreciate if you let us know about any typos, errors, or any other comments you would like to make.

any typos, errors, or any other comments you would like to make. Provenance

Provenance 11stst_{edition 1954.}_{edition 1954.}

(3)

Sleightly

Sensational

by BILL SIMON

Illustrations by ED MISHELL

Edited by BRUCE ELLIOTT

(4)

DEDICATED TO MY LOVELY WIFE,

RONA,

WHOSE MAGIC IS OF AN

ENTIRELY DIFFERENT SORT

(5)

FOREWORD

ONE OF the main charms magic holds is its never-ending development, new methods, ONE OF the main charms magic holds is its never-ending development, new methods, new effects, new presentations. In writing this book I hope to add to what has been done in new effects, new presentations. In writing this book I hope to add to what has been done in the past.

the past.

Sincere thanks to Dai Vernon for his introduction; to Bruce Elliott for his fine editing; Sincere thanks to Dai Vernon for his introduction; to Bruce Elliott for his fine editing; to Lou Tannen, whose assistance has made this book possible; and, of course, to Ed Mishell, to Lou Tannen, whose assistance has made this book possible; and, of course, to Ed Mishell, for his

for his excellent illustrationexcellent illustrations.s.

BILL SIMON BILL SIMON

INTRODUCTION

No one has to spread the news to magic enthusiasts that Bill Simon is one of the top No one has to spread the news to magic enthusiasts that Bill Simon is one of the top card manipulators in the United States. He has shown his work to most of the experts in this card manipulators in the United States. He has shown his work to most of the experts in this field and I feel sure that they would agree with

field and I feel sure that they would agree with this appraisal.this appraisal.

His original and subtle methods combined with his crisp, neat handling of cards make His original and subtle methods combined with his crisp, neat handling of cards make his effects exceptionally entertaining and baffling.

his effects exceptionally entertaining and baffling.

Knowing how logical and practical he is when discussing problems connected with Knowing how logical and practical he is when discussing problems connected with playing cards, I feel sure that he is particularly qualified to write an authoritative book on his playing cards, I feel sure that he is particularly qualified to write an authoritative book on his methods. “Effective Card Magic,” his last book, will attest to this. Those who read it

methods. “Effective Card Magic,” his last book, will attest to this. Those who read it must havemust have appreciated the excellent material, the way it was described, and the spirit in which it was appreciated the excellent material, the way it was described, and the spirit in which it was written.

written.

Cards are the most popular of the many branches of conjuring today. However, a card Cards are the most popular of the many branches of conjuring today. However, a card trick must be thoroughly understood and well performed to be

trick must be thoroughly understood and well performed to be well received by the public.well received by the public. Mr. Simon has selected a few of his most effective experiments and his instructions are Mr. Simon has selected a few of his most effective experiments and his instructions are clear and concise.

clear and concise.

He has made his book informative and interesting. If you enjoy card magic, you will He has made his book informative and interesting. If you enjoy card magic, you will enjoy this book.

(7)

IN GENERAL

MANY IDEAS and impressions which I have developed relative to the performance of MANY IDEAS and impressions which I have developed relative to the performance of magic, card magic in particular, have been stated in “Effective Card Magic.” A year having magic, card magic in particular, have been stated in “Effective Card Magic.” A year having passed since their publication I find that my opinions haven’t changed to any great degree. passed since their publication I find that my opinions haven’t changed to any great degree. However, there are a few things I would like to mention to the reader before he begins the However, there are a few things I would like to mention to the reader before he begins the following chapters which are, for the most part, concerned with technique, effects and their following chapters which are, for the most part, concerned with technique, effects and their methods.

methods.

Practically all of the effects should be read with the apparatus in your hands. When Practically all of the effects should be read with the apparatus in your hands. When reading one of the card effects, for example, you will find it easier to understand if you have a reading one of the card effects, for example, you will find it easier to understand if you have a deck of cards in your hands so that you can run through the description of the method as you deck of cards in your hands so that you can run through the description of the method as you read. A simple move appears to be very complicated when described, but by running through read. A simple move appears to be very complicated when described, but by running through the move as you read, it will become very clear and obvious. Once you understand the basic the move as you read, it will become very clear and obvious. Once you understand the basic mechanism of the move you must then practice and adapt it to yourself so that it may be mechanism of the move you must then practice and adapt it to yourself so that it may be performed undetectably. If the move is of such a nature that it cannot be performed performed undetectably. If the move is of such a nature that it cannot be performed undetectably then you must develop suitable misdirection which will give you

undetectably then you must develop suitable misdirection which will give you ample cover.ample cover. Once you have learned the necessary moves or method, you should develop the Once you have learned the necessary moves or method, you should develop the presentation. After all, your audience doesn’t see the technique or moves . . . all they see is the presentation. After all, your audience doesn’t see the technique or moves . . . all they see is the clear-cut effect. And if the effect is not performed in an interesting manner it will be dull to clear-cut effect. And if the effect is not performed in an interesting manner it will be dull to them regardless of the ingenious means you employ. A brother magician may appreciate your them regardless of the ingenious means you employ. A brother magician may appreciate your skill, but an effect well-performed before a layman should not give the impression of skill. skill, but an effect well-performed before a layman should not give the impression of skill. Thus you will have to build up a dramatic presentation, or perhaps an amusing dialogue, to Thus you will have to build up a dramatic presentation, or perhaps an amusing dialogue, to sell your effects solidly.

sell your effects solidly.

One of magic’s most prolific writers, Bob Orben, has contributed tremendously to the One of magic’s most prolific writers, Bob Orben, has contributed tremendously to the entertainment value of magic. He has written many excellent books which not only contain entertainment value of magic. He has written many excellent books which not only contain wonderful gag

wonderful gag lines and lines and comedy situations, but comedy situations, but he he has also has also written patter for written patter for specific effects.specific effects. By carefully selecting material from this wealth of

By carefully selecting material from this wealth of comedy matter, by selecting material whichcomedy matter, by selecting material which best

best suits suits yourself yourself you you will will be be able able many many times times over over to to increase increase the the entertainmenentertainment t value value ofof your performa

your performances.nces.

The above has not been written with the view in mind that everyone in the world can be The above has not been written with the view in mind that everyone in the world can be an efficient comedian. I do believe that a pleasant style of performing, with some well placed an efficient comedian. I do believe that a pleasant style of performing, with some well placed comedy remarks, will be the best style for

comedy remarks, will be the best style for the average non-professional performer to adopt.the average non-professional performer to adopt. If you belong to any of the

If you belong to any of the magic organizations you may have noticed that over a periodmagic organizations you may have noticed that over a period of time a certain effect is associated with one particular performer. You may wonder how or of time a certain effect is associated with one particular performer. You may wonder how or why

why this this came came about. about. Usually Usually it it is is the the result result of of this this person person constantlconstantly y working working on, on, andand improving the particular effect so that he knows exactly how to present it under unusual improving the particular effect so that he knows exactly how to present it under unusual circumstances. Not only has he the ability to perform it technically perfect, but he also has the circumstances. Not only has he the ability to perform it technically perfect, but he also has the patter, the nuances, the bits of business that go with it. You should develop several pet tricks patter, the nuances, the bits of business that go with it. You should develop several pet tricks to this degree as once you have them

to this degree as once you have them they will remain with you forever.they will remain with you forever.

Once again, as in my other books, I have not used trick or gimmicked cards or Once again, as in my other books, I have not used trick or gimmicked cards or apparatus to accomplish the effects described. If you feel that you can improve your apparatus to accomplish the effects described. If you feel that you can improve your performance of these effects by using methods other than those given here I highly performance of these effects by using methods other than those given here I highly

(8)

recommend that you do so. The principle reason for my restricting the methods to purely recommend that you do so. The principle reason for my restricting the methods to purely impromptu means is that by so doing you are always ready to perform these effects. If you impromptu means is that by so doing you are always ready to perform these effects. If you need a gimmick, and you do not have it with you, then you cannot perform that particular need a gimmick, and you do not have it with you, then you cannot perform that particular trick. By using ordinary objects you may borrow them and always be able to give an effective trick. By using ordinary objects you may borrow them and always be able to give an effective performance.

performance.

So much has been written about practice . . . and so little is done about it! Many So much has been written about practice . . . and so little is done about it! Many magicians attempt to perform effects which require practice. If they refuse to practice (which magicians attempt to perform effects which require practice. If they refuse to practice (which is the only possible way to learn technically involved moves) then why don’t they simply is the only possible way to learn technically involved moves) then why don’t they simply concentrat

concentrate on e on the thousands of effects which the thousands of effects which require no practice. Some magicians shudder atrequire no practice. Some magicians shudder at the thought of practice—they feel it is either unnecessary or that their ability doesn’t demand the thought of practice—they feel it is either unnecessary or that their ability doesn’t demand that they practice. Then, when performing, they “miss” or “flash,” or fail in other ways. It takes that they practice. Then, when performing, they “miss” or “flash,” or fail in other ways. It takes an exceedingly vain man to accept the thought that he doesn’t require practice. How many an exceedingly vain man to accept the thought that he doesn’t require practice. How many people are aware of the fact that great musicians, men and women at the very top of their people are aware of the fact that great musicians, men and women at the very top of their professions, practice six and eight hours a day? How many successful motion-picture stars (I professions, practice six and eight hours a day? How many successful motion-picture stars (I should include TV stars) still take dramatic lessons, retain voice coaches, continue with their should include TV stars) still take dramatic lessons, retain voice coaches, continue with their dancing instructions? People who have reached the peak of their professions continue to dancing instructions? People who have reached the peak of their professions continue to practice, and learn, and improve, It certainly should not be too much to expect a magician to practice, and learn, and improve, It certainly should not be too much to expect a magician to learn how properly to perform his effects before performing for

learn how properly to perform his effects before performing for the public.the public.

From time to time I hear magicians discussing the value of magic, or the cost of magic. From time to time I hear magicians discussing the value of magic, or the cost of magic. If you see an effect you can’t use then any price you pay for it is too great. If you see a trick, or If you see an effect you can’t use then any price you pay for it is too great. If you see a trick, or move, or sleight that you

move, or sleight that you can use then you can never over-pay for can use then you can never over-pay for it. After all, once you learn ait. After all, once you learn a move or effect it remains with you for life. If you are an amateur you can gain from it endless move or effect it remains with you for life. If you are an amateur you can gain from it endless pleasure when performing for your friends. If you are a professional then it is your necessary pleasure when performing for your friends. If you are a professional then it is your necessary “business equipment” . . . you can use it commercially and your cost is nominal. The “business equipment” . . . you can use it commercially and your cost is nominal. The wonderful “Stars of Magic” serie

wonderful “Stars of Magic” series will help me illustrate this point. In reading the entire series will help me illustrate this point. In reading the entire seriess there were five or six items which individually were worth, to me, many times more than the there were five or six items which individually were worth, to me, many times more than the entire cost of the series. It is true that some effects did not impress me too greatly, and others entire cost of the series. It is true that some effects did not impress me too greatly, and others I was already familiar with; but the overall value of the items I did get were worth buying the I was already familiar with; but the overall value of the items I did get were worth buying the entire series three times over!

entire series three times over!

In closing these random thoughts I can only wish you much success and enjoyment In closing these random thoughts I can only wish you much success and enjoyment from your magic. Always respect magic and this respect will be repaid to you in many, many from your magic. Always respect magic and this respect will be repaid to you in many, many ways.

(9)

CARD EFFECTS

THE MATHEMAGICIAN

This is a self-working interlude, apparently mathematical, but following no known laws This is a self-working interlude, apparently mathematical, but following no known laws of mathematics. In effect, two spectators discover the four aces

of mathematics. In effect, two spectators discover the four aces by random dealing.by random dealing.

Have the four aces on top of the deck and apparently mix the cards, without disturbing Have the four aces on top of the deck and apparently mix the cards, without disturbing the top four cards. “To be honest I’ll also bury the top and bottom cards,” you say. Take two the top four cards. “To be honest I’ll also bury the top and bottom cards,” you say. Take two cards from the bottom and place them in the center of the deck, squaring the deck. Take two cards from the bottom and place them in the center of the deck, squaring the deck. Take two cards from the top of the

cards from the top of the deck (two aces) and place them in the center of the deck (two aces) and place them in the center of the deck, but secure adeck, but secure a break over these t

break over these two aces with youwo aces with your left little fingerr left little finger..

“I need two mathematically inclined spectators,” you say. Have two people come “I need two mathematically inclined spectators,” you say. Have two people come forward to assist you. Cut off all the cards above the break and hand half to one spectator. forward to assist you. Cut off all the cards above the break and hand half to one spectator. Hand the remaining half in

Hand the remaining half in your left hand to your left hand to the other spectator.the other spectator.

“You each have about half the deck. Now I want you each, independently of each other, “You each have about half the deck. Now I want you each, independently of each other, to deal as many cards off your halves as you please. Just deal the cards singly, in a pile

to deal as many cards off your halves as you please. Just deal the cards singly, in a pile in frontin front of you, and stop dealing whenever you want to.” Each spectator deals as many cards as he of you, and stop dealing whenever you want to.” Each spectator deals as many cards as he wishes so that now each has a packet of

wishes so that now each has a packet of cards in front of him and also each has cards in front of him and also each has some un-dealtsome un-dealt cards in his hand. Take the un-dealt cards from each of the spectators and place them aside. cards in his hand. Take the un-dealt cards from each of the spectators and place them aside.

“You have both dealt as many cards as you wished, and there could certainly be no way “You have both dealt as many cards as you wished, and there could certainly be no way of my knowing or controlling how many cards you have each dealt, is that right ?“ After they of my knowing or controlling how many cards you have each dealt, is that right ?“ After they both

both acknowledge this acknowledge this you you say: say: “I “I want you want you each to each to pick pick up up the the pile pile you you have have dealt dealt and thenand then deal

deal two two piles piles from from the the one, one, dealing dealing singly singly and 9and 9from from left left to to right.” right.” Each Each spectator spectator picks picks upup the packet in front of himself and deals two packets so that at the conclusion of their dealing the packet in front of himself and deals two packets so that at the conclusion of their dealing there will be four packets face down on the table, two in front of each spectator. Just have there will be four packets face down on the table, two in front of each spectator. Just have them deal from left to right and deal out all of the cards, even though in some instances the them deal from left to right and deal out all of the cards, even though in some instances the packets will not come out even.

packets will not come out even.

If the instructions have been followed exactly as given, there will be an ace on top of If the instructions have been followed exactly as given, there will be an ace on top of each of the four packs. Do not simply disclose this but build it up, saying something to the each of the four packs. Do not simply disclose this but build it up, saying something to the effect that: “There are endless permutations involved in just such a simple dealing procedure effect that: “There are endless permutations involved in just such a simple dealing procedure as we have followed. There are over 20,000 possibilities. ‘Well, let’s see what result we have as we have followed. There are over 20,000 possibilities. ‘Well, let’s see what result we have from this dealing.” Turn over the top four cards, or have the spectators do this, and you will from this dealing.” Turn over the top four cards, or have the spectators do this, and you will get an excellent response when the four

get an excellent response when the four aces are disclosed.aces are disclosed.

EYE DOUBT IT

The magician explains that one of the strongest magical devices is to have people The magician explains that one of the strongest magical devices is to have people believe

(10)

performer places two cards face to face: Far example, the two

performer places two cards face to face: Far example, the two red queens. “Now you know thatred queens. “Now you know that these cards, the red queens, are face to face. You also know that if I were to show them to you these cards, the red queens, are face to face. You also know that if I were to show them to you they would certainly not change their characteristics. Yet, by rubbing the backs of

they would certainly not change their characteristics. Yet, by rubbing the backs of the queens Ithe queens I can make them change to the two black deuces. Suiting actions to his words, the magician can make them change to the two black deuces. Suiting actions to his words, the magician shows that the cards have changed to the black deuces.

shows that the cards have changed to the black deuces.

“To continue, we realize that these only look like the black deuces,” the performer says, “To continue, we realize that these only look like the black deuces,” the performer says, “With this in mind I’ll now bring us back to reality.” The magician places the black deuces “With this in mind I’ll now bring us back to reality.” The magician places the black deuces together, rubs them, and they once again are shown to be the red queens. “I never did change together, rubs them, and they once again are shown to be the red queens. “I never did change these queens to deuces. You

these queens to deuces. You only thought I did,” only thought I did,” concludes the performer.concludes the performer. You

You may may use use whatever subject whatever subject cards you cards you desire, desire, in in performing this performing this effect. effect. I I prefer prefer thethe red queens and black deuces as there is such a

red queens and black deuces as there is such a definite color contrastdefinite color contrast. Begin by placing the two. Begin by placing the two black deuces on top of

black deuces on top of the deck. Turn over the the deck. Turn over the deuce which is second from the top so that deuce which is second from the top so that it isit is face up beneath the top deuce. The queens should be

face up beneath the top deuce. The queens should be face down in different parts of the deck.face down in different parts of the deck. Begin by discussing how people can be made to think or believe that they see certain Begin by discussing how people can be made to think or believe that they see certain things which, in reality, do not exist. Run through the deck, face up, and remove the two red things which, in reality, do not exist. Run through the deck, face up, and remove the two red queens. Place the queens face to face on the table and gently rub them. Point out that the queens. Place the queens face to face on the table and gently rub them. Point out that the queens do not change characteristics and have a spectator spread them apart and look at their queens do not change characteristics and have a spectator spread them apart and look at their faces. As this is done, secretly secure a break under the top two cards of the deck which has faces. As this is done, secretly secure a break under the top two cards of the deck which has been held face dow

been held face down in your left hann in your left hand (in dealing position) durd (in dealing position) during the rubbing procing the rubbing process.ess. With your right hand plac

With your right hand place the two queens face to face and put them on top of the dece the two queens face to face and put them on top of the deck.k. Rub the back of the top queen, not

Rub the back of the top queen, not exposing the queen beneath it.exposing the queen beneath it. You now apparently turn the two face to face queens over on

You now apparently turn the two face to face queens over on top of the deck so that thetop of the deck so that the queen which was on top should now be under the other queen. What you really do is turn over queen which was on top should now be under the other queen. What you really do is turn over all the cards above your break (four cards) on the top of the deck. To all appearances the top all the cards above your break (four cards) on the top of the deck. To all appearances the top two cards are still the face-to-face queens, but actually you have substituted the two black two cards are still the face-to-face queens, but actually you have substituted the two black deuces for the queens . . .

deuces for the queens . . . the queens are 3rd and 4th from the top!the queens are 3rd and 4th from the top!

Rub the top of the deck, not separating the two top cards. With your thumb, pull the Rub the top of the deck, not separating the two top cards. With your thumb, pull the top card a fraction of

top card a fraction of an inch to the an inch to the left so that the face up left so that the face up deuce’s right edge shows. With yourdeuce’s right edge shows. With your right forefinger pull up on the right edge of the card second from the top so that you may lift right forefinger pull up on the right edge of the card second from the top so that you may lift the two top cards off the deck. Since they are face to face you may show the backs of the two the two top cards off the deck. Since they are face to face you may show the backs of the two cards you are lifting off the deck. Your spectators will believe that you still hold the red cards you are lifting off the deck. Your spectators will believe that you still hold the red queens. Place the two cards on the table, tap the backs and show that the queens have queens. Place the two cards on the table, tap the backs and show that the queens have changed to deuces.

changed to deuces.

During the surprise secure a break under the top two cards which are on the deck (the During the surprise secure a break under the top two cards which are on the deck (the face-to-face queens). The two black deuces should both be face up on the table. Pick up one of face-to-face queens). The two black deuces should both be face up on the table. Pick up one of them and place it face up on top of the deck. Apparently turn the deuce on the deck face down, them and place it face up on top of the deck. Apparently turn the deuce on the deck face down, but actually turn over all th

but actually turn over all the cards above your break. (Because cards above your break. (Because the back of a card shows on tope the back of a card shows on top of the deck it

of the deck it will appear that you simply turned the deuce face down on the deck. Actually thewill appear that you simply turned the deuce face down on the deck. Actually the deuce is now third from the top.)

deuce is now third from the top.) With

With your your right right hand hand lift lift the the top top two two cards cards off off the the deck deck as as one one card card (the (the face-to-faceface-to-face queens). Place the cards in your left hand on

(11)

up deuce which is on the table. Apparently you hold a face up deuce in your left hand and a up deuce which is on the table. Apparently you hold a face up deuce in your left hand and a face down deuce in your right hand.

face down deuce in your right hand. You now place

You now place the face down carthe face down cards (as one single cads (as one single card) over the face up card) over the face up card in your leftrd in your left hand. Hold them square, rub the backs, and with your right forefinger pull back on the top hand. Hold them square, rub the backs, and with your right forefinger pull back on the top card. The top card (a red queen) will move

card. The top card (a red queen) will move back exposing a face up queen in your left hand (beback exposing a face up queen in your left hand (be certain that the black deuce is squared beneath it). Turn the top card face up showing that it certain that the black deuce is squared beneath it). Turn the top card face up showing that it has also changed back to a red

has also changed back to a red queen. Place both cards (actually three cards) face down on topqueen. Place both cards (actually three cards) face down on top of the deck.

of the deck. You have

You have apparently changed two apparently changed two red queens to red queens to black deuces, and black deuces, and then returned themthen returned them to their original condition. At the conclusion of this effect you will find no face up cards to get to their original condition. At the conclusion of this effect you will find no face up cards to get rid of and you are

rid of and you are all set to go into your next all set to go into your next effect.effect.

THE FLASH CHANGE

In this effect you set about to prove the aphorism: “The hand is quicker than the eye.” In this effect you set about to prove the aphorism: “The hand is quicker than the eye.” You do this by showing four indifferent cards and magically changing the cards to four aces in You do this by showing four indifferent cards and magically changing the cards to four aces in

a twinkling of an eye. a twinkling of an eye.

To perform, secretly set the four aces on top of the deck (or any other four cards of To perform, secretly set the four aces on top of the deck (or any other four cards of similar value). Riffle shuffle the deck, being careful not to mix the aces with any indifferent similar value). Riffle shuffle the deck, being careful not to mix the aces with any indifferent cards.

cards.

“I am going to .attempt to prove that the hand is quicker than the eye,” you begin. “To “I am going to .attempt to prove that the hand is quicker than the eye,” you begin. “To do this I am going to let you freely select any four cards you wish, and in a twinkling of an eye do this I am going to let you freely select any four cards you wish, and in a twinkling of an eye I plan to

I plan to change them to four change them to four different cards.”different cards.”

Spread the deck out on the table, face down, and have the spectators touch any four Spread the deck out on the table, face down, and have the spectators touch any four cards they wish. Avoid having them select one of the top four cards. Pick up the deck in your cards they wish. Avoid having them select one of the top four cards. Pick up the deck in your hands and have the four selected cards turned face up on the table. Ask, “Do you wish to hands and have the four selected cards turned face up on the table. Ask, “Do you wish to exchange any of the cards on the table for any of the cards still in the deck?” If they wish to exchange any of the cards on the table for any of the cards still in the deck?” If they wish to make a change allow them to do so. The purpose of suggesting this exchange is to give you an make a change allow them to do so. The purpose of suggesting this exchange is to give you an opportunity to spread the deck between your hands and secretly secure a break under the top opportunity to spread the deck between your hands and secretly secure a break under the top four cards, which you now do.

four cards, which you now do.

Square the deck and hold it in your left hand, your left little finger secretly holding a Square the deck and hold it in your left hand, your left little finger secretly holding a break under

break under the the top four top four cards. Call cards. Call attention to attention to the face the face up up cards on cards on the table the table and place and place thethe card of highest value on top of the other three. Let’s assume that this card happens to be the card of highest value on top of the other three. Let’s assume that this card happens to be the queen of hearts. Say “The queen of hearts is highest in value so

queen of hearts. Say “The queen of hearts is highest in value so it’ll occupy the most importanit’ll occupy the most importantt position in this trick.” With your right hand take the queen off the other three and, using it as position in this trick.” With your right hand take the queen off the other three and, using it as a scoop, place it under the other three face up cards and thus lift all four face up indifferent a scoop, place it under the other three face up cards and thus lift all four face up indifferent cards off the table and into your right hand.

cards off the table and into your right hand. You

You must must now now perform perform a a simple simple series series of of moves moves to to get get the the queen queen on on top top of of the the deck,deck, followed by the four aces, followed by the other three indifferent cards, followed by the followed by the four aces, followed by the other three indifferent cards, followed by the

(12)

remainder of the deck. There are two

remainder of the deck. There are two ways of accomplishing this: a, would be to use the ways of accomplishing this: a, would be to use the SimonSimon Card Add, as described in “Effective Card Magic,” or by the following procedure:

Card Add, as described in “Effective Card Magic,” or by the following procedure:

Place the four indifferent cards face up onto the deck for an instant apparently to Place the four indifferent cards face up onto the deck for an instant apparently to square them up. Lift off all of the cards above the break with your right hand, thumb at the square them up. Lift off all of the cards above the break with your right hand, thumb at the rear, fingers at the front. Apparently you hold the four indifferent cards face up in your right rear, fingers at the front. Apparently you hold the four indifferent cards face up in your right hand; but actually the four face down aces have been secretly added to them.

hand; but actually the four face down aces have been secretly added to them.

Place your left thumb over the first face up indifferent card held in your right hand and Place your left thumb over the first face up indifferent card held in your right hand and by

by applying pressure applying pressure with with your your thumb retain thumb retain the the indifferent card indifferent card face face up up on on top top of of the the deck.deck. “Four indifferent cards,” you say. Use the cards held in your right hand as a lever to turn the “Four indifferent cards,” you say. Use the cards held in your right hand as a lever to turn the card on top of the deck face down. Repeat this move with the second and third indifferent card on top of the deck face down. Repeat this move with the second and third indifferent cards. You will now be holding the queen of hearts face up and secretly squared under it ,will cards. You will now be holding the queen of hearts face up and secretly squared under it ,will be the

be the four aces. Take four aces. Take the queen, the queen, as one as one card, and place card, and place it on it on top of top of the pack. Then the pack. Then pick it pick it offoff the pack, calling attention to it, and turn it face down. If the above sequence of moves has the pack, calling attention to it, and turn it face down. If the above sequence of moves has been

been followed properly followed properly you you will will have have the the queen of queen of hearts on hearts on top top of of the the deck, followed deck, followed by by thethe four aces, followed by the remainder of the deck. All the cards are now face down.

four aces, followed by the remainder of the deck. All the cards are now face down.

“I am going to change these four cards in a flash,” you say. As you remark “four cards” “I am going to change these four cards in a flash,” you say. As you remark “four cards” spread the top four

spread the top four cards off the deck, by cards off the deck, by way of illustration, and secretly secure a break underway of illustration, and secretly secure a break under them.

them.

You

You now now apparently count apparently count the the four four indifferent indifferent cards cards off off the the deck deck into into the the right right hand,hand, but

but you you actually count actually count five five cards. cards. Because Because of of the the break break you you are are holding holding this this will will be be a a simplesimple move to perform. Continue as follows:

move to perform. Continue as follows: With

With your your left left thumb, push thumb, push the the top top card off card off the the deck deck and and take take it it with with your your right right handhand (still retaining the break). Count “One.” Push the next card off the deck and on top of the card (still retaining the break). Count “One.” Push the next card off the deck and on top of the card held in yours right hand, counting: “Two.” You next count “Three,” but actually push off two held in yours right hand, counting: “Two.” You next count “Three,” but actually push off two cards as one—because of the break this is simply done. Finally count “Four” and deal the next cards as one—because of the break this is simply done. Finally count “Four” and deal the next card off the deck and onto those held in your

card off the deck and onto those held in your right hand.right hand.

The cards in your right hand are held squarely. Lift your right hand to flash the bottom The cards in your right hand are held squarely. Lift your right hand to flash the bottom card and say, “As before, the queen is still the leader card.” Insert the packet of cards held in card and say, “As before, the queen is still the leader card.” Insert the packet of cards held in your right hand into the front of the deck, for about half its le

your right hand into the front of the deck, for about half its length. Turn the deck over to showngth. Turn the deck over to show again the face of the queen of hearts. Turn the deck face down, and secretly, with your left again the face of the queen of hearts. Turn the deck face down, and secretly, with your left forefinger push the queen squarely into the deck. This can be done indetectably as the deck forefinger push the queen squarely into the deck. This can be done indetectably as the deck masks the action.

masks the action.

With your right hand pull the

With your right hand pull the pack of cards into the position as pack of cards into the position as shown in fig. one. shown in fig. one. HoldHold the deck at its lower edge with left fingers and thumb.

(13)

Give the deck a sharp flip with your left wrist and the four protruding cards will snap Give the deck a sharp flip with your left wrist and the four protruding cards will snap out of the deck and fall face up on the table. “Look! In a flash I have magically changed the out of the deck and fall face up on the table. “Look! In a flash I have magically changed the four indifferent cards to the aces!” The startling change will completely surprise your four indifferent cards to the aces!” The startling change will completely surprise your audience.

audience.

If you will note, the description above keeps calling attention to the queen of hearts . . . If you will note, the description above keeps calling attention to the queen of hearts . . . one of the indifferent cards. The reason for this is that laymen psychologically will not one of the indifferent cards. The reason for this is that laymen psychologically will not remember any of the indifferent cards unless it is pointed up to them. By doing this they are remember any of the indifferent cards unless it is pointed up to them. By doing this they are constantly aware of the fact that you have four indifferent cards among which is the queen of constantly aware of the fact that you have four indifferent cards among which is the queen of hearts. If you don’t point out one of the cards the effect of the change will not be dramatic as hearts. If you don’t point out one of the cards the effect of the change will not be dramatic as they will not recall any of the different cards and the sharp edge will he taken off the change. they will not recall any of the different cards and the sharp edge will he taken off the change. Cards in themselves, have endless possibilities, but when you combine them with dice (and Cards in themselves, have endless possibilities, but when you combine them with dice (and their endless variations, both numerical and technical,) then it is difficult to visualize the their endless variations, both numerical and technical,) then it is difficult to visualize the range of possible effects.

range of possible effects.

I worked out a few effects, but I believe that an entire book could be devoted to effects I worked out a few effects, but I believe that an entire book could be devoted to effects combining cards and dice. I have not used sleight of hand with the dice, nor extra cards, nor combining cards and dice. I have not used sleight of hand with the dice, nor extra cards, nor any of the many mathematical computations. But effects using these devices should be any of the many mathematical computations. But effects using these devices should be developed. I am sure that other magicians will work out ingenious uses for the basic ideas developed. I am sure that other magicians will work out ingenious uses for the basic ideas given here.

given here.

1. The Transposition 1. The Transposition

In effect, an ace, two, three and four of clubs are shown and placed face down upon a In effect, an ace, two, three and four of clubs are shown and placed face down upon a table. Four dice are used, and one is placed on each of the face down cards. The die placed on table. Four dice are used, and one is placed on each of the face down cards. The die placed on the ace is turned so that the digit

the ace is turned so that the digit one is top-most; the die placed on the deuce is turned so thatone is top-most; the die placed on the deuce is turned so that two is top-most; three is seen on the

two is top-most; three is seen on the die which is on the die which is on the three card; and four is seen on three card; and four is seen on the diethe die which

which is is on on the the four four of of clubs. clubs. By By changing changing the the positions positions of of the the dice, dice, from from card card to to card, card, thethe cards are magically changed. An unusual climax ends the effect.

cards are magically changed. An unusual climax ends the effect.

To perform, remove the ace, two, three, and four of clubs and place them face up on To perform, remove the ace, two, three, and four of clubs and place them face up on thethe table. As you run

table. As you run through the deck to remove these cards secretly place the ten through the deck to remove these cards secretly place the ten of clubs on topof clubs on top of the deck. Remove four dice from your pocket and show them to the spectators. “I am going of the deck. Remove four dice from your pocket and show them to the spectators. “I am going to use the dice as markers,” you say. Turn the dice over so that a one, a two, a

(14)

is on the top of the dice. “The die with the digit one will go on the ace, the two will go on the is on the top of the dice. “The die with the digit one will go on the ace, the two will go on the deuce, the three die on the

deuce, the three die on the three of clubs, and the four die on three of clubs, and the four die on the four of clubs,” you explain.the four of clubs,” you explain. Pick up the four face up cards with the ace on the top of the face up packet, the deuce Pick up the four face up cards with the ace on the top of the face up packet, the deuce under it, next the three, and the four on bottom. Place them face up on top of the deck, which under it, next the three, and the four on bottom. Place them face up on top of the deck, which is face down and in your left hand.

is face down and in your left hand.

Spread the four top cards, from left

Spread the four top cards, from left to right, showing them in ace-two-three-four order.to right, showing them in ace-two-three-four order. Secretly secure a break under the card fifth from the top (the first face down card, which is the Secretly secure a break under the card fifth from the top (the first face down card, which is the ten of clubs) and square up the face up cards. Remove all of the cards above the break from ten of clubs) and square up the face up cards. Remove all of the cards above the break from the deck and place the remainder of the deck on the

the deck and place the remainder of the deck on the table for a moment.table for a moment.

In your right hand you apparently hold the four face up cards, actually you have In your right hand you apparently hold the four face up cards, actually you have secretly added a face down

secretly added a face down card beneath them.card beneath them. Take the face up

Take the face up ace off the packet, show it, turn it ace off the packet, show it, turn it face down and place it on the bottomface down and place it on the bottom of the packet. Repeat this move with the other three face up cards. Apparently the four cards of the packet. Repeat this move with the other three face up cards. Apparently the four cards are now face down and still in ace, deuce, three, four order. Place the packet face down on top are now face down and still in ace, deuce, three, four order. Place the packet face down on top of the deck.

of the deck.

Take the deck in your left hand, double lift the top two cards as one, showing the ace, Take the deck in your left hand, double lift the top two cards as one, showing the ace, and say, “The ace goes

and say, “The ace goes here.” Turn the two cards face down and deal off the top card, placing ithere.” Turn the two cards face down and deal off the top card, placing it on the lower left side of the table. Place the die showing the number one on top of it. Deal the on the lower left side of the table. Place the die showing the number one on top of it. Deal the next card to the right of the

next card to the right of the card on the table and call it the “Two,” placing the die showing thecard on the table and call it the “Two,” placing the die showing the two on top of it. Deal the next card to the upper left corner of the table, calling it the “Three” two on top of it. Deal the next card to the upper left corner of the table, calling it the “Three” and place the die showing the three on top of it. Double lift the top two cards as one, showing and place the die showing the three on top of it. Double lift the top two cards as one, showing the four of clubs, turn them face down and deal off the top card, calling it the four, to the the four of clubs, turn them face down and deal off the top card, calling it the four, to the upper right corner of the table. Place the die showing the digit

upper right corner of the table. Place the die showing the digit four on top of it.four on top of it.

If you have followed the above you will have dealt the four cards in a square pattern, as If you have followed the above you will have dealt the four cards in a square pattern, as in Fig. two. Place the deck in

(15)

“By changing the marker dice I can make the cards change,” you say. Change the “By changing the marker dice I can make the cards change,” you say. Change the positions of the “one” die and the “two” die. Snap your fingers and remove the card which is positions of the “one” die and the “two” die. Snap your fingers and remove the card which is now under the “one” die. Turn it face up on the table showing that the ace has followed the now under the “one” die. Turn it face up on the table showing that the ace has followed the “one” die.

“one” die.

Put the “four” die on

Put the “four” die on top of tile deck, which is top of tile deck, which is in the middle of the square, and place thein the middle of the square, and place the “three” die on the card previously occupied by the “four” die. (Fig. three indicates the present “three” die on the card previously occupied by the “four” die. (Fig. three indicates the present position.)

position.)

Say, “By moving the “three” die over here I make the three of clubs follow it.” Turn the Say, “By moving the “three” die over here I make the three of clubs follow it.” Turn the card under the “three” die face up and show it

card under the “three” die face up and show it to be the three of clubs.to be the three of clubs.

Place the “two” die on top of the card formerly occupied by the “three” die and Place the “two” die on top of the card formerly occupied by the “three” die and command it to change to the deuce. Show the deuce under the

command it to change to the deuce. Show the deuce under the “two” die.“two” die.

“And now for the four,” you say. “I’ve made a mistake. By error I left the “four” die on “And now for the four,” you say. “I’ve made a mistake. By error I left the “four” die on top of the deck.

top of the deck. Let’ see what happened.” Remove the card from under the “four” die and showLet’ see what happened.” Remove the card from under the “four” die and show it to be the

it to be the four of clubs!four of clubs! All

All of of the the original cards original cards will will now now be be face face up up with with one one card card face face down down in in the the lower leftlower left hand corner. “Let’s see what we can

hand corner. “Let’s see what we can do with this card,” you do with this card,” you say. Pick up all four say. Pick up all four dice and placedice and place them on top of the face down card (the ten of clubs). “Let’s count the spots on all the dice,” them on top of the face down card (the ten of clubs). “Let’s count the spots on all the dice,” you

you say. say. “By “By adding adding together together the the one, one, two, two, three, three, and and four four we we get get ten. ten. Watch!” Watch!” Slowly Slowly turnturn over the ten of clubs and you will have

over the ten of clubs and you will have completed the effect.completed the effect.

2. The Big Change 2. The Big Change

In effect, an ace, deuce, and three are shown and dealt face down on the table. Three In effect, an ace, deuce, and three are shown and dealt face down on the table. Three dice are used and one die is placed on each of the three face down cards. A die showing “one” dice are used and one die is placed on each of the three face down cards. A die showing “one” is placed on the ace, a die showing the “two” is placed on the deuce, and a die showing the is placed on the ace, a die showing the “two” is placed on the deuce, and a die showing the “three” is placed on the three. Some of the cards change places but, by error, all three dice are “three” is placed on the three. Some of the cards change places but, by error, all three dice are turned so that they all show three. In dismay the performer shows that instead of an ace, turned so that they all show three. In dismay the performer shows that instead of an ace,

(16)

deuce, and three he now has three different threes I However, he changes the three threes deuce, and three he now has three different threes I However, he changes the three threes back to the origina

back to the original three cards.l three cards.

To perform, run through the deck and remove the ace, deuce, and three of clubs and To perform, run through the deck and remove the ace, deuce, and three of clubs and place these cards face up on the table. As you go through the deck secretly place two other place these cards face up on the table. As you go through the deck secretly place two other threes on top of the deck. Put

threes on top of the deck. Put the face up ace on the the face up ace on the deuce, and the face up deuce on the deuce, and the face up deuce on the three.three. Place the three cards on the deck and

Place the three cards on the deck and spread them, from left to right, secretly securing a breakspread them, from left to right, secretly securing a break under the card fifth from the top. Square up the cards and remove all the cards above the under the card fifth from the top. Square up the cards and remove all the cards above the break.

break. Apparently you Apparently you hold hold a a face face up up ace, ace, deuce, deuce, and and three three in in your your right right hand hand hut hut you you havehave secretly added two face down threes beneath these cards.

secretly added two face down threes beneath these cards.

Remove three dice from your pocket and turn them over so that a one, a two, and a Remove three dice from your pocket and turn them over so that a one, a two, and a three shows.

three shows. You

You still still have have the the face face up up cards cards in in your your right right hand. hand. Remove Remove the the ace ace and and turn turn it it faceface down, placing it on the bottom of the packet. Repeat this move with the next two cards and down, placing it on the bottom of the packet. Repeat this move with the next two cards and you will

you will apparently still have apparently still have the cards the cards in ace, in ace, deuce, three deuce, three order face order face down. Place down. Place the packetthe packet of cards on the face down deck.

of cards on the face down deck.

Pick up the deck and apparently deal off the ace, deuce, and three, from left to right. Pick up the deck and apparently deal off the ace, deuce, and three, from left to right. Place the die showing the one on what should be the ace, the die showing the two on what Place the die showing the one on what should be the ace, the die showing the two on what should be the two, and the die

should be the two, and the die showing the three on what should be the three.showing the three on what should be the three.

Explain that by changing the positions of the dice the cards will change. As you patter, Explain that by changing the positions of the dice the cards will change. As you patter, secretly secure a break under the top two cards of the deck, which should still be in your left secretly secure a break under the top two cards of the deck, which should still be in your left hand in dealing position. Change the positions of dice “one” and “three,” fig, four.

hand in dealing position. Change the positions of dice “one” and “three,” fig, four.

Pick up the card which is under die “one” and it will be seen to be the ace. “Notice that the ace Pick up the card which is under die “one” and it will be seen to be the ace. “Notice that the ace of clubs follows the “one die,” you explain. Pick up the face up ace and place it face down on of clubs follows the “one die,” you explain. Pick up the face up ace and place it face down on top of the deck, retaining your break. “Suppose this “one” die wasn’t changed with the “three” top of the deck, retaining your break. “Suppose this “one” die wasn’t changed with the “three” die. What would happen ?“ Turn the “one” die over so that a three shows and touch this die, die. What would happen ?“ Turn the “one” die over so that a three shows and touch this die, with

with the the three three now now uppermost, to uppermost, to the the top top of of the the deck. deck. Remove Remove the the die die and and turn turn over over as as oneone card, all of the cards over your break. The ace will have apparently turned to the three of card, all of the cards over your break. The ace will have apparently turned to the three of clubs! Secure a break under these face up three cards and hold it with your left

(17)

“We

“We now now have have two two dice dice with with the the ‘three’ ‘three’ showing,” showing,” you you say. say. “Let’s’ “Let’s’ see see what’s what’s under under thethe other one.” Pick up the card which is under the “three” die, turn it face up and show it to also other one.” Pick up the card which is under the “three” die, turn it face up and show it to also be

be a a three. three. “What “What if if this this other other one one was was a a three?” three?” Turn Turn over over the the die die showing showing “two” “two” so so that that aa “three” shows. Snap your fingers over the die and remove the card beneath so that you may “three” shows. Snap your fingers over the die and remove the card beneath so that you may show it is also a three!

show it is also a three!

Three threes are now face up, two on the table and one (the three of clubs) on the deck. Three threes are now face up, two on the table and one (the three of clubs) on the deck. Unknown to your spectators is the fact that under the three of clubs you have two other cards Unknown to your spectators is the fact that under the three of clubs you have two other cards also face up, and a break beneath all of them.

also face up, and a break beneath all of them.

Pick up the two threes which are on the table and place them face up on the three of Pick up the two threes which are on the table and place them face up on the three of clubs. Apparently turn the three cards face down, but actually turn over all of the cards above clubs. Apparently turn the three cards face down, but actually turn over all of the cards above your

your break. break. Immediately deal Immediately deal the the cards cards off off the the deck deck one one at at a a time, time, from from left left to to right right on on thethe table.

table.

“I started with an ace, deuce, and three and I’ll try and finish with the same cards. How “I started with an ace, deuce, and three and I’ll try and finish with the same cards. How can I get rid of the three threes?” Pick up one of the dice and turn it so that the “one” is can I get rid of the three threes?” Pick up one of the dice and turn it so that the “one” is uppermost. Place this on the card to the left. Place the second die on the card in the center, uppermost. Place this on the card to the left. Place the second die on the card in the center, turning it so that the “two” is uppermost. Place the third die on the

turning it so that the “two” is uppermost. Place the third die on the card to the right.card to the right. Wave

Wave your your hand hand over over the the three three cards cards and and remove remove them, them, showing that showing that an an ace ace is is underunder the “one” die, a deuce under the “two” die, and the three of clubs under the “three” die. the “one” die, a deuce under the “two” die, and the three of clubs under the “three” die. Climax.

Climax.

THE TURNABOUT

In this effect a deck of cards is cut into six or seven small packets. The packets are In this effect a deck of cards is cut into six or seven small packets. The packets are assembled by turning some face up and leaving others face down so that the deck is assembled by turning some face up and leaving others face down so that the deck is apparently compos

apparently composed of mixed ed of mixed up face up and up face up and face down packets. The magician, in an instant,face down packets. The magician, in an instant, spreads the deck out to show that all of the cards face the same way.

spreads the deck out to show that all of the cards face the same way. To perform, have a white-bordered deck shuffled. Give the deck a

To perform, have a white-bordered deck shuffled. Give the deck a slight upwards bridgeslight upwards bridge and cut it into six or seven small packets in a row. Let us call the packets from left to right, 1 and cut it into six or seven small packets in a row. Let us call the packets from left to right, 1 through 7. Pick up packet 1 and turn it face up. Place it upon packet 2. Packet 2 now consists through 7. Pick up packet 1 and turn it face up. Place it upon packet 2. Packet 2 now consists of the top half face up cards and the bottom half face down cards. Pick up packet 2, turn it of the top half face up cards and the bottom half face down cards. Pick up packet 2, turn it over, and place it

over, and place it on packet 3. Pick up on packet 3. Pick up packet 3, turn it over, and place it on packet 3, turn it over, and place it on packet 4. Continuepacket 4. Continue this procedure until all of the cards have been assembled into one packet.

this procedure until all of the cards have been assembled into one packet.

To all appearances the deck is a mix-up of face up and face down packets. Actually the To all appearances the deck is a mix-up of face up and face down packets. Actually the top half of the deck consists of face up cards and the bottom half are all face down cards. Cut top half of the deck consists of face up cards and the bottom half are all face down cards. Cut off about one-quarter of the deck and show that you’ve cut to a face up card. Replace this off about one-quarter of the deck and show that you’ve cut to a face up card. Replace this quarter and then cut off about three-quarters of the deck showing that you have cut to a face quarter and then cut off about three-quarters of the deck showing that you have cut to a face down card. (This cutting will help convince the spectators that the cards are haphazardly down card. (This cutting will help convince the spectators that the cards are haphazardly mixed.) Replace the packet in your hands and then cut the deck at the division point, between mixed.) Replace the packet in your hands and then cut the deck at the division point, between the face up (top half) and face down cards. Because of the bridge you originally put into the the face up (top half) and face down cards. Because of the bridge you originally put into the deck it will be easy to find this point. Show that you’ve cut to a face down card (the top card of deck it will be easy to find this point. Show that you’ve cut to a face down card (the top card of

(18)

bottom

bottom half) half) and and when when you you replace the replace the packet you packet you hold hold in in your your hand hand turn turn it it face face down. down. TheThe deck will now be completely face down.

deck will now be completely face down. At

At the the appropriate appropriate moment moment spread spread out out the the deck deck showing showing that that you you have have magicallymagically adjusted all of the cards so that the deck is

adjusted all of the cards so that the deck is in perfect order.in perfect order.

Note: When assembling the packets you must apparently be staggering the packets so Note: When assembling the packets you must apparently be staggering the packets so that they will appear to be one packet face up, the next face down, the next face up, etc. To that they will appear to be one packet face up, the next face down, the next face up, etc. To make this look convincing revolve one of the packets sideways and place it upon the next face make this look convincing revolve one of the packets sideways and place it upon the next face down packet. Then pick up the “mixed” packet and revolve it end for end, placing it upon the down packet. Then pick up the “mixed” packet and revolve it end for end, placing it upon the subsequent face down packet. By doing this in a casual manner, first sideways and then end subsequent face down packet. By doing this in a casual manner, first sideways and then end for end, you will add greatly to the

for end, you will add greatly to the illusion.illusion.

THE IMPULSIVE LADIES

In this effect you use three queens and the four aces. The queens are placed on the In this effect you use three queens and the four aces. The queens are placed on the spectator’s hand. When one of the aces is placed alongside the queens you show that the spectator’s hand. When one of the aces is placed alongside the queens you show that the queens have invisibly left the spectator’s hand for he now holds the four aces while you, the queens have invisibly left the spectator’s hand for he now holds the four aces while you, the performer, hold the three queens.

performer, hold the three queens.

Remove any three queens and the four aces from a deck. Turn the queens face down, Remove any three queens and the four aces from a deck. Turn the queens face down, explaining that the ladies are bashful. Place the aces face up on top of the queens. Spread the explaining that the ladies are bashful. Place the aces face up on top of the queens. Spread the seven cards between your hands showing the three face down queens, on top of which are the seven cards between your hands showing the three face down queens, on top of which are the four face up aces. Close the packet, but as you do so insert your left little finger under the top four face up aces. Close the packet, but as you do so insert your left little finger under the top ace.

ace.

Square the packet in your left hand, your left little finger under the top ace. Your right Square the packet in your left hand, your left little finger under the top ace. Your right hand helps square the packet, right fingers in front and thumb at the rear, At an opportune hand helps square the packet, right fingers in front and thumb at the rear, At an opportune moment half-pass (revolve) the six cards which are beneath your left little finger. The top ace, moment half-pass (revolve) the six cards which are beneath your left little finger. The top ace, which

Sleightly Sensational

Sleightly

Sleightly

Sensational

Sensational

by BILL SIMON

by BILL SIMON

Illustrations by ED MISHELL

Illustrations by ED MISHELL

Edited by BRUCE ELLIOTT

Edited by BRUCE ELLIOTT

DEDICATED TO MY LOVELY WIFE,

DEDICATED TO MY LOVELY WIFE,

RONA,

RONA,

WHOSE MAGIC IS OF AN

WHOSE MAGIC IS OF AN

ENTIRELY DIFFERENT SORT

ENTIRELY DIFFERENT SORT

TABLE OF CONTENTS

TABLE OF CONTENTS

FOREWORD

FOREWORD

INTRODUCTION

INTRODUCTION

IN GENERAL

IN GENERAL

CARD EFFECTS

CARD EFFECTS

THE MATHEMAGICIAN

THE MATHEMAGICIAN

EYE DOUBT IT

EYE DOUBT IT

THE FLASH CHANGE

THE FLASH CHANGE

THE TURNABOUT

THE TURNABOUT

THE IMPULSIVE LADIES

THE IMPULSIVE LADIES