Goose on a String Theatre. A man took a goose and put it on a cord. The goose strode out and took the man for a walk. Come on!

„A man took a goose and put it on a cord.

The goose strode out and took

the man for a walk. Come on!“

Divadlo Husa na provázku („Goose on a String Theatre“) was founded in 1968 by Eva Tálská, Peter Scherhaufer and Zdeněk Pospíšil, students of theatre direction at the Janáček Academy of Performing Arts in Brno, along with their teacher, the dramaturge Bořivoj Srba, who became the company‘s first artistic director. The name comes from the book of film and theatrical libretti by Jiří Mahen, from which they drew on ideas as a focus for their stage work, just as they were inspired by the works of E. F. Burian and Bertolt Brecht.

The ensemble was initially founded as a generational ‚task force‘, which in addition to its founders also brought together associated actors, artists, musicians and writers. In their programme, they placed a strong emphasis on creating and nurturing a scope for their free creative quest and experimentation. The main features were its dramaturgical openness, the search for themes for theatrical production outside the usual dramatic texts, the use of new options for the layout of theatrical space, and an emphasis on the all-round physical, musical and physical preparedness of the actors.

In 1972, the theatre turned professional. Members of the ensemble have included Boleslav Polívka, Miroslav Donutil, Jiří Pecha, Jiri Bartoška, Dáša

Bláhová, Dagmar Veškrnová-Havlová, Karel Heřmánek, and later Alena Ambrová and Iva Bittová, all of whom have become leading Czech actors.

Over the following years, the dramaturge Petr Oslzlý helped to expand the programme direction of the theatre to include socially alternative activities, the development of contacts with the open theatre movement and the preparation of international theatre projects. Oslzlý also formulated the broader concept of a theatre as a movement that had not only aesthetic but also ethical and social dimensions. The distinctive writing style of each director lent the theatre a dynamic plurality.

Eva Tálská impressed the audiences mostly with her productions involving nonsense texts, such Morgenstern‘s Gallows Songs, Carroll‘s Alice in

Wonderland and Through the Looking Glass or Edward Lear‘s The Dong with a Luminous Nose, and also the staging of poetry – Dante‘s Divine Comedy or Seifert‘s Píseň o Viktorce (Song of Victoria). The non-verbal stage production named Cirkus aneb Se mnou smrt a kůň (Circus, or Death and Horse with Me) then brought about a synthesis of her expressive practices. The director Peter Scherhaufer prepared a famous production of Commedia dell‘arte with Boleslav Polívka in the role of Harlequin, which was performed at a long series of major European festivals, including the Theatre of Nations, at festivals in Nancy, Avignon, Amsterdam, Copenhagen, Moscow, Milan, Stockholm, Brussels, Berlin, Cardiff, Wroclaw and others. His production of Brecht‘s Wedding was a success at many international festivals. Important productions by Scherhaufer include Brothers Karamazov (after Dostoevsky‘s book), Labyrinth of the World and Lusthouse of the Heart (after Comenius‘s Labyrinth of the World and Paradise of the Heart), Chameleon or Josef Fouché (opera nova) or Shakespearomania 1 to 3. The director Zdeněk Pospíšil‘s successful staged productions focused namely on works by the playwright Milan Uhde, such as Balada pro Banditu (Ballad for a Bandit – also known from its big-screen version) or Pohádka máje (The Story of a May Day), both with music by Miloš Štědroň.

One of the most important theatre productions was Klauniáda (Clowns) by Boleslav Polivka , who was both director and principal performer. These also included Am a Ea, Pépe, Pezza versus Čorba, Trosečník (The Castaway) and Šašek a královna (The Jester and the Queen – also made into a movie). Polívka went on to make a number of highly successful European and American tours with them.

I.

DIVADLO

HUSA NA PROVÁZKU

The most successful productions in the history of the theatre also include two productions by the director Ivo Krobot and the dramaturge Petr Oslzlý Rozvzpomínání (Remembrance – after I Served the King of England – a novel by Bohumil Hrabal) and Babička (Granny – after a novel by B. Němcová). Divadlo Husa na provázku also participated in many international theatre projects. These include in particular Vesna národů (Spring of Nations – together with the ensemble Teatr 77 Lodz), the Together project (on the theme of Comenius‘s Labyrinth of the World) in Copenhagen, the travelling festival Mir Caravane: Odyssea ʼ89 (from Moscow to Paris) or the international project Cesta do Delf (The Road to Delphi). In 2010 there was a continuation in Mir Caravane, this time from Avignon to Moscow, with the participation of leading European theatre companies. The most important projects staged in collaboration with Czech studio theatres include the generational civic and artistic manifesto Cesty (křižovatky, jízdní řády, setkání) – Roads (crossroads, timetables, encounters) and the journalistic theatre project Rozrazil, undertaken jointly with the HaDivadlo theatre.

Vladimír Morávek became the artistic director of the Divadlo Husa na provázku in 2005. The theatre‘s artistic programme, which he launched, is entitled Sedm žlutých praporů na Divadle Husa na provázku (Seven Yellow Flags on the Divadlo Husa na provázku). The names of each flag are as follows: Continuity Flag, Courage Flag, Eccentricity Flag, Savagery Flag, Admiration Flag, Smile Flag and Generosity Flag. Under Morávek‘s directorship there have been several seasons of highly successful productions such as Uhde‘s Balada pro banditu (Ballad for a Bandit) and Václav Havel‘s Prase (Hunt for a Pig). The greatest recognition and appraisal were then gained by his four-part project of staging of Dostoevsky‘s major novels Sto roků kobry – One Hundred Years of Cobra (Crime and Punishment,

The Idiot, The Possessed, The Brothers Karamazov), also staged in a fascinating 12-hour production entitled Svlékání z kůže (Shedding of the Skin). Other important projects overseen by Morávek include a three-part project covering the changes in Czech society over the last fifty years entitled Perverze v Čechách – Perversion in the Czech Lands. In collaboration with Miloš Forman, Václav Havel and a whole array of Czech intellectuals associated around the Czech Vision 2009 project (Ludvík Vaculík, Eva Jiřičná, Václav Cílek, Olga Sommerová, Jan Sokol, Marta Kubišová, Rut Kolínská, Jiří Stránský, Tomáš Halík) the theatre then attempted to formulate options for the development of Czech society at the outset of the new millennium. With the project named Cirkus Havel na cestách (Havel the Travelling Circus) the theatre was a guest at festivals in Moscow, Avignon and Villeneuve. Under Morávek‘s leadership the theatre went on several tours of Austria, Poland, Russia and France. Currently, two major projects are in the pipeline: Jirka Kniha hledá autora (Jirka Kniha is looking for an author – a comprehensive performance of seven new Czech and Slovak dramas) and Čapek na Provázku (Čapek on a String – a stage production of prose texts by Karel Čapek). Alongside with Morávek, additional leading Czech directors such as J. A. Pitínský, J. Mikulášek, P. Forman, B. Rychlík have been involved in this project. Other collaborating directors include M. Huba and A. Goldflam.

In recent years, the theatre performed its productions on Czech and foreign stages (New York, Paris,

Budapest, Moscow, Lodz, Avignon and Saint Petersburg) and participated in many international theatre festivals. The artistic ensemble received numerous nominations for the Alfred Radok Award and has been shortlisted for the Theatre of the Year on several occasions.

II.

SELECTED PROJECTS

Sto roků kobry

–

One Hundred Years

of Cobra

A unique project of the Divadlo Husa na provázku and Vladimír Morávek, who subjected the four masterworks by F. M. Dostoevsky to theatrical metamorphosis, from which four outstanding stage pieces emerged:

RASKOLNIKOV – HIS CRIME AND PUNISHMENT

Premièred on 19 December 2003

PRINCE MYSHKIN IS AN IDIOT

Premièred on 12 January 2004

STAVROGIN IS THE DEVIL!

Premièred on 23 October 2004

KARAMAZOV BROTHERS RELOADED

Premièred on 10 February 2006

This extensive stage tetralogy is based on innovative

dramatizations of novels, centred on their main

heroes; over three years of hard work, the acting

ensemble soaked up the fates of the lost beings from Dostoevsky‘s novels and whipped themselves up to produce bewitching performances. This dive into the inner worlds of Dostoevsky‘s heroes is conceived as a Calvary of images: Crime – Fall – Death – Resurrection.

The One Hundred Years of Cobra project was a fateful meeting at the boundary between a frantic adrenaline-filled experience and a bloody Holy Mass.

SVLéKáNí Z KůžE – BESTIář PODLE DOSTOjEVSKéHO – SHEDDING OF THE SKIN – A BESTIARY ACCORDING TO DOSTOEVSKY

Once every 100 days the Divadlo Husa na provázku shed its skin and performed the theatrical fresco

A Bestiary according to Dostoevsky in a single day. Over eleven hours, all the characters from each part of Dostoevsky‘s tetralogy met on the stage and accompanied the audience through the Calvary of a torn soul yearning for resurrection.

All the parts of the tetralogy were highly praised by critics and the public alike. The production of Prince Myshkin is an Idiot was awarded the Divadelní noviny

(Theatre Journal) prize and, along with the production

of Stavrogin is the Devil! , it was nominated for the most prestigious Czech theatre critics‘ prize – the Alfred Radok Award in the category of Production of the Year 2004. Petr Jeništa was nominated Best Male Actor of the Year and Talent of 2003 for his portrayal of Raskolnikov. One year later, Jan Budař in the role of Stavrogin and Pavel Liška in the role of Prince Myshkin were nominated for the same award. In 2004, Eva Vrbková was nominated for the Best Actress award for her portrayal of Nastasya Filippovna. Petr Hromádka won the Alfred Radok 2004 Award for his prodigious incidental music to the entire One Hundred Years of Cobra project. Jan Štěpánek‘s stage design was nominated for Stage Design of the Year 2004. The

Divadlo Husa na provázku was shortlisted for the

Perverze v Čechách

–

Perversion in the

Czech Lands

A three-year theatre project by DHNP

The theatre project Perversion in the Czech Lands considers the crisis of Czech identity and the ‚Czech fate‘ between the years 1968–1989; the main part of the project consists of three theatre productions: Miloš Forman, Jaroslav Papoušek, Ivan Passer

LáSKY jEDNé PLAVOVLáSKY – LOVES OF A BLONDE – A STORY FROM THE 1960s

Premièred on 17 November 2007

Václav Havel, Vladimír Morávek, Petr Oslzlý

CIRKUS HAVEL ANEB MY VšICHNI jSME LáďA – CIRCUS HAVEL, OR WE‘RE ALL LáďA

Premièred on 7 November 2008 David Drábek, Vladimír Morávek

ČESKé MOřE V CZECH SEA

Premièred on 7 November 2009

From the outset the theatre‘s dramaturgy has involved the collective performance of Perversion in the Czech Lands in the space of one day - on the date of the twentieth anniversary of the Velvet Revolution on 17 November 2009. Over the space of three years

the Divadlo Husa na provázku thus developed an

outstanding theatrical fresco mapping the life and development of Czech society over the past 50 years.

All three productions met with great acclaim from

the general public and critics alike, and provide clear proof of the high artistic quality of the director

and the entire DHNP ensemble. Vladimír Morávek reaffirmed his reputation as a director of major concepts, whilst at the same time with this work his individual method of assembly reached its apogee. In the end, the result of this enormous creative effort was the long-planned twelve-hour theatrical marathon which includes, in addition to these three shows, also a number of accompanying events, concerts, stage sketches and staying together. The première of this collective performance took place on 17 November 2009 in the Great Hall and in

other areas of the DHNP – on the day of the twentieth

anniversary of the Velvet Revolution.

This unique project was one of the reasons why the Divadlo Husa na provázku was nominated by theatre critics as Theatre of the Year 2009.

Cirkus Havel

na cestách

–

Havel

the Travelling Circus

PRASE or VáCLAV HAVEL‘S HUNT FOR A PIG

Direction and editing: Vladimír Morávek Gala Première on 12 June 2010 in the Large Courtyard of Špilberk Castle

The staging of this unknown short play by Václav Havel was one of the dramaturgical discoveries of the 2010 season

– an anecdote about an unsuccessful pig slaughter, which

a well-known dissident attempts to arrange for his friends was, under the direction of Vladimír Morávek, a sarcastic joke on the Czech national character. This innovative combination of sharp dramatic scenes of Havel‘s type, with songs from the most famous Czech opera The Bartered Bride by Bedřich Smetana, proved to be highly fortuitous

and gave rise to an original production which attracted both

critics and general public alike. In addition to the fact that the production was chosen as the opening performance of the first International Theatrical World Festival in Brno,

it scored an additional success on its international tours in

France, Belgium and Russia and was selected as the main programme at the prestigious international theatre festival DIVADLO in Plzeň (Pilsen). The inventiveness and originality of this unassuming text is attested to in the fact that the play was nominated for the Alfred Radok Award for the best original Czech drama of 2010.

PIžďUCHOVé

Director: Vladimír Morávek

Premièred on 4 July 2010 as part of the Villeneuve en Scène international festival

The only fairy tale that Václav Havel has ever written. This peculiar grotesque performance came about partially for the International Theatrical World Festival in Brno, whose first season was dedicated to the life and work of Václav Havel, and was also listed among the titles that the theatre offers year-round to children‘s audiences. The production was an essential part of Havel the Travelling Circus project and the international touring festival Mir Caravane 2010, with which it travelled to France, Belgium and Russia in the summer of that year.

PĚT TET – FIVE AUNTS

Director: Vladimír Morávek

Premièred on 13 June 2010 in the property storage room

This theatrical sketch was also written mainly for the International Theatrical World Festival in Brno, to which the Divadlo Husa na provázku devoted much of its energy and creativity. At the theatre‘s request, Václav Havel wrote a one-act play, which builds on his Vernisáž (Exhibition Opening) of 1975. The staging of the sketch came about in collaboration with the Klicperovo divadlo in Hradec Králové and as well as being staged at the Brno festival this short

play also appeared at the prestigious Theatre European

Regions international festival in Hradec Králové, where it met with great audience acclaim.

Over the years, the Divadlo Husa na provázku has

almost become Václav Havel‘s ‚core‘ theatre, exporting his works repeatedly to festivals and tours at home and abroad. In recent years we could mention for example the international Mir Caravane 2010 tour, Theatre European Regions international theatre festival in Hradec Králové, a series of performances at the Divadlo Archa in Prague, the International Theatre Festival DIVADLO 2010 in Plzeň (Pilsen) and a journey to the festival in Warsaw scheduled for October 2011.

Mir Caravane 1989

An international theatrical tour of 1989

A European theatrical event, so far the largest of its kind, which the Divadlo Husa na provázku implemented together with eight alternative European groups: Compagnie du Hasard from Blois, France; the Anglo-French Footsbarn Travelling Theatre; the Argentine-Italian company Teatro Nucleo, the Dutch visual action group Dog Troep and the Academy of Hustle from Warsaw (neither of the latter two was allowed to perform in Prague) and others.

At the beginning of May, a Divadlo Husa na provázku convoy consisting of ten Škoda 1203 vehicles departed from Brno. The festival was launched the same month in Moscow and then travelled until September through Leningrad, Warsaw, Prague, West Berlin, Copenhagen, Basel, Lausanne and Blois to Paris.

During their three-day stop in Prague in early July – which was historically the first international festival

of alternative theatre to be held in the capital city – the western groups, inspired by a special letter

sent by Charter 77 and other independent initiatives addressed to all the theatres participating in Mir Caravane advocated, to roars of approval from the crowd, solidarity with persecuted Czech artists. The

secret police were powerless against the unity and

conformity of the theatre audiences. Mir Caravane‘s stop in Prague became a great celebration of theatre and the society longing for freedom and in a way foreshadowed the events of November..

Mir Caravane 2010

An international theatrical tour of 2010

In the summer of 2010, the Divadlo Husa na provázku participated in this major international travelling theatre festival, which tied in with the important MIR CARAVANE European theatre event which had taken place in 1989. A total of ten independent groups and theatres from across Europe participated in the current form of the Mir Caravan 2010 project:

Teatro Nucleo di Ferrara (Italy) •

Antagon TheatrAKTion (Germany) •

Ton und Kirschen Wandertheater (Germany) •

Teatr Ósmego dnia (Poland) •

Compagnie du Hasard (France) •

Divadlo Husa na provázku (Czech Republic) •

Les Baladins du Minout (Belgium) •

Slava Polunin – Slava‘s Snowshow (Russia) •

Buchinger‘s Boot Marionettes (France) •

Lartmada (France) •

The main stops on this grand European theatre summer tour were:

International Theatre Festival in Villeneuve lez •

Avignon (3–23 July)

Belgian university town of Namur (6–15 August) •

Theatre festival in Moscow (1–6 September) •

The tour included the rehearsal and joint production of a special performance entitled Europe, the basis of which was an internationally understandable story

about a girl who decided to flee in the search for hope from her native African village torn shaken by unbearable living conditions to Europe.

The project won support from the European Union as part of the Institution Building Partnership Programme and a grant from the Ministry of Culture. This international theatrical project was also openly supported by Václav Havel and was held under the patronage of the Belgian Presidency of the European Union and the Franco-Russian year 2010.

Čapek na Provázku

–

Čapek on a String

A multiple-year theatre project, which aims to bring the work of one of the greatest Czech writers and convincing advocate of democracy, Karel Čapek, to the present day. The project does not stem from his plays, but systematically focuses on the staging of his prose, which offers significant opportunities for distinctive staging and design. The common theme is the interest in the inner world of man with all of its richness and metaphysical anxiety.

The theatre invited leading Czech theatre directors to cooperate – Jan Antonín Pitinský (Hordubal, a ballad), Jan Mikulášek (book of short stories Boží muka (Calvary) and Trapné povídky (Awkward Stories)) and Vladimír Morávek (unfinished short story Život a dílo skladatele Foltýna – The Life and Work of the Composer Foltyn). From the very outset of the project it can be seen that the ideas and artistic methods of Karel Čapek are still alive and that engaging imagination and choosing an appropriate

interpretative key, fascinating and exciting theatrical

productions may arise.

Parts of the project implemented to date:

HORDUBAL (ACH, STůL, žIDLE, SVĚTLO A SLOUP – OH, TABLE, CHAIR, LIGHT AND COLUMN)

Director: J. A. Pitínský

Premièred on 6 and 8 March 2010

The first part of the Čapek on a String project. A ballad-like tale of love, sin and guilt, of returning home and finding one‘s lost heart. And a little bit of a crime story. One of Karel Čapek‘s most important works in a production by J. A. Pitínský. What is the real

truth behind Hordubal and Polana and what is the

truth about Štěpán Manya? Man is too complicated to have a single face. With Vladimír Hauser, Eva Vrbková or Andrea Buršová, Robert Mikluš, Jiří Pecha,

Josef Králík and other members of the ensemble in the leading roles.

Vladimír Hauser was nominated for the prestigious Alfred Radok Award for Best Male Actor 2010 for his role of Hordubal.

TRAPNá MUKA – AWKWARD ORDEAL

Directed and dramatized by: Jan Mikulášek Premièred on 1 and 2 April 2011

The second part of the Čapek on a String project. Only when man meets a mystery, does he realize his own soul. Awkward Stories and Calvary – two distinctive worlds, in which the stories of desire for a miracle with the painful humdrum of human destiny come together. Stories on an edge, Čapek on the crossroads of the world today. The traffic lights are off again. The best time to follow different tracks. Small prints of mystery, the shuffling of their own shadows, reflections of time and the fall of souls.

„... It is often non-verbalized, abstract, grotesque, dark, free from Čapek‘s later mannerisms. It is a peculiar image of a small Czech town, in timelessness, poetic, simple, eerie ...“

Jan Mikulášek Planned parts of the project:

žIVOT A DíLO SKLADATELE FOLTýNA

– LIFE AND WORK OF THE COMPOSER FOLTYN

Director: Vladimír Morávek Première scheduled for 2012

EPILOGUE: DášEŇKA

Director: Jakub Krofta

Kde Shakespeare

můj

–

Where is my

Shakespeare?

Seven contemporary Czech texts

directed by seven leading Czech directors At the end of 2010 the theatre announced the Konstantin Treplev Award – a competition for best original dramatic text of the year. A total of thirty-nine so-far unperformed original dramatic texts by thirty-four authors were entered into the competition, from which the artistic directors of the theatre chose seven finalists. The top three places were taken by texts by Ondřej Novotný (To léto – That Summer), Ján Mikuš (Ryba horí – A Fish Burning) and Pavel Trtílek (Večer umělců – An Evening of Artists).

We subsequently approached seven leading Czech directors, under whose leadership a total of seven premières of this original project took place between 4 March and 14 May 2011:

jirka Kniha hledá autora

–

_{jirka Kniha is looking for an Author:}

Ján Mikuš

RYBA HORí – A FISH BURNING

(2nd place in the Konstantin Treplev Award) Director: Ján Mikuš

Premièred on 4 March 2011

PART TWO

Pavel Trtílek

VEČER UMĚLCů – AN EVENING OF ARTISTS

(3rd place in the Konstantin Treplev Award) Director: Vladimír Morávek

Premièred on 12 March 2011

PART THREE

Daniela Fischerová

12 ZPůSOBů MIZENí – 12 WAYS TO DISAPPEAR

(3rd place in the Alfred Radok Award) Director: Barbara Herz

Premièred on 16 April 2011

PART FOUR

Ondřej Novotný

TO LéTO – THAT SUMMER

(1st place in the Konstantin Treplev Award) Director: Jan Mikulášek

Premièred on 23 April 2011

PART FIVE

David Drábek

VYKřIČENé DOMY – HOUSES OF DISREPUTE

(to date this radio play has not been performed in theatres) Director: Petr Forman

Premièred on 30 April 2011

PART SIX

Karel Steigerwald

HRAj KOMEDII – PLAY COMEDY

(Not yet performed) Director: Břetislav Rychlík Premièred on 7 May 2011

PART SEVEN

Petr Maška

žáROVIšTĚ – FURNACE

(Not yet performed, one of the finalists in the Konstantin Treplev Award)

Director: Anna Petrželková Premièred on 14 May 2011

Collective twelve-hour performance of the

extraordinary Divadlo Husa na provázku project in the space of a single day entitled KDE SHAKESPEARE MŮJ

– WHERE IS MY SHAKESPEARE, which took place on 29 May 2011 at the International Theatre World Brno Festival 2011.

Balada pro banditu

– Ballad for a Bandit

Remake of the legendary musical drama. Eva Vrbková and Jan Zadražil love each other with a bloody passion.

„Never bathe twice in the same river.“

This famous musical drama of great love and even greater betrayal, about men who are consumed by anger and about women who are able to bring these men out of their terrible anger with kissing, biting and hugging. It is a fun and exciting performance. The Divadlo Husa na provázku shows

itself to be in great shape!

Director: Vladimír Morávek Libretto: Milan Uhde

Text editing: Vladimír Morávek, Barbara Vrbová Dramaturgy: Barbara Vrbová

Stage design: Martin Chocholoušek Costumes: Sylvie Zimula Hanáková Music: Milos Štědroň

Arrangement: Petr Hromádka

Accompanists: Karel Albrecht / Martin Jakubíček Choreography: Leon Qaša Kvasnicová

Puppets : Antonín Maloň Fights: Václav Luks

Premièred on 17 November 2005

„It is always extremely difficult to find yourself somewhere near a legend. And when it happens, you need to either escape or accept it as your fate. „

Vladimir Morávek, director

Everything is wild and untamed: the women more so than men, the imprecating song of the birds, dance and clatter. This stylish shift of Morávek‘s production can firmly rely on music re-arranged by Petr Hromádka, now inspired by ethnic motives. Here women are witches, real or at least potential, including the excellent singer and „quinton“ (five-string violin) player Gabriela Vermelho and cellist Eva Horáková.

The charms of this stylization include the span between ferocity, childhood playfulness and tenderness, most concentrated in the fatal and high-spirited Eržika by Eva Vrbková.“

Kateřina Bartošová, Lidové noviny (24 November 2005)

Leoš aneb Tvá

nejvěrnější

– Leoš or the Most

Faithfully Yours

The master and his life and music and Death or How a work from a remote Moravian village conquered the

world – the three Janáček characters (as a boy, as a young man, as a mature man) and six women on laid out in the form of stories of very laughable loves, reveal their hearts, desires and disappointments. The impetus for the new Divadlo Husa na provázku project was the personality of the renowned music and opera composer Leoš Janáček, who spent a large part of his creative life in Brno. In collaboration with the music scholar and composer Milos Štědroň, a year-round cycle of discussions with leading experts on the works of Janáček entitled ‚Kabinet Janáček‘ (Janáček‘s Study) was implemented. The culmination of the project will be the staging of the play inspired by Janáček‘s life story and his work in particular. The production is directed by Vladimír Morávek.

Author: Milan Uhde Director: Vladimír Morávek Dramaturgy: Miroslav Oščatka Stage design: Ladislav Vlna Costumes: Eva Morávková Music: Milos Štědroň

Premièred on 11 November 2011

III.

SELECTED PRODUCTIONS

FROM THE CURRENT REPERTOIRE

CENTRE FOR EXPERIMENTAL THEATRE, allowance organization Director CED Petr Oslzlý

THEATRE GOOSE ON A STRING, the theatre with wiiings Artistic director: Vladimír Morávek

Zelný trh 9, 602 00 Brno, www.ced-brno.cz, www.provazek.cz, e-mail: provazek@provazek.cz Text: Miroslav Oščatka, Josef Kovalčuk, Eva Yildizová

Graphic design and illustrations: Martin Kaiser

Photos: Viktor Kronbauer, Jakub Jíra, Eva Yildizová, Jan Plešák, Martin Zeman a Roman Franc

www.provazek.cz

Statutory city of Brno finance

Centre for experimental theatre, allowance organization. Ministry of Culture Czech Republlic finance acitivity of CED.