• No results found

Belwin Master Duets - Classic

N/A
N/A
Protected

Academic year: 2021

Share "Belwin Master Duets - Classic"

Copied!
33
0
0

Loading.... (view fulltext now)

Full text

(1)

BELWIN

MASTER

D

SAXOPHONE

"

ADVANCED

GRADED DUETSfor the Developing

Musician

~ . "," " '"N,~, ""/'<;;';:i

Composed

or Arranged by~

KEITHSNELL

M

289

.S

5

S3

(2)

WIN MASTER DUETS

SAXOPHONE

ADVANCED

GRADED DUETSfor th

e

D

eve

l

op

ing

Musician

Composed

or Arranged

by

KEITHSNELL

CONTENTS

AWGRO from CONCERTO GROSSO No.9 Handel. .. ... . .. .. . . .. 16

GIGUE from CONCERTO GROSSO No.9 Handel '.''" 20

LAUGHING POLKA Traditional 26

PASSEPIED II from the "English Suite

V"

BVW 810 Bach : 25

PASTORALEfrom Suite VII Handel 10

POLONAISE Mozart . . . ... . . ... 9

ROMANZE from "Eine Kleine Nachtmusik",

K.525 Mozart .;.. ... . . ... 12

THREECLASSICAL DUETS Turrschmiedt 22

THREE DANCES Snell 3

TWO PIECES Charpentier 28

ZEPHYR Snell 30

11.1 f·

Design: Odalis Soto Photography: Ron Olman

. Yamaha Yf:.S-62Alto Saxophone

supplied byYAMAHAINTERNATIONACOL RPORATION

Musicdllnstrument Division

Copyright@ 1986byBelwinMills Publishing Corporation

(3)

Three

No.1

Dances

Rondeau

Keith Snell Allegretto I I "

..,...---::-.

~.

.

....---;;;

.

.

;;;--

--

...

.

~ @) ~

-

~

-mf ~

-

~

-"

-II I

.

.

.

@:J ~~

.

.

~

••

~ &xII mf J "

-.

.----..

~ ~~~

...

-

~~

--

••

.

•• 4)

----

-...0

1

,

f

~

r---

...

I

.

.

.

---••

, 4 ~

--....

-...:

-

I!.../

••

f

I

;

;

«t>

.

...

-:-~

~

;

~~

.

.-.

---;:-.

.

·

\J @) mf ~ 1\

-

--""

-

--""

~

-

~

"

"

"

-: •

.

.

@J

-

.

.

~ ~ mif

---.0

1

I ~~

;

.--

-

...

~ ~ ;:--b ~. ~ (II- ~ ~ •

4 SfZ

"

-

.

,•• r-T'

...

--

...

~-

=? •

.

,

0

.

-

-Sft ::>-

.

Copyright©1986 by BELWIN MILLS PUBLISHING CORPORATION,Miami,Florida

International CopyrightSecured Made In U.S.A. All RightsReserved C/o CPP/BELWIN, INC.,Miami, Florida 33014

(4)

Three Dances

No.2

Saraband

e

Keith Snell Allegretto I ~~

=

---

~

t

-

fL

-

r--

-

.

--

-

-

~

I

--

-II',""Y U "if

=-

....-....

-I

-•

v U Sax II

.----

-

----:

--

.

~

--

~

e-~~

I I

"n

~

"' h !.I "if

=---

-

-

---

-;:--...

...

-..•. I

-..•.. .-I

<,• .-/ !.I

-

"if / I

.a7

J.

--.

/ I ~

.

.

-/'

.

f

mf

-

--

f

~ ~ ,o;".ilo .•• ~ •••...

/

J;:

.

~~

n~~fL

.

~ I

.

r-I: II

...--!.I

-....

...,

-

-=-

I ~ .,..--;:;. ~ ~

-

-I'" I

.

, I-.:

-

o

J

' u

(5)

-•

V

"

·

I

I

n

I

,

'\ t" ,/

I

.

.

, mp mp ,

.

f

(6)

Three Dances

No.3

Soft Shoe Shuffle

Keith Snell

Allegretto ) 1\ Mo

--SaxI

-~ mf

-SaxII

--

i"'"ooo...

-mf

-

-fL

n

.--::;.

u

L.

---

..

-

L.~ J .iIo

s=:»

-

-...

mp

4!J

-f

~

.

.-...-,

J'...

-Mo """"""'-J ~

-,

,

-m

f

~

~ fL

~ ~r

t

;

~~.-~

---.-

~

~

.-

~ ) .iIo _

-mf L .>

-

...

Mo

.

/' I

--

....---

~ ~

,.

~ 'I) mf

-

-

-~ Mo

-I"'

-I

1....

1

...

I

-!J mp ~

.

.iIo '" ,1 "'

.

.

'" LI.

.

-

--\J

.

...

r '\ !J ~ .i-> mp

(7)

) .ilo

..

-~

fl-n

.

-

--

~

~ :;;;

-,-

-

,

r

11I'

'-V 1...1....I

-f

mp

/\ .110 ~

-

r--T'""'I I"""T"""I

r--

.

,

....

...,

I"""T"""I

-

.

-

.

-

=

'"

'

,

-

r ~ T r ____

f

mp F •• ;a ~

jL(!:

.

jL ~ jL ;"

L.

<

/.1#~

~~

~ ine .110 ~

!

L. t f sfz

=

-

-

ff .110 > > ~> I ~

.,-1

A L.

.

.

.

.

.

.

.

.f

u

....

/

I I

r

I I

r

f

ff

) ~ ~ ~

>

/~

-

-

••

4

-mp

f

mp /\ .-'

-

--

,

-

!---

.

>

.

....

.

.

.-

--,

,4 r Y

-

-m

f

mp 1\ .'.110 • f-'-'#

•••

.ilo!. k::o. _

-

.

-

...

4!J "if mp '\

.

>:

-

r--.... L 100.• ,t!

-

I I I I --,. ¥

(8)

9

Polonaise

w

.

A. Mozart (1756-1791) Allegretto Sax I )" 1

.

>-

.

-

....

~

.

>-:;;;

ii

-

;

,

.-

...

.

-r

--

-..

;" t'

-

-

-

--

fI-~

-

,.

.

--

.

4U ~

".

P

"

1

.

.!. .=-... • •

.

.

.

.

.

.

-

.

,@J I I I I I I I I

-

'

--

J

Sax II p

"

1 •

.

-

=--

>-

.

----

::

:.

.

:

::

-

----

....

? ~~

-

..•....

·

.

-

.

4

----

---

-...;;;;!

"

.

".

f

"

1 11 tr

.

.

.

.

·

.

.

.

.

• ,@)

.

I I I I I I I I I

f

J " 1

.~

--

~fI-

.

-

--;:-

...

.

• ~.fI-

.

~ • • •

4 P A 1

·

-

.!.

:-

....

.

.

.,.

....-,

I

.

.

• •

.

11: ••• r7

· .

,H)

-

-

•••

••

-

=~

p j 1

.

.

...

«<;

.

..

.

.

• ~f'

-• ~ 6 .:::.

.

4

-

~ .~ 1

-

-

--""

-

I ~

·

.

.

,

t

-

•••

••

~ ~

-

-~

.

} 1 >-

.-~

?

t'

-

-

-;"

«z:-,

;, sr

-

.

t'

-

t'

-

'.

fI-

.

s:-;

-tr

-

·

·

u

".

~ mf 1

.

.

.

.

-

.

--

;,

.

~ I

·

7.,;

.

.

.

·

·

.

• \t I I I I I

-

,....

mf

(9)

J ~

#~

~

-

~ ~ oj

r-(i

t

,

"

,.

0

-f

mp 0\

-

>

.

>

-

----" '11:" I"" ,\1!

-

11

-f

mp .JA •. , .Jl

.

.".

••

.ii1r _L._ ---....

--

-

# ~

t

ei ei

"

@I mp il

"

/' ::.--

<

,

" "

-

-

" ,\t!J

"

r

-

-mp )" >~" ./

.

ar-

~

i

t

-

@I

f

I

A

>

-

-

" ,e, " r "

f

?' >

,.

>:;;:. ~

r-

.

,.~

~ Jl~

....

-:---

...

:..

.

.

'l

"

-

ii"

r-~

I ei "'1"" ~ ifz

-

sfz I!

"

"""""'-

-

-

.

-

.

-••

'\e. > ~ 'IT

-

-

-

-

-f

D.S. al Fine ~ ,/,.. .•••. Jl" .• ".Il"

.

-

~

>

>. JJ.••. " ei @)

,

,

:

~

f

=

~ A

-

-

JJ. ~ ei '\t!.>

-

..

.

..

!

-

-

-

.

'IT." >

f

(10)

Pastorale

from Suite VII

Allegretto George F. Handel (1685-1759)

tr Sax I ) /\ .110 ~

-

--

..

.

--

.

--

-

...

..••...

.

--

--@) r ~ ~ I

-f

,.. .110 oIt ~ I

"

,...,....,

1'01IIoo...

"

-

T

.

.

-,4U ~~ ":

.

.

'

-..

:

~

.

Sax II

f

) /\ .110 ~ ./

-

--

~

.-

;;:-;.

~.-

.

,. r-.

.=--..

r--~ _

.

.

-

-

-

-••

\I

--.

I ~ I r

-...

0

1

.

~~. ,.. ollo

i

-

iii

.

::

-

--..

.

-

.

lJ

,0

.

'"-'-

,,~

1f ·11'-!" 1f ~ I ~ I

w

....

J

I

.

-

·

••

f

mp

) ". .110 ~

"

-

~ I"'" I I I

-

~

.

.

.

@ "if ~ ~ ~ r

.

·

f

.LI. ~ 1'1oo...

-

r""'---

.

• , .-I •4

,

.

.

'": ~ • ~ • -.:;

.

~

,

.

.

'":'

·

(11)

-.

-

-

-

-

-mf

--

======~======

f

••

(12)

Romanze

from "Eine Kl

e

in

e N

achtmusik",

K. 525

w.

A. Mozart (1756-1791)

.~

Sax. I )~ Andante

...

.

-

.

.~,

~

tr

«

~~

-..

~ ~ 1\ @

P

mf f\ I I I I

-

-

.

-

..

~~ ~

.

:::::---...

-<,

101 l@!J

P

I I I

-

-Sax. II )~ ..- <;

-

---.

.

>:

~

.~

r

.

.--.

...

.

I"" @lJ mp

r":

.A

-

I I I I

..-

--

...

••

....••.. -::;;.

.

--,

I

-

~ mp I I

-

-

.•...•• ~ .J

...

--

.

.0--

-

---=-

...--.-::;.

~

.

••

••

--• --•

• •

1 1

-

1

-

-P A

"

...,

~

-

.

.

.

.

.

.

• •

I"" I"' 1"'--' ,\@J --..:!!'!' ...•••.

_

•.

..

-~ p

J

,.

~ ....-:ii""::.

fL·

rr

~ •• .,...-•••• _.'II:.,.-\".;:. @,..

-mp p

-

I I I I

..

.

.

.

.

. .

.

-:::.

-~ r

'

-

J

I I I mp p )'" ~~

.

-

,

.~

'. t ~

-

'

...

-.

~

-•

@J 1

-

I III

1':

~

,.

--

-

----

.

-

-• • \~ I I

-

.•..

-

.

•...

~

(13)

)

. . .

.

.

>

;

<

,

.

.

. .

. ·

olio!. !. • e/

,

..

,

--..oiil I P

'

J

"

. . .

.

,I I I

·

.

)w

r

. . . .

-

.

.

•.

~~ p-~=== ~'

-

====

~

~

,

<

.

.

,

~.

)'" ~_ ,L

<

.

~ ~ I

. .

!.

-U •• "- !'" @:J

-

l' mf

-"if

»

/\

. . . .

·

. .

••

,..

,0 I

r

I

.

,

I

"if

==================

=

'

-

~=p

mf »->: '"

4.

<

,

.

.

. .

~

-

...

..

.

.

....

,

~

.

,

..--

11- "- "

..

0

-....;

j

--..;;j

===

==

-

-

mp

-f\ I

.

. ·

" "

",-)4U I

.

• ~~ m /\

'fL~.

1"'-

*.

~

~.

ollo." kn ollo •

4)

f

-•

...

---

.

/

/

~

·

U I r -' I I I r

f

(14)

I 1._

--

.

-

~

..--.

t ~

f.

-• IJ P "if ! I ~~

"

I I I I

-

:;;.

---....

.

I

,@J

..

...

...

./ I I

--.oj

-

p I"

.

.

,

.

~ ~

.

.-

-

...

.-

---

--

.

~ ~ mp ,... !. ~

-

-

.

I I I I

-

"-.-I

"-""e,.

-- r mp I I I lilt.

.

..-

.

---

.

.

~

.

~

~;,

.

.

---

:--

...

.

-

~ ~ '~

l!.- I

...-

I

-P ,...

---

-

-

f

':

A

...

-1

~

-.

;

r

.•.

.

,e,

-

.•.•.

-

. ..".,

--

-...

.-

--

-.

:

...

.

..-J

,

..

-

.

..-..

~

-

~ ~

fL·

~~ ~ ~ ••J -11 eJ

-

-p

-It.

.

.

.

.

.

.

.

.

. .

.

\eJ

--

~ I r

'

-

J

p

(15)

} 4 ~ ~

'4

}~ 0 '\ ,4 1\ r. v

--.

~ 1r, }J 14 )~ r.~ v 0 1\ I"

l

'

-~

.

===--mp

---

.

-

....

p

f

»

f

mp p ===-pp

p

p ~===--pp

(16)

fromco~!!~~2

s

o

N

o.9

Allegro George F. Handel (1685-1759) Sax I ) fI ~!J ~

"

-

I l """"'- ~

.

.

,~V r ~ ~ ~-.t~

f

SaxII )

-.

;,

-

.

.

f

-

I ~ ~

-

:--..

~

-

---

;,

.

.

.

,4

~.,

~ ~

-

.

':'

--

.

-mp J "

,-.

~ ~ .#.

~- •

,.,

.

.•• q,.

,..

,

..

.

.

.

.

...-.-

-

..

-4

-

=:c:i

iI'" ~

.

-

.

-

.

..•

~

.

....--::;;.

.

.

.

.

.

--.--roo

",\4

-o

J

4!"

r

-

-

I .~

-

-==

f

(17)

»

,.

~

.

~-

.

~iI':;;;,

~q~~

::::~

.

;.

.

~i=-

-

-.

.

.

a

-

~

.

-.-

--

-

-f

"

~ ~

.

.

.

.

.

-

.

.

/

.

.

.

~

.

.

'\@U

••

~ ~~

---

f

-

I

I

(18)

-p

-

~=======

f

mf

mf

(19)

-I, r-.: I ~ :::r Ii

I

,'

I TJ I, ~ ,i } I: I I Ii I, I' i: I

I

!

!:

-

..

p p

-

..

-

..

mf ~

.

-

..

f

(20)

Gigue

from Concerto Grosso No.9

George F. Handel (1685-1759)

.

-••

·

·

mp

··

mp •• mf

(21)

, I: v

u

I': I

i

i

.,

.

IT

-I:, '\ V -, , 'I

,.

-.:, i' V

-I

,

"

iiIii V II I: ) Ii

-.:

I

-

.:

••

I

'

I,

"

I

I

i

" I'

I

I i'

"

I' ;t

,

mf

f

-f

.

-•

••

(22)

Three Classical Duets

No. 1

Polonai

se

Charles Turrschmiedt (co1790) Moderato I J .iIo

.

:::;;:

~.

.

-

- •... -

o

-

fLf:

-

r:

.

t

-

fL~

r

-p

.iIo ~ «<: ~

-

~

.

. .

,4 ~

.

~ ~ II

p

,

1

,.

.

~

..•

.

...

....

.

-

.".

..

.

-

.

..--

-

,..

.

..

.

."11

-.-

r-r-

'

-I!I f mf ~ I

,

...,

I. ....011 r~- __ L

-"

'-

.

.

\@J .•.•... ~

.

~ ~ mif

f

; 1\ ;,

-

F;;.

--

-

-

~.

~~

.

~ ~ • • ~ • • eJ mf

,

,

'

~!. "

--

-11'

---:.

...

.

--

=

-

--•

• • •

. .

\eJ

"

-

-"

-

I mf ,)1\' ~

r

«; ~

~

.

-

~ r- _ - ~

-t!I

f

P .1\, -:- ~

-

--

-

.

-

I • r-

.

"IV

t

-

>

-

--

.

-

-

'

-....

.

...

J

f

p

,),,~ !. :::;;:

-

F;. •

~~.

n

fL

f:

-

r:

.

~ ~ r- r -,I

··

t!J mf

f

- I 1\1-

.

~

.

»>

1-

...

.

.

··

\@)

-...

...

J

.

mf

f

(23)

Three Classical Duets

No. 2

Scher

z

ando

Allegretto Charles Turrschmiedt (c. 1790)

J

.

.•

~

..

~

-

---...

-

---

-

-

.

.---::..

-

---...

---•

.,

4 mf /\

.

.•

~ ~

.

~ ~

.

~ • •

.

.

'\4:.1 ":' ~ •

-

.

~ Sax I Sax II mf

p

--

-•

(24)

Three Classical Duets

No. 3

Minu

e

tto

Moderato Charles Turrschmiedt (c. 1790) II j # • ~ #.#

.

.

.

....-.

.

..

:

.

I n

.

4~ P 1\ I «<:

.

.

.

r-,

.

1.1 V

.

.

·

:

I ~

. .

,'!J p~ ....-. I

~.

-J ~ ~;; ~ ~.,#.~

...

-

-

..

~

~ .,.,. 1""'.-

-I .~ , u ~

-=

mp ::;;;;i;'-.. ~ ~

-

-

·

~ 1\

·

·

I"> ~ '!"

-

-

-

-

.

.

-

~ ,\'!J

-

-mp -.#.~

F"7

~iF'- ~ 1f#'. ,.

.

.

~ -17'. Fine

"

I o

"

!J

f

~

r--'C

17'. ~

-

-

·

1\ I ~

·

-

,.

·

I""

,

.

ll.,.,.. ,\@J """"""

-

-

-

-

-f

P

-

.

-

P

-

~

.

:.

-

!.

·

-)/\ I

·

sfz sfz mf t!l mf

"

I

~=1

.

.

• ....•.

~~

.

:.

• •

.

·

·

·

I""

-

...

J

·

,\t!I ,,;;-

-J

!~ J 1\ I

..

:.

.

~C.alfine sfz

~.

f

sfz f

~

.

-

.

I I I I I I 1\ I I••• F

"

"\!I '!~f

-

--

==

f

(25)

ii )~ U f\ ,U J ~ ~ ~4:J I 4 ~ U Sax I Sax II

Passepied II

from the "English Suite V", BVW 810

Allegretto 25

J

.

S. Bach (1685-1750) I II ~ ~ ~

#;a_

=--

-.

.

"..

.

~

u

mf

~

-w

r

--..

.

f

f\ ollo of!:

.

.-!

-

-

-

-.

.

~v

mf

.

.

.

.

-

.

-==

f

• • • • mp

f

• • • • tr mp

f

mp

---

===

=

F======~======

=

mf

~

====

--

-

mp

f

••

--

~

============

=

===

mf

-

====

==

===

~

f

••

(26)

Traditional

Laughing Polka

With Spirit

se

n J I

~

-

::

.

> ::>

.

~ ~

--

f'-

fl

-

:

-.~

mf

---..

.

;j

~ ,.. I

. . .

::> ::> >.- >.- I I

. .

.

. .

'11~ I I

--

c:::~

.

::> ::> ::> ::> :

.

> :

.

> SaxI mf "',.. I ~ ~

..,

---

.

:> :> ~~ ~ :> A

.

.

·

!. eJ

-~ SfZ

I

I

~ A !I\ I

. .

:> :>

.

.

-

I

.

.

.

·

.

'\@J I I I I

.

•••••

Sfz

.

I

,.

.

I /" f'-

#'

.

-

--:::: ~

·

:> ~!J

-

-

fiiII"""""

---

-mp

f

"

I

.

.

.

·

:> I

.

.

. .

\@J I I I I "r

.

-~

.

~.-/ J.IIiOi'"'"'" I

mp

---

=====================

f

},.. I

--

-

-

-

-

-

-

_f'-

#.

.

. .

A I

-

,..

@J

-

---

~

-...

-....

~ I mp

f

I 1\ I

.

.

A I

.

.

. .

,_!:I I "r

.

~~

-

-:

~ -!'

mp

--~

==================

f

(27)

f

f

=

=

===

-

-f

=

=

=

-::----

.

mf :::

.

:> ::::

.

> ::::

.

>

f

::::> ::::> ~ ::::>

.

::::> ::::> f ~ ~ ~ ::::> ::::>

.

8fz ::::> ~ ::::> ::::>

.

»>

f

8ft

(28)

,

I

"

~

.

-

.

.

@} I

,

I

,

I

I

tr

"

=---

.

.

.

"\@1 r I

,-

-r ~ tr

Two Pieces

No.1

Fan

f

are

Vivace

J

=144 Marc-Antoine Charpentier (1634-1704)

I )

-

-

.

.

4 I

-

I

f

"

.

.

.

.

'II!) I

-

I I SnIT

f

-

,

,,

,

,.

~ .• #~

-

.---

:::

.

.

I e} I

I

I

I

'\ ~ .#~

..

-I "\V I I

-

-~"

,

### # - .• #

.

.

.

.

#.~ t!J I 1\

-

-

-

-

~ ,e} I ••••••• I -.11I

(29)

Two Pieces

No.2

Duo

Vivace

J

=144

Marc-Antoine Charpentier (1634-1704)

f

mp

.

f

f

tr

.

f

tr tr

(30)

Zephyr

Keith Snell Allegro Moderato I .J 1\ I ~~~~ ~~~~~ ~ I"' 1. l!J

••••

P

f

I """'-'l

-

~ \

...

~

.

.

••

..

'\ P ~

r

II

.

J

,.

.

I ;;----~~~

.

--

":#-;'~

~

/0- ~ ~ ~-::::----.. 1"".1"" ,.,--.,-,. ~ p

f

p 1\ I

----

-

~~ ••• I"' "" ytV

...•.•...•.•...

-

-

••••

~~~ p

f

p

~===sfz p

>

-

'

--------------- f SfZ P J I ~~~~ ~.-:::

--

.

'

'

'

-

;;'

'

~ r:; ~~.-""':::..-""':::. I"" •••

••

~~

-

-f

p 1\ I

--

--

"\ ~ ~

--""

.

-

-k I"" ••• ,.!J ~~~ ~~ ~

---·

·

·-

---

-

-

-

---

-

-f

p

(31)

-

=

=====

=======

f

p

=

===========

f P-

=========================

sfz

f

-~===sfz

p

-

~

=========

mf ~ P

-~

=========

=r+

»

-~

=======

mf=~ P mf =-

==

-

-p

-~==========

f

==~1

P

-~============

mf'

===

--

I

P

-

~

===========

.f

===-p--

=============

mf

======

-P-

~===========

mf

===

-

p

p --

==========

=

==

mf

=====

-

p--

~

=

=================

>

.

(32)

-

-

-.I A I ~ fL

t

~

f'-

f!

-

~

n

-

h

n ,

-

--

-

::-

....

,

~ r- _. -...;;;;;j

-f

p

f

,.. I

r--...

h .-I .-I

=

,\V ~

~

.,

~

-'

./ <; .,-./

f

P

f

J I ~:;;:--...~~ ~ ~ #"";;;. ~ .~ ...--::::.

,

•••••

mp

f

p I ~

..

-

--

...

-

"

'

k

=

IF I"'" ___

-;;;, '\, .

...,

~

m

p

f

p J I

~

~~

.-

:-

---

.

..--::

F:. ~

:

,

--

-

-."

.

-

-

-k

"

'

-'

41!

f

I

-

--

--

..

.-

~.

--

...

~

-

:.;;

~

.

.

-

-:.;;

-••

•• -0 r-

-

•.

.

..;. ,@ I ~

f

J

1 ~ ~ ~ ~ «<; .;;:---,-#."';a fL •. ~ ~

,..

"

P I

---,.,

~

--

-

-

I"'" _ ••• "

--

-\~

-

J 1

#":#~~qf'-

~

fL

f

-

~

f!

-

~~

-~

-

1 ~

_h.

ן1~ -M,.. --,... V

f

SfZ

'I J

.

.

-

1'-'

-

-

-

..•...

>

10_"'_ • ~ '\' \ססoo"""""

-

r

f

========

-

-

--

=

===

=

=

=

==

=

SfZ

(33)

AB

O

UT T

HE EDI

'

TOR

-As editor of this pul experience that rec and education. As c faculty at the Calif director of the brosi ~~~:~~~ ~~~~~I

III 1111111111111111111111111111

AngeeIs. He has aLt .",n"-_'~~_' __ 42467.1~ _

States.and Conodo.cno.ls inlncteoslnq.dernond as o.cllnlclon

and lecturer.In 1976 Keith developed aseriesofaward winning

educational music programs and has presented more than

50) performances of these programs toschoolchildren of all agesthroughout Southern California.

D'~\u''''!l~'n~~'

1'lP't7'~~ 1'l'~'1PN1'l

M289.S5 S3 V.1 SNELL, KEITH

.SAXOPHONE ADVANCED: GRADED DUI

Agraduate ofthe California State Universityat Northridge in conducting and performance on the

Trumpet Keith performs regularly with LosAngeles area orchestras and chamber groups, He has

performed throughout the United States,Canada and Europe both as a recitalistand as a member

ofa variety ofperforming groups,In addition to concert performances on both National PublicRadio

and television, Keith recorded for such shows as "Quincy" and "Hallmark Hall of Fame". Asa

conductor he hasserved as music director for both the FirstCongregational Church and the First

Christian Church of Burbank and since 1971, he has served as Artistic Director of the highly

acclaimed California BrassEnsemble.

Keith isquite active as acomposer and arranger with more than 300 published instrumental and

choraIworks. Inadd itiontoth isBelwin Millspubl ication, Keith isthe ed itorofthe Belwin MasterDuets

seriesand the California BrassEnsemble series.

B

e

l

w

i

n Master Solo

s, V

olume 1

Edite

d by K

eith Snell

Sol

osw

i

th piano accompan

i

ment

,

T

hr

ee levels for each

i

nstrumen

t

:

Ea

s

y

,

I

ntermediate & A

d

vanced

.

Flute

Cla

r

inet

Alto

S

axophone

Trumpet

Trombone

Belw

in

Master Due

ts

,

V

olu

me

1

E

d

i

ted by Ke

i

th Snell

Duets for

li

ke instruments

,

Thre

e

lev

el

s for each

i

nst

r

ument

:

Ea

sy

,I

nt

e

rmed

i

ate & Advanc

e

d

.

Fl

ute

Clarinet

A

l

to Saxophone

Trumpet

Tro

m

bo

n

e

Oth

e

r

s

ol

o

co

l

l

e

c

t

ions from C

PP

/

Bel

w

in

:

Collected Belwin Solos

Two books of solos with piano accompaniment, Level One and Level Two, compiled for each instrument from Belwin's vast solo library, Solo Sounds More solos with piano accompaniment

collected from Belwin's

library of solo literature,

Two books for each

instrument: Levels 1-3

and Levels3-5. I~_.lit.l' Wo48i. 1JAvenue • FL33014 Student Instrumental Course Solos Soloswith piano accompaniment for

each instrument,

correlqted with Belwin's

StlitJent Instrumental

Course, Level One

( Elementary),

References

Related documents

This study concludes that state land with forest area status has a special legal position obtained based on the provisions of the law and regulations in the forestry sector, which

Further, they identified the following benefits of daily in-class writing of journals and Friday essays: (1) increased fluency—all could write 500 words in 45 minutes by the end

In other words, studies that do not support the use of discounting may be biased, because researchers who encourage the use of an average room rate instead of a discounted room rate

parameters are estimated by equating the population L- moments of the distribution to the sample L-moments derived from the observed data; (2) sample L-moment

In opposition to the orthodox Marxist reduction of human activity as such to ‘labour’, the SI, and Debord and Vaneigem in particular, attempted to reclaim Marx’s early conception

 nimation art

Paul Marteau DID REALLY marvelous work on The GARLAND of The Dancing Goddess.. But WHERE would have been The FUN

RESERVED (31) RESERVED (31) FILE RECORD NUMBER FILE RECORD NUMBER FILE RECORD NUMBER FILE RECORD NUMBER RUNWAY IDENT LOC IDENT RUNWAY LENGTH FREQ RUNWAY BEARING RUNWAY IDENT