You are coming into us who cannot withstand you

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(1)Edinburgh Research Explorer You are coming into us who cannot withstand you Citation for published version: Edwards, M, You are coming into us who cannot withstand you, 2011, Composition, Sumtone.com, Tuebingen, Germany.. Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim.. Download date: 05. Apr. 2019.

(2) st307.1.72. sumtone : michael edwards you are coming into us who cannot withstand you for flute, clarinet, bassoon, percussion, piano, violin, viola, cello.

(3)

(4) sumtone : michael edwards you are coming into us who cannot withstand you for flute, clarinet, bassoon, percussion, piano, violin, viola, cello.

(5) michael edwards you are coming into us who cannot withstand you for flute, clarinet, bassoon, percussion, piano, violin, viola, cello st307.1.72 sumtone Neckarhalde 38 D-72070 Tübingen Germany [email protected] www.sumtone.com. copyright © 2011 sumtone all rights reserved.

(6) programme note. The title of this piece is taken from the poem “Final Notions” by Adrienne Rich (1929-): It will not be simple, it will not take long It will take little time, it will take all your thought It will take all your heart, it will take all your breath It will be short, it will not be simple It will touch through your ribs, it will take all your heart It will not take long, it will occupy all your thought As a city is occupied, as a bed is occupied It will take your flesh, it will not be simple You are coming into us who cannot withstand you You are coming into us who never wanted to withstand you You are taking parts of us into places never planned You are going far away with pieces of our lives It will be short, it will take all your breath It will not be simple, it will become your will The mood of the piece picks up on the simplicity and directness of language, the repetitions, and the almost breathless speed (in my reading at least) of the poetic meter. Deceptively simple on the page, “you are coming into us who cannot withstand you” gains its impetus from the combination of small, simple rhythmic units into larger, sometimes repeating sequences by means of an algorithmic technique I call rhythm chains. These sequences are usually placed in polymetric opposition to similarly constructed contrapuntally combined sequences. The tempi are quick, the energy level is high, and the perception of multiple pattern streams moving at different rates is the main feature of the music..

(7) Notes Percussion: 4-octave marimba (C3 to C7), snare drum, 2 crotales (A5 and B5), glockenspiel (always l.v.) Accidentals carry throughout the bar but are repeated in parentheses as deemed necessary Accidentals do not repeat at octaves in either chords or melodic lines Duration: 10:15 (with indicated tempi) If necessary, tempi may be reduced by up to 10% Quarter-tone accidentals imply more of an expressive deviation from the closest semitone than an exact equally-tempered quarter-tone pitch in its own right. This means, for instance, that the wind can, where desired, use embouchure pitch inflections rather than exact fingerings (which are also acceptable, but perhaps very difficult to achieve at speed).. wind: slap tongue (flute: pizz); a short pitched note should accompany this sound piano: unpitched percussive effect (follow individual directions) percussion: on G4 (second line treble) snare, ord.; other pitches: crotale notes wind: slap plus key click, with pitched note to follow where appropriate (e.g. if long note) strings: battuto; when fast battuto notes are required, more of a spiccato is also acceptable snare: draw the wooden stick handle (or something suitable) with considerable pressure over the head of the drum to cause an uneven rubbing tone and occasional squeeks strings: scratch tone (heavy pressure) flute: whistle tone The following symbols placed above notes apply only to the note(s) they’re over, unless there’s an arrow and closing bracket, e.g. S wind: aeolian tone wind: half aeolian tone i.e. more pitched tone than with full aeolian wind: sing/growl into the instrument whilst playing; exact sung pitch unimportant; a rough, multiphonic-like tone is the result. The flute may also use ad lib. multiphonics where ‘sing’ is called for.. S. M cluster. M conson. M. disson. M. wind: ad lib. multiphonic with the indicated pitch as fundamental; created ad lib. by fingering, embouchure, or both flute: cluster multiphonic: overblow very forcefully bassoon multiphonics: choose a harmonic fingering for a higher note then lip down to create the multiphonic, choosing a more or less consonant/dissonant result, as indicated strings: move the bow vertically up and down the string instead of drawing across in the normal fashion; vary the speed ad lib according to dynamic and context.

(8) for ensemble aventure. you are coming into us who cannot withstand you michael edwards 2011. . = 140.

(9). flute. 2 4. bassoon.

(10). piano. violin. 43 . bass cl. bsn. . . vln. vla. . 43 3 4. . . 42. . 42 . 2 4. . 43. . 42.

(11). . 42. 2 4. pp. pp. 43. II. con sord.. 3. . . . . 42. 10. . 42 42. . 43

(12) . 42. 43 . 11. 42 . pizz. l.v.. pp. 42 42 24 . . . 3. . . . . p. . 42. 3. . . . . . 42. . 42. . 43. . 43. . . 43. . . 42. . 43. . . 43 43 . . . . 43. . . 43 . 43 3. 43. pp pizz ord.. . . 14. . . 43 . pp. . . . 13. . .

(13) . . . . . 15. . 3. 42. . 43. 24 . 43. . . . . 42. . 43. . . . 43. . 42. . 43. . . . 42. . 43 34 . copyright © 2011 sumtone|all rights reserved. . 24 24 . 43 43 . 34 . . . 16. 3.

(14) . . . . 43. 42 . 43. . 43. 42. 42 . 34 . . 43. . 42 . 43 . . . . . 42. 42 . 43. 43. . 42. . 9. . nail. 12. . . 42. . . 24 mp. 8. . 43 . . 7. . 43. strike metal frame with a small metal object l.v.. . 42 . . . pp. . 43. . S 43 43 . cymbals, soft (marimba) stick, sempre l.v. top line = small cymbal middle line = medium cymbal bottom line = large sizzle cymbal. 24 . . 6. 3. . . . 3 4. . 5. pedal down to B. pizz. con sord.. 43 pp 34 . pizz. con sord.. . . 42. 43. . 4. . 42. 43 . . pp. . 42 . snare (always 2nd line) hard stick. 3 . 4 . 3 vc 4. . always stacc when not slurred. 43 . perc. pno. 3 4. 43. 3. . viola. 43 . . 42. 42 . cello. 2. 43 pp 43. 42 . percussion. 9. . 42 pp 42 . bass clarinet. fl. always stacc when not slurred. . . . . . . st307.1.72.

(15) 2.

(16). . 16. fl. . bass cl. bsn.

(17). vln.

(18). . . bsn. pno. . . . . . S. 25 3 4 . . . 34 . .

(19) 3 p 4 pizz. l.v.. . 43. 43 p. vc . . 3 34 . . . . . . pp. . 42 . 27. 24 42. 42. 42. . 26. 42. . . . 43 . . 43 . 20. . 43. . . . 24 . 28. 43. . 42. 43. . 42. . . 43. . 43. . 29. . . . . 42. . . . . . . . pp. . . . . st307.1.72. . . . 43 . marimba 3 4 pp3. . 42 42. . 43. . 42. . . 43 43. . . . . 42 . 3 2 4 . 33 24 p pp 24 . . 31. 32. . . . 3 pp.

(20) 42 p 3.

(21) 42 . (marimba) 3. p. . 43 p pp p 34 p. p pp

(22)

(23) 43 p pp p . 42 . col legno. 3. . 3. . . . 43 pp. . . 43. 3. damped l.v.. 43 p. . 24 . . always staccato when not slurred. . 43 . 42. . 43 p pp. 43. . 24. . pp. S S . 43. . soft sticks. 24 . 30. 42. 23. . 43 . 43 . . 42. . 43 . 22. 24 . 34 . 24 42. . . 42. 42 p pp. 42 42. . 42 . 24 . 43 . 24 pp 3 3 24

(24) 3 p (snare) 3 3

(25) 42 p 3 pp. 42 . 42. . A. . 21. strike metal frame with a small metal object l.v.. . . . 19. 24 . . . 3. . . with violin. . . . . 43 . 43 vln . vla. . with viola. . 43. . . 3. . . . . 18. . 3. . . . perc. . . . . bass cl. . 24. fl. . . . vla. vc. . . perc. pno. 17. 3. 3. . 42. . . 42. . . 42. . 42. .

(26) .

(27) 3

(28) 42 3 p pp.

(29) 3. 35 36 34 43 fl 42 p bass cl 43 42 . B. S. 33. bsn. . . . vln. . . 43 . . 43. . . . 43. . . 34 . p 34 .

(30) p 3 34 pp. pp. vc . . 42. fl. bsn.

(31) 2 4. . 3. . . 43 . . 43.

(32). . 24 . 42. . . 42. . . 42. . . 42. . . . . . 3 4 p. 43. 42. . . . . 3. pp . 2 4 pp. . 42. 43. . . 43 . . . 43 p 43. . 3 . 4. . 3 4. . 42 42. . . . 42 . 3. . 43 . 42 . . 3. 43. 45. 42 . 43 43. . . . 42. . . 42. . . . . 42. . pp. 43. pp. . . 42. pp. 42 8vb p. II. pp. st307.1.72. 42 42 . 24 . . stacc.

(33) 43 p stacc.. p. . 43 . . 42 42. arco. . 43. . 42 . 42. 43. 49. 48. . . . . 42 42 42. 3. . . 43 . . 43 43. 42 . . 3. 4. 42 . . 3 4. . 43 34 . . 43

(34) p. 43 . 3 4. 42 p. . 43. . pp. 43. 3 4 . 3 4 . 2 4. . 43. . 42 42. pp. 8vb senza ped. una corda. 43. 42. cymbals. . 47. 3 24 p 24. 42 p . . . 42. 42. 43

(35) pp. . p. 46. . 43 43 . 42 . . . 42. pizz. 3 34 42 3 pp. . 42 . .

(36) . 34 pp 43 . 44. 42 . . 39. 38. . 42 3 p. 3 4 p. . 42 .

(37) 2 vc 4. . . . 43 . . 42. 43 . 8vb. vla. . .

(38) 2 4 pp vln. 43 . 43. 42 . perc. pno. 42 42 . bass cl. 2 . 3 4 p 3. . pp. vla. . pp. . . 42 3 3 pp. 43 . . perc. pno. . . . 41 43 42 pp 43 . p 43 43 42 p 3.

(39) 2 34 3 4 4 p pp 3 p 40. 37. . 42 42 . 24 . . 43 43 43.

(40) 4. . 49. fl. bass cl. bsn. . . 43 . . 3 4. . . 43 . . vln. 42 . . 42 . . 42.

(41). . . . 43 vc 3 4. vla. . 56. fl. 42 . . pno. vln. . . 42 . pp. 34 . 42 . . 43 . . 43 . . 42 . 43 . 42 . 34 . 24 . (arco norm.). . 34 . 34 . 24 . . 3. . . . . . 3. 3. . . 42 . 53. 42 42. 3. . . . . 42. . 34 34 . 24 . . 43. . 43. 2 4. . . 42. . 42. 42 . . 43 .

(42). 42. . 42 . . . 43 . . 42. 24 . . 3. 3. . . 42 . 24 . 42 . . 42. 56. . . 60. 55. 43 . . . 34

(43) . . . 54. . . 34

(44) . 61. . 43 . . 34 . 42. pp. 43. 42. (arco norm.). . 43 42 43 43 42 43. 43 . 34 . . 43

(45). 59. 42 . 2 4. vc 2 4. . . . pp. . . . (arco norm.). 43 . 42 . 43 . . . 42. 2 4 . . . . . . 42 . . 42 . vla. 43 . . . II. 58. 42 . . . . . . 3 4. 43 . spe with percussion. . . 24 . . 43. 42 . bowed cymbals (sempre l.v.) with viola. 42 . . . 57.

(46) pp. 43. . .

(47) 43 . 42 43 . 2 bsn 43 4 42 . . 52. . bass cl. perc. 43 . . 34

(48) . . . . . 42. . 43. . . 43 . 51. . 3. 42. 3 4 . . 50. . 43. perc. pno. 43 . . 42 . 62. 34 . . 42. 34

(49) . 63. 24 43 42 43 42 . . 42. 64. 42 42 42. 43 . . 42 . 43 . . . 43 . . . 42 . 42 . 43 . . 42 . 43 . . 24 . 34 . 24 . 34 . 42. 43. 42. 43 . 42. 34 . 24 . 34 . 42. 24 . 24 st307.1.72. . (arco norm.). . . . 42. . 42.

(50) 5. . 64. fl. 42 . bass cl. bsn. 42.

(51). . 2 4. . 43 . 2

(52) 4 . . 43 . . 42. . 34 . ord. 42 . . 24 .

(53). .

(54). M. . 2 4. . . 42 . 2

(55) 4 3. vla. vc. 42. . 42 2

(56) 4. . . . . . . . . . . . . . 43. . 43 . . 43 3. . . 43. . . . . 3 42 . . 43 . p. 24 . . 42. . 42. . . . . . 76. M. . . 3. 42 3. . . 42. . 43. 78. . 3. 43 . . . . 3 4 3 mp. . 42. . 43. . st307.1.72. . 42 . M. . . . 42 42. . . . 42 . 43 . . . . . 43. 81. 43 . . 43. . . . . . 3. 3. . 42 42. 34 . . 42. 82 2 34 4 mp. . . . 43. . 2 4. . 3. . 42. 43 . . 42. 42. . . 42. 73. 43 . . 80. . 43. 43. . . 42. 42 3 42 3 p. 43 43. . 42. 79. 42. 43 . 3. . 42. . . 72. . 3. sempre senza vib.. . . 42. . . 42 . 34 . . 42 . 3 42 . . . . 42. 43. . 71. 42. 3 4 43. . 42 . 42 . 43. . . . 70. 34 42 34 42 . . 77. 42 . 42. 3. . 42 42. . 43 . . 42 . . 3. . . 43 43 34 . . . . 43. 69. . 43 43. . . 42. 43 3. M. 3. . 43 . 42 . 42 . 34 . 43. 42. . 68. . 34 . 75. . 67. 42 . 3. . 3. vln. . . 3. . 74. 42 . perc. pno. 42 42 . bass cl. bsn. 43. . 73. fl. . . 42 . 3. vc. . 43 . 43 . 3. vla. . . . . cresc.. vln. . 43. 66. 42 . perc. pno. S. . 65. mp . 43. . 43. . 43. . 43. 42 42. . 43 . 42. . . 42 p 2 4 42. 42 . 42.

(57) 6.

(58). . 82. fl. 42 . bass cl. bsn.

(59). mp. . 42 . . M. 2 4 42 . perc. pno. 42. 83. . . . 3.

(60). . 42. 42 mp. vla. 2. 4. .

(61). S. vc. . 91. fl.

(62). . . p . . p. . mp. . 43 43. . 3 mp . 43 p. vla. vc. p. . 3. . 43. 3. . 42 . . . . 24 mp 3 42 mp 3 p . . . . mp 3. 42. 43. . 43. 42 42. 89. . . . mp. 43 . 3. mp. . p. 43. 42. . 3. mp. 43 . 43 . . . 43 . . . 43. 43 mp mp p 43. 24 . . . 91. 90. . . 42. p. . . 2 4 p . 42 mp . 43 . p. . . M. . . 43. . 88. 42 . . 43. 43. . . 42. 3. . 24 . . . . . 42. mp. . 43 . cresc.. . . 43. . 87. 3 4 mp p 34. . M. 42. . 86. 42 . 43. . C 42 . 92. mp. . 93. 42 42. . 42 . . . 42. . 42. . . 94. S mp. . 42 . . 42. 34 . . . . 43 p. 2 . p 4 3 mp

(63) vln 42 3. . . 85. 43 . . . . 43 p. p. . perc. pno. . bass cl. bsn. . . . 84. . 2 4 3 mp p vln. . . 95. p. . dim. al niente. . p mp mp mp 8vb. mp p . . . . . . . . . . . . . p. . . . . . p. . . . . Piu Mosso ( = 152) 96. . st307.1.72. . . pp. 98. . mp . . M. . M. . . 99. . p. . . 100. . M. . . . . . . . . . . . . . . (pizz.). mp. p pizz. p. pp. . . . . mp . 101. . . mp . . 97. mp p . . p. .

(64) 7. . 101. fl. . bass cl. bsn. . . vln. . . . . . . 104. S . . . . . . . 105. . . 106. . . . . 107. S . . mp . M. . . 108. M. p. . 109. mp. . .

(65). 110. . . p . . 111. mp. . mp. S p. . . 112. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . mp p . . . . . . . . mp p mp p. . . . . p mp. . . . . . . mp p. . . . . . . . . . p mp. p. . 113. . . . . . . . 103. S. . . . 102. mp. vla. vc. . . perc. pno. .

(66). . . . . D . 113. fl. bass cl. bsn. . . vln. . mp. . . . . 114. . . . . 115. . . . . 116. . p . . mp. . . . . . . . . Meno Mosso ( = 140). . 117. p. . . 118. . . . p 3. . 119. . marimba. . . . S. . . 3. . pp . . . .

(67) p . . . . . . . 120. . . mpp pp p

(68) (stacc.) p mp 3. . S p. . 121. 3. . . pp 3 p . . . . . pp. 3 pp p. p pp pp . . . . . 122. . . . . . . . . p mp p mp . . . . . mp. (pizz.). . . pp p. st307.1.72. . . 123. . pp. pp. . p. . (senza ped.) tre corde. . vla. vc. . perc. pno. . S. . . pp p pp

(69) pp.

(70) 8. . . 123. fl. . bass cl. bsn. . . . .

(71) . . . 124. perc 3 3 p 8va 8va pno

(72) pp p . vln. . vla. vc. . . p . . . bass cl. bsn. pp. . . pp 3. . glockenspiel. perc. pno.

(73). vln. 3 p . . vla. vc.

(74). . . 3. . 3. pizz.. 3 . p. . . 43 43 . p pp. 3. 3. 3 4 p 43 . 43. . 3. . marimba. 3. .

(75) p. . . . . E. . . . . 43 . 3 pp 4 p 3 34 pp p st307.1.72. p 3 . . pp 3. p. . . p. .

(76) pp. p. . . pp. . p pp . . 34 . 42 42. . . 43. . 42. 42. . . 43. . 42. . . 43. . 42. 43. . 42. 43. (catch resonance). . 42. . 138. 139. p. pp p . 42 p arco. . . . . 137. . . . . 42 42. . pp. . . . p pp. pp. pp . . 3. . 132. . 3 pp p pp. . . . 3 p. 3. . . . 131. 3 pp. . . . 136. S. . . . 130. S . . . p pp. 135. . . . . . . . . . p. 43. . . . . 3. . 129. pp p p. . . . 128. p. . . . . 3. . . arco molto vib.. . . . .

(77) 3 pp. . . 134. p. .

(78) pp. . . . . 133. . . . . . . . . p. 132. fl. . . 127. pp p pp

(79)

(80) pp. . . . . . 126. p . . p. 3. . 125. 42 p. . 42. . . 24 3 p. . 43 . . . 43. 43 3. . . 42. 140. 42 42. 42 .

(81) 9. . 42. . 42. . 2 4. . 42. . 140. fl. bass cl. bsn. . perc. pno. . vln. 42 pp. 42 . fl. 43 . 42. . . 43. . 42. . . 43. . 42. . . 2 vc 4 . . . 42. . 143. . pp. 3. . 43.

(82) p pp. senza vib.. 148. pp . 42. vla.

(83) 43 p. 142.

(84) 3. p pp 4. 2 4 pp . . 141. 43. . 42. 34

(85). . p. p pp. 3. . p. . 42 . 149. . 150. . 151. 152. . 42. . . . . bsn. 3 4. . 42. . . . . 43. . 42. . . . 42. . . . 42. . pno. 43. 3 4. vln. vla. 3 3. 43 . . 43. . 43.

(86) 3 4 p. pp. 42 .

(87) . S. 147. . 148. 43. 42. . . 43. . 42. . . 43. . 42. . . 43. . 3 3 3 24

(88) p pp. 3 4. 3 24 . .

(89) molto vib. p pp 34 . 42. 43. F . . 146. 3. 3 . . 3 3. 43. 43. . senza vib.. . 24 . 43. arco pizz.

(90) 42 p. 43. with percussion. . . 43.

(91) 43 3 pp. 43. . pp. . bass cl. perc. . IV.

(92) 42 p 3. 43. 43. . . 42. 145. . 42 p

(93). . 43. .

(94) 24 . . (sim.). .

(95) .

(96) 34 p. pp. 144. . 3 4.

(97) 3 vc 4 pp 3. pp. 42 pp 24 . . 42. . . . cymbals, medium hard marimba sticks (sempre l.v.) with flute. . . . . . ord. pizz.. 3 pp 3. 3. st307.1.72. . . 43. . arco spe. 156. . . . . 155. . . . . . . 42. 154. 42. 3 4 pp. 3 pp p . . . 3. . 43. . p . 24 3 p. 43 p. 153. . 34 p pp 34 p 43 . . 3. . 43 43 . 3. . 42 . (snare). 42 . vib. 2 molto 4 42. . . . pp . 42 . . . . 3. . pp p 3. . . spe arco. ord. pizz.. 42 3 p 3. 3. 3. . 43. 157. 43 43 43 43 43 43 43 43.

(98) 10. G . Piu Mosso ( = 152). . S. 157. fl. 43. . . 42. . 158. . 159.

(99). 160. bass cl. 43. . 42. . .

(100). bsn. 3 4. . 42. . .

(101). . 42 . vary strike positions ad lib.. 43 . perc. pno. . 43 p. 42 . 3 4 vln. . 43 . 3. 3 vc 4.

(102). . bsn. perc. pno.

(103). vln.

(104). 42. .

(105). 34 . . 42 . 43 . 42 . 43 . 42 .

(106). . .

(107). . 3 .

(108). arco spe. 3. . 169. . 43 .

(109). . . 168. . . 3. . 167. 43. 3. . 43.

(110). ord. pizz.. . 43 . . arco spe. . 170. mf. . . 171. 172. . . . . . . . . . . . . . . . mf. . . mp 3. . . . p. p. . . . . 3 mf p3 sim. mf . mp. 3. . . . mp. . . . 3. . . . . 3 mf 3. 3 mp 3 3 mp 3. 3 3 3 3 mf mp mp . . 173. . . . 166. mp. . 3. mf 3. 3. S. S. . . 3. . 3. . . . . 165. . . . . . . . 42 . . mp. . . 2 4 42. . . molto vib.. 3. 164. . . . vla. vc. . bass cl. 3. . . 42 3. . 166. fl. 42. 42. . 3. 42 . . S. 163 p. 162. 43. . 42 . . 43. vla. 3. 42 . 43 pp. 161. . . . . . . . . . . . . 8va. . . . . . . . . . . 175. p. . . . . . . . . . . mf. mp . p. 176. . . . 174. . . mf mp p 3 mp mp 3 . p mp. st307.1.72. . . 3 p 3 mfmp 3 3 mp . mp p. . 3. . 3. . 3 3 mf mp.

(111) 11. 43 mf mp 43. . . fl bass cl. bsn. . pno. . 34 p. . vln. bass cl. bsn. . perc. pno. . . 3. . sul pont. senza vib.. 3 4 p. . 42. . vla. 42. . 2 4. .

(112) 42 . . 42 . . . 42 . 2 vc 4 mp. 43. . . . . 42. . . . 43. . 42. 42. . . 43. . 42. . 43. 42. . . 34 . 189. . 183. 43 . 3. . 191. p. 42. . . 43. . 42. . . . 43. . 42. . . 43. . 42. . . 42. 3 4. 43 . . 43 43 . 43 . . . . 42 mp . 43. . 3 4 . 42 42. . 42 . 42. 42 3 p. . mp . . . 42 mp pizz.. 43 mf 43. . sul pont.. 3. mp. st307.1.72. 43 . . 42. . 42 3. 43 43 43. . 42 mf. 43. 193. with violin. . 8vb. ord.. 42 mp p 3 p. 42. 192. . mp. 43 43. arco sul pont.. . ord.. sul pont.. . . . 43 . . . 42 . 42. 43. 43. . 42. sul pont. sim.. . . 42. 3 4. . 42. 42. 3 4. . 190. 42. 184. . 43 . .

(113) 42 . 3 mp. 43 . 188. . . 24 mp ord. 24 . 43 . 3. 42. 182. 24 . sul pont. senza vib.. 34 . . 42 . 3 4 p. . . 42. 181. 3 4. . 187. p. . . 3. . 186. 43 . . 43. 43 . with violin. 42 p mp p. 43 . 34 mf mp. 180. . . 42. 43 . ord. 2 4 42. . 3. mp. . 185. . 43. . vln. 42. 24 mp ord. with piano 24 . 2 4 p. . . 43 . 3. fl. . . 3 vc 4 3. . 42. . 24 . 3. 184. . 179. 34 . 3. vla. . 42. 178. 3. mf . . 43. . perc. . 177. 176. . . 3 mf mp. (spe). . 43. . 43. with clarinet. . 3 4.

(114) 12. . 193. fl. 43. bass cl. bsn. 3 4. . . . . . 42 . . 43 . 42. . 43. 43. 195. . 42. 3 4. 42. . mp. . 42 . . . 43 . . . 42 42 . 42 . . . 42. . 43 . . 42

(115). 43. . 42. 43. 42

(116). 43. . 8vb. vln. . 3 . 4 p. 42 . . 43. vla. . 3 vc 4 mf. 42. . fl. bass cl. bsn. . vln. . . 43 p mp 3 4. 43. . . 3 4 . . 43 mp. . . . Piu Mosso ( = 163). 42. 202. 42. f. 203. . 3 4 . 42 . . 43. . . . 42 f 3. 3. . . 42 f. . . . 42. . 3. . . 42 . . 205. 42. . 3. . 43 43. . IV. 3. 43. 42 . . 43. 42. . 43. 43 . 42

(117). mp. 200. . 43. . 43. . 42. . 42. 34 p . 43. 43 . . 43 . . 206. . conson. conson. M. M. 43 . . . 43. 42. f 8vb . 42. 43 43 3. 3. st307.1.72. . 42. 3. . 43 43. . 42 . . . 43. 42 43 42. . 43. . . . 43. . 43. ord. . . 42 . 207. f. 42 42. 3. . . 42 42. . 3. . 43 43. 43. . 43 43. . . 43. 208. . 42 3. 43. 42 43 mp. 42. . 43. . 42. (flag. gliss.). . p. 43. . 42. . 43. 201. . 3 3 3 3 3 3 3 24 24 34 34 . . senza sord. ord. senza vib.. . 2 4 43 p mp. 43 p. 3. . 43. mp . 42. I. . . . 42. 43. 199. . 42 . . 43. . 43. 3 24 f ord. senza vib. 42 p f . 43. . 198. 2 43 4 . . . . 43. . ord. senza vib.. 2 4. . 3. marimba crotale, l.v.. 3 2 4 3 mp f 42. 42. 204. . . 42 . 43 mp. 43. vla. vc. p.

(118) 43 . perc. pno. 43. . 34 mp p. . 42 mp p. H 201. . S. . 43. . p . 42. 43. 197. . 42. . 43. . 42. 196. . 43 . 42

(119). . 43. . 42. 194. . 43 mp. perc. pno. 43. . . . . 43. 3 4 43.

(120) 13. . ord.. . . 208. fl. 43. 43 3 bsn 4 . bass cl. . . 43. 3 4 . . . 43 43. vla. vc. .

(121). 3. bsn. . . 3 4. 43. 3. vln. 42 42 42. 3. ff . . S. 3 24 ff. . 42 . .

(122) 42 . 43 . 43. . 3. . 43. 3 42 43 3 3 3 f. 3. 43. 214. 3. 43. . 43. . 42. . 43. 43. . 42. . 43. . 42. . 43. 24 . 3 4 3 4 ff. . . 3. . . 43. . . 42 . . 42. . 42. . . 216. . 43. 3 4 . 3. S. . . . . 43. . 42 . 217. . 42. . 43. 218. . . 3 3 . 3 4 3 ff f. 42 . . 3. 3. . ff. f. . 43. ord. . 42 . . 42 . . 219. 42 . . . 42. 3 4 . 2 43 43 4 3. 3. . 42 . 213. 42. 43. 42 . . 43 . 43. 212. . 3 4 . 3. 42 . 2

(123)

(124) 4 3. 43. ff. . . 43. 43. . 3 42 . . 3. f . S. 42 . 211. 3 3 4

(125) 3

(126) . 42 . 43 . . 42 . 3 4 3 3

(127). . 215. . 3. 4. . perc. pno. 3. . 43. 210. 42

(128) . 42. . 43 . bass cl. . . 214. fl. 3 4

(129) . 42. (release pedal gradually). 8vb. vln. 42 . S.

(130) 2 3 3 4 4 3 3 3. perc. pno. 42 . . 209. 43. 220. 3 4 . 42 43 3. 2 3 4 4 3 3 3 3 ff f. 3 4 3. 43. . 42. . 43. . 42. . 43. . 42. . 43. 3 4. . 42. . 43. . 42. . 43. . 42. . 43.

(131). 3 4. . 42 . . . ff 3 vla 4 3 f . 3 vc 4. f. . . 42 . 42 42. . . ff ff . 43 43 43. . . f. 3. . f. . . st307.1.72. 42 ff 42. . ff. . 43. 3 4 f 43. f 3. . . 42. ff. 42 42. . ff f f. . . . 43. 3 4 ff 43.

(132) 14. . 220. fl. 43. cresc.. bsn. perc. pno. vln. 42 . 3 . 4. 3 4 3 3 3 f ff 43. . 3. 4. . vla. 43 43. 3. 3 vc. 4. . f. 43 . 3. cresc.. . . 43. 222. 3 24

(133) 43 . . 43 . bass cl. . 42. 221. 42. . .

(134) . 43 43. . 42. ff . M. . . . . . . 226. conson. M. disson. conson. M. . 2 4. f. senza sord. ff. . 42. . 3 ff f ff . 3. 42 M. . . 3. . . 3. . . 43. ff. . ff. . 3

(135) 4

(136) 3 3 ff 43 . M

(137) . disson. 42. 225. . . disson. . . 224. . 3. 24 ff f 42. . . 34 . 24 42. . . 223. 3 42 3 f 42 . pizz. arco f . 24 . 42. 3 24 ff 3. I . . . 226. fl. bass cl. bsn. . . vln. . . ord.. 3. . . . 43. . .

(138)

(139) . . 43.

(140) 3. 228. . 3. 3. . 3. 3. . 43.

(141) 43

(142) 43. . 3. . 3. 3. . 3 34

(143)

(144)

(145)

(146) f ff 3. 3. . 42. . 42. . 229.

(147) 2

(148) 4. . . 43

(149)

(150)

(151)

(152) mf.

(153) . . 43. 3. vla. vc. . perc. pno. .

(154) . . 43. 227. 42. .

(155) . . st307.1.72. . . 24 ff 42. 42 . . . pizz.. . . . 42. 42 mp . 230. pizz.. . . . Meno Mosso ( = 152). 43. . 43. . 231. 232. . p. . . 43 . . 43 . ppp. 43 43 43 43 43 . (snare). . . . p. . pp . . col legno. p pp. . 42 . 42. . 42. . 42. . . .

(156)

(157) . 42 p. pp . 42 p pp . 234. . 42. 42 pp p . pedal ad lib. senza sord. (pizz). pp. 42 . 233. p. pizz. pp.

(158) 15. . 234. fl. bsn. . . vln. . vc. . . . 43 . . . . . . 43. bsn.

(159).

(160). vln. . 42. . 42. . 245. . p pp. 42 . 246. 2. 4 p. . . 42 42. . . p. . . . . 43. . 43 . p. . . 43 . . . . 42. arco. . 42. . . . 43. . 43. . 247. . 43 . . 43 43 . . . . pizz.. 248. 239. . . . pp. . 42. . 42. . 249. 43 . 42 . 43. . . 42. . . . . 43 . . . p. . 43. . 43. . 251. 43 . . 43. . 43 . . 43. . . pizz.. 252. . . . 43 . . 42 . 253. . 34 42 . . 34 . 42 . . 42. arco. . 43 . . 43. . pizz.. . . 43. 42 . . 42 p pp. 43 . . . . . col legno. 254 ppp. 42. pp . 42 pp. pizz.. . . col legno. . 42. . . pp. . 43 . . . . . . st307.1.72. 43 . . . 43 . col legno. . 42. 34 42 . . 24 pp. 42 . 250. . . . . . 244. 43. pizz.. 42. . . . 42. . p p. . . . col legno. . p. 42 pp p. 34 . 243. . 42 . . 43 . 43 . 42 p. . 42 . . . 42. . p. . . 242 ppp. 42 . 241. . . 43 43 . . 240. . 24 pp pizz. . 42 vc

(161) . vla. . 42. pp. . 43. . 238. . . . 42 pp. 42 p pp. col legno. 42 . perc. pno. . . 42 . pp. . 42. . . 43 . . 42 p. . pp. . 43 . . . 43. . bass cl. 43 . . . 42. 237. . . 244. fl. . 43 43 . . 236. . vla. . p.

(162). perc. pno. . bass cl. 43 . 235. . 42. 43 42. . . . pizz..

(163) 16. fl 254. bass cl. bsn. . pno. . J. . . . 42. 257. 42. ord. B clarinet. . 43. . 256. 258. pp. . . 43. 259. . 43 . . 43 . . 260. . 42. 261. . p pp p p pp. 42. . vc. . . bsn. pno. . vln. . vc. . . 43 . p pp. . . 42. . . 43. . . 42. . . 43. . . 42. . . 43. . . 42. . . 43. . . 42 p. . 43 . . 42. . 43 . 43. . . . 43. . 43 . col legno. . 43. . 43 . . 43. . . p. . 34 . . . 43. . . . col legno. 43 . . . 42 p. . 42. 265. . . 42 . p . . pizz.. . 42. 43. . 43 . . 267. . arco ord.. . 266. . 42. 268. . . 42. . 270. gradually become more 'twisted' (to K), including singing, multiphonics, and microtonal inflections ad lib (but remaining quiet). 2 4 p. . gradually become more 'twisted' (to K), including singing, multiphonics, and microtonal inflections ad lib (but remaining quiet). . 43 . 2 4 p. . . . 42. 42 . . pizz.. . 42. 43. . . 43 . . . 271. . 272. . . 43 . . 43. . col legno. . . . . 43 . 2 4. . . . 43. . . 42. . . 43. . . 42. . . 42. . . 43. . . 42. . . 43. . . 42. .

(164). . 42 . . 43 pp. . 42 p . . 43 pp. . 42. . .

(165). . pp. . 42. 42 p 42. . . pizz.. . 43. . 43 . . 43. . col legno. . pp p . 42. 42 pp. st307.1.72. 42. . . pizz. p . 274. 2 4 p. 42. . . . 42. 273. . . 8vb. . 269. . . . vla. . 43 . .

(166) 2 4 . perc. . 43 . 2 . pp 4. B cl. . . 264. fl. 264. 42 pp p. . . . 43. 263. . vla. . 43 . pedal down and all notes damped with hand to K. vln. 262.

(167). perc. . 34 . 255. 43 43 43. col legno. . p. . 8vb. . 42. 42 42. pp. pizz.. .

(168) 17. K . Piu Mosso ( = 163) with bassoon. S. . . . 274. fl. . B cl. bsn. . perc. pno. . vln. . 8vb. . . . . col legno. 43 . . . . 43. . . p. . . . . 43. 42 pp. . . B cl. bsn. pno. vln. . . . . 3. . 3. . . . 3. 3. vla. 3 4 . 2 4 3 .

(169) . 3 vc. . 2 4 42. . 42 . . . 2 4 pizz.. 42 pizz.. . . pizz.. 2 4. 43 . . . . 43. . . 43 . 3. 3. mf. . 43. 3. . 43 43 43 . . . . cymbals, staccato (damped) with pizz. strings. 3. mf . 3. . . . . pizz. arco 2 3 4 4 mf with cello, violin arco, stacc, sul pont., senza vib. 3. with violin, viola arco, stacc, sul pont., senza vib.. pizz. 3 arco 24 34 mf. stacc. senza vib.. 2 4. 3. 287 288 24 43 3. . 3. 43 . 3 3. 42 . 2 4. . 42 . . . . . . 43 43. . 42 3. . 3 3. . 42 . 3. 8va. . . . pizz.. arco. st307.1.72. 43 . 3. 2 4 8vb. pizz.. 3. 3. . 43 . 43. 42 43. 42 43 3. 3. . 2 4. 3. 3. 3. . . 3. . . mf 3. arco 3 pizz. arco 43 3 stacc. arco arco pizz. arco pizz. molto vib. senza vib. pizz. arco 2 3 4 43 4 3 3 f. 43 . . 282. pizz. arco . 43 . pizz. arco 42 3 f pizz. arco pizz. arco arco stacc. molto vib. senza vib. 2 4 43 3 f arco molto vib.. . . . . 3. 43. . 285 286 43 42 3. 3. . 42. . . . . col legno. 43. . . 3. . 43 . . 283 284 2 3 4 4 3 mf 3 2 3 4 4 3 3. . ord.. with flute ord.. 43. . . . . perc. p. 42. 281. pedal ad lib. with cello, viola arco, stacc, sul pont., senza vib.. pizz.. 282. fl. . . 42. 2 4. 3. 2 3 3 4 mf 43 42 43 42 mf 34 24 mf 8vb. . 42 . 3. 43 . . . 42 43 f. 280. . 43 . . . to bar 310: slap tongue and key click ad lib. . 43. 279. . . 42. . 43 . . 278. . 42. . . 43. . . . 43. . . 42. 277. 2 4. 43 . .

(170). . 276. 2 4 p. 43 . . . vla. vc. . . 43. 275. . . . 43. . 43. 43 . arco 24 43 pizz. arco 42 43 pizz. arco 24 43 pizz..

(171) 18. . 288. fl. 43 . . . . 3. .

(172) 3 bsn 4 43 . pno. . 42 . 43.

(173) 3 4 . . 3. 3. 3. 8vb. . 3 pizz. arco vla 3 4 3 arco pizz.

(174) 3 vc 4 3. . 294. fl. . . perc. pno. . vln. vla. . 42 . 42 . pizz.. . 24 pizz. arco 24 pizz.. arco. 296. . . . . . . . . . 3. . arco. arco 3. . 3 vc arco. 43 . 3 3 pizz. . pizz.. . pizz.. . . . . . f. . . . . . . . . . . . . . . . 297 3. . . . . 3. . . . . . . . . . . . . 3. arco . 3 arco 3 arco. st307.1.72. 3. 3. f. . pizz. . pizz.. . pizz.. f. . . 3. . . . 8va. . . . 3. . . . . . 3. . . 3. . . f. . 293. . . . f. . . . 34 . . . . f. . . 8va. 3. . . . . . . . . 3. . . . 292. . . . . 3. . 34 . . S. . . . . 3. . . . 43 . . arco. 3. . 43. . . . . 3. 8vb. . pizz. arco. 24 . . 295 . . B cl. bsn. . . 3. . . 3. 8va. . 43 . . 34 . . 43 . . 3. 24 3. 3. vln. . . 3. 4. . 291. 34 . 290. 3. 42 . 3. 3. . 3. . 3. perc. 42 . . 289. . 3 . 4 . B cl. . 3. . . . . . pizz. . pizz.. pizz. . 42 . . . . f. . . . 3. 3. 3. . 3. . . ord. 42 mf. . pizz. . arco arco . 299. . . arco 3 . 3. 298. 3. . . . . pizz.. . pizz.. . . . . 300.

(175).

(176).

(177). 42.

(178).

(179).

(180). . 24 . . 42 . . . arco. . . 3. 42. . 294. 301. . . . . . . . . . . . . 3. 3. 3 3 42 arco 3 42 3 arco 3 42 3. . . .

(181) 19. 301. fl. . . . . 3. bsn. perc. pno. . 3. . vln . . . . . . . 3. . . . . B cl. arco. pizz.. pizz.. arco. 3. 43 43 3. 3 4 mf. 43 . . 3 4. . 8vb. 311. . . 3. . 3. 3. . . 3. 312. . . . . . . . . . . . 3. . . . 3 3 . . 3. . 3 . . . . . . . . f. 3. arco molto vib.. f. arco molto vib.. . 3. . . . pizz. senza vib.. . . . . . . . 43 3

(182) 43 arco. arco . . 3. 3. . . . . . col legno. . 3. . . . 3. . . . . . . . . . . . . . . molto vib. arco norm.. . 3. . . senza vib.. f mp. col legno molto vib. arco norm. 3 f molto vib. arco norm. col legno f 3. 313. 3. . . 3. . . . . . col legno. pizz.. . . pizz. senza vib.. . 3. 3. f. . pizz. senza vib.. . 3. col legno. senza vib.. pizz.. mp mp. senza vib.. . 3. . st307.1.72. col legno. 3. pizz.. . 43. 43 3. . . . . . . . . . . 43. 3 4. 43. 3. 43 3. 3 43 . 3. . p 3 p 3 3 p3 3. 314. 3. . . . p. . . . . . . molto vib. arco norm.. f. 3. col legno. . . col legno. . 3. . . molto vib. arco norm.. . f. molto vib. arco norm.. 3. 315. l.v.. . col legno. . 43. . . . . 3. arco molto vib.. 3. . . 3. . 43. 310. 309. 3. . 3. 3. . arco. 3 vc 4. . . . 308. . 3 . 3. . pizz.. . . 3. arco. . . 3. . . . . pizz.. 3. . . . . 3. . . . . arco. . 43. . . . 307. to 320: start reducing aggressiveness of singing etc.. 3. perc. . pizz. . . 3. . . 310. vla. . 3. 3. . arco. pizz.. arco. 3. 3. . pizz.. vln. . 3 . vla. pno. . . . .

(183) . pizz.. bsn. . . . 3. 3. . . . 306 . 3. . . 3. 3 . . . 305. . 3. 3. pizz.. fl. 3. 304 . 3. 8vb. vc. 303 . . . 3. . B cl. 302. f. . . p. p. . . . 8vb. . . legno col 3 p with cello. . pizz.. senza vib.. p with violin. p. . col legno. . . 3. pizz.. .

(184) 20. 316. 315. fl. . B cl. bsn. vln. . . . . . . . . . . . . . mp 3 col legno. . bsn. molto vib. arco norm.. pno.

(185). vln. vla.

(186). . . . . . . . . 3. . . . . . 3. 3. . 3. 319. . . . . . 3. . . . . . . molto vib. arco norm.. mp. . . . p. . . . . . . 3. . . . . . . . . . . . 3. . 3. . 322. 3. p. . 8va. . . . . . 3 mp. 3. . 3. . 3. . . . 3. . 43. . . . 3. p 3 . pizz.. . . . 3. . . 3 4 3 3. . . 3 4. . . 43 p. . . arco stacc. senza vib.. . . 42 . . . . . 3. 3. . 3. 3. 3. . 3. 3. . . 3. . mf. molto vib.. . 3. 3. 3. 3. . . 3. . . . . . . 3. . 42. . 3. 327. . 3. 3. 3. 3. . 8va. . 3. . 3 3. . . . 3. . . . stacc. senza vib.. st307.1.72. 3. . 3. 3. stacc. molto vib. senza vib.. p. . . . 8va. 42 p. . stacc. . 326. 3. . . . . stacc.. arco stacc. senza vib.. 3. . 325. . . 43. . . . 3 4. 43. . 3. 3. . mp 3 molto vib. arco 3 norm. 24 p mp. p 3. 324. 43 . pizz.. . . 42. . mp. 3. . 42 . molto vib. arco norm.. . 42. . . molto vib. arco norm.. 3. 3. 43. 3. . mp col legno. 323. . . . ord.. 320. 2 4 p. . . 3. . 3. . . . 3. . . 321 42 3 3. 3. . . . col legno. . 3. vc. . . . . p. . . . . . . . perc. . . 318. molto vib.. mp. B cl. . . . 321. fl. . 317. . . vib. col legno molto arco norm.. vc . p 3 mp.

(187). . . . 3. . .

(188). vla. . . . . perc. pno. . 3. 3. 3. 3. 3. 3. . 3. . . . 3. 3. . . . . 3. 3 3. . . 3 .

(189) 21. . . 327. fl. .

(190). 328. .

(191). . . 3. pno. vln. . . 3 . . .

(192). 3. . . 3. . . . B cl. . . . . . vc. 334. 3. . 3 3. . 8va. . . 3. 3. . . 3. . . . 3. . . . . . . 3.

(193) 3. 3. 3. . 3. . . 3. . . . 3. . . . . . 3. . 332. . . 42 . . 42. . 3. . . . . 3 3. . . 3 . . 3. 3. 3. 3. . 337. 3. 3. . 3 3. . 3. 3. . . 3 3. 3. . 3. . . 3. . 3. . 3. . 3. . . . . 83 cresc.. cresc.. cresc.. . . 3. 3. . 3. 3. . 338. . . 3 3 3. . . . 8va. . 3. 3. . . 3. 336. 3. 333 3. . . 3. 3. . 3. . . . . . 3. 42 . . . . 42 . 3. . . 3. . 3. 335. 3. . . 3. . 3. 3 . S. . . 3. 3. 3. 3 3 . . 3. . . . 3. 3. 3. 331. . 3. . . . 3. . 3. 3. 3. vla. . . 3. 3. perc 3 p 8va

(194) pno 3. . . . . vln. . . marimba. . . . . . . . 3. 3. L. bsn. 3. . 333. fl. 3. . 3. 3.

(195) . . . 3. 3. . . 330. 3. 3. 3. 3. 3. . . . vla. vc. . . . . . perc. . . 3. 3. 3. 3. bsn 3 3. B cl. . 329. . 83. 34 . . 339. 340. 42. 3. . 43. 42. 38 43 42 3. 3. marimba

(196) 83 43 glockenspiel. 3. 42. 42. . . . 83. . 43. . 42. . . . 42. . . . 83. . 43. . 42. . . . 42. . . . 83. . 43. . 42. . . stacc. senza vib.. p. . . 3. 3. . 3. . pizz. . arco. 3. 3. . . . 3. 3. cresc.. . . 3. . . . 42 42. . . st307.1.72. . 83. . 83. . 43. . 43. . 42. . 42.

(197) 22. . 2 4 43 341. 340. fl. bsn. . vln. . 43 . 2 4. . 42. vla. vc. 2 4. . bsn. 3 4. . pno. . . . 42. . 42. . 42. . 43. . 43 3. 3. 43. . 3 2 4 4 3 f 3 3 24 4 3 3. f . . 3. . pizz.. f3. 43 . . . 3. f. 2 4. 3. 3. 3. pizz.. . 43. 349. . 34 . 2 vln 4 3 3 3 2 vla 3 4 4 3 3 3 3 3 3 3 2 vc 4 4 . 43. 3. . 43. . 3. . 34 3. 3. 3. . 3. . . 42 43 3 3. 3. . . . . 43. 351. . . 43 . . 3. . 3. 3. 2 4. . . 3. 43 43. . 8vb 3. st307.1.72. 3. 42 2 4. 3. . 3. . . 3. 353. 43. 3 4 3 4 3. . 42 . 3 4. 42 43 3 3. 3. 3. . . 42 . . 43. 3. 3. 2 4 . . . 3 4. 3 42 43 . 42. 42 43 3 3 3. 3. . 3 3 24 43 . . 3. 352. . . 3. 3. 2 4. 3. 3. 3. . 42. 43 43 . 3 4. 3. . 3. . 3 3 42 4 . . 42. 3. . 42 . 3. 3. 43. . 3. 3 3 2 3 2 43 4 4 4 4 3 3 3 3 3 3 3 3 3. . 43. 3 3 43 42 43. . 3. . 43. 347. 3. 3 42 43 42 43 3 3 3. 42. 3 4 . . 42 . 43 . 42 . 3. 350. 3. 3 3 . 3. 42 . 3. . 346. . 34 . . 2 4. 42. 43. 345. 3 2 3 4 4 4 3 3 2 3 4 4 4 3. 3. . 43. . 42. 348. . . 42. 42 . 43 . perc. 43. . 42. . 42. 344. . 43 42 f stacc. 43 42 3 3 3 3 3 f 3 stacc. 3 43 42 3 3 3 f. . 42 . . 43. 43 43 . . 43 . 3. 43. 43. 347. B cl. . senza ped. pizz.. 42. fl. . 42. 3. 3. . . . 43. 3. 42. . 342.

(198) 2 3 2 3 4 4 4 3 4 3 3 42 . perc. pno. . 42. . B cl. 3. M. 343 24 43 f. . . 3. . 3. . 3. 3. 42 . . . 3 4.

(199) 43 42 3 43 42 3. 3.

(200) 23. .

(201). 353. fl. 43. 43 . . B cl. 42. 42 3. 3 bsn 4 . 42. . 3. . 43 . perc.

(202). 354.

(203). 355. .

(204) . 42 . 42 pno 3 4 3 3 3 3 3. . 3 3 3 2 3 4 4 3 3.

(205). 43. 356. . 3. 3. . 3. . 3 3. 43 43. . . . 3. . . . . . vln 3 3 3 vla 3 4 3 3 3 vc 4 3. . 43. fl. . . . . S. 360. . . . . 3. S 3. 42. . . . 3. . . 3. . . . . 3. 3. arco. 3. 3. . 3. . . . 3. . 3. . marimba. . perc. 8va. pno.

(206). . . . 3. . . 8vb senza ped.. vln vla. vc. . . 3. . 3. 3. . . 3. . . . 363. 3. . . 3. . . 3. . 3. . . . . . . 3. . 3. 3. . 3. . 3

(207). . 3. . . 3. . 3. . 3 . . . . . 3. 3. 3. . . 3. 3. . 3. . . . . 3. 3. . . 3. . . 3. 3 3. . 3. . . . 43. . 43. . . . . 3. 3. 3. 3. 3. . . 3. . 3. 3 3 . st307.1.72. 3. . 3. 364. . 3. . 3. 43. . . . . . . . 3. 3 3. 3. . .

(208) . 365. . . . 3. . 3. . . . . . 3. 3 3. . 3. 3. 3. . 3. . . 3. . . . 3. . 34 .

(209). . 3. . . 3. 3. . 3 .

(210) . . 3. 42 . 3. .

(211) .

(212) 3 34 (catch resonance) .

(213) 43 42 3 42. 3. .

(214) . 43. . 360.

(215) . 43. . 8va.

(216) . 43. 359. . 3. 24 3. . 3. 8va . . . 3. 3. 3. . 3. . 3. 3. . bsn 3

(217) 3 3. B cl. . with flute. 2 43 4 . 362. . 358. 3. 3. 3. . . 3. . 3. 42. f. . . glockenspiel. 3. 3. 42. . 42 3. 3. 3. 24 3 . 3. . 3. 43 43 3 43. 42. 361 . 3. . start blurring with pedal. 8vb. 42. 357. 3 4 3 4 3. 3. . with clarinet ord.. . 3. . 3. . . 3. . 3. . 3. . 3 3. 3. .

(218) 24.

(219). 365. fl. . bsn.

(220). vln.

(221). vc. . . . . . 3. . 3 . 3. 3. . 3. . . . bsn.

(222). pno.

(223). vln. vla. vc. . . . . . . . 3. . . . 3. . 3. . 3. . . . 3. . . 3. 8vb. . 3 . 3. .

(224) . 3 . 3. . . . 3. . . . . . . 3. . . 371. 3. . 3. . 3. . . 3. 3. 3. . . 3. . . . . 3. . . 3. 3. . . . . . . . 3. . . . 373. 3. 3. . 3. . 3. 8va . . 3. . . . 3. . . . 3. . . . . 3. . 3. . . 3. . . . . 3. 3. . 374. 3. 3. . 3. . 3. . . 3. 3. . 8va. . . . . 370. . . . . 3. 3. 3. . 3. 3. . 3. . . . 3. . 3. . 3. . 3. 3. . . 3. 3. 3. 3. 3. 3 3 . 3. . . . . . 3. . . 3. . 3. 3. . . 3. 3. 3. . 3. . . . . . 3. . . 3. . 3. 3. . . . 3. . 372. 3. 3. 3. 3. . 3. . . . . . . 369. . . . . . 3. 3. 3. . 3. 3 . . 3. . 368. 8va. 3. . 3. . . . . . . 3. . 3. . 3. . 3. 3. . perc. . . . . 3. 3 3. 3. . 3. 3. 3. . . 3. 3. 3 . . B cl. . 3. 3. 370. fl. 367. 3. . . . . 3. . 3. 3. . . 8vb. . 3. . . . . . . 3. 3. 366. . . 3. . 3. . 3. . . 3. . 3. . vla. . 3. . perc. pno. . B cl. . 3. 3. 3. . . 3 3. . 3. . . . 8va 3. 3 3 8vb 3 3 3 3 3 3 3 3 3 3 3 3 3 . 3 3 3 3 3 3 3 3 3 3 3 3 3 3. . 3. 3. 3. st307.1.72. 3. 3. 3. 375.

(225) 25. 375. fl. . cresc. . 3. 3. . 376. cresc.. . bsn. 3. B cl.

(226). 3. . . . 3. 3. . cresc.. perc. cresc. . . . cresc..

(227) . . cresc.. . 3. 3. .

(228). 380. fl. . bsn. . perc. pno. 3.

(229). . 3. 3. . 3. 8vb. vln.

(230). . . 3. vc. 3. . . vla. . 3. . . 3. cresc.. . 3. . . cresc.3 . 3. . . 3. . cresc.. 3. 381. . 3. . 3. . . . 3 3 cresc.. 3. 3. . 3 ff 3. 382. . . . 3. 3. 3. . . . 3. 3. . 3. . 3. . . . 3. . . . 383. 3. . . . 3. . . . . . 3. . 3. . . 3. . 3. 3. . 3. . . . 3. . . 3 3. . . 3 3 3. st307.1.72. 3. . . 3. . 3. . 3. . . . . . 3. . . . . 3. 3. 3. . 3. . . 3. . 3. 3. . . . 3 . . . 3. 3. . 3. . . 3. . . . 385. . . . 3. 3 3. . . . 3. 3 3. . . 3. . 3. . . . . 3. . 3. . . . . 3. 3. 8vb. . . . . 3 . . 3. 384. 3. . . . 3. . 3. 3. . . 3. 3. . 8va. . 3. . 3. . . . 3. 3. 3. 3. . 380. . . . 3. 3. . 3. 3. 3. 3. . . . . . 3 . 3. 3 . . 3 . . 3. . . 8vb. . 3. 3. 3. . . . 379. 3. . 3. 3. . . . . 3. 3. 3. 3. 3. . . . . . . . . . 3. . . 3. . 3. . 3. 378. 3. 3. . . 3. 3 3 ff 3 ff. 3 3 . . 3. ff 3 3 3 ff ff 3 3 3 ff 3 8va 3 3 ff 3 3 ff . . 3. 3. . . . cresc.. 3. . B cl. . 3. cresc.. . . 3 . vc . 3. . 3. cresc.. . 3. . cresc.. 3. vln 3 vla. 3. . 8vb. . . 3. 3. . cresc. start blurring with pedal 3. . . cresc.. . pno 3 . 3. . cresc.. 377. 3. 3. . . . . . 3. 3. . 3 . ff sempre . 3. 3.

(231) 26. N . Meno Mosso ( = 152). . . . 385. fl. . B cl. bsn. .

(232). p. 3. . . crotale, l.v.. perc. pno. . vln. . vc. mf. . bsn. pno.

(233). vln. vla. vc. . . 42 3 3 3 3 mf 3 mp 3 mp mf. mf 3 mp. . 392. 3. 3 3 3 mf. . 42. . . . . . . . . . . . . . . 42. . . . . . arco 3 3 3 3 mp arco 3 pizz. 3 3 3 3 3 mf mp mf mp mp pizz.. with viola. 3. mp mf 3.

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