• No results found

COURSE OBJECTIVES Students will use the Canon 60D to learn:

N/A
N/A
Protected

Academic year: 2021

Share "COURSE OBJECTIVES Students will use the Canon 60D to learn:"

Copied!
9
0
0

Loading.... (view fulltext now)

Full text

(1)

 

DSLR  PRODUCTION  –  COURSE  SYLLABUS  2015-­‐16   W:  1:20-­‐4PM/RM  208  

INSTRUCTOR:  JAVIER  ARMIJO   CONTACT:  JARMIJO@LACHSA.NET    

COURSE  DESCRIPTION  

DSLR  Production  seeks  to  capitalize  on  the  unique  filmmaking  opportunities  afforded  by   our  departments  basic  camera  package:  the  Canon  60D.    The  course  will  cover  all  the   basic  functionality  of  the  camera  as  it  becomes  a  spring-­‐board  to  other  digital  image   capture  technology  that  students  will  encounter  later  in  the  program.    The  course  will   cover  essential  filmmaking  techniques  and  technology  by  engaging  students  in  short   filmmaking  challenges  and  exercises.    It  will  also  cover  essential  film  theory  when   applicable  and  offers  opportunities  for  aesthetic  evaluation  of  short  films  and  written   critical  responses  to  films.    

 

COURSE  OBJECTIVES  

Students  will  use  the  Canon  60D  to  learn:    

• Basic  photography  as  it  applies  to  filmmaking   • Framing  and  Composition  

• Digital  Sensor  technology/digital  imaging  process   • Photographic  Elements/Lenses  

• Exposure  and  Characteristic  Curves/Histogram   • Camera  Audio/Metering  

• Basic  Lighting  for  Interiors/Exteriors   • Shooting  for  Continuity  

• Essential  Editing  Theory    

TEXTBOOKS/RESOURCES    

o Koo,  Ryan.  The  DSLR  Cinematography  Guide.  Nofilmschool.com,  2012.   o Brown,  Blaine.  Cinematography:  Theory  and  Practice-­‐  Image  Making  for  

Cinematographers,  Directors  and  Videographers.    Amsterdam:  Focal  Press,  2002.   o Canon  60D  Users  Manual  

o Popular  Photography,  Ultimate  Photography  Guide  (DVD  Series)  

o Complete  Photography.  Washington  D.C.:  National  Geographic  Society,  2011.   Print  

o American  Cinematographer  Magazine   o Moguls  and  Movie  Stars,  TMC,  2010.  

(2)

DESCRIPTION  OF  MAJOR  ASSIGNMENTS    

Week  1  Welcome,  Syllabus,  Digital  Sensor  Technology  (Notes/PPoint)    

Week  2  Photographic  Elements  (PPoint),  Annenberg  Space  for  Photography  Videos    

Week  3    Canon  60D  Overview:  Storage,  Equipment  check-­‐out/return,  Menu  Settings,        Shooting  Settings,  Tripods  

 

Week  4    Shoot  #1  (STILL  PHOTO  SHOT  LIST)    

Week  5  Shoot#1  (STILL  PHOTO  SHOT  LIST)    

Week  6  Shoot  #1  Review/Critique,  Short  Film  Structures:  The  Karman  Line  (or  TBD)    

Week  7  Story  and  Camera  (Notes),  Shoot  #2  Lenses    

Week  8  Shoot  #2  (LENSES)    

Week  9  Shoot  #2  Edit,  Shoot  #2  Review/Critique    

Week10  –  MIDTERM  /Canon  60D  Test  –  Multiple  Choice  Test  covering  60D  and   Photographic  Elements  

 

Week11  Camera  Audio  (RODE  and  ZOOM  Recorders),  Shoot  #3  (Five  Shot  Films-­‐Groups   of  4)  

 

Week  12  Shoot  #3  (Five  Shot  Films)    

Week  13  THANKSGIVING  BREAK    

Week  14  Shoot  #3  (Five  Shot  Films,  Edit  and  Screenings)    

Week  16  –  FINAL  –  Typed  reflection.    2-­‐5pgs,  typed,  double  spaced,  standard  12pt  font.   This  reflection  can  revolve  around  your  groups  five  shot  films  or  other  class  exercises  –   your  role,  the  outcome  of  the  project,  problems  encountered,  solutions  or  realizations   you  had  about  filmmaking.    Reflection  should  also  comment  on  what  observations   you’ve  made  about  photography/filmmaking  throughout  this  course;  your  perceived   progress  and  where  you  want  to  go  from  here.  

     

(3)

SEMESTER  II    

Week  1  Editing  Theory  (PPoint/Notes)    

Week  2  Lighting  Demos  and  Tools    

Week  3  No  School  Monday  1/19,  Shoot  #4  –  Group  Docs  Project/Teams  of  4     Week  4  Shoot  #4     Week  5  Shoot  #4     Week  6  Shoot  #4    

Week  7  Screen/Critique  Group  Doc  Projects    

Week  8    Script  Selection  for  Shoot  #5/Short  Film    

Week  9  Pre-­‐Production  Planning,  Storyboarding,  Casting    

Week10  –  MIDTERM  –  Short  Answer,  multiple  choice  combination  covering  Editing   Theory,  Lighting  and  Reflective  Question.  

 

Week11  Shoot  #5/Production    

Week12  Shoot  #5  Production    

Week13  Shoot  #5  Post-­‐Production  Editing    

Week14  SPRING  BREAK    

Week  15  Shoot  #5  Finishing  and  Screening  on  Weds  Class    

Week16  Moguls  and  Movie  Stars  Ep.1,  Short  Films    

Week17  Moguls  and  Movie  Stars  Ep.2  ;  Short  Film  Narrative  Structures    

Week19  Moguls  and  Movie  Stars  Ep.3;  Short  Film  Structure  Analysis    

Week20  Moguls  and  Movie  Stars  Ep.4;  Short  Film  Structure  Analysis     Week21  FINAL          

(4)

Office  Hours  and  Tutoring    

Mondays  12:30  –  1:20pm.  

Please  don’t  hesitate  to  see  the  instructor  if  you  feel  you  need  extra  help,  re-­‐training  or   other  guidance.    Other  times  can  be  arranged  for  office  hours  as  needed.    

 

Required  Materials      

Students  should  always  have  a  notebook/paper,  writing  supplies  (pen  or  pencil)  for   note-­‐taking,  production  planning,  scripting  etc.    Reading  material,  homework  and  other   resources  will  be  posted  online  as  a  PDF  for  download.    Please  see  instructions  below  on   how  to  access  homework  through  lachsa.net.    Unless  otherwise  noted,  homework   documents  and  readings  should  be  printed  and  brought  to  class  whenever  they  are   assigned.  

 

Class  Standards  Expectations  /  Rules    

o Preparation.    Projects  will  require  organization  and  teamwork.    Create  and  meet   deadlines  for  all  digital  film  projects.    Bring  your  notebook,  reading(s),  writing   utensils;  complete  all  weekly  reading,  writing  and  homework  on  time.        

o Avoid  distractions  during  lectures/presentations/screenings.    These  include:     excessive  talking,  obtrusive  movements  to,  from  and  within  class  (i.e.  restroom   use,  entering  or  exiting  the  class),  food  and  drinks  (with  the  exception  of  bottled   water),  cell  phones,  I-­‐pods,  ear  phones,  laptops,  calculators,  make-­‐up,  hair-­‐ brushes,  hats,  hoods,  loud/distracting  jewelry,  games,  work  from  other  classes  or   anything  other  than  required  textbooks,  pen  and  paper.      

 

o Respect  the  work  of  others.    Listen.    Watch.  Process.    Respond  appropriately  and   constructively  and  when  it’s  your  turn.  

 

o Respect  all  equipment.    Damage  to  equipment  is  a  student/parent  liability  so  it   is  imperative  that  care  is  used  when  using  it.    Leave  equipment  bags  how  you   found  them  for  others.    Learn  to  maintain  equipment.    Ask  clarifying  questions  of   the  instructor  if  you’re  not  sure  of  the  operation  of  a  piece  of  equipment.       o Editing  Room  Protocol  

• Priority  –  Editing  station  priority  goes  to  students  with  the  most  upcoming   due  date.   Computer  availability  is  limited  and  you  may  have  to  share  your   time  with  other  students.  

• Loitering  –  Please  do  not  be  in  the  editing  room  without  a  purpose.   Due  to   the  lack  of  space,  we  ask  that  students  who  do  not  have  immediate  business   in  the  editing  room  refrain  from  loitering.  

(5)

to  class  time.  

• Printing  –  Students  will  not  be  allowed  to  print  anything  in  the  editing  room.   This  includes  any  Film  assignments,  which  should  be  printed  prior  to  class   time.  

• Food/Drink  –  Due  to  the  expensive  and  delicate  nature  of  our  equipment,  no   food  or  drink  (even  bottled  water)  is  allowed  in  the  editing  room  at  any  time.   • Personal  Belongings  –  Once  again,  due  to  the  lack  of  space,  please  leave  all  

personal  belongings  in  the  classroom  (or  in  your  locker  if  working  outside  of   class  time)  before  entering  the  editing  room.  

• Guests  –  Do  not  invite  friends  or  guests  without  permission  from  the  editing   room  staff.  

 

Assessment  and  Grading       Notes/Outlines/Scripts         30%   Pre-­‐Production/Shoots/Edits/Screenings     40%   Mid-­‐Term             10%   Final               10%   Participation             10%     LACHSA  Academic  Grading  Scale  

  A+      97  -­‐  100%  A     93  -­‐  96.9%  A-­‐   90  -­‐  92.9%   B+      87  -­‐  89.9%  B     83  -­‐  86.9%  B-­‐   80  -­‐  82.9%   C+      77  -­‐  79.9%  C     73  -­‐  76.9%  C-­‐   70  -­‐  72.9%   D+      67  -­‐  69.9%  D     63  -­‐  66.9%  D-­‐   60  -­‐  62.9%   F          59.9%  and  below    

Please  note:  Students  can  earn  no  less  than  the  corresponding  letter  grade  i  each   numerical  category.    The  UC/CSU  does  not  recognize  courses  with  Ds  for  A-­‐G  credit.    

Accessing  the  Class  Website:    

You  can  access  the  class  website  by  following  these  steps:   Log  on  to  http://lachsa.net  (notice  no  www)  

• On  the  top  of  the  page  click  on  “Academics”  or  “Arts”   • Then  click  on  “Classes/Homework”  or  “Homework”  

• Then  click  on  the  subject  you  are  trying  to  look  up  assignments  for   • click  on  your  Teacher  name  and  then  the  period  of  your  class    

     

(6)

Online  Grading  –  Parent  Portal    

ALL  Academic  for  students  will  be  posted  on  ABI  (or  the  Parent  Portal)  after  each   assignment  has  been  turned  in  and  graded.  It  is  the  responsibility  of  the  student  and   parent  to  verify  that  these  grades  are  accurate.  If  there  are  any  discrepancies  with  the   grades,  please  inform  your  teacher.    You  can  access  these  daily  grades  by  choosing   “Grades”  and  then  “Gradebook”  on  your  parent  portal  account.  Then  click  on  the  class   for  which  you  want  to  see  the  assignment  grade  breakdown.  

 

ALL  Academic  and  Arts  grades  will  be  posted  every  4.5  weeks.  These  overall  grades  will   be  posted  on  the  Parent  Portal  for  ALL  classes  in  the  form  of  a  progress  report.  Click  on   “Grades”  then  “Grades”  to  see  your  overall  grades  every  4.5  weeks.  

 

Information  on  how  to  create  a  parent  portal  account  was  give  out  during  registration.   Please  contact  info@lachsa.net  if  you  need  assistance  with  your  portal  account  

reactivation.    

Effect  of  Unexcused  Absences  on  Grades      

At  LACHSA,  a  teacher  may  issue  a  failing  grade  to  a  student  if  they  have  unexcused   absences  for  more  than  ten  percent  of  the  course  periods  in  a  given  semester.  LACHSA   policy  states  that  “for  a  course  that  meets  2-­‐3  times  per  week,  five  (5)  unexcused   absences  in  a  semester  is  excessive.  When  a  student  earns  five  unexcused  absences,  a   teacher  must  notify  the  parent/guardian  that  if  a  student  earns  a  sixth  unexcused   absence,  a  failing  grade  may  be  issued  for  the  semester”.  

 

Work  Habits  and  Citizenship  Grade    

Progress  Report  grades  will  be  issued  every  4.5  weeks  and  will  be  available  for  review  on   the  Parent  Portal.  In  addition  to  a  letter  grade,  a  grade  for  citizenship  and  work  habits   will  be  included  on  the  student's  progress  report  for  each  course  of  enrollment.  These   grades  should  be  reviewed  by  parents  and  students  in  an  effort  to  identify  areas  for   improvement  that  will  likely  also  improve  a  student's  overall  letter  grade  in  the  course.   Students  earning  Unsatisfactory  Citizenship  or  Work  Habits  marks  may  not  be  able  to  

(7)

 

Mark  

Citizenship  

On  time  to  class,  respectful   of  others,  takes  care  of   school  property,  displays  

integrity  

Work  Habits   Participates,  comes   prepared,  engaged  in   curriculum,  completes  

work   Outstanding  (O)   Always  (90-­‐100%)   Always  (90-­‐100%)  

Satisfactory  (S)   Most  of  the  Time  (70-­‐89%)   Most  of  the  Time  (70-­‐89%)   Needs  Improvement  (N)   Sometimes  (50-­‐69%)   Sometimes  (50-­‐69%)   Unsatisfactory  (U)   Rarely  (less  than  50%)   Rarely  (less  than  50%)    

Class  Work  and  Homework  Policy    

Class  work  will  be  assigned  regularly.    Most  of  our  work  is  about  absorbing  content  in   the  early  part  of  the  year,  followed  by  periods  of  collaboration  on  short  film  projects,   followed  by  screenings/reflections  of  those  projects.    Along  the  way,  students  can   expect  to  take  notes,  analyze  short  films,  read  texts,  develop  stories,  prepare  for  and   execute  principal  photography  for  group  and  individual  projects,  edit  and  screen   personal  films,  critique,  appreciate,  self-­‐asses  and  reflect  on  production  experiences.   Please  see  class  website  at  lachsa.net  for  exact  grading  scale,  assignments  and   assignment  due  dates.    

 

Late  Work  Policy    

Late  work  will  not  be  accepted  unless  the  office  has  excused  the  absence  within  24   hours  of  the  absence.    In  accordance  with  the  LACHSA  Attendance  Policy,  all  homework   or  book  work  for  scheduled  arts  or  academic  field  trips  and  performances  must  be   completed  prior  to  trip  or  performance  for  credit  unless  other  arrangements  have  been   made  with  the  teacher  ahead  of  time.    If  you  are  absent  from  class,  it  is  your  

responsibility  to  ensure  your  absence  is  cleared  in  the  main  office  and  your  assignments   are  turned  in.    You  will  not  be  able  to  earn  credit  for  absent  work  unless  your  absence  is   cleared  by  the  main  office  as  an  excused  absence.    In  accordance  with  the  LACHSA   policy,  for  any  excused  absence,  students  will  have  the  same  number  of  days  in  which   they  were  absent  to  make  up  work.    

 

Academic  Integrity      

Integrity  is  highly  valued  at  LACHSA.  Truth  is  the  ultimate  goal  in  democratic  education.   Honesty  is  essential  to  successful  education.  Cheating  is  the  most  destructive  action  in  

(8)

the  academic  world.  Cheating  undermines  the  academic  process,  shatters  student   integrity  and  destroys  the  trust  necessary  to  teacher/student  relationships.  The  cynical   or  unprepared  student  who  seeks  a  dishonest  advantage  over  fellow  students  is  not   only  self-­‐defeating,  but  affects  others  if  not  confronted  and  stopped.  

 

Our  Academic  Honesty  Policy  addresses  issues  of  cheating,  plagiarism,  theft,  alteration   of  materials  and  test  avoidance.  All  students  and  parents  sign  the  policy  at  the  beginning   of  the  school  year  to  demonstrate  their  commitment  to  honesty  and  integrity.  LACHSA   students  and  staff  will  uphold  the  highest  moral  and  ethical  standards.  Theft  of  (or   unauthorized  use  of)  student  possession  will  not  be  tolerated.  Theft  is  a  criminal  matter   and  will  be  treated  as  such.  Our  campus  is  a  place  for  safety  and  respect  for  all.  

Promptly  report  all  incidents  to  a  staff  member  so  that  we  may  deal  with  each  problem   in  a  quick,  consistent  and  rational  manner.  

 

Acts  of  Academic  Dishonesty  which  will  not  be  tolerated  at  LACHSA  are:    

• Cheating  On  Tests:  Any  intentional  giving  or  use  of  external  assistance  relating  to   an  examination,  test  or  quiz  without  permission  of  the  teacher.  Parents  will  be   contacted  by  the  instructor  or  the  student  during  class  time  or  at  the  conclusion   of  the  class.  

• Unauthorized  use  of  technology  devices  during  a  test  or  assessment.    

• Unauthorized  Collaboration:  Intentional  collaboration  (copying)  an  assignment   between  a  student  and  another  person  is  considered  dishonest.  Both  or  all   students  involved  will  be  subject  to  lowered  academic  and  citizenship  grades,   and  parents  will  be  contacted.  

• Plagiarism:  All  students  are  expected  to  complete  their  own  work  and  

assignments.  Plagiarism  constitutes  any  intentional  use  of  someone  else's  ideas,   words  or  works  as  one’s  own.  Plagiarism  includes  the  misuse  of  material  and  the   work  of  another  student.  It  also  includes  downloading  information  directly  from   the  internet  and  computer  and  turning  it  in  as  a  report.  Plagiarism  can  result  in   earning  a  failing  grade  on  the  assignment,  lowering  of  a  citizenship  grade,  and   relinquishing  of  technology  privileges.  Additionally,  any  student  guilty  of   plagiarism  may  receive  a  zero  grade  on  the  assignment.  The  zero  will  not  be   dropped  and  that  grade  will  be  averaged  in  for  the  grading  period.  

(9)

semester  and  suspension  from  school.  

• Test  Avoidance:  If  a  student  develops  a  pattern  of  test  avoidance,  the  parents   will  be  notified.  At  the  teacher’s  discretion,  any  further  absences  may  result  in  a   forfeit  of  the  make-­‐up  policy.  

• Pressure  for  Unsubstantiated  Grade  Change:  Student  and  parent  requests  or   demands  for  a  raise  in  a  course  grade  will  not  be  considered,  unless  such  request   is  based  on  clerical  error.  

References

Related documents

Jesus offered His Holy Blood and Holy Body in the form of wine and bread on Holy and Great Thursday. At the Last Supper, Jesus washed the disciples’ feet as a sign of humility

All students have to purchase a unique access code (either from college bookstore or from Pearson site) and use the access code in order to register into class site: Go

In the first of these cases, the practice of risk avoidance involves actions to reduce the chances of idiosyncratic losses from standard insurance activity by eliminating risks that

in pharmacy from the University of Minnesota (1970) and doctoral degree in medicinal chemistry from the University of Kansas (1978). Following one year of postdoctoral

The Complete Procedure Coding Book, second edition, has been revised to include a greater number of realistic scenarios and case studies for stu- dents to gain hands-on learning

The objectives of this study were to estimate the magnitude of heterosis for forage yield and quality characters that could be used for improving forage sorghum, identify

Ce mémoire, combinant pratique et théorie, porte sur la traduction d’un texte en sciences sociales. Plus précisément, c’est la traduction commentée d’un chapitre de

[r]